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The landscape of Britain holds many secrets and mysteries, | :00:26. | :00:30. | |
I'll be joining the archaeologist whose extraordinary new discoveries | :00:31. | :00:52. | |
are changing our understanding of this place. | :00:53. | :00:54. | |
And I'll be finding out what day-to-day life was like | :00:55. | :00:56. | |
for the people who built this mystical wonder. | :00:57. | :01:03. | |
Also, tonight's the night we reveal the final 12 | :01:04. | :01:06. | |
in this year's Countryfile Photographic Competition. | :01:07. | :01:09. | |
It is, but I'm not sure I would want that on my kitchen wall. | :01:10. | :01:18. | |
And since the theme of the photographic competition | :01:19. | :01:25. | |
Adam takes us through a whole day on the farm. | :01:26. | :01:29. | |
This machine is certainly chewing up the acres! | :01:30. | :01:34. | |
Talk about working from dawn till dusk! | :01:35. | :01:52. | |
A landscape riddled with relics of a mysterious past. | :01:53. | :02:08. | |
And surely the most cherished and impressive example of that history | :02:09. | :02:12. | |
A staggering feat of prehistoric engineering. | :02:13. | :02:23. | |
the stones have stood sentinel over this land. | :02:24. | :02:35. | |
And to think they were put in place by people HERE | :02:36. | :02:41. | |
thousands of years ago is just astonishing. | :02:42. | :02:44. | |
And, of course, it raises so many questions, | :02:45. | :02:47. | |
not least of which - who built this place and why? | :02:48. | :02:56. | |
The clues may be closer to hand than we ever imagined. | :02:57. | :03:04. | |
I'm near Amesbury in the south-eastern corner of the county, | :03:05. | :03:08. | |
This site is called Durrington Walls, | :03:09. | :03:14. | |
and archaeologists have made a discovery here | :03:15. | :03:16. | |
the huge banked enclosure that circles Durrington Walls, | :03:17. | :03:26. | |
scientists took a closer look, and this is what they saw - | :03:27. | :03:34. | |
a series of strange oblong objects buried beneath. | :03:35. | :03:39. | |
Could they be the remains of some sort of monument, | :03:40. | :03:42. | |
perhaps to the site of an earlier village? | :03:43. | :03:45. | |
I'm meeting archaeologist Dr Nick Snashall | :03:46. | :03:49. | |
this was probably one of the largest settlements in north-west Europe, | :03:50. | :03:57. | |
you would have seen a whole series of little thatched buildings. | :03:58. | :04:03. | |
You probably would have had as many as 4,000 people. | :04:04. | :04:07. | |
Goodness me. And you think that could have been one of the bigger | :04:08. | :04:10. | |
or biggest settlements in Europe at that time? | :04:11. | :04:13. | |
It's very likely that it was, absolutely. | :04:14. | :04:15. | |
For a period of about 10 or 12 years, | :04:16. | :04:18. | |
this would have been the beating heart | :04:19. | :04:20. | |
of what was going on in the British Isles. | :04:21. | :04:22. | |
That's incredibly exciting, but why here? | :04:23. | :04:25. | |
Well, we think from the dates of the settlement, | :04:26. | :04:28. | |
they match exactly with the construction of Stonehenge, | :04:29. | :04:32. | |
which lies just a couple of miles from where we are standing. | :04:33. | :04:35. | |
And this site is actually physically linked, via an avenue, | :04:36. | :04:39. | |
to the River Avon, and if you go downstream down the River Avon, | :04:40. | :04:43. | |
there is another avenue to Stonehenge itself. | :04:44. | :04:46. | |
What we think we've got here is the encampment | :04:47. | :04:49. | |
where the builders of Stonehenge were living. | :04:50. | :04:53. | |
archaeologists have established that Durrington Walls | :04:54. | :04:58. | |
played an important role in the construction of Stonehenge. | :04:59. | :05:02. | |
The discovery of these hidden objects | :05:03. | :05:04. | |
suggests the site could be even more special. | :05:05. | :05:08. | |
And it's thanks to huge advances in technology | :05:09. | :05:11. | |
It was specialist ground-penetrating radar | :05:12. | :05:16. | |
that first saw the mysterious objects, buried only a metre deep, | :05:17. | :05:20. | |
Those mystery objects are right here beneath my feet, and they're big, | :05:21. | :05:28. | |
each one measuring up to four metres across. | :05:29. | :05:32. | |
Now, they've discovered AT LEAST 120 of them | :05:33. | :05:35. | |
and they've got the experts scratching their heads. | :05:36. | :05:41. | |
Could the site have once looked something like this, | :05:42. | :05:46. | |
A memorial to those who had once lived here, | :05:47. | :05:52. | |
To solve the mystery of what lies hidden, | :05:53. | :06:07. | |
The team here have been digging for just over a week | :06:08. | :06:11. | |
and they have made very quick progress indeed. | :06:12. | :06:16. | |
We are actually standing on a ground surface | :06:17. | :06:19. | |
that was last walked about on 4,500 years ago. | :06:20. | :06:23. | |
Archaeologist Professor Mike Parker Pearson | :06:24. | :06:26. | |
may have the answer to the mystery of the buried objects. | :06:27. | :06:29. | |
You've dug down. What have you found? | :06:30. | :06:31. | |
Well, these enormous holes held giant posts, | :06:32. | :06:35. | |
the kind of posts that are basically tree trunks. | :06:36. | :06:38. | |
So they would have been, what, five, six, seven metres high? | :06:39. | :06:42. | |
You know, these would have been nearly 100-year-old trees | :06:43. | :06:47. | |
The evidence from the dig suggests mighty timber posts once stood here. | :06:48. | :06:59. | |
But why, then, was the bank and ditch henge hiding this evidence? | :07:00. | :07:04. | |
There is yet another twist to this tale. | :07:05. | :07:07. | |
Somebody, at the top management level, I'm sure, | :07:08. | :07:10. | |
"Pull out the posts. We are going to have a huge great bank and ditch. | :07:11. | :07:19. | |
"We want this to be something that lasts not for hundreds of years | :07:20. | :07:22. | |
"but for thousands, so that people in the future | :07:23. | :07:25. | |
we now know that the late Neolithic people | :07:26. | :07:43. | |
planted a huge number of giant wooden posts | :07:44. | :07:46. | |
all the way round this henge that were then suddenly removed. | :07:47. | :07:49. | |
We don't know how, we don't know why, | :07:50. | :07:51. | |
and it just goes to show that this well-studied World Heritage Site | :07:52. | :07:56. | |
hasn't given up all its secrets just yet. | :07:57. | :08:06. | |
Now, the theme for this year's Countryfile Photographic Competition | :08:07. | :08:10. | |
was From Dawn Till Dusk, and we've had thousands of entries. | :08:11. | :08:14. | |
It's now up to the judges to choose the final 12 pictures | :08:15. | :08:17. | |
that will appear in the Countryfile Calendar for 2017. | :08:18. | :08:21. | |
And we'll need your help to pick one overall winner. | :08:22. | :08:24. | |
But first, here's John to get us started. | :08:25. | :08:34. | |
Our photographic competition is always one of the highlights | :08:35. | :08:37. | |
This time we asked you to send in your pictures | :08:38. | :08:45. | |
capturing the British countryside in all its glory | :08:46. | :08:48. | |
from dawn till dusk, from daybreak to sunset. | :08:49. | :08:53. | |
You sent in more than 20,000 entries. | :08:54. | :09:00. | |
And finding the 12 outstanding images | :09:01. | :09:03. | |
that will make up the Countryfile Calendar for 2017 | :09:04. | :09:06. | |
This is where we'll be doing our judging, | :09:07. | :09:10. | |
amidst the splendid ruins of Old Wardour Castle | :09:11. | :09:13. | |
in the depths of Wiltshire, as guests of English Heritage. | :09:14. | :09:19. | |
we've called upon past winners and finalists to help with the judging. | :09:20. | :09:25. | |
the castle's charming 18th-century banqueting pavilion, | :09:26. | :09:30. | |
and compiling a long list of around 2,000. | :09:31. | :09:39. | |
Where was that taken? That's Carmarthenshire. | :09:40. | :09:44. | |
Choosing the final 12 for the calendar | :09:45. | :09:47. | |
will be down to wildlife cameraman Simon King, | :09:48. | :09:50. | |
Deborah Meaden from Dragons' Den, and me. | :09:51. | :09:56. | |
So, what's our team of long-list selectors hoping to find | :09:57. | :10:00. | |
With the theme being From Dawn Till Dusk, | :10:01. | :10:07. | |
We've got the sunrise, we've got the sunset. | :10:08. | :10:12. | |
And they can produce fabulous images. | :10:13. | :10:14. | |
So, what I'm going to look for is a bit of the magic in the day. | :10:15. | :10:18. | |
I think I'm looking for something artistic, | :10:19. | :10:20. | |
something I've never seen before maybe. | :10:21. | :10:22. | |
The type of picture that I'm looking for is something | :10:23. | :10:24. | |
that sort of grabs your eye from quite a distance | :10:25. | :10:26. | |
Working in pairs, our first skilful snappers are Ben Andrew, | :10:27. | :10:32. | |
who was the overall winner last year with Happy Hedgehog, | :10:33. | :10:36. | |
and Rosy Burke, judges' favourite in 2005 with Fun In The Waves. | :10:37. | :10:42. | |
because it's a kite festival and it's like a medieval painting. | :10:43. | :10:48. | |
And because they're flying against a blue background, | :10:49. | :10:53. | |
it's as though they are flying in water. | :10:54. | :10:55. | |
It's actually got a European green lizard | :10:56. | :11:02. | |
and some of the vegetation that it's picked up | :11:03. | :11:06. | |
so it becomes more than just your average sort of bird-in-flight shot. | :11:07. | :11:13. | |
Our second pair is Dianne Giles and Andy Colbourne. | :11:14. | :11:17. | |
a beautiful stag just popping out from the grass here. | :11:18. | :11:35. | |
The photograph was taken in a back garden, it says, which is great, | :11:36. | :11:41. | |
because when you start to look at this, the detail, | :11:42. | :11:44. | |
it's the closest you'll ever get to looking at an alien. | :11:45. | :11:46. | |
And Lawrie Brailey, who was a finalist with Fox Love in 2014. | :11:47. | :12:02. | |
Photo taken from a mouse hiding inside a plastic ornamental heron. | :12:03. | :12:08. | |
You don't get much more wacky than that. | :12:09. | :12:10. | |
Really, really cute image and it has to go through for me. | :12:11. | :12:13. | |
For somebody to be able to take an image like that, | :12:14. | :12:16. | |
you've got to plan it the day before. | :12:17. | :12:19. | |
And then to actually get an animal in the shot as well, fabulous. | :12:20. | :12:27. | |
After many hours of sifting and sorting, our crack team has done it. | :12:28. | :12:32. | |
They've managed to compile a long list of around 2,000 photos | :12:33. | :12:36. | |
Simon and me to pick those 12 stunning photographs | :12:37. | :12:46. | |
that will each have a page on next year's Countryfile Calendar. | :12:47. | :12:50. | |
we'll be right here, amidst the ruins of Old Wardour Castle itself, | :12:51. | :12:56. | |
so join us for that later in the programme. | :12:57. | :13:06. | |
The mighty and mystical circle of stones. | :13:07. | :13:10. | |
A huge draw for more than a million visitors every year. | :13:11. | :13:14. | |
Stonehenge was built by a huge workforce over many decades, | :13:15. | :13:20. | |
a feat of determination as well as engineering. | :13:21. | :13:25. | |
But who were these people and how did they live? | :13:26. | :13:30. | |
Excavations have shown they used what they found in the landscape. | :13:31. | :13:34. | |
Here at this mock-up of a Neolithic village, | :13:35. | :13:37. | |
English Heritage volunteer Sue Martin | :13:38. | :13:39. | |
is doing a spot of prehistoric plastering, | :13:40. | :13:42. | |
using the same materials our ancestors would have used. | :13:43. | :13:45. | |
We are repairing houses, they sort of continually need repairing. | :13:46. | :13:52. | |
And what's in there? This is crushed chalk. | :13:53. | :13:55. | |
And water. And that's it? That's it. Simple as that, | :13:56. | :14:00. | |
and that's what they insulated their houses with? | :14:01. | :14:02. | |
This is the daub. So the wattle, and what type of wood is this? | :14:03. | :14:07. | |
Hazel. It's a bit like an upturned basket when it's first made, | :14:08. | :14:10. | |
Simple as that. To repair, we need to get the wall quite wet, | :14:11. | :14:16. | |
So is that an ancient sponge you are using there? Yeah, very(!) | :14:17. | :14:20. | |
Oh. It's not as easy as it looks. Nope. | :14:21. | :14:33. | |
And I've managed to get it everywhere. | :14:34. | :14:35. | |
Inside the house, Sue's colleagues Flo Brooks, | :14:36. | :14:41. | |
Dennine Hopper and Chessie Turner are gathering round the fire | :14:42. | :14:45. | |
Hello, ladies. ALL: Hello. | :14:46. | :14:50. | |
Wonderful. So, this is what we think a Neolithic house | :14:51. | :14:56. | |
When they excavated, they found chalk floors and the hearth. | :14:57. | :15:01. | |
And they have stake holes round the outside | :15:02. | :15:03. | |
and grooves where the furniture went. | :15:04. | :15:06. | |
Dennine, what have you got in your hand? What are you twiddling there? | :15:07. | :15:09. | |
I'm working with nettle. I'm making cordage out of nettle, | :15:10. | :15:12. | |
but you can use it for all sorts of things. | :15:13. | :15:15. | |
If you take a piece of leather, which they would have had, | :15:16. | :15:19. | |
and wipe it down the nettle stem, it actually removes the stings. | :15:20. | :15:24. | |
And once you've strung it, you can actually... | :15:25. | :15:26. | |
And Chessie, this is not the ancient way of lighting fire, | :15:27. | :15:33. | |
but this is how they would have had it, | :15:34. | :15:35. | |
they would have had a hearth in the middle, would they? | :15:36. | :15:37. | |
Yes. From the excavations that we did at Durrington, | :15:38. | :15:39. | |
this is what we found, so we've done replicas. | :15:40. | :15:48. | |
It's been 30 years since Stonehenge gained its World Heritage status, | :15:49. | :15:52. | |
with the Pyramids and the Great Wall of China, | :15:53. | :15:55. | |
but it's not just the stones that need to be carefully managed, | :15:56. | :15:58. | |
it's this beautiful wider landscape all around it. | :15:59. | :16:04. | |
Helping manage the site is archaeologist Susan Greaney. | :16:05. | :16:08. | |
balancing the demands of millions of visitors | :16:09. | :16:12. | |
with a need to protect this ancient landscape. | :16:13. | :16:15. | |
So, we're stood right in the middle here of the World Heritage Site, | :16:16. | :16:18. | |
and it's about 25 square kilometres, a huge, huge area, | :16:19. | :16:21. | |
and it's got all kinds of prehistoric monuments in it. | :16:22. | :16:24. | |
We can see some of the major early Neolithic monuments | :16:25. | :16:29. | |
We've also got a huge amount of archaeology that we can't see, | :16:30. | :16:33. | |
lots of things that have been destroyed by ploughing, | :16:34. | :16:37. | |
but are actually still there and still waiting | :16:38. | :16:39. | |
So, how difficult is it to look after a site like this, then? | :16:40. | :16:43. | |
Well, there's two major things that we have to think about. | :16:44. | :16:46. | |
One is the visitors, but then we've also got a, sort of, | :16:47. | :16:48. | |
So really, we are here to look after the monuments, | :16:49. | :16:52. | |
make sure that everybody can enjoy them in the future. | :16:53. | :16:56. | |
In recent years, a major road, the A344, has been closed, | :16:57. | :17:01. | |
meaning traffic no longer thunders past close to the stones. | :17:02. | :17:05. | |
In 2013, we closed that road and now we've restored it back to grass and | :17:06. | :17:09. | |
that's a really tranquil and much more peaceful place to be. | :17:10. | :17:12. | |
What do you think it is about that monument there? | :17:13. | :17:14. | |
There is just something about it that is unique. | :17:15. | :17:17. | |
There is no other lintelled stone circles in the world, | :17:18. | :17:19. | |
and I think people just come and marvel | :17:20. | :17:21. | |
at the amount of energy and the amount of expertise it needed | :17:22. | :17:24. | |
You can come here and stand where our prehistoric ancestors stood. | :17:25. | :17:28. | |
Millions have stood where those prehistoric feet stood. | :17:29. | :17:37. | |
And it's a privilege to stand here too. | :17:38. | :17:40. | |
To feel the magic and the mystery of this ancient place. | :17:41. | :17:52. | |
people have farmed these gently rolling acres. | :17:53. | :17:58. | |
But running a 21st-century farm operation | :17:59. | :18:01. | |
in a landscape of such archaeological importance | :18:02. | :18:03. | |
brings with it very particular challenges. | :18:04. | :18:10. | |
Hugh Morrison farms more than 1,500 acres of National Trust land. | :18:11. | :18:18. | |
He took over the tenancy with his family and business partner Billy. | :18:19. | :18:23. | |
I mean, what is in this field, it's barley? | :18:24. | :18:26. | |
Yeah. Spring barley in this field. That's hopefully all for malting. | :18:27. | :18:29. | |
Yeah. So, have it with your beer tonight. | :18:30. | :18:31. | |
We've got 600 breeding ewes and they all graze the grassland | :18:32. | :18:36. | |
You farm two of the most archaeologically important sites | :18:37. | :18:43. | |
in Europe. That's incredible. It's always very interesting, yeah. | :18:44. | :18:46. | |
Well, look, I want to have a look around the farm. | :18:47. | :18:55. | |
There are archaeologically sensitive sites all over the farm. | :18:56. | :19:01. | |
Hugh has had to change the way he works the land. | :19:02. | :19:06. | |
We've got a very nice, diverse sward reverted back to downland grass. | :19:07. | :19:14. | |
We made that decision with the National Trust | :19:15. | :19:19. | |
to principally protect the archaeology that's underlying this, | :19:20. | :19:23. | |
so we've put it down to grass and we've now got a base | :19:24. | :19:27. | |
Well, it seems to be flourishing, so it seems to be working quite well. | :19:28. | :19:32. | |
It is working. I'm quite pleased with the results with this field. | :19:33. | :19:35. | |
It's really satisfying to see this grass start to mimic very natural | :19:36. | :19:40. | |
we've kick-started this and it's going to take maybe 50 years. | :19:41. | :19:46. | |
Oh, really? It's really going to start having an impact. | :19:47. | :19:52. | |
It could result in a landscape as ecologically diverse | :19:53. | :19:55. | |
Helping Hugh to manage this rich landscape is his daughter, Molly. | :19:56. | :20:04. | |
At just 15, she is the resident expert | :20:05. | :20:07. | |
So, how does it feel to be mowing an ancient burial mound? | :20:08. | :20:15. | |
It's nice to think about the history, but also, | :20:16. | :20:19. | |
I'm just doing a job and it's not stopping me doing that, so... | :20:20. | :20:21. | |
You're not really thinking about the history as you go around, are you? | :20:22. | :20:24. | |
No. What's really on your mind? Not hitting anything. | :20:25. | :20:27. | |
Avoiding the tree stumps. Yeah! You're doing a great job. | :20:28. | :20:31. | |
Dad's working you hard this summer? Yep, over 100 hours' work so far. | :20:32. | :20:34. | |
All right, then. Time is money. Back in there. You can finish this. | :20:35. | :20:36. | |
Well done, Molly. Thanks! We'll see you later. Bye! | :20:37. | :20:39. | |
Farming here has its particular challenges for Hugh. | :20:40. | :20:52. | |
You weren't joking when you said you farmed right up to the monument. | :20:53. | :21:05. | |
Not many farms have a view like that, do they? | :21:06. | :21:09. | |
What's the perfect conditions for you, as a farmer, to see Stonehenge? | :21:10. | :21:15. | |
I think a lovely autumnal misty morning, | :21:16. | :21:19. | |
when the stones are looming out of the mist | :21:20. | :21:21. | |
Wiltshire's farmers share a heritage going back millennia | :21:22. | :21:33. | |
to the prehistoric pioneers of agriculture. | :21:34. | :21:37. | |
this landscape should endure and flourish for generations. | :21:38. | :21:50. | |
This is Old Wardour Castle in Wiltshire, | :21:51. | :21:52. | |
the atmospheric location for the final judging | :21:53. | :21:55. | |
our team of past winners and finalists | :21:56. | :22:02. | |
to provide a very challenging long list. | :22:03. | :22:08. | |
OK, Andy, you're the expert on lighthouses. | :22:09. | :22:11. | |
And now, it's time for the final judging, | :22:12. | :22:22. | |
when we'll be searching for those 12 exceptional photographs | :22:23. | :22:25. | |
that will grace the Countryfile Calendar for 2017. | :22:26. | :22:31. | |
Joining me on the judging panel are Deborah Meaden from Dragons' Den | :22:32. | :22:35. | |
And we'll be choosing the final 12 pictures HERE, | :22:36. | :22:41. | |
within the ruined walls of the castle. | :22:42. | :22:44. | |
Welcome! Hey, John. How are you? You found it! Good to see you. | :22:45. | :22:47. | |
Be nice when it's finished, won't it? | :22:48. | :22:50. | |
'The theme for this year's competition is From Dawn Till Dusk,' | :22:51. | :22:57. | |
and with so many images to get through, | :22:58. | :22:59. | |
Simon, professional photographer, cameraman, | :23:00. | :23:04. | |
It's composition, it's the lens used, | :23:05. | :23:08. | |
that there was a serious intent in the taking of the image | :23:09. | :23:14. | |
So many entries. Yeah, going to have to be tough. | :23:15. | :23:17. | |
Well, here's our rather large short list. | :23:18. | :23:20. | |
Shall we get going? Let's do it. Let's do it. | :23:21. | :23:29. | |
Stunning. A pony coming at us through a snowstorm, I think. | :23:30. | :23:37. | |
Never seen anything like that before. | :23:38. | :23:42. | |
There's a frog that knows its own mind! | :23:43. | :23:51. | |
The fact that's down and near water level... | :23:52. | :23:54. | |
Yeah. ..means that they've really considered | :23:55. | :23:56. | |
And to get it actively having a go at a blackberry is... | :23:57. | :24:02. | |
Yeah, he's having one of his five a day! | :24:03. | :24:10. | |
Does anybody else think that's a little bit romantic? | :24:11. | :24:12. | |
Yes. There's something very lovely... | :24:13. | :24:14. | |
That's exactly what's happening. Is it? | :24:15. | :24:16. | |
It's a male feeding the female in courtship feeding. | :24:17. | :24:19. | |
Oh, it is? You see, now, that's a photograph to me. | :24:20. | :24:22. | |
When you actually get the sense of what's going on. | :24:23. | :24:25. | |
Oh, I love that! DEBORAH LAUGHS | :24:26. | :24:32. | |
I am going to let Deborah and Simon carry on, | :24:33. | :24:37. | |
while I take some time out to discover a little bit more | :24:38. | :24:40. | |
The unusual hexagonal ruins of Old Wardour Castle | :24:41. | :24:56. | |
stand serenely in their lakeside setting. | :24:57. | :25:00. | |
But this beguiling scene masks a dramatic past. | :25:01. | :25:05. | |
It's wonderful, and a fantastic entrance | :25:06. | :25:10. | |
Win Scutt, curator with English Heritage, | :25:11. | :25:16. | |
is going to tell me how this once lavish home | :25:17. | :25:19. | |
Well, what an impressive place, Win, isn't it? | :25:20. | :25:25. | |
It's absolutely fantastic, isn't it? What's its history then? | :25:26. | :25:28. | |
Well, this is basically the facade to a great 14th-century building. | :25:29. | :25:32. | |
But by the time we get to the 1570s, it's bought by the Arundells. | :25:33. | :25:35. | |
And they start to decorate it and we've got lots of features here. | :25:36. | :25:39. | |
The kind of makeover job that was done in Tudor times, | :25:40. | :25:42. | |
you've got the Arundell coat of arms and a bust of Jesus Christ, | :25:43. | :25:46. | |
our Lord, above. They were a Catholic family and they sided | :25:47. | :25:50. | |
with the King and the royalists against parliament in the Civil War. | :25:51. | :25:58. | |
When Lord Arundell went off to fight for the King, | :25:59. | :26:01. | |
he left his 61-year-old wife Blanche to bravely defend the castle. | :26:02. | :26:06. | |
She managed to stand with 25 servants and other men | :26:07. | :26:13. | |
in the castle here against 1,300 parliamentarian forces | :26:14. | :26:17. | |
But eventually, she had to give up and surrender. | :26:18. | :26:22. | |
They allowed her out, but they went in and smashed the place up. | :26:23. | :26:26. | |
And one of the pieces of the fireplace, | :26:27. | :26:28. | |
You can just about make out the lovely lion shape here. | :26:29. | :26:33. | |
Oh, yeah. Why did they want to destroy it? | :26:34. | :26:36. | |
I think it just stank of royalist opulence and all the rest of it. | :26:37. | :26:40. | |
I think they just wanted to smash everything to do with the royalists. | :26:41. | :26:48. | |
In a bid to recapture the family home, Henry, Lord Arundell's heir, | :26:49. | :26:53. | |
But HE did even more damage than the parliamentarians. | :26:54. | :26:59. | |
Well, if Henry wanted to take the castle back, | :27:00. | :27:02. | |
how come that so much of the REAR of it is in ruins? | :27:03. | :27:05. | |
Well, he planted mines, barrels of gunpowder | :27:06. | :27:08. | |
And accidentally, someone dropped a match on it. | :27:09. | :27:13. | |
but 35 rooms have completely disappeared. | :27:14. | :27:19. | |
So, what started as a brave plan, ended in disaster. | :27:20. | :27:24. | |
The castle was never inhabited again, | :27:25. | :27:27. | |
the ruins abandoned to the quiet of the Wiltshire countryside, | :27:28. | :27:30. | |
where they've stood for nearly 400 years. | :27:31. | :27:43. | |
With the day marching on, it's time to get back to the judging. | :27:44. | :27:46. | |
I wonder if Simon and Deborah have found any images | :27:47. | :27:49. | |
I kind of like photographs that take me to a place | :27:50. | :28:04. | |
You know, I see lovely skies, I see lovely views, | :28:05. | :28:09. | |
but I never see a little furry caterpillar | :28:10. | :28:13. | |
And he's looking up as if, "Oh, how much further have I got to go?" | :28:14. | :28:21. | |
Barn owls, I love. And I've got a soft spot for them. | :28:22. | :28:24. | |
putting the air brakes on just before it lands. | :28:25. | :28:28. | |
Later, we'll be fighting it out for our favourites | :28:29. | :28:35. | |
and then handing over to you to pick the overall winner, | :28:36. | :28:38. | |
which will feature on the cover of the calendar for 2017. | :28:39. | :28:50. | |
For most farmers, every day is a dawn till dusk day, | :28:51. | :28:53. | |
Adam is certainly up for making the most of the daylight hours. | :28:54. | :29:00. | |
There we are. There's your breakfast. | :29:01. | :29:20. | |
and although we're still in the middle of summer, | :29:21. | :29:24. | |
the daylight hours are getting shorter, | :29:25. | :29:26. | |
which means the ewes will soon be coming into season, | :29:27. | :29:28. | |
So I'm now heading off to a farm in Herefordshire | :29:29. | :29:32. | |
to hopefully buy a couple of new rams for this season. | :29:33. | :29:35. | |
And I hope he's got what I'm looking for. | :29:36. | :29:49. | |
Edward Collins runs Bearwood Farm just outside Leominster. | :29:50. | :29:52. | |
a popular breed of sheep that I use in my commercial flock. | :29:53. | :30:01. | |
All the rams Edward has on offer are amongst the best in the breed. | :30:02. | :30:06. | |
Thankfully, he's also one of a select few breeders | :30:07. | :30:09. | |
to help me pick the right animals to suit my flock at home. | :30:10. | :30:16. | |
Now, what's interesting with what Ed does here, | :30:17. | :30:19. | |
he chooses good animals in the way they're made up, | :30:20. | :30:22. | |
but also, he measures lots of attributes | :30:23. | :30:25. | |
that the animals have and builds up a set of statistics, really. | :30:26. | :30:29. | |
So it's a bit like choosing a lovely car | :30:30. | :30:32. | |
Right, here we go. His maternal figures are top 5% of the breed. | :30:33. | :30:43. | |
What lets him down is his worm figures. | :30:44. | :30:48. | |
So, maternal figures are the traits | :30:49. | :30:52. | |
that he's going to put into his daughters, | :30:53. | :30:54. | |
so how good a daughter he's going to have. | :30:55. | :30:56. | |
Yes. And the carcass is how much meat | :30:57. | :30:58. | |
he's going to produce across his lambs. | :30:59. | :31:00. | |
you're measuring lambs that have a natural ability | :31:01. | :31:05. | |
Yes, we are doing some research at the moment on worm resistance. | :31:06. | :31:12. | |
There are certain animals in a group that will be more | :31:13. | :31:15. | |
genetically resistant to worms than others. | :31:16. | :31:17. | |
This ram's figures are not as good as some of the other rams | :31:18. | :31:22. | |
Well, that's a real shame because I really like the look of him. | :31:23. | :31:26. | |
Right, you've picked one that's top 1% of the maternal. | :31:27. | :31:40. | |
Oh, yeah, he's the one. He's my best for worm. | :31:41. | :31:44. | |
And plus, he's got good worm figures. | :31:45. | :31:51. | |
OK, he's a definite. Let's remember that number. | :31:52. | :32:02. | |
'farmers are able to buy tailor-made animals to suit the needs | :32:03. | :32:08. | |
'I'm keen on animals with good worm resistance because I want | :32:09. | :32:14. | |
'to reduce the amount of medication I use.' | :32:15. | :32:17. | |
I'm going to take five. LAUGHING: You're going to take five? | :32:18. | :32:19. | |
'Also, by using rams with these genes, | :32:20. | :32:22. | |
'I'll be able to breed this characteristic | :32:23. | :32:24. | |
'into future generations of my flock at home.' | :32:25. | :32:29. | |
and when you can find out about their figures | :32:30. | :32:34. | |
and their performance, over and above just what they look like, | :32:35. | :32:37. | |
An excellent morning. And back on the farm, | :32:38. | :32:51. | |
there are other little tricks of the trade we can use | :32:52. | :32:53. | |
to get the most out of our livestock. | :32:54. | :32:56. | |
Most people don't shear their ewe lambs until next year, | :32:57. | :33:00. | |
These are only four or five months old, | :33:01. | :33:04. | |
and we've been shearing them now, around August time, | :33:05. | :33:07. | |
for the last couple of years, and it works really well. | :33:08. | :33:14. | |
We shear these young sheep for a number of reasons. | :33:15. | :33:16. | |
Partly because it keeps them nice and clean and free from any muck, | :33:17. | :33:20. | |
On a very hot day at this time of year, | :33:21. | :33:23. | |
usually the sheep will be in the shade, | :33:24. | :33:25. | |
But if you take the fleece off their back, | :33:26. | :33:29. | |
they're cooler, so then they're out grazing, and when they're grazing, | :33:30. | :33:33. | |
they're putting on weight, which is a really good thing. | :33:34. | :33:36. | |
Although the value of wool isn't that high, | :33:37. | :33:39. | |
these little Romneys produce a good-sized fleece, | :33:40. | :33:41. | |
so it pays at least for the shearing. | :33:42. | :33:44. | |
But we find the real benefit of them growing on so well | :33:45. | :33:47. | |
and producing a better ewe really makes it worthwhile. | :33:48. | :33:54. | |
Dry weather's important, not just for shearing, | :33:55. | :33:57. | |
The winter barley has already been taken in. | :33:58. | :34:07. | |
This afternoon, the combines are making good progress | :34:08. | :34:09. | |
Because of the rain and the lack of sunshine, | :34:10. | :34:14. | |
the crops have been quite slow to mature this year | :34:15. | :34:17. | |
But also, because of that lack of sunshine, | :34:18. | :34:21. | |
In our winter barley, it was 20% down, | :34:22. | :34:24. | |
and usually we would expect 3.5, 4 ton a hectare | :34:25. | :34:27. | |
for this oilseed rape and we're getting about three. | :34:28. | :34:30. | |
And that's the story I'm hearing right across the country. | :34:31. | :34:33. | |
But while we've got a break in the weather | :34:34. | :34:35. | |
we've just got to keep working, even if it means combining all night. | :34:36. | :34:45. | |
The incredible speed that these modern harvesters work at | :34:46. | :34:48. | |
means they can eat up fields quicker than ever before. | :34:49. | :34:52. | |
By late afternoon, they've harvested the oilseed rape. | :34:53. | :34:59. | |
But as dusk draws near, the early evening dew clings to the next crop, | :35:00. | :35:04. | |
so the combines will have to call it a day, as the extra moisture | :35:05. | :35:07. | |
will need burning off by tomorrow's summer sun. | :35:08. | :35:12. | |
What we ARE still working on is the cultivations. | :35:13. | :35:15. | |
This is a great big tractor running on tracks, | :35:16. | :35:17. | |
with low ground pressure, so it doesn't damage the soil. | :35:18. | :35:20. | |
And then the cultivator behind is ripping up the stubble to | :35:21. | :35:24. | |
create a seedbed to plant into for next year's crop. | :35:25. | :35:28. | |
we have to take every opportunity to get jobs done. | :35:29. | :35:33. | |
Fortunately, the technology in these machines is designed to work | :35:34. | :35:37. | |
It's all being run by satellite navigation, | :35:38. | :35:43. | |
so it's steering itself up the field in a dead straight line. | :35:44. | :35:46. | |
There's a saying in farming - that we work in acres, not hours. | :35:47. | :35:51. | |
And this machine is certainly chewing up the acres. | :35:52. | :35:56. | |
Talk about working from dawn till dusk! | :35:57. | :35:59. | |
Here, we're working from dawn till dusk and beyond. | :36:00. | :36:14. | |
This is Old Wardour Castle in Wiltshire, | :36:15. | :36:16. | |
where we're in the final stages of judging this year's | :36:17. | :36:19. | |
Countryfile Photographic Competition. | :36:20. | :36:22. | |
Is that starlings? No, it's lapwings. And golden plovers. | :36:23. | :36:27. | |
That's extraordinary that you can tell that from that picture. | :36:28. | :36:30. | |
After much deliberation and debate, | :36:31. | :36:35. | |
our long list of 2,000 photos is now down to about 400. | :36:36. | :36:40. | |
Now comes the really hard part, as we try to agree on our final 12. | :36:41. | :36:45. | |
We still have far too many, I'm afraid. | :36:46. | :36:47. | |
I wouldn't know, but it looks to me like a dawn start. | :36:48. | :36:55. | |
I think that's the killer cow from hell! | :36:56. | :37:03. | |
When you stand high enough up a hill or a mountain | :37:04. | :37:14. | |
to get the cloud around you and the sun is shining past, | :37:15. | :37:17. | |
you get a rainbow around your own shadow, | :37:18. | :37:19. | |
It is, but I'm not sure I would want that on my kitchen wall. | :37:20. | :37:30. | |
'We've got to make some very tough decisions | :37:31. | :37:35. | |
'because the selected photos will be the stars | :37:36. | :37:38. | |
'of our calendar, which we sell in aid of BBC Children In Need.' | :37:39. | :37:42. | |
It is a beautiful shot of a red squirrel. | :37:43. | :37:49. | |
The current calendar sold 460,000 copies and raised | :37:50. | :37:54. | |
It's time to get brutal. Right. OK? | :37:55. | :38:06. | |
I'm going to fight for the sheep because I think that I'd like | :38:07. | :38:09. | |
to see something with a bit of human intervention. | :38:10. | :38:12. | |
For the calendar, I would probably go for this one. | :38:13. | :38:21. | |
Yeah, me too. There is just more to... | :38:22. | :38:22. | |
'Our job will be done once we've chosen the final 12. | :38:23. | :38:42. | |
'Your vote will determine the overall winner, | :38:43. | :38:47. | |
'who gets to choose ?1,000 worth of photographic equipment. | :38:48. | :38:51. | |
'Their winning picture will also grace the front of the calendar. | :38:52. | :38:55. | |
The time has come to choose our final 12 from these. Hmm... | :38:56. | :39:07. | |
You know, maybe not the dead of winter. | :39:08. | :39:18. | |
late summer, July, August. Yeah, it's stunning. | :39:19. | :39:31. | |
'Picking just a dozen pictures from so many striking images has been | :39:32. | :39:35. | |
'an almost impossible, very subjective task. | :39:36. | :39:39. | |
We've got our final 12. What do you think of them? | :39:40. | :39:45. | |
I'm actually very jealous of some of these pictures. | :39:46. | :39:47. | |
I wish I'd taken them, I really do. Deborah? | :39:48. | :39:50. | |
Actually, laid out like that, I'm amazed we got them | :39:51. | :39:52. | |
down to those, because they are stunning photographs, | :39:53. | :39:55. | |
and that looks like a really good calendar. | :39:56. | :40:03. | |
here are the 12 that will make up the Countryfile Calendar for 2017. | :40:04. | :40:16. | |
Now it's for you to decide the overall winner. | :40:17. | :40:19. | |
You can select your favourite by phone. | :40:20. | :40:24. | |
And you can also vote online on our website. | :40:25. | :40:26. | |
You'll need to register for a BBC iD if you don't have one already, | :40:27. | :40:30. | |
and then you can choose your favourite picture | :40:31. | :40:33. | |
And that way, of course, it won't cost you anything. | :40:34. | :40:39. | |
Voting by phone costs 10p, plus your network's access charge. | :40:40. | :40:47. | |
If Morning Hare is your favourite, call... | :40:48. | :42:22. | |
Right, you've got all the numbers and our website address, | :42:23. | :42:25. | |
And we'll be revealing the overall winner, plus the judges' favourite, | :42:26. | :42:57. | |
and the calendar itself on Countryfile in early October. | :42:58. | :43:01. | |
But for now, all that remains to be said is a very big thank you | :43:02. | :43:05. | |
to everybody who sent in their pictures. | :43:06. | :43:07. | |
We just couldn't have done it without you. | :43:08. | :43:22. | |
a wealth of archaeological treasures, | :43:23. | :43:27. | |
a constant reminder of ancient times and an inspiration | :43:28. | :43:31. | |
With more than just a nod to the past, | :43:32. | :43:37. | |
one local farmer has taken diversification | :43:38. | :43:40. | |
to a whole new level with his latest venture, | :43:41. | :43:43. | |
Tim Daw farms 200 acres in the Marlborough Downs, | :43:44. | :43:51. | |
and it's not just crops you'll see in his fields. | :43:52. | :43:54. | |
'Tim has been inspired to build a Neolithic-style monument | :43:55. | :44:00. | |
Wow! So what is this structure in front of me? | :44:01. | :44:10. | |
This huge mound is actually a long barrow. | :44:11. | :44:15. | |
A long barrow, it's the oldest monument in the British Isles. | :44:16. | :44:20. | |
They were building them 5,500, 6,000 years ago, and then | :44:21. | :44:23. | |
they didn't build them again until I built one two years ago. | :44:24. | :44:26. | |
They stored their ancestors' remains in them. | :44:27. | :44:31. | |
The bones and ashes of their loved ones. | :44:32. | :44:36. | |
So, Tim thought, why not bring one into the 21st century | :44:37. | :44:40. | |
and offer people an alternative resting place | :44:41. | :44:43. | |
It went from being just a fun idea of building something huge | :44:44. | :44:51. | |
and monumental to actually talking to people | :44:52. | :44:54. | |
for their ashes to go, and the two ideas sort of came together, | :44:55. | :45:01. | |
so I tried it, and this is what we built. | :45:02. | :45:03. | |
'Tim's long barrow was built in just nine months | :45:04. | :45:09. | |
'as nearly all of the 340 spaces - or niches - | :45:10. | :45:15. | |
It's amazing! There's chambers either side. | :45:16. | :45:21. | |
Yeah, so this is one of the chambers. | :45:22. | :45:29. | |
Not at all what I was expecting. It's got so much height. | :45:30. | :45:32. | |
It has. I mean, a huge, what they call a corbelled roof, | :45:33. | :45:35. | |
And do you have to be religious to have a niche here? | :45:36. | :45:50. | |
We say it's for all religions or none. | :45:51. | :45:53. | |
There is a slightly spiritual aspect to it. | :45:54. | :45:55. | |
There's something about remembering lives, | :45:56. | :45:58. | |
to monumentalise them, and this is what this is about. | :45:59. | :46:01. | |
It's something that touches people and that they feel at home in. | :46:02. | :46:07. | |
It's really quite peaceful. I'm glad you feel that, yeah. | :46:08. | :46:12. | |
I was worried it might be claustrophobic or macabre, | :46:13. | :46:16. | |
or something like that, but no, it doesn't. | :46:17. | :46:17. | |
You've built this incredible structure that is so in tune with | :46:18. | :46:23. | |
Tim wanted to align the barrow with the winter solstice, | :46:24. | :46:35. | |
but where do you find someone with that sort of age-old skill? | :46:36. | :46:38. | |
Enter Simon Banton, archeo-astronomer, | :46:39. | :46:41. | |
who used his knowledge of the stars to align the barrow the right way. | :46:42. | :46:46. | |
So, at sunrise on December 21st, how nervous were you? | :46:47. | :46:50. | |
Incredibly. Because it's one thing to do it with a set of posts, | :46:51. | :46:54. | |
it's another thing to do it with a 70-metre long long barrow | :46:55. | :46:57. | |
so I was incredibly grateful for the universe | :46:58. | :47:02. | |
to not betray me and my calculations. | :47:03. | :47:05. | |
And is this where you will be spending eternity? | :47:06. | :47:07. | |
Absolutely. I couldn't get a niche fast enough. | :47:08. | :47:10. | |
So you've got a spot in there? I've got a spot in there, yeah. | :47:11. | :47:13. | |
Why? I'm not religious, and neither is this. | :47:14. | :47:16. | |
But I do have a fascination for the monuments in this | :47:17. | :47:20. | |
magnificent Wiltshire landscape and the landscape itself, | :47:21. | :47:23. | |
so if Tim's going to be kind enough to build me somewhere | :47:24. | :47:25. | |
I can spend the rest of time, count me in. | :47:26. | :47:29. | |
echoing the long barrows of prehistory, and a modern monument | :47:30. | :47:36. | |
totally at home in Wiltshire's ancient acres. | :47:37. | :47:41. | |
In a moment, we'll be meeting the man whose passion for Stonehenge | :47:42. | :47:44. | |
knows no bounds, and we'll remind you how you can | :47:45. | :47:46. | |
vote for your favourite photos in this year's calendar competition. | :47:47. | :47:49. | |
Thanks, Anita. I'm sure Stonehenge has seen its fair share of whether. | :47:50. | :48:17. | |
Yesterday, violent thunderstorms rocked the relic. We shall some | :48:18. | :48:26. | |
tremendous rain. Today, in general, the showers have been lied to. There | :48:27. | :48:34. | |
is a trend for much of the rest of the week. There will be lots of dry | :48:35. | :48:40. | |
and pleasantly warm weather, particularly in parts of the South | :48:41. | :48:44. | |
and east of the UK. In the north, there will be some rain but even | :48:45. | :48:52. | |
here some usefully dry spells. Showers lingering across eastern | :48:53. | :48:57. | |
counties through the night. Cloud will help to keep the temperature | :48:58. | :49:02. | |
up. Where the skies clear, it will get chilly. Temperatures well down | :49:03. | :49:10. | |
into single figures. Hints of early autumn. One or two showers first up | :49:11. | :49:16. | |
across northern and eastern England. The vast majority of ours are going | :49:17. | :49:21. | |
to have a lovely day. It will cloud up across Northern Ireland and | :49:22. | :49:26. | |
western Scotland but other parts of the UK, no such problems. Some fine | :49:27. | :49:32. | |
and fluffy cloud. A delightful day to go to the beach. Pretty pleasant, | :49:33. | :49:40. | |
up through northern England and into eastern Scotland. There will be more | :49:41. | :49:44. | |
showers through into western Scotland and Northern Ireland later | :49:45. | :49:50. | |
on in the day. A glancing blow from this frontal system. Most places | :49:51. | :49:55. | |
will stay dry into Tuesday. High-pressure holding firm across | :49:56. | :49:59. | |
southern and central parts of the UK. Another approaching weather | :50:00. | :50:05. | |
front will bring cloud and wind again into Northern Ireland and | :50:06. | :50:11. | |
western Scotland. But look at the temperatures, 27 degrees in some | :50:12. | :50:15. | |
places. It stays dry towards the middle of the week. A splash of rain | :50:16. | :50:20. | |
from this front as it heads down into England and Wales it tends to | :50:21. | :50:27. | |
die a death. It's never really makes it to southern and eastern England. | :50:28. | :50:33. | |
A fresh trees across the West of Scotland. Towards the end of the | :50:34. | :50:38. | |
week, high pressure is still there but more front line out in the | :50:39. | :50:47. | |
Atlantique. Thursday, again a warm day. Some sunshine across the | :50:48. | :50:54. | |
southern half of the UK. Further north, a bit breezy but it will be | :50:55. | :50:59. | |
mostly dry. Big questions about the progress of this front from the west | :51:00. | :51:04. | |
by the end of the week. Potentially spreading some pretty wet weather | :51:05. | :51:08. | |
across Northern Ireland and western Scotland. Once more, further south | :51:09. | :51:13. | |
and east, there is a trend for these areas to stay mostly fine and dry | :51:14. | :51:18. | |
and pretty warm right the way through this week. Temperatures up | :51:19. | :51:23. | |
into the mid-20s but fresh and cool the further north. | :51:24. | :51:43. | |
I'm in Wiltshire's southern grasslands, | :51:44. | :51:45. | |
in one of the most recognisable places on earth. | :51:46. | :51:55. | |
Stonehenge has been marvelled at for centuries, | :51:56. | :52:02. | |
And once it gets you, it doesn't let go. | :52:03. | :52:14. | |
No-one alive today knows more about Stonehenge than Julian Richards. | :52:15. | :52:19. | |
The stones cast their spell over him more than 30 years ago. | :52:20. | :52:25. | |
Julian, how are you doing? JULIAN LAUGHS | :52:26. | :52:28. | |
Well, here at Stonehenge, so I'm happy. | :52:29. | :52:30. | |
Good to see you. Do you remember your very first visit to Stonehenge? | :52:31. | :52:34. | |
but then I came back when I was at university, | :52:35. | :52:39. | |
when I was at Reading, and that, I think, | :52:40. | :52:41. | |
was when it first sort of made an impression | :52:42. | :52:43. | |
"Actually, this is something amazing." | :52:44. | :52:47. | |
And that's led to a long series of digs that you've been involved in | :52:48. | :52:50. | |
in and around this area. I was digging in this area 36 years ago. | :52:51. | :52:54. | |
digging at Coneybury Henge, which is just up on the hill. | :52:55. | :53:00. | |
as well as discovering the site in many different ways, | :53:01. | :53:04. | |
you've obviously collected a few things along the way. | :53:05. | :53:06. | |
Yes, yeah. Are you a hoarder, Julian? | :53:07. | :53:08. | |
Are you a Stonehenge hoarder? Yes, I am a bit, actually. | :53:09. | :53:10. | |
There's an entire gallery in the Stonehenge Visitor Centre | :53:11. | :53:16. | |
full of the stuff that's been loaned by me. | :53:17. | :53:18. | |
with Stonehenge in the background, you know. | :53:19. | :53:26. | |
There's lots of other stone circles and there are some | :53:27. | :53:31. | |
that are bigger than this, but it's the architecture of this place, | :53:32. | :53:35. | |
that's what makes it instantly recognisable | :53:36. | :53:37. | |
Mm. It's the best. Well, we are very lucky. | :53:38. | :53:41. | |
We are allowed to go inside the stone circle for a few minutes, | :53:42. | :53:44. | |
so let's leave the souvenirs behind and step inside, shall we? | :53:45. | :53:47. | |
because you just get a real sense of the scale of it | :53:48. | :54:00. | |
and the incredible ingenuity of the people that built it. | :54:01. | :54:03. | |
I still find it awe-inspiring, you know, even after hundreds of visits! | :54:04. | :54:08. | |
'Without technology, without modern tools, | :54:09. | :54:12. | |
'our ancient ancestors' achievement is truly incredible. | :54:13. | :54:17. | |
'All the more so when you consider that the smaller stones | :54:18. | :54:20. | |
'were brought here from far west Wales.' | :54:21. | :54:25. | |
It's extraordinary because it is carpentry in stone. | :54:26. | :54:28. | |
You know, they're moving 40 ton blocks of sarsen, | :54:29. | :54:30. | |
they are shaping them and then they're creating | :54:31. | :54:33. | |
these elaborate joints to fit them together. Staggering, isn't it? | :54:34. | :54:36. | |
And some of the stones aren't from that far away. | :54:37. | :54:38. | |
I like the way you say, "Not that far away". | :54:39. | :54:42. | |
Comparatively. You know, 25 miles for a stone this big is quite a lot, | :54:43. | :54:46. | |
but, yeah, these are the ones from Wales. | :54:47. | :54:48. | |
These are the ones from... From the Preseli Hills in Wales. | :54:49. | :54:51. | |
is now telling us exactly which quarry some of | :54:52. | :54:55. | |
If they hadn't done it, I wouldn't have believed it was possible. | :54:56. | :54:59. | |
No. That human ingenuity could bring these amazing slabs of stone | :55:00. | :55:03. | |
these distances. When you look back into sort of medieval times, | :55:04. | :55:06. | |
and, of course, even more recently, you know, | :55:07. | :55:10. | |
it's people from outer space. No, it's not! | :55:11. | :55:12. | |
It's our ancient ancestors with skill and ingenuity, | :55:13. | :55:15. | |
and obviously incredible organisation as well, | :55:16. | :55:17. | |
to bring together enough people to move these stones. | :55:18. | :55:20. | |
But I know that no matter how good science is, | :55:21. | :55:23. | |
no matter how good archaeologists are, | :55:24. | :55:25. | |
we're never really going to understand Stonehenge completely. | :55:26. | :55:31. | |
There's magic and mystery here, a landscape to stir the soul. | :55:32. | :55:36. | |
The perfect moment to remind you of the 12 finalists | :55:37. | :55:40. | |
in this year's photographic competition, | :55:41. | :55:42. | |
and how you can vote for your favourite. | :55:43. | :55:44. | |
If Morning Hare is your favourite, call... | :55:45. | :57:27. | |
Calls cost 10p, plus your network's access charge. | :57:28. | :57:31. | |
You can also vote free on our website... | :57:32. | :57:37. | |
The website also contains a full list of the photos | :57:38. | :57:41. | |
and their phone numbers, together with the terms and conditions | :57:42. | :57:44. | |
All the details are on the website, so get voting. | :57:45. | :58:10. | |
Next week, we'll be taking a look at one of our favourite | :58:11. | :58:12. | |
Hope you can join us then. See you. Do you know what? | :58:13. | :58:16. | |
I've suddenly got a hankering for a game of dominoes. | :58:17. | :58:19. | |
Do you fancy it? Yeah, shall we go to the pub? | :58:20. | :58:21. | |
Get your flags ready and join Juan Diego Florez and many more | :58:22. | :59:05. | |
for the world-famous last night of the Proms. | :59:06. | :59:09. |