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A sliver of land, cutting through mudflats and marsh. | 0:00:28 | 0:00:31 | |
This is the Hoo Peninsula on the North Kent coast. | 0:00:31 | 0:00:35 | |
It may look isolated but this landscape is full of life | 0:00:35 | 0:00:39 | |
and I'm going to be finding out | 0:00:39 | 0:00:40 | |
how it's shaped the working lives of people | 0:00:40 | 0:00:43 | |
from salt shepherds to muddies. | 0:00:43 | 0:00:45 | |
How are we doing, all right? | 0:00:46 | 0:00:48 | |
-You can get aboard here. -Just here. | 0:00:48 | 0:00:50 | |
-But you can only come aboard if you're coming to help. -All right! | 0:00:50 | 0:00:52 | |
And I'll be seeing how fleece and feather can work together | 0:00:54 | 0:00:57 | |
to help preserve some of the huge numbers of birds that flock here. | 0:00:57 | 0:01:01 | |
I describe myself as a commercial farmer that farms nature reserves. | 0:01:04 | 0:01:08 | |
-SHE CHUCKLES -A wildlife farmer. -Yes. | 0:01:08 | 0:01:11 | |
CATTLE LOW | 0:01:11 | 0:01:13 | |
Tom's looking into migrant labour on our farms | 0:01:13 | 0:01:16 | |
and asking could we get by without a foreign workforce? | 0:01:16 | 0:01:19 | |
Is it simply the case that | 0:01:19 | 0:01:20 | |
vets from Europe are filling the jobs | 0:01:20 | 0:01:22 | |
that British vets don't want to do? | 0:01:22 | 0:01:24 | |
Exactly, that is what happens. | 0:01:24 | 0:01:26 | |
-LAMBS BLEAT -Come on, then, ladies. | 0:01:26 | 0:01:28 | |
And there is a real sense of spring down on Adam's farm. | 0:01:28 | 0:01:32 | |
They're nice and safe in here. | 0:01:32 | 0:01:33 | |
I'll just get them out in their pairs. | 0:01:33 | 0:01:35 | |
It really helps having these numbers on their side, | 0:01:35 | 0:01:37 | |
so you know who belongs to who. | 0:01:37 | 0:01:39 | |
LAMBS BLEAT | 0:01:41 | 0:01:44 | |
BIRDS CALL | 0:01:51 | 0:01:53 | |
The Hoo Peninsula, Kent. | 0:01:53 | 0:01:56 | |
Vast skies and open marshland - a paradise for birds. | 0:01:58 | 0:02:03 | |
A rural outpost within earshot of London. | 0:02:05 | 0:02:09 | |
DISTANT INDUSTRIAL HUM | 0:02:13 | 0:02:16 | |
Can you hear that? | 0:02:16 | 0:02:18 | |
That is the sound of the industry of the Thames | 0:02:18 | 0:02:21 | |
blowing in on the wind. | 0:02:21 | 0:02:23 | |
Now, this is an area you might not expect to find us on Countryfile, | 0:02:23 | 0:02:27 | |
but it's a place that is steeped in rural heritage. | 0:02:27 | 0:02:31 | |
It may only be around 30 miles from central London | 0:02:33 | 0:02:36 | |
but the lives lived here are worlds apart. | 0:02:36 | 0:02:39 | |
And a project is underway to capture those memories. | 0:02:39 | 0:02:42 | |
My first job was as a ladder mover's mate. | 0:02:43 | 0:02:46 | |
HE LAUGHS | 0:02:46 | 0:02:48 | |
I'd get to move the ladders for the pickers | 0:02:48 | 0:02:50 | |
and the girls would climb up with the baskets and pick the fruit. | 0:02:50 | 0:02:54 | |
I was a shepherd on the marsh for a long, long time. | 0:02:57 | 0:03:00 | |
Yeah, all by myself, yeah. Nobody else. | 0:03:00 | 0:03:04 | |
And they said, "Don't never talk yourself", | 0:03:05 | 0:03:08 | |
they said, "cos if you do, you'll go mad!" | 0:03:08 | 0:03:10 | |
HE CHUCKLES | 0:03:10 | 0:03:12 | |
If you were born in town, I don't understand you! | 0:03:16 | 0:03:20 | |
SHE LAUGHS | 0:03:20 | 0:03:21 | |
Never milking a cow? Gracious me! | 0:03:21 | 0:03:25 | |
Honest and insightful, | 0:03:29 | 0:03:31 | |
these are just a few of the voices | 0:03:31 | 0:03:33 | |
of those who have lived and worked on the Hoo. | 0:03:33 | 0:03:35 | |
The aim is to document the working life of the community, | 0:03:35 | 0:03:39 | |
past and present. | 0:03:39 | 0:03:41 | |
Rachel Lichtenstein is the historian behind it all. | 0:03:44 | 0:03:48 | |
-Where we are now is the Hoo Peninsula... -Mm-hm. | 0:03:48 | 0:03:50 | |
..which is this kind of spur of land | 0:03:50 | 0:03:52 | |
that juts out into the Thames Estuary. | 0:03:52 | 0:03:54 | |
This particular landscape looks quite desolate | 0:03:54 | 0:03:58 | |
but I've started spending a lot of time here | 0:03:58 | 0:04:00 | |
and getting to know local people | 0:04:00 | 0:04:02 | |
and realising what a kind of rich and fascinating landscape it is. | 0:04:02 | 0:04:07 | |
'And it's a landscape that has defined | 0:04:07 | 0:04:09 | |
'the working lives of the people here.' | 0:04:09 | 0:04:12 | |
It's been agricultural land for thousands of years | 0:04:12 | 0:04:16 | |
and there's some amazing stories we've been gathering, | 0:04:16 | 0:04:18 | |
like the salt shepherds who worked out on the marshes, | 0:04:18 | 0:04:22 | |
as the industry developed here, particularly the cement works, | 0:04:22 | 0:04:26 | |
connected to the river, | 0:04:26 | 0:04:28 | |
lots of those shepherds started working in those industries | 0:04:28 | 0:04:31 | |
and in the power stations, so there's all this mix of stories. | 0:04:31 | 0:04:35 | |
It's a wonderful record which will be preserved for the future... | 0:04:35 | 0:04:38 | |
-Yeah, yeah. -..to really tell the story of this landscape. | 0:04:38 | 0:04:42 | |
One vital part of the Hoo's heritage are the bargemen, | 0:04:46 | 0:04:50 | |
who worked its creeks and rivers. | 0:04:50 | 0:04:52 | |
Morning, all! | 0:04:55 | 0:04:57 | |
'Dave Brooks and his dad, Tony, | 0:04:57 | 0:04:59 | |
'are helping to record this part of the project. | 0:04:59 | 0:05:02 | |
'Tony's father was a bargeman.' | 0:05:02 | 0:05:04 | |
-You can only come aboard if you're going to help us, though. -Right! | 0:05:04 | 0:05:07 | |
-No problem. No problem. -Nice to meet you. | 0:05:07 | 0:05:09 | |
So, I understand that this barge has quite a claim to fame, | 0:05:09 | 0:05:12 | |
so, what is so special about it? | 0:05:12 | 0:05:13 | |
Well, this barge is the last British-registered sailing vessel | 0:05:13 | 0:05:18 | |
to trade under sail alone. | 0:05:18 | 0:05:19 | |
-OK. -She is really a unique piece of British maritime history. -Right. | 0:05:19 | 0:05:24 | |
Built in 1906, | 0:05:24 | 0:05:26 | |
the Cambria was used to heave coal from Lincolnshire to Kent. | 0:05:26 | 0:05:30 | |
Being one of the biggest barges to plough the rivers, | 0:05:30 | 0:05:33 | |
she could hold 170 tonnes | 0:05:33 | 0:05:35 | |
and carried 5,000 square feet of sails. | 0:05:35 | 0:05:39 | |
Well, there's plenty of room down here! | 0:05:41 | 0:05:43 | |
Yes, this is the main cargo hold. | 0:05:43 | 0:05:45 | |
But after her trading days were done, | 0:05:46 | 0:05:48 | |
she fell into disrepair - | 0:05:48 | 0:05:50 | |
that was, until 1996, | 0:05:50 | 0:05:52 | |
when the Cambria Trust bought her for the bargain price of £1. | 0:05:52 | 0:05:57 | |
So, now it's all hands on deck to keep her shipshape. | 0:05:59 | 0:06:02 | |
-What is the job here, then? -What we're doing, mate, | 0:06:02 | 0:06:05 | |
is we're going to scrape the tops of these seams off. | 0:06:05 | 0:06:07 | |
-Yeah, OK. -And we want that cleared out, | 0:06:07 | 0:06:09 | |
so we can get to the pitch. | 0:06:09 | 0:06:11 | |
We're going to basically scrape the whole pitch out. | 0:06:11 | 0:06:14 | |
We're getting a lot of rain | 0:06:14 | 0:06:15 | |
going down in through into the barge, | 0:06:15 | 0:06:18 | |
so we want to reseal this. | 0:06:18 | 0:06:19 | |
And what you actually do with her these days? | 0:06:19 | 0:06:21 | |
I mean, is she sailable, still? | 0:06:21 | 0:06:23 | |
Oh, yeah, very much so, yeah, she's sailable. | 0:06:23 | 0:06:25 | |
We use her quite extensively for young carers at weekends. | 0:06:25 | 0:06:29 | |
It gives them a chance to get away from their everyday life | 0:06:29 | 0:06:32 | |
and just come and relax aboard the barge. | 0:06:32 | 0:06:35 | |
You've done a really good job there, mate. I'm really impressed. | 0:06:35 | 0:06:38 | |
Really impressed. Are you available next weekend? | 0:06:38 | 0:06:41 | |
MATT LAUGHS | 0:06:41 | 0:06:42 | |
Dave's great-grandfather, George, was what the locals call a muddy - | 0:06:44 | 0:06:49 | |
a tough breed, who literally transformed the shoreline. | 0:06:49 | 0:06:53 | |
It's a history Dave's dad, Tony, has recorded for the project. | 0:06:53 | 0:06:58 | |
He went out onto the mud, | 0:06:58 | 0:06:59 | |
digging clay for the cement trade, | 0:06:59 | 0:07:02 | |
and the clay was dug out by hand | 0:07:02 | 0:07:05 | |
with this sort of tool, similar to this, the fly tool. | 0:07:05 | 0:07:10 | |
-This isn't... -Let's have a look. | 0:07:10 | 0:07:12 | |
Yeah, these spades were made of beech or apple. | 0:07:12 | 0:07:15 | |
Yeah, I was going to say, it's very light. | 0:07:15 | 0:07:16 | |
Yeah, cos these guys would load 100 tonnes of clay in a tide. | 0:07:16 | 0:07:21 | |
-So, you'd have a gang of... -100 tonnes in a tide? | 0:07:21 | 0:07:23 | |
Yeah, you'd have a gang of about eight, | 0:07:23 | 0:07:26 | |
normally eight to ten, | 0:07:26 | 0:07:27 | |
and they would load one of these barges in the tide, | 0:07:27 | 0:07:29 | |
so you've got about four, four-and-a-half, five hours | 0:07:29 | 0:07:33 | |
and they'd load 100 tonnes of clay. | 0:07:33 | 0:07:35 | |
The speed they must have been working at and digging at! | 0:07:35 | 0:07:38 | |
They worked very, very fast. | 0:07:38 | 0:07:39 | |
A good muddy would have...would dig in a spit, | 0:07:39 | 0:07:43 | |
a spit would be in the air and another spit would be landing. | 0:07:43 | 0:07:46 | |
In just over 20 years, more than half a million tonnes of clay | 0:07:48 | 0:07:53 | |
were dug out of this creek alone, | 0:07:53 | 0:07:55 | |
turning dry land into saltings, at the mercy of the tide. | 0:07:55 | 0:07:59 | |
We always say London was built from bricks and clay from this area. | 0:08:00 | 0:08:05 | |
I think we sometimes forget just how hard our ancestors worked | 0:08:05 | 0:08:10 | |
to earn their living. | 0:08:10 | 0:08:13 | |
The muddies have long since laid down their spades | 0:08:15 | 0:08:18 | |
but thanks to this project, | 0:08:18 | 0:08:20 | |
the way they and so many others worked this landscape | 0:08:20 | 0:08:24 | |
will always be remembered. | 0:08:24 | 0:08:25 | |
Now, agriculture is an industry that relies on migrant workers | 0:08:28 | 0:08:32 | |
but with Brexit on the horizon, | 0:08:32 | 0:08:34 | |
there are worries that we could be facing a severe labour shortage. | 0:08:34 | 0:08:38 | |
Here's Tom. | 0:08:38 | 0:08:40 | |
Growing, harvesting and processing our food is a big job. | 0:08:45 | 0:08:49 | |
And even at this time of year, there is plenty to do. | 0:08:52 | 0:08:55 | |
A small army are preparing for the summer strawberry harvest. | 0:09:02 | 0:09:06 | |
The fruit may be quintessentially British, | 0:09:06 | 0:09:09 | |
but most of the workers are not home-grown. | 0:09:09 | 0:09:12 | |
And on farms across the UK, | 0:09:15 | 0:09:17 | |
the changing seasons will bring thousands more European workers. | 0:09:17 | 0:09:21 | |
Well, we're a sort of medium-sized soft fruit business. | 0:09:23 | 0:09:26 | |
We grow about 1,000 tonnes of strawberries | 0:09:26 | 0:09:28 | |
and about 300 tonnes of raspberries. | 0:09:28 | 0:09:30 | |
At this time of the year, | 0:09:30 | 0:09:33 | |
we have about 50 to 60 workers | 0:09:33 | 0:09:35 | |
and they start arriving here in early February | 0:09:35 | 0:09:39 | |
and then once we start picking, in early May, | 0:09:39 | 0:09:42 | |
we'll boost up the workforce up to 300 | 0:09:42 | 0:09:45 | |
and then it gradually reduces during the autumn time. | 0:09:45 | 0:09:49 | |
Herefordshire soft fruit grower Anthony Snell | 0:09:51 | 0:09:54 | |
says it's a British success story, | 0:09:54 | 0:09:56 | |
which could be derailed if migration restrictions are introduced. | 0:09:56 | 0:10:01 | |
This isn't anything to do with migration or immigration - | 0:10:03 | 0:10:06 | |
this is just seasonal workers coming over here, working hard, | 0:10:06 | 0:10:11 | |
benefitting our economy and then going home. | 0:10:11 | 0:10:13 | |
Put simply, would this farm, on anything like this scale, exist | 0:10:13 | 0:10:17 | |
if you didn't have these workers? | 0:10:17 | 0:10:19 | |
No, there's absolutely no doubt we'd be in serious trouble | 0:10:19 | 0:10:22 | |
if we didn't have our seasonal workers coming here. | 0:10:22 | 0:10:25 | |
We would be out of business. | 0:10:25 | 0:10:27 | |
It would be absolutely catastrophic to our industry. | 0:10:27 | 0:10:30 | |
Could we not go back to the way it used to be, | 0:10:30 | 0:10:32 | |
when students and others used to work seasonally, | 0:10:32 | 0:10:35 | |
you know, summer jobs in the fields? | 0:10:35 | 0:10:37 | |
No - the horticulture industry is a very specialised industry. | 0:10:37 | 0:10:41 | |
We can't just have people just turning up and picking. | 0:10:41 | 0:10:44 | |
You know, we have to train our workforce, | 0:10:44 | 0:10:46 | |
these are skilled seasonal workers | 0:10:46 | 0:10:49 | |
and there just isn't the British people who want to do this work, | 0:10:49 | 0:10:52 | |
although we'd love to employ all British people. | 0:10:52 | 0:10:54 | |
His concerns about recruitment | 0:10:56 | 0:10:58 | |
are backed up by a recent National Farmers' Union survey - | 0:10:58 | 0:11:01 | |
it showed that this time last year, before the Brexit vote, | 0:11:01 | 0:11:05 | |
about a quarter of farmers had problems filling seasonal vacancies. | 0:11:05 | 0:11:10 | |
But by September, the ready supply of workers was drying up | 0:11:10 | 0:11:13 | |
and all growers had recruitment problems. | 0:11:13 | 0:11:16 | |
High numbers of overseas workers are present across farming | 0:11:17 | 0:11:21 | |
and not just picking and harvesting. | 0:11:21 | 0:11:24 | |
Highly qualified jobs like vets are affected too. | 0:11:24 | 0:11:27 | |
At this Cotswold dairy farm, | 0:11:28 | 0:11:30 | |
two vets are being trained to carry out TB tests - | 0:11:30 | 0:11:33 | |
a vital part of modern cattle farming. | 0:11:33 | 0:11:36 | |
-One, two, zero, one. -Yes. -13 and 13. | 0:11:40 | 0:11:44 | |
The trainees are Cristina from Spain and Olivio from Romania. | 0:11:47 | 0:11:51 | |
Their tutor, Ana, is Spanish too. | 0:11:51 | 0:11:53 | |
We have vets coming from Portugal, vets coming from Greece, | 0:11:59 | 0:12:02 | |
vets coming from Czech Republic... | 0:12:02 | 0:12:05 | |
In fact, nearly a third of all vets in the UK | 0:12:06 | 0:12:09 | |
were trained overseas. | 0:12:09 | 0:12:11 | |
And in public health work, | 0:12:13 | 0:12:14 | |
like food safety and abattoir inspections, | 0:12:14 | 0:12:17 | |
almost all the vets are from outside the UK. | 0:12:17 | 0:12:20 | |
So, is it simply the case that vets from Europe | 0:12:22 | 0:12:25 | |
are filling the jobs that British vets don't want to do? | 0:12:25 | 0:12:27 | |
Exactly, that is what happens. | 0:12:27 | 0:12:29 | |
The British vets don't want to work in those fields. | 0:12:29 | 0:12:32 | |
For you personally, you've spent 17 years here, | 0:12:32 | 0:12:36 | |
what do you feel about it? | 0:12:36 | 0:12:37 | |
-Do you feel worried? -I am, yes, | 0:12:37 | 0:12:39 | |
because I have a partner here with me | 0:12:39 | 0:12:43 | |
and we are looking for a home to buy. | 0:12:43 | 0:12:46 | |
And at the moment, we don't know if we can afford to have | 0:12:46 | 0:12:50 | |
a mortgage for 20 years because we don't know | 0:12:50 | 0:12:52 | |
if I can stay in this country for that long. | 0:12:52 | 0:12:56 | |
CATTLE LOW | 0:12:56 | 0:12:58 | |
Others we spoke to say the fall in the pound since the Brexit vote | 0:12:58 | 0:13:02 | |
has put some people off coming to Britain. | 0:13:02 | 0:13:05 | |
The poor exchange rate means the most skilled pickers | 0:13:07 | 0:13:10 | |
will earn around 75 euros less each week than a year ago. | 0:13:10 | 0:13:15 | |
According to the National Farmers' Union, | 0:13:18 | 0:13:21 | |
the migrant worker situation is a crisis in waiting, | 0:13:21 | 0:13:25 | |
so what's being done? | 0:13:25 | 0:13:26 | |
Well, that's what I'll be finding out later. | 0:13:26 | 0:13:29 | |
There are some parts of the British Isles that, | 0:13:32 | 0:13:34 | |
unless you've got a really good reason to visit, | 0:13:34 | 0:13:37 | |
might just pass you by altogether. | 0:13:37 | 0:13:40 | |
Now, it does feel very isolated here, | 0:13:40 | 0:13:43 | |
but there's also huge number of birds that flock to this area | 0:13:43 | 0:13:46 | |
and that is largely down to a rather unusual way of farming. | 0:13:46 | 0:13:50 | |
Here on the Hoo, some clever farming techniques are being used to help | 0:13:53 | 0:13:56 | |
some of our most precious bird species to thrive. | 0:13:56 | 0:13:59 | |
Keith Loveridge has been farming here for 20 years | 0:14:01 | 0:14:04 | |
and is currently helping his herd through calving season. | 0:14:04 | 0:14:07 | |
-Hello, Keith! -Hello there. -What a spot! | 0:14:09 | 0:14:12 | |
Yeah, it is a bit unusual out here, isn't it? | 0:14:12 | 0:14:14 | |
Yeah, I don't think I've ever been to a farm quite like this. | 0:14:14 | 0:14:16 | |
You've got, well, you've got your sheep grazing here | 0:14:16 | 0:14:19 | |
and then the odd ship sailing past! | 0:14:19 | 0:14:21 | |
Yeah! And we're just so close, 20 miles away from London as well. | 0:14:21 | 0:14:24 | |
It's just a bit of an unusual landscape out here. | 0:14:24 | 0:14:27 | |
And it feels quite exposed. Can it get quite harsh? | 0:14:27 | 0:14:30 | |
Extremely harsh, yeah. | 0:14:30 | 0:14:31 | |
The east wind's the worst thing here. | 0:14:31 | 0:14:34 | |
We get that blowing straight up the river. | 0:14:34 | 0:14:36 | |
So, you need the right sort of livestock | 0:14:36 | 0:14:38 | |
and it is very cold and bleak out here, yeah, without a doubt. | 0:14:38 | 0:14:41 | |
So, what type of sheep can withstand this sort of place? | 0:14:41 | 0:14:44 | |
Romney sheep - they are all basically the traditional breed | 0:14:44 | 0:14:47 | |
for this area in Romney Marsh. | 0:14:47 | 0:14:49 | |
They've been bred to survive on this sort of grazing | 0:14:49 | 0:14:52 | |
and they do it very, very well. | 0:14:52 | 0:14:54 | |
And Keith's cattle don't fare too badly either. | 0:14:54 | 0:14:57 | |
They graze out on the marsh in spring | 0:14:57 | 0:15:00 | |
but spend the winter months on the farm, | 0:15:00 | 0:15:02 | |
sheltered from the cold east winds beneath these nifty bale enclosures. | 0:15:02 | 0:15:06 | |
And then they gradually go back out through the spring, | 0:15:06 | 0:15:09 | |
we reintroduce them back to the reserves again. | 0:15:09 | 0:15:12 | |
Well, this all seems pretty traditional so far. | 0:15:12 | 0:15:14 | |
But here's the unusual bit. | 0:15:14 | 0:15:16 | |
The fields that provide grazing for Keith's cattle in spring | 0:15:16 | 0:15:19 | |
spend winter as wetland habitats for birds. | 0:15:19 | 0:15:22 | |
Normally, all these low-lying spots would be full of water | 0:15:22 | 0:15:26 | |
and then that's when we get all the wading birds that come in to nest. | 0:15:26 | 0:15:31 | |
Obviously, we've had massively dry... | 0:15:31 | 0:15:34 | |
The ditches are at summer level now, | 0:15:34 | 0:15:36 | |
so, it's a pretty unusual year, really. | 0:15:36 | 0:15:39 | |
So, how would you describe yourself? | 0:15:39 | 0:15:40 | |
I describe myself as a commercial farmer that farms nature reserves. | 0:15:40 | 0:15:45 | |
-SHE CHUCKLES -A wildlife farmer! -Yes. | 0:15:45 | 0:15:48 | |
Our area that we farm is quite a large area | 0:15:48 | 0:15:51 | |
with quite a low density of livestock, | 0:15:51 | 0:15:53 | |
all aimed at trying to increase the wildlife. | 0:15:53 | 0:15:56 | |
This area's probably one of the most important areas | 0:15:56 | 0:15:59 | |
for breeding waders and wildfowl in the south-east of England, | 0:15:59 | 0:16:03 | |
really, so it's important that it's maintained. | 0:16:03 | 0:16:07 | |
The whole thing's interlinked. | 0:16:07 | 0:16:09 | |
Obviously, the birds come because the grazing is right for the cattle | 0:16:09 | 0:16:12 | |
and it's all part of the environment as a whole. | 0:16:12 | 0:16:15 | |
Was it difficult to adapt to this landscape and farm the way you do? | 0:16:15 | 0:16:20 | |
We spread the animals out and don't farm them too densely, | 0:16:20 | 0:16:24 | |
so that they don't trample nests and so on. | 0:16:24 | 0:16:27 | |
I have to say, it's a really beautiful spot you've got here. | 0:16:27 | 0:16:31 | |
Well, I quite like it! | 0:16:31 | 0:16:33 | |
-Yeah, it has a really strange beauty about it, doesn't it? -Yeah. | 0:16:33 | 0:16:35 | |
Keith farms inside some of the eight protected conservation areas | 0:16:35 | 0:16:39 | |
on this small but productive peninsula, | 0:16:39 | 0:16:42 | |
working closely with the RSPB | 0:16:42 | 0:16:44 | |
to help restore the balance of wetland and wildlife. | 0:16:44 | 0:16:48 | |
'Julian Nash manages the Northward Hill reserve.' | 0:16:48 | 0:16:51 | |
Another great spot. | 0:16:52 | 0:16:53 | |
-It's lovely here, isn't it? -It really is. | 0:16:53 | 0:16:56 | |
So, what are the RSPB doing here, Julian? | 0:16:56 | 0:16:58 | |
So, what we're doing is maintaining a habitat | 0:16:58 | 0:17:01 | |
for some of our rarest birds, | 0:17:01 | 0:17:03 | |
species such as lapwing and redshank, | 0:17:03 | 0:17:06 | |
and they have a particular habitat requirement, which, | 0:17:06 | 0:17:09 | |
in the most simplest form, to call it, is a marsh. | 0:17:09 | 0:17:13 | |
-So has this always been marshland? -In essence, yes. | 0:17:13 | 0:17:16 | |
However, back in the '40s, | 0:17:16 | 0:17:18 | |
it changed very, very dramatically due to our human activity. | 0:17:18 | 0:17:23 | |
And that was based on the need for more and more agriculture, | 0:17:23 | 0:17:28 | |
more and more food, for our population. | 0:17:28 | 0:17:30 | |
So, how do you go from taking arable land | 0:17:30 | 0:17:33 | |
and turning it back into a marsh? | 0:17:33 | 0:17:35 | |
What we're doing is isolating ourselves | 0:17:35 | 0:17:38 | |
from the main landscape drainage system, | 0:17:38 | 0:17:41 | |
so that we can hold water higher | 0:17:41 | 0:17:44 | |
and not see it disappear out to the sea. | 0:17:44 | 0:17:47 | |
Because if there's one thing that wetland birds want, it's water. | 0:17:47 | 0:17:51 | |
Is it working? Are birds flocking back to the area? | 0:17:51 | 0:17:53 | |
Absolutely! | 0:17:53 | 0:17:55 | |
We have lots and lots of duck, widgeon, teal, but also, | 0:17:55 | 0:17:59 | |
this is a fantastic place for marsh harriers. | 0:17:59 | 0:18:02 | |
We also have one of the biggest heronries in the country, | 0:18:02 | 0:18:06 | |
which is not just a heronry now, it's an egretry as well. | 0:18:06 | 0:18:10 | |
And how does it work with Keith? Because of course, | 0:18:10 | 0:18:12 | |
he has to farm the land around what you are doing | 0:18:12 | 0:18:15 | |
and you both have to be sensitive to each other's needs. | 0:18:15 | 0:18:17 | |
So, Keith is vital, absolutely vital. | 0:18:17 | 0:18:20 | |
To deliver what we need to deliver, we need water control, | 0:18:20 | 0:18:23 | |
but we also need grass control. | 0:18:23 | 0:18:26 | |
Now, grass is controlled very simply by our living lawnmowers, | 0:18:26 | 0:18:31 | |
cattle and sheep. | 0:18:31 | 0:18:34 | |
You could call Keith a farmer | 0:18:34 | 0:18:35 | |
but he's just as much a conservationist as I am a farmer. | 0:18:35 | 0:18:39 | |
That's fantastic to think that conservation and farming | 0:18:39 | 0:18:42 | |
are working side-by-side. | 0:18:42 | 0:18:43 | |
-So, how does the water pump work? -Very simply. | 0:18:43 | 0:18:47 | |
It's the flick of a switch. | 0:18:47 | 0:18:48 | |
-So, if you go to that box behind you... -Yeah. | 0:18:48 | 0:18:51 | |
'The fish-friendly pump keeps the marshes topped up | 0:18:51 | 0:18:53 | |
'through the all-important winter breeding season.' | 0:18:53 | 0:18:56 | |
-Look at that! It works, Julian. -Fantastic, isn't it? | 0:18:56 | 0:19:00 | |
'Both flock and feather are thriving here. | 0:19:09 | 0:19:12 | |
'I'm joining local birder Terry Paternoster | 0:19:12 | 0:19:15 | |
'for a closer look at the star attraction.' | 0:19:15 | 0:19:18 | |
-What have you spotted? -Looking at the herons on the nests, | 0:19:18 | 0:19:21 | |
sitting up there. | 0:19:21 | 0:19:23 | |
-Can I have a look? -Yes. | 0:19:23 | 0:19:25 | |
Let's see... | 0:19:25 | 0:19:26 | |
Oh, yes! There's so many. | 0:19:26 | 0:19:28 | |
Oh, something's happened, they're off. | 0:19:28 | 0:19:31 | |
I've never seen that many heron before. | 0:19:31 | 0:19:33 | |
The wetlands encourage the birds to feed locally | 0:19:33 | 0:19:37 | |
and nest locally as well. | 0:19:37 | 0:19:40 | |
Right, come on, one on one, heron-spotting lesson! | 0:19:40 | 0:19:45 | |
It's not just the herons that are breeding. | 0:19:45 | 0:19:47 | |
There's also a new arrival for Keith down on the farm. | 0:19:47 | 0:19:51 | |
This cycle, turning spring grazing into winter wetlands, | 0:19:51 | 0:19:56 | |
gives the Hoo the helping hand it needs | 0:19:56 | 0:19:58 | |
to keep both the cattle fed and the wildlife flocking. | 0:19:58 | 0:20:01 | |
From the Hoo Peninsula, we're heading west, where, | 0:20:04 | 0:20:07 | |
in a special film for Comic Relief, | 0:20:07 | 0:20:09 | |
comedian Jennifer Saunders shows us just what Devon means to her | 0:20:09 | 0:20:13 | |
and how a charity there is making a real difference to people's lives. | 0:20:13 | 0:20:18 | |
I think I first came to Dartmoor as a kid, actually. | 0:20:30 | 0:20:33 | |
I think we probably did a family holiday | 0:20:33 | 0:20:36 | |
in a hut somewhere on Dartmoor. | 0:20:36 | 0:20:40 | |
All I remember is my mother standing every leg of the bed in paraffin | 0:20:40 | 0:20:44 | |
so the cockroaches couldn't climb up into our beds. | 0:20:44 | 0:20:47 | |
And, after that, we filmed all the Comic Strip series | 0:20:47 | 0:20:52 | |
in the '80s in Devon and we filmed French And Saunders down here. | 0:20:52 | 0:20:57 | |
Because the countryside is spectacular. | 0:20:58 | 0:21:01 | |
You get these great, huge, massive views, | 0:21:01 | 0:21:05 | |
which are very filmic. | 0:21:05 | 0:21:07 | |
And then we just fell in love with it | 0:21:07 | 0:21:09 | |
and we used to come down here at weekends. | 0:21:09 | 0:21:11 | |
DOG WHINES | 0:21:11 | 0:21:12 | |
You weren't even born, you don't even know. | 0:21:12 | 0:21:14 | |
Come down here at weekends | 0:21:14 | 0:21:16 | |
and eventually bought we a house down here and lived down here. | 0:21:16 | 0:21:18 | |
People treat the countryside like an extension to the gym | 0:21:22 | 0:21:25 | |
and I sort of don't. | 0:21:25 | 0:21:27 | |
Go and find a squirrel. | 0:21:27 | 0:21:29 | |
I'm trying to sleep. | 0:21:29 | 0:21:30 | |
It's just a great place to sit and do nothing, actually. | 0:21:32 | 0:21:36 | |
Do nothing. | 0:21:36 | 0:21:38 | |
I can sit for hours, especially in the countryside, | 0:21:39 | 0:21:43 | |
because you can poke about things, you can, with your stick. | 0:21:43 | 0:21:46 | |
You know, you can have a look at how leaves grow | 0:21:46 | 0:21:49 | |
and how the grass is growing and sometimes I just do nothing. | 0:21:49 | 0:21:52 | |
Come on, Olive. | 0:21:55 | 0:21:57 | |
Can't do nothing all day. Got to get on. Go to get on. | 0:21:57 | 0:22:00 | |
I had a kind of idea that I'd quite like to present Countryfile | 0:22:05 | 0:22:10 | |
but, to be honest, it's too cold. | 0:22:10 | 0:22:13 | |
I don't know how Ellie does it. | 0:22:13 | 0:22:15 | |
I mean, she does look cold, sometimes. | 0:22:15 | 0:22:17 | |
I'm wearing so many layers I can't do my coat up. | 0:22:17 | 0:22:19 | |
Look at my dog. | 0:22:19 | 0:22:21 | |
She wants to go back to Hyde Park, she's got so many layers on. | 0:22:21 | 0:22:24 | |
Oh, right! This is Kes Tor and... | 0:22:28 | 0:22:31 | |
-DOG YELPS -Oops, sorry, Olive. | 0:22:31 | 0:22:32 | |
Just trod on my dog. | 0:22:32 | 0:22:34 | |
And this is the tor just up from our house, | 0:22:34 | 0:22:37 | |
but it's quite a steep climb and, um... | 0:22:37 | 0:22:39 | |
Uh, we used to do it mainly after Sunday lunches, to walk them off. | 0:22:40 | 0:22:46 | |
Um, and it's always windy on top | 0:22:46 | 0:22:48 | |
but, I swear to God, it's going to blow your head off. | 0:22:48 | 0:22:52 | |
It's the best view from here. | 0:22:57 | 0:22:59 | |
I mean, it's incredible because you can see right over to Exmoor | 0:22:59 | 0:23:03 | |
and right across the moor that way. | 0:23:03 | 0:23:07 | |
You can actually just see for miles | 0:23:07 | 0:23:08 | |
and there's something quite nice about that. | 0:23:08 | 0:23:11 | |
But the reason I've come to Devon today | 0:23:17 | 0:23:19 | |
isn't to admire the beauty of the landscape. | 0:23:19 | 0:23:21 | |
I've come to find out about a subject that, | 0:23:25 | 0:23:27 | |
not matter how much we think about it, we rarely voice. | 0:23:27 | 0:23:30 | |
Suicide is actually the biggest killer of young men in the UK. | 0:23:36 | 0:23:41 | |
And the families left behind can often be desperate for help. | 0:23:41 | 0:23:44 | |
I've come to meet young mother-of-two Zara Whig. | 0:23:47 | 0:23:50 | |
She was married to her husband Leigh for four years. | 0:23:50 | 0:23:53 | |
I met Leigh at work. | 0:23:55 | 0:23:57 | |
He was a zookeeper and a musician, | 0:23:57 | 0:23:58 | |
so he played in several bands down in Ilfracombe. | 0:23:58 | 0:24:01 | |
When things were really good, we had the kids | 0:24:01 | 0:24:03 | |
and things were really happy. | 0:24:03 | 0:24:05 | |
-And he was a great dad? -Yes. Yeah, he was a very hands-on dad. | 0:24:05 | 0:24:09 | |
Loved his girls. | 0:24:09 | 0:24:11 | |
He had a child before, | 0:24:11 | 0:24:12 | |
so Leigh showed me how to change nappies. | 0:24:12 | 0:24:14 | |
Oh, OK! | 0:24:14 | 0:24:16 | |
Had you got any inkling that something was up, or...? | 0:24:17 | 0:24:20 | |
Yeah, he'd had a mental health breakdown | 0:24:20 | 0:24:23 | |
and things had got really difficult between us | 0:24:23 | 0:24:26 | |
-so we actually separated for a while. -OK. | 0:24:26 | 0:24:29 | |
He was under a therapist, | 0:24:29 | 0:24:30 | |
-through Devon Depression Anxiety Service. -OK. | 0:24:30 | 0:24:33 | |
So he was reaching out | 0:24:33 | 0:24:34 | |
but it just wasn't enough for Leigh, in the end. | 0:24:34 | 0:24:36 | |
On Father's Day last year, Leigh took his own life. | 0:24:40 | 0:24:43 | |
I just felt like I'd been crushed. | 0:24:49 | 0:24:51 | |
The shock was just... | 0:24:51 | 0:24:52 | |
-It takes the breath out of you. -Yeah. | 0:24:52 | 0:24:55 | |
I felt incredibly guilty because we had separated | 0:24:55 | 0:24:58 | |
-just before he committed suicide. -Of course, yeah. | 0:24:58 | 0:25:01 | |
And I felt like, "This is all my fault." | 0:25:02 | 0:25:04 | |
And then I felt angry with him. I was just, absolutely, | 0:25:04 | 0:25:07 | |
-"How could you do this to me and the kids?" -Yeah. | 0:25:07 | 0:25:09 | |
They'd made him Father's Day cards and those cards...had to go... | 0:25:09 | 0:25:15 | |
You know... I had to put them in his coffin with him. | 0:25:15 | 0:25:19 | |
And I just shouldn't have had to do that. | 0:25:19 | 0:25:21 | |
I mean, it's an awful situation. How did you cope with the girls? | 0:25:23 | 0:25:27 | |
They were going from being OK one minute | 0:25:27 | 0:25:30 | |
to screaming for him the next minute, | 0:25:30 | 0:25:31 | |
which is just heartbreaking. | 0:25:31 | 0:25:33 | |
You know, it gets to the point where you're like, | 0:25:34 | 0:25:36 | |
"I can't do this. I can't..." You know? | 0:25:36 | 0:25:38 | |
It was just so impossibly difficult. | 0:25:38 | 0:25:40 | |
I just didn't see a way out of it. | 0:25:40 | 0:25:41 | |
Fortunately, in Devon, there is a project, | 0:25:45 | 0:25:48 | |
that Comic Relief help fund, that supports families | 0:25:48 | 0:25:51 | |
who are living through the suicide of a loved one. | 0:25:51 | 0:25:53 | |
Come on, Ol. | 0:25:58 | 0:25:59 | |
'I've come to Exmouth, to Pete's Dragons, | 0:25:59 | 0:26:02 | |
'a UK charity that provides comfort to families after suicide loss.' | 0:26:02 | 0:26:05 | |
-Hello! -Hi, Jennifer! Welcome to Pete's Dragons. | 0:26:07 | 0:26:09 | |
'It was set up by Alison Hill.' | 0:26:09 | 0:26:11 | |
Well, it's so lovely to meet you. | 0:26:16 | 0:26:18 | |
Now, tell me why is it called Pete's Dragons? | 0:26:18 | 0:26:20 | |
It's called Pete's Dragons because my brother was called Pete | 0:26:20 | 0:26:23 | |
and he took his life seven years ago. | 0:26:23 | 0:26:24 | |
And he loved dragons, so it was... | 0:26:24 | 0:26:28 | |
It had to be, really, Pete's Dragons. | 0:26:28 | 0:26:31 | |
What particularly inspired you to set this up, | 0:26:31 | 0:26:32 | |
because there was nothing else to help people who were left behind? | 0:26:32 | 0:26:36 | |
No, my family were in Devon and Cornwall, and at that point, | 0:26:36 | 0:26:39 | |
there was no specific suicide bereavement support available | 0:26:39 | 0:26:43 | |
and there are some complicated emotions | 0:26:43 | 0:26:45 | |
that go with losing a loved on to suicide. | 0:26:45 | 0:26:47 | |
-Yes. -And this has just grown out of that, really. | 0:26:47 | 0:26:51 | |
'The charity helps families | 0:26:53 | 0:26:54 | |
'with both practical and emotional support, | 0:26:54 | 0:26:57 | |
'some in rural communities, where help is hard to find.' | 0:26:57 | 0:27:01 | |
We do mindfulness classes, we have a counsellor, | 0:27:01 | 0:27:05 | |
we have bereavement counsellors and I'm a grief recovery specialist. | 0:27:05 | 0:27:10 | |
And how has the support you get from Comic Relief helped this happen? | 0:27:10 | 0:27:15 | |
That's been crucial. | 0:27:16 | 0:27:18 | |
We needed a very flexible and adaptable space | 0:27:18 | 0:27:21 | |
so that we could cater for the very unique impact | 0:27:21 | 0:27:26 | |
that suicide will have on each individual family member. | 0:27:26 | 0:27:29 | |
And that's what it has enabled us to be, | 0:27:29 | 0:27:31 | |
by furnishing and providing all the equipment for these rooms. | 0:27:31 | 0:27:35 | |
Cos it's all ages, isn't it? | 0:27:35 | 0:27:37 | |
-Yeah. -Yeah. -Suicide doesn't discriminate. | 0:27:37 | 0:27:39 | |
It can be anyone. Could be you or me. | 0:27:39 | 0:27:41 | |
-Yeah. -It was me. -Yeah. | 0:27:41 | 0:27:43 | |
Since the charity started, | 0:27:44 | 0:27:46 | |
they've helped more than 70 families | 0:27:46 | 0:27:47 | |
come to terms with losing a loved one to suicide. | 0:27:47 | 0:27:50 | |
And one of those families is Zara's. | 0:27:50 | 0:27:54 | |
THEY LAUGH AND CLAP | 0:27:54 | 0:27:56 | |
-When they got involved, it was just like, "There's some hope." -OK. | 0:27:56 | 0:28:01 | |
"There's some hope. There are people here to help." | 0:28:01 | 0:28:04 | |
They offered us mindfulness through play, | 0:28:04 | 0:28:07 | |
which was amazing for the girls | 0:28:07 | 0:28:08 | |
cos their emotions were running high. | 0:28:08 | 0:28:09 | |
They'd never experienced death before. | 0:28:09 | 0:28:11 | |
It has made a world of difference to us, | 0:28:11 | 0:28:13 | |
having that support, Alison is always at the end of the phone. | 0:28:13 | 0:28:16 | |
-Yeah. -The grief recovery has really helped me come to terms with it. | 0:28:16 | 0:28:18 | |
-Yeah. -I don't think you ever get over suicide of a loved one. -Yeah. | 0:28:18 | 0:28:23 | |
-But... -You can come to terms with it? | 0:28:24 | 0:28:26 | |
Yes, you can come to terms with it and make your peace with it. | 0:28:26 | 0:28:28 | |
-Your girls seem amazing. Well done. -Thank you. | 0:28:30 | 0:28:33 | |
Oh, you've made me cry now. | 0:28:35 | 0:28:37 | |
PLAYFUL SHOUTING | 0:28:39 | 0:28:41 | |
And it's the great outdoors that the charity turns to, | 0:28:41 | 0:28:43 | |
helping create new memories for all these families | 0:28:43 | 0:28:46 | |
who've lost a loved one to suicide. | 0:28:46 | 0:28:49 | |
SHOUTING | 0:28:49 | 0:28:51 | |
So what is it about this madness, these kids going crazy in mud, | 0:28:51 | 0:28:55 | |
and being outdoors that's important, do you think? | 0:28:55 | 0:28:59 | |
First of all, it's important to bring the families out. | 0:28:59 | 0:29:03 | |
This might be the first time they've come out on their own - | 0:29:03 | 0:29:06 | |
and you can see there's some really small children here - | 0:29:06 | 0:29:09 | |
to have fun, build new memories, | 0:29:09 | 0:29:10 | |
but meet other people in a similar situation to themselves | 0:29:10 | 0:29:13 | |
so they've got an extended network of support on top of Pete's Dragons. | 0:29:13 | 0:29:17 | |
-This is Toby. -Hi, Toby! | 0:29:17 | 0:29:20 | |
We do say to our families early on, eating, sleeping, | 0:29:20 | 0:29:24 | |
getting out in nature, they are such simple things | 0:29:24 | 0:29:27 | |
but when we're in distress, we forget about them. | 0:29:27 | 0:29:29 | |
What do you like doing here? | 0:29:30 | 0:29:32 | |
-What's your favourite thing? -Erm... -Is it just being out...? | 0:29:32 | 0:29:35 | |
-Eating hot dogs. -Eating hot dogs?! | 0:29:35 | 0:29:38 | |
That's my favourite thing too. | 0:29:38 | 0:29:41 | |
CHILDREN SQUEAL | 0:29:41 | 0:29:43 | |
You just want to get wet. | 0:29:43 | 0:29:44 | |
To be around people that you know have been through the same thing | 0:29:44 | 0:29:48 | |
without ever having to talk about it, | 0:29:48 | 0:29:50 | |
it means so much, it's really invaluable. | 0:29:50 | 0:29:54 | |
Days like this just make a massive difference, | 0:29:55 | 0:29:57 | |
to Dawson especially, | 0:29:57 | 0:29:58 | |
he just gets to have fun and play without | 0:29:58 | 0:30:00 | |
having to explain himself, which is really nice. | 0:30:00 | 0:30:03 | |
-Are you going help me with this one? -No. -No. | 0:30:03 | 0:30:06 | |
But these are fun. | 0:30:07 | 0:30:09 | |
On average in the UK, | 0:30:10 | 0:30:12 | |
there are 17 deaths a day from suicide | 0:30:12 | 0:30:15 | |
and it's the families left behind that need your help | 0:30:15 | 0:30:18 | |
and here's how you can make a real difference. | 0:30:18 | 0:30:21 | |
By donating to Comic Relief, you can help support the vital work | 0:30:21 | 0:30:24 | |
of projects like Pete's Dragons all across the UK. | 0:30:24 | 0:30:28 | |
To donate £5... | 0:30:28 | 0:30:30 | |
We really appreciate your help. Thank you. | 0:30:59 | 0:31:02 | |
Agriculture in the UK employs large numbers of overseas workers | 0:31:10 | 0:31:13 | |
and with Brexit on the horizon, | 0:31:13 | 0:31:16 | |
there are warnings of a severe labour shortage. | 0:31:16 | 0:31:19 | |
But is it really as bad as some seem to think? Here's Tom. | 0:31:19 | 0:31:24 | |
Every year, the UK horticulture industry employs | 0:31:26 | 0:31:30 | |
around 75,000 seasonal workers, half of them coming from abroad. | 0:31:30 | 0:31:35 | |
We're so reliant on workers from overseas to pick and process | 0:31:41 | 0:31:45 | |
our produce that it's claimed that, without them, | 0:31:45 | 0:31:47 | |
the horticulture business could collapse. | 0:31:47 | 0:31:50 | |
And it's not just seasonal workers - | 0:31:54 | 0:31:56 | |
farming employs plenty of foreign people | 0:31:56 | 0:31:58 | |
who live here all year round, including many of our vets. | 0:31:58 | 0:32:02 | |
The concern is that Brexit could mean restrictions | 0:32:05 | 0:32:08 | |
on the number of foreign workers coming into the UK, | 0:32:08 | 0:32:12 | |
so what can be done? | 0:32:12 | 0:32:14 | |
Well, the minister responsible for farming, Andrea Leadsom, | 0:32:15 | 0:32:18 | |
recently told farmers that technology has the answers. | 0:32:18 | 0:32:22 | |
And for some labour-intensive fruit-and-veg jobs, | 0:32:22 | 0:32:25 | |
we've already made great strides, | 0:32:25 | 0:32:28 | |
from GPS-controlled tractors to robot weeders. | 0:32:28 | 0:32:32 | |
But could machines replace thousands of seasonal workers? | 0:32:32 | 0:32:36 | |
We're a medium-sized... | 0:32:36 | 0:32:37 | |
'Earlier I met Herefordshire soft-fruit grower Anthony Snell.' | 0:32:37 | 0:32:42 | |
This production line is processing frozen blackcurrants | 0:32:47 | 0:32:51 | |
and, like his pickers, | 0:32:51 | 0:32:52 | |
most of the workers are from across the European Union. | 0:32:52 | 0:32:56 | |
-SHOUTING: -What's going on here? | 0:32:59 | 0:33:01 | |
What we're doing now is sorting all the organic blackcurrants | 0:33:01 | 0:33:05 | |
and they're going through their final process. | 0:33:05 | 0:33:08 | |
They're picking out the duff ones? | 0:33:08 | 0:33:10 | |
They're picking out all the bad ones. | 0:33:10 | 0:33:12 | |
The whole horticultural industry is spending a lot of time | 0:33:14 | 0:33:17 | |
looking at mechanisation and robotics and everything | 0:33:17 | 0:33:21 | |
but there's only a certain amount we can do. | 0:33:21 | 0:33:23 | |
You saw us processing organic blackcurrants | 0:33:23 | 0:33:26 | |
through a stringing processing line. | 0:33:26 | 0:33:29 | |
"Stringing", that's a good word. | 0:33:29 | 0:33:30 | |
-Is that the machine that was shaking them all? -That's right. | 0:33:30 | 0:33:33 | |
It's rapidly vibrating the frozen berries | 0:33:33 | 0:33:36 | |
and knocking off the little bits of stalks and everything, | 0:33:36 | 0:33:39 | |
clean and ready for your yoghurt. | 0:33:39 | 0:33:41 | |
Yeah. Is there any more you could do in this packing side? | 0:33:41 | 0:33:44 | |
Well, there is, we're looking all the time | 0:33:44 | 0:33:47 | |
because we are very worried about the future | 0:33:47 | 0:33:50 | |
with the availability of labour. | 0:33:50 | 0:33:51 | |
But basically, for the main tasks in horticulture, | 0:33:51 | 0:33:54 | |
for picking and in strawberry crops, | 0:33:54 | 0:33:57 | |
we need seasonal workers to pick our crops | 0:33:57 | 0:33:59 | |
and we can't just replace them all with robots | 0:33:59 | 0:34:02 | |
because it's a very specialised job. | 0:34:02 | 0:34:05 | |
It would be a pretty clever robot | 0:34:05 | 0:34:07 | |
to really replicate all the skills that our staff have. | 0:34:07 | 0:34:10 | |
So what is the solution for the fruit and veg industry? | 0:34:12 | 0:34:15 | |
I've come to Barfoots in West Sussex, | 0:34:15 | 0:34:18 | |
a huge UK-based international vegetable grower. | 0:34:18 | 0:34:21 | |
Three-quarters of their workers are from overseas. | 0:34:21 | 0:34:24 | |
OK, Ewa, what are we doing here? | 0:34:30 | 0:34:32 | |
I need 24 strings to have for one plant, yeah? | 0:34:32 | 0:34:35 | |
These are the strings for the chillies to grow up. | 0:34:35 | 0:34:37 | |
Yes, it's for the chillies to grow up and I put the thing in the up... | 0:34:37 | 0:34:41 | |
'Ewa is from Poland. She's been here six years.' | 0:34:42 | 0:34:46 | |
You're very quick. | 0:34:46 | 0:34:47 | |
Can I have a go? | 0:34:47 | 0:34:50 | |
Yes. You can. | 0:34:50 | 0:34:51 | |
Once round... Oops. | 0:34:51 | 0:34:54 | |
-Yeah. -Then where next? -Second time... | 0:34:54 | 0:34:57 | |
-I'm getting the hang of this. -Yes. Very good. | 0:34:57 | 0:35:00 | |
It'll be done by Christmas if I carry on like that. | 0:35:00 | 0:35:02 | |
SHE LAUGHS | 0:35:02 | 0:35:04 | |
Given the choice, she'd like to stay. | 0:35:04 | 0:35:07 | |
It's a nice job and no stress. | 0:35:07 | 0:35:10 | |
-Good money? -Yes, for me, it's better money | 0:35:10 | 0:35:13 | |
than I was in Poland. Yes, yes. | 0:35:13 | 0:35:16 | |
Are you worried about anything in the future? | 0:35:16 | 0:35:19 | |
Sometimes I worry about Brexit, yes, because I stay here. | 0:35:19 | 0:35:25 | |
-You want to stay here? -Yes, yes. | 0:35:25 | 0:35:27 | |
There is hope for permanent workers like Ewa, | 0:35:29 | 0:35:33 | |
but at the moment, their future here still remains uncertain. | 0:35:33 | 0:35:37 | |
There's also a sense that the penny is starting to drop in government | 0:35:39 | 0:35:43 | |
regarding seasonal workers too. | 0:35:43 | 0:35:45 | |
Brexit Minister David Davis recently said... | 0:35:45 | 0:35:49 | |
And the Chancellor of the Exchequer, Philip Hammond, | 0:35:55 | 0:35:58 | |
said just last week... | 0:35:58 | 0:35:59 | |
'Ewa's boss is Barfoot's MD Julian Marks. | 0:36:05 | 0:36:09 | |
'He says growers and all their workers need a solution | 0:36:09 | 0:36:12 | |
'and they need it soon.' | 0:36:12 | 0:36:14 | |
How worried is the whole horticulture industry about labour? | 0:36:16 | 0:36:20 | |
I think the industry is worried in the short term - | 0:36:20 | 0:36:23 | |
for 2017 and in general, there is some uncertainty | 0:36:23 | 0:36:28 | |
as to whether we'll be able to source enough people | 0:36:28 | 0:36:30 | |
to meet the requirements for the 2017 harvest. | 0:36:30 | 0:36:33 | |
Really? Even for this year, there's already a worry? | 0:36:33 | 0:36:36 | |
Even for this year, we're seeing | 0:36:36 | 0:36:37 | |
the number of applications from individuals falling, | 0:36:37 | 0:36:41 | |
and falling rapidly, as they make choices | 0:36:41 | 0:36:43 | |
about where they go to work. | 0:36:43 | 0:36:45 | |
The industry is suggesting its own solution - | 0:36:45 | 0:36:48 | |
a new visa system to allow seasonal workers | 0:36:48 | 0:36:51 | |
to come to the UK in a controlled way. | 0:36:51 | 0:36:54 | |
But again, it's needed quickly. | 0:36:54 | 0:36:57 | |
A seasonal permit system is absolutely critical. | 0:36:57 | 0:37:01 | |
We need, in 2017, | 0:37:01 | 0:37:03 | |
a trial of the scheme which could be applied in 2018. | 0:37:03 | 0:37:06 | |
That would then, at least, create certainty for returners | 0:37:06 | 0:37:10 | |
and for individuals coming in 2019. | 0:37:10 | 0:37:12 | |
Do you think government get the urgency? | 0:37:12 | 0:37:14 | |
I think they're constantly battling | 0:37:14 | 0:37:17 | |
the political requirements of immigration | 0:37:17 | 0:37:21 | |
and the issues surrounding that | 0:37:21 | 0:37:23 | |
and often, perhaps, the economic importance falls away. | 0:37:23 | 0:37:29 | |
It sounds like they don't get it. You're being too polite to say so. | 0:37:29 | 0:37:32 | |
Am I being too polite? | 0:37:32 | 0:37:34 | |
Well, they need to get on and do something in 2017. | 0:37:34 | 0:37:37 | |
2018 will be too late. | 0:37:37 | 0:37:39 | |
Despite Julian's concerns, the government this week said | 0:37:41 | 0:37:44 | |
there will be no workers' scheme in 2017 | 0:37:44 | 0:37:48 | |
as employers still have access to EU labour, | 0:37:48 | 0:37:51 | |
though it will keep the situation under review. | 0:37:51 | 0:37:54 | |
But as for when we leave the European Union, | 0:37:54 | 0:37:57 | |
the future still remains uncertain. | 0:37:57 | 0:38:00 | |
In a few moments, | 0:38:02 | 0:38:04 | |
I'll be meeting world-famous photographer Nadav Kander, | 0:38:04 | 0:38:07 | |
whose seriously impressive portfolio includes royalty, | 0:38:07 | 0:38:10 | |
presidents and A-list celebrities, but for his latest project, | 0:38:10 | 0:38:14 | |
he's swapping Hollywood for the Hoo. | 0:38:14 | 0:38:16 | |
But first, Adam is on the farm | 0:38:16 | 0:38:18 | |
and he's got his hands full with plenty of new arrivals. | 0:38:18 | 0:38:21 | |
It only seems like yesterday I was getting the ewes into the shed | 0:38:31 | 0:38:34 | |
for the start of lambing. | 0:38:34 | 0:38:36 | |
Now we've had about 150 give birth, we've got another 400 to go. | 0:38:36 | 0:38:40 | |
I'm just bringing the latest batch out into the field here | 0:38:40 | 0:38:43 | |
to make the most of this lovely grass. | 0:38:43 | 0:38:46 | |
Turning out ewes and lambs onto pasture | 0:38:48 | 0:38:50 | |
is one of my favourite jobs - | 0:38:50 | 0:38:52 | |
A real sign that spring is truly on its way. | 0:38:52 | 0:38:55 | |
I put the lambs in the front part of the trailer | 0:38:58 | 0:39:01 | |
so that they don't get trampled on by the ewes as we're driving along. | 0:39:01 | 0:39:05 | |
They're nice and safe in here. | 0:39:05 | 0:39:06 | |
I'll just get them out in their pairs. | 0:39:06 | 0:39:09 | |
Number 25s. | 0:39:09 | 0:39:11 | |
I don't bring too many out at once, | 0:39:11 | 0:39:13 | |
in case of mismothering, | 0:39:13 | 0:39:15 | |
which means the lambs get lost in the crowd | 0:39:15 | 0:39:18 | |
and then don't get a feed and get hungry. | 0:39:18 | 0:39:20 | |
Lambs with an empty belly will die. | 0:39:20 | 0:39:23 | |
So it's really important they stay together. | 0:39:23 | 0:39:26 | |
I'll just let the ewes out now. | 0:39:30 | 0:39:32 | |
BLEATING | 0:39:32 | 0:39:34 | |
Come on, ladies. | 0:39:34 | 0:39:36 | |
LAMB BLEATS | 0:39:36 | 0:39:39 | |
Come on, then. | 0:39:39 | 0:39:41 | |
Right, there we go, the 25s have got sorted straight away. | 0:39:43 | 0:39:47 | |
'You'd have thought twins would stick close together | 0:39:49 | 0:39:51 | |
'but with all this new space to play in, | 0:39:51 | 0:39:54 | |
'they have a habit of going walkabout.' | 0:39:54 | 0:39:56 | |
That's it. It really helps having these numbers on their sides, | 0:39:56 | 0:39:59 | |
so you know who belongs to who. | 0:39:59 | 0:40:02 | |
So, 25. | 0:40:02 | 0:40:04 | |
And 32. | 0:40:12 | 0:40:14 | |
BLEATING | 0:40:14 | 0:40:16 | |
Out here now, these ewes will start to graze on the grass, | 0:40:16 | 0:40:19 | |
which they're doing already, | 0:40:19 | 0:40:21 | |
and it's full of sugars and proteins and will produce lots of rich milk. | 0:40:21 | 0:40:25 | |
It's essential these lambs get plenty of it. | 0:40:25 | 0:40:27 | |
You can see that little lamb suckling away now. | 0:40:27 | 0:40:30 | |
As long as they've got a full tummy, | 0:40:30 | 0:40:31 | |
it doesn't matter whether we get snow or rain, | 0:40:31 | 0:40:35 | |
they're tough little creatures. | 0:40:35 | 0:40:36 | |
They'll survive out here. They can get under the wall. | 0:40:36 | 0:40:39 | |
We've got a shelter there for them to get into if it gets really bad. | 0:40:39 | 0:40:42 | |
It's not just the ewes and lambs | 0:40:45 | 0:40:47 | |
that benefit from all this new spring grass - | 0:40:47 | 0:40:50 | |
I'll be turning out some of my young cattle too. | 0:40:50 | 0:40:52 | |
Just wait till you see what happens when I do. | 0:40:52 | 0:40:55 | |
This is one of my Gloucester cows, her name is Illy. | 0:40:58 | 0:41:01 | |
She gave birth back in October to twins | 0:41:01 | 0:41:03 | |
and usually, cattle only have one calf, | 0:41:03 | 0:41:06 | |
but she's got the two. | 0:41:06 | 0:41:07 | |
They're two boys, so we called them Billy and Willy. | 0:41:07 | 0:41:10 | |
She gave birth in here. | 0:41:10 | 0:41:12 | |
We kept them in during the winter months, | 0:41:12 | 0:41:14 | |
when it's cold and wet and horrible. | 0:41:14 | 0:41:16 | |
Now I'm going to turn out onto the grass. | 0:41:16 | 0:41:19 | |
Of course, Illy hasn't seen grass for six or eight months, | 0:41:19 | 0:41:22 | |
but the calves have never been out, so they could get quite excited. | 0:41:22 | 0:41:25 | |
Right, come on then, lovely. | 0:41:29 | 0:41:31 | |
Don't get left behind, come on. Go on. Follow your mum. | 0:41:38 | 0:41:43 | |
Away she goes - it's great watching cattle | 0:41:50 | 0:41:52 | |
when you turn them out for the first time in the spring. | 0:41:52 | 0:41:55 | |
She's got her tail in the air, she's kicking out. | 0:41:55 | 0:41:58 | |
The calves are in hot pursuit. They're not sure what's going on. | 0:42:01 | 0:42:04 | |
Lovely to watch. | 0:42:04 | 0:42:06 | |
She seems very content. If the weather does turn nasty, | 0:42:09 | 0:42:12 | |
she's next to the shed, so we can always get them back in. | 0:42:12 | 0:42:15 | |
She's looking at Dougie there, | 0:42:15 | 0:42:16 | |
he's the bull, the father of these calves. | 0:42:16 | 0:42:18 | |
First time he's ever seen his sons. | 0:42:18 | 0:42:20 | |
The Gloucester is known as being a dual-purpose breed | 0:42:20 | 0:42:24 | |
so both for beef and milk, | 0:42:24 | 0:42:25 | |
producing single and double Gloucester cheese. | 0:42:25 | 0:42:29 | |
She's got double trouble there with Billy and Willy. | 0:42:29 | 0:42:31 | |
Anyway, I'll leave them to it. | 0:42:31 | 0:42:34 | |
ILLY LOWS | 0:42:35 | 0:42:37 | |
As well as all the lambs and calves, we've also had some new piglets. | 0:42:41 | 0:42:45 | |
There's a lot of farmers around the country | 0:42:49 | 0:42:51 | |
that are very fond of the breed that come from their district. | 0:42:51 | 0:42:54 | |
We've got the Gloucester cattle, but our other county breed | 0:42:54 | 0:42:56 | |
is, of course, the Gloucestershire Old Spot pig. | 0:42:56 | 0:42:59 | |
They're similar to cattle in a way | 0:42:59 | 0:43:00 | |
because they'll give birth all year round, | 0:43:00 | 0:43:03 | |
but pigs, because they've got a shorter gestation period, | 0:43:03 | 0:43:05 | |
can have two litters. | 0:43:05 | 0:43:07 | |
This one has had ten here in this litter | 0:43:07 | 0:43:09 | |
and she'll give birth in another six or so months' time | 0:43:09 | 0:43:12 | |
and could have another ten, so that's 20 young in one year, | 0:43:12 | 0:43:15 | |
whereas a cow will just have one or two. | 0:43:15 | 0:43:18 | |
So she's doing really well, a lovely sow. | 0:43:18 | 0:43:20 | |
The Gloucestershire Old Spot are such a beautiful, docile breed, | 0:43:20 | 0:43:23 | |
I love working with them. | 0:43:23 | 0:43:25 | |
Right, come on then, missus, have your breakfast. | 0:43:25 | 0:43:27 | |
With all the new arrivals to look after, | 0:43:39 | 0:43:41 | |
we really do need all the help we can get. | 0:43:41 | 0:43:44 | |
So it's good to be able to call on | 0:43:47 | 0:43:50 | |
a young farmer like Richard Strudwick. | 0:43:50 | 0:43:53 | |
It's a great way for youngsters like him to get paid experience | 0:43:53 | 0:43:56 | |
and a valuable extra pair of hands for us, just when we need it. | 0:43:56 | 0:44:00 | |
And whilst Rich is bedding up, | 0:44:05 | 0:44:07 | |
I can get the next batch of twins ready to take out into the field. | 0:44:07 | 0:44:11 | |
BLEATING | 0:44:13 | 0:44:15 | |
It's such a busy time of year and it's great having some help about. | 0:44:15 | 0:44:19 | |
Rich has been really useful. | 0:44:19 | 0:44:20 | |
It's so important to encourage young people into farming | 0:44:20 | 0:44:24 | |
for the future of agriculture, the countryside and rural life, | 0:44:24 | 0:44:27 | |
which is why I'm in search | 0:44:27 | 0:44:29 | |
of Countryfile's Young Farmer of the Year. | 0:44:29 | 0:44:31 | |
Right, you two can stay in the warm. | 0:44:31 | 0:44:33 | |
Countryfile's Young Farmer of the Year is a brand-new award, | 0:44:36 | 0:44:40 | |
celebrating the best young British farmers | 0:44:40 | 0:44:42 | |
and the deserving winner will receive their prize | 0:44:42 | 0:44:45 | |
at the glittering BBC Food and Farming Awards in June. | 0:44:45 | 0:44:48 | |
Over the years, I've met some brilliant individuals, | 0:44:50 | 0:44:53 | |
young farmers who really stand out from the crowd. | 0:44:53 | 0:44:56 | |
Every single house was flooded | 0:44:58 | 0:44:59 | |
and every piece of furniture had to be taken out | 0:44:59 | 0:45:01 | |
and the young farmers came in to help the council. | 0:45:01 | 0:45:04 | |
Well done, you. Well done, young farmers. | 0:45:04 | 0:45:07 | |
So we need your nominations. | 0:45:08 | 0:45:10 | |
Maybe you know a young farmer | 0:45:10 | 0:45:12 | |
dedicated to preserving our countryside - | 0:45:12 | 0:45:15 | |
perhaps a great livestock breeder | 0:45:15 | 0:45:17 | |
or an agricultural innovator. | 0:45:17 | 0:45:19 | |
But whoever you choose, | 0:45:21 | 0:45:22 | |
they should have a real passion for farming. | 0:45:22 | 0:45:25 | |
After all, the future of our farming industry depends on them. | 0:45:26 | 0:45:30 | |
-You're very good at this. -Yeah. | 0:45:30 | 0:45:32 | |
They are the lifeblood of our rural landscape, | 0:45:32 | 0:45:36 | |
working it, | 0:45:36 | 0:45:38 | |
nurturing it, | 0:45:38 | 0:45:40 | |
preserving it. | 0:45:40 | 0:45:41 | |
It's great to hear young farmers like yourselves | 0:45:41 | 0:45:43 | |
being so passionate and open-minded about the industry. | 0:45:43 | 0:45:47 | |
We've featured many inspirational young farmers here on Countryfile... | 0:45:47 | 0:45:51 | |
..and it's surprising just how young some of those farmers have been. | 0:45:53 | 0:45:56 | |
Now then, Lily, I was about eight when I lambed my first sheep, | 0:45:56 | 0:46:00 | |
but you were only three - what was it like? | 0:46:00 | 0:46:02 | |
Slimy and hot. | 0:46:02 | 0:46:04 | |
What position is it born in? | 0:46:04 | 0:46:06 | |
That's it. Forward. Wonderful. That's very clever. | 0:46:07 | 0:46:12 | |
So please get in touch and let us know about young farmers | 0:46:16 | 0:46:19 | |
who are passionate about the countryside, | 0:46:19 | 0:46:21 | |
and you can go to our website after the programme for all the details. | 0:46:21 | 0:46:24 | |
Come on, missus. | 0:46:24 | 0:46:26 | |
But you'll have to be quick. | 0:46:26 | 0:46:28 | |
Nominations close at midnight on 26 March. | 0:46:28 | 0:46:31 | |
Please don't e-mail or send postal nominations after that date | 0:46:31 | 0:46:35 | |
as they will not be considered. | 0:46:35 | 0:46:36 | |
Remember, if you're watching us on demand, | 0:46:36 | 0:46:39 | |
nominations may already have closed. | 0:46:39 | 0:46:41 | |
All the details are on our website, | 0:46:41 | 0:46:43 | |
along with full terms and conditions. | 0:46:43 | 0:46:46 | |
We're on the Hoo Peninsula in Kent, | 0:46:49 | 0:46:51 | |
where I've been finding out how our feathered friends are being | 0:46:51 | 0:46:55 | |
helped to thrive in this wild landscape. | 0:46:55 | 0:46:58 | |
But it's not just farmers and birders who appreciate | 0:46:58 | 0:47:01 | |
the strange beauty that this place offers. | 0:47:01 | 0:47:04 | |
Photographer Nadav Kander has captured some of the biggest names | 0:47:04 | 0:47:08 | |
of the world stage. | 0:47:08 | 0:47:10 | |
His work takes him all over the globe, | 0:47:10 | 0:47:12 | |
but this is one place he returns to time and time again. | 0:47:12 | 0:47:15 | |
And his latest project is based right here, | 0:47:16 | 0:47:19 | |
on the easternmost point of the Hoo Peninsula. | 0:47:19 | 0:47:23 | |
Why choose to photograph the Hoo Peninsula? | 0:47:30 | 0:47:34 | |
It's the ending of the river, | 0:47:34 | 0:47:35 | |
it's the beauty in the contemplation of a journey ending, | 0:47:35 | 0:47:40 | |
being absorbed into a bigger whole | 0:47:40 | 0:47:43 | |
that attracts me here to the estuary. | 0:47:43 | 0:47:46 | |
And the Hoo Peninsula has just been richest for me | 0:47:46 | 0:47:49 | |
in the landscapes that I've found, | 0:47:49 | 0:47:51 | |
the man-made influence on landscape and on water. | 0:47:51 | 0:47:54 | |
You could have picked any glamorous location. | 0:47:57 | 0:48:00 | |
You've shot in China, | 0:48:00 | 0:48:01 | |
all the photographs of the Yangtze River. | 0:48:01 | 0:48:03 | |
Why the Thames? | 0:48:03 | 0:48:05 | |
It's my local river. | 0:48:05 | 0:48:06 | |
The Thames is my local river. | 0:48:06 | 0:48:08 | |
The Yangtze... The Yangtze was a big endeavour of wanting to know | 0:48:08 | 0:48:12 | |
how it felt to be in China at a time of such...what seemed to me | 0:48:12 | 0:48:16 | |
to be the most unnatural, fast pace of change. | 0:48:16 | 0:48:21 | |
And I suppose I'm trying to show much more what is inside me. | 0:48:23 | 0:48:27 | |
What is the poetry of the river? | 0:48:27 | 0:48:29 | |
So I'm trying to work, really, with states of mind rather than, | 0:48:29 | 0:48:33 | |
"This is the river and on that bank is so-and-so crane." | 0:48:33 | 0:48:37 | |
I'm not that interested in it. | 0:48:37 | 0:48:39 | |
It's a idea of what is known being in front of you | 0:48:40 | 0:48:43 | |
and the immensity of the universe and how small we are, | 0:48:43 | 0:48:46 | |
what pinpricks we are and the short lives we have, | 0:48:46 | 0:48:49 | |
that always recurs in my work, and nothing...nothing sums that up | 0:48:49 | 0:48:53 | |
as beautifully as an estuary. | 0:48:53 | 0:48:55 | |
I find that always alluring and that's the reason that I'm here. | 0:48:57 | 0:48:59 | |
That's the reason I'm here at the Hoo. | 0:48:59 | 0:49:02 | |
What's remarkable about your photos | 0:49:02 | 0:49:03 | |
is that they look like oil paintings. | 0:49:03 | 0:49:06 | |
They are so beautiful and they really draw you in. | 0:49:06 | 0:49:09 | |
Particularly the portraits. | 0:49:09 | 0:49:10 | |
How different is it taking a photo of a person | 0:49:10 | 0:49:13 | |
from sitting out in the landscape on your own? | 0:49:13 | 0:49:16 | |
Obviously, the timescale is very different | 0:49:16 | 0:49:19 | |
and the energy in the room is very different. | 0:49:19 | 0:49:21 | |
Sometimes you don't have much time, sometimes you have a lot of time. | 0:49:21 | 0:49:25 | |
If the person's just got off the plane, | 0:49:25 | 0:49:28 | |
if they've had a terrible night, | 0:49:28 | 0:49:30 | |
all of those things come into a picture. | 0:49:30 | 0:49:32 | |
And one's research here... | 0:49:37 | 0:49:38 | |
I can't come and look on a fine day and think, "Oh, I'll stand here." | 0:49:38 | 0:49:42 | |
I just have to come on the days I come. | 0:49:42 | 0:49:44 | |
I arrive here in the dark and I leave in the dark. | 0:49:46 | 0:49:48 | |
I come in the mist, I come when it's raining, | 0:49:50 | 0:49:54 | |
I come when the atmosphere's already begun forming | 0:49:54 | 0:49:57 | |
and try and then add to that. | 0:49:57 | 0:50:00 | |
And I kick stones around for a while and there's nothing there | 0:50:00 | 0:50:03 | |
and other times I get out the car | 0:50:03 | 0:50:04 | |
and it's all happening and it's very fruitful. | 0:50:04 | 0:50:07 | |
This is Kent's Hoo Peninsula, | 0:50:22 | 0:50:24 | |
where I've been exploring a project to preserve and celebrate | 0:50:24 | 0:50:27 | |
the working lives of the people here. | 0:50:27 | 0:50:30 | |
Many of the stories told by the locals | 0:50:31 | 0:50:33 | |
are of a bygone era, | 0:50:33 | 0:50:35 | |
yet the modern tales of life here are also being recorded. | 0:50:35 | 0:50:38 | |
16 years ago, the peaceful North Kent marshes | 0:50:40 | 0:50:43 | |
became a battlefield for the first of several campaigns | 0:50:43 | 0:50:46 | |
to prevent the building of an airport on the marshes. | 0:50:46 | 0:50:50 | |
It was the ambition of big business | 0:50:50 | 0:50:52 | |
versus the passion of local community. | 0:50:52 | 0:50:55 | |
Gill Moore, Joan Darwell and George Crozer | 0:50:59 | 0:51:02 | |
may look like a friendly bunch | 0:51:02 | 0:51:04 | |
but when it came to protecting | 0:51:04 | 0:51:06 | |
the northern landscape of the peninsula, | 0:51:06 | 0:51:08 | |
the gloves were off. | 0:51:08 | 0:51:09 | |
The whole area around here | 0:51:10 | 0:51:12 | |
is protected under local, national and international law. | 0:51:12 | 0:51:15 | |
It's so important for wildlife. | 0:51:15 | 0:51:17 | |
We get around 300,000 overwintering and migratory birds come here. | 0:51:17 | 0:51:21 | |
It would've destroyed everything. | 0:51:21 | 0:51:24 | |
It would just have been awful, absolutely awful. | 0:51:24 | 0:51:27 | |
26,000 people and nine villages | 0:51:27 | 0:51:30 | |
-would have been gone, wouldn't it? -Yeah. | 0:51:30 | 0:51:32 | |
So we did our Vicar Of Dibley thing with all the parish councils, | 0:51:32 | 0:51:34 | |
got together, "How are we going to fight this?" sort of thing. | 0:51:34 | 0:51:37 | |
Along with many others in the community, | 0:51:40 | 0:51:42 | |
Gill, Joan and George picked up their banners and went to work. | 0:51:42 | 0:51:47 | |
I understand that you came up with some quite creative ways | 0:51:47 | 0:51:50 | |
of making them listen and getting your message across. | 0:51:50 | 0:51:53 | |
It's the Dickens country, | 0:51:53 | 0:51:54 | |
so George is a great one for dressing up, | 0:51:54 | 0:51:56 | |
-so George dressed... -As you do. | 0:51:56 | 0:51:59 | |
George dressed up as Fagin | 0:51:59 | 0:52:01 | |
and we made this huge, great Christmas card | 0:52:01 | 0:52:03 | |
and we took it round to schools | 0:52:03 | 0:52:05 | |
and we had the children writing their name, | 0:52:05 | 0:52:07 | |
messages to Alistair Darling, | 0:52:07 | 0:52:08 | |
who was the Transport Secretary at the time, and we wrote on it, | 0:52:08 | 0:52:11 | |
"Merry Christmas, Darling. | 0:52:11 | 0:52:13 | |
"No airport at Cliffe," I think it was. | 0:52:13 | 0:52:15 | |
The movers and shakers behind the airport plan | 0:52:15 | 0:52:19 | |
even visited the village, | 0:52:19 | 0:52:20 | |
so the determined trio wasted no time | 0:52:20 | 0:52:23 | |
in getting their points across. | 0:52:23 | 0:52:25 | |
We gave them tea and cakes and we tried to get over | 0:52:26 | 0:52:29 | |
how special our communities are within the peninsula. | 0:52:29 | 0:52:32 | |
We did say to them, | 0:52:32 | 0:52:34 | |
"You may be rich but, believe me, we are far richer than you. | 0:52:34 | 0:52:39 | |
"You may be powerful, but what we have here is so special, | 0:52:39 | 0:52:43 | |
"it is just so important for wildlife and for people." | 0:52:43 | 0:52:47 | |
It was two years before they finally got the news | 0:52:49 | 0:52:52 | |
they were desperate to hear. | 0:52:52 | 0:52:55 | |
'I have concluded that, taking all relevant factors into account, | 0:52:55 | 0:52:58 | |
'that we do not support...' | 0:52:58 | 0:52:59 | |
CHEERING | 0:52:59 | 0:53:02 | |
-NEWS READER: -'The moment they were all waiting for. | 0:53:02 | 0:53:05 | |
'The relief clear to see.' | 0:53:05 | 0:53:06 | |
-GILL: -It's not the rolling hills of Kent. | 0:53:06 | 0:53:08 | |
-GEORGE: -No, it's not. | 0:53:08 | 0:53:10 | |
-But it's got a uniqueness. -Like I said, it's our... | 0:53:10 | 0:53:12 | |
-It's our Serengeti. -It's our Serengeti. | 0:53:12 | 0:53:15 | |
-Our rainforest. -Our rainforest. | 0:53:15 | 0:53:17 | |
Their campaign has been recorded as part of the Oral History Project | 0:53:21 | 0:53:25 | |
to celebrate the roles of local people here, | 0:53:25 | 0:53:28 | |
adding to more than 100 years of history of this intriguing place. | 0:53:28 | 0:53:33 | |
A collection of histories worth celebrating. | 0:53:43 | 0:53:46 | |
Well, Rachel is here, Anita's turned up, | 0:53:49 | 0:53:51 | |
and basically everybody in this church | 0:53:51 | 0:53:53 | |
has been involved in the project in some way | 0:53:53 | 0:53:55 | |
and I have the honour of capturing this lovely scene | 0:53:55 | 0:53:58 | |
with my camera, so... | 0:53:58 | 0:53:59 | |
If you'll excuse me, everyone, | 0:53:59 | 0:54:01 | |
shall we all head outside and get a lovely photograph? | 0:54:01 | 0:54:03 | |
-Yes, let's do it. -Bring coats if you need to. | 0:54:03 | 0:54:05 | |
That's good. | 0:54:07 | 0:54:09 | |
Perfect. Just checking. | 0:54:09 | 0:54:10 | |
Yeah, your framing's right. It's all good. | 0:54:10 | 0:54:12 | |
LAUGHTER | 0:54:12 | 0:54:14 | |
Cheese. | 0:54:15 | 0:54:16 | |
Lovely. | 0:54:18 | 0:54:20 | |
Well, that is all we've got time for this week. | 0:54:22 | 0:54:24 | |
Next week, we're going to be in Denbighshire, | 0:54:24 | 0:54:26 | |
where I'll be meeting a lady with an MBE for services to agriculture. | 0:54:26 | 0:54:29 | |
She's very much into Welsh lamb, apparently, | 0:54:29 | 0:54:31 | |
a real LAMB-bassador for farming. | 0:54:31 | 0:54:33 | |
That was bad. | 0:54:33 | 0:54:34 | |
And please send us your nominations | 0:54:34 | 0:54:36 | |
for Countryfile's Young Farmer 2017. | 0:54:36 | 0:54:38 | |
All the details of how to do it are on the website. | 0:54:38 | 0:54:41 | |
-Yes. See you next week. -See you. -Bye. -Bye-bye. | 0:54:41 | 0:54:43 | |
Actually, from all of us here, just say, bye-bye, everyone. | 0:54:43 | 0:54:46 | |
-ALL: -Bye! | 0:54:46 | 0:54:48 |