Browse content similar to Gloucestershire. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Winter in Gloucestershire. | 0:00:28 | 0:00:30 | |
Trees stand bare and sentinel, but spring is just around the corner, | 0:00:30 | 0:00:35 | |
bringing with it new life. | 0:00:35 | 0:00:37 | |
It's January, the time for out with the old and in with the new. | 0:00:37 | 0:00:41 | |
And here at Batsford Arboretum it's no exception. | 0:00:41 | 0:00:44 | |
With the help of this sonic hammer, | 0:00:44 | 0:00:46 | |
they can give their trees a health check and detect any sign of decay. | 0:00:46 | 0:00:50 | |
Ellie's flying high. | 0:00:52 | 0:00:54 | |
Here in the middle of the Gloucestershire countryside, | 0:00:56 | 0:00:59 | |
you wouldn't expect to see vultures, | 0:00:59 | 0:01:01 | |
but this place is the world authority | 0:01:01 | 0:01:03 | |
when it comes to birds of prey. | 0:01:03 | 0:01:06 | |
Tom's looking at a new law which has been introduced to tackle | 0:01:06 | 0:01:09 | |
the crisis of neglected and abandoned horses, | 0:01:09 | 0:01:12 | |
but not everybody's happy about the situation. | 0:01:12 | 0:01:15 | |
What were you going to say, sir? The council... | 0:01:15 | 0:01:19 | |
OK, for grazing, you mean? | 0:01:19 | 0:01:23 | |
And Adam's making a return visit | 0:01:24 | 0:01:26 | |
to one of the most inspirational young farmers he's ever met. | 0:01:26 | 0:01:30 | |
This year's Food & Farming Awards are upon us again. | 0:01:30 | 0:01:33 | |
I've travelled to Scotland | 0:01:33 | 0:01:35 | |
to catch up with one of last year's finalists, | 0:01:35 | 0:01:37 | |
Cameron Hendry, and to get the search | 0:01:37 | 0:01:40 | |
for Countryfile's 2016 Farming Hero underway. | 0:01:40 | 0:01:43 | |
The green, green grass of Gloucestershire. | 0:01:57 | 0:02:00 | |
Be it crops or flocks, | 0:02:00 | 0:02:02 | |
the rich earth here makes it the perfect county for growing things. | 0:02:02 | 0:02:07 | |
And with Adam's farm and Ellie's apple orchard | 0:02:07 | 0:02:10 | |
both in Gloucestershire, | 0:02:10 | 0:02:11 | |
it looks like my fellow Countryfile presenters agree. | 0:02:11 | 0:02:14 | |
But they're not the only ones to have put down roots here. | 0:02:16 | 0:02:19 | |
Trees seem to triumph in this Gloucestershire soil | 0:02:19 | 0:02:22 | |
and I've come to a place that is full of them. | 0:02:22 | 0:02:26 | |
Big and small. | 0:02:27 | 0:02:29 | |
Batsford Arboretum, near Moreton-in-Marsh, has been collecting | 0:02:30 | 0:02:34 | |
and caring for exotic tree species since the mid-19th century. | 0:02:34 | 0:02:38 | |
Head gardener Matthew Hall has been meeting the needs of the trees here | 0:02:38 | 0:02:42 | |
for more than 12 years. | 0:02:42 | 0:02:43 | |
-Hiya, Matthew, how are you doing? -Good, how are you doing? | 0:02:43 | 0:02:46 | |
Yeah, really good after a fantastic walk. What a place. | 0:02:46 | 0:02:49 | |
-Fantastic place, isn't it? -Yeah. What's this, for example? | 0:02:49 | 0:02:52 | |
Shishigashira, wonderful tree. | 0:02:52 | 0:02:53 | |
-Almost like big walking sticks, aren't they? -Beautiful. | 0:02:53 | 0:02:56 | |
So how many different trees...? | 0:02:56 | 0:02:58 | |
-Do you know how many trees you've got here? -We've got 3,000 trees. -Right. | 0:02:58 | 0:03:02 | |
In that lot, we would have about 1,600 individual, different trees, | 0:03:02 | 0:03:06 | |
different species of tree. | 0:03:06 | 0:03:08 | |
Some of them are obviously incredibly old, | 0:03:08 | 0:03:10 | |
so when did all this start and whose idea was it? | 0:03:10 | 0:03:13 | |
It goes back to about the 1870s, 1880s. | 0:03:13 | 0:03:17 | |
The arboretum was the brainchild of Victorian eccentric Lord Redesdale | 0:03:21 | 0:03:26 | |
after returning from diplomatic posts in Russia, China and Japan. | 0:03:26 | 0:03:31 | |
His love of the Orient inspired him to transform Batsford, | 0:03:31 | 0:03:34 | |
tearing out formal beds in favour of wild planting | 0:03:34 | 0:03:38 | |
and exotic trees. | 0:03:38 | 0:03:40 | |
Later owners expanded the collection, | 0:03:40 | 0:03:41 | |
but Redesdale's trees formed the backbone of the arboretum. | 0:03:41 | 0:03:45 | |
Are you now constantly evolving this place? Is it going to get bigger? | 0:03:47 | 0:03:51 | |
It's always evolving. We've added about another 15 acres. | 0:03:51 | 0:03:54 | |
We're planting about 70 or 80 plants a year. | 0:03:54 | 0:03:57 | |
We can't be a museum, we've got to move forward. | 0:03:57 | 0:04:00 | |
Trees come out, new ones go in, | 0:04:00 | 0:04:02 | |
so it's always evolving. | 0:04:02 | 0:04:05 | |
Among the dazzling array of species at Batsford | 0:04:05 | 0:04:07 | |
is an old tree which is now in a bad way. | 0:04:07 | 0:04:09 | |
Right, then, Matt, we've got this purple beech here | 0:04:09 | 0:04:12 | |
we've got a few problems with. | 0:04:12 | 0:04:14 | |
You've obviously been working on it already. | 0:04:14 | 0:04:16 | |
What's the situation with it? | 0:04:16 | 0:04:18 | |
Well, we've got bracket fungi on the graft line. | 0:04:18 | 0:04:20 | |
-You just see around there, a ganoderma. -Right. | 0:04:20 | 0:04:23 | |
Unfortunately, we've got an area of decay around the front. | 0:04:23 | 0:04:26 | |
Quite a lot of science going on in here as well. | 0:04:26 | 0:04:28 | |
We like a bit of science. | 0:04:28 | 0:04:30 | |
Got all these sensors on. Let's go have a look, see what's happening. | 0:04:30 | 0:04:34 | |
A team from Oxford University is using new technology that allows them | 0:04:35 | 0:04:39 | |
to look inside the trunk to see how bad the damage is, | 0:04:39 | 0:04:43 | |
like an X-ray for trees. | 0:04:43 | 0:04:45 | |
Ian Sherwood is the man with the scanner. | 0:04:45 | 0:04:47 | |
Right, then, Ian, this is all looking incredibly technical. | 0:04:48 | 0:04:51 | |
What's happening here? | 0:04:51 | 0:04:52 | |
-We're just doing a tomograph survey of the tree. -OK. | 0:04:52 | 0:04:55 | |
That sends sound waves through the tree and it gives you a reading | 0:04:55 | 0:04:59 | |
of what's going on inside the tree without actually drilling in. | 0:04:59 | 0:05:03 | |
The sensors are placed in a ring around the trunk. | 0:05:03 | 0:05:06 | |
Then each one is tapped in turn with Ian's sonic hammer. | 0:05:10 | 0:05:14 | |
Very Doctor Who! | 0:05:14 | 0:05:16 | |
He's got a sonic screwdriver, so between us, we can fix the TARDIS. | 0:05:18 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:23 | |
And no sci-fi set-up would be complete | 0:05:23 | 0:05:25 | |
without a slightly stroppy computer. | 0:05:25 | 0:05:28 | |
COMPUTER BUZZES | 0:05:28 | 0:05:29 | |
'Please tap again.' | 0:05:29 | 0:05:30 | |
COMPUTER BUZZES | 0:05:30 | 0:05:32 | |
'Please tap again.' | 0:05:32 | 0:05:34 | |
COMPUTER BUZZES | 0:05:34 | 0:05:36 | |
'Measurements at this spot have been recorded.' | 0:05:36 | 0:05:40 | |
Time to see just how rotten our tree is. | 0:05:40 | 0:05:43 | |
-There we go. -Right, so very colourful. | 0:05:43 | 0:05:45 | |
Yeah, it is very colourful. | 0:05:45 | 0:05:47 | |
Blue, that could be a cavity, or certainly very decayed wood. | 0:05:47 | 0:05:53 | |
The pink is still severe decay, but not quite so much, | 0:05:53 | 0:05:56 | |
so you can see the progression back through the trunk | 0:05:56 | 0:05:59 | |
-and it's actually quite extensive. -Yeah. | 0:05:59 | 0:06:02 | |
And, Matthew, this sad reality confirms what you were thinking. | 0:06:02 | 0:06:06 | |
This is quite sad, really, but, yeah, unfortunately, | 0:06:06 | 0:06:09 | |
it'll have to go. | 0:06:09 | 0:06:10 | |
Well, taking a tree down of this size is a specialist skill and later on, | 0:06:14 | 0:06:18 | |
I'm going to be seeing how they do it, but first, | 0:06:18 | 0:06:21 | |
right now across the country, there are thousands of neglected | 0:06:21 | 0:06:24 | |
and abandoned horses facing a winter outdoors. | 0:06:24 | 0:06:27 | |
It's a problem that's reached crisis levels over the last few years, | 0:06:27 | 0:06:31 | |
but as Tom's been finding out, | 0:06:31 | 0:06:33 | |
a new law could bring an end to that suffering. | 0:06:33 | 0:06:35 | |
A winter's morning in Yorkshire. | 0:06:41 | 0:06:43 | |
I'm on the road with Stockton-on-Tees council | 0:06:43 | 0:06:46 | |
animal welfare inspector Steve Gale. | 0:06:46 | 0:06:49 | |
His wide-ranging experience means other councils come to him | 0:06:49 | 0:06:53 | |
for advice on illegal grazing. | 0:06:53 | 0:06:56 | |
-There's a few just here. -Four there. | 0:06:56 | 0:06:59 | |
And sure enough, among the parked cars and playgrounds, horses, | 0:06:59 | 0:07:03 | |
more than a dozen of them. | 0:07:03 | 0:07:05 | |
And they're not tethered, are they? | 0:07:05 | 0:07:07 | |
Don't think so. | 0:07:07 | 0:07:08 | |
Those three, I don't think any of those could be tethered. | 0:07:08 | 0:07:12 | |
When owners turn their horses onto someone else's land for a free meal, | 0:07:13 | 0:07:17 | |
it's called fly-grazing. | 0:07:17 | 0:07:20 | |
But that's only half the problem. | 0:07:20 | 0:07:22 | |
It's also common for unwanted horses to be simply abandoned | 0:07:22 | 0:07:26 | |
and left on roadsides, fields or housing estates. | 0:07:26 | 0:07:29 | |
We're taking a closer look. | 0:07:31 | 0:07:33 | |
One of the horses is tethered by a rope pegged into the ground. | 0:07:33 | 0:07:37 | |
It's worn a clear circle, bare of any grass. | 0:07:37 | 0:07:41 | |
Is this a typical fly-grazing scene? | 0:07:41 | 0:07:43 | |
When we talk about fly-grazing, is this what we mean? | 0:07:43 | 0:07:46 | |
This is what we mean. | 0:07:46 | 0:07:47 | |
Probably illegally grazed on, I suspect, council land, | 0:07:47 | 0:07:50 | |
so it hasn't got the landowner's approval to be here. | 0:07:50 | 0:07:53 | |
We've got two loose horses which obviously in themselves | 0:07:53 | 0:07:56 | |
can cause problems, cos they are running around round the estate. | 0:07:56 | 0:08:00 | |
And as you can see from the ground, | 0:08:00 | 0:08:02 | |
the fact that it's tethered in one place, it's got no grazing. | 0:08:02 | 0:08:06 | |
It's not really got any water. | 0:08:06 | 0:08:08 | |
-MAN SHOUTS -Steve's visits are not always welcome | 0:08:08 | 0:08:11 | |
and as locals appear to check on their horses | 0:08:11 | 0:08:14 | |
and us, our police escort steps in. | 0:08:14 | 0:08:16 | |
What were you going to say, sir? The council should...? | 0:08:16 | 0:08:20 | |
OK, for grazing, you mean? | 0:08:21 | 0:08:24 | |
Hopefully, the mallet's just for the horse's tether. | 0:08:25 | 0:08:28 | |
What do you make of that? | 0:08:28 | 0:08:29 | |
Typical response, to be honest. | 0:08:30 | 0:08:33 | |
When a farmer wants some livestock, he buys the farm | 0:08:33 | 0:08:35 | |
and then he buys the animals, | 0:08:35 | 0:08:36 | |
but these guys tend to seem to do it differently. | 0:08:36 | 0:08:39 | |
They get the animals, then they're not sure where to graze them, | 0:08:39 | 0:08:42 | |
then they think it's our duty to provide them with some grazing. | 0:08:42 | 0:08:45 | |
So why are these horses here? | 0:08:45 | 0:08:48 | |
As other owners arrive, one local resident, Ian Gregory, | 0:08:48 | 0:08:52 | |
is keen to explain. | 0:08:52 | 0:08:54 | |
Why do you keep a horse as a pet? | 0:08:54 | 0:08:55 | |
Cos I might think I'll keep a cat or a dog, but a horse? | 0:08:55 | 0:08:58 | |
That's a big undertaking. | 0:08:58 | 0:09:00 | |
Well, for me, it's a hobby. | 0:09:00 | 0:09:04 | |
Do you know what I mean? I like it. | 0:09:04 | 0:09:07 | |
-It keeps me out all the time. -Mm-hm. | 0:09:07 | 0:09:09 | |
It gets me to do stuff where, like, | 0:09:09 | 0:09:12 | |
-a cat, it's different, innit, you know what I mean? -Yeah. | 0:09:12 | 0:09:15 | |
-But, like... -And you think you can do the job responsibly | 0:09:15 | 0:09:17 | |
-of keeping a horse, do you? -Oh, yeah, I know I can. | 0:09:17 | 0:09:20 | |
I've brought that one up. | 0:09:20 | 0:09:21 | |
-But do you actually own any pasture of your own? -Oh, no, no, no, no. | 0:09:21 | 0:09:25 | |
Do you think it's right to be just borrowing | 0:09:25 | 0:09:28 | |
or just going on to a bit of land and finding a bit of grazing? | 0:09:28 | 0:09:31 | |
Do you think that's right? | 0:09:31 | 0:09:32 | |
Truthful, I don't see the harm in it. | 0:09:32 | 0:09:34 | |
While Ian's pony Billy Boy seems in good health, | 0:09:36 | 0:09:39 | |
the RSPCA say fly-grazing is often linked to poor welfare. | 0:09:39 | 0:09:44 | |
They say it's a crisis involving thousands of horses. | 0:09:44 | 0:09:47 | |
But that's starting to change - first in Wales, | 0:09:50 | 0:09:53 | |
then last summer in England, | 0:09:53 | 0:09:54 | |
control of horses laws were introduced | 0:09:54 | 0:09:57 | |
which should mean happier outcomes for neglected animals. | 0:09:57 | 0:10:01 | |
The new legislation allows any landowner in England | 0:10:01 | 0:10:04 | |
and councils in Wales who find a horse on their property to seize it. | 0:10:04 | 0:10:08 | |
If it's not claimed, they can sell the animal or give it to charity. | 0:10:08 | 0:10:12 | |
Some of this work is being done by the RSPCA. | 0:10:13 | 0:10:16 | |
Increasingly, landowners are calling in equine bailiffs to do the job. | 0:10:16 | 0:10:21 | |
Spread out. | 0:10:25 | 0:10:28 | |
Concentrate on the left-hand side. | 0:10:28 | 0:10:30 | |
One company specialising in this area is Bristol-based GRC Bailiffs. | 0:10:30 | 0:10:35 | |
They travel the entire country seizing illegally grazed horses, | 0:10:35 | 0:10:39 | |
usually in the dead of night. | 0:10:39 | 0:10:41 | |
These are military-style operations involving horse experts | 0:10:42 | 0:10:46 | |
and security personnel. | 0:10:46 | 0:10:48 | |
Under the new law, seizing horses is relatively simple. | 0:10:48 | 0:10:51 | |
The legislation is a lot better now, | 0:10:52 | 0:10:55 | |
because it clarifies what landowners can do and how they can go about it. | 0:10:55 | 0:11:02 | |
In England, the bailiffs don't have to give notice. | 0:11:02 | 0:11:05 | |
They just round up the horses and if the owner wants them back, | 0:11:05 | 0:11:08 | |
they'll have to foot the bill for the whole operation. | 0:11:08 | 0:11:11 | |
It's hardly surprising this causes some ill feeling. | 0:11:11 | 0:11:15 | |
The team have asked us to disguise their identities | 0:11:15 | 0:11:18 | |
in case of repercussions. | 0:11:18 | 0:11:19 | |
The owners may turn up and try and interfere with the operation. | 0:11:19 | 0:11:23 | |
If someone starts screaming and shouting, | 0:11:23 | 0:11:25 | |
we'll never get the horses loaded. | 0:11:25 | 0:11:27 | |
We'd just rather come out early morning, later in the evening, | 0:11:27 | 0:11:30 | |
and get it done then without being interfered with. | 0:11:30 | 0:11:34 | |
It's a vanishing act that's not appreciated by the owners. | 0:11:34 | 0:11:38 | |
Have you ever had your horses seized by the council? | 0:11:40 | 0:11:43 | |
And what did you think about that? | 0:11:43 | 0:11:45 | |
Right, right. | 0:11:46 | 0:11:48 | |
Uh-huh. | 0:11:51 | 0:11:52 | |
He may not be happy, | 0:11:59 | 0:12:01 | |
but supporters say it is an effective | 0:12:01 | 0:12:03 | |
and fast way to remove horses. | 0:12:03 | 0:12:05 | |
It sounds perfect - a new power to seize horses | 0:12:09 | 0:12:13 | |
and deal with any welfare concerns, but there's a fly in the ointment. | 0:12:13 | 0:12:18 | |
What happens to all those rescued horses? | 0:12:18 | 0:12:21 | |
Well, the truth is, they don't all live a life in clover. | 0:12:21 | 0:12:25 | |
Indeed, some could end up being destroyed | 0:12:25 | 0:12:28 | |
and I'll be looking into that later. | 0:12:28 | 0:12:30 | |
Even in the depths of winter, | 0:12:39 | 0:12:41 | |
the beauty of the natural world is a sight to behold. | 0:12:41 | 0:12:45 | |
Light reflects off ice, | 0:12:45 | 0:12:48 | |
freezing mists enfold the land | 0:12:48 | 0:12:50 | |
and the low sun glints through silent woodlands. | 0:12:50 | 0:12:53 | |
These endless wonders of nature have inspired | 0:12:55 | 0:12:59 | |
and captured the imagination of artists for thousands of years. | 0:12:59 | 0:13:03 | |
Everything from beasts to bees, wild woods to weather. | 0:13:03 | 0:13:07 | |
Nature In Art is the name of the world's first gallery | 0:13:10 | 0:13:13 | |
dedicated exclusively to art that depicts nature. | 0:13:13 | 0:13:17 | |
Based here at Wallsworth Hall near Gloucester, | 0:13:17 | 0:13:20 | |
there's art and sculptures from all over the world. | 0:13:20 | 0:13:22 | |
-Simon, hello, good to meet you. -Welcome. -Thank you very much. | 0:13:24 | 0:13:27 | |
Good to see you. Come on in. | 0:13:27 | 0:13:28 | |
'Simon Trapnell is the director of the museum.' | 0:13:28 | 0:13:32 | |
Tell me a bit about the gallery. When did it first start? | 0:13:32 | 0:13:34 | |
We opened in 1988 | 0:13:34 | 0:13:37 | |
and the idea was born in 1982, that's when we had the dream. | 0:13:37 | 0:13:41 | |
Where did the dream come from? | 0:13:41 | 0:13:43 | |
I think the dream was the result, actually, of my mum. | 0:13:43 | 0:13:46 | |
I have to blame her. | 0:13:46 | 0:13:47 | |
She's an artist, always been inspired by nature, | 0:13:47 | 0:13:50 | |
and my father realised that most genres of art seemed | 0:13:50 | 0:13:53 | |
to have a natural home where you could go and celebrate | 0:13:53 | 0:13:56 | |
a particular style or school of work, but rather unbelievably, | 0:13:56 | 0:14:00 | |
there didn't seem to be anywhere | 0:14:00 | 0:14:02 | |
that focused exclusively on art inspired by nature. | 0:14:02 | 0:14:05 | |
He resolved, "Maybe we ought to try and plug that gap," | 0:14:05 | 0:14:08 | |
and Nature In Art is the plug. | 0:14:08 | 0:14:10 | |
Wonderful. Is there a particular philosophy that you live by today? | 0:14:10 | 0:14:14 | |
We want to celebrate what people expect - | 0:14:14 | 0:14:16 | |
maybe a Peter Scott or a David Shepherd or whatever. | 0:14:16 | 0:14:19 | |
I think we need to be a place too that gives people surprises | 0:14:19 | 0:14:22 | |
and they see things they don't expect. | 0:14:22 | 0:14:24 | |
And there's lots to see, | 0:14:27 | 0:14:29 | |
surprises at every turn, | 0:14:29 | 0:14:31 | |
art of all descriptions inspired by nature. | 0:14:31 | 0:14:35 | |
But for one young artist, the gallery itself is an inspiration. | 0:14:35 | 0:14:40 | |
-Hi, Holly. -Hi, Ellie. -What are you looking at here? | 0:14:40 | 0:14:43 | |
I think this is one of my favourite pieces in the whole gallery. | 0:14:43 | 0:14:47 | |
Why is it your favourite? | 0:14:47 | 0:14:48 | |
Well, I... | 0:14:48 | 0:14:49 | |
'Regular visits to this gallery | 0:14:49 | 0:14:51 | |
'to see works like this woodcut by George Tute | 0:14:51 | 0:14:54 | |
'has had a profound effect on 21-year-old artist Holly Brookes. | 0:14:54 | 0:14:58 | |
'But it's the world beyond the walls where she truly finds inspiration.' | 0:14:58 | 0:15:03 | |
What kind of thing do you normally look for? | 0:15:06 | 0:15:08 | |
Well, anything that really fires up my imagination, really. | 0:15:08 | 0:15:12 | |
I was here the other day | 0:15:12 | 0:15:13 | |
-and I saw these beautiful berries down here. -Yeah! | 0:15:13 | 0:15:16 | |
It's lovely to see really bright colours | 0:15:16 | 0:15:18 | |
with the sludgy winter palette, | 0:15:18 | 0:15:19 | |
-isn't it? -Definitely. It kind of livens up the landscape. | 0:15:19 | 0:15:22 | |
Yeah, absolutely. | 0:15:22 | 0:15:23 | |
But I think today I'm looking for something a bit wilder. | 0:15:23 | 0:15:26 | |
Oh, wow. | 0:15:38 | 0:15:39 | |
-These are beautiful in their natural forms here. -These? | 0:15:39 | 0:15:42 | |
These burs? | 0:15:42 | 0:15:43 | |
I wouldn't have even seen beauty here, | 0:15:43 | 0:15:45 | |
but now with looking at them in this light... | 0:15:45 | 0:15:47 | |
I think it's this lovely contrast we're getting of the very pale tones | 0:15:47 | 0:15:51 | |
and then this strong shadow coming in on the side here. | 0:15:51 | 0:15:54 | |
But would you create your art out here, | 0:15:54 | 0:15:56 | |
or try and take some of this back with you inside? | 0:15:56 | 0:15:59 | |
Well, I think what I would do first off is take a few quick shots. | 0:15:59 | 0:16:02 | |
CAMERA SHUTTER CLICKS | 0:16:02 | 0:16:04 | |
-Will you take a sketch as well while you're here? -Yes. | 0:16:04 | 0:16:07 | |
As long as I put down some marks on the page, | 0:16:07 | 0:16:10 | |
that will really help to bring this back to life for me | 0:16:10 | 0:16:14 | |
-when I look at them later on, I find that quite useful. -Yeah. | 0:16:14 | 0:16:18 | |
It was time spent by the sea that gave Holly the subject matter | 0:16:19 | 0:16:23 | |
for this picture, a razorbill caught in netting. | 0:16:23 | 0:16:27 | |
It won her a top prize | 0:16:27 | 0:16:28 | |
at an international wildlife art competition. | 0:16:28 | 0:16:32 | |
For your prize-winning piece of art, | 0:16:32 | 0:16:34 | |
what was the inspiration behind that? | 0:16:34 | 0:16:36 | |
I was studying in Aberystwyth at the time | 0:16:36 | 0:16:39 | |
and I went out walking after a series of very strong storms | 0:16:39 | 0:16:43 | |
and I just couldn't help noticing all these dead bird carcasses | 0:16:43 | 0:16:46 | |
washed up and there was this one in particular | 0:16:46 | 0:16:49 | |
that was all tangled up in this blue netting | 0:16:49 | 0:16:52 | |
and so there were these very vibrant colours | 0:16:52 | 0:16:54 | |
and I really thought that I could maybe emulate | 0:16:54 | 0:16:57 | |
some of the old Dutch still-life masters | 0:16:57 | 0:17:00 | |
and that's really what I was going for with this, | 0:17:00 | 0:17:02 | |
the contrast between life, death, beauty, brutality, | 0:17:02 | 0:17:06 | |
-with a kind of conservation message underlying it all. -Yeah. | 0:17:06 | 0:17:09 | |
Holly's meticulous work out in the field is just the start. | 0:17:13 | 0:17:17 | |
It takes hours and hours of intense effort | 0:17:17 | 0:17:20 | |
to turn her ideas into prints and drawings. | 0:17:20 | 0:17:23 | |
Why do you use nature as your subject matter? | 0:17:26 | 0:17:28 | |
As an environment to be working in, it's quite dynamic, | 0:17:28 | 0:17:31 | |
almost like a theatre production, really. | 0:17:31 | 0:17:34 | |
You've got either end of the emotional spectrum... | 0:17:34 | 0:17:36 | |
-Yeah. -..played out before you in nature. | 0:17:36 | 0:17:38 | |
For me, with my love of detail and texture, | 0:17:38 | 0:17:42 | |
there's just endless variety in the natural world to work with, | 0:17:42 | 0:17:46 | |
so I don't know, really. | 0:17:46 | 0:17:47 | |
Ultimately, I guess, it just captures my imagination. | 0:17:47 | 0:17:51 | |
These are absolutely extraordinary and so intricate. | 0:17:59 | 0:18:04 | |
Because I love the natural world, | 0:18:04 | 0:18:07 | |
artists who manage to capture a moment of nature frozen in time | 0:18:07 | 0:18:12 | |
makes me appreciate it all the more. | 0:18:12 | 0:18:15 | |
Now, here's our weekly winter warmer to beat the season's chill. | 0:18:20 | 0:18:25 | |
Last summer, | 0:18:25 | 0:18:26 | |
we asked some well-known faces, from athletes to comedians... | 0:18:26 | 0:18:30 | |
Oh, it's quite refreshing after a while. | 0:18:30 | 0:18:33 | |
..actresses to chefs... | 0:18:33 | 0:18:37 | |
Bon appetit. | 0:18:37 | 0:18:38 | |
..what part of our magnificent countryside was special to them. | 0:18:38 | 0:18:42 | |
This week we're in Pembrokeshire with comedian Josh Widdicombe, | 0:18:48 | 0:18:52 | |
taking a trip down memory lane to his treasured family holidays. | 0:18:52 | 0:18:56 | |
I came on family holidays | 0:19:06 | 0:19:09 | |
for almost a decade, from the age of six to 16. | 0:19:09 | 0:19:12 | |
I spent two weeks of summer round the beaches around Pembroke town. | 0:19:12 | 0:19:16 | |
I can kind of make anything nostalgic, | 0:19:23 | 0:19:25 | |
so this is quite a confronting thing, coming back here, | 0:19:25 | 0:19:28 | |
cos I might find out it was rubbish | 0:19:28 | 0:19:29 | |
and it's just me pretending in my mind it was good. | 0:19:29 | 0:19:32 | |
This is the campsite I used to camp on with my parents. | 0:19:39 | 0:19:43 | |
St Petrox Camp Site. | 0:19:43 | 0:19:46 | |
I have no idea how we found it in the time before internet, | 0:19:46 | 0:19:49 | |
but once we decided we liked it, we'd do it every year, | 0:19:49 | 0:19:52 | |
which was kind of our attitude to everything. | 0:19:52 | 0:19:54 | |
When we'd be putting up our tent, we'd listen to music. | 0:19:59 | 0:20:03 | |
Obviously, 1995, | 0:20:03 | 0:20:05 | |
I vividly remember buying Country House to help Blur beat Oasis. | 0:20:05 | 0:20:09 | |
But it wasn't always that cool. | 0:20:11 | 0:20:13 | |
I remember the year when we had Donald, Where's Your Troosers? | 0:20:13 | 0:20:16 | |
The great thing about a tent is however wrong you get it, | 0:20:20 | 0:20:24 | |
really, you know, it's never going to be a pleasure | 0:20:24 | 0:20:26 | |
even if you get it right, | 0:20:26 | 0:20:28 | |
so it doesn't really matter if you get it wrong. | 0:20:28 | 0:20:31 | |
It's going to be an uncomfortable night. | 0:20:31 | 0:20:34 | |
I think we can all agree that move | 0:20:37 | 0:20:39 | |
was absolutely astonishing use of the wind. | 0:20:39 | 0:20:41 | |
PUMP SQUEAKS | 0:20:41 | 0:20:43 | |
This is suspicious, isn't it? | 0:20:45 | 0:20:47 | |
I wonder whether I'll get to sleep in that. | 0:20:49 | 0:20:51 | |
OWL HOOTS | 0:20:54 | 0:20:56 | |
I'm very tired, so that's a bonus. | 0:20:56 | 0:20:59 | |
KETTLE WHISTLES | 0:21:01 | 0:21:03 | |
I think I'm going to quit camping while I'm ahead now. | 0:21:07 | 0:21:09 | |
I've done it, I slept all right, | 0:21:09 | 0:21:11 | |
I only woke up every two hours, | 0:21:11 | 0:21:13 | |
then I had a nice shower and now I've got some Honey Nut Loops. | 0:21:13 | 0:21:17 | |
Life is seven out of ten. | 0:21:18 | 0:21:20 | |
I'm enjoying it. | 0:21:20 | 0:21:21 | |
When we'd come to Broad Haven Beach, which was our beach of choice, | 0:21:30 | 0:21:33 | |
there was this amazing walk along these lily ponds. | 0:21:33 | 0:21:36 | |
It's unbelievably nice, isn't it? | 0:21:38 | 0:21:40 | |
I... I... | 0:21:41 | 0:21:43 | |
The weird thing is the bit I remember most about this | 0:21:43 | 0:21:46 | |
is this bridge with the handle on one side. | 0:21:46 | 0:21:49 | |
Perilous. | 0:21:49 | 0:21:50 | |
Surely they can afford two handles. | 0:21:50 | 0:21:52 | |
It's the best way to get to any beach. | 0:21:55 | 0:21:58 | |
Obviously, it means once you're on the beach, you're on the beach. | 0:22:00 | 0:22:03 | |
If you need to go to the toilet, it's a dune or the sea. | 0:22:03 | 0:22:06 | |
It's much bigger than I remember. | 0:22:10 | 0:22:12 | |
I mainly remember the wind. | 0:22:18 | 0:22:21 | |
My parents having to buy a windbreak and you'd put it, | 0:22:21 | 0:22:24 | |
hammer it into the beach and you'd basically be sheltering | 0:22:24 | 0:22:27 | |
as the wind hit you and it's not particularly relaxing. | 0:22:27 | 0:22:32 | |
Roll up your trousers, Brits on holiday. | 0:22:32 | 0:22:34 | |
Definitely played cricket on the beach, | 0:22:38 | 0:22:39 | |
that's my main memory of that. | 0:22:39 | 0:22:41 | |
Oh, he's gone! | 0:22:43 | 0:22:45 | |
Ooh! | 0:22:45 | 0:22:46 | |
Very low bounce. | 0:22:46 | 0:22:49 | |
'All the things you imagine you'd do on a British holiday on the beach.' | 0:22:49 | 0:22:52 | |
Oh, that is so cold! | 0:22:52 | 0:22:55 | |
It can't always have been this cold. That is un... | 0:22:55 | 0:22:57 | |
I mean, that's... | 0:22:57 | 0:22:59 | |
That's colder than a cold shower. | 0:22:59 | 0:23:01 | |
HE YELPS | 0:23:01 | 0:23:02 | |
Bracing. | 0:23:02 | 0:23:04 | |
Oh, it's quite refreshing after a while. | 0:23:04 | 0:23:06 | |
Kind of about four or five when the sun's coming down, | 0:23:10 | 0:23:14 | |
we'd go from the beach. At the other end of the lily ponds is a tearoom, | 0:23:14 | 0:23:20 | |
actually called, I think, Ye Olde Cafe. | 0:23:20 | 0:23:23 | |
I remember a big controversy when one year, | 0:23:33 | 0:23:36 | |
they replaced clotted cream with squirty cream on their cream teas | 0:23:36 | 0:23:40 | |
and I now feel genuinely worried thinking about that | 0:23:40 | 0:23:43 | |
as to whether it'll be clotted or squirty if we go back now. | 0:23:43 | 0:23:47 | |
I'm going to be gutted if it's squirty. | 0:23:47 | 0:23:49 | |
It's just not the same, is it? | 0:23:49 | 0:23:50 | |
Thank you. | 0:23:51 | 0:23:53 | |
Cheers. | 0:23:56 | 0:23:57 | |
-Cheers, thank you. -You're welcome. | 0:23:57 | 0:23:59 | |
I mean, it's classic Cornish clotted cream. | 0:24:02 | 0:24:05 | |
That's exactly what you're looking for, isn't it? | 0:24:06 | 0:24:09 | |
There's a lot of debate over | 0:24:09 | 0:24:11 | |
whether you put the jam or the cream on first. | 0:24:11 | 0:24:14 | |
Quite high-level debate as well | 0:24:14 | 0:24:17 | |
and you've got to go jam first. The cream is the best bit. | 0:24:17 | 0:24:21 | |
It's not just a replacement for butter. | 0:24:21 | 0:24:23 | |
When you look back nostalgically on something, | 0:24:35 | 0:24:38 | |
you probably imagined it differently or time has changed it in your head, | 0:24:38 | 0:24:43 | |
but it was exactly the same, really. | 0:24:43 | 0:24:45 | |
It's a really, really nice place. | 0:24:49 | 0:24:51 | |
I'm glad it is, cos I don't think it would have needed to be | 0:24:51 | 0:24:53 | |
that nice a place, cos I think it was the circumstance | 0:24:53 | 0:24:56 | |
that made it nice and the family holiday. | 0:24:56 | 0:24:58 | |
But it just happens that... I mean, that beach | 0:24:58 | 0:25:00 | |
is way better than so many beaches. | 0:25:00 | 0:25:04 | |
It's such a nice beach. | 0:25:07 | 0:25:09 | |
I'm very lucky, really, to have got to go there. | 0:25:09 | 0:25:13 | |
Maybe too many years in a row. Could have mixed it up a bit, | 0:25:13 | 0:25:17 | |
but it's very nice. | 0:25:17 | 0:25:19 | |
Earlier, we heard how new laws have been brought in | 0:25:26 | 0:25:29 | |
to tackle the problem of thousands of abandoned and neglected horses. | 0:25:29 | 0:25:34 | |
But as Tom's been finding out, | 0:25:34 | 0:25:36 | |
these new powers aren't without their problems. | 0:25:36 | 0:25:39 | |
HORSE WHINNIES | 0:25:43 | 0:25:46 | |
Illegally grazing on someone else's land or simply abandoned - | 0:25:46 | 0:25:50 | |
it's a crisis affecting thousands of horses. | 0:25:50 | 0:25:53 | |
Some are a nuisance, many have welfare issues. | 0:25:53 | 0:25:56 | |
But new laws have made it easier for councils | 0:25:58 | 0:26:01 | |
and welfare organisations to do something about it. | 0:26:01 | 0:26:05 | |
They can seize illegally grazed horses and the RSPCA say | 0:26:05 | 0:26:09 | |
they are re-homing more than ever, so where are they all ending up? | 0:26:09 | 0:26:15 | |
The lucky ones come to places like this, | 0:26:20 | 0:26:22 | |
World Horse Welfare in Norwich, | 0:26:22 | 0:26:24 | |
which re-homes neglected and abandoned horses. | 0:26:24 | 0:26:27 | |
The little one having fun in here. | 0:26:27 | 0:26:30 | |
This lively chap is Huckleberry, | 0:26:30 | 0:26:33 | |
one of the first horses seized under the new legislation in England. | 0:26:33 | 0:26:37 | |
Jacko Jackson helped to rescue him. | 0:26:37 | 0:26:39 | |
Some viewers may find his photos distressing. | 0:26:39 | 0:26:42 | |
So tell me the story of Huckleberry before he came here. | 0:26:42 | 0:26:45 | |
He was found initially in Suffolk. | 0:26:45 | 0:26:48 | |
Lots of reports about him and a friend, another horse, | 0:26:48 | 0:26:52 | |
being dumped on land. By the time we got to them, the friend was dead. | 0:26:52 | 0:26:57 | |
And what was that scene like when you arrived? | 0:26:57 | 0:27:01 | |
It was just bones and lots of maggots. | 0:27:01 | 0:27:04 | |
What did you feel when you walked in to the field and saw him | 0:27:04 | 0:27:07 | |
and what was his friend now dead on the ground? | 0:27:07 | 0:27:09 | |
Initially, I was glad that we'd found him, | 0:27:09 | 0:27:12 | |
but having seen the dead one, um, | 0:27:12 | 0:27:15 | |
we were going to move heaven and earth to get him out of there. | 0:27:15 | 0:27:20 | |
He needed to live. And live like a proper equine. | 0:27:20 | 0:27:23 | |
And now you can see him living life to the full, | 0:27:23 | 0:27:27 | |
-what do you think about that? -We did the right thing. | 0:27:27 | 0:27:31 | |
No two ways about that. And this Act has enabled it to happen. | 0:27:31 | 0:27:35 | |
But not all horses seized under the new law have happy endings | 0:27:38 | 0:27:42 | |
like Huckleberry. For others, being rescued is the end of the road | 0:27:42 | 0:27:46 | |
and they are humanely destroyed. | 0:27:46 | 0:27:49 | |
And that might come as a shock to some, | 0:27:49 | 0:27:51 | |
to hear that if you complain about | 0:27:51 | 0:27:54 | |
a fly-grazed or neglected horse, | 0:27:54 | 0:27:56 | |
it could end up being rounded up, but then put down. | 0:27:56 | 0:27:59 | |
As Britain's main animal welfare charity, the RSPCA lobbied | 0:28:01 | 0:28:05 | |
for this tough new legislation, so how do they feel about it now? | 0:28:05 | 0:28:09 | |
The new law was necessary because we had 3,000-3,500 horses | 0:28:10 | 0:28:13 | |
being illegally kept on other people's land and the RSPCA and | 0:28:13 | 0:28:17 | |
other horse welfare organisations | 0:28:17 | 0:28:19 | |
were having to pick up the pieces. | 0:28:19 | 0:28:21 | |
So now you've got the law, you think there are roughly 3,500 | 0:28:21 | 0:28:24 | |
or so horses out there that could be helped by this? | 0:28:24 | 0:28:27 | |
The good news is the law has been in place for six months now. | 0:28:27 | 0:28:31 | |
Many local authorities are already using it. | 0:28:31 | 0:28:34 | |
We reckon the number of horses that have already been removed is | 0:28:34 | 0:28:37 | |
probably in the hundreds, so actually it's a really good | 0:28:37 | 0:28:41 | |
example of a piece of law that's working. | 0:28:41 | 0:28:43 | |
Do you have any idea roughly what proportion end up being euthanised? | 0:28:43 | 0:28:47 | |
I think it would be round about half would be euthanised. | 0:28:47 | 0:28:50 | |
And how happy do you think the public are with that fact? | 0:28:50 | 0:28:54 | |
Many of these horses are suffering anyway, | 0:28:54 | 0:28:56 | |
not just cruelly treated, but they're in problem places, they | 0:28:56 | 0:28:59 | |
could be next to a road or railway line - that's a real danger. | 0:28:59 | 0:29:03 | |
So, if you can accept that half of all seized horses are put down, | 0:29:11 | 0:29:16 | |
then you might think that the end of the horse crisis is in sight. | 0:29:16 | 0:29:20 | |
But you might have to think again. | 0:29:20 | 0:29:23 | |
That's because there's a catch | 0:29:25 | 0:29:26 | |
and it all comes down to money. | 0:29:26 | 0:29:28 | |
He looks well. He's obviously got grazing. | 0:29:28 | 0:29:32 | |
Back on the road, council animal welfare officer Steve Gale | 0:29:32 | 0:29:35 | |
is with horse owner Ian, who we met earlier. | 0:29:35 | 0:29:38 | |
-Have you got some swivels on your chain? -Yeah. -Yeah? | 0:29:38 | 0:29:41 | |
-What are the swivels...? -To stop the chain knotting up. | 0:29:41 | 0:29:44 | |
What can happen, with the horse going round and round, | 0:29:44 | 0:29:47 | |
it can get a knot in the chain. | 0:29:47 | 0:29:49 | |
Is that the only one you've got? | 0:29:49 | 0:29:50 | |
-You should have two. -There's one at the top. | 0:29:50 | 0:29:54 | |
Steve's handing out advice, not sanctions, | 0:29:54 | 0:29:57 | |
and there's a good reason for that. | 0:29:57 | 0:29:59 | |
So you've got the new law and the power to take them away, | 0:29:59 | 0:30:02 | |
but does that mean the problem is solved? | 0:30:02 | 0:30:05 | |
I wish it was as simple as that, Tom. | 0:30:05 | 0:30:07 | |
The problem is, it's the cost of actually upholding the law | 0:30:07 | 0:30:10 | |
and trying to enforce it. | 0:30:10 | 0:30:12 | |
The average ballpark figure with an equine bill | 0:30:12 | 0:30:15 | |
is 1,000 or £1,500 | 0:30:15 | 0:30:17 | |
per horse to take it away and look after it for four days. | 0:30:17 | 0:30:21 | |
Which obviously, if you've got a huge problem within your local | 0:30:21 | 0:30:24 | |
authority area, it can be quite burdensome on that local authority. | 0:30:24 | 0:30:27 | |
Mm-hm. And local authorities are enduring a lot of cuts | 0:30:27 | 0:30:29 | |
-and more in the pipeline. -Yes. | 0:30:29 | 0:30:31 | |
What are your worries there? | 0:30:31 | 0:30:33 | |
That some local authorities won't see it as a priority | 0:30:33 | 0:30:36 | |
and something they don't have to do. | 0:30:36 | 0:30:38 | |
I would urge local authorities to try and keep on board with this, | 0:30:38 | 0:30:42 | |
because if we relax a little bit, | 0:30:42 | 0:30:44 | |
probably a huger cost in the future, | 0:30:44 | 0:30:46 | |
when the situation is out of control. | 0:30:46 | 0:30:48 | |
With bailiff fees of well over £1,000 a time, | 0:30:48 | 0:30:52 | |
it's likely many fly-grazing horses | 0:30:52 | 0:30:55 | |
won't be a priority for removal | 0:30:55 | 0:30:57 | |
unless there is evidence of serious welfare problems. | 0:30:57 | 0:31:01 | |
With threats over future funding to enforce the new law, there's | 0:31:01 | 0:31:05 | |
a danger this apparently effective measure could be undermined. | 0:31:05 | 0:31:10 | |
The battle against illegal grazing and neglect is far from over. | 0:31:10 | 0:31:15 | |
We'd like to know whether abandoned or fly-grazed horses | 0:31:16 | 0:31:19 | |
are a problem in your area. | 0:31:19 | 0:31:21 | |
And if you think they should be taken away. | 0:31:21 | 0:31:23 | |
Let us know via our website or join the conversation on Twitter. | 0:31:23 | 0:31:27 | |
I'm in glorious Gloucestershire, at Batsford Arboretum, | 0:31:34 | 0:31:37 | |
a sanctuary for tree species from all over the world. | 0:31:37 | 0:31:42 | |
Earlier on, we scanned this ancient tree | 0:31:42 | 0:31:44 | |
and discovered it was too rotten inside to be structurally stable. | 0:31:44 | 0:31:47 | |
Well, now it is time to watch this tree come down, so, Matthew, | 0:31:48 | 0:31:52 | |
-what's the plan? -Well, we'll get the cherry picker in, | 0:31:52 | 0:31:56 | |
take it down in small sections to a height where we can fell it in one. | 0:31:56 | 0:32:00 | |
Obviously, there's been quite a bit of work happening already. | 0:32:00 | 0:32:03 | |
Yep. We had it all skimmed up, | 0:32:03 | 0:32:05 | |
so we'll just step back and see how they get on. | 0:32:05 | 0:32:08 | |
We'll let them get going. | 0:32:08 | 0:32:10 | |
Even though it's been cut down, this beech will live on, | 0:32:38 | 0:32:41 | |
by helping other trees to thrive. | 0:32:41 | 0:32:43 | |
The waste wood is chipped... | 0:32:44 | 0:32:47 | |
and used to protect other newly-planted saplings. | 0:32:47 | 0:32:50 | |
All part of the cycle of life, death and rebirth at Batsford. | 0:32:52 | 0:32:57 | |
Ah, it's a brilliant bit of kit, this! | 0:32:57 | 0:32:59 | |
Just watch it disappear. | 0:33:03 | 0:33:05 | |
Look at the size of this one, here we go! | 0:33:09 | 0:33:11 | |
-Unbelievable. -Best piece of kit you could ever have. | 0:33:16 | 0:33:20 | |
Well, this deadwood is not the end of the story. | 0:33:21 | 0:33:24 | |
Later on, I'll be planting some new species that will be taking root | 0:33:24 | 0:33:28 | |
in 2016, and talking of looking ahead to the rest of the year, | 0:33:28 | 0:33:31 | |
if you haven't got your Countryfile calendar, | 0:33:31 | 0:33:33 | |
sold in aid of Children In Need, yet, just go to the website... | 0:33:33 | 0:33:39 | |
For all of the details. | 0:33:39 | 0:33:41 | |
Was I shouting then? Think I might have been! | 0:33:41 | 0:33:44 | |
The BBC's Food And Farming Awards for 2016 are underway. | 0:33:48 | 0:33:52 | |
As part of it, Countryfile is looking for its next Farming Hero. | 0:33:52 | 0:33:57 | |
Someone who you think embodies the best of British farming. | 0:33:57 | 0:34:00 | |
Here's Adam with more. | 0:34:00 | 0:34:02 | |
Last year's search threw up hundreds of great nominations. | 0:34:03 | 0:34:07 | |
In the end, it came down to just three. | 0:34:07 | 0:34:10 | |
Cameron Hendry was one of them. | 0:34:10 | 0:34:12 | |
At just 17, he found himself running the family farm | 0:34:12 | 0:34:16 | |
after his dad's untimely death. | 0:34:16 | 0:34:18 | |
We were all incredibly impressed with the work that Cameron | 0:34:20 | 0:34:24 | |
and his family are doing in what is extremely challenging farming | 0:34:24 | 0:34:27 | |
countryside. We've arranged some special extra farming help, Cameron. | 0:34:27 | 0:34:32 | |
They'll come and help you on the farm over this next year | 0:34:32 | 0:34:35 | |
and help you get through this difficult coming year ahead. | 0:34:35 | 0:34:39 | |
Cameron was certainly a worthy finalist. And he won | 0:34:50 | 0:34:53 | |
the hearts of many through his determination and bravery | 0:34:53 | 0:34:57 | |
and me and the other judges were moved by the way | 0:34:57 | 0:35:00 | |
he took on a 2,500-acre family hill farm after | 0:35:00 | 0:35:04 | |
the sudden death of his father on Christmas Day in 2014. | 0:35:04 | 0:35:08 | |
A year down the line, I've travelled back up to | 0:35:14 | 0:35:16 | |
Cameron's farm in Perthshire to see how he's getting on. | 0:35:16 | 0:35:19 | |
Cameron might have taken on the lion's share of the work, | 0:35:22 | 0:35:24 | |
but it's his mum, Marianne, that's been holding the family together. | 0:35:24 | 0:35:28 | |
I'm meeting her first, to find out how they've all been coping. | 0:35:29 | 0:35:32 | |
-Marianne... -Hello, how are you? | 0:35:33 | 0:35:35 | |
-Good to see you again! -And you. | 0:35:35 | 0:35:37 | |
-Aah, these are lovely. -Yep. | 0:35:37 | 0:35:39 | |
So, how are things? It's been, what, | 0:35:39 | 0:35:41 | |
-nearly a year now since your husband passed away. -Yes. | 0:35:41 | 0:35:44 | |
-Was 2015 tough? -Very, absolutely. | 0:35:44 | 0:35:47 | |
There's no easy way to describe it, | 0:35:47 | 0:35:50 | |
it's been our worst year, I have to say. | 0:35:50 | 0:35:52 | |
Apart from all the hard work, | 0:35:52 | 0:35:55 | |
all the actual physical work, | 0:35:55 | 0:35:57 | |
having to do it without a husband and a dad has been really difficult. | 0:35:57 | 0:36:01 | |
I was very impressed with Cameron when I met him a year ago. | 0:36:03 | 0:36:06 | |
-How has he been getting on? -Great. | 0:36:06 | 0:36:08 | |
Yeah, he's amazing. | 0:36:08 | 0:36:10 | |
He's an amazing person. | 0:36:10 | 0:36:11 | |
He's extremely driven, | 0:36:11 | 0:36:13 | |
he's got the temperament of his dad. | 0:36:13 | 0:36:16 | |
Grumpy at times, | 0:36:16 | 0:36:18 | |
moody like any normal teenager! | 0:36:18 | 0:36:20 | |
But that also got him through. | 0:36:20 | 0:36:22 | |
Works very hard and apart from all the hard work, obviously then | 0:36:23 | 0:36:27 | |
having to do it without your dad is a different matter altogether. | 0:36:27 | 0:36:31 | |
-So he just hasn't had his dad to share it with. -No. | 0:36:31 | 0:36:34 | |
There's nothing like your dad to actually have a good old | 0:36:39 | 0:36:43 | |
man-to-man with, and ask him for advice, and that's gone. | 0:36:43 | 0:36:47 | |
And you, as a mum... | 0:36:54 | 0:36:55 | |
I suppose you're having to be a bit of a rock and hold the fort. | 0:36:55 | 0:36:58 | |
Yeah, I've had to turn into Mum and Dad at the same time | 0:36:58 | 0:37:02 | |
and I'm an OK mum, I think, but I'm a rubbish dad, I've decided. Um, | 0:37:02 | 0:37:06 | |
but we're working on it. | 0:37:06 | 0:37:07 | |
It's difficult. | 0:37:07 | 0:37:09 | |
He's almost taken over the role of the dad at times in the house. | 0:37:09 | 0:37:13 | |
Which is upsetting for a mum to see. | 0:37:13 | 0:37:16 | |
But at the same time, it's endearing as well, | 0:37:16 | 0:37:19 | |
it's quite lovely to see how we've all pulled together as a family. | 0:37:19 | 0:37:22 | |
Without Marianne's support, Cameron would have undoubtedly struggled. | 0:37:26 | 0:37:30 | |
But the promised help has been arriving. | 0:37:30 | 0:37:32 | |
-Hi, Cameron. -Hiya. -Good to see you. Thank you. | 0:37:35 | 0:37:39 | |
Agricultural consultant Kevin Stewart has been helping them | 0:37:39 | 0:37:43 | |
plan for the future. | 0:37:43 | 0:37:45 | |
-Adam, this is Kevin. -Hi, Kevin, good to see you. | 0:37:45 | 0:37:48 | |
I hear it's been a pretty busy time on the farm? | 0:37:49 | 0:37:52 | |
How are you getting on with the consultancy? What are the plans? | 0:37:52 | 0:37:56 | |
The great thing about Cameron is he keeps coming up with opportunities, | 0:37:56 | 0:38:00 | |
so what my job effectively is is to be that sounding board. | 0:38:00 | 0:38:03 | |
You've got your head down, haven't you, | 0:38:03 | 0:38:05 | |
working with the sheep and the cows. | 0:38:05 | 0:38:08 | |
Quite difficult sometimes to come up with a business plan | 0:38:08 | 0:38:11 | |
-and look at the books carefully. -Definitely. | 0:38:11 | 0:38:13 | |
It's great to have another pair of eyes there to see what other | 0:38:13 | 0:38:17 | |
opportunities there are out there for us. | 0:38:17 | 0:38:20 | |
Because most of the time, you're so bogged down in work, you don't | 0:38:20 | 0:38:23 | |
have time to think about that sort of stuff. | 0:38:23 | 0:38:25 | |
When I was here last, Cameron, it was a beautiful, almost spring day. | 0:38:41 | 0:38:45 | |
It's a bit different now! | 0:38:45 | 0:38:47 | |
No, it's still a good day round here, | 0:38:47 | 0:38:49 | |
but it's a wee bit rougher since the last time you were here. | 0:38:49 | 0:38:52 | |
And it looks like a pretty hard farm to work. | 0:38:52 | 0:38:55 | |
Yes, it is a hard farm to work. | 0:38:55 | 0:38:57 | |
We just have to cope with the weather conditions | 0:38:57 | 0:38:59 | |
and just keep going with it. | 0:38:59 | 0:39:01 | |
And how are you feeling a year on? | 0:39:01 | 0:39:03 | |
It's been really tough, | 0:39:03 | 0:39:05 | |
but we're just staying positive and carrying on. | 0:39:05 | 0:39:08 | |
Just take every day as it comes. | 0:39:08 | 0:39:10 | |
What you've gone through, Cameron, to still be so positive | 0:39:10 | 0:39:13 | |
about it, you're still a real farming hero for me, so well done. | 0:39:13 | 0:39:17 | |
Like a true farming hero, Cameron is not resting on his laurels. | 0:39:23 | 0:39:28 | |
He's already slimmed down his beef herd from 800 to around 80 cattle. | 0:39:28 | 0:39:33 | |
It's quality, not quantity that matters. | 0:39:33 | 0:39:36 | |
So now he's looking to establish a herd of pedigree Luing cattle. | 0:39:36 | 0:39:39 | |
Charles Symons and Ted Fox are from the Luing Cattle Association. | 0:39:41 | 0:39:45 | |
Will Cameron's cows make the pedigree grade? | 0:39:45 | 0:39:47 | |
-Hi, gents. -Hi, Adam, hi, Cameron. -Hi, there. | 0:39:49 | 0:39:52 | |
What are you looking for to assess these, then? | 0:39:52 | 0:39:54 | |
We've already gone through the provenance. | 0:39:54 | 0:39:56 | |
We're now assessing them to make sure they're Luing type. | 0:39:56 | 0:39:59 | |
So really, the advantage of having registered animals | 0:39:59 | 0:40:02 | |
means you can sell for beef, but also in the pedigree world. | 0:40:02 | 0:40:05 | |
Absolutely. You're looking to sell pedigree stock. | 0:40:05 | 0:40:08 | |
It might take Cameron a wee while to get worked into that, | 0:40:08 | 0:40:10 | |
but he should hopefully be able to establish himself as a pedigree | 0:40:10 | 0:40:13 | |
breeder and hence sell for more money, which is | 0:40:13 | 0:40:16 | |
-what we're all trying to do. -So what should a good Luing look like? | 0:40:16 | 0:40:19 | |
They're working on poor forage through the winter months. | 0:40:19 | 0:40:22 | |
They want a big, broad muzzle, a big head, they want to be deep | 0:40:22 | 0:40:25 | |
-in the chest cavity, but temperament is everything. -Really? | 0:40:25 | 0:40:28 | |
Especially with a young lad like this, working with them on his own. | 0:40:28 | 0:40:31 | |
Temperament is everything and keeping them easy to handle. | 0:40:31 | 0:40:34 | |
And the chances of getting the herd registered? | 0:40:34 | 0:40:37 | |
I think animals like this will definitely qualify. | 0:40:37 | 0:40:40 | |
We think these are excellent examples of the breed. | 0:40:40 | 0:40:43 | |
Cameron, are you quite excited about going for the pedigree status? | 0:40:43 | 0:40:46 | |
My dad never had that sort of chance. | 0:40:46 | 0:40:48 | |
He was always fattening them, so I'm taking the farm | 0:40:48 | 0:40:51 | |
in a completely new direction and changing it up. | 0:40:51 | 0:40:55 | |
In a few years' time, | 0:40:55 | 0:40:56 | |
you'll probably have one of the best Luing herds in the country. | 0:40:56 | 0:40:59 | |
You'll be blowing these fellows out of the water! | 0:40:59 | 0:41:01 | |
-I'm not sure about that! -All in good time, all in good time! | 0:41:01 | 0:41:04 | |
With the help Cameron has been receiving and not least | 0:41:10 | 0:41:13 | |
his own hard work and determination, | 0:41:13 | 0:41:15 | |
some real progress has been made. | 0:41:15 | 0:41:17 | |
It might have been a tough year, | 0:41:17 | 0:41:19 | |
but there's light at the end of the tunnel. | 0:41:19 | 0:41:21 | |
I've left Cameron to get on with the never-ending daily jobs on the farm. | 0:41:23 | 0:41:26 | |
He's certainly an inspiration | 0:41:26 | 0:41:28 | |
and deserved to be in the final three last year. | 0:41:28 | 0:41:31 | |
Now, it's over to you to help find the Countryfile Farming Hero for 2016. | 0:41:31 | 0:41:36 | |
This award is for a farmer or farming family who have made | 0:41:39 | 0:41:42 | |
a difference through their heroic actions. | 0:41:42 | 0:41:44 | |
The judges want to hear about farmers who have come to the rescue | 0:41:44 | 0:41:47 | |
of others, man or beast, at a time of need. | 0:41:47 | 0:41:50 | |
They could've organised emergency animal housing | 0:41:52 | 0:41:54 | |
for their fellow farmer, | 0:41:54 | 0:41:55 | |
have helped their neighbour when times were bleak | 0:41:55 | 0:41:58 | |
or given city kids their only experience of agricultural life. | 0:41:58 | 0:42:01 | |
We'll celebrate the achievements of truly remarkable people who | 0:42:01 | 0:42:06 | |
make our countryside a better place. | 0:42:06 | 0:42:08 | |
Our winner will be someone who has gone above and beyond to help | 0:42:08 | 0:42:12 | |
their farming friends and neighbours | 0:42:12 | 0:42:14 | |
and of whom we can all be proud. | 0:42:14 | 0:42:16 | |
So if you know someone who fits that bill, we'd love to hear from you. | 0:42:19 | 0:42:22 | |
Visit our website and tell us | 0:42:22 | 0:42:24 | |
why they deserve to be our next farming hero. | 0:42:24 | 0:42:27 | |
But be quick, because entries close in a week. | 0:42:27 | 0:42:30 | |
..so names sent in after that won't be considered. | 0:42:33 | 0:42:36 | |
Remember, if you're watching on demand, | 0:42:36 | 0:42:39 | |
nominations may have already closed. | 0:42:39 | 0:42:41 | |
Details, including terms and conditions, are on our website. | 0:42:41 | 0:42:45 | |
I'm in picturesque Gloucestershire, | 0:42:51 | 0:42:54 | |
a county of rolling hills | 0:42:54 | 0:42:55 | |
and golden villages. | 0:42:55 | 0:42:57 | |
With the Forest of Dean and Slimbridge Wetland Centre, | 0:42:57 | 0:43:00 | |
it's a hotspot for overwintering and native birds. | 0:43:00 | 0:43:03 | |
But the county is also home to some of the world's most | 0:43:03 | 0:43:06 | |
magnificent raptors. | 0:43:06 | 0:43:09 | |
I'm at the International Centre for Birds Of Prey, where ground-breaking | 0:43:09 | 0:43:13 | |
work is being done to help protect these remarkable masters of flight. | 0:43:13 | 0:43:17 | |
The centre was founded in 1967 | 0:43:23 | 0:43:25 | |
by world-famous falconer Phillip Glasier. | 0:43:25 | 0:43:28 | |
He was passionate about birds of prey | 0:43:28 | 0:43:30 | |
and wanted to teach others about them and their value in the world. | 0:43:30 | 0:43:35 | |
Phillip's daughter Jemima Parry-Jones | 0:43:35 | 0:43:38 | |
has continued in her father's footsteps, | 0:43:38 | 0:43:40 | |
devoting her life to falconry and raptor conservation. | 0:43:40 | 0:43:44 | |
Today, the centre holds one of the largest collections of birds of prey | 0:43:44 | 0:43:48 | |
in the world and has recently opened a new raptor hospital. | 0:43:48 | 0:43:52 | |
-How many birds do you have here? -About 240 at the moment. | 0:43:53 | 0:43:57 | |
How many different species? | 0:43:57 | 0:43:58 | |
I think we're at about 74 species at the moment. | 0:43:58 | 0:44:01 | |
Do people tend to bring you injured birds of prey here? | 0:44:01 | 0:44:06 | |
Yes, they do, | 0:44:06 | 0:44:07 | |
and it's really important that a place like this will accept them. | 0:44:07 | 0:44:10 | |
We get calls day and night about all sorts of things. | 0:44:10 | 0:44:13 | |
My absolute favourite, a lady phoned me up and she said, | 0:44:13 | 0:44:17 | |
I found a baby bird, and I said, "Fine, what do you think it is?" | 0:44:17 | 0:44:20 | |
-She said, "I think it's a dodo". -The very last one! What was that?! | 0:44:20 | 0:44:23 | |
-It was a pigeon! -That's disappointing! | 0:44:23 | 0:44:27 | |
And the aim, is it to rehabilitate them | 0:44:27 | 0:44:30 | |
and get them back into the wild, | 0:44:30 | 0:44:31 | |
or do you tend to keep them once they've been injured? | 0:44:31 | 0:44:34 | |
No, it's not rehabilitation if you keep hanging on to them, | 0:44:34 | 0:44:36 | |
so the aim is absolutely to get them back into the wild. | 0:44:36 | 0:44:39 | |
Every year, the centre takes in up to 100 injured birds of prey. | 0:44:40 | 0:44:45 | |
Curator Holly Cale has been rehabilitating a peregrine falcon. | 0:44:45 | 0:44:49 | |
It was hit by a plane and had to have its entire wing rebuilt. | 0:44:49 | 0:44:53 | |
You can see here there's a patch of feathers there... | 0:44:55 | 0:44:57 | |
-A slightly different colour. -..that are a different colour. | 0:44:57 | 0:45:00 | |
Those are his adult feathers that have grown through where | 0:45:00 | 0:45:03 | |
they had to pluck the area to do the operation. | 0:45:03 | 0:45:06 | |
We also fixed some of his feathers, | 0:45:06 | 0:45:08 | |
so you can see he's got a full set of feathers down there | 0:45:08 | 0:45:11 | |
that had ended up broken as well. | 0:45:11 | 0:45:13 | |
-So, like feather implants? -Yes, it's called imping. | 0:45:13 | 0:45:16 | |
We can take a feather that's been moulted by another bird | 0:45:16 | 0:45:19 | |
and we insert it with a little bit of bamboo and some glue | 0:45:19 | 0:45:22 | |
into his own feather stump where it had been broken. | 0:45:22 | 0:45:25 | |
That's remarkable. | 0:45:25 | 0:45:26 | |
So we fixed those and we fixed the wing and he's now in training, | 0:45:26 | 0:45:30 | |
gaining fitness and physiotherapy, | 0:45:30 | 0:45:32 | |
-if you like, to get him back to the wild. -Wow. | 0:45:32 | 0:45:34 | |
Well, I'll stand back while you do this exercising | 0:45:34 | 0:45:37 | |
and see what's involved. | 0:45:37 | 0:45:38 | |
It's astonishing that wing even works. | 0:45:48 | 0:45:51 | |
It is so wonderful to witness a native bird of prey like this being | 0:45:57 | 0:46:01 | |
given a second chance, flying again and soon to be released back into | 0:46:01 | 0:46:05 | |
the wild, but it's not just native birds that the centre is helping. | 0:46:05 | 0:46:09 | |
Vultures are one of the world's most spectacular | 0:46:13 | 0:46:16 | |
and most endangered birds of prey. | 0:46:16 | 0:46:19 | |
The centre breeds several species, including the Andean condor, | 0:46:21 | 0:46:25 | |
-a New World vulture. -Condor coming! Coming, Condor! | 0:46:25 | 0:46:29 | |
-You want to come up here? -Hello! | 0:46:29 | 0:46:32 | |
-Wow, who's this? -This is Marcus. | 0:46:32 | 0:46:35 | |
Marcus is a baby Andean Condor. | 0:46:35 | 0:46:37 | |
They do seem to have this quite unfortunate reputation as they're associated with death. | 0:46:37 | 0:46:42 | |
Yes, it's a real shame, because they're doing incredibly badly | 0:46:42 | 0:46:45 | |
and they're incredibly clean animals | 0:46:45 | 0:46:47 | |
and they're incredibly important in terms of clearing up. | 0:46:47 | 0:46:51 | |
They reckon that of all the wildlife on the Serengeti, | 0:46:51 | 0:46:54 | |
the vultures clear up more dead animals than all the carnivores put | 0:46:54 | 0:46:58 | |
together, so they are really important. | 0:46:58 | 0:47:01 | |
-Like all children, she wants to put her head inside everything. -Look at that wingspan! | 0:47:01 | 0:47:06 | |
I know, it's huge, isn't it? | 0:47:06 | 0:47:08 | |
Vultures in south Asia were almost totally wiped out in the 1990s. | 0:47:11 | 0:47:16 | |
Numbers collapsed by 97% | 0:47:16 | 0:47:19 | |
and scientists struggled to work out why. | 0:47:19 | 0:47:22 | |
What was the reason for the decline, | 0:47:27 | 0:47:29 | |
for that really quick and dramatic decline? | 0:47:29 | 0:47:32 | |
It turned out to be a drug called diclofenac, which is | 0:47:32 | 0:47:34 | |
a non-steroidal anti-inflammatory, | 0:47:34 | 0:47:36 | |
that was given to cattle across south Asia | 0:47:36 | 0:47:39 | |
and because vultures will all congregate at one carcass, | 0:47:39 | 0:47:41 | |
it only takes a few cattle to be treated, | 0:47:41 | 0:47:44 | |
it was less than 2% of the cattle, | 0:47:44 | 0:47:47 | |
to wipe out over 40 million birds. | 0:47:47 | 0:47:50 | |
Jemima has spent the last 15 years helping bring the surviving | 0:47:52 | 0:47:56 | |
populations in India and Nepal back from the brink. | 0:47:56 | 0:47:59 | |
We started to design the breeding aviary, | 0:48:01 | 0:48:03 | |
facilities for incubation, | 0:48:03 | 0:48:05 | |
brooding and in fact, this year, | 0:48:05 | 0:48:08 | |
I'm proud to say that we bred over 60 young, which is really wonderful | 0:48:08 | 0:48:12 | |
for a place like India, which had never done this sort of thing before. | 0:48:12 | 0:48:16 | |
Next year, hopefully, the first release will start. | 0:48:16 | 0:48:19 | |
Absolutely remarkable. | 0:48:19 | 0:48:20 | |
But the scale of the numbers that had dropped from 40 million or so | 0:48:20 | 0:48:23 | |
right down to almost single-digit thousands, | 0:48:23 | 0:48:27 | |
how long will it take to replenish that loss? | 0:48:27 | 0:48:29 | |
Oh, that's going to take a long time, | 0:48:29 | 0:48:31 | |
but nature is such an amazing thing, really. | 0:48:31 | 0:48:33 | |
And although vultures are quite slow breeders, | 0:48:33 | 0:48:36 | |
once they start getting going, | 0:48:36 | 0:48:38 | |
so long as there's no drug out there that will kill them, | 0:48:38 | 0:48:41 | |
certainly reasonable numbers, I hope in my lifetime, anyway. | 0:48:41 | 0:48:44 | |
The future for South Asia's vultures is looking up. | 0:48:50 | 0:48:54 | |
But another species, the hooded vulture from Africa, has just been | 0:48:56 | 0:48:59 | |
relisted as critically endangered, | 0:48:59 | 0:49:02 | |
so there's still plenty to do. | 0:49:02 | 0:49:04 | |
Hello! Yeah. | 0:49:05 | 0:49:07 | |
It's fantastic to think that the work being done | 0:49:07 | 0:49:10 | |
here in Gloucestershire and the skills | 0:49:10 | 0:49:12 | |
and expertise of Jemima are being shared with | 0:49:12 | 0:49:15 | |
conservationists across the world to help protect | 0:49:15 | 0:49:18 | |
the future of birds of prey and fabulous vultures like these. | 0:49:18 | 0:49:22 | |
I'm in Gloucestershire, and whilst Ellie's been on a flight of fancy... | 0:49:42 | 0:49:46 | |
Oh! | 0:49:46 | 0:49:48 | |
..I'm rooted to the ground at Batsford Arboretum, | 0:49:48 | 0:49:51 | |
home to a wide variety of unusual tree species from around the world. | 0:49:51 | 0:49:56 | |
The oriental plants and water feature here were | 0:49:57 | 0:50:00 | |
the brainchild of Victorian diplomat Lord Redesdale. | 0:50:00 | 0:50:04 | |
But Redesdale's love of the Orient did not stop with the landscaping. | 0:50:04 | 0:50:07 | |
RELAXING FLUTE MUSIC | 0:50:07 | 0:50:11 | |
Lord Redesdale converted to Buddhism | 0:50:16 | 0:50:18 | |
and hidden amongst the trees are Buddhist-themed bronzes, a Japanese | 0:50:18 | 0:50:23 | |
bridge and a peace pavilion that reflected his love of the culture. | 0:50:23 | 0:50:27 | |
Today, it's not unusual to find local t'ai chi groups | 0:50:28 | 0:50:32 | |
practising their art among the trees here. | 0:50:32 | 0:50:35 | |
Earlier on, I witnessed the sad demise | 0:50:35 | 0:50:37 | |
of one of the Arboretum's oldest trees, | 0:50:37 | 0:50:40 | |
but just like Buddha here, keeping a silent watch over the grounds, | 0:50:40 | 0:50:44 | |
Batsford's tale is also one of death and rebirth. | 0:50:44 | 0:50:48 | |
The Arboretum is part of a programme that hosts rare trees, | 0:50:50 | 0:50:53 | |
ones endangered in their native environments. | 0:50:53 | 0:50:56 | |
Here, they are safeguarded and preserved for the future. | 0:50:56 | 0:51:00 | |
It's something which makes head gardener Matthew especially proud. | 0:51:00 | 0:51:04 | |
Right, Matthew, these young arrivals are incredibly precious, aren't they? | 0:51:04 | 0:51:09 | |
They are. That's Picea omorika, which is Serbian spruce. | 0:51:09 | 0:51:13 | |
-Like a classic Christmas tree. -Yeah, a fancy Christmas tree. | 0:51:13 | 0:51:17 | |
You know, in its wild state, it's becoming endangered, | 0:51:17 | 0:51:21 | |
whether it's through deforestation, logging, | 0:51:21 | 0:51:25 | |
other environmental factors, but the wild form is really quite unusual. | 0:51:25 | 0:51:30 | |
So this is actually as it should be - tight, compact, | 0:51:30 | 0:51:35 | |
so the snow can fall off it. | 0:51:35 | 0:51:37 | |
As they get bred and you go down the line of seed, | 0:51:37 | 0:51:40 | |
they lose that originality. | 0:51:40 | 0:51:42 | |
And so the idea then with this project is to try | 0:51:42 | 0:51:45 | |
and keep that gene pool? | 0:51:45 | 0:51:47 | |
Keep that gene pool, and what will happen, | 0:51:47 | 0:51:49 | |
these will go in safe sites in the Arboretum | 0:51:49 | 0:51:52 | |
and if ever any of these go extinct in the wild, there'll be some plants | 0:51:52 | 0:51:56 | |
here which can be re-propagated and maybe even put back into the wild. | 0:51:56 | 0:52:01 | |
Matthew thinks he's got the perfect spot to make these foreign firs | 0:52:01 | 0:52:05 | |
feel right at home. | 0:52:05 | 0:52:06 | |
-No prizes for guessing where it's going! -No! Exactly there. | 0:52:35 | 0:52:39 | |
Actually, which one do you want to put in, though? That's the question. | 0:52:39 | 0:52:42 | |
-Let's go for the big one. -Let's unwrap that. | 0:52:42 | 0:52:45 | |
Lift that out. | 0:52:45 | 0:52:47 | |
There we go. | 0:52:47 | 0:52:49 | |
How long would you expect a tree like this to live for? | 0:52:51 | 0:52:54 | |
It could be here for the next hundred years or more. | 0:52:54 | 0:52:57 | |
I tell you what, it's got a nice view to spend the next hundred years. | 0:52:57 | 0:53:02 | |
What a nice place to live! | 0:53:02 | 0:53:03 | |
-Just a bit of frost protection, is it? -Um, no. | 0:53:03 | 0:53:06 | |
This will just keep the grass down, we'll get the guard round it, | 0:53:06 | 0:53:09 | |
-stop any deer grazing on it. -Do you have a problem with deer? | 0:53:09 | 0:53:13 | |
Yeah, we have a little bit. | 0:53:13 | 0:53:14 | |
They'll always go for that one plant that you don't want it to go for. | 0:53:14 | 0:53:19 | |
-Do they like the foreign stuff? -They're not fussy. | 0:53:19 | 0:53:23 | |
If it's foreign, it's probably better. | 0:53:23 | 0:53:26 | |
Nearly there. | 0:53:26 | 0:53:27 | |
-Right, are you happy with that? -I'm happy. | 0:53:27 | 0:53:30 | |
That's the next hundred years. | 0:53:30 | 0:53:31 | |
Hopefully, Gloucestershire will become a home from home | 0:53:35 | 0:53:38 | |
and these precious specimens will grow into great giants. | 0:53:38 | 0:53:42 | |
Lord Redesdale would be proud. | 0:53:43 | 0:53:45 | |
So, from the death of a mighty tree to the new life of a small one, | 0:53:47 | 0:53:52 | |
it's all part of the great cycle of rebirth here at Batsford. | 0:53:52 | 0:53:57 | |
Kind of makes you feel at peace with the universe. | 0:53:57 | 0:54:01 | |
Oh... Ideal. | 0:54:02 | 0:54:04 | |
RELAXING MUSIC PLAYS AGAIN | 0:54:04 | 0:54:05 | |
Well, that's all we've got time for from the tranquillity | 0:54:32 | 0:54:35 | |
of Batsford Arboretum. | 0:54:35 | 0:54:37 | |
Next week, I'll be exploring the picturesque fishing village | 0:54:37 | 0:54:40 | |
of Clovelly as winter takes hold. | 0:54:40 | 0:54:43 | |
Bow. | 0:54:43 | 0:54:45 | |
Hope you can join us then. | 0:54:48 | 0:54:50 |