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These days, it seems like everyone | 0:00:27 | 0:00:29 | |
wants a part of the British countryside. | 0:00:29 | 0:00:32 | |
Last year alone, | 0:00:32 | 0:00:33 | |
there were nearly 1.5 billion visits to our natural landscape. | 0:00:33 | 0:00:38 | |
For more and more of us, our countryside is a playground. | 0:00:38 | 0:00:43 | |
A beautiful space, where we can satisfy our need for peace | 0:00:43 | 0:00:47 | |
and relaxation. | 0:00:47 | 0:00:48 | |
Or our hunger for adventure. | 0:00:50 | 0:00:52 | |
But as it gets more popular, | 0:00:52 | 0:00:53 | |
are we in danger of ruining the natural world we love so much? | 0:00:53 | 0:00:57 | |
With one in ten holidays in the UK now involving adventure sports, | 0:01:01 | 0:01:04 | |
gone are the days when people only went to the countryside | 0:01:04 | 0:01:08 | |
for a leisurely stroll. | 0:01:08 | 0:01:10 | |
Now we cave, climb, or for the more adventurous amongst you, | 0:01:10 | 0:01:16 | |
there are things like power kiting. | 0:01:16 | 0:01:18 | |
And then something I'm trying for the first time today - | 0:01:18 | 0:01:22 | |
gorge walking. | 0:01:22 | 0:01:23 | |
So, you realise we're standing in snow-melt water at this point? | 0:01:23 | 0:01:26 | |
Snow melt? | 0:01:26 | 0:01:28 | |
-It's not a hot tub, then? -It's not the warmest water in the world. | 0:01:28 | 0:01:32 | |
In the search for new ways to explore the countryside, | 0:01:32 | 0:01:36 | |
thrill-seekers are now wading up rivers | 0:01:36 | 0:01:38 | |
and challenging mountain streams to satisfy their thirst for adventure. | 0:01:38 | 0:01:43 | |
OK, Tom. Whoo-hoo! There you go. | 0:01:43 | 0:01:46 | |
But the sport has come under attack for its impact on delicate | 0:01:47 | 0:01:50 | |
parts of the landscape. | 0:01:50 | 0:01:52 | |
-I love it coming straight down the sleeve. -And out the bottom. | 0:01:52 | 0:01:56 | |
Yeah. | 0:01:56 | 0:01:57 | |
I'm joining Nottinghamshire County Council worker Phil Baker | 0:01:57 | 0:02:02 | |
at Hagg Farm Outdoor Education Centre | 0:02:02 | 0:02:05 | |
to find out what the issues are. | 0:02:05 | 0:02:07 | |
-Oh! -Very good. | 0:02:07 | 0:02:08 | |
Clearly, in an area like this, there's things like bank-side erosion, | 0:02:08 | 0:02:11 | |
there's where you get in, where you get out, footpath erosion. | 0:02:11 | 0:02:14 | |
There's very vulnerable ferns and bushes around that you can see. | 0:02:14 | 0:02:19 | |
But this here is one of the side cloughs | 0:02:19 | 0:02:21 | |
that we deliberately instruct groups not to go up. | 0:02:21 | 0:02:25 | |
Because it's a small, narrow kind of cascade, | 0:02:25 | 0:02:28 | |
-there's lots of sensitive things around you could easily tear off? -Yeah, yeah. | 0:02:28 | 0:02:32 | |
And you can see where the moss is very close to the stream. | 0:02:32 | 0:02:35 | |
If you climbed up there, you'd just wear that away straightaway. | 0:02:35 | 0:02:38 | |
And there's kind of no need. | 0:02:38 | 0:02:39 | |
-Then there's noise, of course, and disturbing nesting birds. -Right. | 0:02:39 | 0:02:43 | |
Does that mean there are certain times of year | 0:02:43 | 0:02:45 | |
-when you avoid it, or...? -Yeah. Yeah, yeah. | 0:02:45 | 0:02:47 | |
Basically, we work very hard with the National Trust | 0:02:47 | 0:02:49 | |
to set up some operation procedures. | 0:02:49 | 0:02:51 | |
That means we only do it on a seasonal basis, | 0:02:51 | 0:02:54 | |
um...that we have restricted numbers, restricted use. | 0:02:54 | 0:02:57 | |
There's a bunch of control measures in place the Trust are happy with. | 0:02:57 | 0:03:00 | |
Let's give it a go! | 0:03:02 | 0:03:04 | |
You only live once! | 0:03:04 | 0:03:06 | |
-Whoo-hoo! Well done! -That is bracing! Hoo! | 0:03:08 | 0:03:12 | |
Well, it's not just gorge walking that makes a few people uneasy, | 0:03:12 | 0:03:17 | |
there are loads of new adventure sports, fads, if you like. | 0:03:17 | 0:03:20 | |
And many people have concerns about those, too. Whoo! | 0:03:20 | 0:03:24 | |
There have been complaints about the new craze of coasteering - | 0:03:24 | 0:03:28 | |
a combination of swimming, | 0:03:28 | 0:03:29 | |
climbing and diving around our coastline, causing rock falls. | 0:03:29 | 0:03:34 | |
Some fell runners have upset farmers by leaving gates open | 0:03:34 | 0:03:37 | |
and disrupting livestock. | 0:03:37 | 0:03:39 | |
Even something apparently as benign as flying a kite can be damaging. | 0:03:39 | 0:03:45 | |
The shadow can disturb ground-nesting birds | 0:03:45 | 0:03:48 | |
and there's a risk of me trampling on them. | 0:03:48 | 0:03:50 | |
Most of these activities are fairly niche, though. | 0:03:52 | 0:03:55 | |
But there's another extreme sport that attracts thousands of us | 0:03:56 | 0:03:59 | |
into the countryside each week. | 0:03:59 | 0:04:01 | |
It feels a bit perilous, so nice and tight, please. | 0:04:02 | 0:04:05 | |
Climbing is on the up. | 0:04:05 | 0:04:07 | |
In the last 20 years, the British Mountaineering Council | 0:04:07 | 0:04:10 | |
has seen its membership triple, from 25,000 to 75,000. | 0:04:10 | 0:04:14 | |
Ooh, it's slippery. | 0:04:16 | 0:04:18 | |
The sport, pioneered in the 19th century, | 0:04:18 | 0:04:21 | |
was once only the pastime of the upper classes. | 0:04:21 | 0:04:24 | |
Now it has mass appeal | 0:04:24 | 0:04:26 | |
and people are flocking to the crags in their thousands, | 0:04:26 | 0:04:29 | |
as local climbing instructor Ed Chard knows only too well. | 0:04:29 | 0:04:33 | |
-Well done. -So, you've been climbing around here for a few years. | 0:04:34 | 0:04:38 | |
What changes have you seen in that time? | 0:04:38 | 0:04:41 | |
Well, the increase of climbers. | 0:04:41 | 0:04:43 | |
You know, the sport is radically changing over the last few years. | 0:04:43 | 0:04:47 | |
More and more people are coming to areas like this | 0:04:47 | 0:04:49 | |
and it's just very, very accessible. | 0:04:49 | 0:04:51 | |
And I think people are recognising the value of climbing, | 0:04:51 | 0:04:54 | |
that they can come and they can have excitement | 0:04:54 | 0:04:56 | |
on the sort of short edges, like this, | 0:04:56 | 0:04:58 | |
but be in this fantastic environment, as well. | 0:04:58 | 0:05:01 | |
What about birds nesting in the cliffs? | 0:05:01 | 0:05:03 | |
-Do you have to be careful about them? -Absolutely. | 0:05:03 | 0:05:05 | |
I think climbers are very, very aware | 0:05:05 | 0:05:07 | |
to out environmental surroundings. | 0:05:07 | 0:05:10 | |
Ringed ouzels are the sort of mountain blackbird, if you like, | 0:05:10 | 0:05:14 | |
and will nest on edges very much like this. | 0:05:14 | 0:05:17 | |
So, you know, we'll get together and we'll say, | 0:05:17 | 0:05:20 | |
"Let's stay away from that area, let's do that ourselves. | 0:05:20 | 0:05:23 | |
"There's lots of other rock to climb, | 0:05:23 | 0:05:25 | |
"let's let those birds fledge." | 0:05:25 | 0:05:26 | |
And we'll share that information with RSPB | 0:05:26 | 0:05:30 | |
and all those other folks, you know. | 0:05:30 | 0:05:32 | |
Of course, not everyone sticks to the rules, but | 0:05:33 | 0:05:36 | |
if we act responsibly, the impact of these sports should be minimal. | 0:05:36 | 0:05:41 | |
Yet, as I'll be finding out later, | 0:05:41 | 0:05:43 | |
there are more mainstream activities that can be cause for concern. | 0:05:43 | 0:05:47 | |
I'm in north Cambridgeshire, in the village of Helpston. | 0:05:56 | 0:06:00 | |
It's here that a man described as one of the poorest and most troubled | 0:06:00 | 0:06:04 | |
of the great English romantic poets found inspiration. | 0:06:04 | 0:06:07 | |
John Clare was born in 1793 | 0:06:10 | 0:06:12 | |
and spent most of his life in this cottage. | 0:06:12 | 0:06:15 | |
He was a son of a humble labouring family. | 0:06:15 | 0:06:18 | |
And though he had little education, | 0:06:18 | 0:06:20 | |
he had no trouble in finding the words | 0:06:20 | 0:06:22 | |
to write about the countryside that he loved. | 0:06:22 | 0:06:25 | |
Up this green woodland ride let's softly rove | 0:06:27 | 0:06:30 | |
And list the nightingale, she dwells just here. | 0:06:30 | 0:06:35 | |
Hush! Let the wood-gate softly clap | 0:06:35 | 0:06:38 | |
For fear the noise might drive her from her home of love. | 0:06:38 | 0:06:41 | |
At one point, John Clare, who was known as the Peasant Poet, | 0:06:44 | 0:06:48 | |
even outsold Keats. | 0:06:48 | 0:06:49 | |
His family home is now dedicated to his life and his rich imagination. | 0:06:52 | 0:06:57 | |
And I'm meeting the curator, David Dykes, to learn more. | 0:06:57 | 0:07:01 | |
David, can you set the scene for me? | 0:07:03 | 0:07:05 | |
Apart from John Clare, | 0:07:05 | 0:07:06 | |
who else would have been living in this quite small cottage? | 0:07:06 | 0:07:09 | |
We had six children, his wife, his sister, his mother and father. | 0:07:09 | 0:07:13 | |
So you've got three generations of Clare family in this small cottage. | 0:07:13 | 0:07:17 | |
And he was writing his poetry while all the mayhem was going on. | 0:07:17 | 0:07:20 | |
That's why he'd walk out into the fields and write his poetry, | 0:07:20 | 0:07:23 | |
where he got his inspiration. | 0:07:23 | 0:07:25 | |
All nature has a feeling. | 0:07:25 | 0:07:27 | |
Woods, fields, brooks are life eternal. | 0:07:27 | 0:07:31 | |
And in silence they speak happiness beyond the reach of books. | 0:07:31 | 0:07:36 | |
And this humble boy from this little cottage | 0:07:36 | 0:07:39 | |
-found himself in London as a literary star. -Absolutely. | 0:07:39 | 0:07:44 | |
That's where he got the name, the Peasant Poet. | 0:07:44 | 0:07:47 | |
Because he didn't fit in there, nor did he fit in here. | 0:07:47 | 0:07:50 | |
And when he came back here, fame came at a cost. | 0:07:50 | 0:07:52 | |
People didn't believe he'd written the poems. | 0:07:52 | 0:07:55 | |
They thought somebody else had written them for him. | 0:07:55 | 0:07:57 | |
And this is a diary that he kept in 1825. | 0:07:57 | 0:08:01 | |
And in it he records some of the people who came and looked at him | 0:08:01 | 0:08:05 | |
and said, "Are you actually the person who wrote the poem?" | 0:08:05 | 0:08:08 | |
And so he became almost like a sideshow. | 0:08:08 | 0:08:10 | |
-So, he didn't cope well with celebrity? -Absolutely not, no. | 0:08:10 | 0:08:13 | |
And nor did he make money out of it. | 0:08:13 | 0:08:15 | |
He was always just a labourer who wrote poetry. | 0:08:15 | 0:08:18 | |
It's as if there were two John Clares. | 0:08:18 | 0:08:21 | |
One placed by the literary elite alongside Wordsworth and Byron, | 0:08:21 | 0:08:25 | |
and the other scraping a living | 0:08:25 | 0:08:27 | |
alongside his illiterate fellow farm workers. | 0:08:27 | 0:08:30 | |
One of his modern local admirers is Penny Stevens. | 0:08:30 | 0:08:34 | |
Penny, with what is it that makes Clare's poetry | 0:08:34 | 0:08:36 | |
so special to you today? | 0:08:36 | 0:08:38 | |
It's because he looked at the world around him | 0:08:38 | 0:08:41 | |
all the time, every bit of nature, every hour of the day, | 0:08:41 | 0:08:43 | |
every animal, every species, all the insects and birds, | 0:08:43 | 0:08:47 | |
and he described them so beautifully. | 0:08:47 | 0:08:49 | |
In a way, then, he was one of the very first environmentalists. | 0:08:49 | 0:08:52 | |
He was, and he wrote very personally and very, very beautifully. | 0:08:52 | 0:08:56 | |
And in his poetry, he used an awful lot of local dialect, didn't he? | 0:08:56 | 0:09:00 | |
Yes, he did. My favourite | 0:09:00 | 0:09:01 | |
is the word he uses for the long-tailed tit, the little birds. | 0:09:01 | 0:09:04 | |
And he calls them bumbarrels. | 0:09:04 | 0:09:06 | |
THEY LAUGH | 0:09:06 | 0:09:08 | |
And for the haw round fields and closen rove | 0:09:08 | 0:09:12 | |
And coy bumbarrels twenty in a drove | 0:09:12 | 0:09:15 | |
Flit down the hedgerows in the frozen plain | 0:09:15 | 0:09:18 | |
And hang on little twigs and start again. | 0:09:18 | 0:09:21 | |
Clare loved the woods and the flatlands. | 0:09:23 | 0:09:26 | |
They represented freedom. | 0:09:26 | 0:09:28 | |
But that joy was to be short-lived because the common land, | 0:09:28 | 0:09:31 | |
the open fields where his family had toiled for centuries, | 0:09:31 | 0:09:35 | |
was taken away from them. | 0:09:35 | 0:09:37 | |
During the 19th century, right across the country, | 0:09:37 | 0:09:40 | |
Enclosure Acts, approved by Parliament, | 0:09:40 | 0:09:43 | |
put much of that land into private hands. | 0:09:43 | 0:09:46 | |
This denied Clare the right to explore the countryside | 0:09:46 | 0:09:50 | |
that defined his writing. | 0:09:50 | 0:09:53 | |
He had long struggled with his mental health | 0:09:53 | 0:09:56 | |
and, in his early 40s, was sectioned and sent to an asylum in Essex. | 0:09:56 | 0:10:01 | |
He continued to write poetry, but after a few years, absconded, | 0:10:01 | 0:10:05 | |
walking for four days back to his beloved village of Helpston. | 0:10:05 | 0:10:10 | |
A few steps from his cottage, perhaps a little too close, | 0:10:10 | 0:10:14 | |
there's the Bluebell Inn. | 0:10:14 | 0:10:15 | |
And, what with his love of ale | 0:10:15 | 0:10:17 | |
and his increasingly-fragile mental state, | 0:10:17 | 0:10:20 | |
things started to go downhill for John Clare. | 0:10:20 | 0:10:24 | |
To cope with his black moods, | 0:10:24 | 0:10:26 | |
he spent a bit too much time in the pub, drinking and playing | 0:10:26 | 0:10:30 | |
folk songs that he'd picked up from gypsies who lived in the woods. | 0:10:30 | 0:10:33 | |
JAUNTY TUNE | 0:10:33 | 0:10:35 | |
He was admitted again to an asylum and, eventually, | 0:10:37 | 0:10:40 | |
the words stopped flowing. | 0:10:40 | 0:10:42 | |
Someone wrote to him at the asylum, saying, "Why no more poems?" | 0:10:43 | 0:10:47 | |
He writes, "Dear sir, I am in a madhouse. I quite forget your name. | 0:10:47 | 0:10:53 | |
"You must excuse me for I have nothing to communicate, | 0:10:53 | 0:10:56 | |
"I have nothing to say." | 0:10:56 | 0:10:58 | |
A tragic end for a man who'd found so many wonderful words to say. | 0:10:58 | 0:11:03 | |
Our appetite for adventure sports seems insatiable. | 0:11:05 | 0:11:10 | |
Adrenaline junkies flock from far and wide | 0:11:10 | 0:11:13 | |
to bag the perfect crag and shred the toughest trail. | 0:11:13 | 0:11:17 | |
But as the countryside gets more popular | 0:11:18 | 0:11:21 | |
and we get more adventurous, | 0:11:21 | 0:11:23 | |
questions are being asked about the impact on our natural world. | 0:11:23 | 0:11:26 | |
Nearly one in four of British households now own a mountain bike. | 0:11:28 | 0:11:31 | |
And the sport has never been so popular. | 0:11:31 | 0:11:34 | |
But not everyone I've met in the Peak District is happy about it. | 0:11:34 | 0:11:38 | |
If it got much busier with the bikes, it would be tricky. | 0:11:38 | 0:11:41 | |
Especially in the very popular weekend tourist areas. | 0:11:41 | 0:11:45 | |
It's great that mountain bikers use the countryside | 0:11:47 | 0:11:50 | |
and use paths like this, but I do think that they have to be | 0:11:50 | 0:11:54 | |
more aware of people walking, and with their animals, especially. | 0:11:54 | 0:11:59 | |
It's clear there's some concern about the increasing | 0:11:59 | 0:12:01 | |
number of mountain bikers in our countryside, | 0:12:01 | 0:12:04 | |
but are they as bad for the paths and landscape as some people think? | 0:12:04 | 0:12:08 | |
So, why is it you like it so much? | 0:12:08 | 0:12:10 | |
It's the places it takes you to, Tom! | 0:12:10 | 0:12:13 | |
John Horscroft is a local mountain biker | 0:12:15 | 0:12:18 | |
here in the Peak District. | 0:12:18 | 0:12:20 | |
He's all too aware of the bad press. | 0:12:20 | 0:12:23 | |
What do you think most people out here think about mountain bikers? | 0:12:25 | 0:12:28 | |
The culture, perhaps it's built up over the years, | 0:12:28 | 0:12:30 | |
that mountain bikers are just adrenaline junkies | 0:12:30 | 0:12:33 | |
with their brains switched off when they're riding through | 0:12:33 | 0:12:35 | |
a majestic landscape like this, is just wrong. | 0:12:35 | 0:12:39 | |
I'd like to think we were beginning to be viewed as much | 0:12:39 | 0:12:43 | |
a part of the country scene as everyone is, but, yeah, | 0:12:43 | 0:12:46 | |
inevitably, there is some friction between different user groups. | 0:12:46 | 0:12:50 | |
Certainly here at Wimbleholm Hill, mountain bikers have joined forces | 0:12:50 | 0:12:54 | |
with other users to fix paths and maintain the landscape. | 0:12:54 | 0:12:57 | |
According to John, | 0:13:01 | 0:13:02 | |
mountain biking is far less destructive than many people think. | 0:13:02 | 0:13:06 | |
It's now widely suggested that something rather pedestrian | 0:13:06 | 0:13:10 | |
is actually causing more damage. | 0:13:10 | 0:13:12 | |
The Peak District National Park | 0:13:16 | 0:13:17 | |
is smack-bang in the centre of England, | 0:13:17 | 0:13:20 | |
and it's home to the start of the Pennine Way. | 0:13:20 | 0:13:23 | |
It's visited by 10 million people each year. | 0:13:23 | 0:13:25 | |
The majority come to walk. | 0:13:25 | 0:13:27 | |
One of the people who deals with this | 0:13:27 | 0:13:29 | |
is the National Trust Countryside manager, Simon Wright. | 0:13:29 | 0:13:32 | |
So, which activity causes more damage - mountain biking or walking? | 0:13:34 | 0:13:38 | |
In terms of overall numbers, walking. | 0:13:38 | 0:13:40 | |
But it's a different sort of damage you get from a bike | 0:13:40 | 0:13:42 | |
and we're increasingly seeing more damage on bridleways | 0:13:42 | 0:13:46 | |
and off bridleways, as well, from bikes. | 0:13:46 | 0:13:48 | |
But the bulk of our work so far | 0:13:48 | 0:13:49 | |
has gone into alleviating the pressure from walking. | 0:13:49 | 0:13:52 | |
Just because that many footfalls are, you know, | 0:13:52 | 0:13:55 | |
you can even see it here, cause erosion. | 0:13:55 | 0:13:57 | |
It's just pressure on very, very vulnerable soils in some cases. | 0:13:57 | 0:14:01 | |
Because a lot of our ground is peat. | 0:14:01 | 0:14:02 | |
And it's just sheer numbers in quite often a tightly-controlled area. | 0:14:02 | 0:14:07 | |
They walk the same routes all the time. | 0:14:07 | 0:14:09 | |
Nobody wants to walk on long heather if they can walk on short grass. | 0:14:09 | 0:14:12 | |
Overall, what is your attitude to people | 0:14:12 | 0:14:15 | |
having an appetite to get out here? | 0:14:15 | 0:14:17 | |
It's something we would actively encourage. | 0:14:17 | 0:14:19 | |
We want people to come out, enjoy our countryside. | 0:14:19 | 0:14:21 | |
That's one reason why the Trust have been given land, | 0:14:21 | 0:14:24 | |
to look after it for the nation. | 0:14:24 | 0:14:25 | |
So maybe it's not what we're doing in the countryside | 0:14:25 | 0:14:28 | |
that threatens its future, but the sheer volume of us who are using it. | 0:14:28 | 0:14:32 | |
Some come to our natural world for nerve-jangling thrills, | 0:14:32 | 0:14:38 | |
others for calm and communion with nature. | 0:14:38 | 0:14:42 | |
Both are legitimate and, if done sensitively and responsibly, | 0:14:42 | 0:14:46 | |
this landscape will be preserved for us all to enjoy. | 0:14:46 | 0:14:50 |