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From its highest mountains to the sea, | 0:00:26 | 0:00:29 | |
its fertile plains and wild spaces, | 0:00:29 | 0:00:33 | |
the Isle of Man is alive with echoes of the past. | 0:00:33 | 0:00:36 | |
All over the island, | 0:00:39 | 0:00:41 | |
you'll find ruins like these. | 0:00:41 | 0:00:43 | |
But they're so much more than just broken-down piles of stone. | 0:00:43 | 0:00:47 | |
They tell the story of the island's farming heritage, | 0:00:47 | 0:00:51 | |
if you know how to read them. | 0:00:51 | 0:00:53 | |
Joe's stepping back in time, too, to a gentler age of transport. | 0:00:56 | 0:01:00 | |
Can I jump on board? | 0:01:01 | 0:01:04 | |
Fantastic! Look at this! | 0:01:04 | 0:01:07 | |
He'll be hitching a ride | 0:01:07 | 0:01:08 | |
on the oldest horse-drawn tram in the world. | 0:01:08 | 0:01:11 | |
Tom's asking if a ban on building second homes | 0:01:14 | 0:01:17 | |
could give our most popular rural communities a second chance. | 0:01:17 | 0:01:21 | |
-Is it quite simply quieter than it was? -Definitely, definitely. | 0:01:21 | 0:01:25 | |
But, during the summer, it's heaving with tourists. | 0:01:25 | 0:01:30 | |
Erm... But it's not the same feel... a community feel. | 0:01:30 | 0:01:33 | |
And Adam's got his hands full with his newest recruit. | 0:01:35 | 0:01:38 | |
I'm going to drop her down and see how she reacts. | 0:01:39 | 0:01:42 | |
So, she's quite nervous of them. | 0:01:44 | 0:01:45 | |
-DOG BARKS -Ah! Ah! No. No, Olive! No! | 0:01:45 | 0:01:49 | |
The Isle of Man sits halfway between Britain and Ireland - | 0:02:00 | 0:02:04 | |
a green jewel in the wild, grey Irish Sea. | 0:02:04 | 0:02:08 | |
I'm in Douglas, the island's capital, built on a glorious bay. | 0:02:09 | 0:02:13 | |
For an island of this size, | 0:02:16 | 0:02:18 | |
it's certainly packed plenty in - | 0:02:18 | 0:02:19 | |
a high mountain, fertile farmland, | 0:02:19 | 0:02:22 | |
a beautiful coastline, | 0:02:22 | 0:02:23 | |
not to mention its own government and its own flag. | 0:02:23 | 0:02:26 | |
When you're in Douglas, there's only one way to travel about. | 0:02:31 | 0:02:36 | |
'This is the oldest surviving horse-drawn tram service | 0:02:36 | 0:02:39 | |
'in the world.' | 0:02:39 | 0:02:41 | |
Wow, look at this! | 0:02:41 | 0:02:43 | |
WHISTLE BLOWS | 0:02:43 | 0:02:45 | |
'A relic of a time when working horses were as familiar a sight | 0:02:45 | 0:02:49 | |
'in our towns and cities as they were on our farms.' | 0:02:49 | 0:02:52 | |
When this tram started running 141 years ago, | 0:02:57 | 0:03:01 | |
there were more than a million working horses in Britain, | 0:03:01 | 0:03:04 | |
pulling ploughs, hauling logs, | 0:03:04 | 0:03:06 | |
delivering milk and powering trams and omnibuses. | 0:03:06 | 0:03:10 | |
These tram horses are amongst the last still working. | 0:03:11 | 0:03:14 | |
Thanks very much. | 0:03:14 | 0:03:16 | |
But the heart of the operation is just there, | 0:03:16 | 0:03:19 | |
through that arch - a very rare sight indeed. | 0:03:19 | 0:03:22 | |
'Working stables were once a feature of backstreets in many towns. | 0:03:23 | 0:03:27 | |
'This is thought to be the last.' | 0:03:27 | 0:03:29 | |
It's here the tram horse - or trammers, as they're known - | 0:03:33 | 0:03:36 | |
live, sleep and even get fitted with new shoes. | 0:03:36 | 0:03:40 | |
Mike Crellin has held the reins here for 44 years. | 0:03:42 | 0:03:45 | |
There's one! | 0:03:48 | 0:03:50 | |
-They're all eager, waiting for their food. -Absolutely ready. -Yeah. | 0:03:50 | 0:03:53 | |
Oh, wow! | 0:03:53 | 0:03:55 | |
What a sight that is, all these faces! | 0:03:55 | 0:03:57 | |
The trammer's day begins at 8am with a giant bowl of cereal. | 0:03:59 | 0:04:02 | |
-This is barley, it comes from the local brewery. -On the island? | 0:04:04 | 0:04:07 | |
On the island, yes. In the summer, | 0:04:07 | 0:04:09 | |
they'll go through about eight tonnes of oats during the season. | 0:04:09 | 0:04:14 | |
-Eight tonnes? -Eight tonnes of oats, yeah. -Goodness me! | 0:04:14 | 0:04:17 | |
And what goes in must come out. | 0:04:20 | 0:04:23 | |
There's more than a tonne of manure a week produced by the horses, | 0:04:23 | 0:04:27 | |
much to the benefit of the local allotments. | 0:04:27 | 0:04:29 | |
-That's Keith. -Hello, Keith. Morning, Keith. | 0:04:29 | 0:04:33 | |
Here's your brekkie. | 0:04:34 | 0:04:36 | |
Hello, Douglas. Good morning. | 0:04:38 | 0:04:40 | |
Douglas needs his hearty breakfast, because he's taking me | 0:04:42 | 0:04:45 | |
on a preseason warm-up run along the prom. | 0:04:45 | 0:04:49 | |
Beautiful, isn't he? | 0:04:49 | 0:04:51 | |
But, first, he's got to get dressed for work. | 0:04:53 | 0:04:55 | |
That's a job for Kiera Anderson. | 0:04:55 | 0:04:58 | |
-Pop it over his head. -OK. There we go. | 0:04:58 | 0:05:01 | |
-Just hold that in place. -Do you want me to hold that in place? -Yeah. -OK. | 0:05:01 | 0:05:04 | |
-Just watch your fingers. -Yeah. | 0:05:04 | 0:05:07 | |
The harnesses used are just the same as they were in Victorian times. | 0:05:08 | 0:05:12 | |
-So, are you happy? Everything ready? -Yeah, he's ready to go to work. | 0:05:13 | 0:05:16 | |
Fantastic. Let's walk him out. | 0:05:16 | 0:05:19 | |
Along the promenade, just a stone's throw from the stables, | 0:05:23 | 0:05:26 | |
the tram's very own fan club is spring cleaning, | 0:05:26 | 0:05:29 | |
ready for the tourist season. | 0:05:29 | 0:05:32 | |
It's a very popular thing. | 0:05:32 | 0:05:33 | |
We have followers from around the world. | 0:05:33 | 0:05:35 | |
Some people will come for a ride on the historic tram, | 0:05:35 | 0:05:38 | |
or other people will like to take in the Clydesdales | 0:05:38 | 0:05:42 | |
and the Shire horses there, | 0:05:42 | 0:05:43 | |
and obviously just try and see as many as they can. | 0:05:43 | 0:05:46 | |
And tell me about YOUR passion. | 0:05:46 | 0:05:48 | |
It's part of the island's social history and also its heritage, | 0:05:48 | 0:05:51 | |
and it's something we would like to see for many more years to come | 0:05:51 | 0:05:55 | |
along the seafront here. | 0:05:55 | 0:05:56 | |
Time to make tracks, | 0:05:59 | 0:06:01 | |
and maybe even take the reins! | 0:06:01 | 0:06:03 | |
Are we ready to go, then? | 0:06:05 | 0:06:06 | |
Come on, boy! Good lad. | 0:06:06 | 0:06:09 | |
Come on! | 0:06:09 | 0:06:10 | |
I love this - people taking pictures. It's a wonderful sight. | 0:06:14 | 0:06:17 | |
Wherever you go, up and down the prom, | 0:06:17 | 0:06:19 | |
there's always people wanting to take photographs and whatnot. | 0:06:19 | 0:06:24 | |
These now rare Shires and Clydesdales were born for this role. | 0:06:24 | 0:06:28 | |
I suppose it's good for them, in a way, | 0:06:28 | 0:06:30 | |
because they're at risk or they're vulnerable breeds, aren't they? | 0:06:30 | 0:06:33 | |
-Yeah. -So it's great they can find work here. | 0:06:33 | 0:06:36 | |
And they're two working breeds. | 0:06:36 | 0:06:38 | |
The gentle giants aren't fazed at all by busy traffic. | 0:06:40 | 0:06:43 | |
Do you ever get sick of this? I mean, so many years on, | 0:06:46 | 0:06:48 | |
-do you still love it? -Yes. It changes. | 0:06:48 | 0:06:51 | |
There's something to do all the time, when you're going up and down, | 0:06:51 | 0:06:54 | |
and then you've got the young horses to train and things like that. | 0:06:54 | 0:06:57 | |
-On a nice day, it's a nice job. -Yeah. | 0:06:57 | 0:06:59 | |
'The trip along the prom is just over a mile and takes 20 minutes. | 0:07:02 | 0:07:06 | |
'At the end of the line, it's the horse that turns round, | 0:07:06 | 0:07:10 | |
'not the tram.' | 0:07:10 | 0:07:11 | |
Come on, Douglas. | 0:07:11 | 0:07:12 | |
Even got a bit of sunshine. | 0:07:15 | 0:07:17 | |
Now we're speeding! | 0:07:19 | 0:07:21 | |
'Time for a driving lesson.' | 0:07:21 | 0:07:23 | |
Hold the reins like that. In I come. | 0:07:23 | 0:07:26 | |
There we are. | 0:07:26 | 0:07:27 | |
So, this is your brake? | 0:07:32 | 0:07:34 | |
This is the brake, yeah. Just pull on to slow the tram down. | 0:07:34 | 0:07:38 | |
This is fantastic! What a treat. | 0:07:38 | 0:07:40 | |
You chose Douglas today cos he knows what he's doing? | 0:07:48 | 0:07:50 | |
He knows what he's doing, yeah. | 0:07:50 | 0:07:52 | |
-Even when there's a novice behind him? -Yeah, yeah. | 0:07:52 | 0:07:55 | |
Later in the programme, | 0:07:56 | 0:07:58 | |
I'll be visiting the trammers who finally hung up their shoes. | 0:07:58 | 0:08:01 | |
For years, a row has been bubbling away about second homes | 0:08:06 | 0:08:10 | |
in some of our most beautiful rural locations. | 0:08:10 | 0:08:13 | |
Now a court ruling means things could be about to change, | 0:08:13 | 0:08:17 | |
but will it be the success campaigners hope? | 0:08:17 | 0:08:20 | |
Here's Tom. | 0:08:20 | 0:08:22 | |
The end of another busy day for the trawler Freedom, | 0:08:27 | 0:08:30 | |
working across Cawsand Bay on the Cornish south coast. | 0:08:30 | 0:08:35 | |
-How's today's catch? Is it going all right? -Yeah, average. | 0:08:40 | 0:08:42 | |
'Skipper Tony Edwards has been fishing here | 0:08:42 | 0:08:45 | |
'most of his working life.' | 0:08:45 | 0:08:47 | |
I had a right fight with him! | 0:08:47 | 0:08:48 | |
Well, I can imagine! | 0:08:48 | 0:08:51 | |
-STRAINING: -Lift him up. | 0:08:51 | 0:08:52 | |
-That is a big old beast. -Yeah. | 0:08:52 | 0:08:55 | |
-How much fishing is there round here these days? -Erm... | 0:08:55 | 0:08:58 | |
There's not as much as it used to be. | 0:08:58 | 0:09:00 | |
There was 25, 30 fishermen when I first came here 30 years ago. | 0:09:00 | 0:09:04 | |
-And now? -Four. | 0:09:04 | 0:09:05 | |
Nowadays, fishing's given way to tourism | 0:09:07 | 0:09:10 | |
as the main industry for much of Cornwall. | 0:09:10 | 0:09:12 | |
It brings in money, but some people here say it's hurting the community. | 0:09:12 | 0:09:17 | |
And what about the town of Cawsand itself? | 0:09:17 | 0:09:19 | |
-How's that changed since you've been there? -Oh, it's, erm... | 0:09:19 | 0:09:24 | |
There's not so many working-class people there, of all trades, | 0:09:24 | 0:09:26 | |
not just fishermen. | 0:09:26 | 0:09:28 | |
Used to be a lot of painters and decorators and builders. | 0:09:28 | 0:09:31 | |
They've all gone. It's too expensive to live there. | 0:09:31 | 0:09:33 | |
And there's no youngsters. | 0:09:33 | 0:09:34 | |
And how does that make the actual feel of the place change? | 0:09:34 | 0:09:38 | |
It's not as close-knit as it used to be. | 0:09:38 | 0:09:41 | |
You used to walk down the street and everyone would speak. | 0:09:41 | 0:09:44 | |
Strangers, I'm sorry to call them strangers, | 0:09:44 | 0:09:47 | |
but they look the other way. | 0:09:47 | 0:09:49 | |
They're not used to the closeness of the... | 0:09:49 | 0:09:51 | |
especially the Cornish, they're very friendly people. | 0:09:51 | 0:09:53 | |
-Is it quite simply quieter than it was? -Definitely, definitely. | 0:09:53 | 0:09:57 | |
But, during the summer, it's heaving with tourists. | 0:09:57 | 0:10:01 | |
Erm...but it's not the same feel... a community feel. | 0:10:01 | 0:10:06 | |
The picture-postcard image of the twin villages, | 0:10:08 | 0:10:11 | |
Cawsand and Kingsand, with their pretty, winding alleyways | 0:10:11 | 0:10:15 | |
masks a deep-rooted problem. | 0:10:15 | 0:10:18 | |
This is a beautiful, quiet street, but it's quite clear | 0:10:21 | 0:10:25 | |
that, at this time of year, many of these homes are not being lived in. | 0:10:25 | 0:10:28 | |
In fact, only 17 of the 64 houses on this street | 0:10:28 | 0:10:33 | |
are occupied all year round. | 0:10:33 | 0:10:35 | |
'And while holiday cottages can bring in tourist pounds, | 0:10:38 | 0:10:41 | |
'people in communities like this argue that second homes, | 0:10:41 | 0:10:44 | |
'empty for most of the year, don't contribute much at all. | 0:10:44 | 0:10:48 | |
'And high demand pushes up house prices | 0:10:48 | 0:10:51 | |
'beyond the reach of local families.' | 0:10:51 | 0:10:53 | |
In the parish that includes Cawsand and Kingsand, | 0:10:56 | 0:10:59 | |
out of every three houses, | 0:10:59 | 0:11:01 | |
one is either a holiday cottage or a second home | 0:11:01 | 0:11:04 | |
and, in other regions around the country, it can be even worse. | 0:11:04 | 0:11:09 | |
In one parish in Wales, | 0:11:09 | 0:11:11 | |
almost half of all houses are not lived in permanently. | 0:11:11 | 0:11:14 | |
Those figures make it tough for people like Tony's son, Ross, | 0:11:17 | 0:11:20 | |
who happens to be working as an electrician | 0:11:20 | 0:11:23 | |
in a house in this very same street, where he can't afford to live. | 0:11:23 | 0:11:27 | |
So, Ross, when it comes to your work, | 0:11:27 | 0:11:30 | |
how much of it do you think is for second homes? | 0:11:30 | 0:11:33 | |
To be honest, it's always a mix, you know? | 0:11:33 | 0:11:36 | |
I'd say I probably get maybe 50% people who live here full-time | 0:11:36 | 0:11:42 | |
and the other 50% can be made up of second homes and holiday lets. | 0:11:42 | 0:11:47 | |
'Ross and his partner, Robyn, both work full-time.' | 0:11:48 | 0:11:51 | |
They married last year and have just bought their first home together, | 0:11:51 | 0:11:55 | |
but it's 20 miles away. | 0:11:55 | 0:11:58 | |
I've lived in eight places in the last ten years. | 0:11:58 | 0:12:02 | |
You know, you have to make do - live on a couch, or whatever it might be. | 0:12:02 | 0:12:06 | |
Really? You've had to do some couch surfing in your time? | 0:12:06 | 0:12:09 | |
Of course, yeah. Most people have, or you live at friends' | 0:12:09 | 0:12:11 | |
or move in somewhere for a short time until you can find somewhere. | 0:12:11 | 0:12:14 | |
-Housing's a real problem round here, isn't it? -It is a real problem, yeah. | 0:12:14 | 0:12:17 | |
Your roots and your cultural identity is where you're from, | 0:12:17 | 0:12:21 | |
and most people will tell you you're tied to that. | 0:12:21 | 0:12:24 | |
Where you're brought up - that's part of, like, who you are. | 0:12:24 | 0:12:27 | |
So, the further you have to move away, | 0:12:27 | 0:12:29 | |
then the more of that you kind of lose. | 0:12:29 | 0:12:32 | |
So, our rural seaside towns are changing. | 0:12:36 | 0:12:39 | |
Pilchards and pots have all but been replaced | 0:12:39 | 0:12:42 | |
with pasties and ice cream, | 0:12:42 | 0:12:44 | |
and that tourism is causing a huge imbalance | 0:12:44 | 0:12:47 | |
in local housing markets. | 0:12:47 | 0:12:48 | |
And not just here but in parts of Yorkshire, Wales and Scotland, | 0:12:48 | 0:12:53 | |
to name just a few. | 0:12:53 | 0:12:54 | |
But one Cornish town, St Ives, has a solution. | 0:12:55 | 0:12:59 | |
Tourists, including those with second homes, | 0:13:00 | 0:13:02 | |
are clearly helping the economy here. | 0:13:02 | 0:13:04 | |
This shop seems to be doing pretty well. | 0:13:04 | 0:13:06 | |
But people here say they want a balance. | 0:13:06 | 0:13:08 | |
They don't want to be overrun, | 0:13:08 | 0:13:10 | |
and that's why they've brought in this new planning restriction. | 0:13:10 | 0:13:14 | |
In December, St Ives did something really radical | 0:13:18 | 0:13:22 | |
and became the first place in Britain | 0:13:22 | 0:13:24 | |
to ban new-build second homes. | 0:13:24 | 0:13:27 | |
It means anyone moving into a newly-built house | 0:13:27 | 0:13:30 | |
will have to prove they live there for three quarters of the year. | 0:13:30 | 0:13:33 | |
Communities in many holiday hotspots | 0:13:36 | 0:13:39 | |
have been waiting for the St Ives plan to clear various legal hurdles | 0:13:39 | 0:13:44 | |
and now it has, many of them may be tempted to follow suit, | 0:13:44 | 0:13:48 | |
so is that the end of the problem? | 0:13:48 | 0:13:51 | |
Chris Balch is Professor of Planning at Plymouth University, | 0:13:54 | 0:13:57 | |
and he's not so sure. | 0:13:57 | 0:13:59 | |
I think it's got an opportunity to have some impact, | 0:14:01 | 0:14:04 | |
but it's not going to solve the whole second home problem | 0:14:04 | 0:14:06 | |
in places like St Ives. | 0:14:06 | 0:14:08 | |
It only applies to new property, | 0:14:08 | 0:14:10 | |
and therefore much of the property that you see here, | 0:14:10 | 0:14:13 | |
you know, is available for people to buy as a second home still. | 0:14:13 | 0:14:17 | |
And what about enforcement of it? | 0:14:17 | 0:14:19 | |
Well, that...that can be tricky, | 0:14:19 | 0:14:22 | |
and I think that may be one of the difficult elements. | 0:14:22 | 0:14:25 | |
You know, how do you know whether somebody is occupying a house | 0:14:25 | 0:14:28 | |
as a, sort of, permanent resident or, you know, maybe | 0:14:28 | 0:14:31 | |
they're sneaking away to London for a while and then coming back? | 0:14:31 | 0:14:34 | |
What about the rest of the country? What should they be taking | 0:14:34 | 0:14:37 | |
from this? I mean, a lot of places are interested. | 0:14:37 | 0:14:39 | |
Well, I think there's inevitably | 0:14:39 | 0:14:41 | |
a lot of interest in any rural community. | 0:14:41 | 0:14:43 | |
Affordability's the big issue, | 0:14:43 | 0:14:44 | |
so I think a lot of people are looking at | 0:14:44 | 0:14:46 | |
what the effect of this policy is going to be in St Ives | 0:14:46 | 0:14:49 | |
and seeing whether they can adapt that to their circumstances. | 0:14:49 | 0:14:52 | |
But I think it's going to take five or ten years | 0:14:52 | 0:14:54 | |
to really work out whether or not this policy's | 0:14:54 | 0:14:57 | |
delivering what people had hoped for. | 0:14:57 | 0:14:59 | |
Wandering around St Ives at this time of year, | 0:15:02 | 0:15:05 | |
you do see plenty of building work. | 0:15:05 | 0:15:08 | |
But look closely and you'll notice they're just doing winter repairs. | 0:15:08 | 0:15:12 | |
That's because developers here have delayed new projects | 0:15:12 | 0:15:16 | |
until they see how the land really lies. | 0:15:16 | 0:15:19 | |
No new homes have yet been built under the new policy, | 0:15:20 | 0:15:23 | |
so we don't have the hard evidence of how it'll work in practice, | 0:15:23 | 0:15:27 | |
but this plot here will see one of the first homes built | 0:15:27 | 0:15:31 | |
where the buyer has to live here permanently. | 0:15:31 | 0:15:34 | |
It's a pretty good view. | 0:15:34 | 0:15:36 | |
And while we wait for work to begin, | 0:15:38 | 0:15:40 | |
greater forces are starting to take notice. | 0:15:40 | 0:15:43 | |
The Government is allocating £60 million - | 0:15:43 | 0:15:46 | |
raised from a new high-rate stamp duty on second homes - | 0:15:46 | 0:15:49 | |
to areas hardest hit by second homes. | 0:15:49 | 0:15:53 | |
It's expected to be spent on affordable housing. | 0:15:53 | 0:15:55 | |
And it's hoped the recent White Paper on housing | 0:15:58 | 0:16:01 | |
will help Cornwall's own local plan, | 0:16:01 | 0:16:04 | |
which includes 52,000 new homes between now and 2030. | 0:16:04 | 0:16:08 | |
But back in Cawsand and Kingsand, | 0:16:11 | 0:16:13 | |
those changes can't come soon enough, | 0:16:13 | 0:16:15 | |
so they're planning a referendum, which could make them | 0:16:15 | 0:16:18 | |
the first community to introduce a similar ban to St Ives. | 0:16:18 | 0:16:23 | |
County councillor George Trubody is leading that campaign. | 0:16:23 | 0:16:26 | |
If we've got too many that are not lived in all year round, | 0:16:26 | 0:16:29 | |
then we could put pressure and strain on what is remaining | 0:16:29 | 0:16:32 | |
around schools, the shops, the services. | 0:16:32 | 0:16:35 | |
We need to make sure there's a local community here | 0:16:35 | 0:16:37 | |
that keeps that going throughout the year. | 0:16:37 | 0:16:39 | |
I mean, is it about that feeling of you come down here sometimes, | 0:16:39 | 0:16:42 | |
and it feels a bit dead because most of the houses aren't lived in? | 0:16:42 | 0:16:45 | |
That's the way it's been. That's the way it's going. | 0:16:45 | 0:16:47 | |
We're trying to have some control to keep that balance. | 0:16:47 | 0:16:50 | |
And where are we with this? What's the timescale with this policy? | 0:16:50 | 0:16:53 | |
Well, the whole neighbourhood plan, | 0:16:53 | 0:16:55 | |
we're looking to go to referendum some time later this year. | 0:16:55 | 0:16:58 | |
We need over 50%, so 51% of the people that vote, | 0:16:58 | 0:17:01 | |
if they vote in favour, | 0:17:01 | 0:17:03 | |
then we'd get it adopted as a local planning policy. | 0:17:03 | 0:17:06 | |
Is it about you not liking incomers? | 0:17:06 | 0:17:08 | |
No, not at all and there's a lot of people portray that, | 0:17:08 | 0:17:11 | |
especially in Cornwall in general, | 0:17:11 | 0:17:14 | |
but we can't just have a carte blanche | 0:17:14 | 0:17:16 | |
where it creates this massive divide between those | 0:17:16 | 0:17:20 | |
that are able to live here and those that can't afford to. | 0:17:20 | 0:17:23 | |
'And he says stopping new build second homes is just the start.' | 0:17:24 | 0:17:28 | |
There's an argument that there could be a new planning classification | 0:17:29 | 0:17:33 | |
if government were to change legislation, | 0:17:33 | 0:17:35 | |
which would mean that you'd have to apply for planning permission | 0:17:35 | 0:17:38 | |
if you wanted to buy a property to use as a second home. | 0:17:38 | 0:17:41 | |
It's about drawing a line in the sand. It's about doing something. | 0:17:41 | 0:17:44 | |
It may take years for any of this to help the people here in Cornwall | 0:17:46 | 0:17:50 | |
and in other parts of the country, but clearly the game is on. | 0:17:50 | 0:17:54 | |
People love to visit the Cornish coastline | 0:17:56 | 0:17:58 | |
and some of them want to own a piece of it, | 0:17:58 | 0:18:01 | |
so this residency requirement isn't instantly going to make homes | 0:18:01 | 0:18:05 | |
in a place like this affordable to locals, | 0:18:05 | 0:18:08 | |
and it does worry developers. | 0:18:08 | 0:18:10 | |
But other places around the country are watching, | 0:18:10 | 0:18:13 | |
aware that it gives locals an element of control | 0:18:13 | 0:18:18 | |
over the otherwise rampant housing market. | 0:18:18 | 0:18:21 | |
Ghostly ruins. | 0:18:42 | 0:18:44 | |
Tumbledown buildings. | 0:18:44 | 0:18:46 | |
Broken walls. | 0:18:46 | 0:18:48 | |
Echoes of a different time. | 0:18:48 | 0:18:50 | |
They're known as tholtans, literally the ruins of abandoned homes. | 0:18:51 | 0:18:57 | |
Relics of the Isle of Man's farming past. | 0:18:57 | 0:19:00 | |
Here in the shadow of Snaefell is a cluster of buildings | 0:19:03 | 0:19:07 | |
that were home to generations of Manx farmers. | 0:19:07 | 0:19:10 | |
They lived a rudimentary, harsh life in these foothills. | 0:19:10 | 0:19:15 | |
But one man is determined that these lives are not forgotten. | 0:19:15 | 0:19:18 | |
Photographer Ray Kelly | 0:19:18 | 0:19:20 | |
is painstakingly recording the island's 200 or so tholtans | 0:19:20 | 0:19:24 | |
before they crumble away for good. | 0:19:24 | 0:19:26 | |
-Ray, it is beautiful here, isn't it? -Hello, Ellie, how are you? | 0:19:27 | 0:19:30 | |
-I'm all right, you? -I am. | 0:19:30 | 0:19:32 | |
What have we got here? | 0:19:32 | 0:19:33 | |
Is this a hamlet or just one farm? | 0:19:33 | 0:19:36 | |
It's just one farm. It's called Killabrega. | 0:19:36 | 0:19:38 | |
Abandoned in the early '60s. | 0:19:38 | 0:19:41 | |
And the main house is there. | 0:19:41 | 0:19:43 | |
And the rest of the buildings are basically for livestock. | 0:19:43 | 0:19:46 | |
-It would've been tough living up here. -Absolutely. | 0:19:46 | 0:19:49 | |
Most of these places didn't even have windows. | 0:19:49 | 0:19:52 | |
They would just have sacks, so there's no glass. | 0:19:52 | 0:19:55 | |
You seem to know a lot of detail about life up here. | 0:19:55 | 0:19:57 | |
-Is there good records kept from this? -No. | 0:19:57 | 0:19:59 | |
No, people have the records. | 0:19:59 | 0:20:01 | |
Erm... And it's amazing, | 0:20:01 | 0:20:03 | |
because this really was the backbone of most Manx people. | 0:20:03 | 0:20:06 | |
And what evidence is there up here of what went on? | 0:20:06 | 0:20:09 | |
Oh, there's quite a few little items around here. | 0:20:09 | 0:20:11 | |
I can show you, if you follow me. They're just round the corner. | 0:20:11 | 0:20:14 | |
Yeah, let's take a look. | 0:20:14 | 0:20:16 | |
'From a few remnants, Ray's been able to piece together | 0:20:16 | 0:20:19 | |
'what life must have been like in these homesteads.' | 0:20:19 | 0:20:22 | |
-This is the threshing machine. -How did it work? | 0:20:24 | 0:20:27 | |
This area here would have been used for separating the grain, | 0:20:27 | 0:20:31 | |
or the chaff from the grain, | 0:20:31 | 0:20:32 | |
-and the oats would drop through these holes... -Yeah. | 0:20:32 | 0:20:35 | |
..and the chaff would be blown away. | 0:20:35 | 0:20:37 | |
It's got the quick, stop and slow. | 0:20:37 | 0:20:39 | |
Which is quite rare. Most of them just didn't have any of this. | 0:20:39 | 0:20:42 | |
-It's quite a posh threshing machine. -A high-end threshing machine, | 0:20:42 | 0:20:45 | |
-if you please. -This is the deluxe version. | 0:20:45 | 0:20:47 | |
So, these guys were doing all right if they had one of these? | 0:20:47 | 0:20:50 | |
Yeah, yeah. They weren't the poorest in the valley. | 0:20:50 | 0:20:52 | |
It's interesting, because there isn't really records, | 0:20:52 | 0:20:55 | |
but you're able to tell quite a lot just by the fact that this is here, | 0:20:55 | 0:20:58 | |
by interpreting what's here. There must be more on this site | 0:20:58 | 0:21:00 | |
-that we can see? -Oh, yeah, there's lots more to see, lots more to see. | 0:21:00 | 0:21:03 | |
-Shall we take a look? -We will. | 0:21:03 | 0:21:05 | |
Right, we'll come through the garden now, Ellie, | 0:21:09 | 0:21:12 | |
-where they would have grown vegetables. -Yeah. -And the fruit, | 0:21:12 | 0:21:14 | |
which they stored through the winter to keep the family going. | 0:21:14 | 0:21:17 | |
-What's that, this? -Yes, this is it, Ellie. | 0:21:18 | 0:21:20 | |
-All the way for this? -Absolutely. -What is it? | 0:21:20 | 0:21:23 | |
It is, believe it or not, | 0:21:23 | 0:21:25 | |
an old grinding stone that's long since gone. | 0:21:25 | 0:21:28 | |
Grinding stone for what, though? | 0:21:28 | 0:21:29 | |
Well, they would have sharpened their knives, their spades. | 0:21:29 | 0:21:33 | |
My wife and I could never work out | 0:21:33 | 0:21:34 | |
why they were so far away from the house. | 0:21:34 | 0:21:36 | |
And then my wife said, "It's quite simple, really. | 0:21:36 | 0:21:39 | |
"Because these places are thatched. And that would be sparks and fire." | 0:21:39 | 0:21:43 | |
Maybe wrong, maybe right, but... | 0:21:43 | 0:21:44 | |
More interpretation, but actually, it's so plausible, very plausible. | 0:21:44 | 0:21:48 | |
-Sounds right. It does. -And when did this way of life begin to decline? | 0:21:48 | 0:21:51 | |
Between the wars, mostly. | 0:21:51 | 0:21:53 | |
The tourist industry took off in the Isle of Man | 0:21:53 | 0:21:55 | |
and the parents stayed and the kids left. | 0:21:55 | 0:21:58 | |
-It's quite sad. -Yeah. | 0:21:58 | 0:22:00 | |
And with the people gone, these simple buildings, | 0:22:01 | 0:22:04 | |
made of nothing more than earth and stone, | 0:22:04 | 0:22:07 | |
began to crumble and disappear. | 0:22:07 | 0:22:09 | |
But there's still one place perfectly preserved in time. | 0:22:11 | 0:22:15 | |
Here at Cregneash village, | 0:22:15 | 0:22:17 | |
you can see homestead life as it would have been. | 0:22:17 | 0:22:20 | |
Site manager Helen Ashcroft | 0:22:22 | 0:22:24 | |
has really got under the skin of this old way of life. | 0:22:24 | 0:22:28 | |
Quite a few of these buildings look different to each other. | 0:22:28 | 0:22:30 | |
Why is that? | 0:22:30 | 0:22:32 | |
Well, it's different responses to lifestyle changes, really. | 0:22:32 | 0:22:35 | |
So, you see the one behind us, they've taken the roof off, | 0:22:35 | 0:22:39 | |
and they've built up. | 0:22:39 | 0:22:40 | |
They've got a typical two-up, two-down house there. | 0:22:40 | 0:22:42 | |
More space, because it just became unpopular | 0:22:42 | 0:22:45 | |
to live in these really small, cramped conditions. | 0:22:45 | 0:22:47 | |
So, why did some of these stay in their old state | 0:22:47 | 0:22:49 | |
while others modernised? | 0:22:49 | 0:22:51 | |
The people that lived here, they probably moved into the cities | 0:22:51 | 0:22:54 | |
and maybe bought a guesthouse and serviced the tourist industry, | 0:22:54 | 0:22:57 | |
which was really big on the island at the time. | 0:22:57 | 0:22:59 | |
And then they would let this one out? | 0:22:59 | 0:23:01 | |
They'd keep it as a holiday home, because obviously, | 0:23:01 | 0:23:03 | |
when the summer season comes, you don't want your children | 0:23:03 | 0:23:06 | |
taking up valuable bedrooms, so they'd come up here | 0:23:06 | 0:23:08 | |
with Granny and Grandad and spend the summer holidays. | 0:23:08 | 0:23:10 | |
Do you think we could look inside one? | 0:23:10 | 0:23:12 | |
Yeah, we've got one over here that's still in its original condition. | 0:23:12 | 0:23:15 | |
Let's have a look. | 0:23:15 | 0:23:16 | |
This is Harry Kelly's cottage. | 0:23:21 | 0:23:24 | |
Come in and have a brabbag by the fire. | 0:23:24 | 0:23:26 | |
A brabbag? Sounds like a bakery product. | 0:23:26 | 0:23:29 | |
It is! Toasting your buns by the fire. | 0:23:29 | 0:23:32 | |
-Warm the derriere. Don't mind if I do. It's cold out there. -Exactly. | 0:23:32 | 0:23:36 | |
Gosh. Incredibly simple living. Pretty much just two rooms, right? | 0:23:36 | 0:23:40 | |
Well, it's three, really. | 0:23:40 | 0:23:41 | |
So, you've got the mum and dad and an infant there, | 0:23:41 | 0:23:44 | |
and upstairs in the loft, you would have all the other children, | 0:23:44 | 0:23:48 | |
and they'd go the smallest at the far end, | 0:23:48 | 0:23:50 | |
leading towards the largest children at this end, | 0:23:50 | 0:23:53 | |
at the closer end, and it would be their job to make sure that | 0:23:53 | 0:23:56 | |
everybody stayed in and nobody rolled off the deck. | 0:23:56 | 0:23:59 | |
-Wow! Very practical! And this roof on the inside. -Yeah, it's turf. | 0:23:59 | 0:24:03 | |
-But you can see where the turf joins up. -Yes. | 0:24:03 | 0:24:05 | |
You'll find tucked in between those folds little Victorian games, | 0:24:05 | 0:24:08 | |
you know, where siblings have obviously tried to hide them | 0:24:08 | 0:24:11 | |
from their brothers and sisters, like private treasure. | 0:24:11 | 0:24:15 | |
Amazing discovery to see that, so many years on. | 0:24:16 | 0:24:19 | |
I know. Isn't it? | 0:24:19 | 0:24:21 | |
I'm going to leave you to your brabbag. | 0:24:21 | 0:24:22 | |
-OK! -I'm going to keep exploring. | 0:24:22 | 0:24:25 | |
-See you later. -OK, thank you. -Cheers. | 0:24:25 | 0:24:27 | |
Just seeing the cottage set up like this | 0:24:32 | 0:24:35 | |
really gives you a sense of what life was like | 0:24:35 | 0:24:37 | |
for those old crofters. | 0:24:37 | 0:24:39 | |
CHICKENS CLUCK | 0:24:39 | 0:24:42 | |
And now I'm off to meet a woman who grew up on a homestead | 0:24:44 | 0:24:48 | |
and farmed her whole life. | 0:24:48 | 0:24:49 | |
She's called Florrie Kinvig, and she's 93. | 0:24:51 | 0:24:55 | |
-Florrie, this is a cosy spot. It's nice to meet you. -Yes. | 0:24:55 | 0:24:59 | |
So, can you tell me what life was like growing up on a smallholding? | 0:24:59 | 0:25:04 | |
Well, yes, very... Very different to what it is today. | 0:25:04 | 0:25:09 | |
There was no mains water, no electricity. | 0:25:09 | 0:25:13 | |
No, it was paraffin lamps and candles and... | 0:25:13 | 0:25:15 | |
You had to work in the harvest fields, the hayfields, | 0:25:15 | 0:25:20 | |
and that was the mainstay, really. That was our lifeline. | 0:25:20 | 0:25:23 | |
-And was it seven days a week, 365 days? -Oh, yes. | 0:25:23 | 0:25:27 | |
Seven days a week, yes. | 0:25:27 | 0:25:29 | |
-All night sometimes. -It was tough living. | 0:25:29 | 0:25:33 | |
It was, but I don't think the young people believe it, really! | 0:25:33 | 0:25:37 | |
It's hard to imagine that that wasn't very long ago. | 0:25:37 | 0:25:39 | |
-It's so different. -No, it wasn't. | 0:25:39 | 0:25:43 | |
As running water came and as electricity came, | 0:25:43 | 0:25:46 | |
how did you greet each of those new things? | 0:25:46 | 0:25:48 | |
Well, I think the water was the most wonderful thing. | 0:25:48 | 0:25:52 | |
Because if we had a very dry summer, water was at a premium. | 0:25:52 | 0:25:57 | |
You had to walk a long way. | 0:25:57 | 0:25:59 | |
And what did you think when electricity came into your home? | 0:25:59 | 0:26:02 | |
Oh, that was wonderful, yes. | 0:26:02 | 0:26:04 | |
We had to start spring cleaning then! | 0:26:04 | 0:26:06 | |
THEY LAUGH You could see the cobwebs! | 0:26:06 | 0:26:09 | |
-Amazing. -Well, it's fascinating hearing about it. -Thank you. | 0:26:10 | 0:26:13 | |
Florrie is one of the last living links | 0:26:15 | 0:26:17 | |
with the island's agricultural past, | 0:26:17 | 0:26:19 | |
but thanks to people here at Cregneash | 0:26:19 | 0:26:21 | |
and the photographs of Ray Kelly, | 0:26:21 | 0:26:23 | |
it's now a past preserved for future generations. | 0:26:23 | 0:26:27 | |
Now, a few months ago, | 0:26:30 | 0:26:32 | |
Sean headed back to his old stomping grounds in Wales, | 0:26:32 | 0:26:34 | |
but he'd never experienced them quite like this before. | 0:26:34 | 0:26:38 | |
The Black Mountains, | 0:26:43 | 0:26:44 | |
or Mynyddoedd Duon, as they're known in Welsh, | 0:26:44 | 0:26:46 | |
are close to my heart. | 0:26:46 | 0:26:47 | |
One of my favourite places to relax, unwind... | 0:26:47 | 0:26:51 | |
..and go downhill mountain biking?! | 0:26:53 | 0:26:55 | |
In an era when Welsh hill farms must diversify or die, | 0:27:02 | 0:27:05 | |
I've come to a farm that's not just surviving, but thriving. | 0:27:05 | 0:27:09 | |
When it comes to diversification, | 0:27:13 | 0:27:15 | |
sheep farmers Joe and Gwenda Binns | 0:27:15 | 0:27:17 | |
were determined to do something special | 0:27:17 | 0:27:19 | |
to turn around their struggling business. | 0:27:19 | 0:27:22 | |
THEY GREET EACH OTHER IN WELSH | 0:27:22 | 0:27:24 | |
There's a warm welcome. | 0:27:24 | 0:27:26 | |
-Joe, good to see you. -Nice to meet you. -What are you up to? | 0:27:26 | 0:27:29 | |
Yeah, we are just taking the rams out | 0:27:29 | 0:27:31 | |
that have been running with the ewes for the last six weeks. | 0:27:31 | 0:27:33 | |
-Can I help? -Yeah, we need to sort them out. | 0:27:33 | 0:27:35 | |
-What are we doing, getting them in here? -Into the pen here. Yes. | 0:27:35 | 0:27:38 | |
-Brilliant. -If you come with me, and we'll just gently push them through. | 0:27:38 | 0:27:42 | |
So, how long have you been on the farm? | 0:27:42 | 0:27:44 | |
We've been here 34 years now, and it's gone very, very quickly. | 0:27:44 | 0:27:47 | |
It doesn't feel like 34 years at all. | 0:27:47 | 0:27:50 | |
We've tried lots of different things and now we've suddenly... | 0:27:50 | 0:27:54 | |
cut down on our sheep numbers, | 0:27:54 | 0:27:56 | |
and so we've had to find other sources of income, | 0:27:56 | 0:27:59 | |
and this is where we are today. | 0:27:59 | 0:28:00 | |
-Turned it round into a success story. -Well, let's hope so. | 0:28:00 | 0:28:03 | |
It's beginning to look that way. | 0:28:03 | 0:28:06 | |
This isn't the first time | 0:28:07 | 0:28:09 | |
Countryfile has visited Joe and Gwenda. Far from it. | 0:28:09 | 0:28:12 | |
When John was first here, sheep prices had dropped, | 0:28:12 | 0:28:14 | |
and Joe was weighing up his options. | 0:28:14 | 0:28:16 | |
Have you ever felt like quitting? | 0:28:16 | 0:28:18 | |
Yeah, I've thought about it over the years. | 0:28:18 | 0:28:21 | |
Diversifying then meant a holiday cottage and a mobile phone mast. | 0:28:21 | 0:28:25 | |
I've reduced the numbers of sheep and planted up | 0:28:25 | 0:28:28 | |
an area of the farm with broadleaf trees, which I got a grant for. | 0:28:28 | 0:28:31 | |
Mountain biking wasn't on their radar, | 0:28:32 | 0:28:35 | |
but that initial patch of woodland became the key | 0:28:35 | 0:28:37 | |
to possibly unlocking a financially secure future for the farm, | 0:28:37 | 0:28:41 | |
as Matt saw when he visited. | 0:28:41 | 0:28:44 | |
They've been testing out this steep slope through the trees | 0:28:44 | 0:28:47 | |
for the first time today. | 0:28:47 | 0:28:48 | |
Argh! | 0:28:48 | 0:28:50 | |
And it's proving to be quite a challenge. | 0:28:50 | 0:28:53 | |
-They will pay to do that. -How much for a day, roughly? -About £20 a day. | 0:28:53 | 0:28:56 | |
-OK. -Yeah, so... -So, that is... | 0:28:56 | 0:28:57 | |
I mean, potentially, it's a good business, isn't it? | 0:28:57 | 0:29:00 | |
Yeah. I reckon, yeah. I see it as a business, definitely. | 0:29:00 | 0:29:03 | |
Today, that business is a reality. | 0:29:03 | 0:29:06 | |
We can't believe how popular it's getting, | 0:29:06 | 0:29:08 | |
and how far people travel to come and see us. | 0:29:08 | 0:29:12 | |
And they are just enjoying being in the national park, | 0:29:12 | 0:29:15 | |
which is really important. | 0:29:15 | 0:29:16 | |
And we employ local boys. | 0:29:16 | 0:29:19 | |
In fact, they're all boys that I taught at school. | 0:29:19 | 0:29:21 | |
They're farmers' sons. | 0:29:21 | 0:29:23 | |
Did they teach you about mountain biking in agricultural college? | 0:29:23 | 0:29:26 | |
I don't think mountain bikes were invented then! | 0:29:26 | 0:29:29 | |
But to create mountain bike Nirvana, | 0:29:30 | 0:29:33 | |
you need to call on a mountain biking master. | 0:29:33 | 0:29:36 | |
Sean Bevan has been building bike trails professionally for 15 years. | 0:29:40 | 0:29:44 | |
Do you have a plan of what you're going to do, | 0:29:48 | 0:29:50 | |
or do you just start creating? | 0:29:50 | 0:29:52 | |
When I'm in the digger, I kind of picture in my head, you know, | 0:29:52 | 0:29:55 | |
what I would like to ride, and where I would like to go with the trail. | 0:29:55 | 0:29:58 | |
And, yeah, I think that's the best way of designing | 0:29:58 | 0:30:01 | |
a good mountain bike trail. | 0:30:01 | 0:30:03 | |
Get inspired by the Skirrid mountain. | 0:30:03 | 0:30:05 | |
-It's like a jump, you know. -Isn't it? Yeah. | 0:30:05 | 0:30:09 | |
-We've got the landscape as well for it. -Yeah. | 0:30:09 | 0:30:11 | |
Who are the sorts of people who come here? | 0:30:11 | 0:30:13 | |
We get all types of riders, from novice to world champions. | 0:30:13 | 0:30:17 | |
There's riding here for everyone. | 0:30:17 | 0:30:18 | |
It's getting a lot of attention worldwide now, | 0:30:18 | 0:30:21 | |
which is pretty cool - a little hillside in Wales! | 0:30:21 | 0:30:26 | |
I think we're wired completely differently. | 0:30:26 | 0:30:28 | |
-You love this sort of thing. -Yeah. -I'm really nervous about it. | 0:30:28 | 0:30:30 | |
Give me some advice. What do I need to know? | 0:30:30 | 0:30:32 | |
Hold on, use your brakes. | 0:30:32 | 0:30:34 | |
-I have total faith, Sean! -SEAN LAUGHS | 0:30:34 | 0:30:36 | |
Well, I can't put it off any longer. | 0:30:38 | 0:30:40 | |
I have to sample Sean's handiwork for myself. | 0:30:40 | 0:30:43 | |
Hopefully, the pro riders can soothe my jangling nerves. | 0:30:43 | 0:30:47 | |
You can't... You can't think of the fear. | 0:30:49 | 0:30:51 | |
The fear doesn't come into it, | 0:30:51 | 0:30:52 | |
because if you are scared of something, | 0:30:52 | 0:30:54 | |
-walk away and don't do it. -Yeah. Yeah, yeah. | 0:30:54 | 0:30:57 | |
-So, can I walk away now? -No. | 0:30:57 | 0:30:58 | |
'Looks like I've got no choice. | 0:31:00 | 0:31:01 | |
'Luckily, I've got all the gear. | 0:31:01 | 0:31:03 | |
'I still have no idea.' | 0:31:03 | 0:31:05 | |
I've ridden cross-country plenty of times, | 0:31:05 | 0:31:08 | |
but downhill trails like these are going to be a whole new challenge. | 0:31:08 | 0:31:11 | |
-Wish me luck! -THEY CHEER AND WHOOP | 0:31:11 | 0:31:14 | |
Top riders take just 120 seconds to descend this one-mile-long trail. | 0:31:16 | 0:31:20 | |
I may not make that, but I'm giving it my best shot. | 0:31:22 | 0:31:25 | |
HE PANTS | 0:31:36 | 0:31:38 | |
Well, that was absolutely fantastic. | 0:31:38 | 0:31:41 | |
What a brilliant day! | 0:31:41 | 0:31:43 | |
We're losing the light now, which is such a shame, | 0:31:43 | 0:31:45 | |
so we're going to have to end it. | 0:31:45 | 0:31:46 | |
If it was up to me, I'd be straight back up there for more. | 0:31:46 | 0:31:50 | |
So, Gwenda and Joe have capitalised on this beautiful countryside, | 0:31:56 | 0:31:59 | |
bringing adrenaline to the heart of the Brecon Beacons, | 0:31:59 | 0:32:02 | |
and turning their business around. I'm really pleased for them. | 0:32:02 | 0:32:05 | |
Now, with spring just around the corner, | 0:32:10 | 0:32:12 | |
Adam's getting ready for his new arrivals. | 0:32:12 | 0:32:15 | |
But one's made an early appearance, | 0:32:15 | 0:32:18 | |
and she needs some special attention. | 0:32:18 | 0:32:20 | |
I love working with all the livestock on the farm, | 0:32:29 | 0:32:31 | |
and I particularly like having all the various dogs about. | 0:32:31 | 0:32:35 | |
You may remember at the end of last summer, | 0:32:35 | 0:32:37 | |
we sadly lost our pet dog, Dolly, to cancer, | 0:32:37 | 0:32:40 | |
and Boo, the other house dog, was pining. | 0:32:40 | 0:32:43 | |
So, we decided, about four months later, to go out and buy a puppy, | 0:32:43 | 0:32:47 | |
and once I've got these sheep sorted, I'll go and let her out. | 0:32:47 | 0:32:51 | |
Come on, then! | 0:32:51 | 0:32:52 | |
Come on, sheep. | 0:32:53 | 0:32:54 | |
Come on! | 0:32:54 | 0:32:56 | |
This is Olive, our new Hungarian Wire-haired Vizsla. | 0:32:59 | 0:33:04 | |
You wouldn't think it now, | 0:33:04 | 0:33:06 | |
but when we got her two months ago, she was a tiny puppy. | 0:33:06 | 0:33:10 | |
Like all young dogs, she's been eating us out of house and home. | 0:33:10 | 0:33:14 | |
At a little more than four-months-old, | 0:33:14 | 0:33:16 | |
it won't be long until she's the same size as Boo. | 0:33:16 | 0:33:19 | |
Boo, Olive, here! | 0:33:22 | 0:33:24 | |
HE LAUGHS | 0:33:24 | 0:33:25 | |
Hello! There she is! | 0:33:25 | 0:33:27 | |
She's a really sweet-natured little puppy. | 0:33:27 | 0:33:30 | |
-DOG BARKS -The family adore her. Shush, Boo! | 0:33:30 | 0:33:32 | |
And she get on really well with the other dogs. | 0:33:32 | 0:33:35 | |
She loves Peg, and runs over to say good morning to her in her kennel. | 0:33:35 | 0:33:39 | |
Here, Olive, where's your mate? | 0:33:39 | 0:33:42 | |
Here she is. Here she is! | 0:33:42 | 0:33:44 | |
Here's a good girl. Peg's very tolerant of her. | 0:33:45 | 0:33:48 | |
But there's so many dangers and so much to learn on the farm, | 0:33:50 | 0:33:53 | |
and the only way to do that is to acclimatise her nice and slowly, | 0:33:53 | 0:33:56 | |
so I just take her with me and teach her everything that goes on. | 0:33:56 | 0:33:59 | |
DOG BARKS | 0:33:59 | 0:34:01 | |
ADAM WHISTLES | 0:34:01 | 0:34:02 | |
Boo! | 0:34:02 | 0:34:05 | |
Hup! | 0:34:05 | 0:34:07 | |
-HE LAUGHS -There's a good girl. | 0:34:07 | 0:34:09 | |
Come on, then. Do a little jump up. | 0:34:09 | 0:34:12 | |
As the days begin to lengthen, | 0:34:17 | 0:34:19 | |
it's time to think about the new life that will soon be born here. | 0:34:19 | 0:34:23 | |
I've got a flock of pregnant ewes out in the fields, | 0:34:26 | 0:34:28 | |
which I need to check on. | 0:34:28 | 0:34:30 | |
These are some of my little primitive sheep. | 0:34:33 | 0:34:35 | |
We've got North Ronaldsays, Borerays, | 0:34:35 | 0:34:36 | |
the brown ones are Castlemilk Moorits. | 0:34:36 | 0:34:38 | |
And they're quite hungry. It's been cold this morning. | 0:34:38 | 0:34:41 | |
They want their breakfast, which is why they're running along after me. | 0:34:41 | 0:34:44 | |
And I am going to take them back to the farm, | 0:34:44 | 0:34:46 | |
sort them into their breed groups, | 0:34:46 | 0:34:48 | |
and then put them in small paddocks near the house | 0:34:48 | 0:34:50 | |
where I can keep an eye on them, ready for lambing. | 0:34:50 | 0:34:52 | |
As well as getting Olive used to travelling in the vehicles, | 0:34:57 | 0:34:59 | |
it's important to introduce her to the livestock. | 0:34:59 | 0:35:02 | |
And Boo and Peg are obviously very used to the sheep, | 0:35:02 | 0:35:04 | |
but I'll just get Olive out. Here, Olive! | 0:35:04 | 0:35:07 | |
Come here. | 0:35:07 | 0:35:08 | |
Stay there, Peg. | 0:35:08 | 0:35:10 | |
Come on! | 0:35:10 | 0:35:12 | |
These little primitive sheep out here can be quite flighty, | 0:35:12 | 0:35:16 | |
so when they see a dog, they might run away | 0:35:16 | 0:35:18 | |
and I don't want her to chase them, thinking it's good fun. | 0:35:18 | 0:35:21 | |
But also, they might come over and give her a bit of a butt | 0:35:21 | 0:35:23 | |
and she needs to learn that respect. | 0:35:23 | 0:35:26 | |
I don't want her to think of sheep as a toy, | 0:35:26 | 0:35:28 | |
something to mess around with. | 0:35:28 | 0:35:30 | |
I'm going to drop her down and see how she reacts. | 0:35:30 | 0:35:33 | |
So, she's got her tail tucked between her legs. | 0:35:35 | 0:35:37 | |
She's obviously quite nervous of them. | 0:35:37 | 0:35:39 | |
-OLIVE BARKS -Ah, ah, no! No, Olive. No. | 0:35:39 | 0:35:43 | |
So, there, it was turning into a game. | 0:35:43 | 0:35:45 | |
So, I'm just telling her off, just, "That's not what I want you to do." | 0:35:45 | 0:35:49 | |
Olive! No! | 0:35:49 | 0:35:50 | |
No! | 0:35:50 | 0:35:52 | |
This is a bit of a critical moment, | 0:35:52 | 0:35:54 | |
the sheep is moving away and Olive's followed | 0:35:54 | 0:35:56 | |
and then the sheep turned around and stamped at her and she stopped. | 0:35:56 | 0:35:59 | |
She's got to learn that respect. | 0:35:59 | 0:36:01 | |
Here, she's more interested in eating the sheep nuts | 0:36:06 | 0:36:08 | |
than anything else. | 0:36:08 | 0:36:10 | |
Oh! | 0:36:13 | 0:36:14 | |
See, that Herdwick has just knocked her back now | 0:36:14 | 0:36:17 | |
and that hasn't hurt her, | 0:36:17 | 0:36:18 | |
but it's taught her a lesson not to mess around with these animals. | 0:36:18 | 0:36:22 | |
Perfect reaction, really. | 0:36:22 | 0:36:23 | |
She's not getting overexcited, she's not trying to chase them, | 0:36:23 | 0:36:27 | |
she's backing off when they approach her. | 0:36:27 | 0:36:30 | |
It's very good. Here, Olive. | 0:36:30 | 0:36:32 | |
Right, that's that lesson done. | 0:36:34 | 0:36:36 | |
Time to get the proper sheepdog out! | 0:36:36 | 0:36:38 | |
Peg would have gone through similar challenges when she was a pup. | 0:36:46 | 0:36:50 | |
If you can trust your dogs around other animals, | 0:36:50 | 0:36:52 | |
it makes training much easier and, before long, | 0:36:52 | 0:36:55 | |
man and his best friend are working as a team. | 0:36:55 | 0:36:58 | |
With the sheep rounded up, | 0:37:01 | 0:37:03 | |
I can start splitting them into groups. | 0:37:03 | 0:37:05 | |
Right, while I sort these sheep out, | 0:37:06 | 0:37:08 | |
I've left the dogs in the back of the truck. | 0:37:08 | 0:37:10 | |
I know that Olive is safe and contained there - | 0:37:10 | 0:37:12 | |
she can't get into trouble. | 0:37:12 | 0:37:14 | |
So, if I try and get the Castlemilk Moorits out first - | 0:37:14 | 0:37:16 | |
these brown ones - I'll try and run them through this gate. | 0:37:16 | 0:37:19 | |
Go on, then - in you go. | 0:37:19 | 0:37:21 | |
I think they all speak the same language. | 0:37:21 | 0:37:23 | |
That's it. | 0:37:23 | 0:37:24 | |
Not you. | 0:37:24 | 0:37:26 | |
'These ewes were pregnancy scanned several weeks ago. | 0:37:26 | 0:37:29 | |
'Hardy breeds like these usually only have single lambs. | 0:37:29 | 0:37:32 | |
'We've marked them red. | 0:37:32 | 0:37:34 | |
'But, this year, a few are carrying twins. | 0:37:34 | 0:37:36 | |
'We've marked these blue. | 0:37:36 | 0:37:38 | |
'This is time-consuming work, | 0:37:38 | 0:37:40 | |
'but when the lambs start to be born, we'll be well prepared.' | 0:37:40 | 0:37:44 | |
Sometimes Peg yaps a bit when I'm working the sheep | 0:37:46 | 0:37:48 | |
and she wants to join in, | 0:37:48 | 0:37:50 | |
but it's important the dogs learn to be patient and quiet | 0:37:50 | 0:37:52 | |
in the back of the buggy like this. | 0:37:52 | 0:37:54 | |
And Olive's doing really well - | 0:37:54 | 0:37:55 | |
in fact, she's having a little lie down. | 0:37:55 | 0:37:57 | |
Right, time to get these sheep dropped off. | 0:37:57 | 0:37:59 | |
Right, I've put the singles next door | 0:38:08 | 0:38:12 | |
and then these are the Castlemilk Moorit twins in here. | 0:38:12 | 0:38:15 | |
Come on, then, girls. | 0:38:18 | 0:38:20 | |
There. | 0:38:21 | 0:38:22 | |
So, these primitive breeds can lamb perfectly happily on their own, | 0:38:22 | 0:38:26 | |
outdoors, need very little care, whereas my commercial sheep, | 0:38:26 | 0:38:30 | |
I tend to lamb indoors, just so I can look after them more carefully. | 0:38:30 | 0:38:33 | |
BLEATING | 0:38:42 | 0:38:44 | |
These are our commercial ewes with some of the larger rare breeds | 0:38:50 | 0:38:54 | |
and they CAN lamb outdoors, but in comparison to the primitives, | 0:38:54 | 0:38:57 | |
they do need more assistance - they have bigger lambs and more of them. | 0:38:57 | 0:39:02 | |
What we have is twins in here, | 0:39:02 | 0:39:03 | |
triplets in here and singles in the far pen. | 0:39:03 | 0:39:06 | |
They've all been scanned, like the primitives have, | 0:39:06 | 0:39:08 | |
so we know how many lambs they're carrying. | 0:39:08 | 0:39:10 | |
And we feed them the appropriate amount of food | 0:39:10 | 0:39:13 | |
to keep the sheep in the right condition. | 0:39:13 | 0:39:15 | |
Because we've got all the pregnant ewes in here, | 0:39:15 | 0:39:18 | |
they can get stressed in the presence of a dog, | 0:39:18 | 0:39:20 | |
so we leave the dogs out of the lambing shed, keep them well away. | 0:39:20 | 0:39:24 | |
Right, these are the triplets, so they're getting plenty of grub. | 0:39:24 | 0:39:28 | |
Olive's coped brilliantly so far, | 0:39:37 | 0:39:39 | |
but how will she fare with some of my larger livestock? | 0:39:39 | 0:39:42 | |
I've got to take these cattle back to the handling pens | 0:39:42 | 0:39:46 | |
cos I've got the vet coming, | 0:39:46 | 0:39:47 | |
but before I do that, I'll just get Olive out. | 0:39:47 | 0:39:49 | |
Here, Olive. | 0:39:49 | 0:39:51 | |
Right, I'll just pop a... | 0:39:51 | 0:39:54 | |
a lead on her. | 0:39:54 | 0:39:56 | |
Cattle can be very inquisitive around dogs | 0:39:56 | 0:39:59 | |
and quite aggressive, particularly if they've got calves, | 0:39:59 | 0:40:02 | |
and so I just want her to learn what cattle are about. | 0:40:02 | 0:40:07 | |
Learn what they look like, how they behave, | 0:40:07 | 0:40:09 | |
because she's going to be around cattle all her life. | 0:40:09 | 0:40:11 | |
But I won't go too close. | 0:40:11 | 0:40:14 | |
-OLIVE BARKS -No, no, no, shh. | 0:40:14 | 0:40:16 | |
Shush. | 0:40:16 | 0:40:18 | |
You can see this cow here now, look - | 0:40:18 | 0:40:20 | |
she's got her ears facing forward. | 0:40:20 | 0:40:22 | |
She's not looking at me, she's looking at the dog. | 0:40:22 | 0:40:24 | |
Olive doesn't really know what's going on! | 0:40:24 | 0:40:27 | |
Thinks they're a bit scary and a bit threatening, | 0:40:27 | 0:40:30 | |
so she's barking at them. | 0:40:30 | 0:40:31 | |
I don't want to let her go, otherwise she might get hurt. | 0:40:31 | 0:40:34 | |
And so might I. | 0:40:34 | 0:40:35 | |
Come on. Let's get back in the truck. | 0:40:35 | 0:40:38 | |
Here! Come on. | 0:40:38 | 0:40:39 | |
'That's a good introduction to cattle for Olive. | 0:40:43 | 0:40:45 | |
'Time to round them up and get back to the yard | 0:40:45 | 0:40:47 | |
'for the last bit of feeding of the day.' | 0:40:47 | 0:40:49 | |
Olive, here. | 0:40:50 | 0:40:52 | |
'It's more than just sheep and cattle | 0:40:54 | 0:40:56 | |
'young Olive will have to get used to.' | 0:40:56 | 0:40:57 | |
Here, good girl. | 0:40:57 | 0:40:59 | |
'Living on a farm is exciting and scary for a puppy. | 0:40:59 | 0:41:02 | |
'But spending time out and about should help her find her place | 0:41:02 | 0:41:06 | |
'in our family of dogs.' | 0:41:06 | 0:41:08 | |
Right, that's the goats sorted. | 0:41:11 | 0:41:12 | |
Time to put the dogs away and get this puppy fed. | 0:41:12 | 0:41:15 | |
Here, dogs. | 0:41:15 | 0:41:16 | |
-HE WHISTLES -Boo! | 0:41:16 | 0:41:18 | |
Winter months on the farm can be pretty hard work, | 0:41:23 | 0:41:25 | |
particularly when the weather's miserable. | 0:41:25 | 0:41:27 | |
But having a young dog around really brightens up my day, | 0:41:27 | 0:41:30 | |
and Olive certainly puts a smile on my face! You're lovely, aren't you? | 0:41:30 | 0:41:33 | |
You've done very well today. | 0:41:33 | 0:41:35 | |
Good girl. | 0:41:35 | 0:41:37 | |
SHE BARKS | 0:41:40 | 0:41:42 | |
Sitting about halfway between Great Britain and Ireland, | 0:41:47 | 0:41:50 | |
the Isle of Man is a world apart - | 0:41:50 | 0:41:53 | |
a place where farmers and fishermen have shaped the landscape | 0:41:53 | 0:41:57 | |
and its cultural heritage for centuries. | 0:41:57 | 0:42:00 | |
Now the Isle of Man is fast becoming a foodie destination. | 0:42:02 | 0:42:06 | |
The island's government has hooked up with farmers | 0:42:06 | 0:42:08 | |
and food producers to put Manx goods on the map. | 0:42:08 | 0:42:12 | |
So, when a baker... | 0:42:14 | 0:42:16 | |
wanted to use locally-produced rye flour, | 0:42:16 | 0:42:20 | |
he spoke to the government, | 0:42:20 | 0:42:23 | |
who found a farmer... | 0:42:23 | 0:42:25 | |
..willing to grow the rye. | 0:42:27 | 0:42:31 | |
All he needed next... | 0:42:31 | 0:42:33 | |
was a mill. | 0:42:33 | 0:42:34 | |
And he found one. | 0:42:38 | 0:42:40 | |
Laxey Glen Mill, which for the last 150 years | 0:42:40 | 0:42:43 | |
has been milling the oats and wheat more usually grown on the island. | 0:42:43 | 0:42:48 | |
Milling rye is something new. | 0:42:48 | 0:42:50 | |
I'm meeting the boss, Sandra Donnelly, | 0:42:53 | 0:42:56 | |
to find out more - if I can hear above the noise! | 0:42:56 | 0:42:59 | |
MACHINES WHIR | 0:42:59 | 0:43:00 | |
These are very different to the old machines! | 0:43:00 | 0:43:02 | |
Sandra, what's the difference in the process | 0:43:02 | 0:43:04 | |
when you're milling wheat compared to rye? | 0:43:04 | 0:43:07 | |
It's basically the shape of the grain. | 0:43:07 | 0:43:10 | |
Rye is much thinner and smaller than wheat grain, | 0:43:10 | 0:43:14 | |
so you have to slow the mill down, coming onto the mill, | 0:43:14 | 0:43:17 | |
and make the rollers grind harder, | 0:43:17 | 0:43:20 | |
so you push them closer together | 0:43:20 | 0:43:22 | |
and it is trial and error - we're still trying to get it right. | 0:43:22 | 0:43:26 | |
To get it dead-on. Can we see some of the rest of the process? | 0:43:26 | 0:43:28 | |
Yeah, I'll start it up for you. | 0:43:28 | 0:43:30 | |
All right, lovely. Let's go and have a look. | 0:43:30 | 0:43:33 | |
'First, the rye is ground up by special serrated rollers. | 0:43:33 | 0:43:37 | |
'This releases most of the flour, which is then sieved.' | 0:43:37 | 0:43:40 | |
It's getting finer. | 0:43:40 | 0:43:42 | |
'The process is repeated on a series of smooth rollers | 0:43:43 | 0:43:47 | |
'until you have the finished product.' | 0:43:47 | 0:43:49 | |
So, this must be the very last stage of the process? | 0:43:49 | 0:43:52 | |
Yes, this is where they're bagging the rye and hand-stitching it. | 0:43:52 | 0:43:56 | |
-That's neat, isn't it? -I know! | 0:43:56 | 0:43:58 | |
And why did you decide to take on rye, if you hadn't done it before? | 0:43:58 | 0:44:02 | |
Well, it was one of our newer customers, | 0:44:02 | 0:44:05 | |
who's opened an artisan bakery on the island. | 0:44:05 | 0:44:08 | |
He said, "Is there any chance of growing it here?" | 0:44:08 | 0:44:11 | |
So, we got one of our local farmers to grow it, | 0:44:11 | 0:44:14 | |
and this is the end process. | 0:44:14 | 0:44:15 | |
-Miles is somewhere about here, checking some of the flour... -Is he? | 0:44:15 | 0:44:18 | |
Let's go and find the man responsible for all this then, | 0:44:18 | 0:44:21 | |
shall we? | 0:44:21 | 0:44:22 | |
Miles Pettit runs that bakehouse. | 0:44:22 | 0:44:24 | |
All this was his idea. | 0:44:24 | 0:44:27 | |
So, here he is here, Miles. | 0:44:27 | 0:44:29 | |
-Ah, YOU'RE the man responsible! -Oh, I'm afraid so! | 0:44:29 | 0:44:32 | |
How did it all come about, then? | 0:44:32 | 0:44:33 | |
Well, rye bread's been more and more popular at the bakehouse | 0:44:33 | 0:44:37 | |
over the last couple of years, | 0:44:37 | 0:44:38 | |
and I guess I had a bit of a crazy idea one day. | 0:44:38 | 0:44:41 | |
We import quite a lot of rye onto the island and I suddenly thought, | 0:44:41 | 0:44:45 | |
"Wouldn't it be great if someone could grow it here for us?" | 0:44:45 | 0:44:47 | |
And then Sandra to mill it for us... | 0:44:47 | 0:44:50 | |
And here we are! | 0:44:50 | 0:44:51 | |
We've now got a product and we're now using it at the bakehouse. | 0:44:51 | 0:44:55 | |
It was a bit of a risk for you, though, Sandra. | 0:44:55 | 0:44:57 | |
Did it take a bit of persuading? | 0:44:57 | 0:44:59 | |
Well, it didn't, because the Isle of Man government | 0:44:59 | 0:45:02 | |
offered to underwrite the whole project, so there was no risk. | 0:45:02 | 0:45:06 | |
We were quids-in, really, so we gave it a shot and it worked out. | 0:45:06 | 0:45:08 | |
Now, I can think of nothing better, Miles, | 0:45:08 | 0:45:10 | |
than coming to your bakery and helping you sample your bread. | 0:45:10 | 0:45:13 | |
-It's a tough job, but I will do it for you. -Right! Come with me, then! | 0:45:13 | 0:45:16 | |
-Let's go and have a look. -See you again. -See you later, Sandra! | 0:45:16 | 0:45:19 | |
Bye-bye. | 0:45:19 | 0:45:20 | |
This is a dream job for me. | 0:45:28 | 0:45:30 | |
Right, well, let's try some. This is 100% rye, | 0:45:30 | 0:45:32 | |
which is made using the local Manx rye, so... | 0:45:32 | 0:45:36 | |
-Dig into this. -That's raisin and walnut loaf, so try that. | 0:45:36 | 0:45:40 | |
Oh, it's lovely. Very moist, | 0:45:40 | 0:45:43 | |
very doughy in the middle. | 0:45:43 | 0:45:44 | |
Why does it matter to you that it's produced locally? | 0:45:44 | 0:45:47 | |
One of the things that stuck with me | 0:45:47 | 0:45:48 | |
is every pound spent in the local economy, | 0:45:48 | 0:45:51 | |
90 pence stays within that economy. | 0:45:51 | 0:45:53 | |
You cut down on food miles, | 0:45:53 | 0:45:55 | |
you cut down on food waste | 0:45:55 | 0:45:57 | |
and us being a local producer, | 0:45:57 | 0:46:00 | |
it's sort of quite important that we keep feeding each other, really. | 0:46:00 | 0:46:04 | |
But alongside the trendy, there's still room for the traditional. | 0:46:05 | 0:46:09 | |
And when it comes to bread, nothing is more Manx than bonnag. | 0:46:10 | 0:46:14 | |
This was the daily bread of the Manx people. | 0:46:14 | 0:46:17 | |
A legendary loaf that even has its own World Championships. | 0:46:19 | 0:46:23 | |
Miles may be an award-winning baker, but when it comes to bonnag, | 0:46:24 | 0:46:29 | |
he's a beginner compared to World Bonnag Champion, | 0:46:29 | 0:46:32 | |
11-year-old Tom Keig. | 0:46:32 | 0:46:33 | |
-Congratulations, Tom! -Thank you. | 0:46:33 | 0:46:36 | |
This is your trophy, is it? | 0:46:36 | 0:46:37 | |
-Erm, yes! -Had your celebratory drink out of that? -Erm...! | 0:46:37 | 0:46:41 | |
ELLIE LAUGHS | 0:46:41 | 0:46:43 | |
-So, do you think you could teach me how to make bonnag? -Of course. | 0:46:43 | 0:46:46 | |
Well done, what have I got to do first? | 0:46:46 | 0:46:49 | |
You need to put in ¾ lb of flour. | 0:46:49 | 0:46:52 | |
OK, let's put some of that in over here. | 0:46:52 | 0:46:54 | |
-So, you must have started cooking really young? -Erm, yes. | 0:46:54 | 0:46:58 | |
I started cooking at about eight | 0:46:58 | 0:47:00 | |
and, actually, I got the recipe off my nan, | 0:47:00 | 0:47:04 | |
through a recipe that went through my family. | 0:47:04 | 0:47:07 | |
-She must have been very proud, then, when you won? -Yeah. -What's next? | 0:47:07 | 0:47:11 | |
You need to put half a pint of buttermilk. | 0:47:11 | 0:47:15 | |
Just pouring it in? | 0:47:15 | 0:47:17 | |
'Then a teaspoon of baking powder and bicarb of soda.' | 0:47:17 | 0:47:21 | |
-Now the big mix, yes? -Well... | 0:47:21 | 0:47:23 | |
There is one secret ingredient as well, which...erm... | 0:47:23 | 0:47:28 | |
I'm afraid it can't be shown on telly. | 0:47:28 | 0:47:31 | |
You'll just have to look away, it's top-secret! | 0:47:31 | 0:47:33 | |
Look away now, here comes the secret ingredient. | 0:47:33 | 0:47:37 | |
No looking... | 0:47:37 | 0:47:39 | |
No looking! | 0:47:39 | 0:47:41 | |
Yeah, you can look - you can look, now. Your secret is safe, Tom. | 0:47:41 | 0:47:44 | |
No-one will steal that crown. | 0:47:44 | 0:47:46 | |
-So, have you got one you've made earlier for us? -Yeah. | 0:47:47 | 0:47:50 | |
You have, let's have a look - where's that, then? | 0:47:50 | 0:47:52 | |
So, this will be the perfect consistency when cooked | 0:47:52 | 0:47:55 | |
and HERE is an award-winning... | 0:47:55 | 0:47:57 | |
How about that for a bake? | 0:47:57 | 0:47:58 | |
Look at that! Beautifully made. | 0:47:58 | 0:48:01 | |
SHE GASPS I'm looking forward to this. | 0:48:01 | 0:48:03 | |
Mmm. | 0:48:06 | 0:48:07 | |
That is lovely. | 0:48:07 | 0:48:09 | |
-This has been one of my best days ever - you know why? -Why? | 0:48:09 | 0:48:12 | |
I've eaten bakery products all day! | 0:48:12 | 0:48:14 | |
It's been brilliant! | 0:48:14 | 0:48:16 | |
-Well done, you. -Thank you. -Very nice. | 0:48:16 | 0:48:18 | |
We're on the Isle of Man, | 0:48:33 | 0:48:34 | |
where Ellie's been exploring the ghostly relics | 0:48:34 | 0:48:37 | |
of its agricultural past | 0:48:37 | 0:48:40 | |
and I hitched a ride on the world's oldest surviving horse-drawn tram. | 0:48:40 | 0:48:44 | |
The Shires and Clydesdales that haul the trams | 0:48:46 | 0:48:49 | |
are tough, strong workhorses, | 0:48:49 | 0:48:50 | |
but even they need to call it a day sometimes, | 0:48:50 | 0:48:53 | |
and when that day comes, | 0:48:53 | 0:48:55 | |
there's a special place with peace and quiet... | 0:48:55 | 0:48:58 | |
and pampering! | 0:48:58 | 0:49:00 | |
This is Bulrhenny Farm, | 0:49:02 | 0:49:04 | |
better known as the Isle Of Man Home of Rest for Old Horses - | 0:49:04 | 0:49:08 | |
a 90-acre retirement village for former tram horses and others. | 0:49:08 | 0:49:13 | |
It was set up in 1955 by sisters Mildred Royston and May Kermode. | 0:49:13 | 0:49:19 | |
Today, it's run by a dedicated team, | 0:49:19 | 0:49:22 | |
including vet Raymond Cox. | 0:49:22 | 0:49:24 | |
This is a haven for all those ponies and horses | 0:49:28 | 0:49:31 | |
that deserve a long and good retirement. | 0:49:31 | 0:49:33 | |
In the summertime, we keep our laminitics in here. | 0:49:33 | 0:49:36 | |
The horses here get grouped according to size | 0:49:36 | 0:49:39 | |
and quickly make friends. | 0:49:39 | 0:49:41 | |
They roam free, but there's shelter when they need it. | 0:49:41 | 0:49:45 | |
This field is particularly ex-riding ponies, family ponies, | 0:49:45 | 0:49:49 | |
ponies that show jumped, did all sorts. | 0:49:49 | 0:49:51 | |
But the real draw for me | 0:49:53 | 0:49:55 | |
is the 20 gentle giants | 0:49:55 | 0:49:57 | |
that once pulled the island's trams. | 0:49:57 | 0:50:00 | |
This is where we keep the heavy horses now | 0:50:01 | 0:50:03 | |
for their winter quarters. | 0:50:03 | 0:50:05 | |
This must be one of the biggest collections of rare horses | 0:50:05 | 0:50:08 | |
you can get - it's incredible. | 0:50:08 | 0:50:09 | |
Well, it's great to see them, isn't it? | 0:50:09 | 0:50:11 | |
There's something very statuesque and proud about the big horses, | 0:50:11 | 0:50:15 | |
and even when they're old, | 0:50:15 | 0:50:17 | |
20, 30 years of age, | 0:50:17 | 0:50:19 | |
they still retain that majestic look, don't they? | 0:50:19 | 0:50:22 | |
Typically, these tram horses are retired at 20 | 0:50:22 | 0:50:25 | |
and can enjoy up to a decade of well-earned rest. | 0:50:25 | 0:50:29 | |
Sometimes, with old age comes infirmity, | 0:50:30 | 0:50:33 | |
and Ray's expert eye has spotted a gelding called Jubilee | 0:50:33 | 0:50:37 | |
who's suddenly become painfully lame. | 0:50:37 | 0:50:40 | |
You can see from the way he's trying to move, | 0:50:40 | 0:50:42 | |
and take the weight off the right fore | 0:50:42 | 0:50:44 | |
to alleviate obviously the sore foot that he's got. | 0:50:44 | 0:50:47 | |
I would say this is probably a foot abscess. | 0:50:47 | 0:50:49 | |
-First, catch your patient! -Yeah! | 0:50:49 | 0:50:52 | |
'Easier said than done when your patient weighs nearly a tonne.' | 0:50:53 | 0:50:56 | |
Steady, now. Steady. | 0:50:56 | 0:50:59 | |
Steady. | 0:50:59 | 0:51:00 | |
He's one of the more feisty horses here, Ray said, | 0:51:00 | 0:51:04 | |
so catching him clearly isn't going to be easy. | 0:51:04 | 0:51:06 | |
Come on... Jubilee, come on. | 0:51:06 | 0:51:09 | |
Come on, sweetie. | 0:51:10 | 0:51:12 | |
-Down towards the gate, lads. -'But, with a bit of help...' | 0:51:12 | 0:51:16 | |
Come on, Jubilee. | 0:51:16 | 0:51:17 | |
'..Ray has Jubilee in hand.' | 0:51:17 | 0:51:19 | |
Good boy. | 0:51:19 | 0:51:22 | |
Good boy. Good boy. | 0:51:22 | 0:51:24 | |
Good boy. Come on, sweetie. Come on. Come on. Come on. | 0:51:26 | 0:51:30 | |
Back in the farmyard, resident farrier Andrew Dooley gets to work. | 0:51:31 | 0:51:35 | |
It looks like Jubilee's foot is infected. | 0:51:35 | 0:51:38 | |
The wonderful thing about horses is they're all walking around | 0:51:40 | 0:51:43 | |
on their third fingers, OK? | 0:51:43 | 0:51:46 | |
The entire weight of this horse | 0:51:46 | 0:51:48 | |
is being borne on one finger. | 0:51:48 | 0:51:51 | |
And its hoof is the fingernail, | 0:51:51 | 0:51:54 | |
which is why horses' limbs and feet | 0:51:54 | 0:51:56 | |
-are so susceptible to injury and whatnot. -OK. | 0:51:56 | 0:51:59 | |
And why would a horse get infected in this way? | 0:51:59 | 0:52:01 | |
-Bruising maybe, from going over on a stone. -OK. | 0:52:01 | 0:52:04 | |
-Wet makes them more predisposed to getting infection. -I see. | 0:52:04 | 0:52:08 | |
It's just a matter of... | 0:52:10 | 0:52:12 | |
..examining all the black areas | 0:52:12 | 0:52:14 | |
and see what...what comes out. | 0:52:14 | 0:52:17 | |
A bit more clipping and Andrew locates the infected area. | 0:52:17 | 0:52:21 | |
So, we've found the source of the infection. | 0:52:23 | 0:52:26 | |
-So, Andrew, instant relief now for Jubilee? -Yeah. | 0:52:26 | 0:52:29 | |
Once you break the pressure and it eases, | 0:52:29 | 0:52:32 | |
the natural gravity and force of the foot will push everything out, | 0:52:32 | 0:52:36 | |
so it'll take him a couple of hours to forget about all the pain itself, | 0:52:36 | 0:52:39 | |
but, yeah, he'll be grand. | 0:52:39 | 0:52:40 | |
We can get a poultice on this next, start this horse now on painkillers. | 0:52:40 | 0:52:44 | |
He'll be in for two, three days | 0:52:44 | 0:52:46 | |
and then, eventually, back into his group | 0:52:46 | 0:52:49 | |
and running around within a week. | 0:52:49 | 0:52:51 | |
Lucky horse. | 0:52:51 | 0:52:54 | |
'Finally, the hoof is bandaged.' | 0:52:54 | 0:52:55 | |
-You're pretty handy, Ray - you can come round mine at Christmas. -Yes! | 0:52:57 | 0:53:00 | |
I've got a few things you could wrap! | 0:53:00 | 0:53:02 | |
It'll just take three days for Jubilee to be fully healed | 0:53:15 | 0:53:18 | |
and back in his field. | 0:53:18 | 0:53:20 | |
And that's what this place is all about, isn't it? | 0:53:20 | 0:53:23 | |
Keeping these animals fit and healthy. | 0:53:23 | 0:53:25 | |
They've done their work, they've pulled the trams | 0:53:25 | 0:53:27 | |
and now it's about a great retirement. | 0:53:27 | 0:53:29 | |
Yeah, it is, yeah. That's what we're here for | 0:53:29 | 0:53:31 | |
and keeps us doing the job that we like to do and the horses need. | 0:53:31 | 0:53:35 | |
-Just the one interested, then, Joe? -I've been trying, but... | 0:53:40 | 0:53:42 | |
They've all got their heads down! It's just Biggles, here. | 0:53:42 | 0:53:45 | |
-Biggles, Ellie - Ellie, Biggles. -Hello, Biggles. | 0:53:45 | 0:53:47 | |
I might have the answer - look at this! Some juicy carrots. | 0:53:47 | 0:53:50 | |
-I've got treats for them and for you. -Oh, yes! -Biggles, how about a carrot? | 0:53:50 | 0:53:53 | |
Oh, yeah! You know it. Now, how about this? This is a local speciality, | 0:53:53 | 0:53:56 | |
special to the Isle of Man - bonnag. | 0:53:56 | 0:53:58 | |
-Ooh, let me try! -If you've been out in the freezing cold, | 0:53:58 | 0:54:01 | |
a bit of that might warm the cockles! | 0:54:01 | 0:54:03 | |
-That is good. -It's got some spice in there. -Oh, very good! -Very nice. | 0:54:03 | 0:54:06 | |
We could finish this off. | 0:54:06 | 0:54:08 | |
And that is all we've got time for from the Isle of Man this week. | 0:54:08 | 0:54:11 | |
Next week, we're going to be on the South Downs, | 0:54:11 | 0:54:13 | |
where we'll be meeting a very special pony blazing its own trail. | 0:54:13 | 0:54:16 | |
And hopefully, we'll be getting a spectacular glimpse | 0:54:16 | 0:54:19 | |
-of our breathtaking night sky. -Wonderful. | 0:54:19 | 0:54:21 | |
We'll see you then. Bye-bye! | 0:54:21 | 0:54:23 | |
-Right, come on - a bit more of that. -Go on, help yourself. | 0:54:23 | 0:54:26 |