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Wild flowers native to the UK have endured a steep decline over | 0:00:24 | 0:00:29 | |
the last 70 years and that means not only the loss of the flowers | 0:00:29 | 0:00:33 | |
themselves, but also habitats for animals and insects. | 0:00:33 | 0:00:37 | |
In England alone, we've lost an astonishing | 0:00:38 | 0:00:40 | |
three million acres of wild flower meadows, | 0:00:40 | 0:00:43 | |
taking some colour from our landscape and upsetting | 0:00:43 | 0:00:47 | |
a food chain that supports a huge variety of plants and animals. | 0:00:47 | 0:00:53 | |
And it's not just the amount of farmland that's had an impact - | 0:00:53 | 0:00:56 | |
it's the way we farm too. | 0:00:56 | 0:00:59 | |
Here at the Millennium Seed Bank, it's Ted Chapman's job | 0:00:59 | 0:01:02 | |
to preserve the wild flowers we have for the future. | 0:01:02 | 0:01:05 | |
This is a wet meadow or fen, | 0:01:05 | 0:01:08 | |
-looking pretty glorious at this time of year. -Looks lovely. | 0:01:08 | 0:01:11 | |
So, farming's been getting a lot of the blame, | 0:01:11 | 0:01:13 | |
but how does that actually work? | 0:01:13 | 0:01:15 | |
Well, I think probably the key culprits there are | 0:01:15 | 0:01:18 | |
modern fertilisers and herbicides, which favours the grass | 0:01:18 | 0:01:22 | |
but it certainly doesn't favour the wild flowers. | 0:01:22 | 0:01:24 | |
And how bad is the loss? | 0:01:24 | 0:01:26 | |
It's been pretty catastrophic, to be frank. | 0:01:26 | 0:01:29 | |
We've lost 97% of our species-rich wild flower meadows. | 0:01:29 | 0:01:33 | |
This is since the Second World War. | 0:01:33 | 0:01:35 | |
It's probably slowed a little now, but we really need to work hard | 0:01:35 | 0:01:39 | |
to prevent that further deterioration and reverse that decline. | 0:01:39 | 0:01:44 | |
The statistics are pretty stark. | 0:01:44 | 0:01:47 | |
Of around 1,400 wild plants in Britain, | 0:01:47 | 0:01:50 | |
45 are classed as critically endangered. | 0:01:50 | 0:01:54 | |
101 species are endangered | 0:01:54 | 0:01:56 | |
and 307 species are listed as vulnerable. | 0:01:56 | 0:02:00 | |
That means about a third of our wild plants | 0:02:00 | 0:02:04 | |
are edging towards extinction. | 0:02:04 | 0:02:07 | |
Feels like the Secret Garden! | 0:02:11 | 0:02:14 | |
'Behind the scenes, Ted and his colleagues are going to | 0:02:14 | 0:02:16 | |
'extraordinary lengths to stop our wild flowers disappearing forever.' | 0:02:16 | 0:02:21 | |
By the look of it, we've got a mixture of the quite rampant | 0:02:21 | 0:02:24 | |
-and the very rare here. -Yeah. We've got some spring beauties here. | 0:02:24 | 0:02:29 | |
You started with the cowslip. | 0:02:29 | 0:02:31 | |
This will be reasonably familiar to many people. | 0:02:31 | 0:02:33 | |
It's declining but it's not too endangered yet. | 0:02:33 | 0:02:36 | |
Really important food plant for butterflies. So, we mustn't lose it. | 0:02:36 | 0:02:40 | |
Next, we've got this lovely plant. This is the pasque flower. | 0:02:40 | 0:02:44 | |
Really associated with old, undisturbed, chalky grassland. | 0:02:44 | 0:02:48 | |
And it's just become so rare, so fragmented, | 0:02:48 | 0:02:51 | |
you'd be very lucky to see it in the wild. | 0:02:51 | 0:02:54 | |
And finally, we've got this one here. Tell me about this. | 0:02:54 | 0:02:56 | |
This is a particular favourite of mine. | 0:02:56 | 0:02:58 | |
This is the spiked rampion, the Rapunzel flower. | 0:02:58 | 0:03:01 | |
-And this is a very rare species. -Great name - Rapunzel flower. | 0:03:01 | 0:03:04 | |
When you say "Very rare", what do you mean? | 0:03:04 | 0:03:07 | |
There are less than 300 of these surviving in the wild, we think. | 0:03:07 | 0:03:11 | |
-Less than 300 plants? -Less than 300 plants in the wild. -That's tiny! | 0:03:11 | 0:03:14 | |
And the fact that there are such small numbers means it's in real | 0:03:14 | 0:03:18 | |
danger of becoming extinct in the UK unless we act fast to save it. | 0:03:18 | 0:03:24 | |
'Bringing each new seedling to life is a delicate operation. | 0:03:24 | 0:03:29 | |
'And Ted's trusting me to pot one.' | 0:03:29 | 0:03:31 | |
It feels like quite a responsibility | 0:03:31 | 0:03:33 | |
if there are only 300 of these in the wild. | 0:03:33 | 0:03:35 | |
There are 50 in there. I think I got that one OK. | 0:03:35 | 0:03:38 | |
'The work they're doing at the Millennium Seed Bank is vital, | 0:03:40 | 0:03:44 | |
'not just for preserving rare and endangered species of wild | 0:03:44 | 0:03:47 | |
'flowers, but to ensure the future of the creatures that rely on them.' | 0:03:47 | 0:03:51 | |
Those wild flowers are the basis of the ecosystem. | 0:03:51 | 0:03:55 | |
'Pete Burgess is a conservation manager for the Wildlife Trust, | 0:03:55 | 0:03:58 | |
'here in Devon.' | 0:03:58 | 0:04:00 | |
We've seen big reductions in the abundance of some | 0:04:00 | 0:04:03 | |
of our butterflies, over the past 50 years, | 0:04:03 | 0:04:07 | |
real significant loss of greater horseshoe bat populations | 0:04:07 | 0:04:11 | |
and they rely on all of those insects | 0:04:11 | 0:04:13 | |
which are coming from all of those pastures. | 0:04:13 | 0:04:16 | |
'For Pete, there's no question - the decline in insects and even | 0:04:16 | 0:04:20 | |
'other larger animals is linked to the disappearance of wild flowers. | 0:04:20 | 0:04:24 | |
'But though many see farming as part of the problem, | 0:04:24 | 0:04:27 | |
'he thinks it's also a vital part of the solution.' | 0:04:27 | 0:04:31 | |
It's crucial that this area is farmed. | 0:04:31 | 0:04:34 | |
We've got to maintain that balance between the biodiversity | 0:04:34 | 0:04:38 | |
and the production side of things. | 0:04:38 | 0:04:41 | |
It's essential that we get that balance absolutely right. | 0:04:41 | 0:04:44 | |
Too little and this site would revert back to something | 0:04:44 | 0:04:47 | |
-that's less wildlife rich. -So, you don't want to just let it go back | 0:04:47 | 0:04:50 | |
to nature? That's not necessarily good for wild flowers? | 0:04:50 | 0:04:52 | |
Absolutely not, no. | 0:04:52 | 0:04:53 | |
We're reliant on agriculture, we're reliant on farming to maintain | 0:04:53 | 0:04:57 | |
-what are cultural habitats. -It's quite a subtle balance, isn't it? | 0:04:57 | 0:05:00 | |
It is. Absolutely. | 0:05:00 | 0:05:02 | |
You've got to get that level just right in these sorts of areas. | 0:05:02 | 0:05:05 | |
So, if you let this go without any farming, | 0:05:05 | 0:05:07 | |
the bracken would dominate first, then trees would come up. | 0:05:07 | 0:05:10 | |
Bracken would be the first thing that would really invade. | 0:05:10 | 0:05:13 | |
The bracken would create this dense litter layer, | 0:05:13 | 0:05:16 | |
and all of those really rich wild flowers just wouldn't be able | 0:05:16 | 0:05:19 | |
to get through that bracken layer. | 0:05:19 | 0:05:21 | |
So, we've got to cherish the farming and cherish the flowers as well. | 0:05:21 | 0:05:24 | |
Absolutely. It's getting that balance perfectly right. | 0:05:24 | 0:05:28 | |
'Farmers in Britain directly manage more than 200,000 acres of fields | 0:05:28 | 0:05:32 | |
'and field margins across the country where wild flowers can grow. | 0:05:32 | 0:05:37 | |
'But we don't have to rely on farmland. | 0:05:37 | 0:05:41 | |
'Across the UK there are plenty of other green spaces we could use.' | 0:05:41 | 0:05:45 | |
TRAFFIC ROARS | 0:05:45 | 0:05:48 | |
This little verge alone | 0:05:48 | 0:05:50 | |
has two nationally rare plant species growing on it. | 0:05:50 | 0:05:53 | |
'As founder of the wild plant charity Plantlife, | 0:05:53 | 0:05:57 | |
'Andy Byfield thinks roadside verges | 0:05:57 | 0:05:59 | |
'are the perfect vehicle for wild flowers.' | 0:05:59 | 0:06:02 | |
-Can verges really be good for -wild flowers? Oh, absolutely, Tom. | 0:06:02 | 0:06:06 | |
I mean, for starters, two thirds | 0:06:06 | 0:06:08 | |
of all our flowering plants occur | 0:06:08 | 0:06:12 | |
on verges somewhere in Britain, which is a staggering total. | 0:06:12 | 0:06:15 | |
It's extraordinary, really, that, in what is such a barren habitat, | 0:06:15 | 0:06:19 | |
that you can get these flowers. But I'm learning that's the point | 0:06:19 | 0:06:21 | |
with wild flowers, they quite like it infertile, in a way, don't they? | 0:06:21 | 0:06:24 | |
Oh, absolutely. All these plants want is bare ground, short turf, | 0:06:24 | 0:06:29 | |
open patches when they come to seed, | 0:06:29 | 0:06:32 | |
so it's no different from your allotment or my garden. | 0:06:32 | 0:06:35 | |
'As well as being an ideal habitat, | 0:06:35 | 0:06:38 | |
'these man-made corridors do a lot of the work for Mother Nature, too.' | 0:06:38 | 0:06:42 | |
So much of the British countryside is a tiny meadow here, | 0:06:42 | 0:06:45 | |
a tiny meadow tens of miles away. | 0:06:45 | 0:06:47 | |
It's become so fragmented, the plants in those places, | 0:06:47 | 0:06:51 | |
and indeed animals in those places, can't really get from A to B to C, | 0:06:51 | 0:06:55 | |
but here, of course, what we're getting is the cars | 0:06:55 | 0:06:57 | |
coming down the road at high speed, | 0:06:57 | 0:06:59 | |
and what they do in their slipstream is just drag all the seed | 0:06:59 | 0:07:03 | |
from this junction to the next junction and beyond. | 0:07:03 | 0:07:06 | |
So, that's brilliant... Just like seeds catching in the fur of animals | 0:07:06 | 0:07:09 | |
as they move around, they get moved in the slipstream of the cars? | 0:07:09 | 0:07:12 | |
And carrying really very rare things up and down the verges. | 0:07:12 | 0:07:16 | |
'Plantlife believes verges and the edges of railway lines | 0:07:16 | 0:07:20 | |
'are also the most viewed habitats in the country. | 0:07:20 | 0:07:23 | |
It's recently launched a campaign to make councils aware | 0:07:23 | 0:07:26 | |
'of the huge potential for growing wild flowers. | 0:07:26 | 0:07:30 | |
'Here in Devon, in just one district, | 0:07:30 | 0:07:33 | |
'the council manages over 1,000 acres of roadside verges.' | 0:07:33 | 0:07:36 | |
If you multiply that across the whole country, | 0:07:36 | 0:07:39 | |
that's a vast area of potential wild flower habitat. | 0:07:39 | 0:07:43 | |
'Something environment manager Peter Chamberlain | 0:07:43 | 0:07:46 | |
'is taking full advantage of.' | 0:07:46 | 0:07:48 | |
So, why have you brought me here? | 0:07:48 | 0:07:50 | |
I've brought you to one of Devon County Council's | 0:07:50 | 0:07:52 | |
special verge sites, one of 100 or so of our better verges | 0:07:52 | 0:07:56 | |
-that we have around the county. -And what's so special about it? | 0:07:56 | 0:07:58 | |
If we take a look at this verge here, | 0:07:58 | 0:08:00 | |
we've got a stunning display of spring flowers just in front of us, | 0:08:00 | 0:08:03 | |
-a lovely group of early purple orchids... -That's these ones here? | 0:08:03 | 0:08:06 | |
..and some glorious primroses. Yes, this is the early purple orchid. | 0:08:06 | 0:08:09 | |
And a lovely display of primroses in flower for us out in the open here. | 0:08:09 | 0:08:13 | |
They are quite beautiful. I can see one or two of the orchids here, | 0:08:13 | 0:08:16 | |
and I'm no plant expert, but looking at those I'd think, | 0:08:16 | 0:08:19 | |
"That's unusual, not something I expect to see out the car window." | 0:08:19 | 0:08:22 | |
-That's right. -So, what are you doing, or perhaps not doing, here | 0:08:22 | 0:08:25 | |
-that enables them to grow? -Over the whole of our road network, | 0:08:25 | 0:08:28 | |
which is almost 13,000km in length, | 0:08:28 | 0:08:30 | |
we've adopted a policy where we would only regularly cut | 0:08:30 | 0:08:33 | |
the first metre of a verge. | 0:08:33 | 0:08:35 | |
The remainder of a width of a verge would be left | 0:08:35 | 0:08:38 | |
and be cut only every two or three years, | 0:08:38 | 0:08:40 | |
therefore allowing a range of lengths of grassland | 0:08:40 | 0:08:43 | |
to develop over the verge. | 0:08:43 | 0:08:45 | |
13,000km? | 0:08:45 | 0:08:46 | |
One of the greatest road lengths of any highway authority, | 0:08:46 | 0:08:49 | |
so it is a massive length | 0:08:49 | 0:08:51 | |
and a massive area of habitat that we're managing. | 0:08:51 | 0:08:53 | |
So, it's really important that we do get it right. | 0:08:53 | 0:08:56 | |
'From local councils to the Highways Agency, | 0:08:56 | 0:08:59 | |
'the people who manage British roads | 0:08:59 | 0:09:01 | |
'are starting to take notice of this potential.' | 0:09:01 | 0:09:04 | |
The classic chocolate box image of a floaty flower meadow | 0:09:04 | 0:09:08 | |
may sadly be vanishingly rare, but, with a bit of care and compromise, | 0:09:08 | 0:09:13 | |
we can provide great habitats for wild flowers | 0:09:13 | 0:09:17 | |
that fit with our 21st-century town and country. | 0:09:17 | 0:09:21 |