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-ELLIE HARRISON: -Cambridgeshire - a patchwork of fields | 0:00:26 | 0:00:29 | |
and vast, open fenland. | 0:00:29 | 0:00:31 | |
I'm on the border of Cambridgeshire and Suffolk, in Newmarket, | 0:00:34 | 0:00:38 | |
the antithesis of a one-horse town. | 0:00:38 | 0:00:41 | |
For the past 350 years, it's been an equine epicentre. | 0:00:43 | 0:00:47 | |
What makes Newmarket famous isn't really its racetrack - | 0:00:51 | 0:00:55 | |
58 other towns have them - but its historic heathland. | 0:00:55 | 0:00:59 | |
And that's what makes Warren Hill Gallops one of the best | 0:01:03 | 0:01:05 | |
training grounds for horse and rider in the country. | 0:01:05 | 0:01:08 | |
While most of us are still contemplating breakfast, | 0:01:10 | 0:01:14 | |
this place is alive with the sound of thundering hooves. | 0:01:14 | 0:01:16 | |
These gallops are the heart of the whole racing scene | 0:01:20 | 0:01:23 | |
that Newmarket is built on. | 0:01:23 | 0:01:25 | |
I'm meeting Nick Patton, whose job it is to maintain the heathland. | 0:01:25 | 0:01:28 | |
-What about it is so good? -We've been here since the 1600s. | 0:01:29 | 0:01:32 | |
It's a fantastic bit of land. | 0:01:32 | 0:01:34 | |
It's so free draining, fantastic grass gallops. | 0:01:34 | 0:01:37 | |
There's everything here that the trainer wants. | 0:01:37 | 0:01:39 | |
It must take a lot of work to maintain this. | 0:01:39 | 0:01:42 | |
-That's your job, right? You and your team. -Yeah. | 0:01:42 | 0:01:45 | |
-What have you got to do to keep this up? -It's a 365-day-a-year operation. | 0:01:45 | 0:01:49 | |
We've got 2,500 acres here | 0:01:49 | 0:01:51 | |
and 90 miles of all-weather artificial gallops, | 0:01:51 | 0:01:54 | |
and of course, you know, we've had a long, hard winter, | 0:01:54 | 0:01:56 | |
and even in the hardest winters | 0:01:56 | 0:01:58 | |
we'll be able to keep the artificial gallops open and operational, | 0:01:58 | 0:02:01 | |
so when airports and highways are closed, | 0:02:01 | 0:02:03 | |
we're still getting horses out here to train. | 0:02:03 | 0:02:05 | |
So, we're on grass here now. Surely that's just a bit of mowing, is it? | 0:02:05 | 0:02:08 | |
Yeah, you would think so. | 0:02:08 | 0:02:10 | |
This is one of our peat moss gallops that we've got here. | 0:02:10 | 0:02:13 | |
Ever since the Second World War, a layer of peat has been added to it. | 0:02:13 | 0:02:16 | |
-What, every year? -Not every year. Every second year now. | 0:02:16 | 0:02:19 | |
And worked into it. | 0:02:19 | 0:02:20 | |
So it always retains that little bit of moisture, | 0:02:20 | 0:02:22 | |
so even in the driest conditions, | 0:02:22 | 0:02:24 | |
it still adds a bit of cushion for the horses to gallop on. | 0:02:24 | 0:02:27 | |
To keep the legendary gallops in fine form, Nick employs | 0:02:30 | 0:02:33 | |
a team of heathmen to make sure the going is consistently good. | 0:02:33 | 0:02:37 | |
As well as the peat moss grass gallops, | 0:02:40 | 0:02:42 | |
there's an all-weather artificial track. | 0:02:42 | 0:02:46 | |
It looks more like the contents of a vacuum cleaner bag to me. | 0:02:46 | 0:02:49 | |
-It's predominantly sand... -Oh, yeah. -..fibre, | 0:02:49 | 0:02:52 | |
little bits of PVC rubber, all joined together with wax. | 0:02:52 | 0:02:55 | |
We're trying to mimic a turf surface, | 0:02:55 | 0:02:58 | |
so it's got a bit of spring and bounce to it. | 0:02:58 | 0:03:02 | |
What is that for? | 0:03:02 | 0:03:03 | |
Every now and again we just check the compaction of the surface, | 0:03:03 | 0:03:05 | |
so we will push that in and feel how compacted the surface is. | 0:03:05 | 0:03:09 | |
We'll rotovate it a bit deeper or work the surface a bit deeper | 0:03:09 | 0:03:12 | |
if that's getting a bit firm underneath. | 0:03:12 | 0:03:14 | |
There are currently 80 racehorse trainers | 0:03:14 | 0:03:17 | |
exercising just over 2,500 horses on these gallops every day. | 0:03:17 | 0:03:22 | |
William Haggas has been training his horses here for 25 years. | 0:03:22 | 0:03:26 | |
What is it that makes Newmarket so good? | 0:03:27 | 0:03:30 | |
We've just got everything here. | 0:03:31 | 0:03:33 | |
Absolutely. We got every grass gallop you can imagine. | 0:03:33 | 0:03:37 | |
We've got... We can go right handed, left handed. | 0:03:37 | 0:03:40 | |
We've got all-weather surfaces that go right handed, left handed, | 0:03:40 | 0:03:43 | |
uphill, downhill even. We've got everything. | 0:03:43 | 0:03:45 | |
A trainer's job has got so many things involved with it, | 0:03:45 | 0:03:48 | |
I guess anything from finances to physio, | 0:03:48 | 0:03:50 | |
but this moment where they're really letting rip | 0:03:50 | 0:03:53 | |
and galloping, that must be a special thing for you? | 0:03:53 | 0:03:55 | |
It's a joyous thing, doing what we do. It's fantastic, | 0:03:55 | 0:03:58 | |
especially good in the summer when it's light and warm. | 0:03:58 | 0:04:00 | |
No better job than this. | 0:04:00 | 0:04:02 | |
The historic heathland may be at the heart of racehorsing, | 0:04:04 | 0:04:07 | |
but later I'll be visiting its headquarters, | 0:04:07 | 0:04:10 | |
the place where the racing rule book was written. | 0:04:10 | 0:04:13 | |
JOHN CRAVEN: In the heart of Cambridgeshire | 0:04:21 | 0:04:24 | |
stands Ely Cathedral - | 0:04:24 | 0:04:25 | |
majestic, awe-inspiring. | 0:04:25 | 0:04:28 | |
Once it was surrounded by water, | 0:04:28 | 0:04:31 | |
and it's always been known as "the ship of the Fens". | 0:04:31 | 0:04:34 | |
It's easy to imagine how this great building, | 0:04:34 | 0:04:37 | |
appearing through the mists, | 0:04:37 | 0:04:39 | |
offered the promise of refuge and safety to weary pilgrims. | 0:04:39 | 0:04:43 | |
For centuries, the cathedral has dominated the surrounding landscape, | 0:04:43 | 0:04:48 | |
and I'm here today to watch and to listen to | 0:04:48 | 0:04:51 | |
a remarkable experiment involving its world-famous octagon tower. | 0:04:51 | 0:04:56 | |
Created in the 14th century, | 0:04:59 | 0:05:01 | |
it's a masterpiece of medieval design and engineering. | 0:05:01 | 0:05:05 | |
Well, I've just climbed 165 steps to the top of the octagon, | 0:05:08 | 0:05:13 | |
and I'm now amongst the angels. | 0:05:13 | 0:05:16 | |
Now, seven sides of this tower are said to represent everyday life, | 0:05:16 | 0:05:20 | |
the seven days of the week. But the eighth side represents eternity, | 0:05:20 | 0:05:25 | |
hence the angels. | 0:05:25 | 0:05:27 | |
The angels guide the faithful to the heights of heaven, | 0:05:30 | 0:05:34 | |
with Christ at its centre. | 0:05:34 | 0:05:36 | |
Centuries ago, the Benedictine choir stood in exactly this spot, | 0:05:38 | 0:05:43 | |
and from here, their voices reached up | 0:05:43 | 0:05:46 | |
to the uppermost heights of the tower. | 0:05:46 | 0:05:48 | |
In medieval times, | 0:05:48 | 0:05:50 | |
the monks had their choir stalls directly underneath the octagon. | 0:05:50 | 0:05:53 | |
In fact, some of them would be up there, 50 metres high, | 0:05:53 | 0:05:57 | |
and the idea was that their voices would unite heaven and earth. | 0:05:57 | 0:06:00 | |
Well, it's an interesting theory, but would it really work? | 0:06:00 | 0:06:04 | |
We're going to try it out now with the help of the choristers | 0:06:04 | 0:06:07 | |
and their director of music. What do you think, Paul? | 0:06:07 | 0:06:09 | |
Is it possible to hear voices from right up there? | 0:06:09 | 0:06:13 | |
It's a story we've heard a number of times. | 0:06:13 | 0:06:15 | |
Whether we're actually going to hear it well | 0:06:15 | 0:06:18 | |
and whether it's going to work at this kind of distance | 0:06:18 | 0:06:20 | |
is something we just don't know, | 0:06:20 | 0:06:22 | |
because we've never tried it before. | 0:06:22 | 0:06:24 | |
We've got four of our choristers | 0:06:24 | 0:06:25 | |
right up there in the angel windows, | 0:06:25 | 0:06:27 | |
we've got the main group down here... | 0:06:27 | 0:06:29 | |
We're going to do it! | 0:06:29 | 0:06:30 | |
# He's got the whole wide world in his hands | 0:06:33 | 0:06:37 | |
# He's got the whole wide world in his hands | 0:06:37 | 0:06:42 | |
# He's got the whole wide world in his hands | 0:06:42 | 0:06:45 | |
# He's got the world in his hands | 0:06:45 | 0:06:49 | |
# He's got the tiny little hedgehogs in his hands | 0:06:49 | 0:06:54 | |
# He's got the tiny little hedgehogs in his hands | 0:06:54 | 0:06:57 | |
# He's got the tiny little hedgehogs in his hands | 0:06:57 | 0:07:01 | |
# He's got the whole world in his hands | 0:07:01 | 0:07:04 | |
# He's got the whole world in his hands | 0:07:04 | 0:07:07 | |
# He's got the whole world in his hands. # | 0:07:07 | 0:07:10 | |
-It worked, didn't it? -You did it. -Yeah, well done. | 0:07:10 | 0:07:12 | |
Well done! | 0:07:12 | 0:07:14 | |
JOHN LAUGHS | 0:07:14 | 0:07:15 | |
Now, there's a very good reason why | 0:07:20 | 0:07:22 | |
the choristers have just been singing about hedgehogs. | 0:07:22 | 0:07:24 | |
For centuries, this cathedral has been a sanctuary for pilgrims, | 0:07:24 | 0:07:28 | |
but now it's also about to become a safe haven for hedgehogs as well. | 0:07:28 | 0:07:34 | |
Out in the cathedral grounds, head gardener Aine Rodriguez | 0:07:37 | 0:07:41 | |
is putting the finishing touches to a temporary hedgehog pen. | 0:07:41 | 0:07:44 | |
This is an example. We've made three separate houses, | 0:07:44 | 0:07:47 | |
-because apparently they like their own space, John. -Right. | 0:07:47 | 0:07:50 | |
-And the houses have been made from recycled wood. -You built this? | 0:07:50 | 0:07:53 | |
Yeah, from offcuts of wood. | 0:07:53 | 0:07:54 | |
Not quite as elaborate as the building I've just been in. | 0:07:54 | 0:07:57 | |
No, not at all. That's taken centuries. | 0:07:57 | 0:08:00 | |
-Well, that's awesome. -Thank you. | 0:08:00 | 0:08:02 | |
-All we need now are some hedgehogs. -Exactly. | 0:08:02 | 0:08:04 | |
So, here come the new arrivals. | 0:08:07 | 0:08:10 | |
-Let's take them to meet their new home, shall we? -Absolutely. | 0:08:10 | 0:08:13 | |
Heading up the release scheme at the Shepreth Hedgehog Hospital | 0:08:13 | 0:08:17 | |
is Rebecca Willis. | 0:08:17 | 0:08:18 | |
How long would you like them to be in the pen for? | 0:08:19 | 0:08:21 | |
Ideally 10 to 14 days, if possible, just to acclimatise them. | 0:08:21 | 0:08:24 | |
They've been in a hospital environment, some for many months, | 0:08:24 | 0:08:28 | |
so this is what they need just to give them a bit of a boost. | 0:08:28 | 0:08:30 | |
What's that little blue tag on him? | 0:08:30 | 0:08:33 | |
Well, he's known as 45, | 0:08:33 | 0:08:35 | |
this is his number all throughout. | 0:08:35 | 0:08:37 | |
When they come in to us, we track them from day one, | 0:08:37 | 0:08:39 | |
when the person will bring them in, | 0:08:39 | 0:08:41 | |
because they've been underweight or injured. | 0:08:41 | 0:08:44 | |
They're given a tracking number and the idea is that if you, | 0:08:44 | 0:08:46 | |
or anyone in the area, sees this one, | 0:08:46 | 0:08:48 | |
you know it's one of ours, we can come straight back. | 0:08:48 | 0:08:50 | |
Little nose coming up there. | 0:08:50 | 0:08:52 | |
Hedgehogs are in serious decline, aren't they? How bad is it? | 0:08:52 | 0:08:55 | |
Oh, it's serious. | 0:08:55 | 0:08:57 | |
If you look back to the 1950s, there are estimates of maybe 32 million. | 0:08:57 | 0:09:01 | |
Today, we're lucky if we've probably got a million left in the UK. | 0:09:01 | 0:09:05 | |
They're being hit, motor cars, hedgerows are disappearing | 0:09:05 | 0:09:08 | |
where you would naturally find them... | 0:09:08 | 0:09:09 | |
If we should find one in our back garden, what should we do? | 0:09:09 | 0:09:13 | |
OK, if you find it at night, that's not a problem, | 0:09:13 | 0:09:15 | |
-that should be normal, healthy behaviour. -Just leave it? -Yes. | 0:09:15 | 0:09:18 | |
If you want to put food out, that's great. If you want put cat food out. | 0:09:18 | 0:09:21 | |
Water is super. Most importantly, if you find it out during the day, | 0:09:21 | 0:09:24 | |
you've got to contact someone straight away. | 0:09:24 | 0:09:27 | |
-If you see one in the daytime? -That's not right. That's dehydration, | 0:09:27 | 0:09:30 | |
that might be parasitic load, it could be injured. | 0:09:30 | 0:09:33 | |
Newmarket, the headquarters of British horse racing. | 0:09:41 | 0:09:45 | |
The Jockey Club Rooms have been the countryside seat | 0:09:45 | 0:09:48 | |
of Britain's most influential racing body for more than 250 years. | 0:09:48 | 0:09:53 | |
There's a world-famous private members' club | 0:09:54 | 0:09:57 | |
few people have had the privilege of stepping inside. | 0:09:57 | 0:10:01 | |
Within these four walls, a rare glimpse into the proud | 0:10:02 | 0:10:05 | |
and quirky history of British horse racing. | 0:10:05 | 0:10:08 | |
Room steward Alan Medlock is giving me | 0:10:09 | 0:10:12 | |
a guided tour through the corridors of power. | 0:10:12 | 0:10:15 | |
Decisions made here shaped horse racing as we know it today, | 0:10:17 | 0:10:22 | |
and this chap, Henry Rous, wrote the rule book. | 0:10:22 | 0:10:25 | |
He was the man who pulled all the rules and regulations that existed | 0:10:26 | 0:10:30 | |
by word of mouth and wrote them down, | 0:10:30 | 0:10:32 | |
and invented the handicapping system. | 0:10:32 | 0:10:34 | |
They pull together the registration of silks | 0:10:34 | 0:10:37 | |
and the colours that horses ride under, and also weighing. | 0:10:37 | 0:10:40 | |
So he was the man who put all this structure into racing. | 0:10:40 | 0:10:43 | |
And it still exists to this day. | 0:10:43 | 0:10:44 | |
-So he deserves his place on the wall? -Oh, absolutely. | 0:10:44 | 0:10:47 | |
-Essential part of the industry. -Excellent. | 0:10:47 | 0:10:50 | |
Another horse... | 0:10:50 | 0:10:52 | |
Another horse, another horse... | 0:10:52 | 0:10:54 | |
Well, this is the Coffee Room, the spiritual home of The Jockey Club. | 0:10:56 | 0:11:01 | |
What about in here? What are these little cubbyholes? | 0:11:01 | 0:11:03 | |
These were the areas where people would meet and congregate, | 0:11:03 | 0:11:08 | |
-making book. -What does that mean? -Bookmakers. | 0:11:08 | 0:11:11 | |
Probably this group here might be offering, say, | 0:11:11 | 0:11:14 | |
7-2 if you bet 5,000 guineas. | 0:11:14 | 0:11:18 | |
Another group might be offering slightly better odds | 0:11:18 | 0:11:21 | |
if you put 10,000 guineas. | 0:11:21 | 0:11:23 | |
And in 1827, we know that in one bet, | 0:11:23 | 0:11:28 | |
a gentleman called John Gully, | 0:11:28 | 0:11:30 | |
a notorious gambler, | 0:11:30 | 0:11:33 | |
lost £40,000 on one race. | 0:11:33 | 0:11:38 | |
-In today's terms, that's £2.8 million. -Wow. | 0:11:38 | 0:11:42 | |
So who WERE these people? Why did they have so much money to gamble? | 0:11:42 | 0:11:45 | |
Landed gentry and dukes and peers of the realm, | 0:11:45 | 0:11:49 | |
and knights, and goodness knows what else. | 0:11:49 | 0:11:51 | |
-So, fortunes were won and lost here? -And probably estates. | 0:11:51 | 0:11:54 | |
-SHE LAUGHS -Wow. | 0:11:54 | 0:11:56 | |
Well, we're going into the Morning Room now, | 0:12:00 | 0:12:03 | |
and of all the pictures in here, | 0:12:03 | 0:12:06 | |
the most important one is this one of Eclipse. | 0:12:06 | 0:12:10 | |
When they started to keep a record of bloodlines, | 0:12:10 | 0:12:14 | |
a crucial aspect of breeding horses, he is number one. | 0:12:14 | 0:12:18 | |
If you buy a thoroughbred horse anywhere in the world, | 0:12:18 | 0:12:22 | |
96% of the bloodlines can be traced | 0:12:22 | 0:12:26 | |
back through the male line to Eclipse. | 0:12:26 | 0:12:29 | |
Goodness, he's the grand-daddy of them all. | 0:12:29 | 0:12:31 | |
He is the grand-daddy of them all. When he died | 0:12:31 | 0:12:34 | |
and they performed an autopsy on him, | 0:12:34 | 0:12:36 | |
they found that he had a 14.5lb heart. | 0:12:36 | 0:12:39 | |
Average horse is 10, 10.5lb, | 0:12:39 | 0:12:43 | |
so you've got a 40% supercharger. | 0:12:43 | 0:12:45 | |
What's this? This looks a bit macabre. | 0:12:45 | 0:12:47 | |
It's one of the hooves of Eclipse, that was presented | 0:12:47 | 0:12:50 | |
to The Jockey Club in 1832 by King William IV | 0:12:50 | 0:12:53 | |
to mark the work that The Jockey Club were doing in racing. | 0:12:53 | 0:12:57 | |
This is a snuff box? | 0:12:57 | 0:12:59 | |
Snuff box, inkwells, they were made in different forms, | 0:12:59 | 0:13:02 | |
but this one, I would imagine, would be a stuff box. | 0:13:02 | 0:13:05 | |
While The Jockey Club no longer makes the rules, it still invests | 0:13:05 | 0:13:09 | |
money to ensure the long-term success of this sport of kings. | 0:13:09 | 0:13:12 |