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Mile upon mile of golden fields, swaying in the summer breeze. | :00:27. | :00:34. | |
Laden tractors at every turn, full of produce to feed the nation. | :00:35. | :00:42. | |
and the countryside is buzzing with activity, | :00:43. | :00:46. | |
as this year's crops are brought in and next year's are planted. | :00:47. | :00:55. | |
Anita's harvest is in mint condition. | :00:56. | :00:58. | |
Woo! It's the nicest-smelling farm I've ever been on. | :00:59. | :01:01. | |
Oh, I'm glad to hear it. ANITA LAUGHS | :01:02. | :01:06. | |
Joe's investigating if we can believe supermarkets | :01:07. | :01:09. | |
when they say their food comes from the farm. | :01:10. | :01:13. | |
might depend on whether you believe the supermarket | :01:14. | :01:17. | |
when they describe where their food comes from. | :01:18. | :01:19. | |
And Adam's meeting two of the teams | :01:20. | :01:24. | |
hoping to be crowned the champions at this year's One Man And His Dog. | :01:25. | :01:28. | |
WHISTLE Very good. Stay! | :01:29. | :01:30. | |
Ten out of ten for the shed. The judges were happy with that. | :01:31. | :01:33. | |
Harvest time - when fields burst with ripe crops, | :01:34. | :01:49. | |
and farmers all across the land are bringing the harvest home. | :01:50. | :01:56. | |
I'm at the Gaddesden estate in Hertfordshire, | :01:57. | :01:58. | |
where harvest is well underway across its 1,800 acres. | :01:59. | :02:03. | |
They crop wheat, beans, barley, and oilseed rape, | :02:04. | :02:07. | |
a long way from how it was done nearly 40 years ago, | :02:08. | :02:13. | |
when the BBC was last here making a film about the harvest. | :02:14. | :02:19. | |
Harvest time must be the most atmospheric time of the year, | :02:20. | :02:22. | |
and I wouldn't want to be anywhere else in the world | :02:23. | :02:25. | |
Back in 1977, Guy Halsey was the owner of the estate. | :02:26. | :02:32. | |
and following in Nick's footsteps is his son, also called Guy, | :02:33. | :02:39. | |
Both father and son have witnessed quite a few changes | :02:40. | :02:44. | |
in the harvest practice since the film was made. | :02:45. | :02:48. | |
Guy, how are you doing? Hi, man. Hi. Nice to see you. | :02:49. | :02:50. | |
And you. So, when did you harvest all of this grain? | :02:51. | :02:52. | |
so we started at three o'clock and finished at one this morning. | :02:53. | :02:56. | |
Wow. Yeah. Back in the day, Nick, what time were YOU finishing? | :02:57. | :02:58. | |
It depends on the maestro, the dew coming down, but... | :02:59. | :03:01. | |
Right. ..we could've gone on, sometimes, | :03:02. | :03:03. | |
until about three on one occasion, I remember. | :03:04. | :03:05. | |
How does it compare? What's your combine like? | :03:06. | :03:07. | |
it's a contractor's combine, and it is enormous, | :03:08. | :03:11. | |
it's a 40 foot header, so it cuts a strip 40 feet wide through the corn. | :03:12. | :03:15. | |
so it was, you know, over three times the size. | :03:16. | :03:23. | |
So, how treasured is the film of their '70s harvest? | :03:24. | :03:28. | |
Every, you know, every Christmas is it always put on? | :03:29. | :03:32. | |
but, yeah, we dug it out a couple of years ago and got it put onto DVD. | :03:33. | :03:37. | |
Yeah, it's wonderful history and I'm very lucky to be able to, kind of... | :03:38. | :03:40. | |
During the seven weeks of their harvest, | :03:41. | :03:45. | |
Guy is hoping to bring in 2,300 tonnes of grain. | :03:46. | :03:49. | |
For farmers, the hard work doesn't stop there. | :03:50. | :03:51. | |
You may think that harvesting is the end of the farming year. | :03:52. | :03:54. | |
Well, actually, it's the beginning because, | :03:55. | :03:57. | |
farmers are also planting the crops for NEXT year, | :03:58. | :04:01. | |
and, er, these days, they are using the most incredible kit. | :04:02. | :04:07. | |
This is the oilseed rape drilling machine. | :04:08. | :04:10. | |
In one go, it digs a trench, adds fertiliser, | :04:11. | :04:13. | |
plants a seed and lays down slug pellets. | :04:14. | :04:17. | |
So, considering how many jobs are going on back there, | :04:18. | :04:22. | |
we are going at an incredible rate, aren't we? | :04:23. | :04:25. | |
all controlled by the screens in here. | :04:26. | :04:29. | |
OK, yeah. Talk us through what controls we've got | :04:30. | :04:31. | |
So, this one down here, this is just, this is the GPS, | :04:32. | :04:35. | |
that's steering the Challenger up the field. | :04:36. | :04:37. | |
Right, so you've got no hands on the steering wheel at all. | :04:38. | :04:40. | |
No, no hands, no hands, it's all steering itself. | :04:41. | :04:43. | |
'It might be able to steer itself on the straight, | :04:44. | :04:45. | |
Now, we're just coming towards the end of a run, here. | :04:46. | :04:53. | |
So, this is where you do have to put in a bit of human intervention. | :04:54. | :04:55. | |
Yeah, all I have to do is do a loop, like that... | :04:56. | :05:02. | |
that'll steer itself into where it wants to be. No way! | :05:03. | :05:07. | |
All I have to do now is drop the drill... | :05:08. | :05:09. | |
..and then away we go, down the field. | :05:10. | :05:14. | |
The main crop grown on the estate is wheat. | :05:15. | :05:17. | |
Some of it will go for animal feed, the rest for milling to make flour, | :05:18. | :05:22. | |
just as in 1977, some of the flour goes to make bread. | :05:23. | :05:27. | |
'Baker Andrew Pruden is kindly going to help me make a plaited harvest | :05:28. | :05:31. | |
'loaf, which is the traditional bread eaten at this time of year.' | :05:32. | :05:37. | |
Yes, that's what we hope to end up, for the tea this afternoon. | :05:38. | :05:42. | |
OK. Well, I've made some dough for us, so, we'll... | :05:43. | :05:49. | |
What I want you to do is chop it into four equal pieces. | :05:50. | :05:54. | |
What I want you to do now is to make four little sausages. | :05:55. | :06:02. | |
The one that was shot in 1977? ANDREW LAUGHS | :06:03. | :06:06. | |
I've seen it. Yeah, you have? Yes, yes. OK. | :06:07. | :06:08. | |
I knew the two gentlemen who were featured in it. | :06:09. | :06:10. | |
Oh, right. John Groom and his long-term assistant, Les. | :06:11. | :06:14. | |
Yeah. And whenever we used to run out of yeast, | :06:15. | :06:16. | |
or something in our bakery, they were always very kind, | :06:17. | :06:19. | |
Right. We could always go and borrow it. | :06:20. | :06:23. | |
Oh, well, that's... I'm very proud to be associated with it. | :06:24. | :06:28. | |
I'm sure. And what I'm going to do is make you a little blackboard. | :06:29. | :06:32. | |
OK? And then we label them from the bottom. | :06:33. | :06:43. | |
Right, so we're going two over three, four over two, | :06:44. | :06:48. | |
pinch the ends together, roll them nice and flat. | :06:49. | :07:00. | |
There we are. That's it, job done. Job done. So, right, | :07:01. | :07:03. | |
two over three... Yeah. ..which is that one, there. Yeah. | :07:04. | :07:06. | |
And then, one over three, which is that one in the middle. That's it. | :07:07. | :07:13. | |
OK. Yeah. Then... And then we start again. Yeah. | :07:14. | :07:17. | |
Yeah. If you keep it nice and tight... ..four over two. | :07:18. | :07:22. | |
Yeah. It's a cross between the Bake Off and Countdown, this. | :07:23. | :07:24. | |
Yeah, you've got it in one! Four over two... Two, four over two. | :07:25. | :07:28. | |
And is that it? Yeah, and then just pinch the ends together. | :07:29. | :07:31. | |
But that's about it. That's about... | :07:32. | :07:39. | |
'The dough then needs to be left for an hour to prove, | :07:40. | :07:45. | |
Yeah, good plan. There you are. Teamwork. | :07:46. | :07:52. | |
'when I take my bread along to the harvest supper, later.' | :07:53. | :08:00. | |
Now, you might have seen supermarket food brands named after farms, | :08:01. | :08:04. | |
but did you know that some of them don't actually exist? | :08:05. | :08:07. | |
Well, now the National Farmers' Union | :08:08. | :08:09. | |
But are the supermarkets doing anything wrong? | :08:10. | :08:13. | |
The fresh produce market alone was worth ?17 billion last year. | :08:14. | :08:34. | |
And with so many different types of meat and veg on offer, | :08:35. | :08:37. | |
the choice we have is greater than ever before. | :08:38. | :08:42. | |
As a result, the battle between the supermarkets for our business | :08:43. | :08:46. | |
knowing where our food comes from and its journey from farm to fork | :08:47. | :08:52. | |
some of those farms on the labels | :08:53. | :08:58. | |
might not be as British as they appear to be. | :08:59. | :09:02. | |
They're what some call fake farms - put simply, | :09:03. | :09:05. | |
they're farms or farm businesses that don't exist. | :09:06. | :09:09. | |
They're brand names supermarkets create to sell their fresh produce. | :09:10. | :09:13. | |
The food is actually sourced from many different farms and producers, | :09:14. | :09:17. | |
and despite how some of the names may sound, | :09:18. | :09:20. | |
much of this produce may not even be British. | :09:21. | :09:23. | |
For example, Aldi use Ashfield Farm for their meat, | :09:24. | :09:29. | |
and Wood Farm for their vegetables and fruit. | :09:30. | :09:32. | |
Lidl use Birchwood and Strathvale farms. | :09:33. | :09:36. | |
But none of these farms are actually real. | :09:37. | :09:43. | |
Marks Spencer uses it to market Scottish salmon. | :09:44. | :09:48. | |
But, surprise - there is no Lochmuir. | :09:49. | :09:54. | |
And many real farmers think fake farm brands | :09:55. | :09:57. | |
who farms 500 acres of Welsh countryside, | :09:58. | :10:07. | |
Yeah, Welsh Blacks. Welsh Blacks? Yeah. | :10:08. | :10:14. | |
'He's also Deputy President of the National Farmers' Union, Wales.' | :10:15. | :10:19. | |
John, what's the problem, as you see it? | :10:20. | :10:21. | |
Well, we're having quite a lot of products being sold under a | :10:22. | :10:24. | |
British-sounding name, and they're not British very often. | :10:25. | :10:27. | |
So, you think people are being misled? | :10:28. | :10:29. | |
We have really high standards of production here. | :10:30. | :10:34. | |
Our welfare standards are the highest in the world, | :10:35. | :10:36. | |
our environmental standards are the highest in the world. | :10:37. | :10:39. | |
So, it's really, really important that people, | :10:40. | :10:41. | |
when they think they're buying the best, that they ARE buying the best. | :10:42. | :10:45. | |
It's not just about the name, though, is it? | :10:46. | :10:47. | |
there's often a huge, great Union Jack. | :10:48. | :10:51. | |
I mean, that's very clear, that's not misleading anyone. | :10:52. | :10:54. | |
if it is British, very often there's a Union Jack on it, | :10:55. | :10:58. | |
but when you've got the same brand name, and it's not British, | :10:59. | :11:02. | |
it's easy to think, "Oh, last week, yes, that was British, | :11:03. | :11:05. | |
"it was Boswell beef or it was whatever, | :11:06. | :11:07. | |
"this week, yes, that's the same farm," | :11:08. | :11:12. | |
buy it, and it's not. It does say country of origin, | :11:13. | :11:14. | |
People can see where it's coming from. | :11:15. | :11:17. | |
Yeah, if you get your magnifying glass out | :11:18. | :11:19. | |
and if you put your glasses on, yeah, it's very clear. | :11:20. | :11:21. | |
It's not THAT small, is it? I mean, come on... | :11:22. | :11:24. | |
and when you take that the average consumer takes eight seconds | :11:25. | :11:28. | |
are you going to bother putting your glasses on? | :11:29. | :11:32. | |
Are you going to really pick it up and have a good look? No. | :11:33. | :11:35. | |
You look at what's the main line on it. | :11:36. | :11:38. | |
The supermarkets might say, "Hang on, leave the branding to us. | :11:39. | :11:41. | |
"The important thing is we are buying British | :11:42. | :11:44. | |
"and making that available to our customers." | :11:45. | :11:47. | |
Well, I guess supermarkets' priorities are profit. | :11:48. | :11:53. | |
We just want clarity, we want honesty and we want transparency. | :11:54. | :11:56. | |
we want a British-sounding product in the packet. | :11:57. | :12:01. | |
All we ask for is that it is what it says on the packet. | :12:02. | :12:06. | |
So, do John and the NFU have a point? | :12:07. | :12:09. | |
This is the sort of produce the NFU are talking about. | :12:10. | :12:14. | |
This is Woodside Farms pork, and it's from Denmark. | :12:15. | :12:19. | |
And this is Rosedene Farms apples from South Africa. | :12:20. | :12:25. | |
It may be small, but the country of origin IS clearly there. | :12:26. | :12:29. | |
So, are the supermarkets actually doing anything wrong? | :12:30. | :12:37. | |
We've put together our own Countryfile Farms brand - | :12:38. | :12:39. | |
Now, the rules regarding food information are complicated, | :12:40. | :12:44. | |
but essentially it must be clear, accurate and easy to understand. | :12:45. | :12:48. | |
particularly regarding the country of origin, | :12:49. | :12:53. | |
and the label must be looked at as a whole. | :12:54. | :12:55. | |
And these food requirements don't just apply to the packaging, | :12:56. | :12:58. | |
but also to how the food is presented in store. | :12:59. | :13:05. | |
Tesco uses seven fictional farms to sell its own fresh produce, | :13:06. | :13:09. | |
After a rise in sales over the last six months, | :13:10. | :13:16. | |
Tesco singled out the growth of exclusive fresh-food brands, | :13:17. | :13:20. | |
saying they'd had strong initial customer response. | :13:21. | :13:24. | |
'Matt Simister is Tesco's Commercial Director for Fresh Food.' | :13:25. | :13:29. | |
Why are you selling produce under fake farm names? | :13:30. | :13:32. | |
Yeah, we don't see them as fake farm names. | :13:33. | :13:34. | |
What we see them as is brands that set a standard that people | :13:35. | :13:37. | |
can rely on for a very, very high - in fact, industry-leading - | :13:38. | :13:42. | |
set of standards across the whole of the supply chain, | :13:43. | :13:46. | |
at a quality that's very high, at a price that is very, | :13:47. | :13:49. | |
And customers can trust that, when they see the brand. | :13:50. | :13:53. | |
Why did you give them British names, then? | :13:54. | :13:55. | |
I mean, why not a sort of a hacienda range | :13:56. | :13:57. | |
for all the fruit and vegetables that come from Spain? | :13:58. | :14:00. | |
To be honest, we don't think that they are particularly British names. | :14:01. | :14:03. | |
They are farm names that represent a set of farm standards, | :14:04. | :14:07. | |
and the origin is very clearly labelled on the pack. | :14:08. | :14:10. | |
Yes, the name of the country IS on there, but it's quite small print. | :14:11. | :14:13. | |
I mean, if you've got two screaming kids and you just go and pick | :14:14. | :14:16. | |
something up, you think Boswell Farms is British. | :14:17. | :14:18. | |
They're not designed to sound British. Boswell... | :14:19. | :14:20. | |
They're designed to sound... Willow... ..sound like farms, | :14:21. | :14:23. | |
but, actually, some of them are British farms that we've sourced | :14:24. | :14:26. | |
from, from our partner suppliers, that happen to be in the UK. | :14:27. | :14:30. | |
Now, post the 2013 horse-meat scandal, | :14:31. | :14:33. | |
Do you think fake farms live up to those standards? | :14:34. | :14:40. | |
If our customers are worried that we are trying to mislead them, | :14:41. | :14:43. | |
We know our standards are the highest standards in the industry | :14:44. | :14:48. | |
and we think it's really important that we... | :14:49. | :14:50. | |
that what is on the label is in the pack. | :14:51. | :14:54. | |
So, with many of our supermarkets changing their value ranges to these | :14:55. | :14:58. | |
'farm brands, is it better for them or is it better for us?' | :14:59. | :15:03. | |
'To find out, I've come to meet marketing analyst | :15:04. | :15:07. | |
'Dr Fiona Spotswood, from the University of the West of England.' | :15:08. | :15:13. | |
Fiona, what are these brands all about? | :15:14. | :15:15. | |
Brands are a very clever marketing mechanism. | :15:16. | :15:20. | |
They are a way of providing a real short cut for consumers. | :15:21. | :15:24. | |
We cannot agonise over every supermarket purchase we make, | :15:25. | :15:27. | |
so we have to make very quick decisions, and brands give us | :15:28. | :15:31. | |
a set of symbols, images, pictures sometimes, colours, | :15:32. | :15:35. | |
that enable us to come up with a set of images in our brains very quickly | :15:36. | :15:40. | |
and think of orchards and freshness and harvest time. | :15:41. | :15:46. | |
So, was rebranding with these fake farm names a good move? | :15:47. | :15:51. | |
Absolutely. Using farm terminology would be a way for Tesco | :15:52. | :15:57. | |
to get consumers to think about Britishness, | :15:58. | :16:00. | |
words like Willow and Rosedene sound very English. | :16:01. | :16:07. | |
They sound like they are the names of farms with pretty roses | :16:08. | :16:11. | |
crawling on the walls and chickens scratching about. | :16:12. | :16:13. | |
And they provide consumers with a set of images around farm produce, | :16:14. | :16:17. | |
does anything happen by accident or coincidence? | :16:18. | :16:24. | |
I'm thinking in particular of these British-sounding farm names. | :16:25. | :16:27. | |
and every decision will have been the result of very careful consumer | :16:28. | :16:33. | |
research. They understand what associations, | :16:34. | :16:36. | |
what those short cuts are what people think of | :16:37. | :16:38. | |
when they hear those words Willow or Rosedene - they sound so English. | :16:39. | :16:48. | |
successful brands meeting customers' needs, | :16:49. | :16:52. | |
or a cynical ploy designed to mislead shoppers, well, | :16:53. | :16:55. | |
But make no mistake - if you want to buy British, check the label. | :16:56. | :17:01. | |
You can't assume that British-sounding fake farm names | :17:02. | :17:05. | |
will always represent British produce. | :17:06. | :17:09. | |
So, clever marketing or just misleading? | :17:10. | :17:12. | |
You can get in touch with us via our website or contact us on Twitter. | :17:13. | :17:24. | |
ANITA RANI: Sitting along the southern coast of England | :17:25. | :17:26. | |
In between stunning woodlands and chalk downs | :17:27. | :17:30. | |
Here at Malshanger Farm, they're in the business of creating something | :17:31. | :17:37. | |
rather special, by taking crops like this and turning it into this. | :17:38. | :17:44. | |
The farm specialises in creating top-quality essential oils. | :17:45. | :17:49. | |
the oil is cooked up right here on the premises. | :17:50. | :17:56. | |
But there's an ancient crop that's at the heart of the harvest here. | :17:57. | :18:02. | |
Sir Michael Colman, of the famous mustard dynasty, is the owner. | :18:03. | :18:06. | |
20 years ago, he decided to revive a once much-loved British crop - | :18:07. | :18:12. | |
Britain was once at the forefront of growing world-class mint. | :18:13. | :18:18. | |
land used to grow the mint was reclaimed for farming essential | :18:19. | :18:23. | |
produce, and the crop fell out of favour. | :18:24. | :18:26. | |
Lovely to meet you. Lovely to see you. Lovely to see you, too. | :18:27. | :18:30. | |
Sir Michael decided to grow traditional Black Mitcham | :18:31. | :18:33. | |
peppermint, originally produced in Surrey. | :18:34. | :18:36. | |
So, what was the eureka moment where you thought, "This is it - | :18:37. | :18:39. | |
she asked if she could come and see me. | :18:40. | :18:47. | |
"My grandfather had a farm in Surrey growing peppermint, and he's got... | :18:48. | :18:55. | |
"He used to sit with it all night, pushing steam through it." | :18:56. | :19:03. | |
And she still had a bottle of oil off his still. | :19:04. | :19:08. | |
It's amazing, isn't it? That's really strong, for 100 years old. | :19:09. | :19:16. | |
It is amazing how it's kept its punch. | :19:17. | :19:19. | |
And it's a heritage product, isn't it... Exactly. | :19:20. | :19:21. | |
..that you're bringing back? Exactly. | :19:22. | :19:24. | |
has spent 20 years getting to grips with his crop. | :19:25. | :19:30. | |
There is a wonderful smell in the air, Ian. | :19:31. | :19:32. | |
We're in this field of Black Mitcham peppermint. | :19:33. | :19:36. | |
We've got Derek in the background, there, who is mowing the crop down, | :19:37. | :19:39. | |
so what you can smell is the vapour coming off that as we mow it. | :19:40. | :19:43. | |
Can we take a closer look? Of course we can. Yes, indeed. | :19:44. | :19:47. | |
A lot more potent than you would get in your garden mint. | :19:48. | :19:52. | |
Ooh, wow! Totally different beast to the garden mint. VERY different. | :19:53. | :19:55. | |
than the mint that grows in our back gardens? | :19:56. | :19:59. | |
Because that just grows like a weed, doesn't it? | :20:00. | :20:01. | |
This is a very difficult crop to grow. | :20:02. | :20:02. | |
I classify it as a lazy crop - it only roots in about this much soil, | :20:03. | :20:06. | |
so it is one that wants a lot of nurturing. | :20:07. | :20:09. | |
I knew that the Americans were growing very, | :20:10. | :20:13. | |
very fine peppermint crops, there in the Willamette Valley. | :20:14. | :20:16. | |
They'd already got a good system of distillation. | :20:17. | :20:19. | |
So I thought, "Well, I'm not going to reinvent the wheel." | :20:20. | :20:21. | |
So we imported the equipment back here. | :20:22. | :20:24. | |
So, once the mint has been cut, what happens next? | :20:25. | :20:26. | |
Well, what we do, we leave it on the ground for, say, 24, maybe 48 hours, | :20:27. | :20:30. | |
depending on the weather. We want it to wilt. | :20:31. | :20:32. | |
In the leaf is where the oil capsules are, | :20:33. | :20:34. | |
So we're not interested in the moisture that's within the plant - | :20:35. | :20:38. | |
we need the oil capsules that are in the leaf. | :20:39. | :20:40. | |
So we can pick it up, chop it, put it into the distillation unit, | :20:41. | :20:44. | |
and then we take it down there and we plug it into the steam. | :20:45. | :20:48. | |
'Now it's my turn to get to grips with gathering in the mint.' | :20:49. | :20:54. | |
I don't want to make a mess of Sir Michael's field. | :20:55. | :21:05. | |
'Once the harvest's gathered, it's off to the distillery.' | :21:06. | :21:16. | |
the distillery equipment has been brought over from America. | :21:17. | :21:26. | |
So, we've harvested the peppermint, Ian. | :21:27. | :21:28. | |
What's the next stage in the process? | :21:29. | :21:30. | |
Well, this is where the separation takes place, in this container here. | :21:31. | :21:34. | |
Comes in at the bottom and it then floats off | :21:35. | :21:36. | |
So we've got the pure oil floating up here... | :21:37. | :21:40. | |
Yeah. We've got the waste water running away here, | :21:41. | :21:42. | |
and this is the pure oil here, coming out there. | :21:43. | :21:44. | |
That's pure oil? That is pure oil. There it is. Indeed. | :21:45. | :21:47. | |
Yeah. And how does it compare in profitability to cereal crop? | :21:48. | :21:55. | |
and we do our job correctly and we end up with this lovely oil | :21:56. | :22:00. | |
about six times the value of a cereal crop. | :22:01. | :22:03. | |
I am going to smell of peppermint for a long time. | :22:04. | :22:16. | |
It's lovely stuff. It's the nicest-smelling farm | :22:17. | :22:18. | |
I've ever been on! Oh, I'm glad to hear it! | :22:19. | :22:22. | |
The peppermint harvest is now in full swing. | :22:23. | :22:25. | |
I'll be putting this British peppermint oil | :22:26. | :22:29. | |
to a very particular summer taste test. | :22:30. | :22:34. | |
It's 40 years since One Man And His Dog first hit our screens, | :22:35. | :22:38. | |
Once again, Countryfile play host to this year's competition, | :22:39. | :22:43. | |
with teams England, Ireland, Wales and Scotland | :22:44. | :22:46. | |
This week, Adam is in Wales and Ireland, | :22:47. | :22:50. | |
meeting the first of the shepherds and their dogs | :22:51. | :22:53. | |
competing to be crowned champions. | :22:54. | :22:58. | |
The Irish landscape is famously beautiful. | :22:59. | :23:01. | |
that agriculture is big business here. | :23:02. | :23:09. | |
And it's not just crops and livestock - | :23:10. | :23:11. | |
Ireland is also turning out champion sheepdog handlers, | :23:12. | :23:15. | |
and they've taken home the One Man And His Dog trophy | :23:16. | :23:18. | |
This year, the final is being held in Fermanagh in Northern Ireland. | :23:19. | :23:24. | |
But does that give the Irish team an edge? | :23:25. | :23:26. | |
Will it help them hold on to their crown? | :23:27. | :23:29. | |
I've come to Donegal to meet the senior Irish handler | :23:30. | :23:32. | |
who'll be helping to defend their title. | :23:33. | :23:37. | |
Sammy Long is a professional sheepdog trainer, | :23:38. | :23:40. | |
working with more than 100 dogs a year on his farm | :23:41. | :23:42. | |
Morning, Sam. Morning. How are you? | :23:43. | :23:46. | |
'But Sammy is also a champion trialler, | :23:47. | :23:50. | |
'who has represented Ireland at international level | :23:51. | :23:53. | |
'This year he's competing with 2?-year-old Roy.' | :23:54. | :24:00. | |
Roy's quite a nice dog, and sheep like him. | :24:01. | :24:04. | |
You trained him yourself? I trained him myself, yeah. | :24:05. | :24:07. | |
And why do you choose him, then, over your other dogs? | :24:08. | :24:12. | |
Well, I find him easy to work, and sheep like him a lot, you know? | :24:13. | :24:15. | |
They don't, they're not frightened of him, you know? | :24:16. | :24:18. | |
And what makes a good trialler, then? | :24:19. | :24:20. | |
What makes you stand out from the crowd? | :24:21. | :24:22. | |
You have to have the temperament for it, yourself, too, | :24:23. | :24:25. | |
and obviously you need a good dog, and a bit of luck. | :24:26. | :24:29. | |
And can it all go wrong on the day? Oh, easily, yeah. | :24:30. | :24:32. | |
So can I watch him run out? Yeah, of course. Here, Roy. | :24:33. | :24:37. | |
Oh, Sammy, you make it look so easy. | :24:38. | :25:01. | |
The way Roy shed them and then held them back from the other sheep to | :25:02. | :25:04. | |
bring them in the pen - it was brilliant! | :25:05. | :25:05. | |
Yeah, he did quite well there. Yeah. Yeah, I was happy with that. | :25:06. | :25:08. | |
with the One Man And His Dog competition? Well... | :25:09. | :25:13. | |
If it doesn't, I'll just have to eat humble pie. | :25:14. | :25:21. | |
of Ireland holding the trophy at the moment, for the last three years. | :25:22. | :25:26. | |
Yeah. They've done quite well and, hopefully, | :25:27. | :25:29. | |
Good luck on the day. Thanks very much. | :25:30. | :25:35. | |
Ireland will be wishing him well. | :25:36. | :25:38. | |
But cheering him on from a little closer to home | :25:39. | :25:41. | |
What do you reckon to Grandad Sammy, then? A bit good. Yeah? | :25:42. | :25:48. | |
How well do you think he's going to do | :25:49. | :25:50. | |
in the One Man And His Dog competition? You never know. | :25:51. | :25:52. | |
You never know how things go like that. | :25:53. | :25:55. | |
You just never know what kind of dogs you're up against. Yeah. | :25:56. | :25:57. | |
I reckon he's going to win. It's better than nothing. | :25:58. | :26:03. | |
Who knows? Would you like to work sheepdogs one day? | :26:04. | :26:09. | |
I've actually trained to do it, but I don't have much of a dog, | :26:10. | :26:12. | |
Ireland's champion is Sammy Long and his dog, Roy. | :26:13. | :26:19. | |
Heading further south, the hills give way to the flat, | :26:20. | :26:24. | |
fertile farmland of County Kildare - a different landscape altogether. | :26:25. | :26:29. | |
Different landscape means different sheep and a different set of skills | :26:30. | :26:33. | |
I'm meeting one young man who's making waves | :26:34. | :26:38. | |
From Kilcullen, this year's young handler for Ireland | :26:39. | :26:44. | |
How long have you been trialling dogs, then, Caolan? | :26:45. | :26:49. | |
Yeah. So have you had a few dogs over the years? | :26:50. | :26:56. | |
Yeah, I've two at the moment, and I had three pups. | :26:57. | :27:00. | |
That's Dan. He's ten, and that's the dog I'm running in the... | :27:01. | :27:08. | |
..of them all, yeah. And how have you been getting on with him? | :27:09. | :27:18. | |
And I won the Young Handlers' last Friday, at the National. | :27:19. | :27:27. | |
Yeah. So can we go and watch him... Yeah. ..working? | :27:28. | :27:37. | |
That'll do. Ten out of ten for the pen. | :27:38. | :27:56. | |
Yeah, yeah. And Dan's not bad, either, is he? | :27:57. | :28:00. | |
What makes him so good, do you think? | :28:01. | :28:03. | |
He's very responsive to that whistle. | :28:04. | :28:11. | |
Yeah. And you're very good at blowing it. | :28:12. | :28:13. | |
It's amazing, the noises you're making. Yeah. It's fantastic. Yeah. | :28:14. | :28:17. | |
Now, One Man And His Dog has been won by the Irish team, I believe, | :28:18. | :28:19. | |
three times in a row, hasn't it? Yeah. So there's a bit of pressure. | :28:20. | :28:22. | |
Yeah. And do you mind whether you win? | :28:23. | :28:29. | |
Caolan comes from a long line of winners. | :28:30. | :28:37. | |
the One Man And His Dog trophy in the '90s. | :28:38. | :28:48. | |
So how are you feeling about this year's competition? | :28:49. | :28:51. | |
My dad has won it, my grandad's won it. | :28:52. | :28:56. | |
And the Irish team have won it three years in a row, | :28:57. | :28:58. | |
is also carrying on the family tradition - | :28:59. | :29:13. | |
under the watchful eye of his older sibling. | :29:14. | :29:17. | |
getting into the One Man And His Dog team? | :29:18. | :29:20. | |
He's been trying for a good long time. | :29:21. | :29:25. | |
can't really say yet. He might catch you up. | :29:26. | :29:36. | |
Yeah. Well, great to meet you both. See you soon. See you. | :29:37. | :29:39. | |
So there you have it - third-generation handler | :29:40. | :29:42. | |
Together with home-turf hero Sammy Long and Roy, | :29:43. | :29:48. | |
JOHN CRAVEN: We're celebrating harvest time across the country. | :29:49. | :29:58. | |
I'm in Kent - the Garden of England - | :29:59. | :30:01. | |
with its bountiful landscape of hop fields and orchards. | :30:02. | :30:06. | |
But I'm not here today for the fruit. | :30:07. | :30:08. | |
Instead, I'm going to be discovering about a particular Kentish delicacy | :30:09. | :30:12. | |
One field where it grows is here, in the village of St Mary's Platt. | :30:13. | :30:21. | |
And this is what I'm here for, the Kentish cobnut - | :30:22. | :30:25. | |
the only nut in the world that can be eaten straight from the tree. | :30:26. | :30:29. | |
The owner of this cobnut field is Alexander Hunt. | :30:30. | :30:33. | |
He's also chairman of the Kentish Cobnut Association. | :30:34. | :30:36. | |
Alexander, I've heard of Kentish cobnuts, | :30:37. | :30:38. | |
but I don't really know what they are. | :30:39. | :30:40. | |
I mean, it's not a thing you see in shops every day, is it? | :30:41. | :30:43. | |
full of moisture and succulence at this time of the year. | :30:44. | :30:52. | |
And here we have hazelnut trees, and here we've got cobnuts. | :30:53. | :30:57. | |
These are the wild hazels, in the hedge, here. | :30:58. | :31:02. | |
Can you see that's a much smaller nut, there? | :31:03. | :31:04. | |
Oh, yes. Slightly rounder with a slightly serrated husk. | :31:05. | :31:09. | |
And what about a cobnut? Behind me here | :31:10. | :31:11. | |
And you can see from the little cluster there... | :31:12. | :31:17. | |
Oh, much bigger, isn't it? Larger, bigger, bolder nut. | :31:18. | :31:21. | |
Yeah. And how many cobnut trees have you got here? | :31:22. | :31:23. | |
and about 1,500 trees within the plantation. | :31:24. | :31:30. | |
What about squirrels here? Are they a problem? | :31:31. | :31:32. | |
Very much so. Squirrels like nuts, don't they? | :31:33. | :31:35. | |
Every nut grower - squirrels are the bane of our lives. | :31:36. | :31:39. | |
And, for me, the big question now is what do they taste like? | :31:40. | :31:43. | |
Well, let me crack one for you, John. | :31:44. | :31:47. | |
Thank you. Ooh, they are soft, aren't they? | :31:48. | :31:49. | |
They're the finest nuts you can buy in the country. | :31:50. | :31:55. | |
And they do have a very strong taste, as well. | :31:56. | :31:58. | |
Middle of September, the husk begins to go a little bit more mellow, | :31:59. | :32:03. | |
and that's when they really gain their true Kentish cobnut flavour. | :32:04. | :32:10. | |
I'm really pleased to hear it! Mmm! | :32:11. | :32:17. | |
cobnuts lost some of their appeal during the last century. | :32:18. | :32:23. | |
But now a group of dedicated enthusiasts is encouraging us | :32:24. | :32:26. | |
The orchards where the cobnuts grow are known as platts. | :32:27. | :32:32. | |
It's an old Kentish word for flat, cultivated land. | :32:33. | :32:36. | |
And the people who pick the nuts call themselves, guess what? | :32:37. | :32:39. | |
Yes, it's a good name for us, isn't it? | :32:40. | :32:47. | |
Is there any special technique to picking the cobnuts? | :32:48. | :32:55. | |
Well, you pick the green ones and not the brown ones. | :32:56. | :32:59. | |
I adore them. Yes, yes. Especially when they're fresh and green? | :33:00. | :33:03. | |
When they're fresh, and when they're creamy and green. | :33:04. | :33:06. | |
And everybody I know loves them when they're like this. | :33:07. | :33:11. | |
After a hard day's picking out in the fields, | :33:12. | :33:13. | |
what could be better than a cobnut feast for us nutters? | :33:14. | :33:18. | |
Let's tuck in, everybody, shall we? Come on. Help yourselves. | :33:19. | :33:22. | |
'is part of the culinary cobnut renaissance.' | :33:23. | :33:28. | |
What have you laid on for us, Matthew? | :33:29. | :33:30. | |
We've got plums in there, Victoria plums, which are local. | :33:31. | :33:35. | |
We've got Discovery apples and, of course, the Kentish green cobnuts... | :33:36. | :33:40. | |
That's a Victoria plum, with a cobnut brioche crumble, on there. | :33:41. | :33:47. | |
And then this is traditional hop-picker's cake, there. | :33:48. | :33:51. | |
Wow. ..in there. So this is all part, then, | :33:52. | :34:01. | |
It is, yes. All these recipes have actually come from an old Kentish | :34:02. | :34:07. | |
I must admit, my mother's given me good training, John - | :34:08. | :34:12. | |
everything's either topped up with a bit of brandy or a bit of port, | :34:13. | :34:15. | |
And some cobnuts, yeah. Yeah, yeah, yeah. | :34:16. | :34:26. | |
Today, I'm at Hertfordshire's Gaddesden estate, | :34:27. | :34:29. | |
about the harvest, here at Gaddesden. Back then, | :34:30. | :34:39. | |
celebrated artist-in-residence Gordon Beningfield | :34:40. | :34:43. | |
was inspired to capture the wheat crop on canvas. | :34:44. | :34:47. | |
Unusually, there is still an artist living on the estate - | :34:48. | :34:50. | |
Richard Smith is drawn to the wildlife that thrives here. | :34:51. | :34:55. | |
How much of an inspiration is harvest to you, as an artist, | :34:56. | :34:58. | |
Richard? It's usually the best time of year, really. | :34:59. | :35:00. | |
Cos there's, once they've cut the harvest, there's a lot to be seen. | :35:01. | :35:03. | |
In the wood behind us, I watched a stoat chase a mouse, | :35:04. | :35:06. | |
And the next day I painted a painting that just painted itself. | :35:07. | :35:12. | |
It was amazing. So is it more, kind of, Impressionism that you do, then? | :35:13. | :35:15. | |
Yeah, pretty much. ..of a view, and then you just replicate that? | :35:16. | :35:20. | |
When I see something and do a little doodle, the whole, sort of, | :35:21. | :35:24. | |
comes out as a painting or, now, sculptures. | :35:25. | :35:29. | |
It seems that all of Richard's wildlife subjects | :35:30. | :35:32. | |
are sheltering from the rain. But overnight he set some camera traps, | :35:33. | :35:35. | |
hoping to capture some rarely-seen animal behaviour. | :35:36. | :35:38. | |
If you look just here, there's a track coming through. | :35:39. | :35:42. | |
Yeah. Now, it could be fallow deer that have done it. | :35:43. | :35:45. | |
Yeah. They cut through here, and they go out to the stubble. | :35:46. | :35:50. | |
Right, well, let's get this lot back to the studio. | :35:51. | :35:52. | |
Take them back to the studio. Have you got that one, yeah? | :35:53. | :35:55. | |
'Hopefully, the footage captured on the cameras will give Richard some | :35:56. | :35:59. | |
'inspiration for his next masterpiece.' | :36:00. | :36:02. | |
This is a great little workshop, isn't it? | :36:03. | :36:09. | |
Right, let's get these... Gosh, look at... Yes, all right, then. | :36:10. | :36:13. | |
Nothing, nothing... Oh, hang on - there's a bottom. | :36:14. | :36:15. | |
Oh, it's a badger. Oh. Ah... There you go, look. | :36:16. | :36:18. | |
It's quite nice, actually, isn't it, with that as a backdrop, | :36:19. | :36:21. | |
These long grasses in the foreground? That's quite | :36:22. | :36:25. | |
Let me close that one and bring up the next clip. | :36:26. | :36:31. | |
then would be kind of a starting point for a piece of work? | :36:32. | :36:38. | |
I'm now thinking of a painting of a badger/rabbit confrontation. | :36:39. | :36:43. | |
Right. You know? And then the imagination starts working. | :36:44. | :36:46. | |
What would happen? So it's not always true to science, | :36:47. | :36:51. | |
This barn owl, then - is this wax, or...? | :36:52. | :36:55. | |
This is what they call white modelling wax. | :36:56. | :36:58. | |
There's a barn, obviously, over there, | :36:59. | :37:01. | |
And I was sitting there as the sun was coming up, and I thought, | :37:02. | :37:07. | |
"I've got to do that." Little, quick sketch. | :37:08. | :37:09. | |
Then someone had said that there was a barn owl in residence so, again, | :37:10. | :37:14. | |
using the imagination, I produced a painting of a barn owl. | :37:15. | :37:18. | |
And so that has been sparked by that... | :37:19. | :37:20. | |
So this barn owl here is the end result of that barn? | :37:21. | :37:24. | |
Pretty much, yeah. Isn't that wonderful? | :37:25. | :37:26. | |
And, hopefully, if all goes well, the end result will be... | :37:27. | :37:29. | |
It's obvious to see the estate has provided Richard with a wealth of | :37:30. | :37:35. | |
there's no better time to spot its resident wildlife | :37:36. | :37:40. | |
Now, voting for the Countryfile photographic competition | :37:41. | :37:48. | |
And if you haven't voted to support your favourite, | :37:49. | :37:52. | |
Calls cost 10p plus your network's access charge. | :37:53. | :39:40. | |
You can also vote free on our website... | :39:41. | :39:46. | |
The website also contains a full list of the photos | :39:47. | :39:49. | |
together with the terms and conditions for the competition. | :39:50. | :39:54. | |
MUSIC: Myfanwy by the Morriston Orpheus Choir | :39:55. | :40:29. | |
Vast, borderless country, easy to lose yourself in. | :40:30. | :40:38. | |
is where the partnership between shepherd and dog | :40:39. | :40:45. | |
Hills and mountains are the natural arenas of the sheepdog. | :40:46. | :40:52. | |
that partnership has a history that goes back centuries. | :40:53. | :40:57. | |
The first sheepdog trials in the British Isles were held in Bala, | :40:58. | :41:01. | |
And one shepherd hasn't strayed too far | :41:02. | :41:06. | |
from this heartland of sheepdog trialling. | :41:07. | :41:09. | |
In fact, he lives and works just ten miles down the road. | :41:10. | :41:17. | |
has been working sheep in this tough terrain all of his life. | :41:18. | :41:23. | |
The sheepdog does the work of six human beings, | :41:24. | :41:28. | |
One really good dog is worth his weight in gold. | :41:29. | :41:35. | |
But don't be fooled by his calm countenance - | :41:36. | :41:37. | |
as twice world champion and four-times supreme champion, | :41:38. | :41:41. | |
he's a rock star of the sheepdog world. | :41:42. | :41:44. | |
My greatest achievement was winning the supreme championship last year, | :41:45. | :41:56. | |
I'd already won in Wales, England and Ireland. | :41:57. | :42:02. | |
I was more or less desperate to win in Scotland, and I eventually did. | :42:03. | :42:07. | |
As well as winning countless trials all over the world, | :42:08. | :42:10. | |
Aled's also been on the other side of the scoreboard | :42:11. | :42:12. | |
for One Man And His Dog, as one of last year's judges. | :42:13. | :42:16. | |
His collie, Cap, is the latest in a line of dogs | :42:17. | :42:19. | |
He always was the one that came up to me, | :42:20. | :42:29. | |
played with my shoelaces, and he was under my feet everywhere. | :42:30. | :42:33. | |
And even when he was a little bit older, | :42:34. | :42:36. | |
he was the one that would jump over the door | :42:37. | :42:39. | |
as soon as he heard me come into the shed. | :42:40. | :42:42. | |
He's powerful and he's got a lovely pace. | :42:43. | :42:49. | |
And he doesn't waste too much time doing things. | :42:50. | :42:59. | |
I just hope that I'll have a good packet of sheep. | :43:00. | :43:09. | |
I'm sure that Cap will be on form, I just hope that I'LL be on form. | :43:10. | :43:12. | |
On a good day, I'll be up there with the others. | :43:13. | :43:19. | |
the Welsh contenders are Aled Owen and Cap. | :43:20. | :43:25. | |
the mountains shrug their shoulders at the Irish Sea. | :43:26. | :43:35. | |
As workplaces go, this is a pretty beautiful spot. | :43:36. | :43:38. | |
And the sheep seem very content with the view as well. | :43:39. | :43:47. | |
This idyllic setting is home to Wales's young handler, Es Smith, | :43:48. | :43:51. | |
At 18, she's a bit older than some of her rivals, | :43:52. | :44:02. | |
and has just returned from trialling after a break of three years. | :44:03. | :44:06. | |
So this comeback kid has everything to prove. | :44:07. | :44:09. | |
Yeah. So you've been away from trialling for a little while, | :44:10. | :44:16. | |
and now you come back to it. What have you been up to? | :44:17. | :44:19. | |
I've been focusing on school and friends, and my social life. | :44:20. | :44:23. | |
Well, he's really friendly and loyal, | :44:24. | :44:27. | |
and he'll do anything for me, no matter what. | :44:28. | :44:30. | |
But he's young, that's the only thing I'm worried about, really. | :44:31. | :44:33. | |
And being so young, are you worried about him on the day? | :44:34. | :44:37. | |
Yeah, just because he's only ever done about five trials so far. | :44:38. | :44:43. | |
He could behave or he could get overexcited. | :44:44. | :44:47. | |
And he's up against some very experienced dogs. | :44:48. | :44:50. | |
Yeah. They're probably going to be quite a bit older than Jaff, but... | :44:51. | :44:54. | |
And are you competitive? Does it matter if you lose? | :44:55. | :44:58. | |
I hate losing. But, when it comes to trialling, | :44:59. | :45:02. | |
I know that I have to let the best person win, on the day. | :45:03. | :45:06. | |
Well, shall we put him through his paces? | :45:07. | :45:08. | |
Come on, Jaff. Come on then, fella. Come on, Jaff. | :45:09. | :45:17. | |
It's lovely the way he brought those up, Es. | :45:18. | :45:37. | |
Thank you. He's quite steady for a young dog, isn't he? | :45:38. | :45:40. | |
Yeah, he's... He's got power when he needs it. | :45:41. | :45:42. | |
Yeah. Lovely. Very reactive, isn't he? | :45:43. | :45:48. | |
I like him. It's remarkable that he's not even two, and he's so good. | :45:49. | :46:07. | |
Plenty of shepherds that would want that dog in the kennel, isn't there? | :46:08. | :46:15. | |
It's what dreams are made of. He's beautiful. | :46:16. | :46:19. | |
Well, there's not many people who could work a sheepdog | :46:20. | :46:22. | |
and have a conversation at the same time. | :46:23. | :46:24. | |
It's pretty impressive. I guess it is. | :46:25. | :46:27. | |
So he is pre-empting your commands, in a way. | :46:28. | :46:31. | |
But that's dangerous at the same time... | :46:32. | :46:33. | |
Yeah. ..if you want to keep him in control. | :46:34. | :46:35. | |
Yeah. Well, it's brilliant the way you've just picked it up again. | :46:36. | :46:38. | |
It's like riding a bike, is it? Amazing. Lie down. | :46:39. | :46:41. | |
I'm just glad that Jaff's come along at the right time, really. | :46:42. | :46:46. | |
Good boy. Well, that was very impressive. | :46:47. | :46:52. | |
I reckon you're in with a good chance. | :46:53. | :46:55. | |
and deep in the heartland of sheepdog trialling | :46:56. | :47:03. | |
comes our team representing Wales - | :47:04. | :47:06. | |
born shepherd Aled Owen and his dog, Cap, | :47:07. | :47:09. | |
and comeback-kid Es Smith with Jaff. | :47:10. | :47:20. | |
Here at Malshanger Farm in Hampshire, | :47:21. | :47:23. | |
we've been bringing in this year's peppermint harvest | :47:24. | :47:25. | |
in the hope of creating something a little special. | :47:26. | :47:30. | |
And here it is - pure peppermint oil. | :47:31. | :47:32. | |
But there's one final very important stage left - quality control. | :47:33. | :47:39. | |
And that means a trip to the lab with Ian, the farm's manager, | :47:40. | :47:43. | |
So, Ian, what's the importance of testing this? | :47:44. | :47:48. | |
There's five components I'm really looking for in that oil, | :47:49. | :47:51. | |
that have to be within a certain specification. | :47:52. | :47:54. | |
So what we're going to do, we're going to run it through | :47:55. | :47:59. | |
this wonderful piece of kit, called a gas chromatograph. | :48:00. | :48:03. | |
'This piece of equipment measures the purity of the oil, | :48:04. | :48:06. | |
'ensuring every batch is of the best quality.' | :48:07. | :48:10. | |
Although we distil it, we then store it, | :48:11. | :48:14. | |
and we aim to only sell it when it's about two years old. | :48:15. | :48:18. | |
very much like wine - it does mature. | :48:19. | :48:21. | |
The smell and the taste just mellows. | :48:22. | :48:24. | |
So this right here is top-quality premium Hampshire peppermint oil, | :48:25. | :48:30. | |
just as it would have been 100 years ago. Exactly. It really is... | :48:31. | :48:33. | |
The oil produced here on the farm goes to make all manner of products, | :48:34. | :48:39. | |
from bubble bath and body wash to probably the most well-known | :48:40. | :48:43. | |
minty chocolate treat - peppermint creams. | :48:44. | :48:47. | |
From the farm's warehouse, orders are shipped all around the globe. | :48:48. | :48:59. | |
chocolate to Switzerland and even lavender oil to France. | :49:00. | :49:07. | |
the farm's essential oil crops will make up half | :49:08. | :49:12. | |
Is there anything this peppermint CAN'T do? | :49:13. | :49:17. | |
Well, there is one particular usage that some of you may appreciate, | :49:18. | :49:21. | |
and I am more than happy to taste it on your behalf. | :49:22. | :49:27. | |
Summer wouldn't be summer without a cocktail. | :49:28. | :49:29. | |
Hi, Ollie. Hi, Anita. How are you doing? Yeah, good, thank you. | :49:30. | :49:32. | |
This is a fantastic set-up, isn't it? Thank you very much. What fun! | :49:33. | :49:35. | |
'Mixologist Oliver Grey has come to help me create the perfect punchy | :49:36. | :49:39. | |
'summer drink, by blending the farm's peppermint oil | :49:40. | :49:42. | |
So two drops in about a litre mix of syrup or puree is definitely enough. | :49:43. | :49:49. | |
Any more than that will blow your head off. | :49:50. | :49:51. | |
OK. So what are you going to make? | :49:52. | :49:53. | |
What cocktails...? What do you like? We could do a raspberry cooler... | :49:54. | :49:56. | |
Sounds good. ..which is a gin-based cocktail. | :49:57. | :49:59. | |
Peppermint's brilliant for enhancing the different fruits. | :50:00. | :50:01. | |
And, of course, this is English peppermint, | :50:02. | :50:04. | |
It doesn't get any fresher than this, does it? | :50:05. | :50:08. | |
This is pretty special, isn't it? | :50:09. | :50:10. | |
'It's at times like this when I'm glad I'm not driving.' | :50:11. | :50:13. | |
Tequila cooling... The peppermint is perfect. | :50:14. | :50:20. | |
Put the lid on. Give that a little shake. | :50:21. | :50:30. | |
It's a hard job, but I'm happy to do it. | :50:31. | :50:36. | |
'make of our concoctions made with their peppermint?' | :50:37. | :50:41. | |
Oh... Well, Sir Michael, that is for you. | :50:42. | :50:49. | |
That's wonderful. And it has your peppermint in it. | :50:50. | :50:55. | |
What do you fancy? I'll have the gin, please. | :50:56. | :50:58. | |
Well, I... This is just right for me. | :50:59. | :51:07. | |
Absolutely. Gentlemen... Cheers. Cheers, Ollie. | :51:08. | :51:10. | |
Summer in a jar. But the question on all our minds | :51:11. | :51:15. | |
is, will it be cocktail weather in the week ahead? | :51:16. | :51:18. | |
Well, here's the five-day forecast with the answer. | :51:19. | :51:20. | |
Some good opportunities for cocktails over the next few days but | :51:21. | :51:42. | |
we're into early September, some -- summer is over and it will go down | :51:43. | :51:46. | |
as a wet one mainly because of the rain in June and for most of the | :51:47. | :51:49. | |
time across the Midlands and southern England it was drier than | :51:50. | :51:52. | |
average with temperatures above average. It was quite a warm summer. | :51:53. | :52:00. | |
The heat peaked on August 23 in Kent where we saw the rectory soaring to | :52:01. | :52:05. | |
34 degrees. The mercury will be rising this week. We will turn | :52:06. | :52:10. | |
things warmer across the board. A good opportunity for some cocktails. | :52:11. | :52:14. | |
Before we get there we have a weather system coming in overnight | :52:15. | :52:18. | |
bringing rain with it and a fair number of isobars on the charts so | :52:19. | :52:21. | |
the rain will be accompanied by a brisk breeze and some wet areas for | :52:22. | :52:26. | |
the western side in the morning but the rain will become patchy and it | :52:27. | :52:30. | |
never gets towards East Scotland. Into the afternoon it is light and | :52:31. | :52:35. | |
patchy rain and pretty great with extensive mist and low cloud but | :52:36. | :52:40. | |
also quite warm and humid, the high teens or 20s. Into northern England | :52:41. | :52:44. | |
the north-east should be fine and dry with drips of rain for the | :52:45. | :52:48. | |
north-west, Northern Ireland brightens up in the afternoon, quite | :52:49. | :52:56. | |
warm and humid. Three Monday evening, we have a lot of low cloud | :52:57. | :53:01. | |
around, still light rain and drizzle for western areas and little rain | :53:02. | :53:03. | |
for Northern Ireland and western Scotland but generally dry with | :53:04. | :53:08. | |
extensive mist, fog and low cloud. Also very warm, 17 or 18 degrees to | :53:09. | :53:14. | |
start the day on Tuesday. A great start, a slow start for most of us | :53:15. | :53:19. | |
on Tuesday. The big picture... High pressure in the near continent, the | :53:20. | :53:22. | |
wind going clockwise, we have a weather front further north bringing | :53:23. | :53:27. | |
more rain and a breeze with that towards northern Scotland but in | :53:28. | :53:30. | |
northern Scotland we shall see the best sunshine on Tuesday. Rain | :53:31. | :53:35. | |
further south, into Northern Ireland and western Scotland, the sunshine | :53:36. | :53:38. | |
trying to break through but that'll be difficult. A little bit of | :53:39. | :53:41. | |
sunshine for eastern areas but even though it is still fairly cloudy, it | :53:42. | :53:47. | |
is also warm and very humid, the low 20s for many and the middle 20s for | :53:48. | :53:50. | |
the south-eastern corner. The middle of the week, the wind direction | :53:51. | :53:54. | |
changes and we pull in drier air from the near continent so that will | :53:55. | :53:59. | |
help break the cloud up, noting that away from the south-east towards the | :54:00. | :54:04. | |
north and west so slowly brightening things during Wednesday, much better | :54:05. | :54:07. | |
chance of spells of sunshine, that little bit warmer in the south-east. | :54:08. | :54:13. | |
2526. Another very humid day across the board. The drier air continues | :54:14. | :54:19. | |
north on Thursday, melting the cloud, for many central and eastern | :54:20. | :54:22. | |
areas on Thursday it will be a lovely day with lengthy sunshine. A | :54:23. | :54:27. | |
shower or two in Scotland but this line of showers was swinging from | :54:28. | :54:32. | |
the West, dropping temperatures but notice 26 degrees in London. South | :54:33. | :54:35. | |
East maybe getting 28 degrees and that is the peak of the heat this | :54:36. | :54:39. | |
week because this weather front moves eastwards into Friday. | :54:40. | :54:42. | |
Dropping temperatures back by a few degrees but we still do quite well. | :54:43. | :54:47. | |
And it looks like a decent day for central and eastern areas, bright | :54:48. | :54:51. | |
and breezy, 23 degrees, pleasantly no further west were the breeze, the | :54:52. | :54:55. | |
cloud thickening and the rain drifting and some | :54:56. | :55:06. | |
Today we're celebrating harvest time. | :55:07. | :55:09. | |
I've been at the Gaddesden estate in Hertfordshire, | :55:10. | :55:12. | |
and gathering produce for this evening's harvest feast. | :55:13. | :55:18. | |
Well, the bread has been plaited and baked, | :55:19. | :55:20. | |
but to get a bit more variety on the menu, | :55:21. | :55:22. | |
I'm enlisting the help of Little Gaddesden preschool | :55:23. | :55:25. | |
the estate's kitchen garden all year round. | :55:26. | :55:34. | |
as they get the chance to learn where their food comes from. | :55:35. | :55:46. | |
His father, Arthur, was a foreman on the estate, | :55:47. | :55:58. | |
and featured in the film the BBC made here in 1977. | :55:59. | :56:04. | |
Where do your little helpers come in, then? | :56:05. | :56:06. | |
We get in touch with the local junior schools and the preschools, | :56:07. | :56:09. | |
to come up and give us a hand, you know, | :56:10. | :56:13. | |
They can come in, get their hands dirty, pull things out the ground, | :56:14. | :56:18. | |
pick things... And your daughter's also involved, isn't she? | :56:19. | :56:22. | |
Yeah, yes, she runs the preschool. Right. This is Jenny, here. | :56:23. | :56:25. | |
Jenny, hello. Hi. How are things? All right? Yeah, good. | :56:26. | :56:28. | |
What are you going to do with all this? | :56:29. | :56:31. | |
And then they get to take them home, they can eat some now, | :56:32. | :56:35. | |
they can cook them with their mums and dads... Lovely. | :56:36. | :56:37. | |
..and show them what they've, sort of... | :56:38. | :56:39. | |
Isn't that lovely? ..harvested so, yeah, it'll be good fun. Great. | :56:40. | :56:42. | |
And so you do this with all of your classes, then? Yes. Just really | :56:43. | :56:45. | |
learn about what grows at what time of year | :56:46. | :56:48. | |
I couldn't agree more. And we've got some chard coming in. | :56:49. | :56:52. | |
That's all right - you can get involved as well. | :56:53. | :56:55. | |
It's about being passionate about your food. | :56:56. | :56:58. | |
I tell you what, I wish I had a full suit like you. | :56:59. | :57:04. | |
So that's the veg sorted for tonight's harvest meal. | :57:05. | :57:11. | |
Up and down the country, farmers are working, weather permitting, | :57:12. | :57:14. | |
day and night to bring in this year's bounty. | :57:15. | :57:17. | |
But you can't work well on an empty stomach. | :57:18. | :57:20. | |
the harvest team at Gaddesden downs tools | :57:21. | :57:24. | |
Who's in charge of the harvest feast? | :57:25. | :57:32. | |
Oh, my word! Oh, you've got stew and everything! | :57:33. | :57:34. | |
Oh, nice to see you. And you. How are things? Very well, thanks. | :57:35. | :57:38. | |
..to go with your lovely stew. Would you like some? Yes, please. | :57:39. | :57:42. | |
Do you want some beans? Yes, please. Why not? | :57:43. | :57:44. | |
Right, where's the combining team? Are you having a bit of a sleep-in, | :57:45. | :57:49. | |
because I understand you didn't finish | :57:50. | :57:50. | |
till...what time was it this morning? | :57:51. | :57:52. | |
Yeah, trying to get as much in as we can before it rains. | :57:53. | :57:56. | |
It's unbelievable. So, yeah, pushed on. | :57:57. | :57:58. | |
And is this one of the best bits of the day, this? | :57:59. | :58:00. | |
Oh, certainly is. Definitely. Yeah, yeah. | :58:01. | :58:02. | |
What do you think to the bread? Beautiful. Absolutely beautiful. | :58:03. | :58:04. | |
That was manufactured in Guy's kitchen, first thing this morning. | :58:05. | :58:07. | |
Yeah, you can't beat a bit of fresh bread. Yes? | :58:08. | :58:10. | |
Hey, it's gone down a treat, this. Well done. Happy days. | :58:11. | :58:15. | |
Yeah, the harvest team have been working hard now for two weeks, | :58:16. | :58:19. | |
flat out. Been really busy, working long nights, | :58:20. | :58:22. | |
trying to get as much dry grain as they can. | :58:23. | :58:25. | |
OK, listen - so you're all done for the day and so are we, | :58:26. | :58:27. | |
because that is all we've got time for. | :58:28. | :58:28. | |
Next week, we're going to be on Anglesey, | :58:29. | :58:31. | |
where Anita will be coming face-to-face with a creature | :58:32. | :58:33. | |
And just a reminder - if you haven't voted in the Countryfile | :58:34. | :58:37. | |
all you have to do is go to the website for more details. | :58:38. | :58:42. | |
But from all of us here at Gaddesden, it's goodbye. Bye-bye! | :58:43. | :58:47. |