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Emerald-green forests... | 0:00:27 | 0:00:29 | |
..diamond-clear lochs... | 0:00:31 | 0:00:33 | |
..sapphire-blue skies. | 0:00:36 | 0:00:38 | |
Dumfries & Galloway is a jewel in the lowlands of Scotland. | 0:00:40 | 0:00:44 | |
It is beautiful country | 0:00:45 | 0:00:47 | |
and rightly renowned, | 0:00:47 | 0:00:48 | |
but perhaps it's even better known for these, Belted Galloways. | 0:00:48 | 0:00:54 | |
I'll be meeting the farmer dedicating her life to them. | 0:00:54 | 0:00:57 | |
I sound like an idiot, romanticising the Belted Galloway cow, | 0:00:57 | 0:01:01 | |
but they're just an absolute pleasure to work with. | 0:01:01 | 0:01:05 | |
Anita is on a totally different kind of safari. | 0:01:05 | 0:01:08 | |
-Where? -Just at the gate. | 0:01:08 | 0:01:10 | |
-Oh, yeah. -Just coming through. -He's darting around. | 0:01:10 | 0:01:13 | |
Yeah. And very alone. | 0:01:13 | 0:01:14 | |
Tom is asking why this year is so tough for farmers. | 0:01:14 | 0:01:18 | |
The price that farmers get paid for much of what we eat and drink | 0:01:18 | 0:01:21 | |
is unusually low at the moment. | 0:01:21 | 0:01:23 | |
It's not just hitting dairy. | 0:01:23 | 0:01:26 | |
Pig and arable businesses are feeling the pinch, too. | 0:01:26 | 0:01:29 | |
So, what does this mean for farmers and the wider rural community? | 0:01:29 | 0:01:34 | |
And Adam is here with our third and final nominee for this year's | 0:01:34 | 0:01:39 | |
Countryfile Farming Hero. | 0:01:39 | 0:01:40 | |
I consider it a great honour, not for myself personally, | 0:01:40 | 0:01:45 | |
but for everyone in this area. | 0:01:45 | 0:01:47 | |
It's the great thing that I feel about this community is that | 0:01:47 | 0:01:49 | |
everyone wants to be involved and everyone wants to help out. | 0:01:49 | 0:01:52 | |
Rugged hills... | 0:02:03 | 0:02:04 | |
..vast forests... | 0:02:05 | 0:02:08 | |
and empty moorland. | 0:02:08 | 0:02:10 | |
Hundreds of square miles of wilderness. | 0:02:10 | 0:02:14 | |
This is the Scottish border country of Dumfries & Galloway. | 0:02:14 | 0:02:18 | |
We've come to Mochrum, in the south-west of the region. | 0:02:20 | 0:02:23 | |
This is a very tough terrain. | 0:02:25 | 0:02:26 | |
It's mostly made up of moorland with rocks and bogs, and winters here can | 0:02:26 | 0:02:31 | |
be very harsh. It takes a special kind of animal | 0:02:31 | 0:02:35 | |
to thrive in these conditions. | 0:02:35 | 0:02:37 | |
But these Belted Galloways, well, they just lap it up. | 0:02:37 | 0:02:41 | |
The Galloway is an ancient, hardy Scottish breed. | 0:02:44 | 0:02:47 | |
The famous belted version, | 0:02:48 | 0:02:50 | |
with its bright white hoop, | 0:02:50 | 0:02:51 | |
is thought to have first appeared in the 18th century. | 0:02:51 | 0:02:55 | |
It is said the white belt was deliberately | 0:02:57 | 0:02:59 | |
bred into the plain-coloured Galloway | 0:02:59 | 0:03:01 | |
so farmers could spot them at great distances, | 0:03:01 | 0:03:03 | |
and when you look at them, I have to say, it makes sense to me, | 0:03:03 | 0:03:06 | |
you really can pick them out in faraway fields. | 0:03:06 | 0:03:09 | |
Today, Belted Galloways are known worldwide, | 0:03:11 | 0:03:13 | |
and few are as famous as this - the Mochrum herd. | 0:03:13 | 0:03:17 | |
The herd was established at the turn of the 20th century. | 0:03:19 | 0:03:22 | |
That it rose to such prominence is thanks to the skills of one person, | 0:03:22 | 0:03:26 | |
the legendary Lady Flora Stewart, | 0:03:26 | 0:03:29 | |
who built up a strong belty herd in the 1960s. | 0:03:29 | 0:03:33 | |
And the descendants of that herd | 0:03:34 | 0:03:36 | |
still roam the same land on the estate today, | 0:03:36 | 0:03:38 | |
all under the watchful eye of belty fanatic Helen Ryman. | 0:03:38 | 0:03:43 | |
Helen and I are braving the weather, | 0:03:46 | 0:03:48 | |
but these belties live out here all winter. | 0:03:48 | 0:03:51 | |
When other breeds are tucked up in a nice warm barn, | 0:03:51 | 0:03:53 | |
Belted Galloways are out in the elements. | 0:03:53 | 0:03:56 | |
But it's no hardship. These animals are built for it. | 0:03:56 | 0:03:59 | |
It's harsh terrain out here, | 0:04:00 | 0:04:01 | |
particularly the higher ground that we've got. | 0:04:01 | 0:04:04 | |
It's wet and it can be cold, as we've got today. | 0:04:04 | 0:04:06 | |
Their coats are ideal for this. | 0:04:06 | 0:04:09 | |
They've got a double-layer coat, | 0:04:09 | 0:04:11 | |
so this kind of repels water and, under here is a, kind of, fine, | 0:04:11 | 0:04:15 | |
softer hair, that keeps them warm. | 0:04:15 | 0:04:17 | |
I see, so they've got two coats, | 0:04:17 | 0:04:18 | |
and that top one is just protecting them from the water. | 0:04:18 | 0:04:21 | |
Yes, it's this long fringe, keeps it out of their eyes. | 0:04:21 | 0:04:23 | |
They've got fluffy ears, | 0:04:23 | 0:04:25 | |
keeps the water and wind out of their ears. | 0:04:25 | 0:04:27 | |
So, they're snug as a bug in a rug, really. | 0:04:27 | 0:04:29 | |
You can feel the heat that is coming off the cows. | 0:04:29 | 0:04:32 | |
They're fine. They're absolutely toasty. | 0:04:32 | 0:04:35 | |
You started originally in sheep. Why the transition to belties? | 0:04:35 | 0:04:39 | |
What brought you across? | 0:04:39 | 0:04:41 | |
They're just interesting to work with. | 0:04:41 | 0:04:44 | |
They're just lovely. Oh, I sound like an idiot, | 0:04:44 | 0:04:47 | |
like, romanticising the Belted Galloway cow, | 0:04:47 | 0:04:51 | |
but they're just an absolute pleasure to work with. | 0:04:51 | 0:04:54 | |
It's their character moreover than anything, but | 0:04:54 | 0:04:57 | |
I think it's the way they can work intrinsically with the landscape. | 0:04:57 | 0:05:00 | |
They are intelligent and you've got to give them | 0:05:00 | 0:05:02 | |
the respect that they're due. | 0:05:02 | 0:05:04 | |
-Yes. -But they can live and work out here. | 0:05:04 | 0:05:06 | |
They don't need the sheds to go in, | 0:05:06 | 0:05:07 | |
they don't need a lot of hard feeding. | 0:05:07 | 0:05:09 | |
They can go out here and survive without man. | 0:05:09 | 0:05:12 | |
They don't need us. | 0:05:12 | 0:05:14 | |
And they do their bit for conservation, too. | 0:05:15 | 0:05:18 | |
As they roam free, eating scrub and long grass, | 0:05:18 | 0:05:22 | |
rare plants and wildlife flourish in their wake. | 0:05:22 | 0:05:25 | |
They're taking what they need from the ground, but no more than that. | 0:05:26 | 0:05:29 | |
And it's allowing native plants, | 0:05:29 | 0:05:31 | |
such as wild orchids out here, to thrive. | 0:05:31 | 0:05:34 | |
We have newts out here, which are thriving, | 0:05:34 | 0:05:36 | |
we've got all manners of things. | 0:05:36 | 0:05:37 | |
We've got adders kicking about there, as well. | 0:05:37 | 0:05:39 | |
And they're all living happily with each other. | 0:05:39 | 0:05:41 | |
These girls are doing their job, | 0:05:41 | 0:05:43 | |
they're looking after it for us. We're not doing the work. | 0:05:43 | 0:05:47 | |
Living off rough pasture means that Belted Galloways are slower-growing | 0:05:48 | 0:05:53 | |
than more intensively-farmed breeds. | 0:05:53 | 0:05:55 | |
They're eating healthily, so the meat is consequently healthier. | 0:05:55 | 0:05:59 | |
And it's less fat. | 0:05:59 | 0:06:01 | |
It's far leaner meat and it's far better for us, as well, | 0:06:01 | 0:06:04 | |
and it tastes better, too. Sorry! | 0:06:04 | 0:06:06 | |
Sorry! | 0:06:06 | 0:06:07 | |
When you know them all by name, as you do, | 0:06:07 | 0:06:11 | |
and you have such fondness and affection, | 0:06:11 | 0:06:13 | |
can you, sort of, deal with that side of it? | 0:06:13 | 0:06:14 | |
I'm terrible. I'm the worst farmer in the world! | 0:06:14 | 0:06:17 | |
However, it has to be done, | 0:06:17 | 0:06:18 | |
and the way to ensure these girls' survival | 0:06:18 | 0:06:21 | |
and any rare breed is by eating them, unfortunately. | 0:06:21 | 0:06:24 | |
If there is a demand for their meat, | 0:06:24 | 0:06:26 | |
if the people go out and ask for that particular meat, | 0:06:26 | 0:06:30 | |
and natives are good, then it means we can farm them, | 0:06:30 | 0:06:34 | |
it means that people will want to buy them and keep them on the land. | 0:06:34 | 0:06:37 | |
If nobody wants to buy them and, unfortunately, eat them, | 0:06:37 | 0:06:40 | |
these girls are out of a job. | 0:06:40 | 0:06:41 | |
It's these qualities that have made | 0:06:43 | 0:06:45 | |
Belted Galloways so prized by farmers. | 0:06:45 | 0:06:47 | |
Bloodlines from Mochrum livestock | 0:06:49 | 0:06:52 | |
have helped establish herds all over the world. | 0:06:52 | 0:06:55 | |
Testament to the skill of Lady Flora Stewart. | 0:06:55 | 0:06:59 | |
She was evangelical about her belties, | 0:06:59 | 0:07:02 | |
promoting them worldwide and breeding a string of show winners. | 0:07:02 | 0:07:05 | |
She spent her time, her life, every waking minute that she had, | 0:07:08 | 0:07:12 | |
she was thinking about these girls. | 0:07:12 | 0:07:14 | |
But the legacy that she's left behind is quality cattle. | 0:07:14 | 0:07:19 | |
The belties are thriving and it's thanks to Miss Flora's work. | 0:07:19 | 0:07:22 | |
There are now Belted Galloways all over the globe, | 0:07:23 | 0:07:26 | |
from Australia to America. | 0:07:26 | 0:07:28 | |
But the Mochrum herd here at Dumfries & Galloway | 0:07:28 | 0:07:31 | |
remains one of the jewels in the crown. | 0:07:31 | 0:07:34 | |
To me, in many ways, you're, kind of, the chosen one. | 0:07:35 | 0:07:37 | |
You're the one that is now going to take this herd and, if you like, | 0:07:37 | 0:07:41 | |
this breed, on. How does that feel? | 0:07:41 | 0:07:43 | |
I try not to think about it too much, | 0:07:43 | 0:07:45 | |
because my main aim is to look after the girls, first and foremost. | 0:07:45 | 0:07:48 | |
But then, you can't help but think about, | 0:07:48 | 0:07:50 | |
"Oh, what Miss Flora did", | 0:07:50 | 0:07:52 | |
and if I could do half of that, I'd be...I'd be amazed. | 0:07:52 | 0:07:55 | |
I mean, she did a great job. | 0:07:55 | 0:07:56 | |
Falling dairy prices have been headline news for months, now. | 0:08:03 | 0:08:06 | |
But it's not just the price of milk that's been causing problems, | 0:08:06 | 0:08:10 | |
as Tom has been finding out. | 0:08:10 | 0:08:12 | |
For thousands of years, | 0:08:22 | 0:08:23 | |
our landscape has been shaped by farmers and farming. | 0:08:23 | 0:08:27 | |
Today, almost three quarters of land in the UK | 0:08:28 | 0:08:31 | |
is devoted to agriculture of one sort or another. | 0:08:31 | 0:08:35 | |
And, after two bumper harvests, | 0:08:39 | 0:08:41 | |
with productivity and efficiency on the up, | 0:08:41 | 0:08:44 | |
you might think that everything in the garden is rosy. | 0:08:44 | 0:08:47 | |
But it isn't. | 0:08:47 | 0:08:48 | |
Matt Bland's family have been farming this land in Cumbria | 0:08:54 | 0:08:59 | |
for four generations. | 0:08:59 | 0:09:01 | |
He's devoted his life to the dairy industry, | 0:09:03 | 0:09:06 | |
investing both time and money, but now, | 0:09:06 | 0:09:10 | |
like so many of his fellow farmers across the country, | 0:09:10 | 0:09:14 | |
he's selling up and getting out. | 0:09:14 | 0:09:15 | |
Morning, Matt. Oh, that's better. | 0:09:18 | 0:09:20 | |
Clean enough, today, I think. So, what are you up to this morning? | 0:09:20 | 0:09:23 | |
Just washing a bit of machinery off. | 0:09:23 | 0:09:25 | |
We're having a farm sale in May. | 0:09:25 | 0:09:28 | |
Does that feel a bit odd? | 0:09:28 | 0:09:29 | |
Yeah, well, this time of year, usually, | 0:09:29 | 0:09:31 | |
we'd be putting fertiliser on, | 0:09:31 | 0:09:32 | |
get the fields ready for spring, for the cows going out. | 0:09:32 | 0:09:36 | |
Why are you selling up? | 0:09:36 | 0:09:38 | |
Just with the way of the milk prices, you know. | 0:09:38 | 0:09:40 | |
18 months ago, it were 32p and today, we're 17.5p. | 0:09:40 | 0:09:45 | |
We did a six-month cash flow, and, yeah, | 0:09:45 | 0:09:49 | |
we had to go to a bank and asked to borrow | 0:09:49 | 0:09:51 | |
X amount of thousands of pounds. | 0:09:51 | 0:09:54 | |
-I mean, you say thousands... -Hundreds. | 0:09:54 | 0:09:56 | |
-Is it hundreds of thousands? Really? -Yeah. Hundreds of thousands. | 0:09:56 | 0:09:58 | |
I mean, my wife sat down a couple of nights and talked, | 0:09:58 | 0:10:02 | |
"Well, you know, you have to pay it back". | 0:10:02 | 0:10:03 | |
We've just decided enough was enough. | 0:10:03 | 0:10:06 | |
Matt considered switching to beef or sheep farming, | 0:10:06 | 0:10:09 | |
but they're not doing well, either. | 0:10:09 | 0:10:11 | |
Now, all but 70 of his herd of 280 cows have gone, and very soon, | 0:10:11 | 0:10:16 | |
most of his land will go, too. | 0:10:16 | 0:10:19 | |
He's keeping just a few acres, to start a new business in tourism, | 0:10:19 | 0:10:23 | |
and a few sheep for his children. | 0:10:23 | 0:10:27 | |
CALF MOOS | 0:10:27 | 0:10:28 | |
He'll hang onto the house and the farm buildings, too. | 0:10:28 | 0:10:32 | |
How weird is that going to seem, walking round here, | 0:10:32 | 0:10:34 | |
seeing the buildings here, but without any livestock, | 0:10:34 | 0:10:36 | |
without any farming action? | 0:10:36 | 0:10:38 | |
It'll be very quiet. We've always had livestock here, all along. | 0:10:38 | 0:10:41 | |
Everyone says, "How are you going to manage?" | 0:10:41 | 0:10:43 | |
And what's your answer? | 0:10:43 | 0:10:46 | |
Well, we don't know, yet. | 0:10:46 | 0:10:48 | |
It's going to be very hard. | 0:10:48 | 0:10:50 | |
It will be hard for Matt's family, too. | 0:10:56 | 0:10:59 | |
He has a wife and three children, | 0:10:59 | 0:11:01 | |
and farming permeates every part of their lives. | 0:11:01 | 0:11:05 | |
How big a change is this going to be for you? | 0:11:06 | 0:11:09 | |
It's going to be a very big change for us all, | 0:11:09 | 0:11:11 | |
and I'm quite concerned what the future will be. | 0:11:11 | 0:11:13 | |
But I do feel that we can't carry on flogging a dead horse, | 0:11:13 | 0:11:17 | |
we can't see any light at the end of the tunnel. | 0:11:17 | 0:11:20 | |
It upsets me that the kids love farming... | 0:11:20 | 0:11:24 | |
..and they've never known anything else, | 0:11:25 | 0:11:27 | |
but I can't burden it onto them and put them through the stress and the | 0:11:27 | 0:11:30 | |
worry that myself and Matt have gone through over the last ten years. | 0:11:30 | 0:11:33 | |
What are you going to be doing on the day of the sale? | 0:11:33 | 0:11:37 | |
Well, I'll be here. We'll all be involved as a family, | 0:11:37 | 0:11:39 | |
but it will be a hard day. | 0:11:39 | 0:11:40 | |
No matter how painful it is, you'll see it through. | 0:11:40 | 0:11:43 | |
Yes, definitely. | 0:11:43 | 0:11:44 | |
It's the end of a long tradition for the Bland family, | 0:11:47 | 0:11:50 | |
but this story is not just played out on dairy farms. | 0:11:50 | 0:11:53 | |
For the first time in years, | 0:11:53 | 0:11:55 | |
this state of affairs is mirrored in much of the industry. | 0:11:55 | 0:11:59 | |
Right now, across the board, | 0:12:02 | 0:12:04 | |
prices seem to be heading in one direction - downhill. | 0:12:04 | 0:12:07 | |
Just as dairy farmers hoped the price of milk had hit rock bottom, | 0:12:07 | 0:12:12 | |
it dropped again, | 0:12:12 | 0:12:14 | |
and I recently reported on how falling land prices | 0:12:14 | 0:12:18 | |
are affecting the sheep business. | 0:12:18 | 0:12:20 | |
Beef prices are down, pig prices are down, | 0:12:20 | 0:12:23 | |
even arable has been struggling. | 0:12:23 | 0:12:26 | |
Just about the only sector that is doing OK is poultry. | 0:12:26 | 0:12:29 | |
So, what's making 2016 such a bleak year for UK farmers? | 0:12:36 | 0:12:41 | |
Economic analyst Sean Rickard has a wealth of experience | 0:12:41 | 0:12:45 | |
of the farming industry, and the perfect storm | 0:12:45 | 0:12:48 | |
that is currently hitting it. | 0:12:48 | 0:12:50 | |
What's the combination of factors which is | 0:12:52 | 0:12:54 | |
causing quite a few farmers to struggle right now? | 0:12:54 | 0:12:56 | |
Well, on the demand side, there's been a slowdown in demand. | 0:12:56 | 0:12:59 | |
China has slowed down, | 0:12:59 | 0:13:00 | |
Russia is banning imports from the EU, | 0:13:00 | 0:13:03 | |
and there has been an expansion in | 0:13:03 | 0:13:05 | |
production because there were higher prices a couple of years ago, | 0:13:05 | 0:13:09 | |
and as a result of this, | 0:13:09 | 0:13:10 | |
we have supply going up at a time when demand is coming down. | 0:13:10 | 0:13:14 | |
Just a small difference, but it makes a great deal of difference | 0:13:14 | 0:13:17 | |
in the prices farmers receive. | 0:13:17 | 0:13:18 | |
Do you think we're going to see any kind of uptake | 0:13:18 | 0:13:21 | |
in some of these prices, maybe later this year? | 0:13:21 | 0:13:23 | |
Yes, I do. I think we're just about at the bottom now, | 0:13:23 | 0:13:26 | |
or over the next two or three months, | 0:13:26 | 0:13:28 | |
and I would expect 2017 to be a lot better. | 0:13:28 | 0:13:30 | |
As things pick up, of course, | 0:13:30 | 0:13:31 | |
it will be because a lot of farmers have ceased production. | 0:13:31 | 0:13:35 | |
I'm sorry, but that is the way, | 0:13:35 | 0:13:37 | |
that is the nature of business in farming. | 0:13:37 | 0:13:39 | |
Farmers go out, there is a recovery, | 0:13:39 | 0:13:42 | |
and the farmers that remain then enjoy | 0:13:42 | 0:13:45 | |
higher prices for a time, until they over-expand production, | 0:13:45 | 0:13:48 | |
and then they all fall again, and we're back into the same cycle. | 0:13:48 | 0:13:51 | |
So, for the surviving farmers to thrive, | 0:13:51 | 0:13:54 | |
they actually NEED some to go to the wall? | 0:13:54 | 0:13:56 | |
I'm afraid that is the reality - and it always has been. | 0:13:56 | 0:14:00 | |
For Matt Bland and his family, | 0:14:02 | 0:14:04 | |
this perfect storm spells the end of a way of life. | 0:14:04 | 0:14:09 | |
Next month, their land will be sold off and, for them, | 0:14:09 | 0:14:12 | |
farming will become a thing of the past. | 0:14:12 | 0:14:15 | |
Agriculture is at the heart of the rural economy and society, | 0:14:15 | 0:14:19 | |
so it's not just farmers and their families that are suffering. | 0:14:19 | 0:14:23 | |
Later on, I'll be looking at the wider impact of this devastating | 0:14:23 | 0:14:27 | |
combination of circumstances. | 0:14:27 | 0:14:29 | |
-ANITA: -This wild expanse of hills and lochs, | 0:14:38 | 0:14:41 | |
castles and rich pasture is the Threave Estate Nature Reserve | 0:14:41 | 0:14:45 | |
in Dumfries and Galloway. | 0:14:45 | 0:14:47 | |
That impressive-looking ruin is Threave Castle, | 0:14:49 | 0:14:53 | |
built some 650 years ago by the third Earl of Douglas, | 0:14:53 | 0:14:57 | |
also known as Archibald the Grim. | 0:14:57 | 0:14:59 | |
The Grim Earl has long gone. | 0:14:59 | 0:15:01 | |
Today, Threave is run by the National Trust for Scotland | 0:15:01 | 0:15:05 | |
and is home to some of Britain's most treasured wildlife, | 0:15:05 | 0:15:09 | |
like the red kite and the osprey. | 0:15:09 | 0:15:11 | |
This place might be rich in wildlife, | 0:15:12 | 0:15:14 | |
but it doesn't guarantee you're going to see anything, even by day. | 0:15:14 | 0:15:17 | |
I'm incredibly fortunate to see these birds of prey, | 0:15:21 | 0:15:24 | |
but wildlife by night? | 0:15:24 | 0:15:26 | |
No chance. Or is there? | 0:15:26 | 0:15:29 | |
Keith Kirk reckons there is. | 0:15:32 | 0:15:34 | |
He's a wildlife ranger and photographer, | 0:15:34 | 0:15:36 | |
who uses the latest night-vision cameras to see wildlife after dark. | 0:15:36 | 0:15:40 | |
-Hello there. -Hello! | 0:15:40 | 0:15:42 | |
-How you doing? -Fine. -Good to see you, Keith. | 0:15:42 | 0:15:44 | |
-Hi! -Hi there. -So this is the nightmobile? | 0:15:44 | 0:15:46 | |
This is the nightmobile, yes. | 0:15:46 | 0:15:48 | |
And I've been told that there's lots of wildlife around here. | 0:15:48 | 0:15:51 | |
At night-time, you'll see a lot of creatures that you wouldn't normally | 0:15:51 | 0:15:54 | |
see during the day. The animals feel quite safe, | 0:15:54 | 0:15:56 | |
but because we're looking at them through night-imaging devices, | 0:15:56 | 0:16:00 | |
then we can see a lot more of the interaction | 0:16:00 | 0:16:02 | |
between the animals themselves. | 0:16:02 | 0:16:04 | |
Using knowledge gained over his 35 years as a ranger, | 0:16:05 | 0:16:08 | |
Keith knows exactly where to look. | 0:16:08 | 0:16:11 | |
The night-vision cameras do the rest. | 0:16:11 | 0:16:14 | |
See, that's just going over the bridge, | 0:16:21 | 0:16:23 | |
-you can see the heat up here. -Yup. | 0:16:23 | 0:16:25 | |
And the field, the dark is the grass, | 0:16:25 | 0:16:27 | |
so that's a completely open field. | 0:16:27 | 0:16:29 | |
You know, any creature in that, it would pick it up instantly. | 0:16:29 | 0:16:31 | |
OK. Let's see, is there anything in this field? | 0:16:31 | 0:16:34 | |
-There, there, there! -Yeah. -It's a herd of deer. | 0:16:39 | 0:16:42 | |
You're seeing that in a black-and-white vision, | 0:16:42 | 0:16:45 | |
but if you open the window and look outside, it is black dark. | 0:16:45 | 0:16:48 | |
You cannot see your hand in front of your face. | 0:16:48 | 0:16:50 | |
How close are they to the vehicle? | 0:16:50 | 0:16:53 | |
That camera is wide angle, so they're not that far away. | 0:16:53 | 0:16:56 | |
It feels like a real privilege | 0:16:57 | 0:16:58 | |
to have this view of their world, really. | 0:16:58 | 0:17:00 | |
-To know there are probably over 50 deer... -Yeah. | 0:17:00 | 0:17:03 | |
..just hanging out, doing what's deer do as night. | 0:17:03 | 0:17:06 | |
-Yeah, yeah, just out of the window. -Incredible. | 0:17:06 | 0:17:08 | |
We'll park up now and we'll head off into the night, | 0:17:08 | 0:17:10 | |
and see what we can find using the thermal cameras. | 0:17:10 | 0:17:13 | |
Fantastic. My first-ever night-time safari walk. | 0:17:13 | 0:17:16 | |
-Yeah, and hopefully not your last. -SHE CHUCKLES | 0:17:16 | 0:17:18 | |
There is one creature, in particular, I'm hoping to see. | 0:17:20 | 0:17:23 | |
And with Keith's special cameras in hand, I'm feeling pretty confident. | 0:17:23 | 0:17:27 | |
It is pitch-black out here. | 0:17:27 | 0:17:30 | |
It is very dark tonight. | 0:17:30 | 0:17:32 | |
I've never seen so many stars in the UK. | 0:17:32 | 0:17:36 | |
It's spectacular. | 0:17:36 | 0:17:37 | |
-It really is. -We're right on the edge of the dark sky park here, | 0:17:37 | 0:17:40 | |
and yeah, some nights, the sky is unbelievable. | 0:17:40 | 0:17:43 | |
Let's go and see what we can find. | 0:17:43 | 0:17:44 | |
Let's see if all those carrots I've been eating have worked or not. | 0:17:44 | 0:17:48 | |
'Conditions are perfect, and we don't have to wait long.' | 0:17:48 | 0:17:51 | |
-Put it up to your eye. -Yeah. Oh, yeah! There they are. Are they deer? | 0:17:51 | 0:17:57 | |
-They're roe deer. -Amazing. | 0:17:57 | 0:17:59 | |
It's bizarre when you take your eye away from the lens, | 0:17:59 | 0:18:02 | |
you still can't see anything. | 0:18:02 | 0:18:04 | |
-OK. -And... | 0:18:04 | 0:18:05 | |
-Is that? -Oh, yeah! | 0:18:05 | 0:18:07 | |
-That's amazing! -See, that's giving you | 0:18:07 | 0:18:09 | |
more definition round the animals. | 0:18:09 | 0:18:11 | |
You switch it into black, you get more of the outline of the animal. | 0:18:11 | 0:18:14 | |
-Oh, that's amazing. -And that's all I do, | 0:18:14 | 0:18:16 | |
-we don't want to keep disturbing them. -No. -So we'll move off. | 0:18:16 | 0:18:19 | |
-We'll leave them alone. -Yeah. | 0:18:19 | 0:18:22 | |
'A good spot, but not what I'm after.' | 0:18:24 | 0:18:27 | |
If you look across, you'll see the castle, now. | 0:18:30 | 0:18:33 | |
-Oh, yes. -It looks a bit different from during the day. | 0:18:33 | 0:18:36 | |
I didn't realise we were there. | 0:18:36 | 0:18:38 | |
Yeah, yeah. That's it. Well, this is a very cold night. | 0:18:38 | 0:18:41 | |
Normally, when we get to here, | 0:18:41 | 0:18:43 | |
this is one of the best places to view bats. | 0:18:43 | 0:18:45 | |
'It may be too cold for bats, | 0:18:47 | 0:18:48 | |
'but other creatures are beginning to stir.' | 0:18:48 | 0:18:51 | |
And you'll see, now, this is something that's | 0:18:53 | 0:18:55 | |
just come out of hibernation. They can cover a big area. | 0:18:55 | 0:18:58 | |
Some people say about up to 2km. | 0:18:58 | 0:18:59 | |
He's... He's on the go! | 0:18:59 | 0:19:01 | |
His little back legs are going for it. | 0:19:01 | 0:19:03 | |
-Yeah. -Oh, how cute! | 0:19:03 | 0:19:05 | |
Yeah. Let's go and have a quick look... | 0:19:05 | 0:19:08 | |
-Shall we try? -Yeah, before he disappears for the night. | 0:19:08 | 0:19:11 | |
When you approach a hedgehog like that, when it coils up, | 0:19:11 | 0:19:15 | |
it depends on how threatened it feels what it does with its spines. | 0:19:15 | 0:19:20 | |
They can crisscross their spines or they can put them straight up. | 0:19:20 | 0:19:23 | |
-Yeah. -Straight up means, "Yeah, I'm extremely worried, | 0:19:23 | 0:19:27 | |
"whatever's going to be against me here." | 0:19:27 | 0:19:29 | |
Crisscrossed, they are less threatened. | 0:19:29 | 0:19:31 | |
-Shall we see what this one's doing? -Very difficult to say. | 0:19:31 | 0:19:34 | |
-Straight up? -No, no, it's still... | 0:19:34 | 0:19:37 | |
-Oh, he's... -See, no, he's quite happy. He's off. -He's off. | 0:19:37 | 0:19:40 | |
'Hedgehogs are a rare sight these days, so that was a treat. | 0:19:40 | 0:19:45 | |
'But still not what I'm hoping to see.' | 0:19:45 | 0:19:47 | |
What have you got there? | 0:19:47 | 0:19:49 | |
'Could this be it?' | 0:19:49 | 0:19:50 | |
A mouse. | 0:19:52 | 0:19:53 | |
-Where? -Just at the gate. | 0:19:53 | 0:19:55 | |
-Oh, yeah! -See, it's coming through underneath. | 0:19:55 | 0:19:57 | |
He's darting around. | 0:19:57 | 0:19:58 | |
Yeah, mice never stay still for very long. | 0:19:58 | 0:20:01 | |
They're great. Some people tell us it's the highlight of their tour, | 0:20:01 | 0:20:04 | |
-seeing mice darting about. -It is very special to see a little mouse. | 0:20:04 | 0:20:07 | |
Oh, I love mice. | 0:20:07 | 0:20:08 | |
-Great. -That was great. -That was brilliant. -Glad we saw that. | 0:20:10 | 0:20:13 | |
Me, too. Well done spotting that, Keith. | 0:20:13 | 0:20:15 | |
All that felt like a real adventure. | 0:20:18 | 0:20:20 | |
Magical. I mean, trying to navigate through the fields and the path, | 0:20:20 | 0:20:24 | |
I couldn't actually see where my feet were, | 0:20:24 | 0:20:26 | |
but because of this fantastic technology, | 0:20:26 | 0:20:28 | |
I was able to see all of that nocturnal wildlife | 0:20:28 | 0:20:31 | |
and get a glimpse into a rare world. | 0:20:31 | 0:20:33 | |
Who'd have thought it? Under this starry, starry sky. | 0:20:33 | 0:20:37 | |
That was really magical. | 0:20:37 | 0:20:39 | |
Now, a few months back, Sean was in the Peak District, | 0:20:40 | 0:20:42 | |
helping out with the restoration of one of the area's | 0:20:42 | 0:20:44 | |
most historic buildings. | 0:20:44 | 0:20:46 | |
The Dark Peak, | 0:20:55 | 0:20:57 | |
whose age-old gritstone has been worked by man for centuries. | 0:20:57 | 0:21:01 | |
And look at that! It takes raw power to get at it. | 0:21:10 | 0:21:12 | |
In this quarry near Bakewell, | 0:21:16 | 0:21:18 | |
massive lumps of gritstone are cut to size by giant saws. | 0:21:18 | 0:21:21 | |
The stone is prized for its qualities | 0:21:24 | 0:21:26 | |
as a building material throughout the land. | 0:21:26 | 0:21:29 | |
Here in Derbyshire, it's seen in many farms and houses, | 0:21:30 | 0:21:34 | |
and it's throwing a lifeline to some old buildings. | 0:21:34 | 0:21:37 | |
Like this one. Haddon Hall, one of the Dark Peak's crowning glories. | 0:21:39 | 0:21:43 | |
It's one of the finest examples of a medieval manor house in existence. | 0:21:45 | 0:21:49 | |
But time has taken its toll. | 0:21:49 | 0:21:52 | |
It's been here for centuries. | 0:21:52 | 0:21:53 | |
It's made from this hard, grey limestone | 0:21:53 | 0:21:56 | |
and this sandy-coloured gritstone. | 0:21:56 | 0:21:58 | |
And it sits directly on the limestone bedrock. | 0:21:58 | 0:22:02 | |
This is, quite literally, the foundation of the building. | 0:22:02 | 0:22:05 | |
1,000 years of habitation has left its mark. | 0:22:07 | 0:22:10 | |
The soft gritstone, shaped by its occupants. | 0:22:12 | 0:22:15 | |
The exposed stone at the mercy of the elements. | 0:22:16 | 0:22:20 | |
The building fell badly into disrepair in the 1700s and 1800s, | 0:22:20 | 0:22:24 | |
and it wasn't until the 20th century that restoration began in earnest. | 0:22:24 | 0:22:28 | |
Jo Walker is the current head steward. | 0:22:30 | 0:22:33 | |
-Hi, Jo. Lovely to meet you. -Hello, Sean. Lovely to meet you, too. | 0:22:33 | 0:22:37 | |
Wow, this is a wonderful place. As soon as you arrive here, | 0:22:37 | 0:22:40 | |
you get a real sense that it is steeped in history. | 0:22:40 | 0:22:42 | |
Still, when you look at it, it's remarkable | 0:22:42 | 0:22:45 | |
that it is kept in such a good state. | 0:22:45 | 0:22:47 | |
It's a good, solid building. | 0:22:47 | 0:22:49 | |
There was quite a lot of restoration in the 1920s, | 0:22:49 | 0:22:51 | |
but, unfortunately, some of that's backfired, | 0:22:51 | 0:22:54 | |
because the technique at that time was to shore things up | 0:22:54 | 0:22:57 | |
with concrete and cement, which is quite a hard material, | 0:22:57 | 0:23:00 | |
compared to the sandstone and the limestone | 0:23:00 | 0:23:03 | |
of which the house is built, | 0:23:03 | 0:23:04 | |
and now we are having to redo those areas. | 0:23:04 | 0:23:07 | |
So, a black mark for the restorers of the 1920s? | 0:23:07 | 0:23:10 | |
Yes, but only a tiny black mark, I think, don't you? | 0:23:10 | 0:23:13 | |
But a big tick to the medieval builders of this place? | 0:23:13 | 0:23:16 | |
A big tick to the medieval builders | 0:23:16 | 0:23:17 | |
and a big tick to the restoration that we are doing now. | 0:23:17 | 0:23:19 | |
And it is a big job, isn't it? | 0:23:19 | 0:23:21 | |
-There's lots to do. -It's a huge job. | 0:23:21 | 0:23:23 | |
As you look around, there is crumbling bits | 0:23:23 | 0:23:26 | |
left, right and centre. | 0:23:26 | 0:23:28 | |
And we are in the middle of this | 0:23:28 | 0:23:29 | |
big 30-year programme that's going to restore all of this, | 0:23:29 | 0:23:33 | |
get it back to how we want it, | 0:23:33 | 0:23:35 | |
and give us a house for another 1,000 years. | 0:23:35 | 0:23:38 | |
Will people in 100 years' time look back and say, | 0:23:38 | 0:23:41 | |
-"You didn't quite do that right"? -I hope not! | 0:23:41 | 0:23:43 | |
That would be absolutely terrible! | 0:23:43 | 0:23:45 | |
I'm sure you're doing a wonderful job! | 0:23:45 | 0:23:46 | |
The hard mortar they used in the 1920s restoration | 0:23:46 | 0:23:50 | |
has been trapping water, causing the gritstone to deteriorate rapidly. | 0:23:50 | 0:23:55 | |
Now, it's being replaced with mortar made to the original medieval | 0:23:55 | 0:24:00 | |
recipes and the decayed stone is being replaced with stone from | 0:24:00 | 0:24:04 | |
the quarry up the road. | 0:24:04 | 0:24:06 | |
Mark Eaton is in charge of the new restoration. | 0:24:06 | 0:24:08 | |
Hi, Mark. You look busy. | 0:24:11 | 0:24:12 | |
-Can I disturb you? -Hi, of course you can. That's fine. Yeah. | 0:24:12 | 0:24:15 | |
How long have you been working here for? | 0:24:15 | 0:24:16 | |
-For the last 27 years. -27 years! -On and off. | 0:24:16 | 0:24:18 | |
-Yeah. Yeah. -That's a massive project! -Yeah, it is. It is. | 0:24:18 | 0:24:21 | |
One of the first things I did was working on | 0:24:21 | 0:24:23 | |
the clock tower to the chapel. The octagonal tower, | 0:24:23 | 0:24:25 | |
we took that down to its sill course. | 0:24:25 | 0:24:28 | |
Reason being, because the erosion to the stonework | 0:24:28 | 0:24:30 | |
started to get structural, so we had to address that. | 0:24:30 | 0:24:33 | |
And one of the things I do remember from that is, | 0:24:33 | 0:24:36 | |
when I was taking it down, | 0:24:36 | 0:24:38 | |
finding in the joints between the stones, oyster shells that were | 0:24:38 | 0:24:42 | |
used as sort of gap filling. | 0:24:42 | 0:24:45 | |
So, oyster shells from the 1400s? | 0:24:45 | 0:24:47 | |
Yeah, so, freshwater oysters. | 0:24:47 | 0:24:48 | |
I managed to gather about a bucketful. | 0:24:48 | 0:24:51 | |
That's amazing! So whoever lived here was dining out on oysters? | 0:24:51 | 0:24:54 | |
They did very well. Yeah. Yeah. | 0:24:54 | 0:24:57 | |
All the stone that can be replaced is being replaced. | 0:24:58 | 0:25:02 | |
But there is some stone that's irreplaceable. | 0:25:02 | 0:25:05 | |
Haddon's famous gargoyles are bearing up, | 0:25:05 | 0:25:08 | |
but it's a constant battle to keep the elements at bay. | 0:25:08 | 0:25:11 | |
Time for me to do my bit. | 0:25:13 | 0:25:15 | |
So, Mark, we've made it up to one of the gargoyles. | 0:25:18 | 0:25:20 | |
-Mm-hm. -What have we got to do here? | 0:25:20 | 0:25:22 | |
Right. What I'd like to do here is actually take off this moss, | 0:25:22 | 0:25:26 | |
because this moss harbours the water, | 0:25:26 | 0:25:28 | |
keeps the water in, doesn't let it dry out. | 0:25:28 | 0:25:31 | |
You can see. It's keeping it really moist, isn't it? | 0:25:31 | 0:25:33 | |
It is, yeah. So, if you'd like to use this one. | 0:25:33 | 0:25:35 | |
-Ooh. -There we are. Use this end here. | 0:25:35 | 0:25:37 | |
All right. OK. And just scrape? | 0:25:37 | 0:25:39 | |
Yeah, so we're just going to lift it off. | 0:25:39 | 0:25:40 | |
-Oh, it comes off very easily, doesn't it? -Yeah. Yeah. | 0:25:40 | 0:25:43 | |
There we are. | 0:25:43 | 0:25:45 | |
So what's unique about the gargoyles here at Haddon Hall? | 0:25:45 | 0:25:49 | |
Back then, more so with church work as well, | 0:25:49 | 0:25:51 | |
it was to ward off the evil spirits, | 0:25:51 | 0:25:53 | |
because on churches, you've got more dragons and ferocious beasts. | 0:25:53 | 0:25:59 | |
This isn't a ferocious beast. | 0:26:01 | 0:26:02 | |
No, no, this is slightly different, here. This is more comical, here. | 0:26:02 | 0:26:05 | |
These are gargoyles of some of the people that worked here, | 0:26:05 | 0:26:08 | |
and the different trades, crafts, stonemasons. | 0:26:08 | 0:26:11 | |
So this could be John... John the gargoyle builder? | 0:26:11 | 0:26:14 | |
John the gargoyle builder, yeah! Yeah, he's got a cleaver here. | 0:26:14 | 0:26:18 | |
Maybe John the butcher, possibly. | 0:26:18 | 0:26:20 | |
-Yeah. -They're not a pretty bunch, are they, some of them? | 0:26:20 | 0:26:22 | |
-They're not, no, no. -There's one over there and it's a guy... | 0:26:22 | 0:26:25 | |
Is it pulling a face or... holding his mouth, in some way? | 0:26:25 | 0:26:28 | |
Yeah, he's got... If you can see, | 0:26:28 | 0:26:30 | |
he's actually got a bandage over the top of his head, | 0:26:30 | 0:26:32 | |
and around under his jaw and he's pulling his mouth to one side. | 0:26:32 | 0:26:36 | |
And it's pretty much like he's got severe toothache. | 0:26:36 | 0:26:39 | |
-Oh, right. -Yeah. Yeah. They're faring very well, really. | 0:26:39 | 0:26:42 | |
Cleaning this moss off helps us look and just see what is happening | 0:26:42 | 0:26:46 | |
to the stonework. And it's in good condition. | 0:26:46 | 0:26:49 | |
The work here is ongoing. | 0:26:50 | 0:26:52 | |
There's still plenty of stone to cut, mortar to point, | 0:26:52 | 0:26:56 | |
windows to replace... | 0:26:56 | 0:26:59 | |
And, I dare say, gargoyles to clean. | 0:26:59 | 0:27:01 | |
A perfect storm of low prices, late payments | 0:27:09 | 0:27:12 | |
and increasing debt has created a very real crisis | 0:27:12 | 0:27:16 | |
on many farms across the UK. | 0:27:16 | 0:27:18 | |
Now the ripples are affecting the entire rural community, | 0:27:18 | 0:27:22 | |
as Tom's been finding out. | 0:27:22 | 0:27:25 | |
There's a whole supply chain that relies | 0:27:26 | 0:27:29 | |
on the financial health of farming. Seed, feed, fertiliser, and... | 0:27:29 | 0:27:34 | |
farm machinery. | 0:27:34 | 0:27:36 | |
Robert Davies has been selling new and used farm machinery here | 0:27:39 | 0:27:43 | |
in Shropshire for almost 30 years. | 0:27:43 | 0:27:45 | |
-Good morning, Robert. -Morning, Tom. | 0:27:45 | 0:27:47 | |
I see you've got plenty in the yard. | 0:27:47 | 0:27:49 | |
-Yeah, more than I'd like, to be honest. -Really? | 0:27:49 | 0:27:53 | |
'Recently, he's seen a dramatic fall in demand, | 0:27:53 | 0:27:56 | |
'and his yard is packed with machines looking for a buyer.' | 0:27:56 | 0:27:59 | |
How tough is it at the moment? | 0:28:00 | 0:28:03 | |
It's the toughest I've known our industry, | 0:28:03 | 0:28:05 | |
-probably since I started in business. -Really? | 0:28:05 | 0:28:09 | |
I got my secretary to look up some figures yesterday. | 0:28:09 | 0:28:12 | |
From March 2015 through to yesterday, | 0:28:12 | 0:28:16 | |
sales in almost every sector that I sell into | 0:28:16 | 0:28:22 | |
have dropped by 40 to 50%. | 0:28:22 | 0:28:25 | |
In terms of what's around us here, can you give me an example | 0:28:25 | 0:28:27 | |
of something you would expect to have shifted, | 0:28:27 | 0:28:29 | |
but is hanging around in the yard? | 0:28:29 | 0:28:31 | |
Most dairy farmers are using these giant food mixers, and basically, | 0:28:31 | 0:28:36 | |
the dairy farmer has just put his cheque book to one side and said, | 0:28:36 | 0:28:40 | |
"No, we'll manage with what we've got." | 0:28:40 | 0:28:42 | |
And normally, I would like to carry two to three. | 0:28:42 | 0:28:45 | |
I think there's 13 there this morning. | 0:28:45 | 0:28:47 | |
And each one roughly goes for...? | 0:28:47 | 0:28:49 | |
Well, they're about £10,000 a piece. | 0:28:49 | 0:28:51 | |
Wow. So there's at least £100,000 worth of machinery sitting there | 0:28:51 | 0:28:54 | |
-that's not in your bank account. -There is. | 0:28:54 | 0:28:56 | |
Cash. This is it, it's cashflow. | 0:28:56 | 0:28:58 | |
And if there is no cash flowing through farms | 0:29:03 | 0:29:05 | |
and rural businesses, like Robert's, | 0:29:05 | 0:29:07 | |
the knock-on effects are felt throughout the countryside. | 0:29:07 | 0:29:10 | |
Just down the road here in Kinnerly, | 0:29:13 | 0:29:15 | |
this village is one of the lucky ones. | 0:29:15 | 0:29:18 | |
It still has a pub, but only just. | 0:29:18 | 0:29:21 | |
The community had to take it over last October, | 0:29:21 | 0:29:25 | |
and it won't reopen till later this year. | 0:29:25 | 0:29:27 | |
But the shop's still functioning, and it even has a post office. | 0:29:29 | 0:29:32 | |
Still, the worry is that the financial problems | 0:29:34 | 0:29:37 | |
affecting farmers will filter through to places like this. | 0:29:37 | 0:29:41 | |
"..plight of the industry". | 0:29:41 | 0:29:42 | |
That rather tells the story. | 0:29:42 | 0:29:44 | |
-Hi, Andrew. -All right. -I'll take that, | 0:29:46 | 0:29:48 | |
-The Farmers' Guardian, thank you very much. -Yeah. | 0:29:48 | 0:29:50 | |
Charles Smith is from the Farming Community Network, | 0:29:53 | 0:29:56 | |
a charity that works directly with farmers facing difficult times. | 0:29:56 | 0:30:01 | |
-Charles. -Hi, Tom. -Nice to see you. Thanks for coming out. | 0:30:02 | 0:30:04 | |
What stresses are you seeing throughout the rural community? | 0:30:04 | 0:30:07 | |
Well, there's absolutely no doubt that the poor cashflows in farming | 0:30:07 | 0:30:11 | |
are having an impact across the whole of the countryside. | 0:30:11 | 0:30:14 | |
Farmers are the life and soul of rural communities, | 0:30:14 | 0:30:16 | |
and when they are struggling, the whole community struggles, I think. | 0:30:16 | 0:30:21 | |
What are you seeing in terms of the volume of calls | 0:30:21 | 0:30:23 | |
that are coming into you? | 0:30:23 | 0:30:25 | |
Well, sadly, it's increased dramatically | 0:30:25 | 0:30:27 | |
over the last three months. | 0:30:27 | 0:30:28 | |
We are running at about three times normal volume of calls for this time | 0:30:28 | 0:30:32 | |
of year. Farmers and their families are really desperate at the moment. | 0:30:32 | 0:30:35 | |
And what kind of range of things are they ringing up and saying? | 0:30:35 | 0:30:38 | |
Principally, finance. | 0:30:38 | 0:30:40 | |
But seldom is it only financial - | 0:30:40 | 0:30:43 | |
there are often other issues involved, as well. | 0:30:43 | 0:30:45 | |
So, relationship difficulties, physical health issues, | 0:30:45 | 0:30:49 | |
because they're working really hard to try and make ends meet, | 0:30:49 | 0:30:52 | |
but also mental wellbeing issues, as well. | 0:30:52 | 0:30:54 | |
Depression is really prevalent at the moment, | 0:30:54 | 0:30:57 | |
and if uncared for, | 0:30:57 | 0:30:58 | |
sadly, that can lead to suicide, as well. | 0:30:58 | 0:31:00 | |
If I were a steelworker, I might be watching this thinking, | 0:31:00 | 0:31:03 | |
don't I deserve the same level of help and sympathy? | 0:31:03 | 0:31:06 | |
Well, I think they do, actually, | 0:31:06 | 0:31:08 | |
because they have been part of producing the country's wealth | 0:31:08 | 0:31:12 | |
over centuries, and they're facing devastation to their lives, as well. | 0:31:12 | 0:31:17 | |
And it is true that we should care for them, | 0:31:17 | 0:31:19 | |
but food is a fundamental for every one of us in the country, | 0:31:19 | 0:31:23 | |
and if we don't have a viable farming industry, | 0:31:23 | 0:31:25 | |
then we risk not having a safe and secure supply of food, | 0:31:25 | 0:31:29 | |
and that would impact on absolutely everybody in the country. | 0:31:29 | 0:31:32 | |
So is there any light at the end of the tunnel for those struggling on? | 0:31:33 | 0:31:38 | |
Sean Rickard thinks there is, | 0:31:38 | 0:31:40 | |
but there are some hard lessons to be learned along the way. | 0:31:40 | 0:31:43 | |
I think the best thing we can say to anyone, | 0:31:44 | 0:31:47 | |
whether they're in food or any business, | 0:31:47 | 0:31:49 | |
is focus on becoming very efficient. | 0:31:49 | 0:31:52 | |
Focus on becoming very productive. | 0:31:52 | 0:31:54 | |
Get your costs down. | 0:31:54 | 0:31:55 | |
Observe your market, | 0:31:55 | 0:31:57 | |
and make sure that you are supplying what the market needs. | 0:31:57 | 0:32:00 | |
That is the surest way to survive. | 0:32:00 | 0:32:02 | |
There are many small farming businesses | 0:32:02 | 0:32:04 | |
that are hanging on by their fingertips. | 0:32:04 | 0:32:07 | |
I feel very sorry for them, | 0:32:07 | 0:32:08 | |
but we should remember that, in this country here, | 0:32:08 | 0:32:11 | |
we have many very successful farmers. They are innovative, | 0:32:11 | 0:32:14 | |
they provide the basis for a very efficient, world-class, | 0:32:14 | 0:32:18 | |
competitive food industry in this country. | 0:32:18 | 0:32:21 | |
And we should not overlook that when we talk about crisis. | 0:32:21 | 0:32:25 | |
We have, in this industry, the means of becoming world beaters. | 0:32:25 | 0:32:28 | |
Without a jump in farm gate prices, | 0:32:29 | 0:32:32 | |
the message for farmers seems to be adapt to survive. | 0:32:32 | 0:32:36 | |
And, if you really can't do that, | 0:32:36 | 0:32:38 | |
bite the bullet and get out. | 0:32:38 | 0:32:40 | |
Easy to say, maybe, | 0:32:41 | 0:32:43 | |
but an anguished decision for anyone with farming in the blood. | 0:32:43 | 0:32:47 | |
Once, long ago, every acre of this landscape would have been forested. | 0:32:53 | 0:32:58 | |
Juniper, aspen, rowan and willow, as far as the eye could see. | 0:32:58 | 0:33:03 | |
But man and agriculture have changed all that. | 0:33:03 | 0:33:06 | |
The land was given over to grazing. | 0:33:06 | 0:33:09 | |
Trees were felled, scrub cleared, | 0:33:09 | 0:33:11 | |
it became completely different to how it once was. | 0:33:11 | 0:33:14 | |
But here things are changing. | 0:33:14 | 0:33:15 | |
These are the volunteers of the Cree Valley Community Woodlands Trust | 0:33:19 | 0:33:23 | |
in Dumfries and Galloway. | 0:33:23 | 0:33:24 | |
They're growing saplings, to plant in the high places | 0:33:24 | 0:33:27 | |
of Galloway's Forest Park, | 0:33:27 | 0:33:29 | |
as part of a major Forestry Commission product. | 0:33:29 | 0:33:32 | |
I'm meeting one of the trustees, Paul Collin, to find out more. | 0:33:32 | 0:33:35 | |
-Hi, Paul. -Hello, Anita. | 0:33:38 | 0:33:39 | |
-Good to see you. -How are you doing? -Very well, thank you. | 0:33:39 | 0:33:41 | |
What is the project, what's the plan here? | 0:33:41 | 0:33:44 | |
Well, it all stems from native woodland. | 0:33:44 | 0:33:46 | |
Native broadleaved woodland used to cover about 80% of the UK. | 0:33:47 | 0:33:51 | |
Most of our wildlife is derived from that, | 0:33:51 | 0:33:54 | |
so these habitats still hold | 0:33:54 | 0:33:55 | |
huge numbers of insects, fungi and plants. | 0:33:55 | 0:33:59 | |
Cuttings are taken from native trees growing in the wild. | 0:33:59 | 0:34:02 | |
They're potted and grown at various nurseries around the country. | 0:34:02 | 0:34:06 | |
So, what's growing here? | 0:34:06 | 0:34:08 | |
These are Salix lapponum, or downy willow. | 0:34:08 | 0:34:10 | |
This is a montane woodland scrub. | 0:34:10 | 0:34:13 | |
And what's montane woodland scrub? | 0:34:13 | 0:34:14 | |
-What makes it different? -Well, trees only grow up to a certain level, | 0:34:14 | 0:34:17 | |
and once you get higher up the hill, | 0:34:17 | 0:34:19 | |
the exposure rate - the amount of frost, the amount of snow - | 0:34:19 | 0:34:22 | |
means that the trees start becoming quite stunted and small. | 0:34:22 | 0:34:25 | |
And true woodland can't really grow up there. | 0:34:25 | 0:34:27 | |
But there are some specialist species that occur | 0:34:27 | 0:34:30 | |
which are adapted to that high altitude | 0:34:30 | 0:34:32 | |
and also Arctic situations. | 0:34:32 | 0:34:34 | |
And they are referred to as montane species. | 0:34:34 | 0:34:36 | |
So this plan is to plant these up and put them back on the hill | 0:34:37 | 0:34:40 | |
and try and recreate some of that montane woodland scrub. | 0:34:40 | 0:34:44 | |
How big's the project? | 0:34:44 | 0:34:45 | |
What's the size of the area that you're covering? | 0:34:45 | 0:34:47 | |
At the moment, Forestry Commission are looking at planting 300 hectares | 0:34:47 | 0:34:51 | |
in one block. They hope to complete by 2017 | 0:34:51 | 0:34:55 | |
and they're using plants grown by our volunteers | 0:34:55 | 0:34:57 | |
here at the Cree Valley. | 0:34:57 | 0:34:58 | |
If the project is successful, | 0:34:59 | 0:35:01 | |
it will be rolled out over a further 4,500 hectares. | 0:35:01 | 0:35:06 | |
That's around 11,000 acres of mountain landscape. | 0:35:06 | 0:35:09 | |
So what's the plan for these? | 0:35:10 | 0:35:11 | |
They grow here, and then what? | 0:35:11 | 0:35:13 | |
These are cuttings which have just been potted up. | 0:35:13 | 0:35:15 | |
And then where... Where's their next destination? | 0:35:15 | 0:35:17 | |
They stay here for a year and then they're going up onto the hills | 0:35:17 | 0:35:20 | |
above Loch Trool. | 0:35:20 | 0:35:21 | |
So I suppose I need to get up there? | 0:35:21 | 0:35:23 | |
If you're going to see the project, that's where you go. | 0:35:23 | 0:35:25 | |
On a day like today, it's going to be interesting out there. | 0:35:25 | 0:35:28 | |
-Are you going to join me? -I think I'll give that one a miss! -THEY LAUGH | 0:35:28 | 0:35:32 | |
Now, as part of the BBC's Food And Farming Awards, | 0:35:36 | 0:35:39 | |
we asked you to nominate your farming heroes. | 0:35:39 | 0:35:41 | |
And you did. | 0:35:41 | 0:35:43 | |
We've heard hundreds of stories of people going out of their way | 0:35:43 | 0:35:46 | |
to make the countryside a better place. | 0:35:46 | 0:35:48 | |
Adam and Charlotte have whittled down the nominations, | 0:35:48 | 0:35:51 | |
and here's their final contender. | 0:35:51 | 0:35:53 | |
We're heading to a fairly remote corner of the UK. | 0:36:01 | 0:36:03 | |
This is the ferry to the Kintyre Peninsula. | 0:36:03 | 0:36:06 | |
And we're heading to meet the third of our finalists | 0:36:06 | 0:36:08 | |
for the Countryfile Farming Heroes award, who's a sheep farmer. | 0:36:08 | 0:36:12 | |
And we'll find out why the ferry connection is so important | 0:36:12 | 0:36:15 | |
-to the local community. -And how he is a central character. | 0:36:15 | 0:36:18 | |
Our search started earlier this year, | 0:36:21 | 0:36:24 | |
when we asked you to tell us about your farming heroes. | 0:36:24 | 0:36:27 | |
You sent in hundreds of nominations. | 0:36:27 | 0:36:29 | |
That's where us two - the judges - step in. | 0:36:31 | 0:36:33 | |
Charlotte Smith, a familiar Countryfile face, | 0:36:33 | 0:36:36 | |
and a presenter on Radio Four's Farming Today programme. | 0:36:36 | 0:36:39 | |
And yours truly, Adam Henson, | 0:36:40 | 0:36:42 | |
arable and livestock producer, and Countryfile's roving farmer. | 0:36:42 | 0:36:46 | |
We've sifted through the nominations | 0:36:48 | 0:36:50 | |
and selected three finalists to visit. | 0:36:50 | 0:36:52 | |
It was a tough task, because they were all heroes. | 0:36:52 | 0:36:55 | |
We've already been to Cumbria to meet a team of heroes - | 0:36:56 | 0:36:59 | |
the young farmers who helped the people of Carlisle | 0:36:59 | 0:37:02 | |
during December's floods. | 0:37:02 | 0:37:04 | |
There's the young farmers' cavalry! | 0:37:04 | 0:37:06 | |
-From my mother, thank you very much. -LAUGHTER | 0:37:06 | 0:37:09 | |
And to Herefordshire, to meet an individual hero, Julia Evans, | 0:37:10 | 0:37:14 | |
who set up a care farm to help vulnerable teenagers. | 0:37:14 | 0:37:16 | |
Why do I do it? It's incredibly rewarding. | 0:37:18 | 0:37:20 | |
I'm very proud of a lot of our youngsters. | 0:37:20 | 0:37:23 | |
Now we're in Scotland, to meet our third finalist, John Armour, | 0:37:23 | 0:37:27 | |
a community hero. | 0:37:27 | 0:37:28 | |
So, Adam, I've heard John is in this one, in here. | 0:37:29 | 0:37:33 | |
-In a radio station? -Yeah. | 0:37:33 | 0:37:34 | |
You're listening to Argyle FM 106.5, 107.1 and 107.7. | 0:37:34 | 0:37:39 | |
John helped launch this local radio station, but that's just the start. | 0:37:40 | 0:37:44 | |
He's a central character in the Kintyre community, | 0:37:44 | 0:37:47 | |
always on hand to help others, with energy and generosity. | 0:37:47 | 0:37:51 | |
So our third and final nominee is a stalwart of Campbeltown - | 0:37:53 | 0:37:57 | |
John Armour. | 0:37:57 | 0:37:59 | |
-Hello, gents. -Hello Adam, hi, Charlotte. -Sorry to interrupt. | 0:37:59 | 0:38:03 | |
You must be big John. | 0:38:03 | 0:38:04 | |
I'm big John, and this is wee John. | 0:38:04 | 0:38:07 | |
LAUGHTER | 0:38:07 | 0:38:08 | |
Now, I was told you were a shepherd. | 0:38:08 | 0:38:10 | |
-What are you doing in here? -Well... | 0:38:10 | 0:38:12 | |
HE CHUCKLES | 0:38:12 | 0:38:13 | |
..that's my sort of job, but this is my bolthole. | 0:38:13 | 0:38:16 | |
This is where I get away from the farm, to talk about farming. | 0:38:16 | 0:38:19 | |
Now, then, John, can I come out to your farm with you and have a look | 0:38:19 | 0:38:23 | |
round, and I'll leave Charlotte here? She's the expert radio host. | 0:38:23 | 0:38:25 | |
Now I get to be in charge! | 0:38:25 | 0:38:27 | |
So what's he really like, big John? | 0:38:27 | 0:38:29 | |
Big John, well, he's a great guy. | 0:38:29 | 0:38:31 | |
He's a very busy chap, very, very busy. | 0:38:31 | 0:38:34 | |
He seems to be involved in every... | 0:38:34 | 0:38:35 | |
..part of the community. He's a real pillar of the community. | 0:38:36 | 0:38:39 | |
And you need people like John to just get things going? | 0:38:39 | 0:38:43 | |
He brings it all together. He's one of the voices everyone knows, | 0:38:43 | 0:38:46 | |
not just from doing the radio, | 0:38:46 | 0:38:47 | |
he's also the secretary of the local Kintyre Agricultural Society, | 0:38:47 | 0:38:51 | |
which is pretty much a full-time job on its own. | 0:38:51 | 0:38:54 | |
And all the farmers know John from that. | 0:38:54 | 0:38:56 | |
When he's not helping out others, | 0:38:58 | 0:39:00 | |
John's real work is the tough job of rearing sheep | 0:39:00 | 0:39:03 | |
on the family's 500-acre farm, high above the town. | 0:39:03 | 0:39:06 | |
As a busy man, John has got lots of willing help | 0:39:07 | 0:39:10 | |
from friends and family. | 0:39:10 | 0:39:12 | |
This is a stunningly beautiful farm, isn't it? | 0:39:13 | 0:39:15 | |
-How long have you lived here? -I've been here all my life. | 0:39:15 | 0:39:18 | |
Now, you're known as Big John. | 0:39:18 | 0:39:20 | |
You're on the radio and you're involved with the local agriculture. | 0:39:20 | 0:39:23 | |
-Everybody seems to know you. -Yes. | 0:39:23 | 0:39:24 | |
How do you find the time to do all these things? | 0:39:24 | 0:39:26 | |
Because I've got great folk round about me. | 0:39:26 | 0:39:28 | |
My family, absolutely fantastic. | 0:39:28 | 0:39:30 | |
And lots of other people who are willing to muck in | 0:39:30 | 0:39:32 | |
and allow me to do the things that I do. | 0:39:32 | 0:39:35 | |
Now, Campbeltown is very remote, isn't it? | 0:39:35 | 0:39:37 | |
How important is that sense of community? | 0:39:37 | 0:39:40 | |
Community spirit is very, very essential because... | 0:39:40 | 0:39:43 | |
..over the years, I've had many campaigns here, | 0:39:44 | 0:39:47 | |
for a kidney dialysis machine, school closure campaigns, | 0:39:47 | 0:39:51 | |
and it brings everyone together. | 0:39:51 | 0:39:53 | |
We had a serious snowfall, as well, in 2013, | 0:39:55 | 0:39:58 | |
where we were cut off for five days. | 0:39:58 | 0:40:00 | |
And everyone just came together, as they always do. | 0:40:00 | 0:40:03 | |
We all worked together, and that's why I feel Kintyre and Campbeltown | 0:40:03 | 0:40:07 | |
is a fantastic place to live. | 0:40:07 | 0:40:09 | |
John was nominated by another farmer, | 0:40:10 | 0:40:13 | |
his old friend Marianne Mitchell. | 0:40:13 | 0:40:14 | |
She farms beef cattle 300 miles south in Somerset. | 0:40:15 | 0:40:19 | |
So Charlotte's catching up with her by video call. | 0:40:19 | 0:40:22 | |
I have to say, when I read the nomination, | 0:40:23 | 0:40:26 | |
I just assumed he was retired. | 0:40:26 | 0:40:28 | |
And a lot older than he actually is. | 0:40:28 | 0:40:31 | |
How does he find the time? | 0:40:31 | 0:40:33 | |
Just run me through what he does for this place. | 0:40:33 | 0:40:37 | |
Right, well, one of the biggest things is the community radio. | 0:40:37 | 0:40:41 | |
Helping set that up and get sponsorship and built it up | 0:40:41 | 0:40:45 | |
to what it is today, and being one of the presenters, | 0:40:45 | 0:40:48 | |
and he presents the farming programme and sports programme | 0:40:48 | 0:40:51 | |
and the ceilidh and the Blast From The Past... | 0:40:51 | 0:40:54 | |
But John also does the Kintyre Agricultural Society, | 0:40:55 | 0:41:00 | |
so he's a bit of a voice for the farming community, as well. | 0:41:00 | 0:41:03 | |
And not only that, | 0:41:03 | 0:41:05 | |
he brings those who are not in agriculture in | 0:41:05 | 0:41:08 | |
to see the animals and the ploughing and the shows, | 0:41:08 | 0:41:11 | |
and just gets everybody involved. | 0:41:11 | 0:41:13 | |
Cos he's also involved in amateur dramatics, the ferry campaign, | 0:41:13 | 0:41:19 | |
the local school...? | 0:41:19 | 0:41:20 | |
Yup. And the Young Farmers' clubs and the Scouts, | 0:41:20 | 0:41:24 | |
and...basically, anybody who wants a hand, | 0:41:24 | 0:41:27 | |
John's going to give them a hand. | 0:41:27 | 0:41:29 | |
So, for you, he's a Countryfile hero? | 0:41:29 | 0:41:31 | |
Absolutely. Through and through. | 0:41:31 | 0:41:33 | |
And there's one big local issue that really needed a helping hand. | 0:41:35 | 0:41:39 | |
To end the feeling of isolation, | 0:41:39 | 0:41:41 | |
John led a battle to get the first-ever car ferry service | 0:41:41 | 0:41:43 | |
between Kintyre and the Scottish West Coast... | 0:41:43 | 0:41:46 | |
..putting Campbeltown back on the map. | 0:41:47 | 0:41:49 | |
We're almost an island, but we have one road in and one road out. | 0:41:50 | 0:41:54 | |
Campbeltown is about as far away as you can get in the British mainland | 0:41:54 | 0:41:58 | |
for a train station. So, we've nothing like that, | 0:41:58 | 0:42:01 | |
that other towns of a comparable size have. | 0:42:01 | 0:42:03 | |
So this is why we campaigned for it, | 0:42:03 | 0:42:06 | |
to get a ferry to come into Campbeltown. | 0:42:06 | 0:42:08 | |
Thanks to that campaign, | 0:42:09 | 0:42:11 | |
there's now a summer service linking Campbeltown to Ardrossan. | 0:42:11 | 0:42:14 | |
It's been a huge boost to business and tourism, | 0:42:15 | 0:42:18 | |
as Charlotte's been hearing from campsite owner Ewan Macdonald. | 0:42:18 | 0:42:22 | |
You're on a peninsula here, so why is a ferry so important? | 0:42:22 | 0:42:26 | |
For many folk that visit us, they've heard about us, | 0:42:27 | 0:42:30 | |
they know what's here and what we are all about, | 0:42:30 | 0:42:32 | |
but, yeah, it's just been too far for them to come. | 0:42:32 | 0:42:35 | |
So, how instrumental was John, then, in getting all this going? | 0:42:37 | 0:42:39 | |
John was great. John is just one of these characters | 0:42:39 | 0:42:43 | |
that doesn't give up when he's got a bone! | 0:42:43 | 0:42:46 | |
People listen to him, people like him. | 0:42:47 | 0:42:49 | |
He's very approachable. | 0:42:49 | 0:42:51 | |
-Obviously very persuasive, we know now! -LAUGHTER | 0:42:51 | 0:42:55 | |
He is an asset to the community, I think. | 0:42:55 | 0:42:57 | |
So what was it like, then, | 0:43:00 | 0:43:01 | |
when you found out that you were nominated | 0:43:01 | 0:43:03 | |
as a Countryfile farming hero? | 0:43:03 | 0:43:05 | |
It was a complete shock, to be perfectly honest. | 0:43:05 | 0:43:08 | |
I really thought somebody was having a wind-up with me. | 0:43:08 | 0:43:10 | |
It took me quite a few minutes to realise this was true, | 0:43:10 | 0:43:13 | |
but...I consider it a great honour. | 0:43:13 | 0:43:16 | |
Not for myself, personally, | 0:43:16 | 0:43:18 | |
but for everyone in this area, that are so willing to help out | 0:43:18 | 0:43:23 | |
in any event. That's the great thing I feel about this community, | 0:43:23 | 0:43:26 | |
is that everyone wants to be involved, | 0:43:26 | 0:43:28 | |
and everyone wants to help out. | 0:43:28 | 0:43:30 | |
Our visit to Kintyre has shown how John's community spirit | 0:43:33 | 0:43:36 | |
is pivotal to life here. | 0:43:36 | 0:43:39 | |
His determination to get things done and willingness to be involved | 0:43:39 | 0:43:43 | |
makes him a worthy finalist in our search for a farming hero. | 0:43:43 | 0:43:46 | |
Well, Charlotte, this really isn't going to be easy, is it? | 0:43:49 | 0:43:51 | |
-Coming up with our winner? -It really isn't. | 0:43:51 | 0:43:53 | |
I mean, we've got John in Campbeltown, | 0:43:53 | 0:43:55 | |
who's pretty much involved with everything. | 0:43:55 | 0:43:57 | |
And then Julia, down south, who takes on these teenagers, | 0:43:57 | 0:44:00 | |
and, well, changes lives, I think, really. | 0:44:00 | 0:44:02 | |
Yeah, she does, and then, of course, the young farmers up in Cumbria, | 0:44:02 | 0:44:07 | |
who helped out in a crisis. | 0:44:07 | 0:44:08 | |
-It's not going to be easy. -So how are we going to decide, then? | 0:44:08 | 0:44:11 | |
Well, I think we sit down over a pint and have a long chat. | 0:44:11 | 0:44:14 | |
Maybe whisky, you know, we are in Scotland. | 0:44:14 | 0:44:16 | |
-HE LAUGHS -That's a good point! | 0:44:16 | 0:44:18 | |
I'm here at Mochrum Castle in Dumfries and Galloway, | 0:44:25 | 0:44:27 | |
visiting the historic herd of Belted Galloway cattle. | 0:44:27 | 0:44:31 | |
The Mochrum herd is known all over the world, | 0:44:31 | 0:44:34 | |
thanks largely to the legendary breeder, Lady Flora Stewart. | 0:44:34 | 0:44:37 | |
She was passionate about the animals, | 0:44:37 | 0:44:39 | |
and took great pride in showing them. | 0:44:39 | 0:44:42 | |
It's a tradition that's being continued by current herd manager, | 0:44:42 | 0:44:46 | |
Helen Ryman. | 0:44:46 | 0:44:47 | |
Helen's got two prize specimens she's showing this summer. | 0:44:47 | 0:44:50 | |
-That's Lilac III. -Lilac? | 0:44:51 | 0:44:53 | |
-And this is Lila. -Lila and Lilac. | 0:44:54 | 0:44:56 | |
Right, so, just gently... | 0:44:57 | 0:44:59 | |
Just give her a good tug, and she'll come with you. | 0:44:59 | 0:45:01 | |
After a winter out in the mud and rain, | 0:45:02 | 0:45:05 | |
Lila and Lilac are not looking their best. | 0:45:05 | 0:45:08 | |
What's needed is a bit of farmyard pampering. | 0:45:08 | 0:45:11 | |
But they seem reluctant. | 0:45:11 | 0:45:13 | |
-The fact they're leaving their food is their biggest turmoil. -Yeah! | 0:45:13 | 0:45:16 | |
If I was dragged away at dinner time, | 0:45:16 | 0:45:18 | |
I'd have something to say about it, as well! | 0:45:18 | 0:45:21 | |
Helen's going to show me | 0:45:21 | 0:45:22 | |
the kind of preparation that happens on show days. | 0:45:22 | 0:45:26 | |
These ladies are soon to give birth, | 0:45:26 | 0:45:28 | |
but as soon as they get their figures back, | 0:45:28 | 0:45:29 | |
they'll be strutting their stuff in the show ring. | 0:45:29 | 0:45:32 | |
-There you go. -Right, got the tools. -Here's a set for you. | 0:45:34 | 0:45:36 | |
One of those, one of those. | 0:45:36 | 0:45:38 | |
OK. Can you just point out to me what it is that the judges will be | 0:45:38 | 0:45:43 | |
looking for when you take these to show? | 0:45:43 | 0:45:46 | |
She's got a good belt on her. | 0:45:46 | 0:45:47 | |
It's not too broad, | 0:45:47 | 0:45:49 | |
it doesn't go beyond here, and it's not too far forward. | 0:45:49 | 0:45:51 | |
Oh, I see. So it's nicely contained. | 0:45:51 | 0:45:53 | |
-Almost like a saddle there, isn't it? -It's nice. | 0:45:53 | 0:45:55 | |
A good, meaty cow. | 0:45:55 | 0:45:57 | |
She's got a lot of meat on her, and she's not fed. | 0:45:57 | 0:46:00 | |
This is just... She looks after herself by herself. | 0:46:00 | 0:46:03 | |
So, she's got plenty of butcher's... | 0:46:03 | 0:46:04 | |
-..cuts on her, as well, which is good. -Oh, OK! -Sorry. | 0:46:05 | 0:46:09 | |
-Yeah. -You come to her front, | 0:46:09 | 0:46:11 | |
she's got a nice broad muzzle here, and it's not too long down here. | 0:46:11 | 0:46:14 | |
That's what I find really attractive - how broad that is, | 0:46:14 | 0:46:17 | |
and the shaggy hair. | 0:46:17 | 0:46:18 | |
-It's lovely. -It's great. | 0:46:18 | 0:46:20 | |
A broad head means they've got more brains in there, as well. | 0:46:20 | 0:46:22 | |
That's the theory. Well, in my books, anyhow! | 0:46:22 | 0:46:25 | |
If only it was an intelligence test. | 0:46:26 | 0:46:29 | |
But to become a show winner, Lila really needs some beauty treatment. | 0:46:29 | 0:46:34 | |
So, what would you do to prepare her? | 0:46:34 | 0:46:36 | |
Just start brushing her out. | 0:46:36 | 0:46:38 | |
We can start at the front, work your way back. | 0:46:38 | 0:46:40 | |
I try to keep one hand on them at all times, and then you can... | 0:46:40 | 0:46:44 | |
You've always got a point of contact with them. | 0:46:44 | 0:46:46 | |
-Yeah. -So you can move about. | 0:46:46 | 0:46:48 | |
And just brush her out. Get all the... | 0:46:48 | 0:46:51 | |
It's just getting rid of some of the muck and some of the hair? | 0:46:51 | 0:46:53 | |
-And lifting the dead hair off her, as well. -Yeah, OK. | 0:46:53 | 0:46:56 | |
Now, this is all about showing them, isn't it, | 0:46:56 | 0:46:58 | |
because Mochrum Castle's actually a very private place, | 0:46:58 | 0:47:01 | |
-it's not open to the public. -Uh-huh. | 0:47:01 | 0:47:02 | |
But you are making sure the Mochrum herd are in the public eye. | 0:47:02 | 0:47:06 | |
It's just a good advert for the breed. | 0:47:06 | 0:47:08 | |
If you take these out to shows, and the public get to see them, | 0:47:08 | 0:47:11 | |
they get to see what you're talking about, | 0:47:11 | 0:47:13 | |
and they learn more about the environment and farming as well, | 0:47:13 | 0:47:17 | |
so it covers a lot of bases, and it's... | 0:47:17 | 0:47:18 | |
..good fun, as well. | 0:47:20 | 0:47:21 | |
Look at all that! Isn't that amazing? | 0:47:23 | 0:47:25 | |
We have the best bird nests anywhere, | 0:47:26 | 0:47:29 | |
because the little birds will take that off, | 0:47:29 | 0:47:31 | |
and they'll have black and white nests, and it's lovely. | 0:47:31 | 0:47:34 | |
-Gosh, it's a proper salon, isn't it? -Oh, it's lovely. | 0:47:41 | 0:47:43 | |
I'm jealous. | 0:47:43 | 0:47:44 | |
Going anywhere nice on holiday this year? | 0:47:44 | 0:47:47 | |
Really? | 0:47:47 | 0:47:48 | |
Oh, Highland Show! | 0:47:48 | 0:47:49 | |
Well, we've got Lila and Lilac looking fit for the show ring, | 0:47:50 | 0:47:54 | |
but will they behave on the catwalk? | 0:47:54 | 0:47:56 | |
So, it's one thing having them looking great, | 0:47:57 | 0:48:00 | |
but then you've got to show them off. | 0:48:00 | 0:48:01 | |
How important is halter training? | 0:48:01 | 0:48:03 | |
Well, it's important for the fact | 0:48:03 | 0:48:05 | |
that you want them to walk well in the ring. | 0:48:05 | 0:48:07 | |
You don't get judged on how they walk, | 0:48:07 | 0:48:09 | |
but it shows them off to a better advantage | 0:48:09 | 0:48:11 | |
if you can have them under control but walking freely, | 0:48:11 | 0:48:15 | |
their, kind of, head's up, they've relaxed, | 0:48:15 | 0:48:17 | |
and it's anything that you can do to attract the judge's eye | 0:48:17 | 0:48:19 | |
for the right reasons. | 0:48:19 | 0:48:21 | |
Helen needs her ladies as docile as a dog on a lead, | 0:48:22 | 0:48:25 | |
so her best belties need to be happy wearing a halter. | 0:48:25 | 0:48:28 | |
As far as they're concerned, they're going on a wee walk with their pal, | 0:48:29 | 0:48:32 | |
and they're going to get a wee treat at the end of it, | 0:48:32 | 0:48:34 | |
and they're happy with that. | 0:48:34 | 0:48:35 | |
They actually thoroughly enjoy the attention, they really do. | 0:48:35 | 0:48:38 | |
I mean, they lap it up! | 0:48:38 | 0:48:40 | |
-Also they look blinking good in the halter as well. -Yeah. -Eye-catching. | 0:48:41 | 0:48:44 | |
Helen makes it look easy. | 0:48:45 | 0:48:47 | |
As for me, I'm not sure who's halter training who. | 0:48:47 | 0:48:50 | |
-She's teaching you how to walk! -Yeah. Here we go. SHE LAUGHS | 0:48:50 | 0:48:54 | |
She's leading me round the corner again. | 0:48:54 | 0:48:56 | |
She's showing me off. I don't know what the judges would make of me, | 0:48:56 | 0:48:59 | |
but she's obviously very proud to be here with me. | 0:48:59 | 0:49:01 | |
Is that right? | 0:49:01 | 0:49:03 | |
-She's just a show-off. -OK. | 0:49:03 | 0:49:05 | |
THEY LAUGH | 0:49:05 | 0:49:06 | |
That's fortunate. | 0:49:06 | 0:49:08 | |
Whether these belties catch the judges' eye or not, | 0:49:08 | 0:49:11 | |
the Mochrum herd and the breed are today firmly in the limelight, | 0:49:11 | 0:49:15 | |
thanks to the hard work of Lady Flora Stewart | 0:49:15 | 0:49:18 | |
and those who followed in her footsteps. | 0:49:18 | 0:49:21 | |
We're in Dumfries and Galloway, the lowlands of Scotland. | 0:49:40 | 0:49:44 | |
Famed for its castle, its dark skies and its landscapes. | 0:49:44 | 0:49:49 | |
Here in the Galloway Forest Park, | 0:49:50 | 0:49:52 | |
there's a major conservation project underway. | 0:49:52 | 0:49:55 | |
Native trees are being returned to the high acres. | 0:49:55 | 0:49:58 | |
Species like juniper, rowan and sessile oak | 0:49:59 | 0:50:02 | |
are being grown from cuttings taken in the wild. | 0:50:02 | 0:50:05 | |
My job will be to plant these... | 0:50:10 | 0:50:13 | |
up there. | 0:50:13 | 0:50:14 | |
But before then, I'm meeting expert ecologist Dr Peter Hopkin, | 0:50:14 | 0:50:19 | |
to learn more about the kinds of trees that thrive at altitude. | 0:50:19 | 0:50:22 | |
Well, we're looking here at a spread of willows. | 0:50:24 | 0:50:27 | |
The Salix lapponum or downy willow, which is... | 0:50:27 | 0:50:31 | |
There's more downy willow growing in this mountain range here | 0:50:31 | 0:50:35 | |
than probably many other parts of Scotland. | 0:50:35 | 0:50:37 | |
It's a very local species and rare species, | 0:50:37 | 0:50:40 | |
and so, as a project, | 0:50:40 | 0:50:42 | |
we're saving it for the future. | 0:50:42 | 0:50:44 | |
This is my favourite. | 0:50:45 | 0:50:47 | |
I've always liked the juniper since I lived in the Hebrides. | 0:50:47 | 0:50:50 | |
This is a lovely species, an evergreen species. | 0:50:50 | 0:50:53 | |
And you'll like it, I'm sure. | 0:50:54 | 0:50:55 | |
It smells just like gin. | 0:50:55 | 0:50:56 | |
SHE LAUGHS | 0:50:56 | 0:50:58 | |
Is it that obvious? You know me well, Peter. | 0:50:58 | 0:51:00 | |
-It does! -It's gorgeous. | 0:51:00 | 0:51:02 | |
-That's lovely. -It's a really tough plant. | 0:51:02 | 0:51:05 | |
It's tough because it's close to the ground. | 0:51:05 | 0:51:08 | |
It can withstand extremes of temperature and high wind, | 0:51:08 | 0:51:12 | |
and of course, often, flames from the burning of the moor | 0:51:12 | 0:51:16 | |
will blow over the top of it, as well. | 0:51:16 | 0:51:18 | |
It demonstrates wonderfully | 0:51:18 | 0:51:20 | |
how it's going to look up on the mountain, but... | 0:51:20 | 0:51:22 | |
-Oh, you wait and see! -I think... They can't put it off any longer. | 0:51:22 | 0:51:25 | |
I'm going to have to get up there, aren't I, Peter? | 0:51:25 | 0:51:28 | |
Oh, yes, yes. It's quite a climb. | 0:51:28 | 0:51:30 | |
Right, where's the car? | 0:51:30 | 0:51:31 | |
THEY LAUGH | 0:51:31 | 0:51:33 | |
It takes a good half an hour in a 4x4 to get up the mountain. | 0:51:33 | 0:51:37 | |
The team at the top are already hard at it. | 0:51:37 | 0:51:40 | |
Expert plantsman James Short is in charge. | 0:51:40 | 0:51:43 | |
-Hi, James. -Hi, Anita. SHE CHUCKLES | 0:51:43 | 0:51:45 | |
-Is this what you call extreme gardening? -It is, yeah. | 0:51:45 | 0:51:48 | |
-This is incredible. -It is pretty extreme. | 0:51:48 | 0:51:50 | |
It is, isn't it, especially on a day like today. | 0:51:50 | 0:51:52 | |
-Is it dreich, is this the Scottish term, dreich? -It IS dreich. | 0:51:52 | 0:51:55 | |
So, I've seen the saplings down in the polytunnel. | 0:51:55 | 0:51:57 | |
I've seen the finished product you want to look like. | 0:51:57 | 0:52:00 | |
Tell me what you're doing up here. | 0:52:00 | 0:52:01 | |
I've just been doing a bit of planting. | 0:52:01 | 0:52:03 | |
The guys here have been doing some screefing, | 0:52:03 | 0:52:05 | |
where they take the turf away, and then we just plant the trees. | 0:52:05 | 0:52:08 | |
And how many have you planted so far? | 0:52:08 | 0:52:10 | |
On this site, there's over 100,000 in the ground now. | 0:52:10 | 0:52:14 | |
-100,000? -Yeah. -Brilliant. | 0:52:14 | 0:52:16 | |
Shall I have a try with that? That looks like a great instrument. | 0:52:16 | 0:52:19 | |
Down here, just, yep, that's it. | 0:52:19 | 0:52:21 | |
Right down at the footplate and then push it backwards and forwards. | 0:52:21 | 0:52:24 | |
-Like that. -Yes. -And then twist it round with both hands. | 0:52:25 | 0:52:28 | |
Yes! | 0:52:28 | 0:52:29 | |
-That's it. -This is so satisfying, isn't it? THEY LAUGH | 0:52:29 | 0:52:32 | |
Ready for one of the saplings to go in. | 0:52:32 | 0:52:34 | |
In you go. Good luck, sapling! | 0:52:34 | 0:52:36 | |
And we'll pat you down. | 0:52:36 | 0:52:38 | |
How many more have you got to do? | 0:52:38 | 0:52:40 | |
There's about 40,000 to go in still, so... | 0:52:40 | 0:52:42 | |
40,000? Better crack on, then, hadn't we? | 0:52:42 | 0:52:44 | |
-40,000. -There's a few to do(!) -Right, let's keep going! | 0:52:44 | 0:52:47 | |
I love it! | 0:52:57 | 0:52:58 | |
SHE LAUGHS | 0:52:58 | 0:52:59 | |
So how long do you expect before we'll see these develop into... | 0:53:04 | 0:53:08 | |
-..little willows? -In about ten years' time, | 0:53:08 | 0:53:10 | |
you'll start to see some mounds appear, little trees appearing. | 0:53:10 | 0:53:14 | |
So if I came back here in about 100, 200 years' time, | 0:53:14 | 0:53:17 | |
-the landscape would be very different. -It would, indeed, yeah. | 0:53:17 | 0:53:19 | |
There'd be lots of little trees everywhere. | 0:53:19 | 0:53:22 | |
And, yeah, lots of downy willow and juniper, as well. | 0:53:22 | 0:53:25 | |
Lots of hardcore, downy willow. | 0:53:25 | 0:53:29 | |
-Very hardcore. -Like you, James! | 0:53:29 | 0:53:31 | |
Well, I don't know about that! | 0:53:31 | 0:53:33 | |
Yeah. Maybe not. | 0:53:34 | 0:53:35 | |
I think so. Only 40,000 left to do! | 0:53:35 | 0:53:39 | |
THEY LAUGH | 0:53:39 | 0:53:40 | |
-It'll soon be tea-time. -THEY LAUGH | 0:53:41 | 0:53:43 | |
-Anita! -Joe! You made it up the mountain! | 0:53:46 | 0:53:49 | |
What are the chances of finding you in all the mist? | 0:53:49 | 0:53:51 | |
-Here we are. -Quite special, isn't it? | 0:53:51 | 0:53:52 | |
What a soggy pair we are, eh? | 0:53:52 | 0:53:54 | |
Oh, I know, but don't worry, warm-hearted, warm-hearted! | 0:53:54 | 0:53:56 | |
-This looks good. -There's a lot more to do, don't you worry. | 0:53:56 | 0:53:59 | |
You've come at just the right time. | 0:53:59 | 0:54:01 | |
That is it from Dumfries & Galloway. | 0:54:01 | 0:54:03 | |
We've had a spectacular time here, despite the weather. | 0:54:03 | 0:54:05 | |
Yes! And join us next week, when we'll be celebrating the life | 0:54:05 | 0:54:08 | |
and work of one William Shakespeare, | 0:54:08 | 0:54:10 | |
400 years after his death. | 0:54:10 | 0:54:11 | |
-DAME JUDI DENCH: -"This royal throne of kings, | 0:54:14 | 0:54:17 | |
"this sceptred isle. | 0:54:17 | 0:54:18 | |
"This blessed plot." | 0:54:20 | 0:54:22 | |
You can feel this place in Shakespeare's writings. | 0:54:24 | 0:54:27 | |
How about this, then? | 0:54:34 | 0:54:35 | |
-Oh, my word. -Isn't it wonderful? | 0:54:35 | 0:54:37 | |
-BILL PATERSON: -"All hail Macbeth. Thou shalt be king hereafter." | 0:54:41 | 0:54:45 | |
So, Joe, there's 40,000 to do, so we'll be here for a while. | 0:54:50 | 0:54:54 | |
-Join us next week. -Take care. | 0:54:54 | 0:54:55 | |
-Right, so, in? -Yep. Backwards and forwards. | 0:54:55 | 0:54:58 |