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A winning combination of world-class scenery, sands and surf. | 0:00:29 | 0:00:33 | |
Gower is the unspoilt jewel in South Wales' crown. | 0:00:33 | 0:00:37 | |
I'll be exploring and exploding these extraordinary sands. | 0:00:40 | 0:00:45 | |
Far, far across the sea, | 0:00:46 | 0:00:48 | |
the World Cup reaches its exciting finale tonight... | 0:00:48 | 0:00:51 | |
And I'm going to be going football crazy - with a difference. | 0:00:53 | 0:00:56 | |
Tom asks whether we're putting productivity over animal welfare... | 0:00:58 | 0:01:02 | |
Selective breeding to improve the next generation | 0:01:04 | 0:01:08 | |
has long been part of farming - | 0:01:08 | 0:01:10 | |
but is genetics pushing profitability now causing animals to suffer? | 0:01:10 | 0:01:16 | |
I'll be investigating. | 0:01:16 | 0:01:18 | |
..and Adam is counting sheep. | 0:01:19 | 0:01:21 | |
This is a bundle of washed British wool, | 0:01:22 | 0:01:24 | |
and wool is making a real comeback. | 0:01:24 | 0:01:27 | |
Here at this factory in Yorkshire, | 0:01:27 | 0:01:29 | |
it's a bit of a sleepy business. | 0:01:29 | 0:01:31 | |
Or is it? | 0:01:31 | 0:01:32 | |
The Gower peninsula - the extensive coastline of South Wales, | 0:01:41 | 0:01:45 | |
and the first designated Area of Outstanding Natural Beauty | 0:01:45 | 0:01:49 | |
in the UK. | 0:01:49 | 0:01:51 | |
With mile upon mile of stunning coastline... | 0:01:51 | 0:01:54 | |
..Gower stretches from the city of Swansea to Whiteford Point. | 0:01:56 | 0:01:59 | |
And here, on the edge of the Loughor estuary along Gower's north coast, | 0:02:02 | 0:02:07 | |
there is more sand than you can imagine. | 0:02:07 | 0:02:09 | |
The dune system here is changing rapidly, | 0:02:11 | 0:02:14 | |
and hundreds of species are now making this their home. | 0:02:14 | 0:02:18 | |
As a result, this area may soon become | 0:02:18 | 0:02:20 | |
one of the most significant environmental sites in Wales. | 0:02:20 | 0:02:24 | |
Sand dunes, by their very nature, are constantly evolving. | 0:02:26 | 0:02:30 | |
But the changes to this landscape have been more dramatic than most. | 0:02:30 | 0:02:34 | |
In recent years these dunes have completely transformed | 0:02:37 | 0:02:41 | |
this landscape by creating a new habitat - the freshwater slack. | 0:02:41 | 0:02:47 | |
Where we are now... | 0:02:47 | 0:02:49 | |
'Nick Edwards, from Natural Resources Wales, | 0:02:49 | 0:02:52 | |
'is here to tell me how this has happened.' | 0:02:52 | 0:02:55 | |
So, what we've got first off is a dune that's been formed | 0:02:55 | 0:02:59 | |
by sand that's come in. | 0:02:59 | 0:03:01 | |
Now, behind the dunes you've got an area called a slack. | 0:03:01 | 0:03:05 | |
During heavy rainfall, this thing floods. | 0:03:05 | 0:03:07 | |
And then, ephemerally, it'll disappear back down again | 0:03:07 | 0:03:11 | |
leaving this kind of humid, moist area. | 0:03:11 | 0:03:13 | |
We're talking about freshwater as opposed to saltwater | 0:03:13 | 0:03:16 | |
-that's coming in. -Yeah, absolutely. | 0:03:16 | 0:03:18 | |
So, these areas, now, the slacks, | 0:03:18 | 0:03:20 | |
are excellent habitats for pioneering species. | 0:03:20 | 0:03:23 | |
-Here we've got, like... -Like a tor system? -..a tor system | 0:03:23 | 0:03:28 | |
of calcareous limestone. | 0:03:28 | 0:03:31 | |
And what happens here is all the uplands, | 0:03:31 | 0:03:33 | |
which have been saturated with rain | 0:03:33 | 0:03:35 | |
over a period of months, weeks, whatever, | 0:03:35 | 0:03:38 | |
it filters down through the limestone | 0:03:38 | 0:03:41 | |
and comes and filters into the system. | 0:03:41 | 0:03:45 | |
Environmentally, this area down here, this is gold. | 0:03:45 | 0:03:48 | |
Absolutely, yeah. | 0:03:48 | 0:03:49 | |
Due to this natural phenomenon, | 0:03:53 | 0:03:55 | |
the slacks are regularly surveyed by students from Swansea University. | 0:03:55 | 0:03:59 | |
So, Dr Wendy, what are you looking for? | 0:04:01 | 0:04:04 | |
What's the whole point of this particular project? | 0:04:04 | 0:04:06 | |
We're actually looking at the different plant communities | 0:04:06 | 0:04:09 | |
within the slack habitats to try | 0:04:09 | 0:04:11 | |
and understand more about the relationship between the plants | 0:04:11 | 0:04:14 | |
that grow above the soil | 0:04:14 | 0:04:15 | |
and the microorganisms that grow below the soil. | 0:04:15 | 0:04:18 | |
So, what have you been discovering? | 0:04:18 | 0:04:20 | |
Here we've got the marsh helleborines, for example, there, | 0:04:20 | 0:04:24 | |
and the water mint, | 0:04:24 | 0:04:26 | |
which are examples of what would be present within a slack like this. | 0:04:26 | 0:04:30 | |
Someone who has seen the changes at these slacks first-hand | 0:04:34 | 0:04:38 | |
is local historian Randolph Jenkins, who has lived here all his life. | 0:04:38 | 0:04:42 | |
Randolph, what's your first memory of this place? | 0:04:44 | 0:04:47 | |
-Beach. -Beach? -A huge beach. -Uh-huh. | 0:04:47 | 0:04:51 | |
Even up to 1980. | 0:04:51 | 0:04:52 | |
You just came down the pathway 50 yards, perhaps, on the dunes, | 0:04:52 | 0:04:56 | |
and then straight into the beach. | 0:04:56 | 0:04:58 | |
-All of it. -I mean, there's still an incredible amount of sand. -Oh, yeah. | 0:04:58 | 0:05:02 | |
I can't imagine what that must have felt like for a young boy - | 0:05:02 | 0:05:05 | |
-it would have been even more! -It was paradise, wasn't it? | 0:05:05 | 0:05:07 | |
Because, you know, only local people were on the beach. | 0:05:07 | 0:05:10 | |
And it was our playground, really. | 0:05:10 | 0:05:12 | |
And when did you start to be aware of the change? | 0:05:12 | 0:05:17 | |
We'll, I think the beach has been changing for quite a while, | 0:05:17 | 0:05:20 | |
because Llanelli was quite a busy harbour, | 0:05:20 | 0:05:24 | |
and they always dredged the river channel. | 0:05:24 | 0:05:25 | |
We noticed, once they stopped dredging, the sand started moving. | 0:05:28 | 0:05:32 | |
-Right. -Of course it built up and built up. | 0:05:32 | 0:05:34 | |
It sort of blocked the sea coming in here, and developing this marshland. | 0:05:34 | 0:05:39 | |
It's an evolving ecology. | 0:05:39 | 0:05:42 | |
Any time we get a rough tide we go up for a walk | 0:05:42 | 0:05:44 | |
and you can see and more erosion. | 0:05:44 | 0:05:46 | |
But the landscape is key to this place, | 0:05:46 | 0:05:49 | |
and to be somewhere that's changing and evolving so quickly | 0:05:49 | 0:05:52 | |
must have been very interesting for you. | 0:05:52 | 0:05:54 | |
People come here for the beauty, for the flowers, for the beach. | 0:05:54 | 0:05:57 | |
You can come here on a bank holiday Monday | 0:05:57 | 0:05:59 | |
and there's only two or three people on the beach. | 0:05:59 | 0:06:02 | |
Not after this goes out on Countryfile. | 0:06:02 | 0:06:04 | |
No, you can't park a car here! | 0:06:04 | 0:06:06 | |
-It will remain precious. -Yes. | 0:06:07 | 0:06:09 | |
Don't say where it is. | 0:06:09 | 0:06:10 | |
Shh, don't tell anyone. | 0:06:10 | 0:06:12 | |
-No, no. -Come on. | 0:06:12 | 0:06:13 | |
Now, in modern farming, selective breeding is the key to productivity. | 0:06:16 | 0:06:20 | |
But is it also affecting the welfare of farm animals? | 0:06:20 | 0:06:24 | |
Tom's been investigating. | 0:06:24 | 0:06:26 | |
Since the early days of farming, we've been trying to improve | 0:06:30 | 0:06:34 | |
the productivity of our animals through breeding. | 0:06:34 | 0:06:37 | |
And after thousands of years, we've become rather good at it. | 0:06:39 | 0:06:43 | |
Selective breeding has made a huge difference | 0:06:43 | 0:06:46 | |
to food production and farming. | 0:06:46 | 0:06:48 | |
We have cows that produce more milk, lambs that produce more meat | 0:06:48 | 0:06:54 | |
and chickens that lay more eggs. | 0:06:54 | 0:06:56 | |
But in recent decades, there's concern that animal welfare | 0:06:56 | 0:07:00 | |
is paying the price for higher food production. | 0:07:00 | 0:07:03 | |
This RSPCA footage shows the dramatic difference | 0:07:04 | 0:07:07 | |
selective breeding can make | 0:07:07 | 0:07:09 | |
to the growth rate of a broiler - a chicken produced for meat - | 0:07:09 | 0:07:13 | |
compared to an egg-laying counterpart. | 0:07:13 | 0:07:16 | |
The footage may be over a decade old, | 0:07:16 | 0:07:18 | |
but the organisation says it's still very relevant today. | 0:07:18 | 0:07:22 | |
The campaign group Compassion In World Farming | 0:07:22 | 0:07:25 | |
shares the RSPCA's concerns. | 0:07:25 | 0:07:28 | |
-These are Friesians. -These are British Friesians. | 0:07:28 | 0:07:31 | |
British Friesians. | 0:07:31 | 0:07:32 | |
They're what we think of as the slightly more traditional | 0:07:32 | 0:07:35 | |
milking variety in this country. | 0:07:35 | 0:07:37 | |
Well, exactly. Yes. | 0:07:37 | 0:07:38 | |
Dil Peeling is a vet and the campaigns director at CIWF. | 0:07:38 | 0:07:44 | |
Because we've focused so much on productivity, | 0:07:44 | 0:07:47 | |
getting the milk out of them, getting the meat out of them, | 0:07:47 | 0:07:51 | |
it's had incredible collateral damage | 0:07:51 | 0:07:53 | |
on some of the animals that we've bred. | 0:07:53 | 0:07:55 | |
You get problems with lameness, you get problems with mastitis. | 0:07:55 | 0:07:59 | |
We select for bigger animals that grow faster. | 0:07:59 | 0:08:02 | |
Often the skeleton doesn't keep track with it - in many animals, | 0:08:02 | 0:08:05 | |
the heart doesn't keep track with it, either. | 0:08:05 | 0:08:07 | |
The concerns of Compassion In World Farming aren't confined to cattle. | 0:08:07 | 0:08:11 | |
It says similar issues are found in the mass production | 0:08:11 | 0:08:14 | |
of broiler chickens. | 0:08:14 | 0:08:16 | |
If you reduce the productivity of farm animals | 0:08:16 | 0:08:18 | |
by changing the breeding | 0:08:18 | 0:08:20 | |
then you end up with more expensive food for the customer. | 0:08:20 | 0:08:22 | |
What you're talking about is a race to the bottom. | 0:08:22 | 0:08:25 | |
You're talking about competition purely - purely - | 0:08:25 | 0:08:28 | |
on the grounds of price. | 0:08:28 | 0:08:29 | |
We have to compete on a global market in terms of quality. | 0:08:29 | 0:08:33 | |
And the welfare of the animals has to be a part of that quality. | 0:08:33 | 0:08:36 | |
Animal welfare charities are pushing for changes | 0:08:38 | 0:08:41 | |
in the breeding priorities of the industry | 0:08:41 | 0:08:44 | |
that would put health at the top of the agenda. | 0:08:44 | 0:08:47 | |
But how did we get to a place where selective breeding | 0:08:47 | 0:08:50 | |
can have a detrimental impact on the animal? | 0:08:50 | 0:08:52 | |
In simple terms, breeding is about passing on the qualities | 0:08:53 | 0:08:57 | |
from one generation and improving them in the next. | 0:08:57 | 0:09:00 | |
So, if you take Balfour, here, | 0:09:00 | 0:09:03 | |
he's got the genes that means he has no horns, | 0:09:03 | 0:09:05 | |
and that's good for farmworker safety. | 0:09:05 | 0:09:08 | |
Also, he's just a great beef breed - you can see it in his body shape, | 0:09:08 | 0:09:11 | |
and especially the back end. | 0:09:11 | 0:09:13 | |
What you can't tell that's also really important | 0:09:13 | 0:09:16 | |
is that any calf that he sires will be born easily. | 0:09:16 | 0:09:19 | |
Put him with the right mate and all those qualities will be enhanced. | 0:09:19 | 0:09:25 | |
Balfour is a Salers bull, one of the oldest European cattle breeds, | 0:09:25 | 0:09:30 | |
bred for milk and beef production. | 0:09:30 | 0:09:32 | |
Farmers have been selecting such positive traits in their animals | 0:09:32 | 0:09:36 | |
throughout history, | 0:09:36 | 0:09:37 | |
but after the Second World War the pace really picked up. | 0:09:37 | 0:09:41 | |
We needed to feed a growing population cheaply, | 0:09:41 | 0:09:44 | |
and the priority in breeding became productivity. | 0:09:44 | 0:09:47 | |
And this development has been fastest in the broiler industry, | 0:09:47 | 0:09:50 | |
where chickens are grown for their meat. | 0:09:50 | 0:09:53 | |
In the post-war period it took around a hundred days | 0:09:53 | 0:09:57 | |
for a typical chicken to reach its slaughter weight. | 0:09:57 | 0:10:00 | |
By the 1970s, that had shrunk to around 60 days | 0:10:00 | 0:10:03 | |
and today a chicken can be ready to eat in just 36 days. | 0:10:03 | 0:10:08 | |
Now diet has been part of the story, but the biggest single change | 0:10:08 | 0:10:14 | |
promoting their rapid growth has been improved breeding. | 0:10:14 | 0:10:18 | |
This footage was secretly filmed in a British broiler farm | 0:10:18 | 0:10:22 | |
by the charity Animal Aid in 2013. | 0:10:22 | 0:10:24 | |
It claims to show the problems selective breeding has caused | 0:10:24 | 0:10:29 | |
to the mobility of broiler chickens. | 0:10:29 | 0:10:31 | |
'Keith Warner has been a poultry vet for 16 years. | 0:10:33 | 0:10:36 | |
'He doesn't see any issues at the farm we're meeting at today, | 0:10:36 | 0:10:41 | |
'but during his career, he's seen for himself the problems | 0:10:41 | 0:10:44 | |
'broiler chickens have suffered due to rapid growth.' | 0:10:44 | 0:10:48 | |
Two major things that would happen would be in the legs. | 0:10:48 | 0:10:51 | |
So where these legs are nice and straight | 0:10:51 | 0:10:52 | |
-and run flat down alongside the bird... -Mm-hm. | 0:10:52 | 0:10:55 | |
..these legs might either come out sideways, such as this, | 0:10:55 | 0:10:58 | |
or the long bones, in fact, bend one way or the other, | 0:10:58 | 0:11:01 | |
because as the bone is developing, | 0:11:01 | 0:11:03 | |
the weight on the breast meat is too great for that bone density. | 0:11:03 | 0:11:07 | |
Is it comparable a bit to sort of asking an eight-year-old | 0:11:07 | 0:11:11 | |
-to carry a full grown human's body weight? -Sure. | 0:11:11 | 0:11:13 | |
The only thing that would happen is the heart and lungs would not | 0:11:13 | 0:11:16 | |
be able to keep up with the large body mass that had been created, | 0:11:16 | 0:11:19 | |
so that a proportion of individuals, | 0:11:19 | 0:11:22 | |
fluid would be produced within the bird | 0:11:22 | 0:11:25 | |
and that would settle out in the abdomen. | 0:11:25 | 0:11:27 | |
Those individuals that had those effects would either be | 0:11:27 | 0:11:30 | |
in pain with their legs or would struggle to breathe, as I mentioned, | 0:11:30 | 0:11:34 | |
with the fluid that was present. | 0:11:34 | 0:11:37 | |
'But over the course of his career, | 0:11:37 | 0:11:39 | |
'Keith says the industry has addressed these welfare issues. | 0:11:39 | 0:11:42 | |
'And he's not the only one who thinks the picture is improving.' | 0:11:42 | 0:11:47 | |
Many people in the farming industry insist that, overall, | 0:11:47 | 0:11:49 | |
selective breeding has been a force for good. | 0:11:49 | 0:11:52 | |
Later on, I'll be asking why they believe | 0:11:52 | 0:11:55 | |
high productivity and high welfare can go hand in hand. | 0:11:55 | 0:12:00 | |
The great Welsh poet Dylan Thomas was inspired | 0:12:08 | 0:12:12 | |
by Gower's beautiful landscape. | 0:12:12 | 0:12:14 | |
This overwhelming beauty has meant that other local wonders | 0:12:14 | 0:12:18 | |
and colourful characters are often overlooked. | 0:12:18 | 0:12:22 | |
But now modern technology is stepping in | 0:12:22 | 0:12:24 | |
and revealing some of Gower's hidden secrets. | 0:12:24 | 0:12:27 | |
Dan Boys with the Gower Landscape Partnership | 0:12:34 | 0:12:37 | |
has developed an interactive guide, | 0:12:37 | 0:12:39 | |
accessible on a mobile phone. | 0:12:39 | 0:12:42 | |
The heart of the app is a map and it moves along the trail | 0:12:43 | 0:12:46 | |
-as you walk along. -So it uses GPS? -That's it. | 0:12:46 | 0:12:49 | |
You've got images, you've got some text. | 0:12:49 | 0:12:51 | |
And you've got some audio as well. | 0:12:51 | 0:12:53 | |
So what are we sitting close to where we are now? | 0:12:53 | 0:12:56 | |
We're just a couple of hundred yards away from Vernon Watkins. | 0:12:56 | 0:12:59 | |
Vernon Watkins? So his place is just up there, looking at that. | 0:12:59 | 0:13:02 | |
-That's it. -Shall we go and take a look? -Yes, all right. | 0:13:02 | 0:13:05 | |
'Gower was also an inspiration for Welsh poet Vernon Watkins, | 0:13:05 | 0:13:10 | |
'the best friend and confidante of Dylan Thomas.' | 0:13:10 | 0:13:13 | |
To me, poetry is a waiting game... | 0:13:14 | 0:13:16 | |
..and for this for getting the poem right, er, | 0:13:17 | 0:13:21 | |
solitude, of course, is absolutely necessary. | 0:13:21 | 0:13:23 | |
-So this must be it here, then? -Yeah, here we are. | 0:13:27 | 0:13:30 | |
So why have you included Vernon Watkins on your app? | 0:13:30 | 0:13:33 | |
Vernon Watkins lived in this house with his wife and his five kids. | 0:13:33 | 0:13:37 | |
Dylan Thomas himself said "the most profound and greatly accomplished | 0:13:37 | 0:13:40 | |
"writer of poems in English", which is a pretty nice thing to say. | 0:13:40 | 0:13:43 | |
-Quite an accolade, isn't it? -Yeah, absolutely. | 0:13:43 | 0:13:45 | |
I want to find out more about this renowned poet who spent | 0:13:47 | 0:13:50 | |
the majority of his life living and writing on Gower. | 0:13:50 | 0:13:53 | |
Far more than a home to his family of five children and his wife Gwen, | 0:13:55 | 0:13:59 | |
the Gower Peninsula was an enduring muse for the Welsh wordsmith. | 0:13:59 | 0:14:03 | |
I suppose you can say it's like being married to someone | 0:14:04 | 0:14:08 | |
who all his life has had | 0:14:08 | 0:14:10 | |
a passionate love affair with another woman, | 0:14:10 | 0:14:12 | |
only it isn't a woman in this case, it's just the muse. | 0:14:12 | 0:14:15 | |
'Gwen still lives on Gower and she remembers just how important | 0:14:18 | 0:14:21 | |
'it was to her husband.' | 0:14:21 | 0:14:23 | |
In one of his poems, he has these lines - | 0:14:24 | 0:14:28 | |
"I that was born in Wales | 0:14:28 | 0:14:30 | |
"Cherish Heaven's dust in scales | 0:14:30 | 0:14:33 | |
"Which may at dusk be seen | 0:14:33 | 0:14:35 | |
"On every village green | 0:14:35 | 0:14:37 | |
"Where Tywi, Taff or Wye | 0:14:37 | 0:14:39 | |
"Through fields or woods goes by." | 0:14:39 | 0:14:41 | |
-Wonderful. -He loved...he loved Wales. He loved Gower especially. | 0:14:41 | 0:14:46 | |
After we were married, we lived in Swansea for a year | 0:14:46 | 0:14:49 | |
in a rented house. | 0:14:49 | 0:14:51 | |
And then one day, Vernon said, | 0:14:51 | 0:14:54 | |
"I've found a bungalow in Penarth," | 0:14:54 | 0:14:57 | |
where he had lived before. | 0:14:57 | 0:14:59 | |
"I think we could live there perhaps only temporarily," | 0:14:59 | 0:15:02 | |
but, of course, he lived there till he died | 0:15:02 | 0:15:05 | |
and it was terrible - it was a wooden bungalow | 0:15:05 | 0:15:07 | |
with no foundations, no running water, | 0:15:07 | 0:15:10 | |
and Vernon loved it. | 0:15:10 | 0:15:12 | |
He loved it passionately because when he opened his front door, | 0:15:12 | 0:15:16 | |
-there was the sea and Gower. -How wonderful. | 0:15:16 | 0:15:18 | |
There's one poem, in particular, Heron, that we'd love to see. | 0:15:18 | 0:15:23 | |
Yes, below Penarth Castle, there's a beautiful little estuary. | 0:15:23 | 0:15:27 | |
And the heron waited there for the tide to come rushing in, | 0:15:27 | 0:15:31 | |
but the heron in this poem is also a type of the poet, | 0:15:31 | 0:15:35 | |
who, whatever is going on round him, | 0:15:35 | 0:15:37 | |
chaos and struggling and noise, | 0:15:37 | 0:15:40 | |
is waiting for the right word in the poem. | 0:15:40 | 0:15:44 | |
"The cloud-backed heron will not move | 0:15:49 | 0:15:52 | |
"He stares into the stream | 0:15:52 | 0:15:54 | |
"He stands unfaltering while the gulls and oyster-catchers scream | 0:15:54 | 0:15:58 | |
"He does not hear, he cannot see The great white horses of the sea | 0:15:58 | 0:16:03 | |
"But fixes eyes on stillness Below their flying team." | 0:16:03 | 0:16:09 | |
Vernon Watkins and Dylan Thomas were very different characters, | 0:16:12 | 0:16:16 | |
but formed an unlikely friendship, | 0:16:16 | 0:16:18 | |
drawn together by their passion for poetry. | 0:16:18 | 0:16:21 | |
I don't think either of them had ever had another relationship | 0:16:23 | 0:16:26 | |
in which the great thing that they lived for, | 0:16:26 | 0:16:31 | |
getting a poem right, could be discussed between them endlessly. | 0:16:31 | 0:16:35 | |
They were quite different poets in a way, but he thought | 0:16:35 | 0:16:40 | |
that he and Dylan would live like Yeats | 0:16:40 | 0:16:42 | |
into old age, writing more and more beautiful poems | 0:16:42 | 0:16:46 | |
and, of course, it didn't happen with either of them. | 0:16:46 | 0:16:48 | |
But he had a strong connection with Gower right to the end? | 0:16:48 | 0:16:52 | |
Oh, tremendously so, yes, very passionate connection. | 0:16:52 | 0:16:56 | |
It was the love of his heart, I think. | 0:16:56 | 0:16:58 | |
Trying to capture the essence of Gower for their poetry | 0:17:00 | 0:17:03 | |
brought Thomas and Watkins together | 0:17:03 | 0:17:05 | |
and their words will mean these two friends are never forgotten. | 0:17:05 | 0:17:09 | |
Whiteford Burrows, north Gower - | 0:17:15 | 0:17:17 | |
an ever-changing landscape of salt marsh and tidal ditches, | 0:17:17 | 0:17:21 | |
which lends itself perfectly as a feeding ground | 0:17:21 | 0:17:25 | |
for a wide variety of birds. | 0:17:25 | 0:17:26 | |
And it's also home to the native Welsh mountain pony. | 0:17:31 | 0:17:36 | |
Now since before Roman times, | 0:17:36 | 0:17:37 | |
these ponies have made this place their own. | 0:17:37 | 0:17:40 | |
These hardy and intelligent ponies graze on the salt marshland | 0:17:43 | 0:17:47 | |
and in doing so, are also helping the environment. | 0:17:47 | 0:17:50 | |
The mosaic pattern that you see here is down to the pony | 0:17:51 | 0:17:54 | |
grazing at different levels, creating a variety of habitats | 0:17:54 | 0:17:58 | |
for birds and butterflies, but it's not just the marshland | 0:17:58 | 0:18:01 | |
that the ponies enjoy. | 0:18:01 | 0:18:03 | |
As you can see here, they also spend quite a bit of time | 0:18:03 | 0:18:07 | |
up in the sand dunes. | 0:18:07 | 0:18:08 | |
'Peter Morgan had been monitoring these semi-feral ponies | 0:18:14 | 0:18:18 | |
'for 13 years.' | 0:18:18 | 0:18:20 | |
So, Peter, when you obviously hear the name "Welsh mountain", | 0:18:22 | 0:18:25 | |
-you think altitude... -Yes. | 0:18:25 | 0:18:27 | |
Here we are at sea level, Peter - why are they here? | 0:18:27 | 0:18:30 | |
They've adapted to live on this type of environment and they've... | 0:18:30 | 0:18:34 | |
they've coped very, very well with it. | 0:18:34 | 0:18:36 | |
The quality of the grass and the herbs that they've got | 0:18:36 | 0:18:39 | |
-means that they can graze quite happily all year round. -Yeah. | 0:18:39 | 0:18:44 | |
They've got quite a lot of space to be able to graze. | 0:18:44 | 0:18:47 | |
-How much space? -There's about 4,000 acres in total | 0:18:47 | 0:18:50 | |
-from one end of the marsh to the other. -Mm-hm. | 0:18:50 | 0:18:53 | |
They've got so much space that they're able to, you know, | 0:18:53 | 0:18:56 | |
be quite fit and active and I think it's that healthy lifestyle | 0:18:56 | 0:19:00 | |
-that probably suits them very well. -Yeah. | 0:19:00 | 0:19:02 | |
Well, let's wander round there, see if we can get a little bit closer. | 0:19:02 | 0:19:05 | |
We obviously don't want to spook them too much. | 0:19:05 | 0:19:07 | |
-Oh, I can see a little foal just popping up there. -That's right. | 0:19:09 | 0:19:12 | |
Beautiful. So what's the story with this little herd here? | 0:19:12 | 0:19:14 | |
That small bunch have been holding in this area for about two weeks. | 0:19:14 | 0:19:19 | |
-Right. -That foal is about eight weeks old. -Uh-huh. | 0:19:19 | 0:19:22 | |
We try to breed to the highest standards | 0:19:22 | 0:19:25 | |
by using registered stallions | 0:19:25 | 0:19:26 | |
which are put to registered mares, | 0:19:26 | 0:19:29 | |
so the offspring are all pedigree ponies. | 0:19:29 | 0:19:32 | |
That, obviously, allows us to have an opportunity to sell the stock. | 0:19:32 | 0:19:36 | |
They can be used for riding, driving, they're very intelligent. | 0:19:36 | 0:19:41 | |
They're very easy to train, they make ideal children's ponies as well. | 0:19:41 | 0:19:46 | |
And you have a fine example | 0:19:46 | 0:19:47 | |
-and your boys are just up the road, aren't they? -They are, | 0:19:47 | 0:19:51 | |
and hopefully, you'll be able to have a quick look at our stallion. | 0:19:51 | 0:19:54 | |
-Have a look. -Certainly. -We'll leave these to it. Come on. Let's go. | 0:19:54 | 0:19:57 | |
Peter's sons will be the fifth generation of the family | 0:20:01 | 0:20:03 | |
to look after these ponies. | 0:20:03 | 0:20:05 | |
What a beautiful sight. | 0:20:07 | 0:20:09 | |
Goodness me. You've got 20 of these, I saw, at home. | 0:20:09 | 0:20:12 | |
-What do you do to help out? -Erm...muck out... | 0:20:12 | 0:20:16 | |
-Good lad. -..and train. -Good. | 0:20:16 | 0:20:18 | |
Very good. And I understand he's into a bit of driving. | 0:20:18 | 0:20:21 | |
Yes. | 0:20:21 | 0:20:23 | |
That's what we're hoping to do. | 0:20:23 | 0:20:24 | |
So, yes, introduce us to this fine Welsh mountain. | 0:20:24 | 0:20:29 | |
This is Blini Fisher, | 0:20:29 | 0:20:31 | |
a four-year-old registered Section A stallion, and he's our stud stallion. | 0:20:31 | 0:20:36 | |
He's an example of Welsh mountain ponies. | 0:20:36 | 0:20:40 | |
-They're very pretty and very photogenic. -Yes. | 0:20:40 | 0:20:42 | |
And in the past they've been used, obviously, down the mines. | 0:20:42 | 0:20:45 | |
But they've also been used to pull little carts back | 0:20:45 | 0:20:48 | |
and forth before people had cars or bikes. | 0:20:48 | 0:20:54 | |
A horse and tram was the way that they got around, | 0:20:54 | 0:20:56 | |
and these were quite a pretty sight to see flying down the road. | 0:20:56 | 0:21:00 | |
Well, listen... You are a fine example, yeah? | 0:21:00 | 0:21:04 | |
And you keep going, my friend, yes? | 0:21:04 | 0:21:06 | |
Fifth generation, the pair of you. | 0:21:06 | 0:21:07 | |
-Are you going to keep this thing going? -Yes. -Of course you are. | 0:21:07 | 0:21:11 | |
The Countryfile photographic competition is now under way. | 0:21:16 | 0:21:20 | |
This year we've got two new judges - | 0:21:20 | 0:21:22 | |
Comedian and bird lover Bill Bailey | 0:21:22 | 0:21:24 | |
and zoologist and TV presenter Charlotte Uhlenbroek. | 0:21:24 | 0:21:28 | |
And we've got a brand-new topic for your photos - animal magic. | 0:21:28 | 0:21:32 | |
The theme of animal magic is wide open to your own interpretations, | 0:21:32 | 0:21:37 | |
but entries must feature either farm or wild animals, | 0:21:37 | 0:21:41 | |
preferably in a rural setting. | 0:21:41 | 0:21:43 | |
Pictures of pets are not eligible for our competition, nor are zoo animals, | 0:21:45 | 0:21:49 | |
and any images of British wildlife in captivity must be declared as such. | 0:21:49 | 0:21:54 | |
The best 12 photographs selected by the judges will take | 0:21:56 | 0:21:59 | |
pride of place in the Countryfile calendar for 2015, | 0:21:59 | 0:22:03 | |
one for each month. | 0:22:03 | 0:22:04 | |
As always, we'll have an overall winner | 0:22:05 | 0:22:08 | |
voted for by Countryfile viewers. | 0:22:08 | 0:22:10 | |
Their picture will grace the cover of the 2015 calendar, | 0:22:10 | 0:22:14 | |
which we'll sell in aid of BBC Children In Need. | 0:22:14 | 0:22:16 | |
CAMERA CLICKS | 0:22:18 | 0:22:19 | |
To enter the competition, please write your name, address | 0:22:19 | 0:22:22 | |
and a daytime and evening | 0:22:22 | 0:22:24 | |
phone number on the back of each | 0:22:24 | 0:22:26 | |
photo with a note of | 0:22:26 | 0:22:27 | |
where it was taken. | 0:22:27 | 0:22:28 | |
Then send your entries to... | 0:22:28 | 0:22:30 | |
It's not open to professionals. | 0:22:41 | 0:22:42 | |
And because we're looking for something original, | 0:22:42 | 0:22:45 | |
your entries must not have won other national competitions. | 0:22:45 | 0:22:49 | |
You can send in up to three photos, | 0:22:49 | 0:22:50 | |
but they must have been taken in the UK. | 0:22:50 | 0:22:52 | |
And remember, we want hard copies, not e-mailed or computer files. | 0:22:52 | 0:22:56 | |
And I'm sorry, but we can't return any entries. | 0:22:56 | 0:23:00 | |
Please read the full terms and conditions on our website, | 0:23:01 | 0:23:04 | |
and you'll find the BBC's code of conduct | 0:23:04 | 0:23:07 | |
for competitions there as well. | 0:23:07 | 0:23:09 | |
The competition closes at midnight on Friday the 25th of July. | 0:23:09 | 0:23:14 | |
That means you've got just two weeks to get your entries in, | 0:23:14 | 0:23:18 | |
so why not go out and capture some animal magic? | 0:23:18 | 0:23:21 | |
Now, as we've heard, selective breeding has dramatically | 0:23:25 | 0:23:29 | |
increased the productivity of farm animals, | 0:23:29 | 0:23:31 | |
but has it also damaged their welfare? Here's Tom. | 0:23:31 | 0:23:34 | |
We've been using selective breeding to get more from our farm | 0:23:36 | 0:23:39 | |
animals for thousands of years | 0:23:39 | 0:23:41 | |
and, since the Second World War, | 0:23:41 | 0:23:43 | |
we've seen the most dramatic rise in productivity. | 0:23:43 | 0:23:46 | |
But the drive to feed a growing population with cheaper food | 0:23:46 | 0:23:50 | |
has led to real concerns on the impact on the health of farm animals. | 0:23:50 | 0:23:54 | |
But many in the industry say the days of breeding solely for efficiency | 0:23:54 | 0:23:59 | |
and output are behind us, | 0:23:59 | 0:24:03 | |
claiming that today health and welfare are high priorities. | 0:24:03 | 0:24:07 | |
So, has the problem been solved? | 0:24:07 | 0:24:10 | |
I'm meeting vet Keith Warner on a broiler farm, | 0:24:10 | 0:24:13 | |
which produces chicken for meat under standards laid out by both | 0:24:13 | 0:24:16 | |
the Red Tractor assurance scheme and the RSPCA's Freedom Foods label. | 0:24:16 | 0:24:22 | |
Earlier, he described some of the problems he's seen in the past, | 0:24:22 | 0:24:26 | |
but he feels, in the last decade, | 0:24:26 | 0:24:28 | |
there's been a clear change for the better. | 0:24:28 | 0:24:31 | |
What genetic improvements have you seen in the recent years? | 0:24:31 | 0:24:34 | |
In the recent years, the genetic improvements have | 0:24:34 | 0:24:36 | |
driven down the route of improved performance, | 0:24:36 | 0:24:39 | |
so that greater efficiency is achieved out of the animals, | 0:24:39 | 0:24:42 | |
so that there's less of the world's resources used to produce | 0:24:42 | 0:24:45 | |
each kilogram of meat that we eventually eat. | 0:24:45 | 0:24:47 | |
And alongside that, the same genetic drive has been put into welfare | 0:24:47 | 0:24:51 | |
issues, such as the heart fitness, the lung fitness | 0:24:51 | 0:24:54 | |
and the leg fitness of these birds. | 0:24:54 | 0:24:56 | |
So, today, the breeding programs use greater technology. | 0:24:56 | 0:25:01 | |
They use x-ray technology in legs, | 0:25:01 | 0:25:02 | |
they use specific oxygen monitoring technology in the blood | 0:25:02 | 0:25:07 | |
to check that the birds that they're choosing to breed from, | 0:25:07 | 0:25:10 | |
going forward, still give fitness. | 0:25:10 | 0:25:12 | |
Keith's views on the improvement of broiler welfare | 0:25:14 | 0:25:17 | |
are echoed by the National Farmers' Union, | 0:25:17 | 0:25:19 | |
which thinks that the health of animals bred for efficiency | 0:25:19 | 0:25:23 | |
has increased in recent years. | 0:25:23 | 0:25:25 | |
Minette Batters is the Union's deputy president. | 0:25:25 | 0:25:29 | |
How have the priorities in selective breeding changed? | 0:25:29 | 0:25:33 | |
I think we've progressed enormously. | 0:25:33 | 0:25:35 | |
You know, we've followed the science. | 0:25:35 | 0:25:37 | |
The science is far more available now. | 0:25:37 | 0:25:39 | |
Obviously, that continues to change, but it's in our interest | 0:25:39 | 0:25:43 | |
to work with that. | 0:25:43 | 0:25:44 | |
We now have mobility scoring for dairy cows. | 0:25:44 | 0:25:48 | |
We have condition scoring. | 0:25:48 | 0:25:50 | |
Part of your assurance is that you have a full health plan that | 0:25:50 | 0:25:54 | |
you discuss with your vet every year. | 0:25:54 | 0:25:56 | |
But would you accept there has been a bit of a progression here? | 0:25:56 | 0:25:59 | |
That maybe ten or 20 years ago, productivity was more the key. | 0:25:59 | 0:26:02 | |
People realised there were some downsides in that | 0:26:02 | 0:26:04 | |
and now need to breed in other traits, too. | 0:26:04 | 0:26:07 | |
I think I really good example of that is with your average dairy cow. | 0:26:07 | 0:26:10 | |
Ten years ago, it was producing 6,500 litres per annum. | 0:26:10 | 0:26:14 | |
Now, with higher welfare controls through Farm Assurance, | 0:26:14 | 0:26:19 | |
they're producing 1,000 litres more - up to 7,500 litres. | 0:26:19 | 0:26:22 | |
So there you've got very clear evidence that, actually, | 0:26:22 | 0:26:25 | |
welfare is really key to good production. | 0:26:25 | 0:26:28 | |
Many people we've spoken to | 0:26:28 | 0:26:30 | |
do believe the industry has turned a corner. | 0:26:30 | 0:26:32 | |
The RSPCA says that the situation is starting to improve, | 0:26:32 | 0:26:36 | |
but feels that welfare is still a very real concern, | 0:26:36 | 0:26:40 | |
especially amongst broiler chickens. | 0:26:40 | 0:26:42 | |
Compassion World Farming too thinks the problems are far from resolved. | 0:26:42 | 0:26:47 | |
So how current do you think the issues are today with | 0:26:47 | 0:26:51 | |
-overbreeding in our farm animals? -Oh, current and getting worse. | 0:26:51 | 0:26:55 | |
That the language is still of increasing milk yields even further. | 0:26:55 | 0:26:59 | |
The language is still of increasing food conversion efficiency, | 0:26:59 | 0:27:02 | |
getting more meat, getting bigger animals in there. | 0:27:02 | 0:27:05 | |
It's no good to us. It's no good to the animals. | 0:27:05 | 0:27:07 | |
At the moment, if the breeding sector is saying, | 0:27:07 | 0:27:10 | |
"Don't worry, we're breeding for robustness. | 0:27:10 | 0:27:12 | |
"Everything is going to be OK." | 0:27:12 | 0:27:13 | |
When, in fact, their targets are far, | 0:27:13 | 0:27:16 | |
far short of what's necessary to reform this industry, | 0:27:16 | 0:27:19 | |
then I have very grave concerns about the nature of farming. | 0:27:19 | 0:27:23 | |
So the question remains - can we square productivity | 0:27:23 | 0:27:27 | |
and profit with better animal welfare? | 0:27:27 | 0:27:30 | |
Well, within the industry, | 0:27:30 | 0:27:31 | |
there are organisations working to do just that. | 0:27:31 | 0:27:34 | |
The Food Animal Initiative is a commercial research centre working | 0:27:35 | 0:27:39 | |
to breed animals that are both economically viable and healthier. | 0:27:39 | 0:27:43 | |
On its farm in Oxford, | 0:27:43 | 0:27:44 | |
they're running a selective breeding project with broiler chickens. | 0:27:44 | 0:27:48 | |
She's quite even in her stride. | 0:27:49 | 0:27:51 | |
She's not quite picking up her feet fully, | 0:27:51 | 0:27:53 | |
but that might just be the way she's... | 0:27:53 | 0:27:56 | |
going around the terrain. | 0:27:56 | 0:27:57 | |
So he's curling his toes nicely. | 0:27:57 | 0:28:00 | |
Research scientists Annie Rainer and Carly Scott are conducting the study. | 0:28:00 | 0:28:04 | |
It may look like she's just trying to sneak up behind a chicken, | 0:28:06 | 0:28:09 | |
but there is serious science going on here for the welfare of the birds | 0:28:09 | 0:28:12 | |
and it's all about how they walk. | 0:28:12 | 0:28:14 | |
'The researchers are studying the chicken's gait | 0:28:15 | 0:28:19 | |
'for potential leg problems.' | 0:28:19 | 0:28:21 | |
-So how are they looking, generally, the birds? -They're walking well. | 0:28:21 | 0:28:24 | |
There's a few concerns with the way the cockerels are striding out. | 0:28:24 | 0:28:29 | |
They're a little uneven on their striding. | 0:28:29 | 0:28:32 | |
Why is the way they walk important? | 0:28:32 | 0:28:34 | |
Well, birds need to navigate their environment. | 0:28:34 | 0:28:37 | |
They need to be free from pain. | 0:28:37 | 0:28:39 | |
They need to be able to go about, eat, drink and get to all their resources. | 0:28:39 | 0:28:43 | |
So, for us, walking ability is really key to their welfare | 0:28:43 | 0:28:47 | |
and what we really strongly select on. | 0:28:47 | 0:28:51 | |
The initiative includes a range of animals in its experimental breeding. | 0:28:51 | 0:28:55 | |
Claire Smith is the program manager. | 0:28:55 | 0:28:58 | |
These are New Zealand Suffolk. | 0:28:58 | 0:29:00 | |
These have a much narrower head, which means, at lambing time, | 0:29:00 | 0:29:03 | |
it's much easier for the ewe to push the lamb out. | 0:29:03 | 0:29:06 | |
How are we doing on balance? | 0:29:06 | 0:29:07 | |
Can we really have high productivity and high welfare? | 0:29:07 | 0:29:11 | |
Yeah, I definitely think that's where we can get to. | 0:29:11 | 0:29:13 | |
You can get there, can you? | 0:29:13 | 0:29:14 | |
It's not just a sort of dream of having your cake and eating it? | 0:29:14 | 0:29:17 | |
No, no, definitely not. It's just that, maybe in the past, we've... | 0:29:17 | 0:29:20 | |
We've focused slightly too much on some of the production traits, | 0:29:20 | 0:29:23 | |
but it's just a case of changing our selection criteria to | 0:29:23 | 0:29:26 | |
head in a slightly different direction. | 0:29:26 | 0:29:28 | |
It's clear the industry is currently taking steps to improve | 0:29:28 | 0:29:32 | |
the health of selectively bred farm animals, | 0:29:32 | 0:29:36 | |
but many welfare groups believe productivity | 0:29:36 | 0:29:39 | |
is still the main motivation. | 0:29:39 | 0:29:41 | |
For them, the industry may have turned a corner, | 0:29:41 | 0:29:44 | |
but it's got a long way to go yet. | 0:29:44 | 0:29:46 | |
These stretching white sands, beautiful bays | 0:29:49 | 0:29:52 | |
and rugged hilltops make Gower the perfect haven for any naturalist, | 0:29:52 | 0:29:58 | |
walker or sea lover. | 0:29:58 | 0:29:59 | |
But the peaceful Whiteford Sands, here in North Gower, | 0:30:03 | 0:30:06 | |
are significant in more ways than one. | 0:30:06 | 0:30:09 | |
A 3,000-acre nature reserve and site of special scientific research, | 0:30:14 | 0:30:20 | |
Whiteford Sands is a perfect habitat for flora, marine life and birds. | 0:30:20 | 0:30:25 | |
But not all is quite as it seems. | 0:30:27 | 0:30:30 | |
There is something lurking beneath these beautiful sands that's | 0:30:32 | 0:30:36 | |
enough to make you jump to the Welsh mountains. | 0:30:36 | 0:30:40 | |
And normally, you see us Countryfilers walking around | 0:30:40 | 0:30:42 | |
with Ordnance Survey maps. | 0:30:42 | 0:30:44 | |
Well, today, I'm concentrating on a very different type of ordnance. | 0:30:44 | 0:30:48 | |
Yup, I'm going in search... | 0:30:50 | 0:30:53 | |
of bombs. | 0:30:53 | 0:30:54 | |
Whiteford Sands have a very interesting history indeed. | 0:30:57 | 0:31:00 | |
-Oli. -Good morning, Matt. -You all right? | 0:31:00 | 0:31:04 | |
'And here to tell me more is lieutenant commander Oli Alexander | 0:31:04 | 0:31:07 | |
'of the Royal Navy's Southern Diving Group.' | 0:31:07 | 0:31:09 | |
Just going through the plan, then, for today, | 0:31:11 | 0:31:13 | |
what's going to be happening? | 0:31:13 | 0:31:14 | |
Yeah, we are here, really, to conduct a clearance | 0:31:14 | 0:31:16 | |
operation of historic explosive ordinance, which is on this beach. | 0:31:16 | 0:31:19 | |
And that ordinance, why is it here? | 0:31:19 | 0:31:21 | |
What went on here, historically? | 0:31:21 | 0:31:22 | |
Yeah, you wouldn't have expected it, but during the Second World War, | 0:31:22 | 0:31:25 | |
the Ministry of Suppliers, as it was then, was keen to develop | 0:31:25 | 0:31:29 | |
technically advanced weapons to gain advantage over the enemy. | 0:31:29 | 0:31:33 | |
And this area, going several miles back up the estuary, | 0:31:33 | 0:31:36 | |
was used as a testing range for those weapons | 0:31:36 | 0:31:39 | |
and the beach in front of us was the impact area. | 0:31:39 | 0:31:42 | |
A lot of the munitions at the time, hundreds of thousands, | 0:31:42 | 0:31:44 | |
functioned correctly and the scrap was removed. | 0:31:44 | 0:31:46 | |
But of course, every now and again, | 0:31:46 | 0:31:48 | |
one wouldn't have functioned and remains buried. | 0:31:48 | 0:31:50 | |
So, what we're going to do today is try | 0:31:51 | 0:31:54 | |
and find a reported unexploded bomb. | 0:31:54 | 0:31:57 | |
It's being located | 0:31:58 | 0:31:59 | |
by the Explosive Ordinance Clearance Team from the MoD. | 0:31:59 | 0:32:02 | |
They come here in advance of us | 0:32:04 | 0:32:06 | |
and tow a magnetometer around, up and down the beach, behind a vehicle. | 0:32:06 | 0:32:10 | |
That then pinpoints ferrous or metallic content below the beach, | 0:32:10 | 0:32:14 | |
which is then analysed by geophysicists | 0:32:14 | 0:32:16 | |
back at their headquarters. | 0:32:16 | 0:32:18 | |
That then is put into a GPS position. | 0:32:18 | 0:32:21 | |
We then come out here with them to locate. | 0:32:21 | 0:32:23 | |
-And that is where... -That's... | 0:32:24 | 0:32:27 | |
'The bottom line is they've found a suspected bomb | 0:32:27 | 0:32:30 | |
'and now they need to pinpoint exactly what and where it is | 0:32:30 | 0:32:34 | |
'using a GPS system.' | 0:32:34 | 0:32:36 | |
This is the arrow and it's pointing in the direction | 0:32:36 | 0:32:39 | |
you need to walk in. You've got your north arrow there, | 0:32:39 | 0:32:41 | |
so if you have that lined up with north, and you've got 158m to walk. | 0:32:41 | 0:32:45 | |
-OK. -And then that should get you within a very | 0:32:45 | 0:32:48 | |
close range of the target. | 0:32:48 | 0:32:50 | |
And you're saying you want me to put this on and go and find this thing? | 0:32:50 | 0:32:53 | |
-Yeah, I think you can do this for us? -What's this bit, here? | 0:32:53 | 0:32:55 | |
This is the aerial, which is connected to our base station, | 0:32:55 | 0:32:58 | |
which is up on the dunes. | 0:32:58 | 0:33:00 | |
So the base station is basically just picking up all | 0:33:00 | 0:33:02 | |
the satellites in the area. | 0:33:02 | 0:33:03 | |
-OK. And that's me, is it? -You'll need those. | 0:33:03 | 0:33:05 | |
They're the marker flags for when you're stood in the right position. | 0:33:05 | 0:33:09 | |
-All right, then. -OK? -Yeah, good. | 0:33:09 | 0:33:11 | |
Well, listen, it's been lovely to have met you both. | 0:33:11 | 0:33:14 | |
THEY LAUGH We'll come with you. | 0:33:14 | 0:33:16 | |
I just want to tell my wife and children how much I love them. | 0:33:16 | 0:33:18 | |
Right, OK, on we go. | 0:33:18 | 0:33:20 | |
'Joking aside, it takes months of training and years of experience | 0:33:23 | 0:33:26 | |
'to become a bomb disposal operator.' | 0:33:26 | 0:33:29 | |
OK, we've got 114m to go. | 0:33:30 | 0:33:33 | |
'But Oli has assured me, with their guidance, | 0:33:33 | 0:33:36 | |
'this part of the process is safe.' | 0:33:36 | 0:33:38 | |
We've got 23m to go. | 0:33:41 | 0:33:44 | |
It's over this way. | 0:33:44 | 0:33:45 | |
We're getting very warm now. | 0:33:50 | 0:33:53 | |
Oh, I've got a cross. | 0:33:54 | 0:33:56 | |
Well, I am stood now directly above | 0:34:00 | 0:34:03 | |
the very thing that we're looking for. | 0:34:03 | 0:34:05 | |
Who knows whether or not it's explosive or not - | 0:34:05 | 0:34:08 | |
we'll find out very shortly. So... | 0:34:08 | 0:34:10 | |
HE LAUGHS NERVOUSLY | 0:34:10 | 0:34:11 | |
..with caution, I'm going to put this... | 0:34:11 | 0:34:15 | |
into the sand, and that'll do there. | 0:34:15 | 0:34:18 | |
'But before we delve into these sands any further, | 0:34:18 | 0:34:20 | |
'we're going to leave you in suspense | 0:34:20 | 0:34:22 | |
'for just a few more minutes. | 0:34:22 | 0:34:24 | |
'Later, I'll be resorting to explosive means to find out | 0:34:24 | 0:34:27 | |
'just what lurks beneath this beach in North Gower.' | 0:34:27 | 0:34:30 | |
Farming has shaped, and continues to shape, our lives. | 0:34:35 | 0:34:38 | |
And as Adam knows well, | 0:34:38 | 0:34:40 | |
there's one thing that's had more impact than most. | 0:34:40 | 0:34:43 | |
The humble sheep. | 0:34:49 | 0:34:50 | |
From the valleys to the mountains, | 0:34:50 | 0:34:52 | |
it's shaped our countryside for centuries. | 0:34:52 | 0:34:55 | |
They've provided us with milk, meat and wool for thousands of years. | 0:34:58 | 0:35:02 | |
In fact, you could say that they're man's best friend. | 0:35:02 | 0:35:04 | |
Well, apart from our other best friend. | 0:35:04 | 0:35:07 | |
And it's believed that sheep production | 0:35:07 | 0:35:10 | |
is our oldest organised industry. | 0:35:10 | 0:35:12 | |
And although providing us with meat is very useful, | 0:35:12 | 0:35:15 | |
it's wool that has really provided us with riches. | 0:35:15 | 0:35:17 | |
Town, cities and even countries were built on the wealth from wool. | 0:35:25 | 0:35:29 | |
And that's especially true of this wonderful sheep, the Cotswold, | 0:35:29 | 0:35:34 | |
that named the Cotswold hills because a sheep cot is an enclosure | 0:35:34 | 0:35:37 | |
and a wold is a rolling hill, | 0:35:37 | 0:35:39 | |
so there were thousands of these sheep on the Cotswolds at one time. | 0:35:39 | 0:35:42 | |
It's believed that these long wool breeds may have been | 0:35:42 | 0:35:45 | |
introduced by the Romans into the country. | 0:35:45 | 0:35:47 | |
And then, as farmers, we kept them and developed them, | 0:35:47 | 0:35:50 | |
specifically for their wool. | 0:35:50 | 0:35:51 | |
And the Cotswold has this golden fleece, | 0:35:51 | 0:35:54 | |
partly because of its colour and its lustre, | 0:35:54 | 0:35:57 | |
but golden also because of its value. | 0:35:57 | 0:36:00 | |
And it's a beautiful big sheep with wool all over its body, | 0:36:00 | 0:36:04 | |
even down its face. | 0:36:04 | 0:36:06 | |
Great creatures. | 0:36:06 | 0:36:08 | |
These are some of our primitive breeds, | 0:36:08 | 0:36:11 | |
but the most ancient is this - the Soay. | 0:36:11 | 0:36:14 | |
It's thought to have been around for something like six million years, | 0:36:14 | 0:36:19 | |
and it lived on Soay and Hirta and St Kilda in the Outer Hebrides. | 0:36:19 | 0:36:24 | |
A tiny little breed. | 0:36:24 | 0:36:25 | |
This is a fully grown ram | 0:36:25 | 0:36:27 | |
and their fleece is a mixture of kemp hair and finer wool. | 0:36:27 | 0:36:32 | |
And sheep would have naturally moulted because they live | 0:36:32 | 0:36:35 | |
in a temperate climate, so it's hot in the summer and cold in the winter. | 0:36:35 | 0:36:39 | |
And what the farmers or crofters would have done is rood the fleece. | 0:36:39 | 0:36:42 | |
The old fleece naturally breaks away from the new, | 0:36:42 | 0:36:46 | |
and they would have plucked the wool | 0:36:46 | 0:36:48 | |
from then rather than having to shear them. | 0:36:48 | 0:36:51 | |
And then over years, we then bred from sheep that hung | 0:36:51 | 0:36:54 | |
onto their wool, so now they have to be shorn. | 0:36:54 | 0:36:57 | |
So this is a Texel. | 0:36:57 | 0:36:59 | |
This breed of sheep has been developed over the years, | 0:36:59 | 0:37:02 | |
primarily for meat production. | 0:37:02 | 0:37:04 | |
You can look at her physique to see that. | 0:37:04 | 0:37:06 | |
Big back end, big shoulders, big loin. | 0:37:06 | 0:37:08 | |
And we've moved away from the wool breeds like the Cotswold, | 0:37:08 | 0:37:12 | |
because wool fell into decline, and then concentrated on meat. | 0:37:12 | 0:37:15 | |
But we didn't ignore the fleeces. | 0:37:15 | 0:37:17 | |
We kept the white wool, so it can be dyed any colour. | 0:37:17 | 0:37:21 | |
And it's reasonably fine, so it can be used in carpets and in knitwear. | 0:37:21 | 0:37:26 | |
But, of course, you can't pluck it. | 0:37:26 | 0:37:27 | |
You can't roo a fleece like this any more. | 0:37:27 | 0:37:29 | |
We've bred sheep to hang on to their wool, | 0:37:29 | 0:37:31 | |
so they have to be shorn, now by a machine. | 0:37:31 | 0:37:34 | |
TRIMMER BUZZES | 0:37:34 | 0:37:37 | |
Sheep farmers up and down the country, | 0:37:44 | 0:37:46 | |
at this time of year, are busy shearing. | 0:37:46 | 0:37:49 | |
Sheep are getting hot in all the warm weather with this heavy | 0:37:49 | 0:37:52 | |
fleece on their back and it has to come off, really for welfare grounds. | 0:37:52 | 0:37:55 | |
It can get quite mucky at times, | 0:37:55 | 0:37:58 | |
and they can get maggots in the wool if it's dirty. | 0:37:58 | 0:38:02 | |
White wool is quite valuable now, | 0:38:02 | 0:38:04 | |
it's somewhere in the region of £1.40 a kilo, | 0:38:04 | 0:38:07 | |
which is about 35% up on what it was last year. | 0:38:07 | 0:38:10 | |
And it's great that the price of wool has lifted, | 0:38:10 | 0:38:13 | |
because ten years ago it was hardly worth shearing it off a sheep's back. | 0:38:13 | 0:38:16 | |
Once you had paid the shearer and paid for electricity | 0:38:16 | 0:38:18 | |
and got the sheep in, the wool was pretty much worthless. | 0:38:18 | 0:38:21 | |
The main reason that fleeces are fetching a better price is demand. | 0:38:27 | 0:38:31 | |
And it's no surprise the demand is growing | 0:38:31 | 0:38:33 | |
when you can see all the thing wool can be made into. | 0:38:33 | 0:38:36 | |
Farmers and fisherman have been using woolly jumpers for centuries. | 0:38:37 | 0:38:42 | |
And here's something interesting. | 0:38:42 | 0:38:44 | |
This is a woolly jumper that was knitted in Australia for penguins, | 0:38:44 | 0:38:49 | |
when there was an oil spill, to stop them preening themselves | 0:38:49 | 0:38:52 | |
and getting oil into their digestive system. | 0:38:52 | 0:38:55 | |
And it's also really tough when it's woven together. | 0:38:55 | 0:38:58 | |
Here, this rope, apparently, | 0:38:58 | 0:39:01 | |
is strong enough to hold the weight of a rhino. | 0:39:01 | 0:39:04 | |
Here are slug pellets. | 0:39:04 | 0:39:06 | |
And wool has microscopic hooks | 0:39:08 | 0:39:10 | |
on the fibres that hold them together, | 0:39:10 | 0:39:12 | |
and those microscopic hooks are horrible for slugs, | 0:39:12 | 0:39:15 | |
so they hate sliding over this. | 0:39:15 | 0:39:17 | |
A very natural slug deterrent. | 0:39:17 | 0:39:19 | |
So we've got all these amazing products. | 0:39:19 | 0:39:22 | |
And wool has been so important to this country for such a long time. | 0:39:22 | 0:39:26 | |
In the 1600s, the government passed an act saying that everybody | 0:39:26 | 0:39:30 | |
had to be buried in a woollen shroud to protect | 0:39:30 | 0:39:34 | |
the industry from foreign imports. | 0:39:34 | 0:39:36 | |
In fact, now, a company has come up with woollen coffins. | 0:39:36 | 0:39:39 | |
Of course, it's totally sustainable and biodegradable. | 0:39:39 | 0:39:42 | |
And there's a lovely saying in the Cotswolds - | 0:39:42 | 0:39:45 | |
"To respect a very good shepherd, | 0:39:45 | 0:39:47 | |
"you should have a lock of wool laid on your coffin." | 0:39:47 | 0:39:50 | |
Now you can have a whole coffin made of wool. | 0:39:50 | 0:39:53 | |
There's clearly a healthy demand for wool in all kinds of products | 0:40:00 | 0:40:04 | |
and that's why this business in Yorkshire is still going strong. | 0:40:04 | 0:40:07 | |
Simon Spinks' family have been making wool mattresses | 0:40:07 | 0:40:10 | |
for four generations, here in the heart of Leeds, | 0:40:10 | 0:40:13 | |
a city built on wool and textiles. | 0:40:13 | 0:40:17 | |
-Simon, hi. -Good to see you. | 0:40:17 | 0:40:19 | |
My great grandfather learnt to make mattresses | 0:40:19 | 0:40:21 | |
at a company called Somnus - | 0:40:21 | 0:40:23 | |
they were the leaders at the time in making mattresses. | 0:40:23 | 0:40:26 | |
He went on to team up with a guy called Harrison | 0:40:26 | 0:40:28 | |
and the rest is history as far as we're concerned. | 0:40:28 | 0:40:32 | |
I've been born with beds in the blood and have taken it forward. | 0:40:32 | 0:40:36 | |
As you can see, it's still very much a hand process | 0:40:36 | 0:40:38 | |
and it's not that dissimilar | 0:40:38 | 0:40:40 | |
to how my great-grandad will have done it years ago. | 0:40:40 | 0:40:43 | |
And why wool? | 0:40:43 | 0:40:44 | |
Wool's just a fantastic filling material for beds. | 0:40:44 | 0:40:48 | |
Been used for thousands of years in the construction of beds | 0:40:48 | 0:40:50 | |
for a good reason - it keeps you the right temperature. | 0:40:50 | 0:40:53 | |
You can't sleep when you're too hot. | 0:40:53 | 0:40:55 | |
You can't sleep when you're too cold. | 0:40:55 | 0:40:57 | |
You only have to look at the sheep and the range of temperatures they | 0:40:57 | 0:41:00 | |
can deal with to understand that wool is the best thing to sleep on. | 0:41:00 | 0:41:04 | |
I mean, interestingly, every mattress these days | 0:41:04 | 0:41:08 | |
has to pass stringent flame retardancy laws | 0:41:08 | 0:41:10 | |
and wool is one of the only natural materials | 0:41:10 | 0:41:14 | |
we've got that's flame retardant. | 0:41:14 | 0:41:16 | |
I can actually show you that it won't catch light. | 0:41:16 | 0:41:18 | |
It will actually go out. | 0:41:18 | 0:41:20 | |
Are you sure you want to set fire to that in here? | 0:41:20 | 0:41:22 | |
Erm, well, normally I wouldn't, | 0:41:22 | 0:41:24 | |
but such is the confidence I've got in wool's ability, | 0:41:24 | 0:41:27 | |
I reckon I can show you this and take the chance. Are you ready? | 0:41:27 | 0:41:30 | |
-It just goes out. -You'll never get that lit. | 0:41:33 | 0:41:35 | |
-So it keeps you warm and safe. -Warm and safe. | 0:41:35 | 0:41:38 | |
It takes about three full fleeces to make one of Simon's mattresses | 0:41:44 | 0:41:49 | |
and some of those come off the backs of his very own sheep. | 0:41:49 | 0:41:52 | |
Here you are with your farm. How big is it? | 0:41:52 | 0:41:54 | |
There's 300 acres in all. | 0:41:54 | 0:41:56 | |
We've got 500 breeding ewes, about 350 lambs on at the moment. | 0:41:56 | 0:42:00 | |
And what sort of breed are you using? | 0:42:00 | 0:42:02 | |
We started with mules, which are a Swaledale/ | 0:42:02 | 0:42:05 | |
bluefaced Leicester cross. They make very good mothers, | 0:42:05 | 0:42:08 | |
and we've brought in tups, which were Texel. | 0:42:08 | 0:42:12 | |
We do Suffolk and Zwartble, | 0:42:12 | 0:42:13 | |
which give us the sort of black wool, | 0:42:13 | 0:42:15 | |
which is quite an interesting product for a mattress as well. | 0:42:15 | 0:42:19 | |
It creates a very nice sort of bulky wool. | 0:42:19 | 0:42:21 | |
And are you a farmer by trade or is this new to you? | 0:42:21 | 0:42:24 | |
For some reason, I always wanted to be a farmer. | 0:42:24 | 0:42:28 | |
And whilst I can't pretend to be very good at it, we've got | 0:42:28 | 0:42:31 | |
some very good people here to help run the farm. | 0:42:31 | 0:42:33 | |
I think I always wanted to drive a tractor. | 0:42:33 | 0:42:35 | |
And...it's strange. | 0:42:35 | 0:42:37 | |
We got so busy once we started growing our own mattresses here | 0:42:37 | 0:42:40 | |
that I've not had a chance to drive that tractor yet. | 0:42:40 | 0:42:44 | |
But... | 0:42:44 | 0:42:45 | |
Yeah, it's been a great adventure for us and for the business. | 0:42:45 | 0:42:49 | |
It's great to see a long-running British company still going strong | 0:42:55 | 0:42:58 | |
and part of their success is because they're always developing new ideas, | 0:42:58 | 0:43:02 | |
like growing their own fibres to go into the mattresses. | 0:43:02 | 0:43:04 | |
And it just goes to show that wool is an ancient, | 0:43:04 | 0:43:07 | |
versatile product that can really keep up with modern times. | 0:43:07 | 0:43:11 | |
With the final of the World Cup just a matter of hours away, | 0:43:22 | 0:43:25 | |
I'm heading into Swansea to tap into its footballing roots. | 0:43:25 | 0:43:29 | |
In the heart of the city is Vetch Field. | 0:43:31 | 0:43:33 | |
Former home of Swansea City Football Club, | 0:43:33 | 0:43:36 | |
it was demolished in 2011. | 0:43:36 | 0:43:38 | |
Often redeveloped urban areas like Vetch Field become new | 0:43:40 | 0:43:44 | |
housing developments, office blocks, or even abandoned as wasteland, | 0:43:44 | 0:43:48 | |
but on this occasion, the locals came together | 0:43:48 | 0:43:50 | |
to create something rather special. | 0:43:50 | 0:43:52 | |
Vetch Field took on a whole new set of supporters. | 0:43:55 | 0:43:58 | |
As part of the Cultural Olympiad, the council assigned an area | 0:43:58 | 0:44:03 | |
of Vetch Fields to the Sandfields community to be turned into | 0:44:03 | 0:44:07 | |
allotments, their own little piece of the countryside | 0:44:07 | 0:44:10 | |
in the heart of Swansea. | 0:44:10 | 0:44:11 | |
Home to a wide variety of nationalities and cultures, | 0:44:16 | 0:44:19 | |
these allotments are now bringing the communities together. | 0:44:19 | 0:44:23 | |
Alan Lloyd held a season ticket here to watch the Swans for many years. | 0:44:25 | 0:44:30 | |
What's left of the old football stadium now, then? | 0:44:31 | 0:44:35 | |
Well...the area is still here. | 0:44:35 | 0:44:38 | |
-I can more or less point out to where I used to sit. -Oh, really? | 0:44:38 | 0:44:43 | |
The stand was there and I used to sit in the front row... | 0:44:43 | 0:44:47 | |
Row A. | 0:44:47 | 0:44:49 | |
So it must have been quite mixed feelings for you, | 0:44:49 | 0:44:51 | |
because you were mayor as well when this place closed. | 0:44:51 | 0:44:54 | |
Yeah. I look on it as an outdoor community centre, | 0:44:54 | 0:44:56 | |
where the different communities in the Sandfields can meet, chat over. | 0:44:56 | 0:45:02 | |
There's a lot more talking goes on here than growing. | 0:45:02 | 0:45:04 | |
SHE LAUGHS But it's good for the community. | 0:45:04 | 0:45:08 | |
Since its conception, | 0:45:11 | 0:45:13 | |
Gerwin Thomas has been part of the redevelopment. | 0:45:13 | 0:45:16 | |
What does it mean to you to be able to come down here | 0:45:20 | 0:45:22 | |
-and have this space? -To me, with the garden and everything, | 0:45:22 | 0:45:25 | |
it's an oasis in the middle of town. | 0:45:25 | 0:45:27 | |
This is brilliant, you know, cos I can come down here whenever | 0:45:27 | 0:45:31 | |
I feel like it and meet people of different nationalities, really. | 0:45:31 | 0:45:36 | |
And their type of growing is totally different to the British, you know. | 0:45:36 | 0:45:40 | |
-So you're learning a lot about other veggies? -You definitely are, yes. | 0:45:40 | 0:45:44 | |
I must say, I am really, really jealous. | 0:45:44 | 0:45:46 | |
I would love one of these near me. | 0:45:46 | 0:45:47 | |
But with the World Cup coming to a close, | 0:45:53 | 0:45:55 | |
the Vetch gardeners have their own way of honouring Brazil 2014. | 0:45:55 | 0:46:00 | |
The Bangladeshi ladies are going to do a curry this afternoon to | 0:46:00 | 0:46:05 | |
commemorate the World Cup in Brazil. | 0:46:05 | 0:46:08 | |
-That's mine, that is. -All right, then, bagsy that one. It's yours. | 0:46:09 | 0:46:12 | |
'So, with a curry to be made, Bangladeshi-born Kadeeji | 0:46:16 | 0:46:20 | |
'and I need to harvest some more veg to add to Gerwin's tomatoes.' | 0:46:20 | 0:46:25 | |
So, Kadeeja, what is it you love about coming to this place? | 0:46:25 | 0:46:28 | |
Everything, like the vegetables and the peoples. | 0:46:28 | 0:46:31 | |
When I talk to people, it's like feeling great, nice. | 0:46:31 | 0:46:34 | |
It's become a second home. | 0:46:34 | 0:46:36 | |
SHE LAUGHS | 0:46:36 | 0:46:38 | |
-It's good just for hanging out, relaxing. -Yeah. | 0:46:38 | 0:46:41 | |
Big family, but still I manage to come here every day... | 0:46:41 | 0:46:44 | |
Summer times, yeah. | 0:46:44 | 0:46:45 | |
-That's enormous! Are we having that one? -Yeah. | 0:46:52 | 0:46:57 | |
I can use the leaves to make...you know saag? | 0:46:57 | 0:47:00 | |
-Oh, make saag with the leaves. -Hmm. | 0:47:00 | 0:47:02 | |
-How many leaves do you need? -Oh...loads. | 0:47:02 | 0:47:05 | |
Food is a brilliant way of bringing people together. | 0:47:07 | 0:47:11 | |
Vetch Field even has its own kitchen and cooking area. | 0:47:11 | 0:47:15 | |
Goodness, it's like something from everybody's allotment in there. | 0:47:15 | 0:47:19 | |
Yeah. | 0:47:19 | 0:47:20 | |
-That is a community curry. -A community curry, yeah. | 0:47:20 | 0:47:24 | |
-How long does this need now? -Ten minutes. -Ten minutes? -Yeah. | 0:47:27 | 0:47:30 | |
And then we'll be feasting. | 0:47:30 | 0:47:32 | |
So, with the curry simmering away on the hob, | 0:47:33 | 0:47:36 | |
I want to find out just what the redevelopment | 0:47:36 | 0:47:38 | |
means to everyone here. | 0:47:38 | 0:47:40 | |
-I love coming over here. -Do you? What do you love about it, then? | 0:47:41 | 0:47:44 | |
This feels like an extension of my back garden. | 0:47:44 | 0:47:47 | |
And how was this before, when it was football ground? | 0:47:47 | 0:47:49 | |
Oh...it was horrible. | 0:47:49 | 0:47:51 | |
The stand was so high and then, when it came down, | 0:47:51 | 0:47:56 | |
you could see the sky at night. | 0:47:56 | 0:47:57 | |
I could sit in my back garden and I could see the stars | 0:47:57 | 0:48:00 | |
and the hill and the lights on. It's amazing. | 0:48:00 | 0:48:03 | |
What do you like about having your plot, here in the Vetch? | 0:48:08 | 0:48:11 | |
What about the community here? | 0:48:11 | 0:48:13 | |
Wandering through the allotment, | 0:48:22 | 0:48:24 | |
I couldn't help but notice this rather stranger plant vessel. | 0:48:24 | 0:48:28 | |
This is my hanging bra-sket. | 0:48:28 | 0:48:30 | |
You can hold plenty in there, can't we? | 0:48:30 | 0:48:32 | |
This ample brassiere. That's fabulous. I love it. | 0:48:32 | 0:48:35 | |
The terraces may be long gone, | 0:48:40 | 0:48:43 | |
but a crowd has returned to feast on our World Cup curry. | 0:48:43 | 0:48:46 | |
Thank you so much. | 0:48:48 | 0:48:50 | |
It's fantastic how a football pitch has maintained its team spirit, | 0:48:50 | 0:48:54 | |
but instead of sport it's growing and sharing food in their own little | 0:48:54 | 0:48:57 | |
piece of the countryside that's brought this community together. | 0:48:57 | 0:49:01 | |
CHATTER | 0:49:02 | 0:49:05 | |
A couple of months ago, we were working with Kew | 0:49:08 | 0:49:11 | |
to give away more than 2,000 packets of wild flower seeds. | 0:49:11 | 0:49:15 | |
You might remember, a couple of weeks ago, | 0:49:15 | 0:49:18 | |
my fairly dismal effort. | 0:49:18 | 0:49:20 | |
But if your flowers are blooming, | 0:49:20 | 0:49:21 | |
we'd love to see a photo of them to share with everybody else, | 0:49:21 | 0:49:24 | |
and details of how you can do that are on our website. | 0:49:24 | 0:49:27 | |
Ellie and I have been exploring beautiful South Wales. | 0:49:34 | 0:49:38 | |
Earlier, I was at Whiteford Sands on the Gower Peninsula, | 0:49:39 | 0:49:42 | |
where I found the location of what could be an exploded bomb. | 0:49:42 | 0:49:46 | |
Oh, I've got a cross. | 0:49:48 | 0:49:49 | |
Lieutenant Oli Alexander and his team are now ready to take action. | 0:49:50 | 0:49:54 | |
Right. | 0:49:54 | 0:49:57 | |
Now I'm going to stand back. | 0:49:57 | 0:49:58 | |
The Royal Navy guys are going to come down with their portable | 0:49:58 | 0:50:01 | |
magnetometer and we'll confirm | 0:50:01 | 0:50:02 | |
-that you've got the right position there. -Yeah. | 0:50:02 | 0:50:05 | |
Here we are, lads. This is my first time using this bit of kit, so I... | 0:50:06 | 0:50:09 | |
-Matt, can I introduce you to petty officer Mark Cockin? -Hi, Mark. | 0:50:09 | 0:50:13 | |
He's the EOD operator, who is actually going to finally excavate | 0:50:13 | 0:50:16 | |
the item and make the call as to what level of hazard it presents, | 0:50:16 | 0:50:19 | |
and what the best way is of making that safe if necessary. | 0:50:19 | 0:50:22 | |
What we're going to get now is leading diver | 0:50:22 | 0:50:25 | |
Walton is going to come in with his metal detector... | 0:50:25 | 0:50:27 | |
We'll move the flag out of the way. | 0:50:27 | 0:50:29 | |
..and then try and detect the ferrous metal contact | 0:50:29 | 0:50:31 | |
that we've had in the sand. | 0:50:31 | 0:50:32 | |
BEEPS | 0:50:32 | 0:50:34 | |
What he does is he makes a shape around the item to locate | 0:50:34 | 0:50:37 | |
exactly where it is so we don't end up digging two or three | 0:50:37 | 0:50:40 | |
-holes that we might not want to dig. -And the pitch, the more...? | 0:50:40 | 0:50:43 | |
The pitch increases as it gets closer to the item, yeah. | 0:50:43 | 0:50:46 | |
There will be heavy corrosion, what we call concretion, on the item. | 0:50:48 | 0:50:52 | |
So I wouldn't mind betting that what you end up digging | 0:50:52 | 0:50:54 | |
up doesn't look to you like anything other than a pile of stones. | 0:50:54 | 0:50:57 | |
To our trained eyes, we know that it is something. | 0:50:57 | 0:51:00 | |
BEEPS | 0:51:00 | 0:51:02 | |
We've got contact. | 0:51:04 | 0:51:06 | |
OK, everybody move back, then. I'll go and have a look. | 0:51:06 | 0:51:09 | |
What we're doing here is employing | 0:51:09 | 0:51:11 | |
the good old principle of one man, one risk. | 0:51:11 | 0:51:13 | |
Even now, he doesn't have a huge amount | 0:51:13 | 0:51:15 | |
-of protective kit on, does he? -No. | 0:51:15 | 0:51:17 | |
It's all about making the threat assessment | 0:51:17 | 0:51:20 | |
-and balancing risk against what we know. -Wow. | 0:51:20 | 0:51:23 | |
He's got it there, then. | 0:51:23 | 0:51:25 | |
There we are. He's happy to call us in, so we'll take a walk in. | 0:51:25 | 0:51:29 | |
So what you can see is the effects of the concretion | 0:51:29 | 0:51:31 | |
over the 60 or so years that that's been under the beach. | 0:51:31 | 0:51:34 | |
If I was out here walking my dogs on the beach and I saw that, | 0:51:34 | 0:51:37 | |
-I would never in a million years think that that was... -No. | 0:51:37 | 0:51:39 | |
The principle that you should always apply is, | 0:51:39 | 0:51:42 | |
if you don't know what it is, | 0:51:42 | 0:51:44 | |
then because of the signage it could be dangerous. | 0:51:44 | 0:51:47 | |
And that, then, is retire to a safe distance, call the police or | 0:51:47 | 0:51:51 | |
coastguard on the end of 999 and they will call for our support. | 0:51:51 | 0:51:55 | |
-So, what happens now? -We need to remove that concreted encasing. | 0:51:55 | 0:51:58 | |
We do that using an explosive technique, | 0:51:58 | 0:52:00 | |
using detonating equipment. | 0:52:00 | 0:52:01 | |
Where do you do that? Here? | 0:52:01 | 0:52:04 | |
Yeah, we'll be doing the detonation here with the detonator, | 0:52:04 | 0:52:08 | |
just to shock that off, like the commanding officer said. So... | 0:52:08 | 0:52:12 | |
What I'm going to get my lads to do now is break away, | 0:52:12 | 0:52:15 | |
start getting all the kit out, | 0:52:15 | 0:52:17 | |
and basically... | 0:52:17 | 0:52:18 | |
Three strands of detonating cord down the length of the munition... | 0:52:18 | 0:52:21 | |
-Yeah. -..and then what we'll do is we'll remotely fire that from back | 0:52:21 | 0:52:25 | |
up at the sand dunes. | 0:52:25 | 0:52:27 | |
OK, this protects us nicely. We're nice and safe down here. | 0:52:32 | 0:52:35 | |
We can see what's going on. | 0:52:35 | 0:52:36 | |
The officer and the EOD operator can make sure that we've got | 0:52:36 | 0:52:39 | |
a safe range, everybody's... | 0:52:39 | 0:52:40 | |
-It's controlled and safe. -Good. | 0:52:40 | 0:52:42 | |
-Right, well, when you're happy. -OK, PA Cockin. | 0:52:42 | 0:52:45 | |
Stand-by. Fire in three, two, one. Fire in! | 0:52:45 | 0:52:48 | |
EXPLOSION | 0:52:51 | 0:52:53 | |
-Wow. -There we go. Great. Just what we needed. | 0:52:55 | 0:52:58 | |
So a nice, hard crack should have removed that concretion. | 0:52:58 | 0:53:01 | |
What happens now is the operator will then go back down | 0:53:01 | 0:53:05 | |
and check that everything is stable. | 0:53:05 | 0:53:07 | |
And then, providing he's happy, we'll see what you've found. | 0:53:07 | 0:53:10 | |
25 pounder projectile. | 0:53:11 | 0:53:13 | |
Can't determine whether it's HE or knot field, | 0:53:13 | 0:53:17 | |
so unsafe to remove by road. | 0:53:17 | 0:53:20 | |
Establish a temporary range. Destroy in situ. | 0:53:20 | 0:53:22 | |
We found a four-inch naval shell, | 0:53:24 | 0:53:26 | |
the type that would have been used during World War II. | 0:53:26 | 0:53:29 | |
To detonate it safely, the team are using modern plastic explosives. | 0:53:31 | 0:53:37 | |
I've heard there was a bit of a spectacle. | 0:53:37 | 0:53:39 | |
And look who's turned up for the big event. | 0:53:39 | 0:53:41 | |
So you've met the lads here. This is Oli. | 0:53:41 | 0:53:44 | |
-Hi, how are you doing? -Hi, Ellie. Good to see you. | 0:53:44 | 0:53:46 | |
So, well, we're all safe and sound here. | 0:53:46 | 0:53:48 | |
-This is going to be great. -In our little bunker. | 0:53:48 | 0:53:51 | |
-Feeling good? -I'm excited. -You're definitely looking the part. | 0:53:51 | 0:53:53 | |
-Why, thank you. I'm in my greens. -Who's pressing what? | 0:53:53 | 0:53:56 | |
-I'm on one. -OK. | 0:53:56 | 0:53:58 | |
All positions RSO'd. Stand by. Firing serial. | 0:53:58 | 0:54:01 | |
-Are you happy? -I... OK. Stand-by! | 0:54:01 | 0:54:05 | |
Firing... | 0:54:05 | 0:54:06 | |
now! | 0:54:06 | 0:54:08 | |
BOTH: Ooh! | 0:54:09 | 0:54:10 | |
-Goodness me! -My heart has changed a beat. | 0:54:12 | 0:54:15 | |
That is extraordinary! | 0:54:15 | 0:54:17 | |
-What an explosion. -Goodness me! -How about that? | 0:54:17 | 0:54:20 | |
On that bombshell, we are going to end the programme. | 0:54:20 | 0:54:22 | |
Next week, we're going to have more fireworks as we celebrate | 0:54:22 | 0:54:25 | |
John Craven's 25 years on the programme. What a legend. | 0:54:25 | 0:54:30 | |
Walk on. That's a good boy. Whoa. | 0:54:30 | 0:54:33 | |
Those horns look a bit menacing, though, don't they? | 0:54:33 | 0:54:35 | |
Shake his head about a bit. You're a natural. | 0:54:35 | 0:54:38 | |
And that is definitely it from the gorgeous, and now quiet, | 0:54:38 | 0:54:41 | |
surroundings of South Wales. | 0:54:41 | 0:54:42 | |
Let's hope the World Cup final tonight is going to | 0:54:42 | 0:54:45 | |
-be as explosive as that. -Bye-bye. -See you. | 0:54:45 | 0:54:48 |