
Browse content similar to John Craven's 25th Anniversary. Check below for episodes and series from the same categories and more!
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There's nowhere I'm more at home | 0:00:27 | 0:00:29 | |
than in our stunning British countryside. | 0:00:29 | 0:00:32 | |
From coastlines | 0:00:32 | 0:00:34 | |
to castles, | 0:00:34 | 0:00:36 | |
and from boats to bridges, | 0:00:36 | 0:00:38 | |
I've pretty much seen it all. | 0:00:38 | 0:00:40 | |
I've explored almost every corner of rural Britain | 0:00:40 | 0:00:43 | |
and discovered fascinating stories about its people and history. | 0:00:43 | 0:00:48 | |
It's all been a wonderful experience for me over the years | 0:00:49 | 0:00:53 | |
and today I am celebrating my 25th anniversary on Countryfile. | 0:00:53 | 0:00:58 | |
It was in July, 1989 that I made my very first | 0:00:59 | 0:01:02 | |
appearance on the programme. | 0:01:02 | 0:01:04 | |
Since then, the show has undergone many changes, | 0:01:04 | 0:01:07 | |
and so has the countryside. | 0:01:07 | 0:01:10 | |
To mark the occasion, and for one week only, | 0:01:10 | 0:01:12 | |
I've been asked to step into the editor's shoes, | 0:01:12 | 0:01:15 | |
so it is up to me what's going to be in the programme. | 0:01:15 | 0:01:19 | |
I've sent Ellie on a wildlife mission. | 0:01:19 | 0:01:22 | |
Oh, wow! | 0:01:22 | 0:01:25 | |
She's looking right at me. | 0:01:25 | 0:01:28 | |
I've been rumbled! | 0:01:28 | 0:01:30 | |
I've asked Tom to look into the latest state of play with organics. | 0:01:31 | 0:01:35 | |
They are a fantastic colour. | 0:01:35 | 0:01:37 | |
They really shine out, don't they? | 0:01:37 | 0:01:40 | |
Matt is driving along a country road I know | 0:01:40 | 0:01:43 | |
that helped change motoring history. | 0:01:43 | 0:01:45 | |
If there was a list of ways to experience the British countryside, | 0:01:45 | 0:01:48 | |
this would be at the top. | 0:01:48 | 0:01:51 | |
And I'll be celebrating on Adam's farm, with my old friend. | 0:01:51 | 0:01:56 | |
Now then, John. Here's to... | 0:01:56 | 0:01:59 | |
Whoa!..another 25 years! | 0:01:59 | 0:02:02 | |
Well, I'm not sure about THAT! | 0:02:02 | 0:02:05 | |
Hello. | 0:02:14 | 0:02:15 | |
'I've come to the Countryfile base at BBC Bristol | 0:02:17 | 0:02:20 | |
'for my first task as guest editor. | 0:02:20 | 0:02:23 | |
'I've got to decide, with the help of the production team, | 0:02:23 | 0:02:26 | |
'what to put into the programme.' | 0:02:26 | 0:02:28 | |
Guys, a nice day to be outside. | 0:02:28 | 0:02:30 | |
-Morning, everybody. -Good morning, John. | 0:02:30 | 0:02:32 | |
This is the first time I've met all of you around a conference table. | 0:02:32 | 0:02:35 | |
Normally it's in the middle of a field somewhere. | 0:02:35 | 0:02:38 | |
So, it's the first time I've been in an editor's chair | 0:02:38 | 0:02:40 | |
since my Newsround days! | 0:02:40 | 0:02:42 | |
Brilliant, how does it feel, John? | 0:02:42 | 0:02:44 | |
-I don't know, I'll tell you later! -We've come up with some ideas. | 0:02:44 | 0:02:47 | |
But I suppose an awful lot of you weren't even born | 0:02:47 | 0:02:50 | |
when I started doing Countryfile, a quarter of a century ago. | 0:02:50 | 0:02:53 | |
-Afraid so! -LAUGHTER | 0:02:53 | 0:02:55 | |
These are just some of the names that you will see | 0:02:57 | 0:03:00 | |
on the credits at the end of the programme. | 0:03:00 | 0:03:02 | |
We've got researchers, directors, runners, | 0:03:02 | 0:03:05 | |
the production management team and, of course, producers. | 0:03:05 | 0:03:08 | |
What I'd like to do on this programme is | 0:03:08 | 0:03:10 | |
look back at some of the big issues we've dealt with over those years, | 0:03:10 | 0:03:14 | |
and some of the fun times, as well. | 0:03:14 | 0:03:16 | |
Anybody remember anything in particular? | 0:03:16 | 0:03:18 | |
I remember seeing a piece on the Isle of Man when you were | 0:03:18 | 0:03:21 | |
driving around in a motorcycle, and you looked like you were loving it. | 0:03:21 | 0:03:24 | |
Yes! On a BSA Bantam. | 0:03:24 | 0:03:26 | |
When I was a boy, I used to go there, to the TT races, | 0:03:26 | 0:03:29 | |
on my little Bantam, | 0:03:29 | 0:03:30 | |
and the programme managed to find one in a museum, | 0:03:30 | 0:03:33 | |
and I had a lovely time, yes. | 0:03:33 | 0:03:35 | |
I remember the very first time, watching Countryfile, | 0:03:35 | 0:03:38 | |
and being impassioned by a story I saw there | 0:03:38 | 0:03:40 | |
about dolphins washing up on the beach in Cornwall. | 0:03:40 | 0:03:42 | |
Obviously, wildlife has always been a big interest of mine | 0:03:42 | 0:03:47 | |
from my Newsround days, obviously, and then through into Countryfile. | 0:03:47 | 0:03:51 | |
I think it would nice to take a look at the state | 0:03:51 | 0:03:55 | |
especially of endangered species in this country, | 0:03:55 | 0:03:58 | |
how are they faring now compared to 25 years ago? | 0:03:58 | 0:04:02 | |
Definitely. | 0:04:02 | 0:04:04 | |
Here's Tom. | 0:04:04 | 0:04:05 | |
Hi, Tom. How are you? | 0:04:05 | 0:04:07 | |
'He's in today to record his commentary | 0:04:07 | 0:04:09 | |
'for another edition of Countryfile.' | 0:04:09 | 0:04:12 | |
-And I've got a job for you later on. -Have you? -Yes. -What's that? | 0:04:12 | 0:04:15 | |
-I'll tell you later. -OK. | 0:04:15 | 0:04:16 | |
'I'll be briefing Ellie and Matt, as well. | 0:04:16 | 0:04:20 | |
'And, of course, I mustn't forget Adam.' | 0:04:20 | 0:04:23 | |
Adam hasn't been part of the Countryfile family | 0:04:27 | 0:04:30 | |
for quite as long as I have, but it is hard to imagine | 0:04:30 | 0:04:32 | |
the programme now without his farm in the Cotswolds. | 0:04:32 | 0:04:35 | |
If we just come back with Archie... | 0:04:37 | 0:04:39 | |
I've popped in to see him on one of his filming days. | 0:04:39 | 0:04:41 | |
This is Archie, my new Highland bull that I'm very proud of. | 0:04:42 | 0:04:45 | |
I bought him from the Queen... | 0:04:45 | 0:04:48 | |
It looks like being a typical day down on Adam's farm, | 0:04:48 | 0:04:50 | |
the only one in the country with a resident film crew. | 0:04:50 | 0:04:53 | |
-Hello, Adam. -Hi, John, how are you? Good to see you! | 0:04:53 | 0:04:57 | |
-And this is the famous Archie! -It is, indeed. -How's he settling in? | 0:04:57 | 0:05:00 | |
He's all right, still a little bit lively. | 0:05:00 | 0:05:03 | |
We're going to put him in with the cows soon. | 0:05:03 | 0:05:05 | |
You must have seen hundreds of animals | 0:05:05 | 0:05:07 | |
-on thousands of farms, John? -I've lost count, Adam. | 0:05:07 | 0:05:09 | |
In the early days, it was much more of a farming programme. | 0:05:09 | 0:05:13 | |
Half an hour on Sunday mornings. | 0:05:13 | 0:05:15 | |
And a much harder programme which looked at a lot of farming issues. | 0:05:15 | 0:05:18 | |
But what really struck a chord with me | 0:05:18 | 0:05:20 | |
when I first started on Countryfile, looking back, | 0:05:20 | 0:05:23 | |
was you telling the farmers about the story of foot and mouth. | 0:05:23 | 0:05:26 | |
It was a devastating time for the livestock industry. | 0:05:26 | 0:05:29 | |
'The foot and mouth crisis of 2001 affected everyone, not just farmers. | 0:05:30 | 0:05:35 | |
'Millions of animals were slaughtered | 0:05:35 | 0:05:37 | |
'and a huge sadness fell across the countryside.' | 0:05:37 | 0:05:40 | |
'I'll never forget what I saw, heard, and smelt over those weeks.' | 0:05:41 | 0:05:45 | |
But some good eventually did come out of bad. | 0:05:48 | 0:05:52 | |
Ten years after the all-clear, | 0:05:52 | 0:05:54 | |
I visited the disused airfield in North Cumbria | 0:05:54 | 0:05:57 | |
where half a million animals were buried. | 0:05:57 | 0:06:00 | |
Now, it's an impressive nature reserve | 0:06:00 | 0:06:03 | |
and helping me plant a commemorative tree | 0:06:03 | 0:06:05 | |
was retired brigadier Alex Burtwhistle - | 0:06:05 | 0:06:08 | |
the man who'd been given the task of burying all those carcasses. | 0:06:08 | 0:06:13 | |
This is a much smaller hole than the ones I'm accustomed to digging here. | 0:06:13 | 0:06:17 | |
But I am delighted, all jocularity aside, | 0:06:17 | 0:06:21 | |
I'm delighted that something positive | 0:06:21 | 0:06:23 | |
has come out of what was a very harrowing time for all concerned. | 0:06:23 | 0:06:26 | |
I'm very pleased to be here with John | 0:06:26 | 0:06:28 | |
to plant this sturdy English oak. | 0:06:28 | 0:06:31 | |
I hope I haven't been an unlucky mascot for farming, | 0:06:34 | 0:06:36 | |
because when I joined the show | 0:06:36 | 0:06:37 | |
suddenly agriculture seemed to have a lot of diseases. | 0:06:37 | 0:06:40 | |
Now, then, John, I know you like to get involved, | 0:06:40 | 0:06:42 | |
-so why don't you take Archie for a walk? -Do you think so? -Yeah. | 0:06:42 | 0:06:44 | |
I'm not sure I should. | 0:06:44 | 0:06:46 | |
Remember what happened last time I handled one of your big beasts? | 0:06:46 | 0:06:48 | |
-I remember, knocked you over, didn't he? -Come on, come on. | 0:06:48 | 0:06:51 | |
-He's behaving well. -Look at that, a natural! -Well done. | 0:06:51 | 0:06:55 | |
'They say, "Never work with children or animals". | 0:07:00 | 0:07:02 | |
'But that pretty much sums up my career in broadcasting!' | 0:07:02 | 0:07:06 | |
COW BREAKS WIND Oh! | 0:07:06 | 0:07:09 | |
Oh! Haha! | 0:07:09 | 0:07:10 | |
'Countryfile has given me the perfect opportunity | 0:07:10 | 0:07:13 | |
'to indulge my passion for wildlife.' | 0:07:13 | 0:07:15 | |
-Hold up, there's one right up close. -Checking us out. -Looking good. | 0:07:15 | 0:07:18 | |
'I've been able to report on many remarkable stories.' | 0:07:18 | 0:07:22 | |
We've just spotted a humpback whale, | 0:07:22 | 0:07:25 | |
one of the great creatures of the sea. | 0:07:25 | 0:07:27 | |
I just caught a glimpse of it as it went down, there it is, over there. | 0:07:27 | 0:07:31 | |
'Red kites were close to extinction in the UK when I first filmed them.' | 0:07:31 | 0:07:36 | |
This is the airport at Madrid, the Spanish capital. | 0:07:36 | 0:07:39 | |
I'm just boarding a flight to London escorting an unusual passenger - | 0:07:39 | 0:07:43 | |
this rare and beautiful bird of prey, a red kite. | 0:07:43 | 0:07:47 | |
It's flying to London the easy way to make its home in the wild | 0:07:47 | 0:07:51 | |
in the British countryside. | 0:07:51 | 0:07:53 | |
-Would you like to let the first four go now? -Yeah, all right, OK! | 0:07:53 | 0:07:58 | |
'I've been thrilled to see them go full circle, | 0:07:58 | 0:08:00 | |
'thriving again in the wild. | 0:08:00 | 0:08:02 | |
'There are now thousands of them.' | 0:08:02 | 0:08:04 | |
'And I've got up close to lots of other animals also, | 0:08:06 | 0:08:09 | |
'like this little dormouse.' | 0:08:09 | 0:08:11 | |
There he goes. | 0:08:11 | 0:08:13 | |
Very agile, aren't they? | 0:08:13 | 0:08:15 | |
Very much so! | 0:08:18 | 0:08:19 | |
'Working on Countryfile has given me | 0:08:20 | 0:08:22 | |
'privileged access to places most people can't get to. | 0:08:22 | 0:08:26 | |
'But anybody can visit the Isle of Mull and see a wildlife treat - | 0:08:26 | 0:08:30 | |
'the nest of one of our largest birds of prey, the white tailed sea eagle.' | 0:08:30 | 0:08:35 | |
This must be the only place in the world where you can | 0:08:35 | 0:08:38 | |
come and publicly see such a rare bird. | 0:08:38 | 0:08:41 | |
It's the only place with a live nest that you can see the chicks | 0:08:41 | 0:08:44 | |
with your own eyes. | 0:08:44 | 0:08:46 | |
We have got our CCTV pictures, as well, you can get a close-up view. | 0:08:46 | 0:08:49 | |
But, yeah, it's absolutely fantastic | 0:08:49 | 0:08:51 | |
and lots of people have a very good time coming to see them. | 0:08:51 | 0:08:54 | |
As editor for this week, what I'd like to do now is to take | 0:08:58 | 0:09:02 | |
a look at the current state of British wildlife. | 0:09:02 | 0:09:05 | |
Are things better now than they were 25 years ago? | 0:09:05 | 0:09:07 | |
What have been the success stories and which species are in trouble? | 0:09:07 | 0:09:12 | |
I've asked a fellow wildlife lover, Ellie, to take a look. | 0:09:12 | 0:09:16 | |
This mission is right up my street | 0:09:18 | 0:09:20 | |
because I also have a passion for the wildlife of Britain. | 0:09:20 | 0:09:23 | |
Since John has been presenting Countryfile, there have | 0:09:25 | 0:09:28 | |
undoubtedly been some huge losses in British wildlife. | 0:09:28 | 0:09:32 | |
But it's not all bad news - | 0:09:32 | 0:09:34 | |
there's also been some remarkable recoveries. | 0:09:34 | 0:09:37 | |
Conservation scientist Mark Eaton gives me an overview. | 0:09:41 | 0:09:44 | |
Mark, what is the general state of nature in Britain today? | 0:09:45 | 0:09:49 | |
Our state of nature report last year found that more species | 0:09:49 | 0:09:52 | |
are decreasing than increasing. | 0:09:52 | 0:09:53 | |
We found about 60% of the species have declined. | 0:09:53 | 0:09:56 | |
The other thing we found was a lot of species showing really quite | 0:09:56 | 0:10:00 | |
large changes. So, either plummeting down, or big increases. | 0:10:00 | 0:10:04 | |
But one of the good pieces of news is that we have got | 0:10:04 | 0:10:07 | |
better at conservation, I think. | 0:10:07 | 0:10:09 | |
We've seen wonderful recoveries. We've seen the red kite coming back. | 0:10:09 | 0:10:12 | |
We've seen large blue butterflies, which were completely extinct, | 0:10:12 | 0:10:15 | |
now flourishing in the West Country. | 0:10:15 | 0:10:17 | |
So, things like that, excellent news. | 0:10:17 | 0:10:19 | |
What we're less good at is animals and plants in the wider countryside | 0:10:19 | 0:10:23 | |
which you can't help by creating a nature reserve. | 0:10:23 | 0:10:26 | |
-How important is farmland in this? -Extremely important. | 0:10:26 | 0:10:31 | |
About 75% of the UK is farmland. | 0:10:31 | 0:10:34 | |
How we manage that, how we extract that food, | 0:10:34 | 0:10:37 | |
has a huge impact on the wildlife trying to live there. | 0:10:37 | 0:10:41 | |
We need to help farmers and those who manage land to help wildlife. | 0:10:41 | 0:10:45 | |
Many once-common farmland birds | 0:10:50 | 0:10:53 | |
are on the brink of extinction in Britain. | 0:10:53 | 0:10:56 | |
The turtle dove is now our fastest declining bird - | 0:10:56 | 0:11:00 | |
in the last 25 years, it's suffered a 91% population dive. | 0:11:00 | 0:11:05 | |
A lack of seed is thought to be the major cause. | 0:11:08 | 0:11:10 | |
Turtle dove expert Simon Tonkin explains the problem. | 0:11:11 | 0:11:15 | |
Why this big decline in turtle dove numbers? | 0:11:17 | 0:11:20 | |
Essentially, one of the major concerns is finding enough | 0:11:20 | 0:11:23 | |
food during the breeding season. | 0:11:23 | 0:11:25 | |
What about this crop here, we've got wheat growing. | 0:11:25 | 0:11:27 | |
Is this no good for them? | 0:11:27 | 0:11:29 | |
Wheat's going to be available as a seed source | 0:11:29 | 0:11:31 | |
at the back end of the season, so August time. | 0:11:31 | 0:11:34 | |
That's actually when turtle doves think about migrating | 0:11:34 | 0:11:37 | |
back to their wintering grounds. | 0:11:37 | 0:11:39 | |
And they're a bird that just eats seeds. | 0:11:39 | 0:11:41 | |
And lots of these crops are grown with very little | 0:11:41 | 0:11:44 | |
room for wildlife, to be fair. | 0:11:44 | 0:11:46 | |
But farmers are doing their bit to help. | 0:11:47 | 0:11:50 | |
-So, Simon, this is part of the solution. -It is. | 0:11:51 | 0:11:54 | |
The farmers here are putting aside at least 10% of their land | 0:11:54 | 0:11:57 | |
to specific wildlife measures. | 0:11:57 | 0:12:00 | |
So things like this clover, birdsfoot trefoils and other things, | 0:12:00 | 0:12:04 | |
those will set seeds at the right time of the year | 0:12:04 | 0:12:06 | |
for when turtle doves not only arrive back here, | 0:12:06 | 0:12:09 | |
but also when they've got young, as well. | 0:12:09 | 0:12:11 | |
Boosting turtle dove numbers is not only about increasing their food. | 0:12:13 | 0:12:18 | |
It's also about monitoring the behaviour | 0:12:18 | 0:12:21 | |
of the few birds we have left. | 0:12:21 | 0:12:23 | |
Jenny, how're you doing? Good to meet you. | 0:12:24 | 0:12:26 | |
'I'm off on a mission with scientist Jenny Dunn, who's been tagging | 0:12:26 | 0:12:30 | |
'and radio tracking these extremely rare birds. | 0:12:30 | 0:12:34 | |
'But will we track down this elusive creature?' | 0:12:34 | 0:12:37 | |
-So there's a receiver on the roof to pick up the sound. -That's right. | 0:12:38 | 0:12:42 | |
-What number is the bird? -This one is 951. | 0:12:42 | 0:12:46 | |
-DEVICE BLEEPS -Oh, is that it? | 0:12:46 | 0:12:49 | |
-Yeah, that's it. -That is. Yeah! | 0:12:50 | 0:12:51 | |
We're incredibly lucky to get a signal. | 0:12:53 | 0:12:56 | |
Turtle doves are so scarce | 0:12:56 | 0:12:57 | |
it can be like looking for a needle in a haystack. | 0:12:57 | 0:13:01 | |
Been monitoring this bird for a couple of weeks now, | 0:13:01 | 0:13:04 | |
so we know it is on a nest nearby. | 0:13:04 | 0:13:06 | |
-Sounds like we're getting close. -Yes, we're not far off now. | 0:13:06 | 0:13:09 | |
'Jenny has seen turtle doves in this spot before, | 0:13:10 | 0:13:13 | |
'but will they be here today?' | 0:13:13 | 0:13:16 | |
Can you see the chicks? | 0:13:16 | 0:13:18 | |
There's two, two little heads. | 0:13:18 | 0:13:21 | |
Oh, wow! | 0:13:21 | 0:13:23 | |
She's looking right at me. | 0:13:23 | 0:13:26 | |
-Yes, she's spotted you. -I've been rumbled! | 0:13:26 | 0:13:30 | |
Oh, it's great. | 0:13:30 | 0:13:32 | |
What a fantastic sight. | 0:13:32 | 0:13:35 | |
That's amazing. | 0:13:35 | 0:13:36 | |
That is so fabulous. They are increasingly rare. | 0:13:39 | 0:13:43 | |
I just hope that's not a sight that I'll never see again. | 0:13:43 | 0:13:47 | |
That was brilliant. Love it. | 0:13:47 | 0:13:49 | |
Whilst our turtle doves are fighting for survival, | 0:13:51 | 0:13:54 | |
a one-time struggling species is now flourishing. | 0:13:54 | 0:13:58 | |
Otters - once incredibly rare, | 0:13:59 | 0:14:02 | |
restricted to all but a few far-flung pockets of the country. | 0:14:02 | 0:14:06 | |
Today they are in every county having made a miraculous comeback. | 0:14:06 | 0:14:11 | |
'Not all our wildlife is on the brink. | 0:14:13 | 0:14:15 | |
'I'm heading to an unlikely spot for nature - | 0:14:17 | 0:14:19 | |
'a suburban house in a small Essex town.' | 0:14:19 | 0:14:22 | |
Hi, Sue, how are you doing? | 0:14:22 | 0:14:23 | |
Sue Manning has had a passion for otters for 13 years. | 0:14:25 | 0:14:29 | |
I'm here to find out about the animals at the bottom of her garden. | 0:14:29 | 0:14:33 | |
What was it that first got you into otters? | 0:14:34 | 0:14:37 | |
Mainly because I started volunteering with the Essex Wildlife Trust. | 0:14:37 | 0:14:41 | |
When you see your first otters you get quite excited | 0:14:41 | 0:14:44 | |
because it takes a long time to find one! | 0:14:44 | 0:14:47 | |
And then you went on to start looking at them | 0:14:47 | 0:14:50 | |
in quite a serious way. | 0:14:50 | 0:14:51 | |
Well, I knew they were here so, as soon as I put the CCTV camera up, | 0:14:51 | 0:14:56 | |
within days I'd had my first shot. | 0:14:56 | 0:14:58 | |
-Can we have a look at some of the shots? -Yes. | 0:14:58 | 0:15:01 | |
Have a look at these. | 0:15:01 | 0:15:03 | |
This was the first shot I have, and you can just see... | 0:15:03 | 0:15:07 | |
-There it is. -Oh, yeah! | 0:15:07 | 0:15:09 | |
-And that was enough to get you hooked? -I'm afraid so. | 0:15:09 | 0:15:13 | |
And now... | 0:15:13 | 0:15:14 | |
-I see two. -Oh, yeah. | 0:15:14 | 0:15:15 | |
-So that was quite exciting. -Playful. Wonderful. | 0:15:15 | 0:15:20 | |
This one is quite funny. It's just... | 0:15:20 | 0:15:24 | |
There we go. | 0:15:24 | 0:15:25 | |
Ooh! That's an energetic splash. That's such speed. | 0:15:25 | 0:15:29 | |
-Yeah. -Wow! | 0:15:29 | 0:15:31 | |
Have you got any footage with young? | 0:15:31 | 0:15:33 | |
Yeah, that would have been... | 0:15:33 | 0:15:36 | |
-Mum, and there's babies. -Oh, yeah. | 0:15:36 | 0:15:40 | |
And there's another baby. | 0:15:40 | 0:15:42 | |
And what's interesting now is that I saw Mum plus two | 0:15:42 | 0:15:47 | |
and then, this year, Mum plus three. | 0:15:47 | 0:15:50 | |
-Got to be really happy with that. -Yeah. -That's such wonderful footage. | 0:15:50 | 0:15:53 | |
-It's such a joy to see, right here, at the bottom of your garden. -Yeah. | 0:15:53 | 0:15:58 | |
Otters throughout the UK are thriving, | 0:15:59 | 0:16:01 | |
and Sue's otters are living proof of that. | 0:16:01 | 0:16:04 | |
It just goes to show that conservation | 0:16:04 | 0:16:07 | |
and habitat improvement can save wildlife. | 0:16:07 | 0:16:10 | |
If we continue these efforts, | 0:16:10 | 0:16:12 | |
other threatened animals, | 0:16:12 | 0:16:14 | |
like our turtle doves, should be doing as well in another 25 years. | 0:16:14 | 0:16:19 | |
-There we are, John. Look what we've got here. -The latest arrival? | 0:16:24 | 0:16:28 | |
Yes, he was born last night, a little donkey foal. | 0:16:28 | 0:16:30 | |
-Is this proud Mum? -It is indeed. | 0:16:30 | 0:16:33 | |
I remember when you were a new arrival on Countryfile, | 0:16:33 | 0:16:36 | |
when I met you here for the first time on this farm. | 0:16:36 | 0:16:38 | |
That was great, when you came and told me | 0:16:38 | 0:16:40 | |
I had won the competition to have a go at presenting on the show. | 0:16:40 | 0:16:43 | |
That was just amazing for me, and wonderful to meet you, | 0:16:43 | 0:16:46 | |
and incredible news. | 0:16:46 | 0:16:47 | |
Thousands of people have sent in videotapes of themselves | 0:16:47 | 0:16:51 | |
and from those we selected around 20 for screen testing, | 0:16:51 | 0:16:55 | |
and then we showed those tapes to a sample of Countryfile viewers, | 0:16:55 | 0:16:58 | |
and this is who they liked best - Adam Henson. | 0:16:58 | 0:17:01 | |
-Congratulations, Adam. -Thank you. -Welcome to the programme. -Thanks. | 0:17:01 | 0:17:04 | |
-You're obviously from a rural background. -Indeed. | 0:17:04 | 0:17:07 | |
I was very fortunate in being brought up in the Cotswolds, | 0:17:07 | 0:17:09 | |
and born and bred on a farm. | 0:17:09 | 0:17:11 | |
And now I run this with my old college friend | 0:17:11 | 0:17:14 | |
as part of the whole business. | 0:17:14 | 0:17:17 | |
-We're surrounded by Highland cattle. Are they friendly? -Oh, yes. | 0:17:17 | 0:17:20 | |
They meet the public all the time and this one's a bit of a favourite. | 0:17:20 | 0:17:23 | |
They're no trouble at all. | 0:17:23 | 0:17:25 | |
-And look what happened to you! -I know. 13 years on, I'm still here. | 0:17:25 | 0:17:28 | |
Now, how did YOU get started on Countryfile? | 0:17:28 | 0:17:31 | |
Well, I'd just left Newsround, I'd been doing that for a long time, | 0:17:31 | 0:17:35 | |
and I was looking for something different and the BBC said, | 0:17:35 | 0:17:38 | |
"We've got this new rural affairs programme called Countryfile. | 0:17:38 | 0:17:42 | |
"Do you fancy giving that a go?" | 0:17:42 | 0:17:44 | |
So I said, "Why not?" Something totally different. | 0:17:44 | 0:17:46 | |
In your time on the programme the programme has changed a lot, | 0:17:46 | 0:17:49 | |
but the countryside has changed a great deal, too. | 0:17:49 | 0:17:51 | |
It certainly has, and not just farming. | 0:17:51 | 0:17:53 | |
The whole sort of social issues of the countryside | 0:17:53 | 0:17:56 | |
have gone much higher up the national agenda, | 0:17:56 | 0:17:58 | |
and people are now very concerned about isolation, | 0:17:58 | 0:18:01 | |
about lack of rural bus services, lack of shops and pubs, | 0:18:01 | 0:18:03 | |
lack of affordable housing for young people - | 0:18:03 | 0:18:06 | |
who's going to do the farming, work the countryside | 0:18:06 | 0:18:09 | |
if they can't afford to live there? | 0:18:09 | 0:18:11 | |
All those sort of things, very important these days. | 0:18:11 | 0:18:14 | |
-One thing you covered a lot was organics. -That's right. | 0:18:14 | 0:18:16 | |
Organics has been a huge movement, hasn't it, over the last 25 years? | 0:18:16 | 0:18:21 | |
In fact, the very first film I made for Countryfile | 0:18:21 | 0:18:24 | |
was about organics, and does it have a future? | 0:18:24 | 0:18:26 | |
Who would have guessed just 12 months ago that the methods | 0:18:27 | 0:18:30 | |
used by British farmers would have been questioned | 0:18:30 | 0:18:33 | |
in quite the way they have been by the customers? | 0:18:33 | 0:18:36 | |
The green revolution has reached the fields of Britain. | 0:18:36 | 0:18:40 | |
So how is the organic industry faring 25 years on? | 0:18:40 | 0:18:43 | |
I've asked Tom to investigate. | 0:18:43 | 0:18:45 | |
Organic food - | 0:18:47 | 0:18:49 | |
for its supporters, it's better for the environment | 0:18:49 | 0:18:52 | |
and better for us, and that's a message its devotees | 0:18:52 | 0:18:56 | |
have been pushing for well over a quarter of a century. | 0:18:56 | 0:18:59 | |
More and more, the consumers are wanting food | 0:18:59 | 0:19:02 | |
that's grown in this kind of soil, | 0:19:02 | 0:19:04 | |
that hasn't seen a drop of chemical of any kind for many, many years. | 0:19:04 | 0:19:09 | |
Since John first reported on the subject in 1989, | 0:19:10 | 0:19:14 | |
one of the biggest bones of contention has been the claim | 0:19:14 | 0:19:17 | |
organic food is healthier than conventional produce. | 0:19:17 | 0:19:21 | |
Now, in the largest study of its kind, | 0:19:21 | 0:19:24 | |
scientists claim to be able to show a definite difference | 0:19:24 | 0:19:28 | |
that may prove that organics are better for you. | 0:19:28 | 0:19:31 | |
The study was done by an international team | 0:19:33 | 0:19:36 | |
funded by European money and organic supporters, the Sheepdrove Trust. | 0:19:36 | 0:19:40 | |
Its findings are based on the results of hundreds of experiments | 0:19:40 | 0:19:44 | |
carried out by scientists all over the world, as well as here in the UK. | 0:19:44 | 0:19:48 | |
This is Nafferton Farm, | 0:19:48 | 0:19:51 | |
Newcastle University's Agricultural Research Unit, | 0:19:51 | 0:19:54 | |
where they grow plots of different crops side by side, | 0:19:54 | 0:19:58 | |
some grown conventionally, others organically, | 0:19:58 | 0:20:01 | |
and they can see the difference. | 0:20:01 | 0:20:03 | |
Professor Carlo Leifert is one of the scientists | 0:20:03 | 0:20:06 | |
responsible for bringing together | 0:20:06 | 0:20:08 | |
the research to create this new analysis. | 0:20:08 | 0:20:11 | |
What were the main results from your study? | 0:20:11 | 0:20:14 | |
We found that, on average, over all crops, | 0:20:14 | 0:20:18 | |
over all countries in the world that have carried out | 0:20:18 | 0:20:21 | |
these sorts of studies, organic crops contained | 0:20:21 | 0:20:23 | |
higher levels of antioxidants, | 0:20:23 | 0:20:25 | |
lower concentrations of a toxic heavy metal called cadmium, | 0:20:25 | 0:20:29 | |
and lower incidence of pesticide residues in organic crops. | 0:20:29 | 0:20:33 | |
What's significant, particularly, about the antioxidant findings? | 0:20:33 | 0:20:36 | |
They have been linked to lower incidence | 0:20:36 | 0:20:41 | |
of certain diseases in humans. | 0:20:41 | 0:20:44 | |
'Carlo's claims are based on more than 340 peer-reviewed studies, | 0:20:45 | 0:20:50 | |
'which he says point to significant differences | 0:20:50 | 0:20:53 | |
'between organic and conventionally grown crops.' | 0:20:53 | 0:20:56 | |
'But, even so, he stops short of saying that organic | 0:20:58 | 0:21:01 | |
'definitely provides healthier food.' | 0:21:01 | 0:21:03 | |
Why are you cautious about saying that organics are better for you? | 0:21:03 | 0:21:07 | |
Well, I'm a scientist. | 0:21:07 | 0:21:10 | |
You have to now do the obvious experiment, | 0:21:10 | 0:21:12 | |
which is compare people eating an organic diet with people eating | 0:21:12 | 0:21:16 | |
a conventional diet to find out how much of a health impact | 0:21:16 | 0:21:19 | |
you can get from that. | 0:21:19 | 0:21:21 | |
Although it's not proven yet, higher levels of some antioxidants | 0:21:23 | 0:21:27 | |
have been linked with health benefits in food. | 0:21:27 | 0:21:30 | |
Here is your typical recommended five-a-day. | 0:21:30 | 0:21:33 | |
Now, according to Carlo's claims, | 0:21:33 | 0:21:35 | |
if this were an organic plateful, in terms of antioxidants | 0:21:35 | 0:21:39 | |
it would be delivering an extra one to two portions, | 0:21:39 | 0:21:43 | |
so an organic plateful of five-a-day | 0:21:43 | 0:21:45 | |
gives you the nutrient hit of six or seven-a-day. | 0:21:45 | 0:21:49 | |
But what impact will this study have on the organic movement? | 0:21:51 | 0:21:54 | |
Certainly, when John first reported on the subject, | 0:21:54 | 0:21:58 | |
hopes of growth were high. | 0:21:58 | 0:22:00 | |
One prediction is that by the year 2000 | 0:22:00 | 0:22:03 | |
20% of all British agriculture will be grown organically. | 0:22:03 | 0:22:07 | |
But that never happened. | 0:22:07 | 0:22:09 | |
In fact, rather than 20%, even by its peak in 2008, | 0:22:09 | 0:22:14 | |
it was actually grown on less than 5% of agricultural land | 0:22:14 | 0:22:18 | |
and, as organic produce is generally more expensive, | 0:22:18 | 0:22:21 | |
soon after the financial downturn it went into decline. | 0:22:21 | 0:22:24 | |
So, will this report change that? | 0:22:24 | 0:22:27 | |
Lord Peter Melchett is the Policy Director of the Soil Association. | 0:22:27 | 0:22:31 | |
Well, it's very exciting. It's taken years to do it. | 0:22:31 | 0:22:35 | |
They've had to pull together | 0:22:35 | 0:22:37 | |
343 different individual research projects. | 0:22:37 | 0:22:40 | |
It's a massive job, but I think the conclusions are very positive. | 0:22:40 | 0:22:46 | |
And what impact do you think, or hope, it will have on sales? | 0:22:46 | 0:22:49 | |
The first thing I think it will do is confirm the views of people | 0:22:49 | 0:22:53 | |
who already buy organic. | 0:22:53 | 0:22:55 | |
They generally believe that organic has a better nutrient profile | 0:22:55 | 0:22:59 | |
for fruit and veg and so on. | 0:22:59 | 0:23:02 | |
This research confirms that. | 0:23:02 | 0:23:04 | |
Then I think it will influence some people | 0:23:04 | 0:23:07 | |
who maybe thought that the way in which you grow food, | 0:23:07 | 0:23:11 | |
the way in which you farm, | 0:23:11 | 0:23:13 | |
makes no difference to the quality of the food. | 0:23:13 | 0:23:16 | |
This research chucks that myth out the window. | 0:23:16 | 0:23:19 | |
In the past, though, | 0:23:19 | 0:23:21 | |
high-profile studies of organics | 0:23:21 | 0:23:23 | |
have come to a very different conclusion, | 0:23:23 | 0:23:25 | |
prompting some pretty definitive statements, | 0:23:25 | 0:23:27 | |
with one of the most notable coming from | 0:23:27 | 0:23:30 | |
the then Head of the Food Standards Agency. | 0:23:30 | 0:23:33 | |
They're not getting value for money in my opinion | 0:23:33 | 0:23:35 | |
and in the opinion of the Food Standards Agency | 0:23:35 | 0:23:38 | |
if they think they're buying extra nutritional quality or extra safety. | 0:23:38 | 0:23:42 | |
They really do seem to have a blind spot about organics, | 0:23:44 | 0:23:47 | |
Sir John and the FSA. | 0:23:47 | 0:23:49 | |
Actually, he said that three years ago and it's got worse. | 0:23:49 | 0:23:52 | |
So, is Peter Melchett now in a stronger position | 0:23:53 | 0:23:56 | |
to make eye-catching health claims? | 0:23:56 | 0:23:58 | |
What we've got now is a meta-analysis, | 0:23:58 | 0:24:01 | |
pulling together all these hundreds of research studies | 0:24:01 | 0:24:04 | |
from all over the world, over a long period of time. | 0:24:04 | 0:24:07 | |
It completely changes the nature of the scientific evidence | 0:24:07 | 0:24:10 | |
that people need to look at. | 0:24:10 | 0:24:12 | |
You've been plugging organics for at least 25 years, | 0:24:12 | 0:24:14 | |
we've been investigating for that length of time, | 0:24:14 | 0:24:16 | |
In all that time, you're not able to say that | 0:24:16 | 0:24:18 | |
they're better for you, for our health. | 0:24:18 | 0:24:20 | |
-Surely that's a failing? -You can't be too impatient, Tom. | 0:24:20 | 0:24:23 | |
The first step is do the work to see if how you grow food | 0:24:23 | 0:24:26 | |
and how you farm makes a difference to the quality of the food. | 0:24:26 | 0:24:30 | |
That's been questioned up till now. | 0:24:30 | 0:24:33 | |
After the publication of this research | 0:24:33 | 0:24:35 | |
I don't think it can be questioned any more. | 0:24:35 | 0:24:38 | |
So, what does the academic who's been rubbishing the health claims | 0:24:43 | 0:24:47 | |
of organic foods all these years make of the latest study? | 0:24:47 | 0:24:51 | |
Today, Lord Krebs is the Principal of Jesus College, Oxford. | 0:24:52 | 0:24:57 | |
This study suggests that organic farming leads to increased levels | 0:24:58 | 0:25:02 | |
of nutritionally desirable compounds, ie, it's better for you. | 0:25:02 | 0:25:05 | |
-Do you agree? -I don't think this study shows that. | 0:25:05 | 0:25:08 | |
That's what they claim it does. | 0:25:08 | 0:25:10 | |
No, what they're claiming is that it contains | 0:25:10 | 0:25:13 | |
higher levels of certain compounds, like antioxidants, | 0:25:13 | 0:25:16 | |
that may or may not have health benefits, | 0:25:16 | 0:25:19 | |
but they themselves acknowledge that they haven't looked | 0:25:19 | 0:25:22 | |
at the actual health benefit consequences, | 0:25:22 | 0:25:24 | |
so simply saying it's got more in | 0:25:24 | 0:25:27 | |
doesn't necessarily prove that it's better for you. | 0:25:27 | 0:25:30 | |
These are not just the views of Lord Krebs. | 0:25:31 | 0:25:33 | |
Within the scientific community there has already been criticism, | 0:25:33 | 0:25:38 | |
questioning everything from the process to the final results. | 0:25:38 | 0:25:41 | |
Do you still think people are wasting their money buying organic food? | 0:25:42 | 0:25:46 | |
I think it's an individual choice whether you buy organic food or not. | 0:25:46 | 0:25:49 | |
Some people may think it tastes better | 0:25:49 | 0:25:51 | |
some may think it's better for the environment, | 0:25:51 | 0:25:54 | |
but if you're buying it on the basis that it makes you healthier, | 0:25:54 | 0:25:56 | |
and you're paying a premium for that, | 0:25:56 | 0:25:58 | |
then you are still wasting your money. | 0:25:58 | 0:26:00 | |
What really matters is eating a balanced diet, | 0:26:00 | 0:26:03 | |
and it doesn't matter whether it's organic or not. | 0:26:03 | 0:26:05 | |
So, rather than putting an end to the controversy, | 0:26:07 | 0:26:09 | |
this scientific study seems to have reinvigorated an argument | 0:26:09 | 0:26:13 | |
that's been rumbling on for well over a quarter of a century. | 0:26:13 | 0:26:18 | |
In the often-noisy debate over organics and health, | 0:26:19 | 0:26:23 | |
this is a significant piece of work and, while it may not trigger | 0:26:23 | 0:26:27 | |
an organic revolution, it may well persuade some people to spend | 0:26:27 | 0:26:31 | |
a little bit more on what they believe is good for them. | 0:26:31 | 0:26:35 | |
'Ever since the early days of Countryfile, | 0:26:42 | 0:26:45 | |
'I've spent a lot of time talking to farmers...' | 0:26:45 | 0:26:47 | |
Last word with the farmer, then. | 0:26:47 | 0:26:49 | |
If we don't look after the countryside, | 0:26:49 | 0:26:51 | |
it'll just go to wrack and ruin. | 0:26:51 | 0:26:53 | |
'..and to a whole host of other interesting people...' | 0:26:53 | 0:26:56 | |
That's quite a combination, Andrew, grocer and funeral director. | 0:26:56 | 0:27:00 | |
Yeah, you sort of look after them when they're living | 0:27:00 | 0:27:03 | |
and then you look after them when they pass on to the next stage. | 0:27:03 | 0:27:06 | |
'I've met a Prince, prime ministers, | 0:27:06 | 0:27:08 | |
'and people who grow everything from tomatoes...' | 0:27:08 | 0:27:11 | |
Mmm! Never thought I'd eat an Icelandic tomato! | 0:27:11 | 0:27:15 | |
'..to olives...' | 0:27:15 | 0:27:17 | |
-And can you eat these olives, then? -Do you want to try? | 0:27:17 | 0:27:20 | |
-They look very inviting, don't they? -They do. | 0:27:20 | 0:27:22 | |
They're a beautiful colour on a lovely colour tree. | 0:27:22 | 0:27:25 | |
HE CHUCKLES | 0:27:25 | 0:27:27 | |
Urgh! | 0:27:30 | 0:27:32 | |
HE COUGHS | 0:27:32 | 0:27:33 | |
'I've met butchers...' | 0:27:33 | 0:27:35 | |
Nice to see you. '..bakers and a sandcastle-maker.' | 0:27:35 | 0:27:38 | |
I love the detail. I mean, | 0:27:38 | 0:27:39 | |
how do you do the stonework here? | 0:27:39 | 0:27:42 | |
I just scratch in the sand here, like this, then blow the surface. | 0:27:42 | 0:27:45 | |
You mustn't suck, or you end up with a mouthful of sand! | 0:27:45 | 0:27:49 | |
That's clever. | 0:27:49 | 0:27:50 | |
'I've lazed in the meadow with Jilly Cooper... | 0:27:50 | 0:27:54 | |
'taken a walk with Alan Titchmarsh, | 0:27:54 | 0:27:56 | |
'and even met another version of myself.' | 0:27:56 | 0:27:59 | |
Hello, again, and on this special 20th anniversary of Countryfile, | 0:27:59 | 0:28:03 | |
what better way to surprise John Craven than with another John Craven? | 0:28:03 | 0:28:08 | |
-John, how are you?! -John Craven went to find out more. Hello, John. | 0:28:08 | 0:28:13 | |
'There's been local historians...' | 0:28:15 | 0:28:17 | |
There's a lovely story about the hairy hands. | 0:28:17 | 0:28:20 | |
As you're driving home across Dartmoor, | 0:28:20 | 0:28:23 | |
this hairy hand comes from nowhere | 0:28:23 | 0:28:25 | |
and grabs the steering wheel and pulls you off the road | 0:28:25 | 0:28:28 | |
and you have a terrible accident. | 0:28:28 | 0:28:30 | |
'..passionate environmentalists...' | 0:28:30 | 0:28:32 | |
The environment is what we live in | 0:28:32 | 0:28:34 | |
and we should understand it, taste it, smell it | 0:28:34 | 0:28:36 | |
and then respect it. | 0:28:36 | 0:28:37 | |
'..and lots and lots of Countryfile viewers.' | 0:28:37 | 0:28:40 | |
You've washed your hands, haven't you, after that dirty work? | 0:28:40 | 0:28:43 | |
Thank you. | 0:28:43 | 0:28:44 | |
-Hey, guys, you'll never guess who this is. -Who's this? | 0:28:44 | 0:28:47 | |
-Hello, my name is John Craven. -No! | 0:28:47 | 0:28:50 | |
-Hi, John! -We need a stand-in! | 0:28:50 | 0:28:52 | |
He's so busy, sometimes we need somebody else. Can you do it? | 0:28:52 | 0:28:56 | |
Are you available? | 0:28:56 | 0:28:58 | |
I always tell my colleagues I'm much better looking than he is! | 0:28:58 | 0:29:02 | |
And I must say, very nice, similar line in sweaters going on here! | 0:29:02 | 0:29:06 | |
Honestly, I've loved every minute of it, | 0:29:06 | 0:29:09 | |
but one of my favourite bits | 0:29:09 | 0:29:10 | |
has to be our annual photographic competition. | 0:29:10 | 0:29:13 | |
Picture number one is Welsh Farmer On Horseback by Myra Price, | 0:29:21 | 0:29:26 | |
aged 15 from Dyfed. | 0:29:26 | 0:29:28 | |
'In the 23 years that the photo competition has been running, | 0:29:28 | 0:29:32 | |
'I've seen a vast array of breathtaking photos.' | 0:29:32 | 0:29:35 | |
And the winner, by a margin of over 1,000 votes, | 0:29:35 | 0:29:39 | |
is Penny Hughes with her Farmyard Scene. | 0:29:39 | 0:29:41 | |
Congratulations, Penny. | 0:29:41 | 0:29:44 | |
'And selecting the winners were some pretty perceptive judges.' | 0:29:44 | 0:29:47 | |
What about this one, Levitation? | 0:29:47 | 0:29:49 | |
What would you call that? It's so sweet, that. | 0:29:50 | 0:29:53 | |
I've got the winner here. This one. | 0:29:53 | 0:29:56 | |
What do you reckon? | 0:29:56 | 0:29:57 | |
It's a... A red kite... | 0:29:58 | 0:30:01 | |
-there. -JOHN LAUGHS | 0:30:01 | 0:30:03 | |
Of course it is. Of course. | 0:30:03 | 0:30:05 | |
We first turned the winning photographs into a calendar in 2000 | 0:30:05 | 0:30:09 | |
and they've raised millions of pounds for Children in Need. | 0:30:09 | 0:30:13 | |
It would be impossible to say which I think is the best | 0:30:13 | 0:30:15 | |
picture of the hundreds of thousands that have been sent in over | 0:30:15 | 0:30:19 | |
the 20-odd years of the competition, but this is one of my favourites. | 0:30:19 | 0:30:23 | |
It's the overall winner from 2010 by Jennifer Duncan, | 0:30:23 | 0:30:27 | |
and it always makes me smile. | 0:30:27 | 0:30:29 | |
I love the way that all the other puffins are watching this one | 0:30:29 | 0:30:32 | |
to see whether he makes a mess of the landing. | 0:30:32 | 0:30:34 | |
This week we're celebrating John Craven's | 0:30:46 | 0:30:49 | |
25th anniversary on Countryfile. | 0:30:49 | 0:30:51 | |
The cake's ready... | 0:30:51 | 0:30:53 | |
the bubbles are on ice... | 0:30:53 | 0:30:55 | |
and we've made him editor for this particular episode. | 0:30:55 | 0:30:59 | |
Choosing what to go into the programme has been a tough job, | 0:30:59 | 0:31:02 | |
especially when he's done so many different things | 0:31:02 | 0:31:04 | |
and been to so many different places. | 0:31:04 | 0:31:06 | |
Here in Bedfordshire... | 0:31:10 | 0:31:11 | |
Ironbridge Gorge in Shropshire... | 0:31:11 | 0:31:13 | |
Bakewell in the heart of the Peak District National Park... | 0:31:13 | 0:31:16 | |
Beverly Hills in California... | 0:31:16 | 0:31:18 | |
County Galway... | 0:31:18 | 0:31:19 | |
Dartmoor... Italy... | 0:31:19 | 0:31:21 | |
The coast of South Wales... | 0:31:21 | 0:31:22 | |
Gigha in the Inner Hebrides... | 0:31:22 | 0:31:24 | |
The South Downs of West Sussex... | 0:31:24 | 0:31:26 | |
We're on the Falkland Islands... The Isle of Mull... | 0:31:26 | 0:31:28 | |
Romania... Iceland... | 0:31:28 | 0:31:30 | |
North Devon... ..islands... | 0:31:30 | 0:31:32 | |
Shropshire... Cumbria... | 0:31:32 | 0:31:33 | |
Britain's tallest mountain, Ben Nevis. | 0:31:33 | 0:31:35 | |
We can't see a thing of it today. | 0:31:35 | 0:31:37 | |
But, no matter what the weather, | 0:31:37 | 0:31:38 | |
Countryfile covers the whole of the British Isles | 0:31:38 | 0:31:42 | |
almost every week of the year. | 0:31:42 | 0:31:43 | |
And this week I'm in the Cotswolds on Adam's farm. | 0:31:47 | 0:31:51 | |
We're very lucky though, John, aren't we? | 0:31:51 | 0:31:53 | |
As well as seeing great places, we get to go behind the scenes, | 0:31:53 | 0:31:56 | |
-and we're always learning something new, aren't we? -We are. | 0:31:56 | 0:32:00 | |
You go back to familiar places, but there's things you never knew about. | 0:32:00 | 0:32:03 | |
I mean, recently, I went to Crummackdale in the Yorkshire Dales. | 0:32:03 | 0:32:06 | |
Now, I love the Dales, but I'd never heard of Crummackdale before. | 0:32:06 | 0:32:09 | |
And in Crummackdale there's these amazing stones | 0:32:09 | 0:32:12 | |
called the Norber Erratics. | 0:32:12 | 0:32:14 | |
It's upside down geology. | 0:32:14 | 0:32:16 | |
The older stones are at the top | 0:32:16 | 0:32:18 | |
and they're creating fantastic shapes. | 0:32:18 | 0:32:20 | |
One place I went to that was really dramatic was to | 0:32:20 | 0:32:23 | |
the north-west coast of Scotland, just stunning up there. | 0:32:23 | 0:32:26 | |
And the Northumberland coast is one of my favourite places, as well. | 0:32:26 | 0:32:29 | |
But really, for me, there's no place like home - the Cotswold hills. | 0:32:29 | 0:32:32 | |
In fact, this clump of trees is very special | 0:32:32 | 0:32:34 | |
because I can see it from miles around. | 0:32:34 | 0:32:37 | |
When I'm 20-30 miles from home, I can see it, recognise it, | 0:32:37 | 0:32:39 | |
and know I'm nearly home. | 0:32:39 | 0:32:40 | |
Back in 2001, I did a series of films for Countryfile | 0:32:40 | 0:32:44 | |
about classic drives in classic cars, | 0:32:44 | 0:32:47 | |
from a Bentley to an old Morris Minor, | 0:32:47 | 0:32:50 | |
and I went all over the countryside. | 0:32:50 | 0:32:53 | |
I remember, in Ireland, I stopped on the banks of Galway Bay | 0:32:53 | 0:32:59 | |
and had a little sing. | 0:32:59 | 0:33:01 | |
-I remember your dulcet tones. You've got a good voice. -No! | 0:33:01 | 0:33:04 | |
-How much of that was really you? -Bing Crosby a bit of it. | 0:33:04 | 0:33:07 | |
THEY LAUGH | 0:33:07 | 0:33:09 | |
# If you ever go across the sea to Ireland | 0:33:09 | 0:33:13 | |
# BING CROSBY: Then maybe, at the closing of your day | 0:33:15 | 0:33:22 | |
# You will sit and watch the moon rise over Claddagh | 0:33:22 | 0:33:28 | |
# And watch the barefoot gossoons at their play... # | 0:33:30 | 0:33:35 | |
Now, I'm not expecting Matt to give us a song, | 0:33:38 | 0:33:40 | |
but I'm sure he would like to make a journey across the countryside | 0:33:40 | 0:33:44 | |
in a classic car, so that's the assignment I've set him. | 0:33:44 | 0:33:47 | |
One-take wonder. | 0:33:47 | 0:33:49 | |
Sometimes. | 0:33:49 | 0:33:50 | |
THEY LAUGH | 0:33:50 | 0:33:52 | |
It's a story I've found from my own knowledge of the Chiltern Hills. | 0:33:52 | 0:33:57 | |
So John has sent me to Buckinghamshire, | 0:33:57 | 0:33:59 | |
where I'm making a trip to a rather special hill, | 0:33:59 | 0:34:02 | |
one with a classic car connection. | 0:34:02 | 0:34:05 | |
But, right now, the only vintage vehicle is my old Land Rover. | 0:34:05 | 0:34:09 | |
Back in the early 1900s, | 0:34:12 | 0:34:14 | |
this stunning yet sleepy bit of countryside gave its name | 0:34:14 | 0:34:17 | |
to one of Britain's most famous classic cars. | 0:34:17 | 0:34:20 | |
The hill on which I stand is Aston Hill | 0:34:20 | 0:34:22 | |
and the car I'm talking about is the Aston Martin. | 0:34:22 | 0:34:26 | |
A century ago, Aston Hill was the spot for a growing sport. | 0:34:28 | 0:34:33 | |
Hill climbing, not on foot, but in that then rare thing - | 0:34:34 | 0:34:38 | |
an automobile. | 0:34:38 | 0:34:39 | |
At only 800m, the track was short, | 0:34:42 | 0:34:46 | |
but the sharp turns demanded a lot of the new drivers. | 0:34:46 | 0:34:49 | |
In 1914, a young man called Lionel Martin | 0:34:51 | 0:34:55 | |
took part in Aston Hillclimb. | 0:34:55 | 0:34:57 | |
Now, he was so successful in this race that, | 0:34:57 | 0:35:00 | |
when he went on to build his own cars, | 0:35:00 | 0:35:02 | |
he combined the name of this hill with his own name - Aston Martin - | 0:35:02 | 0:35:07 | |
and a legend in the history of British motoring was born. | 0:35:07 | 0:35:10 | |
Vintage Aston Martins are restored by hand using traditional skills. | 0:35:16 | 0:35:22 | |
It takes years to master them. | 0:35:22 | 0:35:24 | |
Foolishly, they're letting me have a go. | 0:35:28 | 0:35:31 | |
How long is the actual apprenticeship? | 0:35:34 | 0:35:36 | |
I've been in this for 27 years now and I'm still learning | 0:35:36 | 0:35:39 | |
how to, you know, get various shapes | 0:35:39 | 0:35:40 | |
and different sort of curves, and all that sort of thing. | 0:35:40 | 0:35:44 | |
Ooh, I went a little bit too much there. Ooh. | 0:35:44 | 0:35:46 | |
Will this be going on a car? | 0:35:46 | 0:35:47 | |
-It will? All right then, OK. -It definitely will. | 0:35:47 | 0:35:49 | |
-Just don't tell the customer. -Yeah, exactly. Yeah. | 0:35:49 | 0:35:52 | |
Anyway, if I'm working on YOUR Aston Martin, I'm ever so sorry. | 0:35:52 | 0:35:55 | |
THEY LAUGH | 0:35:55 | 0:35:56 | |
With so many heritage cars here, | 0:35:59 | 0:36:01 | |
I'm like a kid in a sweet shop. | 0:36:01 | 0:36:04 | |
Head of Aston Martin Works Paul Spires shows me a real classic. | 0:36:04 | 0:36:08 | |
Now, that car on the end there, Paul, that has caught my eye. | 0:36:09 | 0:36:12 | |
-Has it? Let's go and have a look at it. -Yes, please. Oh! | 0:36:12 | 0:36:15 | |
Look at the... Oh, the door latch! | 0:36:15 | 0:36:19 | |
The quality. | 0:36:19 | 0:36:20 | |
So if I was going to pop my Land Rover in part exchange | 0:36:22 | 0:36:25 | |
for something like this, how much more would I have to spend? | 0:36:25 | 0:36:28 | |
You'd probably have to add another £500,000 to that car. | 0:36:28 | 0:36:31 | |
-HE EXHALES DEEPLY -Really? | 0:36:31 | 0:36:34 | |
Originally, it was owned by Sir Paul McCartney and, | 0:36:34 | 0:36:38 | |
rumour has it, he started to write the lyrics to Hey Jude | 0:36:38 | 0:36:41 | |
actually driving this car. | 0:36:41 | 0:36:43 | |
-Really? Behind the wheel? -Behind the wheel. | 0:36:43 | 0:36:45 | |
Now, would you like to take it for a little spin? | 0:36:45 | 0:36:48 | |
-Would I?! Paul, yes, please. -ENGINE STARTS | 0:36:48 | 0:36:52 | |
You know what? If it's good enough for Paul McCartney, | 0:36:56 | 0:36:58 | |
it's good enough for me. Here we go. | 0:36:58 | 0:37:01 | |
Oh, that's so wonderful! | 0:37:01 | 0:37:04 | |
If there was a list of ways to experience the British countryside, | 0:37:11 | 0:37:15 | |
this would be at the top. | 0:37:15 | 0:37:17 | |
# Hey, Jude... # | 0:37:17 | 0:37:19 | |
But McCartney's car is just the taxi to get me back to Aston Hill, | 0:37:19 | 0:37:24 | |
where I'm swapping the DB6 for a heritage racing car | 0:37:24 | 0:37:27 | |
to re-run the vintage climb. | 0:37:27 | 0:37:30 | |
I'm meeting Mark Donoghue, who owns one of the earliest Aston Martins. | 0:37:31 | 0:37:36 | |
It roared up here in the 1920s but hasn't been back since. | 0:37:36 | 0:37:39 | |
This is a 1923 Bamford and Martin Sidevalve, | 0:37:41 | 0:37:45 | |
known as "Cloverleaf" because of the style of the body | 0:37:45 | 0:37:48 | |
-and the little seat in the back here. -Oh, is that the passenger there? | 0:37:48 | 0:37:52 | |
Yeah. He started the production line in 1923 | 0:37:52 | 0:37:54 | |
and this was one of the very first cars that rolled out of that factory. | 0:37:54 | 0:37:58 | |
And what is it like then, for you, as the owner of this car now, | 0:37:58 | 0:38:01 | |
to be here at this very spot? | 0:38:01 | 0:38:03 | |
-I'm more of a custodian. -Right. -It's an honour. | 0:38:03 | 0:38:06 | |
And to be here 90 years on is an incredible feeling. | 0:38:06 | 0:38:10 | |
Well, an honour for you and... an honour, an absolute honour, | 0:38:10 | 0:38:13 | |
for me because you've allowed me to have a little go of this. | 0:38:13 | 0:38:16 | |
-There's a lot of leavers and a lot of pedals... -It's... | 0:38:16 | 0:38:20 | |
..and they're all in the wrong order! | 0:38:20 | 0:38:22 | |
It's quite a complicated thing to drive. | 0:38:22 | 0:38:24 | |
It took me a couple of months. | 0:38:24 | 0:38:25 | |
You've got a couple of minutes to learn. | 0:38:25 | 0:38:28 | |
You'll notice that the accelerator and the brake pedal are reversed. | 0:38:28 | 0:38:31 | |
Yes. | 0:38:31 | 0:38:33 | |
There is also a brake lever, which operates the rear wheels, | 0:38:33 | 0:38:36 | |
which you have to use simultaneously. | 0:38:36 | 0:38:38 | |
The gearbox is in reverse. | 0:38:38 | 0:38:39 | |
First is where fourth would be on a normal car, | 0:38:39 | 0:38:42 | |
and that's just the start. THEY LAUGH | 0:38:42 | 0:38:44 | |
Oh, dear, me! | 0:38:44 | 0:38:46 | |
Well, I tell you what, I'll do my best and you close your eyes. | 0:38:46 | 0:38:49 | |
That's a good idea. HE LAUGHS | 0:38:49 | 0:38:51 | |
There you go. ENGINE REVS | 0:38:51 | 0:38:54 | |
OK, let's see if we can get this thing moving. | 0:38:54 | 0:38:56 | |
There we go! | 0:38:58 | 0:39:00 | |
And they're off on Aston Hill! Woo-hoo! | 0:39:00 | 0:39:02 | |
-Right, I'm going to try for second! -Right. | 0:39:06 | 0:39:08 | |
-Ready?! -Go for it. | 0:39:08 | 0:39:10 | |
-Oh, yes! Oh, you did great! -Yes! | 0:39:12 | 0:39:15 | |
-That was magnificent. -We're in second and we're going up Aston Hill. | 0:39:15 | 0:39:18 | |
-It doesn't get any better than this, Mark. -No, it doesn't. | 0:39:18 | 0:39:21 | |
'We're only doing 30mph, but it feels like 130.' | 0:39:21 | 0:39:26 | |
Let's see if I can get up this hill. I'm a little bit... | 0:39:30 | 0:39:34 | |
-Yeah, we'll be fine. -Here we go! Come on, come on, come on! | 0:39:34 | 0:39:37 | |
-Come on, baby! Come on! -Oh, yeah. | 0:39:37 | 0:39:39 | |
You're on home turf now! Oh, yes! | 0:39:39 | 0:39:42 | |
-We're going for the record! -We're doing really well. -Let's lean in! | 0:39:44 | 0:39:48 | |
'Not quite the same as one of John's serene drives.' | 0:39:48 | 0:39:52 | |
Yes! | 0:39:52 | 0:39:53 | |
You can see why this was really tough to win, can't you? | 0:39:54 | 0:39:57 | |
Come on! Yes! | 0:39:57 | 0:39:59 | |
We're going to go all the way! | 0:39:59 | 0:40:01 | |
SHOUTING | 0:40:02 | 0:40:05 | |
Well, we made it. | 0:40:05 | 0:40:07 | |
Obviously, Mark, this was the destination then - | 0:40:07 | 0:40:10 | |
the top of the hill. | 0:40:10 | 0:40:11 | |
-The top of Aston Hill. -Indeed, it was. | 0:40:11 | 0:40:13 | |
-And what a view it is. Goodness me. -Beautiful, huh? -Oh, gosh. | 0:40:13 | 0:40:17 | |
For me, today, to come here to the very spot where Aston Martin | 0:40:17 | 0:40:20 | |
got its name, and to bring this back... | 0:40:20 | 0:40:22 | |
-90 years. -Almost to the day. | 0:40:22 | 0:40:25 | |
-Isn't that remarkable? -You did really well. | 0:40:25 | 0:40:27 | |
-Oh, well, listen, thank you. -My pleasure. | 0:40:27 | 0:40:29 | |
And, well, thank YOU, my dear. | 0:40:29 | 0:40:31 | |
I will never, ever, ever forget that as long as I live. | 0:40:31 | 0:40:35 | |
So, John, I owe you big time. Thank you. | 0:40:35 | 0:40:38 | |
-He seemed to enjoy that, didn't he? -He did. | 0:40:38 | 0:40:40 | |
And I know you really enjoyed your scenic | 0:40:40 | 0:40:42 | |
drives around the countryside, but you've had lots of other adventures | 0:40:42 | 0:40:45 | |
-along the way, haven't you? -I have indeed and here's just a few. | 0:40:45 | 0:40:48 | |
Woo-hoo! | 0:40:49 | 0:40:51 | |
Wow! | 0:40:51 | 0:40:52 | |
Oof! | 0:40:54 | 0:40:56 | |
Oh, good morning. Welcome... PIGS SQUEAL | 0:40:56 | 0:40:58 | |
Ah! | 0:40:58 | 0:40:59 | |
How about that? HE LAUGHS | 0:40:59 | 0:41:02 | |
We all right? | 0:41:04 | 0:41:05 | |
Arg! | 0:41:05 | 0:41:07 | |
Well, if... Oh! HE LAUGHS | 0:41:07 | 0:41:10 | |
Riding like the wind! | 0:41:11 | 0:41:14 | |
I'm in training for a challenge that Charlotte set me | 0:41:14 | 0:41:16 | |
when she went snorkelling in Wales. | 0:41:16 | 0:41:19 | |
So, now you know. | 0:41:19 | 0:41:21 | |
Well, now then, after all that lot, I've got one more surprise for you. | 0:41:21 | 0:41:24 | |
-Come on in here. -Really? | 0:41:24 | 0:41:26 | |
Now then, John... | 0:41:29 | 0:41:31 | |
-Come and have a look at this. -What is this? | 0:41:31 | 0:41:34 | |
We've got a little bit of sparkle for you. | 0:41:34 | 0:41:36 | |
Oh, how lovely. Thank you. | 0:41:36 | 0:41:37 | |
Oh, and look at that cake. | 0:41:37 | 0:41:40 | |
"John Craven, | 0:41:40 | 0:41:41 | |
"outstanding in his field." | 0:41:41 | 0:41:43 | |
THEY LAUGH | 0:41:43 | 0:41:45 | |
-Oh, that's fantastic. -25 years. | 0:41:45 | 0:41:47 | |
Well, I have to admit, I didn't make it, | 0:41:47 | 0:41:49 | |
-but it is from the whole Countryfile team. -Well, that is super. | 0:41:49 | 0:41:53 | |
Congratulations, John, | 0:41:53 | 0:41:54 | |
on reaching this incredible milestone on Countryfile. | 0:41:54 | 0:41:57 | |
Right, let's crack open the fizz. | 0:41:57 | 0:41:59 | |
When they said, "You're taking over from John", | 0:41:59 | 0:42:02 | |
that is the very definition of big shoes to fill. | 0:42:02 | 0:42:06 | |
Here's to another - whoa! Another 25 years! | 0:42:08 | 0:42:11 | |
Well... Not sure about THAT! | 0:42:11 | 0:42:14 | |
John, you are just a thoroughly, thoroughly wonderful man. | 0:42:14 | 0:42:18 | |
All that's left, John, is for you to say goodbye. | 0:42:18 | 0:42:20 | |
Right, well, I hope you've enjoyed my little trip down memory lane - | 0:42:20 | 0:42:24 | |
I certainly have - and see you again very soon, I hope. Bye for now. | 0:42:24 | 0:42:27 |