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'Calderdale, the southernmost Yorkshire Dale. | 0:00:28 | 0:00:32 | |
'Not as famous as its northern neighbours | 0:00:32 | 0:00:34 | |
'but the landscape is just as stunning.' | 0:00:34 | 0:00:37 | |
It's an inspiring terrain of craggy hills and deep valleys, | 0:00:38 | 0:00:42 | |
and one which inspired local author Whiteley Turner who wrote this - | 0:00:42 | 0:00:46 | |
A Spring-Time Saunter: Round And About Bronte Land - | 0:00:46 | 0:00:50 | |
because he loved this area so much he wanted people to know about it. | 0:00:50 | 0:00:54 | |
Now, 100 years on from when his book was first published, | 0:00:54 | 0:00:58 | |
I'm going to be walking in his footsteps. | 0:00:58 | 0:01:00 | |
'Not only is Calderdale blessed with stimulating scenery, | 0:01:01 | 0:01:04 | |
'it's also got some great food to shout about.' | 0:01:04 | 0:01:08 | |
Here in the heart of the Dale, they've taken the idea of local food | 0:01:08 | 0:01:11 | |
to the extreme and are aiming to become | 0:01:11 | 0:01:13 | |
a self-sustaining foodie town. | 0:01:13 | 0:01:15 | |
Now, this lot have put raised veg beds in the local graveyard. | 0:01:15 | 0:01:19 | |
They've put free herbs outside of the railway station. | 0:01:19 | 0:01:22 | |
But their latest idea involves making full use of fish poo. | 0:01:22 | 0:01:26 | |
And I'll be finding out how. | 0:01:26 | 0:01:29 | |
'Tom's looking at the disappearance | 0:01:29 | 0:01:31 | |
'of one of our most important insects.' | 0:01:31 | 0:01:34 | |
Britain's bee numbers are in the red and in this lab, | 0:01:35 | 0:01:38 | |
they're investigating whether a particular pesticide | 0:01:38 | 0:01:41 | |
is part of the problem. | 0:01:41 | 0:01:43 | |
Europe thinks the chemical should be banned | 0:01:43 | 0:01:46 | |
but is that a knee-jerk reaction or sensible science? | 0:01:46 | 0:01:50 | |
I'll be investigating. | 0:01:50 | 0:01:51 | |
'Meanwhile, Adam's counting the cost of a bleak start to spring.' | 0:01:53 | 0:01:58 | |
Here we are in the middle of April | 0:01:58 | 0:02:00 | |
and these snowdrifts are about three foot deep. | 0:02:00 | 0:02:04 | |
Today I'm visiting a farmer who's on the Welsh-Shropshire border. | 0:02:04 | 0:02:07 | |
And this weather couldn't have come at a worse time | 0:02:07 | 0:02:10 | |
because his ewes are in the middle of lambing. | 0:02:10 | 0:02:13 | |
'This is Calderdale in West Yorkshire. | 0:02:30 | 0:02:33 | |
'A mix of Pennine moor and mill towns, | 0:02:33 | 0:02:36 | |
'craggy hills and wooded vales.' | 0:02:36 | 0:02:39 | |
It's beautiful. | 0:02:39 | 0:02:40 | |
'Calderdale sits a few miles west of Halifax. | 0:02:45 | 0:02:48 | |
'The bit I'm exploring is round and about the village of Luddenden.' | 0:02:48 | 0:02:52 | |
A little-known area that features prominently in this work, | 0:02:55 | 0:02:58 | |
the rather marvellously titled A Spring-Time Saunter. | 0:02:58 | 0:03:02 | |
'Published 100 years ago, | 0:03:08 | 0:03:10 | |
'it was written by a local chap called Whiteley Turner. | 0:03:10 | 0:03:13 | |
'And though winter still lingers in this landscape, | 0:03:13 | 0:03:17 | |
'I'll be making my own springtime saunter regardless.' | 0:03:17 | 0:03:21 | |
So, David, who was this Whiteley Turner? | 0:03:21 | 0:03:23 | |
Whiteley Turner is an ordinary guy | 0:03:23 | 0:03:25 | |
who works in the textile mill down in Luddenden. | 0:03:25 | 0:03:28 | |
And when he was 12, | 0:03:28 | 0:03:29 | |
he has an accident in the mill | 0:03:29 | 0:03:31 | |
and his arm gets caught in a carding machine | 0:03:31 | 0:03:34 | |
and it rips off the arm, basically. | 0:03:34 | 0:03:36 | |
-Oh, God... -He has to have the rest of it amputated. | 0:03:36 | 0:03:38 | |
He can no longer work in the mill because of that | 0:03:38 | 0:03:41 | |
and it means he has to do something else. | 0:03:41 | 0:03:43 | |
He goes back to school and then he gets a job | 0:03:43 | 0:03:46 | |
taking around tea and coffee round these isolated farms. | 0:03:46 | 0:03:50 | |
'It was on these rounds that the remarkable Turner | 0:03:50 | 0:03:53 | |
'started writing newspaper articles about what he saw. | 0:03:53 | 0:03:56 | |
'From them came the book. | 0:03:56 | 0:03:58 | |
'When Turner make this journey, there would have been mills | 0:04:03 | 0:04:06 | |
'all along this valley. They've long gone | 0:04:06 | 0:04:09 | |
'but the power behind them remains. | 0:04:09 | 0:04:11 | |
'Not the howling wind, but water.' | 0:04:16 | 0:04:20 | |
"Now we command a goodly view of Fly Flat Reservoir, | 0:04:20 | 0:04:24 | |
"how shallow the water looks, | 0:04:24 | 0:04:26 | |
"so low that little islands of black heath | 0:04:26 | 0:04:29 | |
"protrude above its surface, | 0:04:29 | 0:04:31 | |
"seemingly making it possible to hop from one another | 0:04:31 | 0:04:35 | |
"to the embankment on the far side." | 0:04:35 | 0:04:37 | |
And here it is. There's not a lot of hopping across it today, though. | 0:04:37 | 0:04:40 | |
No, certainly couldn't hop across it today, could you? | 0:04:40 | 0:04:42 | |
There's far more water in it than when he saw it. | 0:04:42 | 0:04:45 | |
This is Warley Moor Reservoir. Fly Flat is the other name for it. | 0:04:45 | 0:04:48 | |
And the community of Fly Flat is behind us and you can see | 0:04:48 | 0:04:51 | |
it in the picture - all the various farms are on the picture. | 0:04:51 | 0:04:54 | |
They've all gone now, nothing but heaps of stone. | 0:04:54 | 0:04:57 | |
It looks quite different. | 0:04:57 | 0:04:58 | |
So what happened to all the farms and all the activity up here? | 0:04:58 | 0:05:01 | |
It just wasn't viable any more. | 0:05:01 | 0:05:03 | |
The farms were too high, nearly 1,400 feet up. It's too cold. | 0:05:03 | 0:05:07 | |
-And the lower-down farms can compete far more. -Yeah. | 0:05:07 | 0:05:11 | |
'The coming of the reservoirs changed the landscape | 0:05:19 | 0:05:22 | |
'and made the mill owners rich. | 0:05:22 | 0:05:24 | |
'They built huge stately piles with this new-found wealth | 0:05:24 | 0:05:27 | |
'and there was none grander than Castle Carr. | 0:05:27 | 0:05:31 | |
'In its day, the finest building in the area. | 0:05:31 | 0:05:34 | |
'Now no more than a pile of ruins.' | 0:05:34 | 0:05:36 | |
This place is extraordinary, isn't it? | 0:05:36 | 0:05:39 | |
It's amazing, isn't it? | 0:05:39 | 0:05:41 | |
It's weird seeing something in such a state of disrepair | 0:05:41 | 0:05:44 | |
compared to its picture in the book, which is ... | 0:05:44 | 0:05:47 | |
-Well, it's indistinguishable, isn't it? -Yes. | 0:05:47 | 0:05:49 | |
And all that's left is just the entrance and the portcullis | 0:05:49 | 0:05:52 | |
is still there. This is their main gateway to a big courtyard. | 0:05:52 | 0:05:56 | |
Carriages would have come in here | 0:05:56 | 0:05:57 | |
and the fountain that was actually in the courtyard, | 0:05:57 | 0:06:00 | |
in the centre, has ended up in Leeds near the railway station. | 0:06:00 | 0:06:03 | |
'Castle Carr fell into disrepair and, in 1960, was finally broken up. | 0:06:04 | 0:06:09 | |
'The lead from its roof and most of its stone was sold off.' | 0:06:09 | 0:06:13 | |
You're looking down into the cellars here, | 0:06:14 | 0:06:16 | |
you wouldn't have ordinarily been able to see this. | 0:06:16 | 0:06:18 | |
If we'd have been able to walk in here, | 0:06:18 | 0:06:20 | |
you'd have been able to see the big hallway above it here, | 0:06:20 | 0:06:23 | |
and leading onto the big banqueting room on the corner. | 0:06:23 | 0:06:27 | |
-And now it's full of trees. -And now it's full of trees, absolutely. | 0:06:27 | 0:06:30 | |
-Nature will claim it back in the end. -It is, very much. Very much. | 0:06:30 | 0:06:34 | |
Time to check where I'm headed, | 0:06:38 | 0:06:41 | |
'as the next part of the saunter I'm doing alone, | 0:06:41 | 0:06:44 | |
'over the wild open moors and that can only mean one thing.' | 0:06:44 | 0:06:48 | |
Bronte country. | 0:06:48 | 0:06:50 | |
Even in Whiteley Turner's day, the Bronte sisters would have been huge. | 0:06:50 | 0:06:54 | |
No surprise, then, that he devotes more than half his book to them. | 0:06:54 | 0:06:57 | |
'And I'm delighted Whiteley Turner is taking me | 0:06:59 | 0:07:02 | |
'back to one of my favourite places. | 0:07:02 | 0:07:05 | |
'Haworth Parsonage, the place the Bronte sisters grew up. | 0:07:05 | 0:07:08 | |
'Now a museum housing some of their most personal belongings.' | 0:07:08 | 0:07:12 | |
-So, Ann, this is the saddle bag that Turner's recorded here. -That's right. | 0:07:12 | 0:07:16 | |
Wow. It's interesting, the selection of things he's pointed out. | 0:07:16 | 0:07:20 | |
Yeah, they're all very ordinary, everyday objects. | 0:07:20 | 0:07:24 | |
But I think they bring it home to you | 0:07:24 | 0:07:26 | |
that the Brontes were real people. | 0:07:26 | 0:07:28 | |
-They had oil lamps and trunks and boots. -Have you got the shoes? | 0:07:28 | 0:07:33 | |
We do have the boots. They're actually on display behind us. | 0:07:33 | 0:07:37 | |
Oh, they're just there. | 0:07:37 | 0:07:38 | |
-They look dainty. I bet everybody says that. -They're tiny, yes. | 0:07:38 | 0:07:41 | |
So diddy. | 0:07:41 | 0:07:43 | |
Do we learn anything about the Brontes | 0:07:43 | 0:07:45 | |
-from Turner's fascination with them? -Yeah, definitely. | 0:07:45 | 0:07:47 | |
He actually sought out some of Charlotte Bronte's | 0:07:47 | 0:07:51 | |
former Sunday school scholars and prolonged his stay in Haworth | 0:07:51 | 0:07:55 | |
in order to do that. | 0:07:55 | 0:07:56 | |
So he clearly had a real, strong interest in the Brontes, | 0:07:56 | 0:07:59 | |
which comes across quite strongly in the book. | 0:07:59 | 0:08:02 | |
"A little further and the road branches away up to Haworth Moor. | 0:08:07 | 0:08:12 | |
"A post points the way to the cemetery and waterfall. | 0:08:12 | 0:08:15 | |
"Bronte Waterfall sounds alluring | 0:08:15 | 0:08:18 | |
"but the fall itself is mostly disappointing." | 0:08:18 | 0:08:21 | |
Well, well. | 0:08:22 | 0:08:23 | |
Whiteley Turner wasn't that impressed with this waterfall, was he? | 0:08:23 | 0:08:26 | |
Well, it's...it's not overly spectacular. | 0:08:26 | 0:08:30 | |
Apparently, early photographers used to pay small boys | 0:08:30 | 0:08:33 | |
to actually dam it up and release it | 0:08:33 | 0:08:35 | |
as they were taking their photograph. | 0:08:35 | 0:08:38 | |
-For money, they would dam it up there? -Yep. -That's extraordinary. | 0:08:38 | 0:08:42 | |
-It is a spot the Brontes were known to come to. -That's right. | 0:08:42 | 0:08:45 | |
In November 1854, Charlotte came here with her husband. | 0:08:45 | 0:08:50 | |
Unfortunately, on the way back, | 0:08:50 | 0:08:52 | |
it started to rain very heavily and Charlotte got wet through. | 0:08:52 | 0:08:56 | |
And she caught a chill which... | 0:08:56 | 0:08:58 | |
It used to be believed that it actually led to her death. | 0:08:58 | 0:09:01 | |
-So there's a tragic association, really. -Yeah, there is. | 0:09:01 | 0:09:05 | |
'The Brontes passed into legend, Whiteley Turner into obscurity. | 0:09:14 | 0:09:19 | |
'The cost of publishing his book left him penniless | 0:09:19 | 0:09:22 | |
'and he died aged just 54. | 0:09:22 | 0:09:25 | |
'But Spring-Time Saunter remains a fitting testament | 0:09:25 | 0:09:28 | |
'to one of Yorkshire's most beautiful landscapes.' | 0:09:28 | 0:09:31 | |
Now, the mystery of disappearing bees has baffled scientists for years. | 0:09:42 | 0:09:47 | |
Now many are pointing the finger of blame at a pesticide | 0:09:47 | 0:09:50 | |
at the heart of modern farming. So, should it be banned? | 0:09:50 | 0:09:54 | |
Tom's been finding out. | 0:09:54 | 0:09:56 | |
'The humble bee is in decline. | 0:09:58 | 0:10:01 | |
'According to some, their numbers have fallen by half in the UK | 0:10:01 | 0:10:05 | |
'since the 1980s. | 0:10:05 | 0:10:07 | |
'And it's not just a sad loss for our gardens. | 0:10:07 | 0:10:10 | |
'It's a potential disaster for British agriculture | 0:10:10 | 0:10:13 | |
'and further afield, too.' | 0:10:13 | 0:10:15 | |
So, right across the world, scientists have been searching | 0:10:15 | 0:10:19 | |
for the cause of their mysterious decline. | 0:10:19 | 0:10:23 | |
And in Europe they think they might have found a culprit. | 0:10:24 | 0:10:28 | |
'The European Commission believes the blame lies | 0:10:28 | 0:10:30 | |
'with some of the world's most widely-used agricultural pesticides, | 0:10:30 | 0:10:35 | |
'neonicotinoids. | 0:10:35 | 0:10:37 | |
'It wants to ban them from 1st July.' | 0:10:37 | 0:10:40 | |
But not everyone is convinced | 0:10:40 | 0:10:42 | |
and Britain is now one of a number of countries resisting a ban, | 0:10:42 | 0:10:46 | |
not least because of its impact on farming. | 0:10:46 | 0:10:50 | |
'I've come to Kent to meet farmer Andy Barr. | 0:10:50 | 0:10:53 | |
'Like many, his crop is already suffering a slow start, | 0:10:53 | 0:10:56 | |
'thanks to the cold spring weather.' | 0:10:56 | 0:10:58 | |
It's not quite what you'd expect for mid-April, is it? | 0:10:58 | 0:11:01 | |
No, it's horrible. | 0:11:01 | 0:11:03 | |
It's really having an effect on these oilseed rape plants. | 0:11:03 | 0:11:06 | |
'Rather than spraying his fields, | 0:11:06 | 0:11:08 | |
'Andy uses seeds treated with neonicotinoids. | 0:11:08 | 0:11:11 | |
'But he's worried that a ban would make a bad year even worse.' | 0:11:11 | 0:11:16 | |
You had me bring this bag of seed with us in order to show | 0:11:16 | 0:11:20 | |
how the neonicotinoids work, but talk me through it. | 0:11:20 | 0:11:23 | |
-What are the stages? -Right, well this is the seed we would plant | 0:11:23 | 0:11:26 | |
in the autumn, basically. | 0:11:26 | 0:11:28 | |
Each one of those seeds will produce one plant. | 0:11:28 | 0:11:32 | |
-This seed is already treated with the neonicotinoids? -It is. | 0:11:32 | 0:11:36 | |
Do you think there could be something in there, hidden, | 0:11:36 | 0:11:39 | |
that's killing our bees? Because that's what's being suggested. | 0:11:39 | 0:11:43 | |
To me, as a farmer, | 0:11:43 | 0:11:45 | |
there is a very tiny amount of neonicotinoid on there. | 0:11:45 | 0:11:48 | |
That tiny seed, one of them, grows into a plant taller than me | 0:11:48 | 0:11:52 | |
and about this wide. | 0:11:52 | 0:11:54 | |
And I plant it one August and it's flowering in the next May. | 0:11:54 | 0:11:59 | |
Is there enough there, in real field situation, | 0:11:59 | 0:12:02 | |
to have an effect on the bees? | 0:12:02 | 0:12:04 | |
At the moment, the scientists don't have an answer for me. | 0:12:04 | 0:12:08 | |
No-one has said there is a definitive, | 0:12:08 | 0:12:10 | |
real field situation effect on bees. | 0:12:10 | 0:12:13 | |
So, what did you do before you had neonicotinoids? | 0:12:13 | 0:12:17 | |
Before we had them, we had to come through very soon after planting, | 0:12:17 | 0:12:20 | |
when the plants were very small, | 0:12:20 | 0:12:22 | |
and spray the whole field two or three times. | 0:12:22 | 0:12:25 | |
And did you feel that had other collateral damage? | 0:12:25 | 0:12:27 | |
That's why I was so pleased when they came along. | 0:12:27 | 0:12:30 | |
I felt it was a good thing cos we weren't spraying everything, | 0:12:30 | 0:12:33 | |
we were just treating the seed and the plants. | 0:12:33 | 0:12:35 | |
So it was much more targeted. | 0:12:35 | 0:12:37 | |
'Neonicotinoids protect around a third of our crops | 0:12:39 | 0:12:42 | |
'from being eaten by insects. | 0:12:42 | 0:12:44 | |
'It's claimed banning them would leave farmers relying | 0:12:44 | 0:12:47 | |
'on less efficient methods that would cost them millions. | 0:12:47 | 0:12:50 | |
'But farmers need bees, too. | 0:12:53 | 0:12:56 | |
'They play a vital role in pollinating many crops, | 0:12:56 | 0:12:59 | |
'like oilseed rape. 'Losing them would slash yields. | 0:12:59 | 0:13:03 | |
'So, to keep a healthy supply on Andy's farm, | 0:13:03 | 0:13:06 | |
'he leaves space for wild flowers and even has his own beekeeper.' | 0:13:06 | 0:13:10 | |
So, if I can just take the top off there. | 0:13:10 | 0:13:14 | |
And again. | 0:13:14 | 0:13:16 | |
'Alistair Wormsley has kept hives here for five years. | 0:13:16 | 0:13:19 | |
'I'm helping him prepare for the warmer weather.' | 0:13:19 | 0:13:22 | |
Because it's so cold, are the bees pretty unlikely to venture out? | 0:13:22 | 0:13:27 | |
I would think the bees are unlikely to venture out | 0:13:29 | 0:13:32 | |
at much below eight degrees centigrade. | 0:13:32 | 0:13:35 | |
'It seems we spoke too soon.' | 0:13:35 | 0:13:37 | |
The bees are basically wild animals, so even when we expect them | 0:13:37 | 0:13:41 | |
to do one thing and stay in in the snow, | 0:13:41 | 0:13:43 | |
they've actually decided to come out. | 0:13:43 | 0:13:46 | |
So I'll leave Alistair there with his veil to do the work. | 0:13:46 | 0:13:48 | |
'Those supporting a ban on neonicotinoids | 0:13:51 | 0:13:53 | |
'claim they disorientate bees. | 0:13:53 | 0:13:56 | |
'So much so that many never find their way home. | 0:13:56 | 0:13:59 | |
'Alistair says he's seen evidence of that confusion for himself.' | 0:13:59 | 0:14:03 | |
The symptoms were very much like the bees were being given Alzheimer's. | 0:14:03 | 0:14:10 | |
They were, if you like... | 0:14:10 | 0:14:11 | |
There was 30-40,000 bees in the colony one week, going strong. | 0:14:11 | 0:14:17 | |
You come back the next week, | 0:14:17 | 0:14:19 | |
and there'll be a couple of hundred bees there with the queen | 0:14:19 | 0:14:22 | |
and all the working bees had deserted. | 0:14:22 | 0:14:25 | |
'Yet, despite seeing some of the symptoms, | 0:14:25 | 0:14:28 | |
'Alistair says he's not seen enough to convince him yet | 0:14:28 | 0:14:31 | |
'it's time to take drastic action.' | 0:14:31 | 0:14:33 | |
-So, would you want to see a ban? -No. No, no, no. | 0:14:33 | 0:14:37 | |
What I want to see is the work done to prove the situation | 0:14:37 | 0:14:40 | |
one way or the other. | 0:14:40 | 0:14:42 | |
'The search for that proof is still going on and beekeepers, | 0:14:44 | 0:14:47 | |
'farmers and even governments are all looking to the world of science | 0:14:47 | 0:14:51 | |
'to give them a definitive answer.' | 0:14:51 | 0:14:53 | |
Hundreds of scientists from right across the world | 0:14:54 | 0:14:58 | |
are working on the great mystery of what's killing our bees | 0:14:58 | 0:15:01 | |
and that includes at least a dozen projects from the UK. | 0:15:01 | 0:15:05 | |
Hi, Chris, how's it going? | 0:15:07 | 0:15:09 | |
'Dr Adam Vanbergen is from the Insect Pollinators Initiative, | 0:15:09 | 0:15:13 | |
'which oversees nine UK research projects.' | 0:15:13 | 0:15:16 | |
OK, I'll do the lights. | 0:15:16 | 0:15:17 | |
See if we can just collect one to take a sample. Back towards me. | 0:15:19 | 0:15:22 | |
'Like many other scientists, he's yet to be convinced | 0:15:27 | 0:15:30 | |
'that neonicotinoids are such a menace | 0:15:30 | 0:15:33 | |
'that they should be banned right now.' | 0:15:33 | 0:15:36 | |
This lab here has actually shown some effect of neonicotinoids | 0:15:36 | 0:15:40 | |
-on bees' brains, so is it time for a ban? -Yeah, I think... | 0:15:40 | 0:15:44 | |
Well, it's interesting you say that. | 0:15:44 | 0:15:46 | |
The results coming out of this lab and others are extremely concerning. | 0:15:46 | 0:15:50 | |
They're showing impacts on the brain function. | 0:15:50 | 0:15:52 | |
What I think we need to do is to increase | 0:15:52 | 0:15:54 | |
the complexity of those experiments, | 0:15:54 | 0:15:56 | |
to mimic what goes on in the real world | 0:15:56 | 0:15:58 | |
and perhaps also carry out field experiments in the real world too. | 0:15:58 | 0:16:01 | |
Shouldn't we apply the precautionary principal here? | 0:16:01 | 0:16:04 | |
We're talking about something as vital and sensitive as bees. | 0:16:04 | 0:16:07 | |
A lot of people think there's a single smoking gun | 0:16:07 | 0:16:10 | |
with respect to pollinator decline, | 0:16:10 | 0:16:11 | |
but the reality is that pollinators and other biodiversities | 0:16:11 | 0:16:14 | |
have been declining over a much longer period of time | 0:16:14 | 0:16:17 | |
and there is a whole suite of factors threatening them, | 0:16:17 | 0:16:19 | |
including the intensification of the landscape, | 0:16:19 | 0:16:22 | |
which leads to loss of resources, | 0:16:22 | 0:16:24 | |
so I think we need to consider things in a much more holistic way, | 0:16:24 | 0:16:27 | |
so I'm a bit concerned about treating pesticides | 0:16:27 | 0:16:30 | |
as a single issue that we need to react suddenly upon. | 0:16:30 | 0:16:32 | |
With many scientists, farmers and even beekeepers | 0:16:35 | 0:16:38 | |
saying a ban is premature, the UK government has been trying | 0:16:38 | 0:16:42 | |
to block attempts to get neonicotinoids restricted. | 0:16:42 | 0:16:46 | |
But many on the European mainland, including the European Commission, | 0:16:46 | 0:16:49 | |
are convinced that a ban is the way forward. | 0:16:49 | 0:16:52 | |
So, do they know something that we don't? | 0:16:52 | 0:16:55 | |
Well, it's all based on this 58-page report | 0:16:56 | 0:16:59 | |
prepared for the European Commission. | 0:16:59 | 0:17:01 | |
So does this contain the definitive proof | 0:17:01 | 0:17:04 | |
that neonicotinoids are killing our bees? | 0:17:04 | 0:17:07 | |
I'll be taking a closer look later in the programme. | 0:17:07 | 0:17:09 | |
Lying in the heart of Calderdale is Todmorden, | 0:17:11 | 0:17:14 | |
a small town with big ambitions. | 0:17:14 | 0:17:17 | |
It straddles the ancient border between Yorkshire and Lancashire. | 0:17:20 | 0:17:24 | |
And what's happened in this town is having repercussions | 0:17:27 | 0:17:30 | |
right across the world. | 0:17:30 | 0:17:33 | |
Here, they're bringing the countryside | 0:17:33 | 0:17:35 | |
into the heart of the town by growing food in public places. | 0:17:35 | 0:17:38 | |
It's part of a movement known as Incredible Edible. | 0:17:38 | 0:17:41 | |
Pam Warhurst is the powerhouse behind it. | 0:17:41 | 0:17:44 | |
So, Pam, what's the idea behind this? What is the goal? | 0:17:45 | 0:17:49 | |
The goal is to help people be more self-reliant, | 0:17:49 | 0:17:53 | |
the goal is to get people thinking of themselves, about their future, | 0:17:53 | 0:17:56 | |
and to use food as the driving force, | 0:17:56 | 0:17:58 | |
so you start with what we call propaganda gardens. | 0:17:58 | 0:18:01 | |
All over the town, there's spaces | 0:18:01 | 0:18:03 | |
where you could grow food, you just don't see them. | 0:18:03 | 0:18:05 | |
Very public - railway station, front of the police station, | 0:18:05 | 0:18:08 | |
along the towpath here, where people can see what can grow. | 0:18:08 | 0:18:11 | |
And they can taste it. | 0:18:11 | 0:18:12 | |
Everything we plant in these propaganda gardens is food for free. | 0:18:12 | 0:18:15 | |
So everybody who lives here is entitled | 0:18:15 | 0:18:18 | |
-to come down to the towpath and harvest? -Absolutely. | 0:18:18 | 0:18:21 | |
It starts conversations and once you do that, | 0:18:21 | 0:18:24 | |
it becomes part of your life, | 0:18:24 | 0:18:26 | |
so you want to grown more of your own food in your own garden, | 0:18:26 | 0:18:29 | |
you want to go to your market and support more local growers | 0:18:29 | 0:18:32 | |
and your farmers, you want to get your kids | 0:18:32 | 0:18:34 | |
learning how to grow and process food. | 0:18:34 | 0:18:36 | |
All this because you've started to plant propaganda gardens | 0:18:36 | 0:18:39 | |
and just shown people what local food looks like. | 0:18:39 | 0:18:42 | |
This seed of an idea began just six years ago and now it's spread | 0:18:44 | 0:18:48 | |
to more than 30 towns across the UK and even around the world. | 0:18:48 | 0:18:54 | |
There's not a continent that isn't doing Incredible Edible. | 0:18:54 | 0:18:57 | |
Isn't that totally fantastic? | 0:18:57 | 0:18:59 | |
Who'd have thought ordinary people saying, "I want a bit of that, | 0:18:59 | 0:19:02 | |
"let's do it, we'll never stop it, | 0:19:02 | 0:19:04 | |
"we'll be doing this till the day we die, | 0:19:04 | 0:19:06 | |
"and there's nothing better in the world that we'd rather do." | 0:19:06 | 0:19:09 | |
Even at the school, they've caught the passion | 0:19:09 | 0:19:12 | |
for producing their own food. | 0:19:12 | 0:19:13 | |
They've got a remarkable way of growing fruit and veg indoors | 0:19:13 | 0:19:18 | |
and I hear it involves fish. | 0:19:18 | 0:19:20 | |
What's happening here could revolutionise | 0:19:20 | 0:19:23 | |
the local schools' food supply. | 0:19:23 | 0:19:25 | |
-Now then, Steve, how are you? -Hello, Matt. I'm fine, thank you. | 0:19:29 | 0:19:32 | |
Right then, sir, as we're in a watery classroom, | 0:19:32 | 0:19:34 | |
you'd better give me a lesson. What's going on here? | 0:19:34 | 0:19:36 | |
-Welcome to the world of aquaponics... -Thank you! | 0:19:36 | 0:19:38 | |
..where fish feed vegetables. So do you want to find out how that works? | 0:19:38 | 0:19:42 | |
-Yes, please, yes! -We've got a little diagram over here. -Over to the board. | 0:19:42 | 0:19:45 | |
Very good. Right, OK. | 0:19:45 | 0:19:47 | |
So, if you're paying attention, aquaponics is a system | 0:19:47 | 0:19:51 | |
of three tanks with water flowing in between all of them. | 0:19:51 | 0:19:55 | |
So, in the first tank, we have fish. | 0:19:55 | 0:19:58 | |
Fish do what comes naturally - they poo and they pee. | 0:19:58 | 0:20:00 | |
The ammonia from the fish poo and pee | 0:20:00 | 0:20:03 | |
goes into the tank with the bacteria in it | 0:20:03 | 0:20:06 | |
where the ammonia is changed into nitrates | 0:20:06 | 0:20:09 | |
by the action of friendly bacteria. | 0:20:09 | 0:20:11 | |
So the nitrates are then pumped | 0:20:11 | 0:20:12 | |
into the tank where the vegetables are growing | 0:20:12 | 0:20:15 | |
and vegetables need nitrates to grow | 0:20:15 | 0:20:19 | |
and then the water goes back into the fish tank | 0:20:19 | 0:20:21 | |
and the whole process starts again. | 0:20:21 | 0:20:23 | |
-Feeding time at the zoo! -Yeah! | 0:20:23 | 0:20:25 | |
So we've got a big tank here full of 400 goldfish | 0:20:25 | 0:20:28 | |
and we know all their names, Matt. | 0:20:28 | 0:20:29 | |
-Really?! -Yeah, Fred 1, Fred 2, Fred 3... | 0:20:29 | 0:20:32 | |
MATT LAUGHS | 0:20:32 | 0:20:33 | |
So what's the connection between this project and Incredible Edible? | 0:20:33 | 0:20:37 | |
This project grew out of Incredible Edible | 0:20:37 | 0:20:39 | |
and its aim is to produce fish and vegetables for the local schools, | 0:20:39 | 0:20:42 | |
so we'll be feeding the school kiddies. | 0:20:42 | 0:20:44 | |
We're learning on goldfish and then we will move onto edible carp. | 0:20:44 | 0:20:47 | |
How many fish do you actually need for a large quantity of vegetables? | 0:20:47 | 0:20:50 | |
That's where the maths comes in and it helps with the kiddies, | 0:20:50 | 0:20:53 | |
so what it is, is there's a ratio - one kilogram of fish waste | 0:20:53 | 0:20:56 | |
produces sufficient poo and pee | 0:20:56 | 0:20:58 | |
to feed three square metres of vegetables. | 0:20:58 | 0:21:02 | |
-So this is the floating vegetable patch? -Absolutely, Matt. | 0:21:02 | 0:21:05 | |
Do you want to have a look here? | 0:21:05 | 0:21:06 | |
If you move one of the floating beds down slightly, you can see | 0:21:06 | 0:21:09 | |
the water underneath and the roots of the vegetables go into the water. | 0:21:09 | 0:21:13 | |
-You can see this from the garlic. -Oh, my word! | 0:21:13 | 0:21:16 | |
There's no soil then? | 0:21:16 | 0:21:18 | |
It's amazing, there is no soil whatsoever in this whole process. | 0:21:18 | 0:21:21 | |
Is it better than growing in soil? | 0:21:21 | 0:21:23 | |
Because we can control all the temperatures and the nutrients, | 0:21:23 | 0:21:26 | |
we can produce all year round. | 0:21:26 | 0:21:28 | |
What we're finding at the moment | 0:21:28 | 0:21:29 | |
is some plants are growing quite quickly. | 0:21:29 | 0:21:31 | |
This mint, for instance, has come up a centimetre a day. | 0:21:31 | 0:21:35 | |
And I can only attribute that to the fact | 0:21:35 | 0:21:37 | |
that there's a huge amount of nitrates in this water. | 0:21:37 | 0:21:40 | |
I guess the proof is in the pudding. Is it all right to eat it? | 0:21:40 | 0:21:43 | |
Well, you've got a big table here in front of you. | 0:21:43 | 0:21:45 | |
-What would you recommend? -Well, what shall we have a look at? | 0:21:45 | 0:21:47 | |
There's a bit of lettuce here, Matt. Go for that? Aquaponic lettuce. | 0:21:47 | 0:21:52 | |
That's a first. | 0:21:52 | 0:21:54 | |
Well... | 0:21:54 | 0:21:55 | |
-It tastes lovely, yeah. -Good man. | 0:21:55 | 0:21:58 | |
I'm convinced, absolutely. | 0:21:58 | 0:21:59 | |
I tell you what, you lot down there, you've done some good work! | 0:21:59 | 0:22:02 | |
It's lovely, this lettuce. | 0:22:02 | 0:22:04 | |
Later on, I'll be discovering how the power of pigs | 0:22:06 | 0:22:09 | |
can turn fruit into wine, but first Helen is also in Calderdale | 0:22:09 | 0:22:14 | |
and it's not food that's caught her attention, it's water. | 0:22:14 | 0:22:17 | |
The hills of Calderdale - most are more than 1,300 feet high, | 0:22:24 | 0:22:29 | |
so they catch the prevailing weather. | 0:22:29 | 0:22:31 | |
Often, that's rain, more recently, snow. | 0:22:31 | 0:22:34 | |
But this landscape also has a more unexpected look - | 0:22:36 | 0:22:39 | |
water, water everywhere. | 0:22:39 | 0:22:42 | |
It's believed that this area has the highest concentration | 0:22:43 | 0:22:47 | |
of reservoirs in the UK. | 0:22:47 | 0:22:48 | |
Now, if you look at this satellite image, you can see you can see why. | 0:22:48 | 0:22:52 | |
It's absolutely peppered with blue dots and those dots are reservoirs. | 0:22:52 | 0:22:56 | |
But why build so many just here? | 0:22:58 | 0:23:00 | |
I'm meeting up with Robin Gray to find out. | 0:23:00 | 0:23:03 | |
It's all down to the Industrial Revolution. | 0:23:05 | 0:23:07 | |
You had a lot of cotton mills. | 0:23:07 | 0:23:09 | |
In fact, you could say that Manchester was the powerhouse | 0:23:09 | 0:23:13 | |
of the Industrial Revolution and one of the main ingredients was water. | 0:23:13 | 0:23:17 | |
You had mill owners - they wanted water. | 0:23:17 | 0:23:20 | |
You had the canals - they needed water for transportation. | 0:23:20 | 0:23:24 | |
But also, drinking water. | 0:23:24 | 0:23:26 | |
You've got to remember, in the 19th century, | 0:23:26 | 0:23:28 | |
they described drinking water as "as black as ink". | 0:23:28 | 0:23:31 | |
So without this water, | 0:23:31 | 0:23:33 | |
that Industrial Revolution might not have happened? | 0:23:33 | 0:23:35 | |
Everyone knows about coal, but it was actually water that was | 0:23:35 | 0:23:38 | |
the vital ingredient that powered the Industrial Revolution. | 0:23:38 | 0:23:42 | |
Many of those reservoirs still remain. | 0:23:45 | 0:23:48 | |
This is one of them, now known as Hollingworth Lake, | 0:23:48 | 0:23:51 | |
built more than 200 years ago to supply the Rochdale canals. | 0:23:51 | 0:23:56 | |
It might have been built for industry, | 0:24:00 | 0:24:02 | |
but it was soon held in deep affection | 0:24:02 | 0:24:04 | |
by the Victorian day-trippers | 0:24:04 | 0:24:06 | |
who came here to enjoy paddle steamer rides | 0:24:06 | 0:24:09 | |
and the rowing club. | 0:24:09 | 0:24:10 | |
It became the Rochdale Riviera of its day - | 0:24:10 | 0:24:13 | |
an escape from the grime of industry. | 0:24:13 | 0:24:16 | |
Today, this lasting legacy of our industrial past is no lifeless relic. | 0:24:16 | 0:24:21 | |
On the contrary, it's buzzing with activity. | 0:24:21 | 0:24:23 | |
I've never tried windsurfing. | 0:24:23 | 0:24:25 | |
I've always wanted to and apparently this is the perfect place to start. | 0:24:25 | 0:24:28 | |
Instructor Alistair Pitman reckons he can get me surfing in no time, | 0:24:35 | 0:24:39 | |
but first I need to learn a few of the basics on dry land. | 0:24:39 | 0:24:43 | |
Right, Al, where do we start? | 0:24:43 | 0:24:44 | |
I want you to get both knees up here, | 0:24:44 | 0:24:46 | |
then I want you to reach around the mast | 0:24:46 | 0:24:48 | |
and there should be an uphaul there, so if you grab hold of that | 0:24:48 | 0:24:51 | |
with both hands, it'll help you balance when you stand up. | 0:24:51 | 0:24:54 | |
So I want you to stand up | 0:24:54 | 0:24:55 | |
and get your feet one either side of the mast. | 0:24:55 | 0:24:58 | |
Then I want you to crouch down, | 0:24:58 | 0:24:59 | |
reach as far as you can down that uphaul and then hand over hand, | 0:24:59 | 0:25:02 | |
pull it up and then put your hands onto the mast. | 0:25:02 | 0:25:04 | |
Hands onto the mast, OK. | 0:25:04 | 0:25:05 | |
If you lean the sail towards the back of the boat, | 0:25:05 | 0:25:07 | |
you'll find the boat turns one way. | 0:25:07 | 0:25:09 | |
HELEN GIGGLES Sorry! | 0:25:09 | 0:25:10 | |
And if you lean it towards the front of the boat, | 0:25:10 | 0:25:12 | |
you'll find it turns the other way. | 0:25:12 | 0:25:14 | |
OK, well, that seems straightforward enough. Shall we take it to water? | 0:25:14 | 0:25:18 | |
-Yep, why not? I think we're good, I think we're ready. -Yeah? | 0:25:18 | 0:25:21 | |
'It's now or never. | 0:25:21 | 0:25:23 | |
'I really hope I'm not in for a soaking.' | 0:25:23 | 0:25:26 | |
-It is quite cold, isn't it? -Just a little chilly. | 0:25:26 | 0:25:29 | |
It's probably about minus seven with the wind chill, | 0:25:29 | 0:25:31 | |
but the water temperature's about one degree. | 0:25:31 | 0:25:34 | |
So we're just going to get you up into that sailing position. | 0:25:34 | 0:25:36 | |
-So grab hold of your mast, remember? -Oh, yeah, the mast. | 0:25:36 | 0:25:39 | |
I'm practically signing up for the Olympics now, aren't I? | 0:25:39 | 0:25:42 | |
-Oh, yes, definitely. -Yeah. | 0:25:42 | 0:25:43 | |
And you're off! | 0:25:45 | 0:25:46 | |
That's it, Helen. Well done. Keep your front leg straight. | 0:25:46 | 0:25:50 | |
Pull in with your back hand a little. | 0:25:50 | 0:25:52 | |
Whoa! | 0:25:52 | 0:25:53 | |
I'm not setting any world records just yet. | 0:25:53 | 0:25:56 | |
Oh, I'm actually moving, aren't I? | 0:25:58 | 0:26:00 | |
-Whoops! -I'm on! I'm still on! | 0:26:00 | 0:26:03 | |
Pull it back up. | 0:26:03 | 0:26:05 | |
Whoa! There we go! There's a little gust! | 0:26:06 | 0:26:09 | |
-Woo-hoo! I'm doing it, yeah? -Yeah. Well done. | 0:26:12 | 0:26:15 | |
'I can see why people get a kick out of this | 0:26:17 | 0:26:19 | |
'and I'll definitely be back to give it another go.' | 0:26:19 | 0:26:22 | |
You've done really well today. | 0:26:22 | 0:26:23 | |
You've still got dry hair, which is impressive! | 0:26:23 | 0:26:26 | |
Hollingworth Lake is easy to get to, so it's well used | 0:26:28 | 0:26:31 | |
and well looked after, but how do the more remote reservoirs fare? | 0:26:31 | 0:26:35 | |
Gaddings Dam is perched around 500 feet higher. | 0:26:37 | 0:26:40 | |
It's a lung-burning hike up a steep hill, | 0:26:40 | 0:26:43 | |
but I'm assured it's well worth it. | 0:26:43 | 0:26:45 | |
-Hello, gang. -Hiya. -Hi. | 0:26:45 | 0:26:48 | |
'There were plans to drain the reservoir, | 0:26:48 | 0:26:50 | |
'but people here loved it so much, they clubbed together to buy it | 0:26:50 | 0:26:53 | |
'and that means they have to keep an eye on it.' | 0:26:53 | 0:26:56 | |
What is it about this place that's so special? | 0:26:56 | 0:26:59 | |
Well, you'll have to see when we get up there, Helen, | 0:26:59 | 0:27:01 | |
but it's got a unique quality. | 0:27:01 | 0:27:04 | |
It's on nearly 1,200 feet elevation, | 0:27:04 | 0:27:06 | |
it's a very popular spot with swimmers | 0:27:06 | 0:27:10 | |
and with people from the town coming up for picnics and so on. | 0:27:10 | 0:27:13 | |
It's a real wonderful place. | 0:27:13 | 0:27:15 | |
Toby, you keep sort of burying your neck into your coat. It is cold. | 0:27:15 | 0:27:19 | |
-But you've been up there. Is it worth the walk? -Yeah. -Definitely? -Yeah. | 0:27:19 | 0:27:23 | |
-Can you remember coming up here as a little girl, Margaret? -Yes, I do. | 0:27:33 | 0:27:36 | |
We just used to come up here all the time in the summer. | 0:27:36 | 0:27:39 | |
At that time there were a lot of mills in the valley, | 0:27:39 | 0:27:41 | |
so it was quite polluted. | 0:27:41 | 0:27:43 | |
Places like this were a way of getting away from the smoke. | 0:27:43 | 0:27:47 | |
Do you come up here to clear your head and gather your thoughts? | 0:27:47 | 0:27:49 | |
Definitely. It's a steep hill, but within a short period of time, | 0:27:49 | 0:27:52 | |
you're just on top of the world. | 0:27:52 | 0:27:54 | |
Wow! | 0:28:01 | 0:28:02 | |
-Oh, my word! That is a lot of water! -It is a lot. | 0:28:04 | 0:28:06 | |
This doesn't feel like Northern England, | 0:28:06 | 0:28:09 | |
it feels a bit like...Russia when you look over there! | 0:28:09 | 0:28:12 | |
Hello, chaps. | 0:28:15 | 0:28:17 | |
This is part of the essential ongoing maintenance | 0:28:17 | 0:28:20 | |
that we have to go through to keep the dam walls in good shape. | 0:28:20 | 0:28:23 | |
They're lifting stones that have fallen down near the water's edge | 0:28:23 | 0:28:26 | |
to replace them along the top of the wall. | 0:28:26 | 0:28:29 | |
'As a final treat, Tim wants to share his favourite spot with me.' | 0:28:29 | 0:28:33 | |
Here we are, Helen, this is our beach. | 0:28:35 | 0:28:38 | |
I don't think I've ever sat on a beach surrounded by ice and snow. | 0:28:38 | 0:28:42 | |
It is stunning, though. I can see why people love it. | 0:28:42 | 0:28:45 | |
You're a world away from everyone and everything, aren't you, up here? | 0:28:45 | 0:28:48 | |
Oh, completely, completely. | 0:28:48 | 0:28:50 | |
We've always claimed it was the highest sandy beach in England | 0:28:50 | 0:28:54 | |
and nobody's challenged that yet. | 0:28:54 | 0:28:55 | |
If you came back here on a summer's day, you'd see people swimming, | 0:28:55 | 0:28:58 | |
you'd see people from Todmorden up here having picnics, | 0:28:58 | 0:29:01 | |
people walking their dogs around, it really is a playground for people. | 0:29:01 | 0:29:05 | |
I want to say that I'm disappointed | 0:29:05 | 0:29:07 | |
I haven't brought my swimming costume... | 0:29:07 | 0:29:09 | |
but that would be a complete lie! Cheers. | 0:29:09 | 0:29:11 | |
Now, as we heard earlier, Europe is on the verge of banning | 0:29:13 | 0:29:16 | |
pesticides vital to many British farmers | 0:29:16 | 0:29:19 | |
because they're being blamed for the dramatic decline of bees, | 0:29:19 | 0:29:23 | |
but are they doing too much too soon? | 0:29:23 | 0:29:25 | |
Here's Tom. | 0:29:25 | 0:29:27 | |
With bees disappearing from our countryside, | 0:29:29 | 0:29:32 | |
we're being encouraged to do | 0:29:32 | 0:29:35 | |
all kinds of imaginative things to help them. | 0:29:35 | 0:29:37 | |
These balloons all contain a handful of seeds | 0:29:39 | 0:29:42 | |
and they're going into the ground | 0:29:42 | 0:29:43 | |
here at Mote Park in the heart of Maidstone | 0:29:43 | 0:29:46 | |
and the idea is, when the kids have finished their little balloon dance, | 0:29:46 | 0:29:49 | |
stepping on them all, that in few months' time, it will grow up | 0:29:49 | 0:29:52 | |
with lovely wild flowers, so let's go and do some popping. | 0:29:52 | 0:29:56 | |
'In simple terms, more flowers means more bees | 0:29:56 | 0:29:59 | |
'and with bee numbers down by a half since the 1980s, | 0:29:59 | 0:30:02 | |
'they need all the help they can get.' | 0:30:02 | 0:30:04 | |
Right, what we're going to do now, | 0:30:06 | 0:30:08 | |
we need to tread these seeds in, right? | 0:30:08 | 0:30:10 | |
So the best way to tread the seeds in is to dance on them, | 0:30:12 | 0:30:15 | |
so what we're going to do, we're going to do the Hokey Cokey. | 0:30:15 | 0:30:17 | |
Two, three... | 0:30:17 | 0:30:19 | |
-ALL: -# Oh, hokey cokey cokey... # | 0:30:19 | 0:30:21 | |
I'm going to make my excuses from the dance floor right now. | 0:30:21 | 0:30:24 | |
It's clearly great work that's being done here | 0:30:24 | 0:30:27 | |
to get more bee-friendly plants growing, | 0:30:27 | 0:30:29 | |
but is all this good work going to be undone | 0:30:29 | 0:30:32 | |
by pesticides out there in our fields? | 0:30:32 | 0:30:35 | |
The European Commission certainly thinks so. | 0:30:37 | 0:30:39 | |
It says some of the world's most widely-used agricultural pesticides, | 0:30:39 | 0:30:43 | |
called neonicotinoids, could be killing our bees. | 0:30:43 | 0:30:47 | |
It wants to ban them from the 1st of July. | 0:30:47 | 0:30:50 | |
Earlier, we heard from a farmer, a scientist and even a beekeeper, | 0:30:50 | 0:30:55 | |
who were all currently against the ban, | 0:30:55 | 0:30:58 | |
but not everyone in the UK feels the same way. | 0:30:58 | 0:31:02 | |
Some British environmental groups, | 0:31:03 | 0:31:06 | |
including the RSPB and the Soil Association, | 0:31:06 | 0:31:08 | |
say evidence is mounting of a danger to bees. | 0:31:08 | 0:31:12 | |
Vanessa Amaral-Rogers from the charity Buglife wants action now. | 0:31:12 | 0:31:16 | |
How worried are you about the pesticides and the neonicotinoids? | 0:31:16 | 0:31:21 | |
We're really worried. | 0:31:21 | 0:31:23 | |
We've been doing a lot of work on neonicotinoids back in 2009 | 0:31:23 | 0:31:26 | |
when we sort of found that there was | 0:31:26 | 0:31:28 | |
a lot of scientific research around at the time | 0:31:28 | 0:31:31 | |
which showed that there was an effect on neonics in pollinators. | 0:31:31 | 0:31:35 | |
A small amount of the chemical can affect in different ways, | 0:31:35 | 0:31:38 | |
so making honeybees forage less | 0:31:38 | 0:31:40 | |
or not return back to the hive because they get lost. | 0:31:40 | 0:31:44 | |
It's something that Buglife | 0:31:44 | 0:31:45 | |
have been campaigning for right from the start, | 0:31:45 | 0:31:47 | |
that we want the Government to put a ban in | 0:31:47 | 0:31:49 | |
because we're worried about it, the evidence is there. | 0:31:49 | 0:31:52 | |
But how strong is that evidence? I've been taking a closer look. | 0:31:53 | 0:31:58 | |
This is the document on which the European Commission | 0:31:58 | 0:32:01 | |
have based their opinion in favour of a ban, | 0:32:01 | 0:32:03 | |
but when you look inside, the data is far from clear-cut. | 0:32:03 | 0:32:07 | |
Where they've got an R in a column, | 0:32:07 | 0:32:09 | |
it shows there has been a risk identified, but where there's an X, | 0:32:09 | 0:32:14 | |
they're not so sure, or as they put it, "assessment not finalised". | 0:32:14 | 0:32:18 | |
Now, there are a couple of columns with Rs, but all the rest...Xs. | 0:32:18 | 0:32:24 | |
Basically, we still lack definitive proof | 0:32:24 | 0:32:27 | |
and the uncertainty over the level of risk has caused mixed reactions. | 0:32:27 | 0:32:32 | |
So, while many MPs support a ban on neonicotinoids, | 0:32:32 | 0:32:36 | |
the British Government still thinks we need more evidence. | 0:32:36 | 0:32:39 | |
People are looking to science for answers, | 0:32:39 | 0:32:42 | |
but even there, the experts can't agree. | 0:32:42 | 0:32:44 | |
We're basically measuring everything we can measure about these nests - | 0:32:45 | 0:32:49 | |
how many new bees they've produced... | 0:32:49 | 0:32:52 | |
'At Stirling University, there's yet another research project, | 0:32:52 | 0:32:55 | |
'this time on the effects of neonicotinoids on bumblebees.' | 0:32:55 | 0:33:00 | |
So these nests have been variously | 0:33:00 | 0:33:03 | |
exposed or not exposed to neonicotinoids. | 0:33:03 | 0:33:06 | |
'Professor David Goulson is looking for a link | 0:33:06 | 0:33:09 | |
'between these pesticides and smaller, underdeveloped nests. | 0:33:09 | 0:33:13 | |
'He is in favour of a ban.' | 0:33:13 | 0:33:16 | |
When we were speaking to the farmer, | 0:33:16 | 0:33:17 | |
he said, "Look, this is a seed dressing, | 0:33:17 | 0:33:20 | |
"there's a small amount in the seed. By the time the plant's grown | 0:33:20 | 0:33:23 | |
"and the bees are feeding on the actual flower, it's infinitesimal," | 0:33:23 | 0:33:27 | |
-but are you saying that's still enough to harm a bee? -Well, if... | 0:33:27 | 0:33:31 | |
Yes, it is. | 0:33:31 | 0:33:33 | |
I mean, it wouldn't work as a pest-control strategy | 0:33:33 | 0:33:35 | |
if they weren't toxic at very low concentrations. | 0:33:35 | 0:33:38 | |
The evidence suggests that | 0:33:38 | 0:33:39 | |
if you feed those concentrations to bees, | 0:33:39 | 0:33:42 | |
you get measurable biological effects - they lay fewer eggs, | 0:33:42 | 0:33:46 | |
they get lost on the way home, | 0:33:46 | 0:33:47 | |
they're not so good at gathering food. | 0:33:47 | 0:33:50 | |
So the long and the short of it is, the concentrations in nectar | 0:33:50 | 0:33:53 | |
and pollen of flowering crops ARE enough to affect bees. | 0:33:53 | 0:33:56 | |
If we have evidence, but inconclusive evidence, | 0:33:56 | 0:33:59 | |
that these things seriously harm bees and other wildlife, | 0:33:59 | 0:34:02 | |
then we should stop using them until we've got that evidence, | 0:34:02 | 0:34:05 | |
until we can definitely say how much they're harming wildlife, | 0:34:05 | 0:34:09 | |
rather than just carry on blithely chucking them | 0:34:09 | 0:34:12 | |
around the countryside until some indefinite future date | 0:34:12 | 0:34:16 | |
where we may have acquired that evidence. | 0:34:16 | 0:34:18 | |
There is a growing consensus among scientists that neonicotinoids | 0:34:20 | 0:34:24 | |
have some effect on bee health, | 0:34:24 | 0:34:27 | |
but without conclusive evidence linking them to the decline of bees, | 0:34:27 | 0:34:31 | |
currently it's all about weighing up risk. | 0:34:31 | 0:34:34 | |
So is it better to be safe than sorry? | 0:34:34 | 0:34:36 | |
Or should we hold out for a clearer answer? | 0:34:36 | 0:34:40 | |
If science can help resolve this debate, | 0:34:40 | 0:34:43 | |
it will be doing a great service to the bees and possibly to farmers too. | 0:34:43 | 0:34:47 | |
Come on, in you go. | 0:34:49 | 0:34:51 | |
'In the meantime, the decision on banning neonicotinoids | 0:34:51 | 0:34:54 | |
'will have to be made without the luxury of absolute proof.' | 0:34:54 | 0:34:58 | |
Heel! | 0:35:02 | 0:35:04 | |
We all know the weather has been really cold | 0:35:07 | 0:35:10 | |
and wet over the past few months. | 0:35:10 | 0:35:12 | |
For most of us, it's just been rather grim and a bit inconvenient, | 0:35:12 | 0:35:15 | |
but for farmers like Adam, it's had more serious consequences. | 0:35:15 | 0:35:19 | |
This may look like a beautiful spring day, | 0:35:25 | 0:35:28 | |
but actually it's bitterly cold with these easterly winds. | 0:35:28 | 0:35:31 | |
The snow is still lying under the hedges | 0:35:31 | 0:35:33 | |
and, as we know, right across the country, | 0:35:33 | 0:35:35 | |
people have been suffering with all this cold weather. | 0:35:35 | 0:35:38 | |
And here on the farm, it's just not a spring scene. | 0:35:38 | 0:35:42 | |
The grass over there should be long and lush and bright green, | 0:35:42 | 0:35:45 | |
and it's just lying there, a pale colour. | 0:35:45 | 0:35:49 | |
Across there, we've got a brown field that's been ploughed, | 0:35:49 | 0:35:51 | |
ready to plant spring barley that should have gone in a month ago, | 0:35:51 | 0:35:54 | |
but it's just been too cold and too wet. | 0:35:54 | 0:35:57 | |
This field should have oilseed rape growing in it | 0:35:57 | 0:36:00 | |
with plants about this high, bright green, | 0:36:00 | 0:36:02 | |
with buds on that are going to burst into yellow flower, | 0:36:02 | 0:36:06 | |
but as it is, there's absolutely nothing here. | 0:36:06 | 0:36:09 | |
The crop should have been planted in the middle of August last year, | 0:36:09 | 0:36:12 | |
but we didn't get it in until late September | 0:36:12 | 0:36:15 | |
because of all the wet weather, so it had a difficult start, | 0:36:15 | 0:36:18 | |
then the slugs have got into it | 0:36:18 | 0:36:20 | |
and the easterly winds have absolutely hammered it | 0:36:20 | 0:36:23 | |
and the pigeons have been coming on here and eating it as well. | 0:36:23 | 0:36:27 | |
And now I can hardly find a plant. | 0:36:27 | 0:36:29 | |
There's one here that's just a few little stalks, it's virtually dead. | 0:36:29 | 0:36:35 | |
'We'll have to give up on more than 100 acres of winter oilseed rape, | 0:36:37 | 0:36:40 | |
'which is a real disaster. | 0:36:40 | 0:36:42 | |
'It'll have to be ripped out over the coming weeks | 0:36:42 | 0:36:45 | |
'and be replanted with a spring rape crop. | 0:36:45 | 0:36:48 | |
'For my farming business, that's a big financial hit.' | 0:36:48 | 0:36:52 | |
Come on then. | 0:36:54 | 0:36:55 | |
Well, it's a pretty sorry state on this farm | 0:36:59 | 0:37:01 | |
but I know I'm not alone so I've invited a good friend of mine, | 0:37:01 | 0:37:04 | |
David Neill, who meets farmers all across the UK | 0:37:04 | 0:37:08 | |
and advises them on their arable crops, | 0:37:08 | 0:37:10 | |
so that I can get an understanding of the bigger picture. | 0:37:10 | 0:37:13 | |
-David, it's not great, is it? -No, it's certainly not, Adam. | 0:37:13 | 0:37:16 | |
And, as you said, you're not alone. | 0:37:16 | 0:37:18 | |
Your rape fields are no different to many others. | 0:37:18 | 0:37:21 | |
Probably 30% of the national crop has now been lost | 0:37:21 | 0:37:25 | |
through the same circumstances. It really is a desperate situation. | 0:37:25 | 0:37:29 | |
This is the wheat field. | 0:37:29 | 0:37:31 | |
We managed to get all of our wheat planted in the autumn. | 0:37:31 | 0:37:33 | |
This isn't looking too bad, is it? | 0:37:33 | 0:37:35 | |
No, this is pretty good compared with most people round the country. | 0:37:35 | 0:37:39 | |
You don't have to go many miles from here to see the state of devastation | 0:37:39 | 0:37:43 | |
we have with the compaction and the wet soil conditions. | 0:37:43 | 0:37:47 | |
And probably we're looking at about 20% reduction | 0:37:47 | 0:37:50 | |
in our wheat planting at the moment. | 0:37:50 | 0:37:52 | |
And what are the overall consequences then? | 0:37:52 | 0:37:55 | |
Well, the consequences are pretty dramatic | 0:37:55 | 0:37:57 | |
from the point of view of overall food supply in the UK | 0:37:57 | 0:38:00 | |
because whether you look at potatoes, | 0:38:00 | 0:38:02 | |
whether you look at veg production, | 0:38:02 | 0:38:04 | |
it's all under pressure, so I guess it's a hard one to call | 0:38:04 | 0:38:08 | |
but food prices are going to remain high, | 0:38:08 | 0:38:11 | |
fragile and certainly with the British public buying | 0:38:11 | 0:38:15 | |
more and more home-produced food, farmers want to make sure | 0:38:15 | 0:38:17 | |
it's on the shelves and it's very frustrating for them | 0:38:17 | 0:38:20 | |
at the moment with the pressure that they're under. | 0:38:20 | 0:38:23 | |
'Whilst it's frustrating for arable farmers, | 0:38:28 | 0:38:31 | |
'for those with livestock, it's been heartbreaking.' | 0:38:31 | 0:38:35 | |
We were very fortunate at home. | 0:38:35 | 0:38:37 | |
We managed to get round to all the animals | 0:38:37 | 0:38:39 | |
and make sure they had food and water and shelter | 0:38:39 | 0:38:41 | |
and the lambs that were freshly born, | 0:38:41 | 0:38:43 | |
we kept them inside the sheds with their mothers | 0:38:43 | 0:38:46 | |
but there are many farmers across the UK that haven't been so lucky. | 0:38:46 | 0:38:50 | |
Parts of Britain are still struggling with the snow | 0:38:52 | 0:38:55 | |
and freezing temperatures. | 0:38:55 | 0:38:56 | |
Roads over higher ground running impassable | 0:38:56 | 0:38:59 | |
and farmers are struggling to rescue livestock stranded by the blizzards. | 0:38:59 | 0:39:04 | |
But it wasn't until the snow started to thaw | 0:39:12 | 0:39:15 | |
that the harrowing picture really started to reveal itself | 0:39:15 | 0:39:18 | |
and farmers could get back out into the fields | 0:39:18 | 0:39:21 | |
and were picking up dead sheep everywhere. | 0:39:21 | 0:39:24 | |
Look at it. Here we are in the middle of April | 0:39:24 | 0:39:27 | |
and the snow is still really deep. | 0:39:27 | 0:39:29 | |
I'm on my way to meet Errol Morris who's a sheep farmer | 0:39:29 | 0:39:33 | |
a little bit further up in the mountains. | 0:39:33 | 0:39:35 | |
'At his farm on the Welsh borders, Errol has more than 800 acres | 0:39:38 | 0:39:41 | |
'and keeps more than 1,000 sheep. | 0:39:41 | 0:39:43 | |
'Sadly, I'm not the only visitor to his farm today. | 0:39:45 | 0:39:48 | |
'He's had to arrange for some contractors | 0:39:48 | 0:39:50 | |
'to remove his dead sheep.' | 0:39:50 | 0:39:52 | |
It's a horrible sight, isn't it, a pile of dead bodies like that? | 0:39:58 | 0:40:01 | |
Well, it's a terrible sight to see. It brings me back memories of 2001. | 0:40:01 | 0:40:07 | |
-The foot and mouth. -That devastating foot and mouth disease. | 0:40:07 | 0:40:10 | |
And I hope we never see that again, obviously. | 0:40:10 | 0:40:13 | |
And also, we don't want a storm like we've just had. | 0:40:13 | 0:40:18 | |
How many sheep are there in that pile? | 0:40:18 | 0:40:19 | |
There's 138 in that pile | 0:40:19 | 0:40:22 | |
-and there's about 50 little lambs as well. -Horrible. | 0:40:22 | 0:40:27 | |
I mean, it's harrowing to watch | 0:40:27 | 0:40:28 | |
-but financially it must be devastating as well. -It is. | 0:40:28 | 0:40:32 | |
The thing is, it doesn't stop there because the ones that survive, | 0:40:32 | 0:40:36 | |
lots of them have slipped their lambs due to the harsh weather. | 0:40:36 | 0:40:39 | |
-Aborted. -Aborted, yeah. | 0:40:39 | 0:40:41 | |
I'll be very, very, very lucky if I get 50% lambing this year. | 0:40:41 | 0:40:45 | |
Unbelievable. A ewe would be worth, what, £60-80? | 0:40:45 | 0:40:49 | |
80-odd quid, yes, yes, I should think. Yeah. | 0:40:49 | 0:40:52 | |
'With nearly 200 sheep already dead and the numbers still mounting, | 0:40:57 | 0:41:01 | |
'Errol won't know the true financial and emotional cost | 0:41:01 | 0:41:04 | |
'until the snow has gone.' | 0:41:04 | 0:41:06 | |
Watch out you don't fall. It's starting to melt. | 0:41:06 | 0:41:10 | |
'We're heading up to the top fields | 0:41:10 | 0:41:12 | |
'to try and get a better picture of what's happened. | 0:41:12 | 0:41:15 | |
So, when the storm came, | 0:41:19 | 0:41:20 | |
they ran for shelter and the walls were where they went. | 0:41:20 | 0:41:24 | |
-Can you feel anything there, Adam? -No. | 0:41:24 | 0:41:26 | |
-Is that a dead one up there? -Oh, there's another one there, yes. | 0:41:29 | 0:41:33 | |
Have they died mainly of the cold? | 0:41:33 | 0:41:36 | |
Well, yes, it's the cold and suffocation in the drifts, isn't it? | 0:41:36 | 0:41:40 | |
They haven't got... If they're under the snow like this - | 0:41:40 | 0:41:44 | |
it's like concrete - they've got no hope, have they? | 0:41:44 | 0:41:47 | |
'Even for the lucky ones that survived the snow, | 0:41:52 | 0:41:54 | |
'there's still a struggle ahead.' | 0:41:54 | 0:41:56 | |
Where the snow has melted, the grass doesn't look very good, does it? | 0:41:58 | 0:42:02 | |
No, it's going yellow, isn't it? It's burnt off completely. | 0:42:02 | 0:42:04 | |
-So, there's no nutrients in this for the ewes. -Nothing whatsoever. | 0:42:04 | 0:42:08 | |
I've bought in silage, turnips as well. | 0:42:08 | 0:42:12 | |
More and more and more expense. But that's it, | 0:42:12 | 0:42:14 | |
-you've got to feed them or you won't have anything left. -No. | 0:42:14 | 0:42:18 | |
There's one here that doesn't look very well. | 0:42:18 | 0:42:21 | |
-Oh, yeah, she is not very well at all, Errol, is she? -No, she's not. | 0:42:26 | 0:42:30 | |
She's gone blind in one eye, hasn't she? | 0:42:30 | 0:42:32 | |
-She's got a touch of snow fever, I think. -Really lean. | 0:42:32 | 0:42:35 | |
-So the lambs inside of her are drawing all her energy. -Yeah. | 0:42:35 | 0:42:38 | |
What will you do? Take her down to the shed and to try and save her? | 0:42:38 | 0:42:41 | |
-Yeah, take her down to the shed. -She can hardly stand up. -No. | 0:42:41 | 0:42:45 | |
Poor thing. | 0:42:45 | 0:42:47 | |
It looks like this little wood, it's had sheep all round it. | 0:42:47 | 0:42:51 | |
Well, you can see where they've been pushing to go into the wood. | 0:42:51 | 0:42:55 | |
You can see the wool on the barbed wire | 0:42:55 | 0:42:58 | |
and they've even eaten the bark on the tree trunks. | 0:42:58 | 0:43:01 | |
So there'd have been a lot of sheep sheltering inside that. | 0:43:01 | 0:43:04 | |
All around there. It's saved a lot of lives. | 0:43:04 | 0:43:07 | |
'Errol and his sheep are clearly fighters. | 0:43:10 | 0:43:14 | |
'I just hope he can overcome this terrible experience | 0:43:14 | 0:43:17 | |
'and look forward to brighter times.' | 0:43:17 | 0:43:20 | |
The crops are suffering on my farm | 0:43:22 | 0:43:25 | |
but coming here to this farm in Wales | 0:43:25 | 0:43:28 | |
and seeing so many dead animals has been really disturbing. | 0:43:28 | 0:43:32 | |
I am taking this ewe back down to the yards | 0:43:32 | 0:43:35 | |
and hopefully... she'll be one that makes it. | 0:43:35 | 0:43:38 | |
"I stood on a dark summit among dark summits | 0:43:53 | 0:43:58 | |
"Tidal dawn splitting heaven from earth | 0:43:59 | 0:44:04 | |
"The oyster opening to taste gold." | 0:44:04 | 0:44:07 | |
Those words were written by Ted Hughes, | 0:44:10 | 0:44:13 | |
one of our greatest ever poets. | 0:44:13 | 0:44:15 | |
He was describing this place - | 0:44:15 | 0:44:18 | |
the Calder Valley, the place he was born. | 0:44:18 | 0:44:21 | |
'Ted Hughes was born in Mytholmroyd, the West Yorkshire town | 0:44:29 | 0:44:33 | |
'where he spent the first seven years of his life | 0:44:33 | 0:44:36 | |
'and although he left when he was still a child, | 0:44:36 | 0:44:38 | |
'it was a landscape that was to shape his writing.' | 0:44:38 | 0:44:41 | |
Many of his most celebrated and personal poems were set here | 0:44:42 | 0:44:46 | |
among the steep hills and stones, the mill towns and moors. | 0:44:46 | 0:44:51 | |
And if you know where to look, | 0:44:51 | 0:44:52 | |
you can still find the places he wrote about. | 0:44:52 | 0:44:55 | |
'I'm off to find some of them. But I'm not going alone. | 0:44:57 | 0:45:01 | |
'I have enlisted the help of someone who's made it his mission | 0:45:01 | 0:45:03 | |
'to seek out the places in Ted Hughes' poems.' | 0:45:03 | 0:45:06 | |
A kind of literary detective, if you will. | 0:45:06 | 0:45:09 | |
But best of all, he actually knew Ted Hughes as a boy. | 0:45:09 | 0:45:12 | |
'His name is Donald Crossley. | 0:45:14 | 0:45:17 | |
'Here he is at school with Ted in 1935.' | 0:45:17 | 0:45:19 | |
'They grew up in the same street - | 0:45:21 | 0:45:23 | |
'Aspinall Street. | 0:45:23 | 0:45:25 | |
'A plaque marks the house Ted was born in.' | 0:45:25 | 0:45:28 | |
-Donald. -Ellie. Ah, pleased to meet you. -Lovely to meet you. | 0:45:28 | 0:45:30 | |
-How are you doing? -Very well. | 0:45:30 | 0:45:32 | |
It's a glorious day but, by Jove, it's a cold wind. | 0:45:32 | 0:45:34 | |
Yeah, sure is. So, you knew Ted as a child then? | 0:45:34 | 0:45:38 | |
We were brought up here in Banksfield, four boys. | 0:45:38 | 0:45:41 | |
There was Derek Robertshaw, Brian Seymour, Donald Crossley | 0:45:41 | 0:45:44 | |
-and Teddy Hughes. He was always Teddy to we boys. -Teddy? -Yes, he was. | 0:45:44 | 0:45:48 | |
What sort of things to do you get up to? What was it like around here? | 0:45:48 | 0:45:51 | |
All kinds of things. Redacre Wood, | 0:45:51 | 0:45:53 | |
that was the Mecca for boys to go and play in. | 0:45:53 | 0:45:55 | |
Then up the fields and lighting fires, trapping, shooting rabbits. | 0:45:55 | 0:46:00 | |
-All that kind of thing up on the hillside. -Wow. | 0:46:00 | 0:46:03 | |
What was he like then as a character, as a young lad? | 0:46:03 | 0:46:06 | |
We looked up to Teddy. He was that bit more special than we were. | 0:46:06 | 0:46:10 | |
He was a clever lad, right from the beginning. | 0:46:10 | 0:46:12 | |
'Today, with Donald's daughter, Ruth, | 0:46:17 | 0:46:19 | |
'we're seeking out the places mentioned in the poems. | 0:46:19 | 0:46:22 | |
'When Donald first set about this task, | 0:46:22 | 0:46:25 | |
'he called upon some very special help - Ted's elder brother, Gerald.' | 0:46:25 | 0:46:29 | |
So, Donald, you have a load of knowledge about his poetry, | 0:46:29 | 0:46:33 | |
Ted's work, and incredible knowledge about this area. | 0:46:33 | 0:46:36 | |
So how did you marry up the two | 0:46:36 | 0:46:38 | |
to figure out where the poems were based on? | 0:46:38 | 0:46:40 | |
Well, of course, when I wanted to find these things out, | 0:46:40 | 0:46:43 | |
I wrote to Gerald and he sent me this map. | 0:46:43 | 0:46:46 | |
'It's hand-drawn | 0:46:46 | 0:46:48 | |
'and shows many of the places Gerald and Ted spent in childhood.' | 0:46:48 | 0:46:51 | |
Where they smoked weasels out of the walls. | 0:46:51 | 0:46:54 | |
There is a poem of that and that's just there, up the lane. | 0:46:54 | 0:46:58 | |
'There are all sorts of clues about the poems in the letters | 0:46:58 | 0:47:01 | |
'but they also reveal the young Ted's fascination with nature.' | 0:47:01 | 0:47:05 | |
"Ted at my side, wide-eyed, taking everything in, | 0:47:06 | 0:47:09 | |
"making a continuous recording of everything we did, | 0:47:09 | 0:47:12 | |
"asking questions - 'Where do you think that owl | 0:47:12 | 0:47:15 | |
" 'we saw last week will be roosting?' " | 0:47:15 | 0:47:17 | |
-What fabulous detail. -It is fabulous. | 0:47:17 | 0:47:19 | |
What did you think when you first got these letters then? | 0:47:19 | 0:47:21 | |
Well, I began to realise, over the years, they're so very precious. | 0:47:21 | 0:47:25 | |
'But there was one place Gerald's letters couldn't identify. | 0:47:27 | 0:47:31 | |
'Donald had to turn literary sleuth all on his own.' | 0:47:31 | 0:47:35 | |
And it concerns this picture, taken of six young men | 0:47:35 | 0:47:39 | |
on the eve of going to France to fight in the First World War. | 0:47:39 | 0:47:44 | |
None of them returned home | 0:47:44 | 0:47:46 | |
and it inspired one of Ted Hughes's most poignant poems. | 0:47:46 | 0:47:49 | |
"The celluloid of a photograph holds them well | 0:47:51 | 0:47:54 | |
"Six young men, familiar to their friends | 0:47:54 | 0:47:59 | |
"Four decades that have faded and ochre-tinged this photograph | 0:47:59 | 0:48:03 | |
"Have not wrinkled the faces or the hands | 0:48:03 | 0:48:07 | |
"Though their cocked hats are not now fashionable, their shoes shine | 0:48:07 | 0:48:12 | |
"One imparts an intimate smile, one chews a grass | 0:48:12 | 0:48:17 | |
"One lowers his eyes, bashful | 0:48:17 | 0:48:20 | |
"One is ridiculous with cocky pride | 0:48:20 | 0:48:23 | |
"Six months after this picture, they were all dead." | 0:48:23 | 0:48:26 | |
'But where was the place in the poem and the picture?' | 0:48:28 | 0:48:31 | |
This certain morning I said, "Hilary," I woke, "It's the water!" | 0:48:33 | 0:48:39 | |
In the middle of the poem it says, | 0:48:39 | 0:48:41 | |
"From where these sat, you'll hear the water of seven streams | 0:48:41 | 0:48:45 | |
"Fall to the roar in the bottom | 0:48:45 | 0:48:47 | |
"The collective water of seven streams." | 0:48:47 | 0:48:50 | |
And then I had a good idea where it was. | 0:48:50 | 0:48:53 | |
'It brought him here, to this secluded valley | 0:48:53 | 0:48:55 | |
'called Crimsworth Dean.' | 0:48:55 | 0:48:57 | |
There is the tree. That very stone is still there. | 0:48:58 | 0:49:02 | |
And you will just see faintly, | 0:49:02 | 0:49:04 | |
the black wall and the bilberried banks over there. | 0:49:04 | 0:49:07 | |
-Amazing. -I was over the moon when I found it, yeah. | 0:49:07 | 0:49:11 | |
Dad suggested that we place a plaque to remember the six young men | 0:49:11 | 0:49:16 | |
which, you know, is a lovely, lovely memorial to six men | 0:49:16 | 0:49:20 | |
-who really made the ultimate sacrifice. -Absolutely. | 0:49:20 | 0:49:23 | |
'Ted Hughes' writing made him famous. | 0:49:29 | 0:49:32 | |
'He became poet laureate in 1984 | 0:49:32 | 0:49:36 | |
'but he never forgot this landscape or the place of his birth. | 0:49:36 | 0:49:40 | |
'As his brother, Gerald, writes,' | 0:49:40 | 0:49:42 | |
"Wherever we were, whatever we did, | 0:49:42 | 0:49:45 | |
"that lovely valley remained our true home | 0:49:45 | 0:49:48 | |
"because I know that is where his heart was - those early years | 0:49:48 | 0:49:52 | |
"at 1 Aspinall Street anchored both of us there for life." | 0:49:52 | 0:49:56 | |
It's clearly an ideal spot for reflecting and if you're heading out | 0:50:08 | 0:50:11 | |
into the countryside this week for some quiet time, | 0:50:11 | 0:50:14 | |
you'll want to know what the weather has in store. | 0:50:14 | 0:50:16 | |
Here's the Countryfile forecast. | 0:50:16 | 0:50:18 | |
. | 0:51:49 | 0:51:56 | |
'While Ellie's been finding out about the literary greats | 0:52:09 | 0:52:11 | |
'who were inspired by the Calderdale landscape, | 0:52:11 | 0:52:14 | |
'I've been unearthing its culinary delights.' | 0:52:14 | 0:52:17 | |
'As I discovered earlier, | 0:52:19 | 0:52:20 | |
'there's been a real push in these hills to grow more local food.' | 0:52:20 | 0:52:25 | |
And now I'm off to meet a man who's set himself the challenge | 0:52:25 | 0:52:28 | |
of making his eight-acre plot of land pay its way. | 0:52:28 | 0:52:31 | |
'And that's not easy up here. | 0:52:33 | 0:52:35 | |
'The land's steep and the winters are bitter | 0:52:35 | 0:52:38 | |
'but Gwyn Evans has found a way to do just that. | 0:52:38 | 0:52:41 | |
'Would you believe it, by making wine?' | 0:52:41 | 0:52:44 | |
-Gwyn. -Matt. -How are you doing? -Pleased to meet you. -Nice to see you. | 0:52:44 | 0:52:47 | |
-Welcome to Luddenden. -You've got a bonny view here, haven't you? | 0:52:47 | 0:52:49 | |
It's fantastic, yeah. We never get tired of it. | 0:52:49 | 0:52:52 | |
So, Gwyn, what gave you the idea, then, of making wine? | 0:52:57 | 0:53:01 | |
Well, I'd been looking to try and do something with the land | 0:53:01 | 0:53:03 | |
-which was going to be profitable and sustainable. -Yeah. | 0:53:03 | 0:53:07 | |
I was aware of an interest locally in local produce | 0:53:07 | 0:53:10 | |
and buying local things and I thought we'd found a gap in the market. | 0:53:10 | 0:53:14 | |
-Let's go and sort them out. -We're on our way, don't worry. | 0:53:14 | 0:53:18 | |
'But there's no sign of a vineyard yet. | 0:53:18 | 0:53:21 | |
'All Gwyn's showing me are pigs. | 0:53:21 | 0:53:23 | |
'They're rare-breed Oxford Sandy and Blacks. | 0:53:23 | 0:53:25 | |
'Apparently, they're all part of the process.' | 0:53:25 | 0:53:29 | |
Come on, girls. Come on, girls. | 0:53:29 | 0:53:32 | |
Do you know, Gwyn? You don't often think, right, | 0:53:32 | 0:53:35 | |
if you're going to start making wine, you've got to get some pigs. | 0:53:35 | 0:53:37 | |
Where do they fit into all this? | 0:53:37 | 0:53:39 | |
If you give them a piece of land with some scrubby overgrowth on it, | 0:53:39 | 0:53:43 | |
they'll eat off all the overgrowth, all the weeds... | 0:53:43 | 0:53:46 | |
-They do this, basically. -Well that's it. | 0:53:46 | 0:53:49 | |
Once they've finished on the top, | 0:53:49 | 0:53:50 | |
they just turn it upside down and eat what's underneath. | 0:53:50 | 0:53:53 | |
So, at the end of the day, you've got a lovely, clean piece of ground | 0:53:53 | 0:53:56 | |
ready to be planted on. | 0:53:56 | 0:53:58 | |
'Even in the height of summer, | 0:53:58 | 0:53:59 | |
'only a few vineyards thrive in this part of Yorkshire | 0:53:59 | 0:54:03 | |
'so Gwyn's planting fruit and veg for the basis of his wine.' | 0:54:03 | 0:54:06 | |
Autumn-fruiting raspberries. Plums. | 0:54:06 | 0:54:10 | |
Damsons - they're really nice. | 0:54:10 | 0:54:12 | |
Gooseberries and blackcurrants. | 0:54:12 | 0:54:15 | |
And, of course, especially rhubarb. | 0:54:15 | 0:54:17 | |
Is that popular, is it, the rhubarb? | 0:54:17 | 0:54:19 | |
-Oh, absolutely, yes. It's really delicious. -Is it? | 0:54:19 | 0:54:22 | |
-The thing about it is it's just synonymous with West Yorkshire. -Yeah. | 0:54:22 | 0:54:25 | |
How productive would you expect this plot of land to be? | 0:54:25 | 0:54:28 | |
How many bottles of wine can you get from this? | 0:54:28 | 0:54:30 | |
Well, the rhubarb alone, I could probably expect | 0:54:30 | 0:54:33 | |
-about 200 bottles next year, just from the rhubarb. -Really? | 0:54:33 | 0:54:36 | |
And then the year after that when it becomes thick and bushy, | 0:54:36 | 0:54:39 | |
between 300 and 400 bottles. | 0:54:39 | 0:54:41 | |
People, I guess, your customers, | 0:54:41 | 0:54:42 | |
will just love the fact that the wine has been, you know, | 0:54:42 | 0:54:45 | |
whatever the fruit is, has been grown here. | 0:54:45 | 0:54:47 | |
Well, I'm hoping so. There are fruit wines grown throughout the country | 0:54:47 | 0:54:51 | |
-but it's the local appeal which I'm trying to... -To tap into. | 0:54:51 | 0:54:55 | |
To tap into, yes. | 0:54:55 | 0:54:57 | |
'Gwyn's keen for me to taste the finished article. | 0:54:59 | 0:55:02 | |
'Do you know, it's a tough life being a Countryfile presenter.' | 0:55:02 | 0:55:06 | |
-But this is what it's all about then, Gwyn. -Absolutely. | 0:55:06 | 0:55:08 | |
It's in a bottle and it's ready to be drunk. | 0:55:08 | 0:55:10 | |
-What have you selected here? -This is a parsnip wine. -Yeah. | 0:55:10 | 0:55:13 | |
-It's one of my favourites. -Shall I do the pouring? -Go on. -OK. | 0:55:13 | 0:55:16 | |
-Why is this one of your favourites? -Well, it's just delicious. | 0:55:16 | 0:55:20 | |
-I hope you like it. -Right, here we go. | 0:55:20 | 0:55:23 | |
I'm not going to do the sniffy or swirly thing, | 0:55:23 | 0:55:25 | |
it's going straight down the hatch. OK? All the best. | 0:55:25 | 0:55:27 | |
Ooh, now that's a surprise. I can see why you like that. | 0:55:32 | 0:55:35 | |
-Lots of people say that. -Yeah, that's got... It's... | 0:55:35 | 0:55:39 | |
Well, it's like a white wine but that's a lovely... | 0:55:39 | 0:55:42 | |
It leaves you with a lovely, warm sensation, doesn't it? | 0:55:42 | 0:55:44 | |
Right down through your chest. | 0:55:44 | 0:55:46 | |
-Here we go. Look who's here. -Now then. | 0:55:46 | 0:55:48 | |
-How are you? -Look, I've spotted this. An empty glass. | 0:55:48 | 0:55:51 | |
You are going to love this. | 0:55:51 | 0:55:52 | |
-Go on then. -Let me tell you, this is special. -What is it? | 0:55:52 | 0:55:55 | |
-It's parsnip wine. -Parsnip wine? -Yeah. | 0:55:55 | 0:55:57 | |
Mmm. I'll try it. I'll give it a try. | 0:55:58 | 0:56:01 | |
-Ooh, it's lovely. Very dry. -Isn't that nice? | 0:56:03 | 0:56:05 | |
-Have you got that warm sensation? -Yeah. | 0:56:05 | 0:56:07 | |
On a day like today, we need it. I'm going to have to try it again. | 0:56:07 | 0:56:10 | |
Yeah, I'm just keep drinking this. | 0:56:10 | 0:56:11 | |
Anyway, that's all we have time for from Calderdale. | 0:56:11 | 0:56:14 | |
Next week, I'm looking back at some of the best-loved | 0:56:14 | 0:56:16 | |
Countryfile stories involving rural architecture - | 0:56:16 | 0:56:18 | |
-anything from stately homes to beach huts. -I'll be watching. | 0:56:18 | 0:56:21 | |
-Yes, you will. -See you later. -Bye. | 0:56:21 | 0:56:23 | |
Subtitles by Red Bee Media Ltd | 0:56:25 | 0:56:28 |