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All over Herefordshire, the orchards burst with fruit. | 0:00:28 | 0:00:31 | |
The boughs hang heavy with apples... | 0:00:35 | 0:00:38 | |
and pears, but we are not going to eat the pears | 0:00:38 | 0:00:40 | |
that we are picking today, because they are used to make | 0:00:40 | 0:00:42 | |
a drink that some say is even better than cider. | 0:00:42 | 0:00:45 | |
Thank you very much. | 0:00:46 | 0:00:48 | |
I mean, it is Sunday night, Countryfile's on, why not? | 0:00:48 | 0:00:50 | |
Mmm. | 0:00:50 | 0:00:52 | |
Oh, yeah, that is good. | 0:00:52 | 0:00:53 | |
Anita's stepping back in time. | 0:00:54 | 0:00:57 | |
"September 1st, 1939. | 0:00:57 | 0:01:00 | |
"Trimmed hedge by lane, turned and hauled load of hay from X Way. | 0:01:00 | 0:01:04 | |
"Germany invades Poland." | 0:01:04 | 0:01:06 | |
Tom's at sea with the Border Force, | 0:01:08 | 0:01:10 | |
investigating exploitation of fishing workers. | 0:01:10 | 0:01:13 | |
This new Modern Slavery Act means they are taking this issue | 0:01:14 | 0:01:18 | |
very seriously. There's proof right there. | 0:01:18 | 0:01:21 | |
And Adam's on hand to witness a different kind of harvest. | 0:01:23 | 0:01:26 | |
We're cutting bracken to make this. This is a brackette, | 0:01:27 | 0:01:30 | |
and it's ideal for log burners and open fires. | 0:01:30 | 0:01:33 | |
It's amazing that you can take this old bracken and make it into | 0:01:33 | 0:01:36 | |
a fuel that heats up a roaring fire. | 0:01:36 | 0:01:38 | |
And, in fact, on a day like today I'm going to need a fire tonight! | 0:01:38 | 0:01:41 | |
Herefordshire - a largely rural county. | 0:01:50 | 0:01:54 | |
A land that is the very definition of fruitful. | 0:01:54 | 0:01:57 | |
Herefordshire is bordered by Wales to the west and sandwiched | 0:01:59 | 0:02:02 | |
between Shropshire to the north | 0:02:02 | 0:02:04 | |
and Gloucestershire to the south. | 0:02:04 | 0:02:06 | |
Famed for its apple orchards, there is a fruit more highly prized still. | 0:02:09 | 0:02:13 | |
Oh, yes. I am talking about pears. And not just any pears. | 0:02:15 | 0:02:18 | |
Now, these are not meant for eating. They are grown to make perry. | 0:02:18 | 0:02:22 | |
Herefordshire's gift to the world. | 0:02:22 | 0:02:24 | |
Perry is the proper name for pear cider. | 0:02:26 | 0:02:29 | |
And here in Herefordshire, they make more than anywhere else. | 0:02:29 | 0:02:33 | |
The finest is said to be made from pairs grown | 0:02:33 | 0:02:36 | |
in sight of the fabled May Hill. | 0:02:36 | 0:02:38 | |
Westons, the cider makers, | 0:02:43 | 0:02:45 | |
are the only large-scale producer of traditional perry. | 0:02:45 | 0:02:48 | |
It's been made at Bounds Farm, Much Marcle | 0:02:52 | 0:02:54 | |
for more than a century. | 0:02:54 | 0:02:56 | |
Well, isn't this just the most beautiful, mellow farmhouse? | 0:03:00 | 0:03:04 | |
And you would think from the front that not much had changed | 0:03:04 | 0:03:06 | |
since Henry Weston first came here in 1878. | 0:03:06 | 0:03:10 | |
Mind you, if he could look out of his back bedroom these days, | 0:03:10 | 0:03:13 | |
he'd certainly be in for a shock. | 0:03:13 | 0:03:15 | |
Three generations on, the family continues Henry's business, | 0:03:19 | 0:03:22 | |
but these days on a much bigger scale, | 0:03:22 | 0:03:24 | |
making and selling all the perry they can. | 0:03:24 | 0:03:27 | |
Oh, lovely! Look at that batch! | 0:03:32 | 0:03:35 | |
Beautiful. What a lovely sight. | 0:03:35 | 0:03:38 | |
Well, I think you can't quite believe, | 0:03:38 | 0:03:41 | |
-and it always amazes me, how many there are! -Yeah! | 0:03:41 | 0:03:44 | |
Yeah, you think of a bag of pears in a supermarket or a greengrocers... | 0:03:44 | 0:03:47 | |
-Yes. -And then you see that many pears at once. | 0:03:47 | 0:03:49 | |
It never fails to impress me. | 0:03:49 | 0:03:51 | |
Well, you've obviously got a massive production site here, | 0:03:51 | 0:03:54 | |
but how big a part is perry of what you do here? | 0:03:54 | 0:03:57 | |
Well, this year we're looking to process over 30,000 metric | 0:03:57 | 0:04:00 | |
-tonnes of fruits. -Are you really? | 0:04:00 | 0:04:02 | |
And, of that, if we get 400 tonnes of perry pears we'll be happy, | 0:04:02 | 0:04:06 | |
so it's a very, very small part, | 0:04:06 | 0:04:08 | |
but a very, very precious part of our business. | 0:04:08 | 0:04:11 | |
Absolutely. | 0:04:11 | 0:04:13 | |
Perry's, perry pear's a very special part of Herefordshire, | 0:04:13 | 0:04:16 | |
but it is less than 1% of our production. | 0:04:16 | 0:04:18 | |
'A third of the pears are grown right here. | 0:04:19 | 0:04:22 | |
'The rest are bought ripe each autumn from | 0:04:22 | 0:04:24 | |
'local farmers ike Steve Leighton, | 0:04:24 | 0:04:26 | |
'who's planted perry pear trees especially to meet this demand.' | 0:04:26 | 0:04:29 | |
-This is the first time... -Is it? | 0:04:33 | 0:04:34 | |
..on a commercial orchard. We planted seven acres, five years ago, | 0:04:34 | 0:04:38 | |
-so we're just getting up to production now. -Wow. | 0:04:38 | 0:04:41 | |
-Exciting times, then, for you. -Yes, going well, yeah. | 0:04:41 | 0:04:44 | |
Well, you've done a good job with this lot. | 0:04:44 | 0:04:46 | |
'And after all that effort, it's key for growers like Steve to | 0:04:46 | 0:04:49 | |
'deliver the perry pears at just the right time.' | 0:04:49 | 0:04:52 | |
How urgent is this process, | 0:04:53 | 0:04:55 | |
because they don't really keep that well, do they, perry pears? | 0:04:55 | 0:04:57 | |
Absolutely not. | 0:04:57 | 0:04:58 | |
-We need 20 tonnes before we can start the pressing process. -Yeah. | 0:04:58 | 0:05:01 | |
But with pears in particular we really need to process them | 0:05:01 | 0:05:04 | |
as quickly as possible. | 0:05:04 | 0:05:05 | |
Apples will last a bit longer, | 0:05:05 | 0:05:06 | |
but the pears we'll process pretty much as soon as we get them. | 0:05:06 | 0:05:10 | |
'These special perry pears would make your mouth pucker if you tried | 0:05:12 | 0:05:16 | |
'to eat them, but once the fruit juice is fermented and matured, | 0:05:16 | 0:05:19 | |
'it makes a flavoursome drink. | 0:05:19 | 0:05:21 | |
'The alchemy of maturing this perry takes six months in oak casks, | 0:05:24 | 0:05:29 | |
'but not just any old casks.' | 0:05:29 | 0:05:31 | |
-It's... It is mind-blowing. -It is. | 0:05:34 | 0:05:38 | |
It is potentially the largest collection of oak vats, | 0:05:38 | 0:05:40 | |
not barrels, in the world. | 0:05:40 | 0:05:42 | |
-Is that right? -Yeah. -Well, it doesn't surprise me. | 0:05:42 | 0:05:45 | |
-What a sight this is. -This is the highest point in the main vat shed. | 0:05:46 | 0:05:50 | |
-Right. -And we're standing on top of Squeak. -This is Squeak? | 0:05:50 | 0:05:53 | |
-This is Squeak. -Named Squeak? OK. | 0:05:53 | 0:05:55 | |
Yeah, all the vats have names. The three oldest down here are | 0:05:55 | 0:05:59 | |
Hereford, Gloucester and Worcester. | 0:05:59 | 0:06:01 | |
And Henry Weston bought those second-hand in 1880. | 0:06:01 | 0:06:04 | |
-It's a super display. -Oh, yeah. -I mean, you feel it, don't you? | 0:06:04 | 0:06:07 | |
You really do feel the character | 0:06:07 | 0:06:08 | |
-of the liquid that's in here. -Absolutely, yeah. | 0:06:08 | 0:06:10 | |
'And talking of characters, | 0:06:13 | 0:06:15 | |
'later I'm going to be meeting the perry fanatic on | 0:06:15 | 0:06:17 | |
'a one-man crusade to put authentic pear cider back on the map.' | 0:06:17 | 0:06:21 | |
For centuries, we've been known as a seafaring nation - | 0:06:24 | 0:06:28 | |
harvesting our seas as we have done our land. | 0:06:28 | 0:06:31 | |
But at what cost? | 0:06:31 | 0:06:32 | |
Here's Tom. | 0:06:32 | 0:06:33 | |
Our coastal waters - mighty and dramatic, | 0:06:40 | 0:06:43 | |
and for some a truly formidable place of work. | 0:06:43 | 0:06:46 | |
Generations of men and women have toiled here, | 0:06:46 | 0:06:49 | |
bringing ashore all manner of foods from the deep. | 0:06:49 | 0:06:53 | |
But for a few at the margins of the fishing industry, | 0:06:53 | 0:06:55 | |
it's not just hard work. | 0:06:55 | 0:06:57 | |
It's exploitation. | 0:06:57 | 0:06:59 | |
Some of the people who actually catch this fish | 0:06:59 | 0:07:02 | |
live and work in appalling conditions. | 0:07:02 | 0:07:04 | |
Unsafe, untrained, sometimes unpaid. | 0:07:04 | 0:07:08 | |
In effect, treated like slaves. | 0:07:08 | 0:07:11 | |
Shocking words, but they're not mine. | 0:07:12 | 0:07:15 | |
It's seen as such a serious problem, a new law has been passed - | 0:07:15 | 0:07:19 | |
the Modern Slavery Act. | 0:07:19 | 0:07:21 | |
Some 12,000 people work on UK fishing boats. | 0:07:22 | 0:07:25 | |
About one in ten come from outside Europe. | 0:07:25 | 0:07:28 | |
And it's these sometimes low-paid foreign workers who can be | 0:07:28 | 0:07:32 | |
at risk of exploitation. | 0:07:32 | 0:07:34 | |
Everyone knows that working to catch fish is | 0:07:35 | 0:07:39 | |
a tough job and not always the best paid. | 0:07:39 | 0:07:42 | |
But this is something much more sinister. | 0:07:42 | 0:07:45 | |
Out on the high seas, it's easy for promises of good pay and | 0:07:48 | 0:07:51 | |
a decent job to vanish, leaving people in dangerous conditions | 0:07:51 | 0:07:55 | |
working for almost nothing. | 0:07:55 | 0:07:57 | |
I'm meeting three men who have experienced just that, first-hand. | 0:07:58 | 0:08:02 | |
-You worked 24 hours...? -Yes. -In one go? -Yes. | 0:08:09 | 0:08:12 | |
'They are all Filipinos. | 0:08:12 | 0:08:14 | |
'Their case is still under investigation and because of | 0:08:14 | 0:08:17 | |
'past threats of violence, they've asked us not to show their faces.' | 0:08:17 | 0:08:22 | |
Do you get any rest after that? | 0:08:22 | 0:08:24 | |
-24 hours, one hour...? -One hour, two hours, again. | 0:08:27 | 0:08:31 | |
It's continue. | 0:08:31 | 0:08:33 | |
You said you were treated like animals. Was the captain aggressive? | 0:08:33 | 0:08:38 | |
-Yes. -Was there a threat of violence? -Yes. | 0:08:38 | 0:08:41 | |
Were you free to leave the ship when you were in port? | 0:08:47 | 0:08:50 | |
Did you feel like a slave? | 0:08:55 | 0:08:57 | |
'The men found themselves trapped in an unseen corner | 0:09:00 | 0:09:04 | |
'of the fishing industry where abuse was commonplace.' | 0:09:04 | 0:09:07 | |
They were rescued by the Apostle Ship of the Sea, | 0:09:07 | 0:09:10 | |
a church-based charity. | 0:09:10 | 0:09:12 | |
Roger Stone is a chaplain who's witnessed exploitation. | 0:09:12 | 0:09:16 | |
In the 21st century in the UK, why is this happening? | 0:09:16 | 0:09:20 | |
In most ports around the country, | 0:09:20 | 0:09:23 | |
ships come alongside to berths which are behind security fences, | 0:09:23 | 0:09:27 | |
so the general public has no access, | 0:09:27 | 0:09:29 | |
so it's only from a sort of privileged position of | 0:09:29 | 0:09:32 | |
working for a charity like us that we're able to go on ships and | 0:09:32 | 0:09:36 | |
spend time talking to the crew and find out what's going on. | 0:09:36 | 0:09:39 | |
When you go on ships and see some of these conditions, | 0:09:39 | 0:09:41 | |
-what's the worst thing you've seen? -It's a combination of factors. | 0:09:41 | 0:09:45 | |
Some people work really long hours, maybe 100, 120 hours a week, | 0:09:45 | 0:09:49 | |
sometimes for very little money or sometimes for no money. | 0:09:49 | 0:09:54 | |
Very poor accommodation on board. And lack of provisions. | 0:09:54 | 0:09:57 | |
Either no food or no water or running very low, | 0:09:57 | 0:10:01 | |
or they can only eat what they catch, for example. | 0:10:01 | 0:10:05 | |
When all those factors come together, there's only one word | 0:10:05 | 0:10:08 | |
that describes what's really going on on a ship and that is slavery. | 0:10:08 | 0:10:12 | |
How did it feel when you were free? What did that feel like? | 0:10:12 | 0:10:15 | |
-It was like getting out of jail? -Yes, yes. | 0:10:22 | 0:10:25 | |
-Really? You're all nodding at that. -Mm-hm. | 0:10:25 | 0:10:28 | |
'Happily, these men were supported by the Salvation Army and now | 0:10:29 | 0:10:33 | |
'have legitimate jobs.' | 0:10:33 | 0:10:35 | |
But the charity says that right now, today, there could be scores | 0:10:35 | 0:10:39 | |
more like them, being exploited on UK fishing boats. | 0:10:39 | 0:10:42 | |
So, how has this been allowed to happen | 0:10:42 | 0:10:45 | |
and what is the industry doing about it? | 0:10:45 | 0:10:48 | |
Libby Woodhatch is from Seafish, | 0:10:48 | 0:10:50 | |
which represents and promotes UK fishing. | 0:10:50 | 0:10:53 | |
Do you acknowledge that there is a problem in some fishing boats | 0:10:53 | 0:10:57 | |
with, in effect, slave labour? | 0:10:57 | 0:10:59 | |
I think slave labour's quite a strong word. | 0:10:59 | 0:11:01 | |
We need to look at perhaps labour abuses, but focus on the fact | 0:11:01 | 0:11:04 | |
that it's one or two vessels potentially out of a large fleet. | 0:11:04 | 0:11:09 | |
If you need five or six crew and you can't find that locally, | 0:11:09 | 0:11:12 | |
then you want reliable labour. | 0:11:12 | 0:11:14 | |
Particularly other countries, like the Philippines, | 0:11:14 | 0:11:17 | |
provide highly skilled men and without them, | 0:11:17 | 0:11:19 | |
the fleet wouldn't be able to operate and because it's a dangerous | 0:11:19 | 0:11:22 | |
job, you want people who know exactly what they're doing, | 0:11:22 | 0:11:25 | |
you want people handling the product correctly. | 0:11:25 | 0:11:27 | |
There's nothing wrong with migrant labour, | 0:11:27 | 0:11:29 | |
-as long as they're being adequately paid and treated fairly. -Absolutely. | 0:11:29 | 0:11:33 | |
And safely. And I still wonder what the industry's doing to make sure | 0:11:33 | 0:11:36 | |
-that's the case. -The industry initially, in the early days, | 0:11:36 | 0:11:39 | |
created its own code of conduct for non-EAA labour, | 0:11:39 | 0:11:42 | |
which ensured that you had the right conditions on board, | 0:11:42 | 0:11:45 | |
that the people were looked after and paid, and as a carry-on from | 0:11:45 | 0:11:48 | |
that, we have something called the Seafish Responsible Fishing Scheme. | 0:11:48 | 0:11:51 | |
There are five key criteria and one of those is health, | 0:11:51 | 0:11:53 | |
safety and welfare. | 0:11:53 | 0:11:55 | |
We want to make sure that the conditions are right on board | 0:11:55 | 0:11:58 | |
the boat, that they are being paid, they have a right to be there, | 0:11:58 | 0:12:00 | |
they have freedom of movement, they can get on and off the boat, | 0:12:00 | 0:12:04 | |
they have the right contracts, so the Responsible Fishing Scheme, | 0:12:04 | 0:12:07 | |
it gives assurances. | 0:12:07 | 0:12:09 | |
Even if exploitation is only happening on the fringes of | 0:12:09 | 0:12:13 | |
the industry, it's something the Government says must be stopped. | 0:12:13 | 0:12:16 | |
And later in the programme, I'll be joining the Border Force, | 0:12:16 | 0:12:20 | |
as they use new powers to do just that. | 0:12:20 | 0:12:22 | |
This new Modern Slavery Act means they're taking this issue | 0:12:24 | 0:12:27 | |
very seriously. | 0:12:27 | 0:12:29 | |
It's proof right there. | 0:12:29 | 0:12:31 | |
Sweeping ridges and steep-sided valleys. | 0:12:36 | 0:12:40 | |
This part of Herefordshire, near the border with Wales, | 0:12:40 | 0:12:43 | |
is a quiet corner of a quiet county. | 0:12:43 | 0:12:46 | |
It's as though time has stood still here and it feels like things | 0:12:46 | 0:12:50 | |
haven't changed for decades | 0:12:50 | 0:12:52 | |
and the spirits of a bygone era are all around. | 0:12:52 | 0:12:55 | |
"Fed some cattle, ploughed corner field. | 0:12:57 | 0:12:59 | |
"Farther hedging, carried fern for horse and cattle. | 0:12:59 | 0:13:03 | |
"Put my cow back in her old place and little cow was put by her | 0:13:03 | 0:13:06 | |
"in wild one's place." | 0:13:06 | 0:13:09 | |
Those words were written by a farmer, Alfred Price, | 0:13:09 | 0:13:12 | |
and the place he was talking about is right here, all around me. | 0:13:12 | 0:13:16 | |
This is Birches Farm. | 0:13:17 | 0:13:19 | |
Alfred was born in 1908 and farmed these 60 acres in the same | 0:13:21 | 0:13:26 | |
traditional way for his entire life. | 0:13:26 | 0:13:29 | |
The modern world seemed to pass him by, | 0:13:29 | 0:13:32 | |
as he faithfully recorded each and every day in diaries spanning | 0:13:32 | 0:13:36 | |
more than 70 years. | 0:13:36 | 0:13:38 | |
These diaries are a haul of treasure. | 0:13:38 | 0:13:41 | |
This is where Alfred has kept the minute details of his routine | 0:13:41 | 0:13:45 | |
farming life. And I'll give you an example. | 0:13:45 | 0:13:48 | |
This is from one of his earlier diaries. 1930. | 0:13:48 | 0:13:51 | |
It's January 29th and it's a Wednesday and he says, | 0:13:51 | 0:13:55 | |
"Fed ewes and suckled calf before breakfast. | 0:13:55 | 0:13:58 | |
"Fed and cleaned cattle and horses out after breakfast. | 0:13:58 | 0:14:02 | |
"Hauled three loads of manure from bullock's door and one from | 0:14:02 | 0:14:06 | |
"inside and brought four loads of swedes back in barn. | 0:14:06 | 0:14:11 | |
"Done cattle, and pulped them, | 0:14:11 | 0:14:14 | |
"had tea, suckled calf and finished up work by 6.30." | 0:14:14 | 0:14:18 | |
What a day's work. | 0:14:18 | 0:14:19 | |
And then, January 30th, the following morning, | 0:14:19 | 0:14:22 | |
he starts with, "Same as yesterday." | 0:14:22 | 0:14:24 | |
And something that stands out for me, which I found | 0:14:24 | 0:14:27 | |
particularly interesting, gives us an insight into the age. | 0:14:27 | 0:14:30 | |
It says, "Went down to Guild at night, | 0:14:30 | 0:14:33 | |
"the topic of discussion was - should boys do housework?" | 0:14:33 | 0:14:36 | |
Well, I hope things have moved on a little bit since then. | 0:14:36 | 0:14:38 | |
But looking at all of these, all I want to know is, Alfred, | 0:14:38 | 0:14:41 | |
where's the juicy gossip about your personal life? | 0:14:41 | 0:14:43 | |
Well, there is one entry, thank you, from 1942 about his future wife, | 0:14:43 | 0:14:48 | |
Winnie, and it says, "Received a lovely smile from W." | 0:14:48 | 0:14:52 | |
And then, there's this entry. From September 1st, 1939. | 0:14:54 | 0:14:59 | |
"Trimmed hedge by lane. Turned and hauled load of hay from X Way. | 0:14:59 | 0:15:04 | |
"Germany invades Poland." | 0:15:04 | 0:15:07 | |
Even the outbreak of the Second World War is | 0:15:07 | 0:15:09 | |
no more significant to Alfred than hauling a load of hay. | 0:15:09 | 0:15:12 | |
During the war, many farmers were encouraged to plough | 0:15:15 | 0:15:18 | |
a pasture to grow food. | 0:15:18 | 0:15:20 | |
But Birches Farm was too hilly, so Alfred carried on just as before, | 0:15:20 | 0:15:25 | |
as those who knew him well remember. | 0:15:25 | 0:15:27 | |
-Hello, Jimmy. -Hello. -How does it feel, being back here? | 0:15:30 | 0:15:33 | |
Amazing, actually. It really is very, very nice. | 0:15:33 | 0:15:36 | |
It's about ten years since I've been here. | 0:15:36 | 0:15:39 | |
72-year-old Jimmy Morgan was a labourer here and is | 0:15:39 | 0:15:42 | |
mentioned often in Alfred's diaries. | 0:15:42 | 0:15:45 | |
How old were you when you started working with Alfred? | 0:15:45 | 0:15:48 | |
I was about ten, I think. | 0:15:48 | 0:15:50 | |
-Yeah. -What was he like? | 0:15:50 | 0:15:51 | |
He was the sort of man who would never ever ever | 0:15:51 | 0:15:55 | |
criticise anybody else. | 0:15:55 | 0:15:56 | |
He was a lovely man. And I think I was the son he never had. Basically. | 0:15:56 | 0:16:01 | |
He didn't believe in fertiliser out of the bag, | 0:16:01 | 0:16:04 | |
but I can't remember him ever using fertiliser, actually. | 0:16:04 | 0:16:08 | |
I know I tried very hard to get him to put water tanks in. | 0:16:08 | 0:16:12 | |
-Just basically, he didn't want the bother. -Why do you think that was? | 0:16:12 | 0:16:17 | |
Why do you think he did things that way? | 0:16:17 | 0:16:19 | |
Well, he didn't have a mortgage. | 0:16:19 | 0:16:21 | |
That was the reason. He didn't really have to make a lot of money. | 0:16:23 | 0:16:27 | |
-Just enough to live. -Lucky him. -Very lucky him, yeah. | 0:16:27 | 0:16:31 | |
And lucky for us too. | 0:16:34 | 0:16:35 | |
Alfred's refusal to keep step with changing trends in farming | 0:16:35 | 0:16:39 | |
has had an unexpected bonus. | 0:16:39 | 0:16:41 | |
It's because Alfred didn't want or need to modernise the farm, it's | 0:16:43 | 0:16:47 | |
because he didn't have to introduce intensive methods and use | 0:16:47 | 0:16:51 | |
pesticides and fertilisers that this land has a very special quality. | 0:16:51 | 0:16:56 | |
The farm is rich in wildlife and wild flowers and is now owned | 0:16:58 | 0:17:02 | |
by the Herefordshire Wildlife Trust. | 0:17:02 | 0:17:04 | |
Jim Light manages it in exactly the same way that Alfred Price did. | 0:17:04 | 0:17:08 | |
-Hi, Jim. -Hello. -What are you up to? | 0:17:11 | 0:17:14 | |
-We're just stacking some hay. -And is this ordinary hay? | 0:17:14 | 0:17:17 | |
This is no ordinary hay. | 0:17:17 | 0:17:20 | |
We've got around 30 species, say, in this, | 0:17:20 | 0:17:24 | |
whereas your sort of lay pastures would have seven or eight. | 0:17:24 | 0:17:28 | |
It's not just grass, it's things like birdsfoot trefoil, | 0:17:28 | 0:17:31 | |
-orchids, other bits and pieces. -Which is all in the hay. | 0:17:31 | 0:17:34 | |
Which is all in the hay, which all gets fed to the cattle here, | 0:17:34 | 0:17:37 | |
which then comes out the rear end and goes back on the farm. | 0:17:37 | 0:17:40 | |
Exactly as it would have been done 100 years ago. | 0:17:40 | 0:17:42 | |
Exactly as it would have been 100 years ago. | 0:17:42 | 0:17:44 | |
You smell this, you'll smell summer. | 0:17:44 | 0:17:46 | |
-Oh! -It's fantastic. | 0:17:47 | 0:17:48 | |
It's lovely and green, you can see the difference species. | 0:17:48 | 0:17:51 | |
-We've got yellow rattle in here. -It's fragrant. | 0:17:51 | 0:17:54 | |
It's fantastic. | 0:17:54 | 0:17:55 | |
My analogy is that the silage that you get on farms nowadays, | 0:17:55 | 0:18:00 | |
it's like going to any fast food outlet. | 0:18:00 | 0:18:02 | |
But eating this is like coming home to mum for a Sunday lunch. | 0:18:02 | 0:18:05 | |
Oh, wow. That's nice. | 0:18:05 | 0:18:06 | |
And how important are Alfred's diaries? | 0:18:06 | 0:18:09 | |
Oh, fantastically important. | 0:18:09 | 0:18:11 | |
We've actually got his cattle movements, | 0:18:11 | 0:18:14 | |
what he was doing on a day-to-day basis and that will inform | 0:18:14 | 0:18:17 | |
the management of this site from now until the future. | 0:18:17 | 0:18:20 | |
"Mostly cloudy. John came. Lit Rayburn. John went to town. | 0:18:25 | 0:18:31 | |
"Paid my papers and put £300 in bank for me. Came over. Fire up again." | 0:18:31 | 0:18:36 | |
And that's the last entry, apart from this, two days later, | 0:18:37 | 0:18:41 | |
that just says, "Pay milk." | 0:18:41 | 0:18:43 | |
You can see his writing is pretty much illegible and | 0:18:43 | 0:18:47 | |
over the previous few entries, he'd spoken about not feeling too well. | 0:18:47 | 0:18:51 | |
And then, the entries stop. | 0:18:51 | 0:18:53 | |
They're just the plain writings of an ordinary man, | 0:18:58 | 0:19:00 | |
but the diaries of Alfred Price offer us a rare glimpse into our | 0:19:00 | 0:19:04 | |
agricultural past and, just maybe, | 0:19:04 | 0:19:07 | |
a hint to our farming future. | 0:19:07 | 0:19:09 | |
It's harvest time all over Herefordshire. | 0:19:13 | 0:19:17 | |
In the orchards, farmers are busy, getting in nature's bounty. | 0:19:17 | 0:19:22 | |
Pears to make perry and apples for cider. | 0:19:22 | 0:19:27 | |
The trees here are dripping with fruit. | 0:19:27 | 0:19:29 | |
Playing out behind me is | 0:19:31 | 0:19:32 | |
a harvesting scene unchanged in centuries. But what may not | 0:19:32 | 0:19:35 | |
be apparent from that is that elsewhere on this farm, | 0:19:35 | 0:19:39 | |
they do things a little bit differently. | 0:19:39 | 0:19:41 | |
This is Broom Farm in South Herefordshire. | 0:19:44 | 0:19:47 | |
60 acres of orchards, ancient and modern, | 0:19:47 | 0:19:51 | |
tended by third-generation cider maker Mike Johnson. | 0:19:51 | 0:19:54 | |
Mike depends on a good crop of fruit, | 0:19:56 | 0:19:58 | |
so orchard pests are an ever-present threat. | 0:19:58 | 0:20:02 | |
We had a problem last year in the apple orchards with ermine moth | 0:20:04 | 0:20:08 | |
cos they put these webs all over the trees and then | 0:20:08 | 0:20:12 | |
the little black caterpillars would come out and eat the leaves | 0:20:12 | 0:20:15 | |
-all round, go back in. -How much damage were they doing? | 0:20:15 | 0:20:17 | |
They eat the leaves, do they, caterpillars? | 0:20:17 | 0:20:19 | |
They eat the leaves and then, of course, | 0:20:19 | 0:20:21 | |
the tree can't make the fruit bud for the blossom the following year. | 0:20:21 | 0:20:24 | |
And I looked into how to treat it and I didn't want to do spraying, | 0:20:24 | 0:20:28 | |
I just wasn't happy with spreading them all out in the environment, | 0:20:28 | 0:20:32 | |
so I decided to make 100 bird boxes and spread | 0:20:32 | 0:20:35 | |
them all round the farm and it seems to have worked. | 0:20:35 | 0:20:39 | |
By inviting the birds to move in, | 0:20:40 | 0:20:42 | |
Mike has seen the problem with caterpillars drop right off. | 0:20:42 | 0:20:46 | |
Encouraged by this, | 0:20:46 | 0:20:47 | |
he has further plans for nocturnal pest control too. | 0:20:47 | 0:20:50 | |
It's just blue tits and great tits in these boxes? | 0:20:52 | 0:20:55 | |
Apart from one, when we were checking them out, | 0:20:55 | 0:20:58 | |
-there was a bat in one of them, so we left that alone. -Oh, wow! | 0:20:58 | 0:21:02 | |
-And next year's project is bat boxes. -Yeah. | 0:21:02 | 0:21:04 | |
Well, the blue tits, the great tits eat the caterpillars. | 0:21:04 | 0:21:07 | |
-The bats will go after the moths themselves. -Yeah. | 0:21:07 | 0:21:09 | |
That's what I was thinking. | 0:21:09 | 0:21:11 | |
But just how effective are the birds at dealing with Mike's pests? | 0:21:21 | 0:21:24 | |
That's what PhD student Charlotte Selvy is finding out. | 0:21:26 | 0:21:30 | |
And she has a really novel method, | 0:21:30 | 0:21:33 | |
using camera traps and modelling clay. | 0:21:33 | 0:21:36 | |
Charlotte, what have you got here? What is going on? | 0:21:38 | 0:21:41 | |
I've got some modelling clay caterpillars, | 0:21:41 | 0:21:44 | |
so I'm going to be putting these on the different parts of the tree | 0:21:44 | 0:21:48 | |
and I stick them on and then leave the camera trap on | 0:21:48 | 0:21:51 | |
for 24 hours and I come back and see if any birds have pecked them. | 0:21:51 | 0:21:55 | |
So are these caterpillars supposed to look like any particular | 0:21:55 | 0:21:58 | |
-caterpillars? -Yeah. | 0:21:58 | 0:21:59 | |
So these ones are supposed to look like tortrix moth caterpillars. | 0:21:59 | 0:22:04 | |
So you might get different blue tits or great tits coming along | 0:22:04 | 0:22:08 | |
and they'd leave a little peck mark and then that would be an indication | 0:22:08 | 0:22:12 | |
to me that there's been a predation attempt. | 0:22:12 | 0:22:14 | |
So this is what it looks like when a bird's had a go. | 0:22:14 | 0:22:16 | |
So there are different types of marks. | 0:22:16 | 0:22:18 | |
That one's just like a little peck mark, so they've just been | 0:22:18 | 0:22:21 | |
tasting it, really, to see if it is actually food or not. | 0:22:21 | 0:22:23 | |
-Very light, very gentle and very kind of clean and sharp. -Yes. | 0:22:23 | 0:22:27 | |
-That one's more probing, so it's just kind of... -Speared it slightly. | 0:22:27 | 0:22:30 | |
Speared it. Yeah. | 0:22:30 | 0:22:31 | |
You really see the benefit of the soft modelling clay, don't you? | 0:22:31 | 0:22:35 | |
-Yes. -Very clear, the marks. -Yeah. | 0:22:35 | 0:22:36 | |
-That's a much bigger one, isn't it? -Yeah. | 0:22:36 | 0:22:39 | |
So it's kind of like a swipe that they've made with their beak there. | 0:22:39 | 0:22:42 | |
And you've made quite a few of these? | 0:22:42 | 0:22:44 | |
-I've made nearly 5,000 of them. -Wow! | 0:22:44 | 0:22:47 | |
While Charlotte is looking solely at the biodiversity of apple | 0:22:47 | 0:22:51 | |
orchards, her work may have wider significance for | 0:22:51 | 0:22:54 | |
all fruit farmers battling pests. | 0:22:54 | 0:22:57 | |
So, where am I going to put this? I've got my little kink in it. | 0:22:59 | 0:23:01 | |
-You need some glue. -OK. | 0:23:01 | 0:23:03 | |
This is where I end up being stuck to a tree for the rest of the day. | 0:23:03 | 0:23:06 | |
It's quite good, this one, cos it doesn't run so much. | 0:23:06 | 0:23:10 | |
-Just there? -Yeah. -Go on, stick. | 0:23:10 | 0:23:12 | |
It's a bit dewy. | 0:23:12 | 0:23:14 | |
Lovely. Yeah. | 0:23:14 | 0:23:16 | |
Doesn't that look appetising? | 0:23:16 | 0:23:18 | |
So the idea here is they're visible to birds nearby or flying around? | 0:23:18 | 0:23:23 | |
Yeah, they don't have to be really visible. | 0:23:23 | 0:23:25 | |
It's actually quite amazing that they find them. | 0:23:25 | 0:23:28 | |
Over all of the orchard, there might just be 16 caterpillars and | 0:23:28 | 0:23:32 | |
sometimes a bird finds those and will peck it. | 0:23:32 | 0:23:35 | |
So I'm trying to see how much pest control they can actually do | 0:23:35 | 0:23:38 | |
for the farmer's benefit. | 0:23:38 | 0:23:39 | |
And how much that's worth to the farmer. | 0:23:39 | 0:23:42 | |
And Mother Nature is coming to the rescue | 0:23:49 | 0:23:52 | |
in other orchards on the farm. | 0:23:52 | 0:23:54 | |
Mike's nephew Toby Lovell is using his flock of Shropshire sheep | 0:23:54 | 0:23:57 | |
to help keep the orchards disease-free. | 0:23:57 | 0:24:00 | |
Come on, then! | 0:24:00 | 0:24:02 | |
Come on, come on, come on! | 0:24:02 | 0:24:03 | |
Once the apples are picked, the sheep move in to clear up. | 0:24:03 | 0:24:07 | |
And so all these leaves on the ground, some of these low | 0:24:08 | 0:24:11 | |
growing leaves, that's what they're going to come in and clean up. | 0:24:11 | 0:24:15 | |
Yeah, that's right. We hope that by clearing all the leaves, | 0:24:15 | 0:24:17 | |
they'll reduce the environment for fungal spores to overwinter. | 0:24:17 | 0:24:21 | |
It's win-win. | 0:24:21 | 0:24:23 | |
The sheep get rich, fresh grazing | 0:24:23 | 0:24:25 | |
and because they keep the grass down, there's no need to mow. | 0:24:25 | 0:24:28 | |
And unlike other breeds, Shropshires don't eat the apple tree bark. | 0:24:28 | 0:24:33 | |
That's why we chose the Shropshire breed. | 0:24:33 | 0:24:36 | |
We learned that there was a demand for them in Scandinavia and France | 0:24:36 | 0:24:40 | |
to graze in Christmas tree plantations and orchards and | 0:24:40 | 0:24:43 | |
thought that we could try a similar thing here. | 0:24:43 | 0:24:45 | |
And they're basically known to have a disposition to not eat the bark | 0:24:45 | 0:24:50 | |
around the trunk of the trees. | 0:24:50 | 0:24:51 | |
If they did sort of start eating away at the bark at the bottom, | 0:24:51 | 0:24:54 | |
-that would basically kill the tree, wouldn't it? -Yeah, it would. Yeah. | 0:24:54 | 0:24:58 | |
I'm really quite taken with what's going on here, | 0:25:02 | 0:25:05 | |
using nature and natural processes to aid and maintain these orchards. | 0:25:05 | 0:25:10 | |
It just kind of feels right, but actually, | 0:25:10 | 0:25:13 | |
with Charlotte's research, very soon there'll be more than gut feeling. | 0:25:13 | 0:25:17 | |
There'll actually be scientific evidence to show | 0:25:17 | 0:25:20 | |
just how effective it is. | 0:25:20 | 0:25:22 | |
Now, earlier, we heard how some unscrupulous fishing boat owners | 0:25:27 | 0:25:31 | |
are treating foreign workers like slaves, | 0:25:31 | 0:25:34 | |
so what's being done about it? Here's Tom. | 0:25:34 | 0:25:36 | |
The UK fishing fleet employs about 12,000 people. | 0:25:41 | 0:25:45 | |
One in ten are from outside Europe. | 0:25:45 | 0:25:47 | |
Out at sea, these foreign workers can, in some extreme cases, | 0:25:48 | 0:25:52 | |
be working untrained, unsafe and even unpaid. | 0:25:52 | 0:25:56 | |
It's beginning to be recognised as a form of modern slavery and | 0:25:56 | 0:26:00 | |
moves are under way to stop it. | 0:26:00 | 0:26:02 | |
This is the Border Force cutter by the name of Searcher. | 0:26:05 | 0:26:08 | |
Today, she's going to be patrolling | 0:26:08 | 0:26:10 | |
the approaches to the English Channel off here in Penzance | 0:26:10 | 0:26:13 | |
and we're going to be joining her. | 0:26:13 | 0:26:15 | |
'This team from the UK Border Force are checking for rogue | 0:26:15 | 0:26:19 | |
'fishing boat skippers who exploit workers.' | 0:26:19 | 0:26:22 | |
This target's just under two miles away. | 0:26:22 | 0:26:24 | |
And as you can see, there's no vis at all. | 0:26:24 | 0:26:27 | |
'Graham Lindsay is using radar and tracking devices | 0:26:27 | 0:26:31 | |
'to identify potential targets.' | 0:26:31 | 0:26:32 | |
I've got a vis on the target. Sailing vessel. It's a yacht. | 0:26:34 | 0:26:37 | |
'Private yachts can be used to traffic workers between | 0:26:37 | 0:26:41 | |
'fishing boats, so even they come under scrutiny. | 0:26:41 | 0:26:44 | |
'It's time to send in the boarding party.' | 0:26:44 | 0:26:47 | |
Hello, Border Force. Customs and Immigration. | 0:27:03 | 0:27:06 | |
We're going to come on board. We've got some questions, OK? | 0:27:06 | 0:27:09 | |
My colleague's just going to have a quick look downstairs, | 0:27:12 | 0:27:15 | |
make sure everything's OK, OK? | 0:27:15 | 0:27:17 | |
On board the yacht, Graham and Andy search the living quarters | 0:27:17 | 0:27:20 | |
for anyone who shouldn't be there and check the paperwork. | 0:27:20 | 0:27:25 | |
I guess it's a bit of a surprise to some people to see | 0:27:25 | 0:27:28 | |
a big boat looming out of the mist and then us approaching on this. | 0:27:28 | 0:27:32 | |
They must feel a bit nervous. But if they've got nothing to hide, | 0:27:32 | 0:27:35 | |
presumably they just think it's an entertaining variety in the day. | 0:27:35 | 0:27:39 | |
Bye! | 0:27:39 | 0:27:40 | |
Foreign nationals entering the UK, | 0:27:40 | 0:27:42 | |
so we've been able to check that out. | 0:27:42 | 0:27:45 | |
We'll run their identity cards through to our central offices | 0:27:45 | 0:27:49 | |
and they'll be able to give them inward clearance. | 0:27:49 | 0:27:52 | |
In this case, the holiday-makers get the all-clear | 0:27:52 | 0:27:55 | |
and continue on their way, while we rejoin the mother ship. | 0:27:55 | 0:27:59 | |
This Border Force team look impressive, | 0:28:00 | 0:28:03 | |
but with so much open sea and so many fishing boats out there, | 0:28:03 | 0:28:07 | |
is it literally a drop in the ocean? | 0:28:07 | 0:28:09 | |
'Back on dry land, | 0:28:10 | 0:28:11 | |
'I'm meeting the new Minister for Modern Slavery, MP Sarah Newton.' | 0:28:11 | 0:28:15 | |
Can you tell me what's changed with the Modern Slavery Act, | 0:28:15 | 0:28:18 | |
what can happen now that couldn't happen before? | 0:28:18 | 0:28:20 | |
The aim is to give law enforcement all the tools that they need | 0:28:20 | 0:28:25 | |
to find the perpetrators of this absolutely horrendous crime. | 0:28:25 | 0:28:29 | |
They now have the powers to go on to a vessel where they suspect | 0:28:29 | 0:28:33 | |
that there is trafficking or slavery. | 0:28:33 | 0:28:36 | |
They can then take the people, take those victims into safety ashore. | 0:28:36 | 0:28:40 | |
They can take the people who've committed these dreadful crimes | 0:28:40 | 0:28:44 | |
into custody, into police stations, and then, | 0:28:44 | 0:28:46 | |
obviously, go through their investigations from there. | 0:28:46 | 0:28:49 | |
They couldn't do that without these maritime powers. | 0:28:49 | 0:28:52 | |
If the Government is serious, I wonder when will exploited | 0:28:52 | 0:28:56 | |
workers, like those I met earlier, see justice in the courts? | 0:28:56 | 0:29:00 | |
These powers only came into force on August 8th, | 0:29:00 | 0:29:02 | |
so we'll be keeping a very careful eye | 0:29:02 | 0:29:04 | |
on how they are used and hope very much | 0:29:04 | 0:29:06 | |
that there will be prosecutions arising from them. | 0:29:06 | 0:29:09 | |
Back with the Border Force, we have a trawler in our sights. | 0:29:13 | 0:29:16 | |
He's got the fishing gear out the back, | 0:29:18 | 0:29:21 | |
which makes it an extra challenge getting on | 0:29:21 | 0:29:23 | |
and also, as you can see, it's fairly choppy. | 0:29:23 | 0:29:27 | |
Still, they're going to give it a go. | 0:29:27 | 0:29:29 | |
'And this time, I'm with the team as they board the vessel.' | 0:29:29 | 0:29:32 | |
Hi, I'm Tom, from Countryfile. Nice to see you. | 0:29:38 | 0:29:41 | |
'Cornish skipper Mike Pengelly takes it in his stride.' | 0:29:41 | 0:29:44 | |
How many crew have you got on board? | 0:29:44 | 0:29:46 | |
There's three of us. | 0:29:46 | 0:29:48 | |
Two is enough, but because I've got my two sons... | 0:29:48 | 0:29:51 | |
You don't have any foreign crew on board, | 0:29:51 | 0:29:54 | |
-as in EU or non-EU crew? -No. Never, no. | 0:29:54 | 0:29:57 | |
-Have you ever employed or had to employ any...? -No, no. | 0:29:57 | 0:30:01 | |
When we go on board, | 0:30:01 | 0:30:02 | |
we're looking for foreign nationals, evidence of people | 0:30:02 | 0:30:05 | |
living on the boat long-term and people that are maybe | 0:30:05 | 0:30:10 | |
not too keen to speak to us for... | 0:30:10 | 0:30:13 | |
for fear, maybe, of the skipper. | 0:30:13 | 0:30:15 | |
Have you ever heard of people, you know, cutting corners a bit on crew? | 0:30:15 | 0:30:19 | |
Well, perhaps, if they're not earning so much, | 0:30:19 | 0:30:21 | |
where there might have been three hands, | 0:30:21 | 0:30:23 | |
they might only do two hands now. | 0:30:23 | 0:30:25 | |
How do you get your crew? How do you find them? | 0:30:25 | 0:30:27 | |
I breed mine, I have my two sons! | 0:30:27 | 0:30:29 | |
THEY LAUGH | 0:30:29 | 0:30:31 | |
'We let Mike and his hard-working sons get on...' | 0:30:31 | 0:30:34 | |
This is the tricky bit. | 0:30:34 | 0:30:35 | |
'..but not before he gives me a steadying hand | 0:30:35 | 0:30:38 | |
'back on to the Border Force rib.' | 0:30:38 | 0:30:39 | |
Done it. | 0:30:42 | 0:30:43 | |
'Campaigners say modern-day slavery | 0:30:43 | 0:30:46 | |
'is a stain on the good name of our fishing industry. | 0:30:46 | 0:30:50 | |
'Finding rogue skippers is like looking for a needle in a haystack, | 0:30:50 | 0:30:54 | |
'but with their new stop-and-search powers, | 0:30:54 | 0:30:57 | |
'vessels like this could help end slavery in our waters.' | 0:30:57 | 0:31:01 | |
MATT: It's harvest time in Herefordshire, | 0:31:09 | 0:31:12 | |
a county famed for its pears | 0:31:12 | 0:31:14 | |
and the perry, or pear cider, made from them. | 0:31:14 | 0:31:17 | |
'It's a drink loved by cider expert Gabe Cook. | 0:31:17 | 0:31:21 | |
'He champions traditional farm perries | 0:31:21 | 0:31:24 | |
'and the old-time pears that they're made from.' | 0:31:24 | 0:31:27 | |
These are really old-fashioned varieties that have been grown | 0:31:28 | 0:31:32 | |
in this area for centuries, for hundreds of years, | 0:31:32 | 0:31:35 | |
for the specific purpose of making perry | 0:31:35 | 0:31:38 | |
and what is really special for me | 0:31:38 | 0:31:40 | |
is that these are varieties that are very much of this landscape. | 0:31:40 | 0:31:43 | |
They are named after individual villages, | 0:31:43 | 0:31:46 | |
sometimes they're named after individual farms and properties. | 0:31:46 | 0:31:50 | |
You know, these are varieties | 0:31:50 | 0:31:51 | |
that have the same points of difference as grapes do with wine, | 0:31:51 | 0:31:54 | |
so they are all quite different and quite unique, | 0:31:54 | 0:31:57 | |
with different flavours you can get from them. | 0:31:57 | 0:31:59 | |
There is one special place of pilgrimage for Gabe - | 0:32:01 | 0:32:04 | |
the grounds of a 12th-century manor | 0:32:04 | 0:32:06 | |
and its spectacular avenue of rare and ancient pear trees, | 0:32:06 | 0:32:10 | |
nursed in their dotage by gardener David Maddison. | 0:32:10 | 0:32:14 | |
So, David, this is a pretty significant driveway | 0:32:16 | 0:32:19 | |
-as far as perry pear trees are concerned. -Well, it is. | 0:32:19 | 0:32:22 | |
For a start, it's historically significant. It was planted in 1710 | 0:32:22 | 0:32:27 | |
to commemorate the coronation of Queen Anne. | 0:32:27 | 0:32:30 | |
-Right, wow! A long time ago, then. -A long time ago, | 0:32:30 | 0:32:32 | |
which places some of our oldest trees at 360 years old. | 0:32:32 | 0:32:39 | |
'Of all these rare varieties, | 0:32:39 | 0:32:42 | |
'there's one in this avenue that is the Holy Grail - | 0:32:42 | 0:32:45 | |
'the only mature Water Lugg pear tree surviving on the planet.' | 0:32:45 | 0:32:49 | |
This... This is a bit of living history right here. | 0:32:52 | 0:32:55 | |
It's really important that the likes of the team here, | 0:32:55 | 0:32:58 | |
David and co, do take cuttings to propagate | 0:32:58 | 0:33:01 | |
so that the genetics... | 0:33:01 | 0:33:03 | |
this variety can continue to exist, because it will get lost. | 0:33:03 | 0:33:07 | |
Yeah, and it may look a little bit worse for wear, | 0:33:07 | 0:33:09 | |
but to be fair, very impressive | 0:33:09 | 0:33:10 | |
that it's still delivering fruit. I mean, look at that! | 0:33:10 | 0:33:13 | |
Absolutely, it is quite magnificent and huge and still fruiting | 0:33:13 | 0:33:17 | |
and, you know, perry is still made from it. | 0:33:17 | 0:33:19 | |
Surely there's as much conservation and biodiversity value | 0:33:19 | 0:33:23 | |
in saving this variety of pear tree as with an animal, you know, | 0:33:23 | 0:33:27 | |
it really is an important part of the ecosystem | 0:33:27 | 0:33:31 | |
and of our natural flora | 0:33:31 | 0:33:33 | |
and it's really important to hang onto it. | 0:33:33 | 0:33:36 | |
'This ancient tree is spared | 0:33:36 | 0:33:38 | |
'the rough-and-tumble of the commercial pear harvest.' | 0:33:38 | 0:33:41 | |
In modern orchards, it's done by machinery... | 0:33:46 | 0:33:48 | |
'..but the traditional way involves a panking pole.' | 0:33:55 | 0:33:58 | |
You just have to do that with one hand and the other one... | 0:33:58 | 0:34:01 | |
I just got one right on the end of the nose! | 0:34:01 | 0:34:03 | |
HE LAUGHS | 0:34:03 | 0:34:05 | |
'It's a bit of a headache, to be honest.' | 0:34:05 | 0:34:07 | |
GABE CHUCKLES HEARTILY I just got a beauty! | 0:34:07 | 0:34:10 | |
I just got an absolute beauty. | 0:34:10 | 0:34:13 | |
Not always the easiest of jobs, | 0:34:14 | 0:34:17 | |
but absolutely crucial to next year's vintage. | 0:34:17 | 0:34:20 | |
'Well, as they say, no pain, no gain. | 0:34:21 | 0:34:25 | |
'Later, I'm going to be pressing these to make perry. | 0:34:25 | 0:34:28 | |
'Just need a few more to fill the sack.' | 0:34:28 | 0:34:30 | |
Here's that panking pole. Watch your heads, everyone. | 0:34:30 | 0:34:33 | |
Oh! What do you know?! | 0:34:35 | 0:34:38 | |
Hey, it's that reminder time, look. | 0:34:39 | 0:34:40 | |
It's the Countryfile calendar, sold in aid of Children In Need | 0:34:40 | 0:34:43 | |
and if you haven't got your hands on one yet, | 0:34:43 | 0:34:45 | |
here's John with all the details. | 0:34:45 | 0:34:47 | |
It costs £9.50 including free UK delivery. | 0:34:47 | 0:34:51 | |
You can go to our website, | 0:34:51 | 0:34:53 | |
where you'll find a link to the order page, | 0:34:53 | 0:34:56 | |
or you can phone the order line on... | 0:34:56 | 0:34:59 | |
If you'd prefer to order by post, | 0:35:06 | 0:35:08 | |
then send your name, address and a cheque to... | 0:35:08 | 0:35:11 | |
A minimum of £4 from the sale of each calendar | 0:35:23 | 0:35:27 | |
will be donated to BBC Children In Need. | 0:35:27 | 0:35:30 | |
Our breathtaking countryside never stops working for us. | 0:35:40 | 0:35:44 | |
For farmers, each season brings something new. | 0:35:44 | 0:35:48 | |
This week, Adam is finding out about a harvest | 0:35:52 | 0:35:54 | |
that is quite literally turning up the heat | 0:35:54 | 0:35:57 | |
with an invasive plant that was a feature of our landscape | 0:35:57 | 0:36:00 | |
well before farming took hold. | 0:36:00 | 0:36:02 | |
Most of our countryside was once woodland. | 0:36:07 | 0:36:10 | |
It's been cleared over thousands of years to make way for farmland. | 0:36:10 | 0:36:14 | |
It's as simple as that. | 0:36:14 | 0:36:15 | |
We work the land hard to put food on our tables, | 0:36:18 | 0:36:21 | |
so it's important for farmers to manage the countryside responsibly. | 0:36:21 | 0:36:25 | |
I set aside 50 acres for wildlife | 0:36:27 | 0:36:29 | |
to ensure farming and nature thrive side-by-side, | 0:36:29 | 0:36:33 | |
but not all species are welcome on the farm, | 0:36:33 | 0:36:36 | |
especially those that can have fatal consequences. | 0:36:36 | 0:36:39 | |
Believe it or not, | 0:36:39 | 0:36:40 | |
there is actually a Weed Act of 1959 and it specifies five weeds - | 0:36:40 | 0:36:46 | |
common ragwort, spear thistle, creeping thistle | 0:36:46 | 0:36:49 | |
and a couple of types of dock - | 0:36:49 | 0:36:51 | |
and it requires landowners to take action as may be required | 0:36:51 | 0:36:55 | |
to prevent the spread of the weeds. | 0:36:55 | 0:36:57 | |
And I'm doing just that. | 0:37:00 | 0:37:01 | |
Ragwort has always been quite bad on this part of the farm, | 0:37:03 | 0:37:07 | |
despite our best efforts, and it produces these yellow flowers | 0:37:07 | 0:37:10 | |
from July to about now | 0:37:10 | 0:37:12 | |
and it's very poisonous, particularly to cattle and horses. | 0:37:12 | 0:37:16 | |
They tend to avoid it when it's in its green state like this, | 0:37:16 | 0:37:19 | |
but if it gets mown and ends up in hay, | 0:37:19 | 0:37:21 | |
it can have a serious effect on their liver. | 0:37:21 | 0:37:24 | |
And although it's not against the law to have it on your farm, | 0:37:24 | 0:37:27 | |
if you end up with too much, | 0:37:27 | 0:37:28 | |
the government can come in and make you remove it, | 0:37:28 | 0:37:31 | |
but as a responsible farmer, | 0:37:31 | 0:37:32 | |
it's sensible to try and get rid of it on your own land | 0:37:32 | 0:37:34 | |
and to stop it blowing onto your neighbours' | 0:37:34 | 0:37:37 | |
so the best way to do that is to pull it by hand | 0:37:37 | 0:37:39 | |
to get the whole root system. | 0:37:39 | 0:37:40 | |
And you have to wear gloves | 0:37:44 | 0:37:45 | |
because the sap from the plant can cause damage to my liver too. | 0:37:45 | 0:37:49 | |
Here! | 0:37:52 | 0:37:53 | |
Other plants on the Weed Act | 0:38:00 | 0:38:02 | |
are ones many farmers have problems with, like thistles. | 0:38:02 | 0:38:06 | |
Thistles pop up all over the farm, | 0:38:08 | 0:38:10 | |
in the arable fields and in the pastures like this. | 0:38:10 | 0:38:13 | |
They are a really robust plant, | 0:38:13 | 0:38:14 | |
with prickles all over them that prevent animals from eating them. | 0:38:14 | 0:38:18 | |
They've got a very clever reproduction system, | 0:38:18 | 0:38:20 | |
that they will go under the ground in roots and then pop up | 0:38:20 | 0:38:23 | |
all over the place and when they flower and go into the seed, | 0:38:23 | 0:38:26 | |
the seed will just blow on the wind and go all over the farm. | 0:38:26 | 0:38:29 | |
Despite our best efforts, it's a never-ending battle. | 0:38:29 | 0:38:33 | |
Another invasive species that has ancient roots is bracken. | 0:38:37 | 0:38:42 | |
Fossil records suggest that it dates back around 55 million years. | 0:38:42 | 0:38:47 | |
It has adapted to survive all over the world. | 0:38:47 | 0:38:50 | |
There are 2.5 million acres growing wild across Britain | 0:38:50 | 0:38:54 | |
and, in some parts of the country, it's a major problem. | 0:38:54 | 0:38:58 | |
I've come to the Mendips in Somerset to meet Les Davies. | 0:39:00 | 0:39:03 | |
He knows all about this intrusive plant. | 0:39:03 | 0:39:06 | |
-Hi, Les. -Hi, Adam. -Lovely spot, shame about the weather! | 0:39:06 | 0:39:10 | |
Well, Mendip sunshine! | 0:39:10 | 0:39:12 | |
Now, as a warden here, how much of a problem was this bracken, | 0:39:12 | 0:39:15 | |
because it is everywhere, isn't it? | 0:39:15 | 0:39:16 | |
Yeah, I was Mendip Warden up until about 2009 | 0:39:16 | 0:39:19 | |
and this was a real, real problem here. | 0:39:19 | 0:39:21 | |
It's just totally invasive. | 0:39:21 | 0:39:23 | |
And then how does it develop, how does it grow and sort of encroach? | 0:39:23 | 0:39:26 | |
It's got a root system underneath | 0:39:26 | 0:39:27 | |
that the shoots actually come up from, | 0:39:27 | 0:39:29 | |
so what it's doing, it's creeping forward all the time | 0:39:29 | 0:39:32 | |
and it's throwing the shoots up and this is like... | 0:39:32 | 0:39:35 | |
almost like, I suppose, an ice floe that gradually moves forward, | 0:39:35 | 0:39:40 | |
like a glacier. | 0:39:40 | 0:39:41 | |
I've heard it did actually survive the Ice Age, | 0:39:41 | 0:39:44 | |
so it must have put on a coat | 0:39:44 | 0:39:45 | |
-and went underground! -THEY LAUGH | 0:39:45 | 0:39:47 | |
And, so, would they have used it in the past? | 0:39:47 | 0:39:49 | |
It was part of the common | 0:39:49 | 0:39:51 | |
that they would cut bracken for cattle bedding. Of course, that... | 0:39:51 | 0:39:54 | |
Probably the Second World War was the last time it was cut | 0:39:54 | 0:39:57 | |
and then straw superseded cattle bedding, but, yes, | 0:39:57 | 0:40:00 | |
it was cut, it was cut from a lot of the lower slopes down here. | 0:40:00 | 0:40:03 | |
And you look across the Welsh mountains, the Scottish mountains, | 0:40:03 | 0:40:06 | |
you know, all over the uplands in the UK, you find bracken. | 0:40:06 | 0:40:09 | |
It's everywhere, it's everywhere within the UK. | 0:40:09 | 0:40:12 | |
The thing we are looking at now with it | 0:40:12 | 0:40:14 | |
is, you know, what can we do with it? | 0:40:14 | 0:40:16 | |
I mean, the common has always been about producing and I think nowadays | 0:40:16 | 0:40:19 | |
we're going back to something like that. | 0:40:19 | 0:40:22 | |
'There may be a clever solution to this problem. | 0:40:26 | 0:40:28 | |
'Barry Smith and his team | 0:40:28 | 0:40:30 | |
'are busy harvesting bracken that can be used as fuel | 0:40:30 | 0:40:33 | |
'and, on a day like today when the seasons are changing, | 0:40:33 | 0:40:36 | |
'it's bringing a much-needed spark to our autumn fires.' | 0:40:36 | 0:40:39 | |
Hi, Barry. This looks like a serious operation. | 0:40:40 | 0:40:42 | |
So, you're cutting down the bracken? | 0:40:42 | 0:40:44 | |
Yes, we're cutting bracken to make this. | 0:40:44 | 0:40:46 | |
This is a brackette and it's ideal for log burners and open fires. | 0:40:46 | 0:40:50 | |
Amazing! So, you're really taking a sort of waste plant | 0:40:50 | 0:40:53 | |
and making it into something very usable. | 0:40:53 | 0:40:56 | |
I suppose, when you've removed it, it benefits the land, does it? | 0:40:56 | 0:41:00 | |
Well, it benefits the land enormously. | 0:41:00 | 0:41:02 | |
By cutting bracken on a regular basis, | 0:41:02 | 0:41:05 | |
we're reducing the suffocating canopy, | 0:41:05 | 0:41:07 | |
which encourages flora and fauna to flourish. | 0:41:07 | 0:41:10 | |
So, how much have you cleared here? It looks like a lot. | 0:41:10 | 0:41:13 | |
Well, there's 500 acres here in total | 0:41:13 | 0:41:15 | |
and I think we've probably cleared 250 of those acres. | 0:41:15 | 0:41:17 | |
So, this is the mowing. What else is happening? | 0:41:17 | 0:41:20 | |
Let me show you. | 0:41:20 | 0:41:21 | |
So, they're just raking up the bracken | 0:41:33 | 0:41:35 | |
like you would straw on a field. When was this cut? | 0:41:35 | 0:41:38 | |
This was cut about two weeks ago, | 0:41:38 | 0:41:40 | |
so we cut it, actually, when it was in a green state, | 0:41:40 | 0:41:45 | |
we've let it die, but we wait before we bale it | 0:41:45 | 0:41:49 | |
to get results in from where we test the bracken | 0:41:49 | 0:41:54 | |
because it can have carcinogens in it when it spores. | 0:41:54 | 0:41:58 | |
Now, we understand that when the plant dies, | 0:41:58 | 0:42:01 | |
the carcinogen dies with it. | 0:42:01 | 0:42:02 | |
Now, carcinogens can be a cause of cancer, | 0:42:02 | 0:42:05 | |
so we take this really seriously | 0:42:05 | 0:42:07 | |
and so we don't give the thumbs-up to bale it | 0:42:07 | 0:42:12 | |
until we've got the all-clear from the testing. | 0:42:12 | 0:42:15 | |
And once it's in rows like this, the baler just goes through it | 0:42:15 | 0:42:18 | |
and makes an ordinary bale like you would in an arable field? | 0:42:18 | 0:42:21 | |
Yes, exactly the same. | 0:42:21 | 0:42:23 | |
So, does it extend the season, then, for the contractors | 0:42:23 | 0:42:25 | |
because harvest is now over? | 0:42:25 | 0:42:27 | |
We're extending the harvest by a good couple of months | 0:42:27 | 0:42:30 | |
and also creating jobs in rural areas. | 0:42:30 | 0:42:33 | |
It's amazing that you can take this old bracken | 0:42:33 | 0:42:35 | |
and make it into a fuel that heats up a roaring fire | 0:42:35 | 0:42:38 | |
and, on a day like today, I'm going to need a fire tonight! | 0:42:38 | 0:42:41 | |
Where do the bales go now? | 0:42:41 | 0:42:43 | |
Well, they go down over there, into the mist. | 0:42:43 | 0:42:46 | |
At this time of year, the factory is fed a constant supply of bracken. | 0:42:50 | 0:42:54 | |
It's chopped and loaded into the dryer | 0:42:54 | 0:42:57 | |
and processed through a machine that compresses it into brackettes, | 0:42:57 | 0:43:01 | |
the first of their kind. | 0:43:01 | 0:43:03 | |
Then they're ready to burn. | 0:43:10 | 0:43:12 | |
I'm keen to put them to the test. | 0:43:14 | 0:43:16 | |
I've been looking forward to seeing these things burning. | 0:43:19 | 0:43:21 | |
I'll chuck one on the fire. | 0:43:21 | 0:43:23 | |
'Barry has invited me to warm up at his home, | 0:43:23 | 0:43:25 | |
'along with two of his colleagues | 0:43:25 | 0:43:27 | |
'who have also been working on this unique project.' | 0:43:27 | 0:43:30 | |
Hot, isn't it, Dickie? | 0:43:30 | 0:43:31 | |
It burns very well. | 0:43:31 | 0:43:33 | |
It actually burns hotter than oak and lasts considerably longer. | 0:43:33 | 0:43:37 | |
And lovely to see, you know, that bracken up on the hill, | 0:43:37 | 0:43:40 | |
that's causing some problems up there, being put to good use. | 0:43:40 | 0:43:44 | |
-Are there any other advantages? -Well, the ash is high in potash, | 0:43:44 | 0:43:47 | |
so it can go straight on the garden and makes an ideal fertiliser. | 0:43:47 | 0:43:51 | |
So, can I toast a crumpet? | 0:43:51 | 0:43:54 | |
Please, go ahead. | 0:43:54 | 0:43:55 | |
Well, as the nights are drawing in, | 0:43:55 | 0:43:57 | |
it's a really lovely warm fire to sit next to | 0:43:57 | 0:44:01 | |
and I quite often use the phrase "from field to fork", | 0:44:01 | 0:44:04 | |
but here it's from field to flame! | 0:44:04 | 0:44:07 | |
ADAM CHUCKLES | 0:44:07 | 0:44:09 | |
-ANITA: -The Marches along the border between England and Wales | 0:44:18 | 0:44:22 | |
is perfect walking country. | 0:44:22 | 0:44:24 | |
There are few main roads and gentle pastures give way | 0:44:24 | 0:44:27 | |
to steep slopes that lead to open hilltops. | 0:44:27 | 0:44:30 | |
All you need is a sturdy pair of boots, | 0:44:32 | 0:44:35 | |
or even a sturdy pair of clogs. | 0:44:35 | 0:44:38 | |
CHAINSAW BUZZES | 0:44:38 | 0:44:40 | |
Follow me. | 0:44:40 | 0:44:41 | |
'Jeremy Atkinson is the last craftsman in England | 0:44:45 | 0:44:48 | |
'to carve clogs in the traditional way. | 0:44:48 | 0:44:51 | |
'Right now, he's gathering some raw materials.' | 0:44:51 | 0:44:54 | |
Hello, Jeremy. | 0:44:54 | 0:44:56 | |
Now, that is not the traditional hand tool I was expecting. | 0:44:56 | 0:44:59 | |
-It is a hand tool, though. -No, it is a hand tool, you're right. | 0:44:59 | 0:45:02 | |
So, what type of wood are you chopping down here? | 0:45:02 | 0:45:05 | |
-This is sycamore, it's a type of maple. -Uh-huh. | 0:45:05 | 0:45:08 | |
It's the most durable of the clog woods, | 0:45:08 | 0:45:11 | |
but you have to work it green. | 0:45:11 | 0:45:12 | |
When it dries out, it hardens up. | 0:45:12 | 0:45:14 | |
I am so intrigued to find out | 0:45:14 | 0:45:16 | |
how this will turn into something to put on my feet. | 0:45:16 | 0:45:19 | |
-Have you got some on now? -Yeah. | 0:45:19 | 0:45:20 | |
Are those clogs?! They're so smart! They are brilliant! | 0:45:20 | 0:45:23 | |
That is not what I was expecting at all! | 0:45:23 | 0:45:25 | |
-It's leather! -Yeah, well, a clog is a composite of leather and wood, | 0:45:25 | 0:45:29 | |
that's what a clog is. | 0:45:29 | 0:45:31 | |
And who would wear clogs? | 0:45:31 | 0:45:33 | |
In some of the valleys, everybody. | 0:45:33 | 0:45:34 | |
You can go right through Europe and they were in Poland, | 0:45:34 | 0:45:37 | |
they were in Switzerland, they were in northern Italy, | 0:45:37 | 0:45:39 | |
they were in Galicia... | 0:45:39 | 0:45:40 | |
But it needs a thin soil. | 0:45:40 | 0:45:42 | |
They're not very good on heavy soil, so in Herefordshire, | 0:45:42 | 0:45:45 | |
it seems to have disappeared about 1850. | 0:45:45 | 0:45:47 | |
-It clogs up! -But... There you go! | 0:45:47 | 0:45:50 | |
That is where "clog up" comes from, | 0:45:50 | 0:45:52 | |
you just pick up mud and that sticks to more mud | 0:45:52 | 0:45:54 | |
and you end up standing on stilts. | 0:45:54 | 0:45:56 | |
'Clogs have been worn in Britain since medieval times | 0:45:59 | 0:46:01 | |
'and in the little town of Kington, | 0:46:01 | 0:46:04 | |
'it's easy to feel that you've stepped back in time. | 0:46:04 | 0:46:06 | |
'There are two butchers, a greengrocer and fishmonger, | 0:46:06 | 0:46:10 | |
'a baker...' | 0:46:10 | 0:46:11 | |
and a clog-maker. | 0:46:11 | 0:46:14 | |
Right, well, I'll show you the knives. | 0:46:14 | 0:46:16 | |
ANITA LAUGHS | 0:46:16 | 0:46:19 | |
It does feel like we've stepped back in time in your workshop, Jeremy. | 0:46:19 | 0:46:22 | |
Yeah. | 0:46:22 | 0:46:23 | |
'Jeremy uses tools that were specifically made for the job... | 0:46:23 | 0:46:26 | |
'..and which have survived from days gone by.' | 0:46:27 | 0:46:30 | |
Ooh! | 0:46:30 | 0:46:32 | |
Oh-ha-ha! | 0:46:32 | 0:46:34 | |
I thought it might have been something more dainty and small. | 0:46:34 | 0:46:37 | |
Oh, you're just going for it! | 0:46:40 | 0:46:43 | |
Amazing. | 0:46:43 | 0:46:44 | |
Yeah, you don't really want that to go through your hand. | 0:46:47 | 0:46:49 | |
No, that's why I took a step back! | 0:46:49 | 0:46:52 | |
It's starting to take a clog-like shape. | 0:46:54 | 0:46:58 | |
Yeah, it's starting to. | 0:46:58 | 0:46:59 | |
'Jeremy uses these huge knives to shape, hollow and groove the wood | 0:47:06 | 0:47:10 | |
'to precise specifications. | 0:47:10 | 0:47:12 | |
'It's a process of focused power and subtle control. | 0:47:19 | 0:47:23 | |
'A combination of knowledge, experience and attention to detail. | 0:47:28 | 0:47:32 | |
'And the true craftsman's love of the materials. | 0:47:37 | 0:47:40 | |
'In just a matter of hours, Jeremy transforms raw tree trunks | 0:47:50 | 0:47:55 | |
'into bespoke clogs, handmade to fit individual feet.' | 0:47:55 | 0:47:58 | |
I get quite a big sideline making shoes for people | 0:48:02 | 0:48:05 | |
that have got arthritis or gait problems or foot problems. | 0:48:05 | 0:48:09 | |
You can angle the foot bed slightly, the heel bed slightly, | 0:48:09 | 0:48:13 | |
to try and straighten up a fallen arch | 0:48:13 | 0:48:15 | |
and then people with very broad or very narrow feet, | 0:48:15 | 0:48:17 | |
people with bunions. | 0:48:17 | 0:48:19 | |
But recently, I've had quite a lot of work | 0:48:19 | 0:48:22 | |
just making for people who... | 0:48:22 | 0:48:24 | |
They find it painful to bend their feet, | 0:48:24 | 0:48:26 | |
so they're able to walk naturally without actually flexing their foot. | 0:48:26 | 0:48:30 | |
-Can you wear them all day long? -Well, I do. | 0:48:30 | 0:48:32 | |
Do you? Do you wear them every day? | 0:48:32 | 0:48:34 | |
Yeah, I mean, I've got shoes, | 0:48:34 | 0:48:36 | |
but I think I've worn my shoes two days this year. | 0:48:36 | 0:48:39 | |
'Although some of the designs Jeremy uses | 0:48:42 | 0:48:44 | |
'have been around since Elizabethan times, | 0:48:44 | 0:48:47 | |
'they are still bang up-to-date.' | 0:48:47 | 0:48:49 | |
The colour is fantastic. | 0:48:49 | 0:48:52 | |
-I mean, that's a modern twist, right? -Oh, yeah, yeah. | 0:48:52 | 0:48:54 | |
They are... They are so cool! | 0:48:54 | 0:48:56 | |
-I'm going to try it on, I'm going to have to. -Yeah... | 0:48:56 | 0:48:59 | |
I don't... Obviously, it's not for my foot, but what do you think? | 0:48:59 | 0:49:01 | |
Well, sit yourself down, we'll have a look. | 0:49:01 | 0:49:04 | |
This is so exciting! | 0:49:04 | 0:49:06 | |
-I don't know if... -ANITA GASPS | 0:49:07 | 0:49:10 | |
It's like Cinderella! The shoe fits! | 0:49:11 | 0:49:14 | |
-You can stand up in them. -Yeah, I'd love to. | 0:49:14 | 0:49:16 | |
They feel fantastic! | 0:49:16 | 0:49:18 | |
They are really comfortable. | 0:49:18 | 0:49:21 | |
They feel... Well, they're quite smooth. | 0:49:21 | 0:49:26 | |
Not what I was expecting at all. I think putting these clogs on... | 0:49:26 | 0:49:29 | |
There is something magic in these clogs. | 0:49:29 | 0:49:32 | |
-All of a sudden, everything here makes sense. -Hmm. | 0:49:32 | 0:49:35 | |
It might to an outsider, it doesn't always to me! | 0:49:35 | 0:49:38 | |
'If all this clog talk | 0:49:42 | 0:49:43 | |
'has made you want to stride out in the week ahead, | 0:49:43 | 0:49:45 | |
'you'll want to know what the weather's doing. | 0:49:45 | 0:49:47 | |
'Here's the Countryfile forecast.' | 0:49:47 | 0:49:49 | |
We are in Herefordshire, amongst the perry pear orchards. | 0:51:09 | 0:51:13 | |
Earlier, I saw pear cider-making on an industrial scale, | 0:51:13 | 0:51:17 | |
but now I'm going to be making perry the traditional way, | 0:51:17 | 0:51:20 | |
with a shoulder to the wheel and some hard graft. | 0:51:20 | 0:51:23 | |
Well, I've got a nice full load here | 0:51:25 | 0:51:26 | |
and, let me tell you, it's big news around here | 0:51:26 | 0:51:28 | |
when you turn up with a barrel-load of perry pears. | 0:51:28 | 0:51:31 | |
CHEERING Now, then, everyone. | 0:51:31 | 0:51:33 | |
-Welcome. -Right, here we go. Hello! | 0:51:33 | 0:51:35 | |
Wow! You're an impressive dog! | 0:51:35 | 0:51:38 | |
'Here at the 12th-century Hellens Manor, | 0:51:40 | 0:51:43 | |
'they make perry using a 200-year-old mill and press. | 0:51:43 | 0:51:46 | |
'Caitlin Morgan oversees the process.' | 0:51:46 | 0:51:50 | |
-So, just roll them in, yeah? -Yeah, just roll them in. | 0:51:50 | 0:51:52 | |
All the way round? | 0:51:52 | 0:51:54 | |
Yes, please. That's it. | 0:51:54 | 0:51:56 | |
So, in you go. | 0:51:57 | 0:51:59 | |
-Who's going to help me? What's your name? -Kieran. | 0:51:59 | 0:52:01 | |
-Kieran and...? -Ruth. -Here we go, then. | 0:52:01 | 0:52:04 | |
It is heavy, Matt, it weighs half a tonne. | 0:52:04 | 0:52:06 | |
And you do need to put your back into it. | 0:52:08 | 0:52:10 | |
That's it. | 0:52:10 | 0:52:11 | |
There we are, we've got a good technique going now. | 0:52:11 | 0:52:15 | |
'Pulping the pears first means even more juice can be extracted | 0:52:15 | 0:52:18 | |
'when it comes to pressing later.' | 0:52:18 | 0:52:21 | |
Looking good! | 0:52:21 | 0:52:23 | |
You can already see how much of a team effort this is. | 0:52:23 | 0:52:26 | |
Yeah, oh, we're getting a nice porridgy consistency now. | 0:52:28 | 0:52:31 | |
-How many? One? One more? -One more time! | 0:52:33 | 0:52:35 | |
-Happy with that? -Happy with that. | 0:52:39 | 0:52:41 | |
PANTING: There we are, team. Well done, that'll do. | 0:52:41 | 0:52:46 | |
-It's a good workout, isn't it? -Great. So, what happens now? | 0:52:46 | 0:52:50 | |
-We just sit down and drink perry? -You've got to pick out all...! | 0:52:50 | 0:52:53 | |
-Smells delicious, doesn't it? -It's good, isn't it? | 0:52:53 | 0:52:56 | |
We're going to scrape it all out and get it over to the press. | 0:52:56 | 0:52:59 | |
OK, then, Caitlin. What a wonderful bit of kit this is. | 0:53:01 | 0:53:04 | |
It's fabulous, isn't it? | 0:53:04 | 0:53:06 | |
'The pulped fruit is layered in sacks called hairs, | 0:53:06 | 0:53:09 | |
'after the horse hair material once used.' | 0:53:09 | 0:53:13 | |
-Is that enough, do you think? -That's good. So, it's the fold. | 0:53:14 | 0:53:18 | |
I'll come to you. | 0:53:18 | 0:53:19 | |
'The whole stack is called a cheese, as it's like a cheese press, | 0:53:21 | 0:53:26 | |
'and the heavy board on top evens out the pressure of the vice.' | 0:53:26 | 0:53:30 | |
And again. | 0:53:34 | 0:53:36 | |
And again. | 0:53:37 | 0:53:38 | |
-LIQUID GUSHES -That's what we like to hear. | 0:53:38 | 0:53:41 | |
'Pure, gorgeous orchard pear juice.' | 0:53:43 | 0:53:45 | |
Look at that! | 0:53:47 | 0:53:48 | |
This will now be barrelled up for five months. | 0:53:49 | 0:53:53 | |
We don't do anything else to it. | 0:53:53 | 0:53:55 | |
It sits, it sits warm, it starts fermenting in about two days | 0:53:55 | 0:53:58 | |
and, in five months' time, we're drinking it. | 0:53:58 | 0:54:01 | |
Wow! | 0:54:01 | 0:54:02 | |
This is Herefordshire in a glass. | 0:54:04 | 0:54:06 | |
Traditional perry produced by small-scale farmers | 0:54:08 | 0:54:11 | |
from ancient trees in even older orchards. | 0:54:11 | 0:54:14 | |
And that tastes good. | 0:54:16 | 0:54:18 | |
-Oh! -Matt, this is nice! | 0:54:20 | 0:54:22 | |
-Hello, how are you? -I'm really well. | 0:54:22 | 0:54:24 | |
Have you been here all day, just doing this? | 0:54:24 | 0:54:26 | |
Well, I have, most of the afternoon, just enjoying myself. | 0:54:26 | 0:54:29 | |
Now, let me tell you about this wonderful little piece of fruit. | 0:54:29 | 0:54:32 | |
Have a little taste, see what you think. | 0:54:32 | 0:54:34 | |
It's very special. | 0:54:34 | 0:54:36 | |
It doesn't really taste... Not the most exciting pear I've ever had! | 0:54:36 | 0:54:40 | |
-Is that a bit disappointing? -A little bit. | 0:54:40 | 0:54:42 | |
OK, well, to be fair, you have to wait for five months, right, | 0:54:42 | 0:54:45 | |
and then THIS is the result. | 0:54:45 | 0:54:47 | |
Ooh, magic! | 0:54:47 | 0:54:48 | |
-Thank you. -Cheers. | 0:54:48 | 0:54:51 | |
Ooh, now... That's what I'm talking about! | 0:54:54 | 0:54:57 | |
That's delicious! | 0:54:57 | 0:54:58 | |
Gets you there, doesn't it? Isn't it lovely? | 0:54:58 | 0:55:01 | |
Well, that is perry. | 0:55:01 | 0:55:02 | |
And I think we need to get the nation drinking perry. | 0:55:02 | 0:55:05 | |
I think they'd enjoy it! | 0:55:05 | 0:55:07 | |
You could drink it whilst watching our programme next week. | 0:55:07 | 0:55:09 | |
-What are we doing? -You could. | 0:55:09 | 0:55:10 | |
Well, it's a very, very special programme next week | 0:55:10 | 0:55:13 | |
and it's all about your efforts. | 0:55:13 | 0:55:14 | |
Everybody ready to ramble? | 0:55:14 | 0:55:16 | |
-THEY CHEER -Let's go! | 0:55:16 | 0:55:18 | |
'Thousands of you are joining us on Countryfile | 0:55:22 | 0:55:25 | |
'as we stride out on the Countryfile Ramble for Children In Need.' | 0:55:25 | 0:55:28 | |
You don't need me to tell you this, but your daughter is something else! | 0:55:29 | 0:55:32 | |
'We'll be covering all corners of the UK | 0:55:32 | 0:55:35 | |
'and meeting some truly inspiring young people.' | 0:55:35 | 0:55:37 | |
A few more steps, Olivia. | 0:55:37 | 0:55:39 | |
-And we've made it! -THEY CHEER | 0:55:39 | 0:55:42 | |
'That's the Countryfile Ramble for Children In Need, | 0:55:43 | 0:55:46 | |
'next Sunday on BBC One at 6pm.' | 0:55:46 | 0:55:49 | |
Cheers to everyone who took part | 0:55:49 | 0:55:51 | |
-and cheers to you. -And cheers. -See you next week! | 0:55:51 | 0:55:55 |