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Autumn - a kaleidoscope of colour, before the slow descent into winter. | :00:23. | :00:29. | |
For many, it's a season to wind down, but in our woodlands, | :00:30. | :00:33. | |
nature's having a final flourish, bursting with ripe treasure. | :00:34. | :00:38. | |
In today's special celebration of the season, | :00:39. | :00:41. | |
we're going to put on our boots, kick through the crisp leaves, | :00:42. | :00:44. | |
and explore the fruits of our forests. | :00:45. | :00:49. | |
Anita's exploring the wonder of walnuts... | :00:50. | :00:52. | |
..John catches a glimpse of some rare hazel dormice... | :00:53. | :01:01. | |
because this is the first time I've ever seen a dormouse. | :01:02. | :01:08. | |
..Naomi hears how conkers nearly helped us win the war... | :01:09. | :01:16. | |
..and Adam pigs out with celebrity chef Cyrus Todiwala. | :01:17. | :01:20. | |
Can't come and cook lunch for me tomorrow as well, can you? | :01:21. | :01:39. | |
I'm in the depths of East Sussex. At least, I think I am. | :01:40. | :01:43. | |
I've got a map, but there aren't any road names. | :01:44. | :01:45. | |
It's more like a floor plan of a wild supermarket. | :01:46. | :01:52. | |
Well, I've been invited round for dinner | :01:53. | :01:54. | |
about living off the fruits of our forests. | :01:55. | :01:58. | |
Now, where you may see a thicket, a stream, and a few trees, | :01:59. | :02:01. | |
he sees a meat counter, a vegetable aisle, and a salad bar. | :02:02. | :02:07. | |
In his mid-20s, Nick Weston gave up the rat race | :02:08. | :02:10. | |
as a jobbing chef in the city, and set himself a challenge - | :02:11. | :02:14. | |
to move back to the countryside, build a treehouse, | :02:15. | :02:17. | |
and stay in it for six months, living off the land. | :02:18. | :02:22. | |
Every day, he kept a diary, detailing his steep learning curve. | :02:23. | :02:31. | |
Pigeons have a reputation for being reasonably bulletproof. | :02:32. | :02:37. | |
I waited until the bird gave me a profile of his head, | :02:38. | :02:40. | |
GUNSHOT WINGS FLAP | :02:41. | :02:44. | |
The pigeon folded, and dropped like a stone to the forest floor. | :02:45. | :02:49. | |
I feel Mother Nature was smiling on me. | :02:50. | :02:52. | |
Either that, or the pigeon was depressed, | :02:53. | :02:54. | |
Well, Nick has since upgraded, and he's built a bigger treehouse, | :02:55. | :03:06. | |
but as he's now married with a young baby, | :03:07. | :03:08. | |
he uses it to teach others how to get back to nature, | :03:09. | :03:11. | |
And, according to these three, he's just up here on the left. | :03:12. | :03:19. | |
Morning, Matt. How are you doing? This is mightily impressive! | :03:20. | :03:24. | |
Good to see you, mate. Good to see you. Oh, who's this, down here? | :03:25. | :03:28. | |
This is Bea. Hello, Bea. She's our little truffle dog. | :03:29. | :03:31. | |
Goodness, what a place you've got here, Nick! Lovely, isn't it? | :03:32. | :03:33. | |
So, you've got a kitchen here, then? Yep, this is our wood-fired kitchen. | :03:34. | :03:36. | |
In here, we've got the grill, clay oven, got a built-in smoker. | :03:37. | :03:39. | |
And I'm glad to see you've got the coffee on as well. Yes, indeed. | :03:40. | :03:42. | |
Which is great. Most important bit. | :03:43. | :03:43. | |
So where did all this idea come from, Nick? | :03:44. | :03:45. | |
So, I mean, originally, I worked as a chef in London, | :03:46. | :03:50. | |
I got to the point where I wanted to get | :03:51. | :03:53. | |
a bit closer to my ingredients, and do hunting, fishing, | :03:54. | :03:56. | |
so it was kind of about being a 21st century hunter-gatherer. | :03:57. | :04:01. | |
Were you quite outdoorsy as a kid, though? | :04:02. | :04:04. | |
so it sort of partnered quite well with the challenge I'd set myself. | :04:05. | :04:10. | |
And of course, the whole point is seasonality. Mm. | :04:11. | :04:13. | |
You're eating what's fresh at that time of year, | :04:14. | :04:16. | |
so the way that your food must change through the year | :04:17. | :04:19. | |
must be quite an exciting thing for you, from a chef's perspective. | :04:20. | :04:21. | |
I mean, that is the amazing thing about doing this, | :04:22. | :04:24. | |
cos you are so close to the ingredients, | :04:25. | :04:26. | |
and we do, throughout the year... Every month, | :04:27. | :04:29. | |
there's a new plant that comes in, or a new part of a plant. | :04:30. | :04:32. | |
This time of year, obviously, some fruits, nuts, | :04:33. | :04:34. | |
which is always a very exciting time of year. | :04:35. | :04:37. | |
And, so, what's on the menu today, Nick? | :04:38. | :04:40. | |
So, today we have some pheasant and some partridge. | :04:41. | :04:43. | |
We've got some of Bea's truffles that she found. Oh, good stuff. | :04:44. | :04:46. | |
But then we're going to have to go and forage some ingredients | :04:47. | :04:48. | |
Let's go shopping! Let's go shopping indeed. | :04:49. | :04:54. | |
'Needless to say, this is a private woodland, | :04:55. | :04:56. | |
'and Nick has permission from the landlord to forage.' | :04:57. | :05:03. | |
The important thing, I think, with foraging, | :05:04. | :05:05. | |
Flavour-wise, you can have a little nibble of it. | :05:06. | :05:17. | |
..slightly, kind of, aromatic. Oh, yeah, that's good. | :05:18. | :05:23. | |
Its Latin name is Achillea millefolium, | :05:24. | :05:28. | |
cos it's believed that Achilles used to use this | :05:29. | :05:30. | |
'A bit of sorrel and vetch, and we've got ourselves a wild salad - | :05:31. | :05:38. | |
'though I think Bea wants fish for dinner.' | :05:39. | :05:47. | |
So, we've got our pheasants and we've got our partridge, | :05:48. | :05:50. | |
and then we've got another ingredient, | :05:51. | :05:53. | |
which is over there, and over there, which is fire, | :05:54. | :05:56. | |
so that's all our wild elements for the dish. | :05:57. | :06:01. | |
OK. And how long do you expect this to take, then, | :06:02. | :06:03. | |
before it's on a plate, ready to eat? | :06:04. | :06:05. | |
Cos we're going from scratch, about an hour. OK. Sounds good. | :06:06. | :06:19. | |
I'm not the only one making the most of autumn's abundance today. | :06:20. | :06:23. | |
to meet a man growing a crop that's a tough nut to crack. | :06:24. | :06:32. | |
an ancient 300-acre estate on the edge of the Somerset Levels, | :06:33. | :06:38. | |
once owned by the medieval abbots of Glastonbury. | :06:39. | :06:44. | |
Today, the estate is in the hands of Roger Saul. | :06:45. | :06:46. | |
Roger has championed the use of the age-old grain spelt. | :06:47. | :06:53. | |
But this autumn marks the first commercial harvest | :06:54. | :06:56. | |
In a nutshell, Roger's growing walnuts. | :06:57. | :07:06. | |
So this farm has an ancient heritage, | :07:07. | :07:10. | |
and is that something that you've consciously tried to recreate? | :07:11. | :07:13. | |
was I had a look at the history and said, | :07:14. | :07:15. | |
"Could we recreate, in some way, that mixed economy organic farm?" | :07:16. | :07:20. | |
So, as I set out, I had sheep, cattle, | :07:21. | :07:24. | |
You don't really think of walnuts as being traditionally very British. | :07:25. | :07:31. | |
No, and very much, they'd have come from Persia, I suppose, originally, | :07:32. | :07:34. | |
but as I was doing building work in the house, | :07:35. | :07:38. | |
we were going through a really old wall, | :07:39. | :07:41. | |
a scallop shell, chicken bones, and they were all stuffed in, | :07:42. | :07:47. | |
where the monk had been putting in plaster to make the wall. | :07:48. | :07:51. | |
Clearly, they'd been here 500 years ago, or more. | :07:52. | :07:54. | |
So, how old is this tree behind us? Can I have a closer look? | :07:55. | :07:57. | |
Yeah, this tree would have been... We planted these 12 years ago. | :07:58. | :08:00. | |
Here's one that's already fallen down. OK. | :08:01. | :08:03. | |
That's the husk, and in here, you've got... | :08:04. | :08:07. | |
That's not quite ready yet. It's still very damp. | :08:08. | :08:13. | |
Right. So, that's now what we call a wet walnut. OK. | :08:14. | :08:21. | |
It really is brain-shaped. You know, so if you look at... | :08:22. | :08:24. | |
It's brain food as well, isn't it? Yeah. | :08:25. | :08:28. | |
Delicious though they are, with 200 trees to harvest, | :08:29. | :08:38. | |
entrusted to gather Roger's first commercial crop - | :08:39. | :08:43. | |
farmhand Gemma Dart and manager Rowan Norman. | :08:44. | :08:46. | |
Hello, Rowan. Hiya. How are you doing? | :08:47. | :08:48. | |
All right. Good to see you. Yes, and you. | :08:49. | :08:50. | |
No, we harvest walnuts with tractors nowadays. I thought you beat them? | :08:51. | :08:54. | |
Not any more, thankfully. Let me show you this thing. | :08:55. | :08:57. | |
Apple shaker, from cider orchards. Right. | :08:58. | :09:01. | |
So, we hook it up to the trees, and shake them all down. | :09:02. | :09:03. | |
And how do you collect the walnuts, then? | :09:04. | :09:05. | |
We then collect the walnuts off of a tarpaulin that we lay on the floor. | :09:06. | :09:08. | |
We sweep them into a big pile, and shovel them into boxes. | :09:09. | :09:11. | |
This is our very first time. All right, well, let's do it. | :09:12. | :09:16. | |
Let's give it a go. Let's hook it up. | :09:17. | :09:19. | |
Let's just hope harvesting this new crop with traditional methods works. | :09:20. | :09:31. | |
Oh, right, I'd better get out from under the tree! | :09:32. | :09:55. | |
He's done a good job. The system works. | :09:56. | :10:01. | |
And there we have the first ever walnut harvest. | :10:02. | :10:06. | |
I feel a bit queasy after that. ROWAN CHUCKLES | :10:07. | :10:10. | |
Having collected all the nuts from the ground, | :10:11. | :10:13. | |
we've ended up with a good few boxfuls, | :10:14. | :10:15. | |
before drying in Roger's own home-spun fashion. | :10:16. | :10:22. | |
OK, Roger, so what's this bit of the process? | :10:23. | :10:24. | |
So, we've got a tray of walnuts at each level. Oh, fantastic. | :10:25. | :10:30. | |
So these'll be in here... Depending on what the weather's been like, | :10:31. | :10:32. | |
they'll probably be in here for up to 24 hours. Yep. | :10:33. | :10:36. | |
No, but it just takes the moisture down by about 20%, | :10:37. | :10:41. | |
and then we put it out here, just to air dry, | :10:42. | :10:45. | |
and this netting is to keep the squirrels off. | :10:46. | :10:48. | |
again depending on how much moisture there is in the air. | :10:49. | :10:54. | |
And how many do you think you'll have this year? | :10:55. | :10:56. | |
Should be somewhere between 300 and 400 kilos. | :10:57. | :10:59. | |
those 200 trees should produce about five to ten tonnes. | :11:00. | :11:04. | |
Well, it's been fascinating seeing the whole process, | :11:05. | :11:06. | |
Roger's toasting some of last autumn's haul | :11:07. | :11:16. | |
So you're just replacing the pine nuts with the walnuts? | :11:17. | :11:24. | |
That looks like a nice paste coming on, there. | :11:25. | :11:28. | |
Let's just pop a bit of that in there. | :11:29. | :11:30. | |
Let's pop some more Parmesan in there. Yes, please. | :11:31. | :11:35. | |
And I think the walnuts are just about ready. | :11:36. | :11:41. | |
Smells so good! This is going to be great. I can tell. | :11:42. | :11:49. | |
Fingers crossed. Fingers crossed. | :11:50. | :11:55. | |
That is delicious. You can't get fresher or more seasonal than this. | :11:56. | :12:01. | |
Somerset walnuts... On the Somerset Levels. On the Somerset Levels. | :12:02. | :12:11. | |
Autumn's certainly a plentiful time in the trees and hedgerows, | :12:12. | :12:15. | |
but beneath the display, there's inevitably decay. | :12:16. | :12:19. | |
Tim Shepherd is a botanist and cameraman | :12:20. | :12:22. | |
who's captured some of the most famous time-lapse sequences | :12:23. | :12:25. | |
His footage offers a window to a little-seen autumnal underworld. | :12:26. | :12:42. | |
Looks like an earth ball that's got some parasitic fungus growing ON it. | :12:43. | :12:47. | |
It's pretty much the only toadstool that you'll find | :12:48. | :12:51. | |
that is more or less guaranteed to kill you. | :12:52. | :12:54. | |
I was really lucky at school, to have an amazing teacher, | :12:55. | :12:57. | |
and we went a bit mad, and we spent a whole term on fungi. | :12:58. | :13:02. | |
And it just got me so excited about this other world, | :13:03. | :13:05. | |
It sort of looks like a piece of raw meat, | :13:06. | :13:10. | |
and it's actually a beefsteak fungus. | :13:11. | :13:13. | |
Fungi do crop up at different times of year, | :13:14. | :13:15. | |
but the autumn is just so much better than any other time, | :13:16. | :13:19. | |
and it's really down to their biology, because of humidity. | :13:20. | :13:23. | |
I've found this amazing bracket fungus. | :13:24. | :13:27. | |
It's very important for the fungus to release its spores | :13:28. | :13:31. | |
when it's humid, and then the spores can survive | :13:32. | :13:34. | |
for a long time in the air, and spread a long way. | :13:35. | :13:38. | |
The puffballs release their spores by raindrops landing on them, | :13:39. | :13:41. | |
and the energy of the raindrop puffs the spores out the top. | :13:42. | :13:51. | |
A lovely row of sulphur tuft along here. | :13:52. | :14:01. | |
Time lapse is great, cos it reveals things that you can't see. | :14:02. | :14:06. | |
You're just speeding up the action, that's all it is, really. | :14:07. | :14:09. | |
Reducing a day or two into a few seconds. | :14:10. | :14:13. | |
And then you can see exactly how they're growing, | :14:14. | :14:16. | |
Slime moulds are just a fascinating group. Very common in the autumn. | :14:17. | :14:28. | |
They're not animals, and they're not plants. They're really unique. | :14:29. | :14:32. | |
And it creeps about really quite quickly. | :14:33. | :14:34. | |
They pulse, they look sort of like an alien creature, in time lapse. | :14:35. | :14:42. | |
If I collect something and take it into the studio, | :14:43. | :14:45. | |
then I can control all the conditions that it's growing under. | :14:46. | :14:48. | |
I can make sure that the lighting is consistent. | :14:49. | :14:52. | |
And, as long as I've got the right conditions | :14:53. | :14:55. | |
hopefully it'll grow, and you'll get a lovely shot. | :14:56. | :14:59. | |
I've got a lovely old building which my studio is in. | :15:00. | :15:04. | |
It's an old sawmill. It's full of old sets and bits and bobs. | :15:05. | :15:10. | |
You could say my studio is a bit haphazard. | :15:11. | :15:14. | |
But, what really matters is what the camera sees. | :15:15. | :15:19. | |
Most of my fungi shots end up with a set being built | :15:20. | :15:27. | |
inside a, like, a little mini greenhouse type arrangement. | :15:28. | :15:33. | |
Then the fungus has got its 100% humidity. | :15:34. | :15:37. | |
It's just a stills camera, and you just take one frame at a time, | :15:38. | :15:42. | |
and replay them back at 25 frames per second. | :15:43. | :15:59. | |
It's not until you actually sequence the shot and play it back, | :16:00. | :16:02. | |
you realise what's happened in between. | :16:03. | :16:05. | |
And, very often, there's some amazing surprises. | :16:06. | :16:09. | |
You have to sort of make it up as you go along, really, | :16:10. | :16:12. | |
I'm not a boffin, but I'm a... I don't know what I am! | :16:13. | :16:32. | |
If you've been inspired to get out and take some autumnal photos, | :16:33. | :16:35. | |
Tweet us, and you never know, you might even see them on the show. | :16:36. | :16:44. | |
Now, they're the very essence of autumn - | :16:45. | :16:46. | |
horse chestnut trees, laden with conkers - | :16:47. | :16:49. | |
this humble nut can pack a punch in more ways than one. | :16:50. | :16:58. | |
Green, spiky orbs, containing precious treasure. | :16:59. | :17:01. | |
Every year, the horse chestnut gives up its fruit - | :17:02. | :17:05. | |
but they don't lie abandoned for long. | :17:06. | :17:07. | |
We've been soaking them in vinegar, baking them, | :17:08. | :17:10. | |
and threading them on a string for generations, | :17:11. | :17:13. | |
each autumn, children and adults alike, | :17:14. | :17:15. | |
battling it out in a game of conkers. | :17:16. | :17:20. | |
But these tough nuts haven't just been used for childhood fun. | :17:21. | :17:24. | |
110 years ago, they were called upon for a far more serious battle. | :17:25. | :17:30. | |
It was 1915, and our country was at war. | :17:31. | :17:37. | |
The British Army was facing a crisis. | :17:38. | :17:40. | |
Continuous, fierce fighting had led to a chronic shell shortage, | :17:41. | :17:44. | |
guns only firing as few as four shells a day. | :17:45. | :17:49. | |
To create firepower, the government needed a propellant called cordite, | :17:50. | :17:54. | |
but a key ingredient, acetone, was in short supply. | :17:55. | :17:59. | |
which, when fermented, could produce the much-needed acetone. | :18:00. | :18:11. | |
And who better to collect them but children? | :18:12. | :18:14. | |
The Ministry of Munitions released an urgent demand | :18:15. | :18:17. | |
to schools and Scout groups up and down the land. | :18:18. | :18:21. | |
Thousands of tonnes of conkers were collected and sent for processing. | :18:22. | :18:29. | |
So how did they conjure up an explosive material | :18:30. | :18:32. | |
Dr Kristy Turner is a chemist from the University of Manchester. | :18:33. | :18:38. | |
Loving this woodland science lab. Very nice. | :18:39. | :18:43. | |
So, can you tell me, how did you go from one of these | :18:44. | :18:46. | |
into something used to fire shells and bullets? | :18:47. | :18:49. | |
So, in World War I, they did this by doing a fermentation process | :18:50. | :18:52. | |
which is what you we're going to show you here. OK. | :18:53. | :18:54. | |
In the war, they used bacteria to do the fermentation, | :18:55. | :18:57. | |
but today, to make it a bit easier, we're going to use yeast. | :18:58. | :19:03. | |
The bacteria and water would be added to the conkers | :19:04. | :19:06. | |
enzymes getting to work to create the acetone. | :19:07. | :19:11. | |
So we're going to have to filter the solids from it. | :19:12. | :19:19. | |
the next step was to distil the acetone mixture to make it pure. | :19:20. | :19:24. | |
Only then would it be mixed with other explosive ingredients | :19:25. | :19:28. | |
to make the spaghetti-like strings of cordite. | :19:29. | :19:31. | |
But the grand ambition for conkers wasn't to be. | :19:32. | :19:35. | |
On this small lab scale that we have here, | :19:36. | :19:39. | |
but when they scaled it up to factory scale, | :19:40. | :19:42. | |
it didn't work too well, and in the end | :19:43. | :19:44. | |
they abandoned the process after about three months. | :19:45. | :19:47. | |
may not have left a dent in the history books, | :19:48. | :19:52. | |
but their traditional use as a tool for fun is as strong as ever. | :19:53. | :19:58. | |
And it's the tiny village of Southwick in Northamptonshire | :19:59. | :20:01. | |
for those who are nuts about conkers. | :20:02. | :20:12. | |
For decades, the World Conker Championships | :20:13. | :20:15. | |
has drawn competitors from all over the globe | :20:16. | :20:18. | |
and I think I need to find out a bit more from King Conker, | :20:19. | :20:30. | |
who I believe is this gentleman in green here. | :20:31. | :20:33. | |
Now, should I call you King? Yes, if you wish, for the day. | :20:34. | :20:38. | |
So, can you tell me, how did this all get started? | :20:39. | :20:40. | |
Well, it started many years ago - 1965 to be precise. | :20:41. | :20:45. | |
it was a windy day, they couldn't fish, | :20:46. | :20:50. | |
so they decided to go to the public house, have a drink. | :20:51. | :20:54. | |
Conkers were falling outside the public house, | :20:55. | :20:56. | |
From there on, it became a yearly event, | :20:57. | :21:01. | |
and it's multiplied and multiplied and multiplied. | :21:02. | :21:04. | |
Well, my role is probably keep order, make everybody happy, | :21:05. | :21:09. | |
try to advise people how to play conkers, | :21:10. | :21:11. | |
and just hope everybody has a good time. | :21:12. | :21:13. | |
COMMENTATOR: He's not invoking the rule. | :21:14. | :21:15. | |
Struggling with that knee injury, but soldiering on at the age of 81. | :21:16. | :21:24. | |
Richard Howard has been chief umpire - | :21:25. | :21:28. | |
but his connection to conkers goes back much further. | :21:29. | :21:32. | |
I'm nearly 75. I've been playing it all my life, | :21:33. | :21:36. | |
And in fact, my father and his family | :21:37. | :21:42. | |
used to actually collect conkers during the First World War. | :21:43. | :21:46. | |
Looks like I've picked the right guy for some tips, then. | :21:47. | :21:49. | |
You don't have a choice of conker. Thank you. | :21:50. | :21:54. | |
We gather them within the week leading up to Conker Day, | :21:55. | :21:58. | |
How many do you collect? About 2,000 to 2,500. | :21:59. | :22:04. | |
Three hits each until the conker is knocked off. | :22:05. | :22:10. | |
And you better keep your string at the right length. | :22:11. | :22:13. | |
It's got to be eight inches between the knuckle and the nut. | :22:14. | :22:20. | |
Careful. I'm going to yellow card you. Oh, oh... | :22:21. | :22:34. | |
Well, that's my conker career shattered. | :22:35. | :22:39. | |
Luckily there are some people here who know what they're doing. | :22:40. | :22:43. | |
as well as some rather eccentric costumes. | :22:44. | :22:48. | |
to the thousands who come to this tiny village every autumn? | :22:49. | :22:54. | |
I see people here from all round the country every year. | :22:55. | :23:00. | |
And it's this beautiful setting, a village atmosphere. | :23:01. | :23:03. | |
I can't get enough of it. HE LAUGHS | :23:04. | :23:07. | |
One by one, hopeful champions are knocked out. | :23:08. | :23:10. | |
COMMENTATOR: This, for the world title, Tom Dryden. | :23:11. | :23:13. | |
Until a new Conker Queen and King are eventually crowned. | :23:14. | :23:19. | |
The humble conker has had an eventful history, | :23:20. | :23:27. | |
And now, as this eccentric event shows, | :23:28. | :23:34. | |
they're still giving pleasure to people all over the world. | :23:35. | :23:38. | |
An autumn tradition that will hopefully never grow old. | :23:39. | :23:46. | |
Well, thanks to the Countryfile calendar, | :23:47. | :23:49. | |
we'll know when to start prepping for next year's World Championships. | :23:50. | :23:54. | |
If you haven't got one yet, here's all the details. | :23:55. | :23:56. | |
It costs ?9.50, including free UK delivery. | :23:57. | :24:00. | |
where you'll find a link to the order page. | :24:01. | :24:04. | |
Or you can phone the order line on... | :24:05. | :24:14. | |
Well, last year's calendar was a record breaker, | :24:15. | :24:17. | |
raising over ?2 million, and it goes without saying, | :24:18. | :24:20. | |
this year, with your help and the help of these beautiful photos, | :24:21. | :24:25. | |
we want to continue that amount of support. | :24:26. | :24:30. | |
then send your name, address and a cheque to... | :24:31. | :24:43. | |
And please make your cheques payable to "BBC Countryfile Calendar". | :24:44. | :24:48. | |
A minimum of ?4 from the sale of each calendar | :24:49. | :24:51. | |
will be donated to BBC Children In Need. | :24:52. | :24:59. | |
Autumn is as fruitful as it is flamboyant. | :25:00. | :25:02. | |
vital fuel to get animals through the winter. | :25:03. | :25:08. | |
Not to mention the odd calorific crumble for us. | :25:09. | :25:12. | |
autumn also presents a last-minute opportunity to pig out. | :25:13. | :25:20. | |
I'm delivering some pigs to a farming friend of mine, | :25:21. | :25:22. | |
and I've already overloaded some Tamworths and Iron Age, | :25:23. | :25:25. | |
and next, we've got this litter of Berkshires | :25:26. | :25:27. | |
and some Gloucestershire Old Spots too. | :25:28. | :25:30. | |
And these old-fashioned breeds fell by the wayside | :25:31. | :25:32. | |
because of fast-growing, modern pork production. | :25:33. | :25:36. | |
But now, thankfully, they're coming back into their own | :25:37. | :25:39. | |
It's really lovely to be able to take these rare breeds | :25:40. | :25:45. | |
to a farm that's going to appreciate them. | :25:46. | :25:49. | |
The piglets are going just down the road | :25:50. | :25:51. | |
Farmer Simon Wilson sells his rare breed meat | :25:52. | :26:03. | |
But his methods of rearing them are very traditional. | :26:04. | :26:09. | |
Good to see you again. Good to see you. | :26:10. | :26:11. | |
This is lovely for them in here. Yeah, it's perfect. | :26:12. | :26:13. | |
They've got three acres to run around in here. Wow, lucky pigs. | :26:14. | :26:16. | |
Hoovering up woodland nuts and berries | :26:17. | :26:19. | |
not only gives their meat great texture and taste, | :26:20. | :26:22. | |
it also clears the woodland floor, allowing regeneration. | :26:23. | :26:25. | |
Simon, they're instantly relaxed, aren't they? | :26:26. | :26:27. | |
If they were in the natural situation, | :26:28. | :26:31. | |
If they were just native pigs, they'd be in a forest or woodland. | :26:32. | :26:36. | |
And is that why these more ancient, sort of, traditional British breeds | :26:37. | :26:40. | |
like this kind of environment, do you think? | :26:41. | :26:42. | |
I think so. They wouldn't be happy indoors. | :26:43. | :26:44. | |
They need to be outside, rooting around. | :26:45. | :26:46. | |
They've got more hair and more fat, haven't they? | :26:47. | :26:48. | |
They've got the wherewithal to survive out here. | :26:49. | :26:51. | |
And the flavour is in the fat, you know, | :26:52. | :26:53. | |
so we don't mind a little bit of extra fat. | :26:54. | :26:55. | |
there's plenty of food for them, isn't there? | :26:56. | :26:59. | |
There's acorns, blackberries, there's even the briars, | :27:00. | :27:03. | |
they'll eat those, and the fallen leaves. Nothing's wasted. | :27:04. | :27:06. | |
And they'll rootle in the ground as well? | :27:07. | :27:07. | |
Yeah, there's worms and slugs in the ground. | :27:08. | :27:10. | |
They've all got their heads down already. | :27:11. | :27:12. | |
They're looking really happy, aren't they? | :27:13. | :27:14. | |
the porkers would take about five months to rear. Yeah. | :27:15. | :27:19. | |
Well, we're looking at six to seven months, | :27:20. | :27:22. | |
because we're producing a premium product. | :27:23. | :27:26. | |
They want to know where the animals are living? Yeah, they want a... | :27:27. | :27:30. | |
They want free-range pork. That's really quite important. | :27:31. | :27:33. | |
Well, if I was going to be a pig, reared outdoors, | :27:34. | :27:36. | |
This is lovely, isn't it? This is a happy place, isn't it? | :27:37. | :27:40. | |
It's good for the pigs, good for the woodland, | :27:41. | :27:47. | |
and especially good for the customer. | :27:48. | :27:49. | |
Simon sells his woodland-reared pork locally in his farm shop. | :27:50. | :27:56. | |
What I'd like is some of your free-range woodland pork mince. Yes. | :27:57. | :28:02. | |
A couple of kilos, if you've got some of that. Couple of kilos. | :28:03. | :28:04. | |
Thanks very much. Thank you very much. | :28:05. | :28:12. | |
Being able to buy meat of this quality and provenance | :28:13. | :28:15. | |
is a real treat, but to make the most of the flavours, | :28:16. | :28:18. | |
you don't want me cooking it. We need to bring in the professionals. | :28:19. | :28:21. | |
Right, I'd better get him paid for this. | :28:22. | :28:25. | |
Back at my farm, I'm meeting up with celebrity chef | :28:26. | :28:28. | |
and rare breed enthusiast Cyrus Todiwala. | :28:29. | :28:31. | |
Look very docile, don't they? Yeah, they're nice and quiet. | :28:32. | :28:34. | |
for his contribution to the hospitality industry. | :28:35. | :28:39. | |
who's embraced the qualities of our rare breeds in his dishes. | :28:40. | :28:44. | |
His series The Incredible Spice Men brought together the best | :28:45. | :28:50. | |
of what British ingredients and Indian spices have to offer. | :28:51. | :28:54. | |
Cyrus, when my father first started keeping rare breeds | :28:55. | :28:57. | |
it was all about saving them from extinction. | :28:58. | :29:01. | |
Sure. But you're more about giving them a purpose, aren't you? | :29:02. | :29:04. | |
in the sense that he actually had vision | :29:05. | :29:08. | |
beyond what was required at the time. | :29:09. | :29:11. | |
To save them from absolute extinction, | :29:12. | :29:13. | |
It sounds rather strange, but the more of the rare breed | :29:14. | :29:18. | |
you demand as a meat, the more the chances of the breed surviving. | :29:19. | :29:22. | |
And for you? What are your favourites? | :29:23. | :29:24. | |
Oh, my favourites. Manx Loaghtan, for example. The sheep. | :29:25. | :29:27. | |
I think they are as interesting to look at as they are to cook. | :29:28. | :29:31. | |
They are absolutely mad, I think, when I tried to catch one once. | :29:32. | :29:34. | |
So Manx Loaghtan, I've got very fond of at the moment. | :29:35. | :29:37. | |
And is it about educating farmers, chefs, AND the public? | :29:38. | :29:41. | |
I think we need to start with the public, | :29:42. | :29:44. | |
because the public dictate how food trends go, | :29:45. | :29:46. | |
and I think that's where the value comes in. | :29:47. | :29:49. | |
If people will start to demand, "Where did that come from? | :29:50. | :29:51. | |
"Who farmed it? Where was it grown? What did it eat?" | :29:52. | :29:54. | |
That makes the bond between the customer and the chef closer, | :29:55. | :29:58. | |
but, again, the third party involved is the farmer | :29:59. | :30:01. | |
for his producing such high-quality produce | :30:02. | :30:04. | |
I couldn't agree more. I'm loving what you're saying. | :30:05. | :30:11. | |
'And what better way to appreciate such fine British produce | :30:12. | :30:15. | |
'than to use Cyrus' expertise to knock up a batch of spicy sausages?' | :30:16. | :30:20. | |
'But first, we need to know what we're working with.' | :30:21. | :30:28. | |
So, Cyrus, as an Indian chef, you're famed for your spices, | :30:29. | :30:31. | |
but you're cooking this without any seasoning at all so far. | :30:32. | :30:34. | |
No, so, that's the way I like to understand my meat better. | :30:35. | :30:38. | |
It's very important that I get the flavour of the meat in my mouth, | :30:39. | :30:40. | |
for me, to work the spicing - or I could get over-enthusiastic, | :30:41. | :30:44. | |
as I would, normally, and chuck it all in, | :30:45. | :30:46. | |
and then realise, "What have I done? I can't taste the meat any more. | :30:47. | :30:50. | |
"All I'm tasting is the chilli, the ginger, the garlic." | :30:51. | :30:52. | |
Yes. But I want the meat to stand true. | :30:53. | :30:54. | |
which is reared with passion and love and affection... | :30:55. | :30:58. | |
You need to be careful. You need to be careful. | :30:59. | :31:01. | |
We want juiciness. And look at that. | :31:02. | :31:04. | |
OK, what you're seeing is the juiciness coming through. | :31:05. | :31:08. | |
See, if you look at that. Look at all that. | :31:09. | :31:10. | |
You see? How good that meat is? Really juicy, really soft. | :31:11. | :31:19. | |
And the meat itself is so flavoursome. Mm. | :31:20. | :31:22. | |
It is full of flavour, isn't it? Yeah. | :31:23. | :31:24. | |
What you're tasting there is purity in its best form. | :31:25. | :31:28. | |
What you're tasting is what's gone into making that animal grow | :31:29. | :31:32. | |
from there to there, before it comes to us. | :31:33. | :31:35. | |
Now what will you do with the spices to enhance the flavour? | :31:36. | :31:38. | |
For that sausage, we are going to saute some onion. | :31:39. | :31:41. | |
They are very basic, but they enhance meat. | :31:42. | :31:49. | |
'Seeing a top chef like Cyrus at work | :31:50. | :31:52. | |
'makes you appreciate how he values ingredients like this woodland pork. | :31:53. | :31:56. | |
'I'm just glad to have played my part in rearing it.' | :31:57. | :32:02. | |
This is my contribution, I'm not very good at the chopping. | :32:03. | :32:04. | |
No, you still have to make the sausages, my dear sir. | :32:05. | :32:07. | |
Have you made sausages before, are you good at that? I tried once. | :32:08. | :32:10. | |
On a professional machine, and it flew 50 yards. | :32:11. | :32:14. | |
Well, between us, we might make a right hash of it. | :32:15. | :32:18. | |
This is good fun. Oh, we've lost one, we've lost one. | :32:19. | :32:30. | |
'Little touches like poaching the sausages before grilling them | :32:31. | :32:44. | |
'gives you some clue as to how far Cyrus will go...' | :32:45. | :32:47. | |
That is showing how great we are as sausage makers. | :32:48. | :32:50. | |
'..to get the best out of his bangers.' | :32:51. | :32:53. | |
Well, it's lovely, the energy and effort | :32:54. | :32:55. | |
that farmers put into producing their food, | :32:56. | :32:58. | |
and then chefs like you put so much passion into cooking it well. | :32:59. | :33:01. | |
And if you didn't have customers who appreciated good food, | :33:02. | :33:08. | |
'Some of my pigs, given the top chef treatment by Cyrus. | :33:09. | :33:15. | |
Now, think about it. 100% meat, no bread, nothing in it. | :33:16. | :33:25. | |
And just to arrange a few slices on top, like that, like that, | :33:26. | :33:28. | |
I can't wait. Are you ready for this? | :33:29. | :33:37. | |
but those spices you put in are really bringing it out. | :33:38. | :33:53. | |
You can't come and cook lunch for me tomorrow as well, can you? | :33:54. | :33:57. | |
Just absolutely wonderful, thank you so much. | :33:58. | :34:12. | |
'Today, we're exploring the fruits of our forests, | :34:13. | :34:15. | |
'autumnal treasures ripe for the picking. | :34:16. | :34:21. | |
'I've been learning about the wonders of walnuts | :34:22. | :34:24. | |
'Joining in with the harvest is Catherine Lewis from Cardiff - | :34:25. | :34:31. | |
'but she's not here for the delicious, nutritious nuts, | :34:32. | :34:34. | |
'but for their inedible outer husks.' | :34:35. | :34:40. | |
Why would anyone be interested in the husk? | :34:41. | :34:44. | |
This is full of tannins, tannic acid, | :34:45. | :34:47. | |
which is great for dyeing cloth and making ink, | :34:48. | :34:49. | |
so you can see my hands are already stained pretty quickly with it. | :34:50. | :34:54. | |
See, I thought tannin was something you just found in wine and tea. | :34:55. | :34:57. | |
Yeah, it's found in wine because the wine's stored in oak barrels, | :34:58. | :34:59. | |
and oak trees and chestnut trees and walnut trees | :35:00. | :35:02. | |
are all really high in tannic acid, which is a dye. | :35:03. | :35:07. | |
'Back in Catherine's studio in Wales, | :35:08. | :35:09. | |
'she starts transforming the husks into creative colorants. | :35:10. | :35:14. | |
'It's an Aladdin's cave filled to the brim | :35:15. | :35:16. | |
Catherine, this place is perfect, isn't it? Thank you. | :35:17. | :35:24. | |
It's just what you'd imagine... An art den. | :35:25. | :35:27. | |
Yeah, an artist's studio-to-be. I've got a pinny for you. | :35:28. | :35:30. | |
Thank you very much. This was dyed with blackberries and indigo. | :35:31. | :35:33. | |
Oh, wow. So you did this as well? It's gorgeous. | :35:34. | :35:37. | |
Right, so what are we doing, Catherine? | :35:38. | :35:38. | |
We're going to be using the walnuts we collected at Sharpham Park | :35:39. | :35:41. | |
And we're just going to cut them up and put them into water. | :35:42. | :35:45. | |
Some natural dyes need what's called a mordant, | :35:46. | :35:49. | |
which helps the dye stick to the fabric, | :35:50. | :35:51. | |
but walnuts don't need anything. And does it have to be fresh? | :35:52. | :35:55. | |
For dyeing fabrics, I've found they work best fresh, yeah. | :35:56. | :35:59. | |
So this is the best time of year to be doing this? | :36:00. | :36:02. | |
Yeah, it's really good to get them straight off the tree, | :36:03. | :36:04. | |
straight into the water, and get the fabric in there, yeah. | :36:05. | :36:07. | |
And how do you know what strength of colour you're going to get? | :36:08. | :36:10. | |
You don't, really. It's a bit of trial and error, yeah. | :36:11. | :36:13. | |
Sometimes I leave them in soaking overnight, | :36:14. | :36:16. | |
sometimes you can get a really great colour in an hour, | :36:17. | :36:19. | |
it's a little bit of alchemy, really. | :36:20. | :36:22. | |
It is alchemy, I love that you said that, | :36:23. | :36:24. | |
because this does feel like a little alchemist's studio-to-be. | :36:25. | :36:28. | |
'Catherine's chemistry does spin gold. Not from lead, | :36:29. | :36:31. | |
'but various seasonal plants, like daffodils. | :36:32. | :36:35. | |
'And complementing the walnuts' dark hues, | :36:36. | :36:38. | |
'Catherine uses woad plants to produce indigo blues. | :36:39. | :36:45. | |
'The walnut husks are gently simmered | :36:46. | :36:47. | |
'to reduce the liquid and enrich the colour.' | :36:48. | :36:50. | |
So we're going to do some fabric dyeing now. | :36:51. | :36:52. | |
This is an old parachute? Yeah, from an old parachute, yeah. | :36:53. | :36:57. | |
So these will become scarves, like the one I'm wearing now. | :36:58. | :37:02. | |
So, depending on what type of fabric you use, | :37:03. | :37:04. | |
this is the colour palette you can get from the walnuts. | :37:05. | :37:07. | |
and then coming down to cotton and linen. | :37:08. | :37:12. | |
And they're all really different. And they were all dyed exactly | :37:13. | :37:15. | |
'We're using the ancient Japanese technique of kanoko shibori, | :37:16. | :37:23. | |
'better known in the West as tie-dye. | :37:24. | :37:27. | |
'It should create a series of circles. Fingers crossed.' | :37:28. | :37:33. | |
So we're going to do that a few times. As many as you fancy doing. | :37:34. | :37:37. | |
'the silk is quickly soaked to ensure a consistent final colour.' | :37:38. | :37:49. | |
So we're going to take it out of the water and put it into the dye. | :37:50. | :37:54. | |
And I'll give it a little stir, shall I? Yeah. | :37:55. | :37:58. | |
And now it's going to be a pretty tie-dye scarf. | :37:59. | :38:08. | |
'Not only do walnuts produce beautiful fabric dyes, | :38:09. | :38:11. | |
'but richly coloured inks for writing and printing. | :38:12. | :38:15. | |
'Catherine carefully adds a few magic ingredients. | :38:16. | :38:18. | |
'Gum arabic to thicken, iron sulphate to make the ink permanent, | :38:19. | :38:23. | |
'alcohol for preservative, and even juniper for scent.' | :38:24. | :38:35. | |
There's a mesh that's had a photographic image put on there, | :38:36. | :38:42. | |
and this is a walnut tree. Perfect. Of course it is. | :38:43. | :38:46. | |
And the tree that these walnuts came from, actually. Ah! | :38:47. | :38:49. | |
So I'm just using recycled cotton bedsheets. | :38:50. | :38:52. | |
I'm just going to put some of the ink on there. | :38:53. | :38:55. | |
OK, so you're going to lift your squeegee up and put it behind, | :38:56. | :38:58. | |
and then about a 45 degree angle, and pull it slowly down towards you. | :38:59. | :39:03. | |
Oh, wow. It's worked. Fantastic. Walnut ink, walnut tree. Beautiful. | :39:04. | :39:18. | |
'And the scarf hasn't turned out too bad, either.' | :39:19. | :39:22. | |
'From food to fashion to calligraphy, | :39:23. | :39:36. | |
'the humble walnut is the gift that keeps on giving.' | :39:37. | :39:40. | |
And is this quill for me? It is. And so you just dip it in. | :39:41. | :39:44. | |
Just dip in, give it a little tap to take any excess ink off. | :39:45. | :39:48. | |
I'm going to write something, I'm just going to go for it. | :39:49. | :39:50. | |
I'm going to write something for Countryfile. | :39:51. | :39:52. | |
It's a lovely autumn brown. Isn't it? | :39:53. | :40:02. | |
Very good. Where is she going with this? | :40:03. | :40:08. | |
I'm actually just using this quill, letting it do its thing. | :40:09. | :40:15. | |
Very good. "Countryfile is nuts for autumn." | :40:16. | :40:19. | |
'that take advantage of autumn's rich pickings. Fish do, too. | :40:20. | :40:34. | |
'We caught up with wildlife photographer Jack Perks | :40:35. | :40:36. | |
'in Nottingham, as he filmed this seasonal wonder beneath the water.' | :40:37. | :40:49. | |
I used to quite enjoy fishing from an early age, like 11, 12. | :40:50. | :40:53. | |
And I'd come down here on the brook, catch little tiddlers. | :40:54. | :40:57. | |
It seemed like this giant river that had these monster fish | :40:58. | :41:01. | |
And it was just great when you'd peer over | :41:02. | :41:06. | |
and you'd see in the willows these chub cruising by like submarines. | :41:07. | :41:10. | |
That really drove my interest in fish. | :41:11. | :41:18. | |
Fairham Brook, it's quite an odd place. | :41:19. | :41:20. | |
It's this mosaic of habitats that come wild, urban, wild, urban, | :41:21. | :41:24. | |
and they just mesh together to make this really strange looking place. | :41:25. | :41:28. | |
Really, it's an urban oasis, it's a wildlife corridor. | :41:29. | :41:39. | |
Autumn's a fantastic time on the river. | :41:40. | :41:42. | |
This is certainly the time of year that I look forward to most, | :41:43. | :41:45. | |
particularly now we're just starting to see the leaves threatening | :41:46. | :41:48. | |
to turn yellow and those kind of golden hues. | :41:49. | :41:52. | |
The main thing that I focus on is freshwater fish. | :41:53. | :41:56. | |
They're just amazing, they have all these interesting behaviours | :41:57. | :41:59. | |
and different lifestyles - they're just fascinating. | :42:00. | :42:06. | |
Underwater photography really appealed to me, | :42:07. | :42:08. | |
just cos it was a way of showing off these fish. | :42:09. | :42:17. | |
The fish don't particularly want to be photographed, | :42:18. | :42:20. | |
so that meant using things like camera traps - | :42:21. | :42:22. | |
so, having small cameras weighted down on the bottom | :42:23. | :42:25. | |
and then leaving them be for however long, | :42:26. | :42:28. | |
and then watching what fish come in to investigate. | :42:29. | :42:36. | |
Other times, I'll get in the river and I'll snorkel. | :42:37. | :42:41. | |
other times I've had them almost come in and nibble my finger, | :42:42. | :42:46. | |
really, really curious, which we don't tend to think of with fish, | :42:47. | :42:50. | |
this big, gangly thing, floating in the river. | :42:51. | :42:59. | |
It's all about the blackberries along the river bank | :43:00. | :43:02. | |
and, in particular, chub gorge on them. | :43:03. | :43:09. | |
But I just love watching them wait under these blackberry bushes | :43:10. | :43:12. | |
They're straight in there, filling themselves silly on fruit. | :43:13. | :43:22. | |
I mean, the word "chubby" comes from chub, | :43:23. | :43:26. | |
Elderberries they'll eat, hawthorn berries... | :43:27. | :43:34. | |
It's quite weird, fish that eat fruit, but they do. | :43:35. | :43:38. | |
and of course that's important for them for the winter | :43:39. | :43:44. | |
to pack on the weight when there might not be as much food around. | :43:45. | :43:48. | |
They love the autumn, and I'm almost sorry when it's over, | :43:49. | :43:51. | |
without them scoffing all these berries! | :43:52. | :44:07. | |
Back in East Sussex, I'm with chef Nick Weston, | :44:08. | :44:10. | |
And I'm getting very hands-on with some pheasant and partridge | :44:11. | :44:17. | |
So we're going to focus mainly on the breast. | :44:18. | :44:24. | |
The thing about pheasants, I mean, they are such... | :44:25. | :44:26. | |
Just coming into season, beginning of October, | :44:27. | :44:28. | |
so it's a really good wild meat to use, and so plentiful. | :44:29. | :44:33. | |
Nick's approach to butchery is very much in the field... | :44:34. | :44:38. | |
..and a quick warning, if you're squeamish, look away now! | :44:39. | :44:40. | |
So if we lay the bird down on the floor like that | :44:41. | :44:44. | |
and get one foot really nice and close into the breast, | :44:45. | :44:50. | |
and then same on the other side like that, | :44:51. | :44:54. | |
now if you grab the legs around there, quite firmly... | :44:55. | :44:58. | |
And then what happens is you end up with two bits of birds, | :44:59. | :45:07. | |
that crown and the breast, which we're going to take out, | :45:08. | :45:14. | |
so all you have to do is go to your chopping board | :45:15. | :45:17. | |
So you just run your knife in right up | :45:18. | :45:23. | |
So, you know, that's a really nice chunk of meat, | :45:24. | :45:30. | |
and that's about as free-range and wild as you can really get. | :45:31. | :45:34. | |
Next up, the partridge. So, just going against the grain, as it were. | :45:35. | :45:40. | |
Just literally pulling them straight out, like that. | :45:41. | :45:45. | |
Of course, Nick's not one for convention, | :45:46. | :45:56. | |
so we're roasting the partridge over fire...on a sycamore branch. | :45:57. | :45:59. | |
The thing is, cos this is kind of spring-loaded, | :46:00. | :46:03. | |
it keeps these birds on here really nice and snug. | :46:04. | :46:06. | |
Though Nick is passionate about eating wild, | :46:07. | :46:16. | |
he freely admits nature often needs a helping hand. | :46:17. | :46:19. | |
It's not all about using just foraged ingredients. | :46:20. | :46:23. | |
You'd probably end up having not a particularly great meal | :46:24. | :46:26. | |
if you didn't use things you can get from the supermarket, | :46:27. | :46:29. | |
because game has very little fat, so adding in things like butter, | :46:30. | :46:33. | |
..is just a wonderful way of keeping it nice and moist | :46:34. | :46:38. | |
While the partridge roast over the fire, | :46:39. | :46:49. | |
Nick does his cheffy bit with the pheasant. | :46:50. | :46:52. | |
He opens it up, adds a shaving of truffle | :46:53. | :46:54. | |
They look done. Shall I bring them over? Yes, please! | :46:55. | :47:15. | |
You can't really beat that smoky flavour. | :47:16. | :47:24. | |
Our wild salad, some pickled carrot to garnish | :47:25. | :47:30. | |
and that's our partridge dish done. | :47:31. | :47:35. | |
Look at that, eh? That's autumn on a plate, isn't it? | :47:36. | :47:48. | |
Right, let's stop looking at it and get eating it. | :47:49. | :47:51. | |
Joining us upstairs for our autumnal feast are Nick's wife Claire | :47:52. | :47:58. | |
Look at this beautiful display of wonderful colour and gorgeous food. | :47:59. | :48:05. | |
Do you eat like this all the time, Claire? | :48:06. | :48:07. | |
Pretty much, yes, pretty much. Do you? | :48:08. | :48:09. | |
I have to say though, I'm not a massive fan of game or truffles! | :48:10. | :48:14. | |
Right. Two of the things I have on tap! Well, that's fair enough. | :48:15. | :48:18. | |
But I think we should certainly give it a go. | :48:19. | :48:21. | |
It looks beautiful, it smells delicious. | :48:22. | :48:27. | |
That's good, isn't it? That is actually very, very good. | :48:28. | :48:36. | |
It's very tasty, that. And you butchered it. Mm. | :48:37. | :48:39. | |
It's about trying to get it all on a plate and capture that season | :48:40. | :48:44. | |
and I think with those two, we've certainly done that. Yeah. | :48:45. | :48:48. | |
Do you know what, I'll do the washing up in just a moment. | :48:49. | :48:50. | |
If you wouldn't mind. I will quite literally wipe the slate clean! | :48:51. | :48:54. | |
But before that, I'm just going to link to the weather! | :48:55. | :48:58. | |
Yes, if you are planning an autumn adventure | :48:59. | :49:00. | |
then you're going to need to know what the weather's got in store, | :49:01. | :49:03. | |
so here's the five-day forecast for the week ahead. | :49:04. | :49:05. | |
Has been very dry, 14% average rainfall, also dry in Pershore. Most | :49:06. | :49:39. | |
of the rain on the east coast, way born more than average, the showers | :49:40. | :49:42. | |
have been hit and miss and brought in on an easterly wind. We still | :49:43. | :49:46. | |
have an easterly wind right now, the wind will be lighter overnight but | :49:47. | :49:50. | |
there is more cloud in the southern half of the UK so it won't be as | :49:51. | :49:55. | |
cold, not likely to get the fog, we will get showery bursts of rain in | :49:56. | :49:58. | |
the south-west. Further north with breaks in the cloud it will be | :49:59. | :50:01. | |
culled enough for a touch of frost and patchy | :50:02. | :50:14. | |
fog and a few light showers coming into eastern parts of Scotland, | :50:15. | :50:18. | |
perhaps. As we head into Monday the first fog Emma North will lift and | :50:19. | :50:21. | |
we will get sunshine coming through. Further south, Midlands, Wales | :50:22. | :50:23. | |
southwards there will be more cloud than today hence the chance of | :50:24. | :50:25. | |
showery bursts of rain clipping south-west Wales and especially the | :50:26. | :50:27. | |
south-west and potential flaws in torrential and perhaps thundery | :50:28. | :50:29. | |
downpours, not far away at all. That is something to watch. No more than | :50:30. | :50:32. | |
the odd spot of rain in the south-east, dried but much more | :50:33. | :50:34. | |
cloud, as they will be further north through the Midlands and across | :50:35. | :50:38. | |
Wales but in northern England it may stay dry with a few showers around. | :50:39. | :50:43. | |
More of Scotland will be dry, the winds will be lighter so the showers | :50:44. | :50:49. | |
not coming as far inland. Light winds on Tuesday, frost and fog in | :50:50. | :50:53. | |
Scotland, Northern Ireland and northern England, only slowly | :50:54. | :50:57. | |
lifting. Further south, not as much cloud, the cloud will be thinning, | :50:58. | :51:01. | |
more of us will get sunshine, very few showers around, 15 or so in the | :51:02. | :51:05. | |
South, 11 or 12 degrees in the North. As we head into Wednesday we | :51:06. | :51:08. | |
start to see a change. We have some stronger winds coming in across | :51:09. | :51:24. | |
northern parts of the UK, not easterly but westerly wind and the | :51:25. | :51:27. | |
weather front arriving. It will not give much rain at all but the rain | :51:28. | :51:30. | |
will trickle down across Scotland, Northern Ireland and into northern | :51:31. | :51:32. | |
England and North Wales together with strong and gusty winds. Further | :51:33. | :51:34. | |
south and east lighter winds and dry, early mist and fog and | :51:35. | :51:36. | |
sunshine. The weather will start to change from mid week onwards. | :51:37. | :51:39. | |
Looking to the other side of the Atlantic, there is colder air | :51:40. | :51:41. | |
digging down from eastern parts of Canada. But there is warm air moving | :51:42. | :51:45. | |
northwards closer to the UK and the clash is strengthening the jet a | :51:46. | :51:49. | |
powerful jet stream developing later in the week. The position of the jet | :51:50. | :51:54. | |
stream means that to the south high pressure builds in and that will be | :51:55. | :51:58. | |
dominant across the southern half of the UK. Stronger winds on Thursday | :51:59. | :52:02. | |
across the North colour may be outbreaks of rain over the hills but | :52:03. | :52:06. | |
gusty winds to the east of high ground. Further south across the UK | :52:07. | :52:11. | |
the winds will be brighter, -- lighter but temperatures rising | :52:12. | :52:14. | |
across the board. Friday sees the threat of rainbow are mainly the | :52:15. | :52:18. | |
hills of western Scotland, cloud in other areas, the best sunshine in | :52:19. | :52:23. | |
the east and temperatures of 13-16d. By the end of the week of the high | :52:24. | :52:28. | |
pressure will build in and push rain to the north-west of the UK. There | :52:29. | :52:31. | |
will not be much rain over the week ahead. We start off pretty chilly, | :52:32. | :52:37. | |
some patchy frost, fog and sunshine too. From midweek less likely to | :52:38. | :52:39. | |
have frost and fog because it will JOHN: Autumn, | :52:40. | :52:47. | |
one of nature's greatest displays. A final fanfare before | :52:48. | :52:59. | |
the cold sets in. And for hibernating hazel dormice, | :53:00. | :53:03. | |
the race is on to stock up on the fruits of the forest | :53:04. | :53:08. | |
before winter takes its hold. For thousands of years, | :53:09. | :53:14. | |
they've survived everything that's been thrown at them, | :53:15. | :53:17. | |
but now dormice are on the brink. In just 16 years, in the UK, their | :53:18. | :53:21. | |
numbers have dropped by a third. there is hope for these | :53:22. | :53:26. | |
endearing creatures. are owned by the People's Trust | :53:27. | :53:34. | |
for Endangered Species and they're on the front line in the | :53:35. | :53:38. | |
fight to help our native dormice. Ian White is the trust's | :53:39. | :53:43. | |
Dormouse Officer. that makes it such | :53:44. | :53:46. | |
a safe haven for dormice? Well, we manage this woodland | :53:47. | :53:51. | |
by coppicing it, and there's just really good | :53:52. | :53:54. | |
and important understory There's no deer on the island | :53:55. | :53:58. | |
to eat all this regrowth, so it actually comes back | :53:59. | :54:03. | |
really well and creates a really | :54:04. | :54:05. | |
good habitat for dormice and a range of other species, | :54:06. | :54:07. | |
as well. Dormice have been known to double | :54:08. | :54:08. | |
their body weight in autumn as they build up for that | :54:09. | :54:11. | |
risky time, hibernation. If it's a mild winter, | :54:12. | :54:14. | |
they can actually wake up and every time they wake up, | :54:15. | :54:17. | |
they lose energy, they can only do that so many times | :54:18. | :54:21. | |
before they can no longer survive. So what kind of percentage | :54:22. | :54:25. | |
do you reckon Well, from the long-term monitoring | :54:26. | :54:27. | |
programme we've looked at, it looks like between 40 and 70% | :54:28. | :54:31. | |
of dormice won't survive over the winter. Goodness me, that's | :54:32. | :54:34. | |
a shocking percentage, isn't it? Certainly the biggest killer of | :54:35. | :54:38. | |
dormice in this country Ian and his team are giving dormice | :54:39. | :54:41. | |
a helping hand by pioneering The woodlands that still exist are | :54:42. | :54:49. | |
becoming more and more fragmented. Where there are fragmentations | :54:50. | :54:58. | |
of woodland, we can actually use this | :54:59. | :55:00. | |
to connect those up, as they live | :55:01. | :55:02. | |
in the tree and shrub canopy - it helps them move | :55:03. | :55:06. | |
between woodlands. A number of wildlife bridges have | :55:07. | :55:08. | |
been put up throughout the country, but this is the first one | :55:09. | :55:11. | |
that's been shown to be used by wild dormice, | :55:12. | :55:14. | |
so it's quite exciting. 24 cameras monitor the area | :55:15. | :55:17. | |
every night, and the dormice certainly seem to | :55:18. | :55:20. | |
like their new high-level crossing. And Ian's brought along some proof, | :55:21. | :55:24. | |
to show me. that they seem to prefer | :55:25. | :55:29. | |
the bridge to the ground. The woods also have more than | :55:30. | :55:40. | |
600 nest boxes that give vital shelter for the | :55:41. | :55:43. | |
dormice as they breed and sleep. So this is a dormouse nest | :55:44. | :55:48. | |
because of the green leaves on top. That is a telltale sign, is it? Yes, | :55:49. | :55:52. | |
definitely. Oh, look, there's one. There's another one there. | :55:53. | :55:55. | |
Two. Two so far. There's another one inside, | :55:56. | :55:58. | |
as well. Wow. 'We're in luck - | :55:59. | :56:01. | |
a mum and her two young.' So this is a juvenile dormouse. | :56:02. | :56:05. | |
What sort of age would that be? This would be born this year, | :56:06. | :56:08. | |
probably about six weeks old. that they use to feel their way | :56:09. | :56:11. | |
around the woodland at night and big eyes, again, | :56:12. | :56:16. | |
to help them see at night. There's his tail. They've got quite | :56:17. | :56:18. | |
long tails, haven't they? They're our only small mammal | :56:19. | :56:23. | |
with a furry tail. to check they're building up | :56:24. | :56:25. | |
well for hibernation. that have been through one | :56:26. | :56:29. | |
hibernation. So, Mum is weighing in at 21.5g, | :56:30. | :56:36. | |
so, heavier. And they're quite safe | :56:37. | :56:39. | |
in these bags, aren't they? Yes, there's plenty of food, | :56:40. | :56:41. | |
the amount of time we'll be, there's plenty of air | :56:42. | :56:43. | |
in there for them. The young male is also | :56:44. | :56:45. | |
looking healthy, so Ian is hopeful for this | :56:46. | :56:46. | |
family's chances over winter. I must tell you, Ian, that this is | :56:47. | :56:50. | |
quite a moment for me, because during my time | :56:51. | :56:54. | |
on Countryfile, and looked into them and never found | :56:55. | :56:57. | |
anything inside - this is the first | :56:58. | :57:02. | |
time I've ever seen a dormouse Though numbers have gone down | :57:03. | :57:05. | |
dramatically in recent years, The right kind of woodland | :57:06. | :57:11. | |
management and new ideas like the dormouse | :57:12. | :57:14. | |
bridge here at Briddlesford That and a coldish winter, | :57:15. | :57:17. | |
so they keep on sleeping. Well, the native dormouse certainly | :57:18. | :57:25. | |
needs our protection, against its invading | :57:26. | :57:29. | |
non-native cousin, which is currently causing | :57:30. | :57:34. | |
many problems for people living on the | :57:35. | :57:36. | |
Chiltern Hills? Well, find out more about that | :57:37. | :57:39. | |
and many other things by tuning in to | :57:40. | :57:41. | |
Countryfile Autumn Diaries every morning this week | :57:42. | :57:44. | |
on BBC One at 9:15. It's the most sensational season | :57:45. | :57:50. | |
of them all... FIREWORKS EXPLODE | :57:51. | :57:53. | |
..autumn. it's a chance to stock up before | :57:54. | :57:56. | |
the harsh winter days ahead. We'll be bringing you the seasonal | :57:57. | :58:04. | |
stories that matter Well, hope you can join us then, | :58:05. | :58:07. | |
but for now, goodbye. | :58:08. | :58:27. |