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The glorious coastline of Southport on Merseyside has it all... | 0:00:25 | 0:00:30 | |
Golden beaches, rolling sand dunes and fertile farmland. | 0:00:30 | 0:00:35 | |
For generations, people round here | 0:00:35 | 0:00:37 | |
have harvested nature's bounty on the land | 0:00:37 | 0:00:40 | |
and as I'll experience, at sea. | 0:00:40 | 0:00:43 | |
I'm going to be using Puzzle here to take an old cart | 0:00:43 | 0:00:46 | |
out of a museum and into the surf for one last time and it's | 0:00:46 | 0:00:50 | |
all in search of the culinary delicacy, Southport shrimps. | 0:00:50 | 0:00:53 | |
Are you looking forward to this? | 0:00:53 | 0:00:55 | |
It's going to be great! "Yes", he says! | 0:00:55 | 0:00:57 | |
Ellie's just across the border, | 0:01:00 | 0:01:02 | |
in Lancashire. | 0:01:02 | 0:01:03 | |
This is potato country | 0:01:04 | 0:01:06 | |
and I'll be helping to get the ground ready for this year's crop, | 0:01:06 | 0:01:10 | |
but these aren't heading for our plates, | 0:01:10 | 0:01:13 | |
they're destined to become crisps with a unique local flavouring. | 0:01:13 | 0:01:17 | |
Tom is doing a spot of birdwatching. | 0:01:29 | 0:01:32 | |
In the last 50 years, farmland birds from the skylark to the | 0:01:32 | 0:01:36 | |
turtledove have been disappearing. | 0:01:36 | 0:01:38 | |
So, why are they dying out and what can we do to bring them back? | 0:01:38 | 0:01:43 | |
I'll be investigating. | 0:01:43 | 0:01:45 | |
And spring is definitely in the air for Adam. | 0:01:47 | 0:01:51 | |
We help manage our neighbours lovely heard of Hereford cattle here | 0:01:51 | 0:01:54 | |
and after a long winter of being in the sheds, | 0:01:54 | 0:01:56 | |
today is a great day | 0:01:56 | 0:01:58 | |
cos they're going to go out onto the spring grass. | 0:01:58 | 0:02:01 | |
The coastline of Southport, | 0:02:11 | 0:02:13 | |
in England's unspoiled north-west, | 0:02:13 | 0:02:15 | |
where stunning beaches stretch for miles. | 0:02:15 | 0:02:18 | |
Fringed to the north by the Ribble Estuary | 0:02:23 | 0:02:26 | |
and south by the Mersey, and the city of Liverpool. | 0:02:26 | 0:02:28 | |
Here, the westerly wind whips across the Irish Sea, | 0:02:30 | 0:02:33 | |
building mighty sand dunes grain by grain. | 0:02:33 | 0:02:36 | |
Well, today I'm not exploring the vast dune system. | 0:02:37 | 0:02:40 | |
I'm hoping to find a local delicacy that is hiding in the sand - | 0:02:40 | 0:02:45 | |
Southport shrimp. I'm taking a tractor to go fishing. | 0:02:45 | 0:02:49 | |
-This is Christian. Good to see you! -Hello, Matt - how are you? | 0:02:49 | 0:02:51 | |
-Really well. I'm quite excited about this! -Are you, really? | 0:02:51 | 0:02:54 | |
Give us an idea, why is this area so good for the shrimps? | 0:02:54 | 0:02:58 | |
Well, as you can see, we've got loads of golden sand that | 0:02:58 | 0:03:02 | |
runs from the Pinfold Channel up near the River Ribble | 0:03:02 | 0:03:04 | |
all the way down to Formby and up to the River Mersey and the shrimps | 0:03:04 | 0:03:08 | |
wash out of the rivers and they finish up here, | 0:03:08 | 0:03:11 | |
-along Southport beach. -Right. | 0:03:11 | 0:03:13 | |
To catch a shrimp, Christian has adapted an old | 0:03:16 | 0:03:19 | |
Leyland 272 tractor into the ultimate shrimping machine. | 0:03:19 | 0:03:24 | |
Up we go. | 0:03:25 | 0:03:26 | |
We're just going to... | 0:03:28 | 0:03:30 | |
empty the contents into there... | 0:03:30 | 0:03:33 | |
-Oh, yes, a few in there! -Nice little... We call them slips. | 0:03:33 | 0:03:36 | |
That's a little Dover sole. | 0:03:36 | 0:03:38 | |
My wife is from Thailand, | 0:03:38 | 0:03:40 | |
she deep-fries those and they taste absolutely delicious. | 0:03:40 | 0:03:43 | |
That's my wife sorted for the morning. | 0:03:43 | 0:03:46 | |
These are the bad boys, what we're trying to catch. | 0:03:46 | 0:03:48 | |
Beautiful Southport brown shrimps. | 0:03:48 | 0:03:50 | |
-What we'll do now is sieve out the Dover sole and crabs... -Yes. | 0:03:50 | 0:03:54 | |
And we'll see how many shrimps we finish up with. | 0:03:54 | 0:03:56 | |
Hopefully we'll get enough for a sandwich! | 0:03:56 | 0:03:59 | |
This is called a taut riddle - | 0:03:59 | 0:04:01 | |
we still do things the prehistoric way here. This is the old way. | 0:04:01 | 0:04:05 | |
Everything is done by hand. | 0:04:05 | 0:04:06 | |
If you just want to tip half the contents into there... | 0:04:06 | 0:04:09 | |
That's enough. | 0:04:12 | 0:04:13 | |
That's weird stuff, that, isn't it? | 0:04:13 | 0:04:16 | |
-Those are whelk eggs. -Are they? -Yes. | 0:04:16 | 0:04:19 | |
So we just gently shake side to side... | 0:04:19 | 0:04:22 | |
The little shrimps will drop through the bottom into the basket. | 0:04:23 | 0:04:26 | |
We've got a few - they're the ones were after - really nice big shrimps. | 0:04:26 | 0:04:31 | |
Some big ones there, as well. | 0:04:31 | 0:04:33 | |
I think we've just about got them now, Matt, so... | 0:04:33 | 0:04:35 | |
-One more little wiggle. -One more little wiggle. | 0:04:35 | 0:04:38 | |
-A couple of big ones there... -Is there? -Look at that one! | 0:04:40 | 0:04:43 | |
Wahey! | 0:04:43 | 0:04:45 | |
You're a good fisherman, you've got better eyesight than me! | 0:04:48 | 0:04:52 | |
Sling them over the side, Matt. | 0:04:52 | 0:04:54 | |
Champion. | 0:04:54 | 0:04:55 | |
-Is this the good bit of the day for you? -This is the best bit, yes. | 0:04:55 | 0:04:58 | |
The fun starts when we get home, | 0:04:58 | 0:05:00 | |
cos they've all got to be hand-peeled. | 0:05:00 | 0:05:02 | |
That's not a bad little harvest for ten minutes or so. | 0:05:02 | 0:05:05 | |
Like I say, we've got enough for a butty, that'll do us, won't it? | 0:05:05 | 0:05:08 | |
That's good. | 0:05:08 | 0:05:09 | |
Shrimping still remains something of a cottage industry. | 0:05:11 | 0:05:15 | |
Christian and his wife hand-shell and cook the shrimps | 0:05:15 | 0:05:18 | |
in the same way that would have been done here decades ago. | 0:05:18 | 0:05:22 | |
Little has changed, but in shrimping's glory days, | 0:05:22 | 0:05:25 | |
horse-drawn carts would be used | 0:05:25 | 0:05:27 | |
instead of tractors to pull the nets. | 0:05:27 | 0:05:29 | |
Gerald Rimmer was one of the last on this coast to use | 0:05:29 | 0:05:32 | |
a horse-drawn cart, more than 40 years ago. | 0:05:32 | 0:05:35 | |
In your opinion, | 0:05:35 | 0:05:36 | |
how do these relatively modern jobs compared to the old horsepower? | 0:05:36 | 0:05:41 | |
-Well, I made more money with a horse. -Right... -Didn't break down. | 0:05:41 | 0:05:44 | |
Right! | 0:05:44 | 0:05:46 | |
The horse what I had | 0:05:46 | 0:05:47 | |
was nearly 18 hands tall, you're talking up here, | 0:05:47 | 0:05:50 | |
and it would wade that deep. | 0:05:50 | 0:05:53 | |
You could go where you couldn't go with a tractor. | 0:05:53 | 0:05:56 | |
How dangerous is it out there? | 0:05:56 | 0:05:58 | |
Well, I've had the horse winched out on one occasion, | 0:05:58 | 0:06:01 | |
by one of the amphibious ducks. | 0:06:01 | 0:06:03 | |
If I got in difficulties, I was in deep water, | 0:06:03 | 0:06:06 | |
I would jump on the horse's back, | 0:06:06 | 0:06:08 | |
cut the hames and I'd come out on his back. | 0:06:08 | 0:06:11 | |
A bit hair-raising, but I was only a young fellow then. | 0:06:11 | 0:06:15 | |
How many times would that happen? | 0:06:15 | 0:06:17 | |
Oh, I've only done it about twice. | 0:06:17 | 0:06:19 | |
And so how old were you when you started? | 0:06:19 | 0:06:22 | |
-I started when I got demobbed at 21. -Right. | 0:06:22 | 0:06:27 | |
I'm now 85, now. | 0:06:27 | 0:06:29 | |
-I just do it a bit as a hobby now. -Why can you not let this go? | 0:06:29 | 0:06:33 | |
My father did it, | 0:06:33 | 0:06:34 | |
my grandfather and great-grandfather. | 0:06:34 | 0:06:36 | |
And I do like a bit of pocket money! | 0:06:36 | 0:06:38 | |
Over the last few years, | 0:06:44 | 0:06:46 | |
there's been a worrying decline in the number of birds out | 0:06:46 | 0:06:49 | |
here on the coast, but it's not just places like this. | 0:06:49 | 0:06:52 | |
Further inland, some of our favourite farmland birds have | 0:06:52 | 0:06:55 | |
been suffering, too, as Tom has been finding out. | 0:06:55 | 0:06:58 | |
The British Isles are home to a rich variety of wildlife | 0:07:04 | 0:07:07 | |
and one of their most important habitats is the farm. | 0:07:07 | 0:07:11 | |
This year, the people who tend our agricultural land have been | 0:07:14 | 0:07:17 | |
asked to find out exactly what's there. | 0:07:17 | 0:07:20 | |
In the first week of February, | 0:07:20 | 0:07:22 | |
the Big Farmland Bird Count asked farmers across the country | 0:07:22 | 0:07:27 | |
simply to record the number of birds on their land. | 0:07:27 | 0:07:30 | |
Andrew Pitt counted the birds on his arable farm in Northamptonshire. | 0:07:32 | 0:07:36 | |
-Hi, Andrew. -Hi, Tom. Welcome to the Grange. -Thank you. | 0:07:37 | 0:07:40 | |
-I gather this is called broadcasting? -It is indeed. | 0:07:40 | 0:07:43 | |
-Teach me a thing or two about how to do it. -Grab a handful, | 0:07:43 | 0:07:45 | |
just swing your hand forward and flick with your wrist as you go. | 0:07:45 | 0:07:49 | |
What kind of things have you been seeing out here this morning? | 0:07:49 | 0:07:51 | |
Linnets, yellow hammers, skylark singing in the background, | 0:07:51 | 0:07:55 | |
we've got finches of various sorts - | 0:07:55 | 0:07:57 | |
greenfinches, chaffinches, goldfinches... | 0:07:57 | 0:08:00 | |
So tell me about this Farmland Bird Count you got involved in. | 0:08:00 | 0:08:04 | |
I picked a morning when it actually wasn't raining for a change | 0:08:04 | 0:08:06 | |
and just walked down the track and put the seed on the ground | 0:08:06 | 0:08:09 | |
much as we're doing now and then stopped to look what was there. | 0:08:09 | 0:08:14 | |
In the course of the half an hour it took, | 0:08:14 | 0:08:16 | |
-I counted about 1,300 different birds. -1,300? | 0:08:16 | 0:08:19 | |
-Yes, we've been feeding through the winter... -Why did you get involved? | 0:08:19 | 0:08:23 | |
Because it's really important that we show to the public how much good | 0:08:23 | 0:08:27 | |
farmers are doing to the environment, | 0:08:27 | 0:08:29 | |
how we're trying to improve it and raise the bird numbers again. | 0:08:29 | 0:08:32 | |
We've been told for years that farmers are rubbish at looking after | 0:08:32 | 0:08:35 | |
land, it's time to stand up and say actually, we're doing a lot for it. | 0:08:35 | 0:08:39 | |
'The Big Farmland Bird Count | 0:08:39 | 0:08:41 | |
'was organised by the Game and Wildlife Conservation Trust, | 0:08:41 | 0:08:45 | |
'partly to draw attention | 0:08:45 | 0:08:46 | |
'to the good work done by farmers like Andrew. | 0:08:46 | 0:08:49 | |
'Dr Alastair Leake is the trust's director of policy.' | 0:08:49 | 0:08:53 | |
So what is this? | 0:08:53 | 0:08:55 | |
Well, this is one of our farm birdfeeders. | 0:08:55 | 0:08:59 | |
This, obviously - as you can see - is an exceptional one, because | 0:08:59 | 0:09:03 | |
this is the Guinness Book Of Records' | 0:09:03 | 0:09:05 | |
biggest bird feeder in the world! | 0:09:05 | 0:09:06 | |
Are you expecting pterodactyls to perch on here or something? | 0:09:06 | 0:09:10 | |
'Here on the trust's farm in Leicestershire, I'm getting | 0:09:10 | 0:09:12 | |
'an exclusive insight into the survey results.' | 0:09:12 | 0:09:16 | |
Tell me - you decided to organise this big bird count, why February? | 0:09:16 | 0:09:20 | |
Seems a bit of a hostile month. | 0:09:20 | 0:09:22 | |
That's part of the reason for doing it, actually. | 0:09:22 | 0:09:25 | |
We can find birds feeding on areas of good habitat where there is | 0:09:25 | 0:09:29 | |
seed and secondly, it's a time of year | 0:09:29 | 0:09:31 | |
when farmers are not particularly busy on the land | 0:09:31 | 0:09:33 | |
and so have got time to go out and do something like this. | 0:09:33 | 0:09:36 | |
-And what results did you get? -Well, they've been staggering. | 0:09:36 | 0:09:40 | |
We had 160 different species spotted and some of the species, | 0:09:40 | 0:09:44 | |
particularly song thrushes and starlings, | 0:09:44 | 0:09:46 | |
are known to be on the red list and suffering serious decline. | 0:09:46 | 0:09:51 | |
There are a lot of farmers out there who are very | 0:09:51 | 0:09:53 | |
passionate about their farmland birds, want to know what they've got | 0:09:53 | 0:09:56 | |
there and indeed want to know what more they can do to encourage them. | 0:09:56 | 0:10:01 | |
But while the number of birds spotted is certainly | 0:10:01 | 0:10:03 | |
encouraging, after just a single year, this count can't tell us | 0:10:03 | 0:10:08 | |
whether we're seeing more or fewer farmland birds. | 0:10:08 | 0:10:12 | |
The long-running surveys that DO make unhappy reading. | 0:10:12 | 0:10:15 | |
The British Trust for Ornithology has been documenting bird numbers | 0:10:16 | 0:10:20 | |
since 1962. | 0:10:20 | 0:10:22 | |
What's happened to farmland bird numbers in the last 50 years? | 0:10:22 | 0:10:26 | |
A large, long-term decline started in the 1970s, | 0:10:26 | 0:10:29 | |
continued through the '80s and '90s. | 0:10:29 | 0:10:31 | |
These days, average numbers are much more in the... Much more stable. | 0:10:31 | 0:10:36 | |
But some species are still going down, | 0:10:36 | 0:10:38 | |
and generally the pattern across the whole community is still that | 0:10:38 | 0:10:41 | |
they're going down and certainly they haven't recovered. | 0:10:41 | 0:10:44 | |
-Has it been the same across all species? -Not at all. | 0:10:44 | 0:10:47 | |
There are species like wood pigeons have done very well over time, | 0:10:47 | 0:10:51 | |
probably because they like the sorts of management you get | 0:10:51 | 0:10:54 | |
in intensive farming, such as lots of wheat in the winter. | 0:10:54 | 0:10:58 | |
What's been hardest hit? | 0:10:58 | 0:11:00 | |
The species that have done worst are the ones that depend on crop | 0:11:00 | 0:11:04 | |
habitats, on the actual centres of the fields | 0:11:04 | 0:11:06 | |
and the places where the crops are grown. | 0:11:06 | 0:11:08 | |
In particular, | 0:11:08 | 0:11:10 | |
it's things like skylarks which would have declined 60, 70, 80% | 0:11:10 | 0:11:14 | |
and things like corn buntings, tree sparrows | 0:11:14 | 0:11:16 | |
have declined by even more than that. | 0:11:16 | 0:11:19 | |
Then there are species such as turtledoves which may well | 0:11:19 | 0:11:23 | |
be on the verge of extinction in the UK. | 0:11:23 | 0:11:25 | |
So, it's a mixed picture - bleak for some and better for others. | 0:11:25 | 0:11:30 | |
But certainly, overall, the decline hasn't reversed. | 0:11:30 | 0:11:34 | |
Modern agriculture must carry some of the guilt for the declining | 0:11:34 | 0:11:38 | |
bird numbers, | 0:11:38 | 0:11:39 | |
but as Andrew's proved, you can combine birdsong and bumper crops. | 0:11:39 | 0:11:44 | |
So what is the recipe for this kind of level of birds | 0:11:44 | 0:11:48 | |
across the country? | 0:11:48 | 0:11:49 | |
That's what I'll be investigating later. | 0:11:49 | 0:11:52 | |
Just across the border from where Matt is in Merseyside, | 0:11:57 | 0:12:00 | |
is Lancashire - a county of contradictions. | 0:12:00 | 0:12:04 | |
It's home to great manufacturing towns, | 0:12:04 | 0:12:07 | |
but it's mainly a rural county where the rugged, yet beautiful | 0:12:07 | 0:12:11 | |
landscape rolls into the Irish Sea. | 0:12:11 | 0:12:15 | |
And it was in that very sea, back in the 17th century that a ship | 0:12:15 | 0:12:20 | |
carrying a cargo of these - potatoes - | 0:12:20 | 0:12:23 | |
from Ireland, was wrecked. | 0:12:23 | 0:12:26 | |
That's according to this bestseller, | 0:12:26 | 0:12:29 | |
The History And Social Influence Of The Potato. | 0:12:29 | 0:12:33 | |
According to this book, the items that were wrecked included potatoes | 0:12:33 | 0:12:37 | |
and that meant this became the first potato-growing region of Lancashire. | 0:12:37 | 0:12:42 | |
Whether it's true or not, Lancashire, with its rich, peaty | 0:12:45 | 0:12:48 | |
and fertile soils, has long been associated with this versatile veg. | 0:12:48 | 0:12:53 | |
On this family-owned farm on the outskirts of Ormskirk, | 0:12:54 | 0:12:58 | |
they've been growing spuds ever | 0:12:58 | 0:13:00 | |
since farmer Robert Fiddler planted his first seed potato | 0:13:00 | 0:13:04 | |
back in the 1950s. | 0:13:04 | 0:13:06 | |
'Keeping the family tradition going are his grandsons, | 0:13:06 | 0:13:09 | |
'Robert Jr and John.' | 0:13:09 | 0:13:10 | |
So you and your family have been in the potato business for a while, | 0:13:12 | 0:13:15 | |
-then? -Three generations, yeah. | 0:13:15 | 0:13:17 | |
I can always remember | 0:13:17 | 0:13:19 | |
me and my grandad harvesting spuds. | 0:13:19 | 0:13:21 | |
Yeah? | 0:13:21 | 0:13:22 | |
I was about ten years old. | 0:13:22 | 0:13:25 | |
I was always in all sorts of trouble with my grandad, | 0:13:25 | 0:13:28 | |
throwing rotten spuds at him! | 0:13:28 | 0:13:30 | |
So what's happening out the back, there? | 0:13:31 | 0:13:33 | |
-We're going to plant Rosetta. -What are the Rosettas good for? | 0:13:33 | 0:13:36 | |
-For crisping. -They turn into crisps? | 0:13:36 | 0:13:39 | |
Is there a particular way you need to grow them to make them | 0:13:39 | 0:13:42 | |
good for crisps? | 0:13:42 | 0:13:44 | |
We plant them a little bit closer together so they don't get too big. | 0:13:44 | 0:13:47 | |
Tennis ball size is perfect. Right. | 0:13:47 | 0:13:50 | |
-Gorgeous soil, isn't it? -It's beautiful soil, yes. | 0:13:50 | 0:13:52 | |
Lovely and light. | 0:13:52 | 0:13:54 | |
Once the whole field is ploughed, | 0:14:01 | 0:14:03 | |
Robert then has to plant his seed potatoes. But not quite yet. | 0:14:03 | 0:14:07 | |
It's just a little bit too early to put in the ground at the minute. | 0:14:07 | 0:14:11 | |
We like the ground conditions to warm up | 0:14:11 | 0:14:13 | |
so we can put them in a nice warm, fluffy seedbed. | 0:14:13 | 0:14:16 | |
-When will that be, then? -Another two or three weeks. -Not long. -Not long. | 0:14:16 | 0:14:20 | |
Once they're in, how long until they're fully grown and harvested? | 0:14:20 | 0:14:23 | |
-About four months. -Once they're harvested, where do they go? | 0:14:23 | 0:14:26 | |
All the way to the crisping factory. | 0:14:26 | 0:14:28 | |
-Where's that? -500 yards that way. | 0:14:28 | 0:14:30 | |
-The crisping factory is right here? -Yes. | 0:14:30 | 0:14:32 | |
Fantastic! Shall we go and take a look? | 0:14:32 | 0:14:35 | |
Like many farmers, the Fiddlers were looking for ways to diversify | 0:14:37 | 0:14:41 | |
and grow their business | 0:14:41 | 0:14:43 | |
and what better way than making crisps right here in their backyard? | 0:14:43 | 0:14:47 | |
Thank you very much for showing me the field. | 0:14:47 | 0:14:49 | |
Good stuff, we'll see you later! Shall we take a look inside? | 0:14:49 | 0:14:52 | |
Roger's brother John is giving me | 0:14:52 | 0:14:54 | |
a flavour of what it takes to make a crisp. | 0:14:54 | 0:14:57 | |
Today, he's making them from Lady Claire potatoes. | 0:14:57 | 0:15:00 | |
So this must be the most important bit, | 0:15:00 | 0:15:02 | |
-then - the cooking? -Yes, very important. | 0:15:02 | 0:15:04 | |
This is the part where the potato slices are transformed into crisps. | 0:15:04 | 0:15:08 | |
But the most important thing of all is the potatoes. | 0:15:09 | 0:15:13 | |
-The sugar content, the dry matter... -Why do they matter? | 0:15:13 | 0:15:16 | |
What's that about? | 0:15:16 | 0:15:17 | |
They want a very low sugar content potato | 0:15:17 | 0:15:20 | |
because it's the sugar in potatoes that would make the crisps go brown | 0:15:20 | 0:15:24 | |
and you don't want much moisture in the potatoes | 0:15:24 | 0:15:26 | |
because it takes much longer for them to cook. | 0:15:26 | 0:15:28 | |
This can't be good for a lady's complexion, | 0:15:28 | 0:15:30 | |
standing over a big fryer like this! | 0:15:30 | 0:15:32 | |
It does you good, this job - keeps you fit! | 0:15:32 | 0:15:34 | |
So what was it that got you into making crisps in the first place? | 0:15:37 | 0:15:40 | |
Because marketing potatoes was getting more difficult over | 0:15:40 | 0:15:43 | |
the years and as small farmers we found it harder work to make | 0:15:43 | 0:15:48 | |
money out of the acreage we grew. So we wanted to try and add value. | 0:15:48 | 0:15:52 | |
It was my grandfather about 30-odd years ago that | 0:15:52 | 0:15:55 | |
thought about making crisps. | 0:15:55 | 0:15:58 | |
I suppose it was him that gave us the idea to do so. | 0:15:58 | 0:16:00 | |
Where do you begin? | 0:16:00 | 0:16:01 | |
-Did you even know what you had to do? -Not a clue, really. | 0:16:01 | 0:16:04 | |
It was very difficult - there was a lot more to making crisps | 0:16:04 | 0:16:07 | |
than I originally thought. | 0:16:07 | 0:16:09 | |
I first started in my house, in the porch, trying different | 0:16:09 | 0:16:11 | |
varieties of potatoes, turning them into crisps. | 0:16:11 | 0:16:14 | |
-They was dreadful to begin with! -SHE LAUGHS | 0:16:14 | 0:16:17 | |
Then I started looking at different varieties of potatoes | 0:16:18 | 0:16:21 | |
and started doing my research. | 0:16:21 | 0:16:23 | |
And then yes, I started to make a decent crisp. | 0:16:25 | 0:16:27 | |
And you keep it in the family? | 0:16:29 | 0:16:31 | |
Yes, it's my sister Alison and my father Robert. | 0:16:31 | 0:16:34 | |
And I've even named my two daughters after potatoes, | 0:16:34 | 0:16:37 | |
-Charlotte and Annabel! -Not Maris Piper? -No! | 0:16:37 | 0:16:40 | |
Now the exciting bit - the flavouring. | 0:16:47 | 0:16:49 | |
-Try one, see what you think. -Straight off here? There we go. | 0:16:49 | 0:16:53 | |
Mm! | 0:16:54 | 0:16:57 | |
Wow! | 0:16:57 | 0:16:59 | |
-That's really unusual! -That is Lancashire sauce flavour. -Wow! | 0:16:59 | 0:17:03 | |
-That's a new one on me - how did you come by it? -Funny, really. | 0:17:03 | 0:17:06 | |
Me and my wife went out to a pub for a meal | 0:17:06 | 0:17:09 | |
and Lancashire sauce was on every table. | 0:17:09 | 0:17:11 | |
I tried a teaspoonful of it | 0:17:11 | 0:17:13 | |
and thought, "This would work really well on a crisp". | 0:17:13 | 0:17:16 | |
So here we go, Lancashire potatoes turned into Lancashire crisps | 0:17:28 | 0:17:31 | |
with Lancashire sauce flavour on them, cooked by a girl from... | 0:17:31 | 0:17:35 | |
-Gloucestershire! -Yeah! Let's hope I haven't ruined the flavour! | 0:17:35 | 0:17:39 | |
-You deserve one of those. -Thank you very much. | 0:17:39 | 0:17:41 | |
Here we go. Unique Lancashire flavour, right here. | 0:17:42 | 0:17:45 | |
-Beautiful. -Very nice. | 0:17:46 | 0:17:49 | |
The vast open sands of the Sefton coastline have been inspiring | 0:17:57 | 0:18:01 | |
artists for centuries. | 0:18:01 | 0:18:03 | |
Their ambition is to capture the essence of a place, | 0:18:03 | 0:18:06 | |
whether on canvas, film or in sculpture. | 0:18:06 | 0:18:10 | |
Keen photographer Shauna Lowry has presented programmes at home | 0:18:10 | 0:18:14 | |
and abroad, but in her heart, it's the British countryside she loves. | 0:18:14 | 0:18:18 | |
So we asked her to grab her camera | 0:18:18 | 0:18:20 | |
and see what she could make of Merseyside. | 0:18:20 | 0:18:23 | |
I've been lucky enough to visit some amazing landscapes whilst filming | 0:18:24 | 0:18:28 | |
and when I get a few spare moments, I like to capture the local flora | 0:18:28 | 0:18:31 | |
and fauna using my trusty camera. | 0:18:31 | 0:18:33 | |
These are a couple of my favourites from the last few years - | 0:18:35 | 0:18:38 | |
a baby buck in County Tipperary, Ireland | 0:18:38 | 0:18:42 | |
and a coyote in Yellowstone National Park in the USA. | 0:18:42 | 0:18:46 | |
Today, I'm taking inspiration from Sefton's marshland reserves | 0:18:48 | 0:18:52 | |
and sandy beaches. | 0:18:52 | 0:18:53 | |
But I'm not the only one enjoying the scenery. | 0:18:56 | 0:18:58 | |
Meandering along the coastal path is a group of artists. Inspired | 0:18:59 | 0:19:03 | |
by this landscape, they're capturing its spirit in different disciplines. | 0:19:03 | 0:19:08 | |
Led by Mike Collier, his brother, photographer Tim Collier, | 0:19:08 | 0:19:11 | |
together with signed artist Rob Strachan | 0:19:11 | 0:19:14 | |
and natural historian Dave Hardaker, they're preparing for an exhibition | 0:19:14 | 0:19:18 | |
that showcases artwork made whilst undertaking journeys on foot. | 0:19:18 | 0:19:23 | |
So, Mike, how would you describe art walking? | 0:19:23 | 0:19:26 | |
When you walk through a landscape, | 0:19:26 | 0:19:28 | |
you're engaging with all different aspects of your body, | 0:19:28 | 0:19:31 | |
it's not just about thinking, but feeling, touching, | 0:19:31 | 0:19:36 | |
so you get the wind, you engage all your different senses. | 0:19:36 | 0:19:39 | |
What I'm really interested in is getting people to engage | 0:19:39 | 0:19:42 | |
emotionally with the landscape and hopefully in doing that, | 0:19:42 | 0:19:45 | |
they'll care more about it and will be able to help conservation. | 0:19:45 | 0:19:49 | |
What is it about the Sefton coastline that you find so inspiring? | 0:19:49 | 0:19:53 | |
It's a unique landscape. It's also a fantastic atmosphere. | 0:19:53 | 0:19:56 | |
When you look around, it's kind of bleak, | 0:19:56 | 0:19:59 | |
it's open, it's wild, | 0:19:59 | 0:20:01 | |
the sounds here are fantastic as well. | 0:20:01 | 0:20:03 | |
This is my home patch, I grew up here. | 0:20:03 | 0:20:05 | |
I used to come out here with my brothers. | 0:20:05 | 0:20:07 | |
This is where I really got my interest in natural history. | 0:20:07 | 0:20:11 | |
Mike uses colourful pastels to make his bold and graphic art work. | 0:20:11 | 0:20:15 | |
This one describing the sounds of the birds. | 0:20:15 | 0:20:18 | |
But his younger brother Tim uses the medium of wildlife photography... | 0:20:20 | 0:20:25 | |
to capture the essence of this stunning coast. | 0:20:25 | 0:20:28 | |
CAMERA SHUTTER CLICKS | 0:20:28 | 0:20:30 | |
And he's promised to give me a few tips at the local marshside reserve. | 0:20:31 | 0:20:36 | |
There's actually some nice teal down here, really quite close, | 0:20:36 | 0:20:39 | |
-which we should get some good stuff from. -Oh, yes. | 0:20:39 | 0:20:42 | |
First of all, make the composition | 0:20:42 | 0:20:44 | |
as if you were just doing a landscape. | 0:20:44 | 0:20:46 | |
Maybe move so you're getting the actual teal more to the left | 0:20:46 | 0:20:50 | |
of the image and then you play with this a lot, | 0:20:50 | 0:20:53 | |
so you're actually framing it as a landscape image. | 0:20:53 | 0:20:56 | |
That way, you're saying something about where you are, | 0:20:56 | 0:20:59 | |
what the context of the bird exists within. | 0:20:59 | 0:21:02 | |
Mm-hm. | 0:21:02 | 0:21:03 | |
Is not about photographing rare birds, | 0:21:05 | 0:21:08 | |
-it's about photographing birds. -Anything. -Yes, anything. | 0:21:08 | 0:21:11 | |
Down at your local pond or park, they're there. | 0:21:11 | 0:21:15 | |
It's a patience thing, just waiting. | 0:21:15 | 0:21:17 | |
-It does take a while sometimes, doesn't it? -It does. | 0:21:17 | 0:21:20 | |
-But then you have to love the waiting. -Yes. | 0:21:20 | 0:21:22 | |
'This is an exhilarating landscape, | 0:21:22 | 0:21:25 | |
'aching to be captured in one art form or another. | 0:21:25 | 0:21:29 | |
'Twice a day, the sea at Crosby Beach | 0:21:29 | 0:21:31 | |
'reveals a remarkable man-made artwork. | 0:21:31 | 0:21:34 | |
'As the tides ebb and flow, a small army of iron men appear | 0:21:34 | 0:21:39 | |
'and are then submerged by the sea.' | 0:21:39 | 0:21:42 | |
This is the work of world-famous sculptor Sir Antony Gormley. | 0:21:42 | 0:21:46 | |
100 cast iron statues strung apparently randomly along this | 0:21:46 | 0:21:51 | |
immense beach. | 0:21:51 | 0:21:53 | |
Same size, same stance, | 0:21:53 | 0:21:55 | |
silently staring out to the horizon. | 0:21:55 | 0:21:58 | |
This internationally renowned art work, Another Place, | 0:21:58 | 0:22:02 | |
wasn't always meant to be a permanent fixture here, | 0:22:02 | 0:22:04 | |
but since taking up residence in 2005, Antony Gormley believes | 0:22:04 | 0:22:09 | |
this landscape has given his work new meaning and poignancy. | 0:22:09 | 0:22:13 | |
In coming to Crosby, I think it gained in potency. | 0:22:13 | 0:22:18 | |
I was delighted to find a beach that had this rugged sense of... | 0:22:18 | 0:22:23 | |
..I guess an industrial, but elemental world. | 0:22:24 | 0:22:30 | |
The point of the work is really as a form of acupuncture to allow | 0:22:30 | 0:22:34 | |
what is there the dialogue - | 0:22:34 | 0:22:36 | |
the sky, the sea, the waves, | 0:22:36 | 0:22:39 | |
the people, the boats - everything | 0:22:39 | 0:22:42 | |
that is there is catalysed by these iron body forms. | 0:22:42 | 0:22:48 | |
Since they were installed nearly ten years ago, | 0:22:50 | 0:22:52 | |
the natural world has been slowly reclaiming them. | 0:22:52 | 0:22:55 | |
Dr Leonie Robinson from the University of Liverpool isn't | 0:22:56 | 0:23:00 | |
just here to appreciate the sculptures, | 0:23:00 | 0:23:02 | |
but to study how this artwork has | 0:23:02 | 0:23:04 | |
provided an unlikely new home for a special crustacean - | 0:23:04 | 0:23:08 | |
the Austrominius modestus - that's a barnacle to you and me. | 0:23:08 | 0:23:12 | |
-Hi, Leonie. -Hi! | 0:23:13 | 0:23:15 | |
Coming up behind this glorious Gormley bottom, | 0:23:15 | 0:23:18 | |
-it's pretty encrusted, isn't it?! -It certainly is! | 0:23:18 | 0:23:21 | |
It's a work of art in itself. | 0:23:21 | 0:23:22 | |
Absolutely amazing. | 0:23:22 | 0:23:24 | |
So tell me, what is so special about these barnacles? | 0:23:24 | 0:23:28 | |
Well, this is actually a non-native species of barnacle that | 0:23:28 | 0:23:32 | |
originated from Australasia, so they've come a long way to be here. | 0:23:32 | 0:23:36 | |
How do they get here, then? | 0:23:36 | 0:23:38 | |
They've travelled in the ballast water of ships. | 0:23:38 | 0:23:40 | |
This beach here is a completely unsuitable habitat to them normally. | 0:23:40 | 0:23:45 | |
If these weren't here, they just wouldn't live on this beach, | 0:23:45 | 0:23:48 | |
it's given them basically another place, a new home to live. | 0:23:48 | 0:23:51 | |
How do they work? | 0:23:51 | 0:23:52 | |
Barnacles are basically a crustacean, | 0:23:52 | 0:23:55 | |
so they're like a shrimp, if you can imagine, on its back, | 0:23:55 | 0:23:58 | |
stuck to the surface by their head and then their legs are kicked | 0:23:58 | 0:24:02 | |
up above them | 0:24:02 | 0:24:04 | |
and modified into what you see as a fishing net, really. | 0:24:04 | 0:24:08 | |
So when the water comes in, they'll open up and stick their legs out | 0:24:08 | 0:24:13 | |
and basically fish for food in the water. | 0:24:13 | 0:24:16 | |
What was a statue of a man is now like a monster from the deep, really. | 0:24:16 | 0:24:22 | |
Do you think the encrustation has added to the artwork? | 0:24:22 | 0:24:25 | |
Well, maybe I'm biased, but definitely, yes. | 0:24:25 | 0:24:29 | |
From afar, you just see the men, and that's a beautiful | 0:24:29 | 0:24:32 | |
sight in itself and then you get up close and think actually, | 0:24:32 | 0:24:35 | |
these are living, and I think that adds a really exciting angle to it. | 0:24:35 | 0:24:39 | |
When it comes to taking photos, exploring the natural world | 0:24:41 | 0:24:44 | |
along the Sefton Coastal Path has certainly inspired me. | 0:24:44 | 0:24:49 | |
My favourite shot of the day? Well, you can't beat a good sunset. | 0:24:49 | 0:24:52 | |
CAMERA SHUTTER CLICKS | 0:24:53 | 0:24:55 | |
Now, earlier we heard about the dramatic decline in farmland birds. | 0:25:00 | 0:25:05 | |
But what's causing their loss and what can we do to bring them back? | 0:25:05 | 0:25:09 | |
Here's Tom. | 0:25:09 | 0:25:11 | |
A century ago, Vaughan Williams wrote this much-loved | 0:25:15 | 0:25:19 | |
tribute to the skylark, The Lark Ascending. | 0:25:19 | 0:25:22 | |
100 years on and skylark numbers | 0:25:22 | 0:25:25 | |
have plummeted. Though I can... | 0:25:25 | 0:25:28 | |
just hear their song today, that is | 0:25:28 | 0:25:31 | |
becoming much, much less familiar | 0:25:31 | 0:25:33 | |
and they are far from the only feathered cultural icon | 0:25:33 | 0:25:36 | |
that's in trouble. To honour the 12 Days Of Christmas in | 0:25:36 | 0:25:40 | |
the 21st-century, my true love would struggle to find me two turtledoves. | 0:25:40 | 0:25:44 | |
They're one of the hardest hit species of farmland birds, | 0:25:46 | 0:25:49 | |
along with corn buntings and tree sparrows. | 0:25:49 | 0:25:52 | |
So what exactly is causing their demise? | 0:25:52 | 0:25:55 | |
The Game and Wildlife Conservation Trust, who conducted the Big | 0:25:55 | 0:25:59 | |
Farmland Bird Count, has a farm in Leicestershire where they | 0:25:59 | 0:26:03 | |
researched the impact of farming on wildlife and the environment. | 0:26:03 | 0:26:08 | |
I guess you can't blame the bad weather for bird decline - | 0:26:08 | 0:26:10 | |
that's been the same over the last few...many, many decades. | 0:26:10 | 0:26:14 | |
-So what has changed? -Well, it's not just the weather, is it? | 0:26:14 | 0:26:17 | |
We've changed the way that we farm and that's made a big difference. | 0:26:17 | 0:26:20 | |
Our wheat yields have quadrupled in the last 40 years | 0:26:20 | 0:26:23 | |
and that means that the space for birds have been really tightened | 0:26:23 | 0:26:27 | |
and they've been squeezed out. | 0:26:27 | 0:26:28 | |
So productivity has gone up, but explain to me | 0:26:28 | 0:26:31 | |
a few of the changes in farming that have actually harmed the birds. | 0:26:31 | 0:26:36 | |
Traditionally, we would have planted many of our crops in springtime, | 0:26:36 | 0:26:39 | |
which meant the stubbles of the previous year's crops were left | 0:26:39 | 0:26:42 | |
and the weed seeds and spilt grain was left on the surface | 0:26:42 | 0:26:45 | |
and that provided food for the birds during the winter time. | 0:26:45 | 0:26:48 | |
Now, our land is cultivated and those seeds have either germinated | 0:26:48 | 0:26:51 | |
or been buried and that means that it's a much more hostile environment. | 0:26:51 | 0:26:55 | |
As well as the grains, have other foods been lost? | 0:26:55 | 0:26:58 | |
Yes, we know now that insects are incredibly | 0:26:58 | 0:27:01 | |
important for farmland birds, | 0:27:01 | 0:27:03 | |
particularly at the chick stage, | 0:27:03 | 0:27:05 | |
the first two weeks of their lives. | 0:27:05 | 0:27:07 | |
So some of the insecticides, for instance, if you're | 0:27:07 | 0:27:09 | |
killing off the insects, you're not helping the birds larder? | 0:27:09 | 0:27:12 | |
That's certainly not going to help. | 0:27:12 | 0:27:14 | |
For more than a decade now, farmers have been offered | 0:27:15 | 0:27:18 | |
subsidies for environmentally friendly measures like restoring | 0:27:18 | 0:27:21 | |
hedgerows and setting aside land specifically for wildlife. | 0:27:21 | 0:27:26 | |
But even with almost ¾ of farmers signed up, | 0:27:26 | 0:27:29 | |
the expected recovery of farmland birds hasn't happened. | 0:27:29 | 0:27:33 | |
The explanation? | 0:27:33 | 0:27:34 | |
Well, that's about as murky as the weather here on the RSPB's | 0:27:34 | 0:27:38 | |
farm near Cambridge. | 0:27:38 | 0:27:39 | |
Ian Dillon is the farm manager. | 0:27:39 | 0:27:41 | |
So what are we coming up on here, Ian? | 0:27:43 | 0:27:45 | |
So this is one of the skylark plots that we have on the farm. | 0:27:45 | 0:27:49 | |
This is specifically in this field to help | 0:27:49 | 0:27:52 | |
skylarks during the breeding season. | 0:27:52 | 0:27:55 | |
The skylarks are able to nest more successfully, but more importantly, | 0:27:55 | 0:27:59 | |
the plots provide a great place for the birds to actually feed. | 0:27:59 | 0:28:04 | |
Around 70% of farmers are in these schemes that are supposed to | 0:28:04 | 0:28:07 | |
help wildlife, so why is it not working? | 0:28:07 | 0:28:10 | |
The current schemes, there is | 0:28:10 | 0:28:11 | |
a wide range of options that a farmer can choose. | 0:28:11 | 0:28:15 | |
Some of those are very, very helpful to wildlife, | 0:28:15 | 0:28:17 | |
and some of those are less helpful to wildlife. | 0:28:17 | 0:28:20 | |
Unfortunately, | 0:28:20 | 0:28:22 | |
the majority of farmers have chosen the options which are less helpful | 0:28:22 | 0:28:26 | |
to wildlife but which are easier for them to do and are more convenient. | 0:28:26 | 0:28:32 | |
Let's use this as an example. | 0:28:32 | 0:28:34 | |
You've rolled this out and made it clear to farmers years ago - | 0:28:34 | 0:28:36 | |
what's the uptake been like? | 0:28:36 | 0:28:38 | |
The skylark plots are incredibly successful for skylark | 0:28:38 | 0:28:40 | |
and yellow wagtails, but uptake has been incredibly poor. | 0:28:40 | 0:28:45 | |
Only 2% of farmers in England have taken up skylark plots | 0:28:45 | 0:28:51 | |
and my colleagues reckon that we need at least 20% of farmers | 0:28:51 | 0:28:56 | |
to be doing this. | 0:28:56 | 0:28:58 | |
I have to stop you there, there's a deafening skylark up above us! | 0:28:58 | 0:29:01 | |
He's liking what you're saying! | 0:29:01 | 0:29:03 | |
SKYLARK SINGS LOUDLY | 0:29:03 | 0:29:06 | |
That's beautiful. | 0:29:06 | 0:29:07 | |
The National Farmers Union insist farmers choose environmental | 0:29:09 | 0:29:13 | |
schemes that best suit an increase in the biodiversity on their farms. | 0:29:13 | 0:29:18 | |
However, the fact remains that despite their efforts, | 0:29:18 | 0:29:21 | |
the overall number of farmland birds is still falling, | 0:29:21 | 0:29:24 | |
although that fall has slowed significantly in recent years. | 0:29:24 | 0:29:29 | |
But there are some in the farming community whose solution to | 0:29:29 | 0:29:32 | |
this problem is rather more - how shall I put it? - lethal. | 0:29:32 | 0:29:36 | |
And their arguments really do throw the cat among the pigeons. | 0:29:36 | 0:29:40 | |
The Countryside Restoration Trust thinks that in addition to | 0:29:40 | 0:29:44 | |
increasing habitat and food supplies for birds, | 0:29:44 | 0:29:47 | |
there needs to be greater control of their predators. | 0:29:47 | 0:29:50 | |
Come on! Come on! | 0:29:50 | 0:29:53 | |
Robin Page is the trust's chairman. | 0:29:53 | 0:29:55 | |
-So is that the first time they've been out this year? -Yes! -Wahey! | 0:29:57 | 0:30:01 | |
Look! They gave us a covering, look! | 0:30:01 | 0:30:03 | |
Yes! | 0:30:03 | 0:30:05 | |
To help bring back our farmland birds, what other animals do | 0:30:05 | 0:30:08 | |
you think we need to tackle, in effect, kill more of? | 0:30:08 | 0:30:11 | |
Magpies, jays, foxes, badgers, | 0:30:11 | 0:30:15 | |
grey squirrels, | 0:30:15 | 0:30:17 | |
crows have risen 100% | 0:30:17 | 0:30:20 | |
since 1970. | 0:30:20 | 0:30:22 | |
Buzzards have increased over recent years by 500% and they say | 0:30:22 | 0:30:27 | |
they make no impact. What planet have they come from? | 0:30:27 | 0:30:31 | |
With the kind of control that you want to see, | 0:30:31 | 0:30:32 | |
you need a change in the law. | 0:30:32 | 0:30:34 | |
Yes, because it's illegal to disturb nesting birds of prey | 0:30:34 | 0:30:39 | |
and I think that is one of the keys. | 0:30:39 | 0:30:42 | |
You don't have to kill the bird of prey, you just move it on. | 0:30:42 | 0:30:46 | |
It is species management, it is habitat management and then | 0:30:46 | 0:30:51 | |
you can get a balance and a wide range of wildlife back on our farms. | 0:30:51 | 0:30:57 | |
You know, there is a huge myth that you can get a natural balance. | 0:30:57 | 0:31:03 | |
You can't get a natural balance | 0:31:03 | 0:31:05 | |
because the whole of the landscape is unnatural, it's man-made | 0:31:05 | 0:31:09 | |
and so we must intervene to get back | 0:31:09 | 0:31:13 | |
and protect the vulnerable species that we want. | 0:31:13 | 0:31:18 | |
Aside from the heated row over much more aggressive predator control, | 0:31:18 | 0:31:22 | |
there is much agreement on how to increase farmland birds. | 0:31:22 | 0:31:25 | |
Principally, more room to live and more food to eat. | 0:31:25 | 0:31:30 | |
European farm subsidies paid for out of our pockets are helping | 0:31:30 | 0:31:34 | |
British farmers to do that, but with less money to | 0:31:34 | 0:31:37 | |
go around in the future, will we make the investment needed | 0:31:37 | 0:31:40 | |
to stop the decline of our precious farmland birds once and for all? | 0:31:40 | 0:31:45 | |
Today, I'm in Southport on Merseyside. | 0:31:54 | 0:31:58 | |
Twice a day, the receding tides transform this landscape. | 0:31:58 | 0:32:02 | |
Vast expanses of sandy beaches are revealed. | 0:32:02 | 0:32:05 | |
And with them, | 0:32:05 | 0:32:07 | |
come the opportunity to catch the area's famous brown shrimp. | 0:32:07 | 0:32:11 | |
Now harvested by adapted tractors and amphibious vehicles, it's more | 0:32:11 | 0:32:15 | |
than 40 years since a horse-drawn cart last took to the coastline. | 0:32:15 | 0:32:20 | |
The only traditional shrimping cart left in Southport is on show at | 0:32:20 | 0:32:24 | |
the local Atkinson Museum. | 0:32:24 | 0:32:26 | |
But later on, I'll be taking this museum piece off display and | 0:32:26 | 0:32:30 | |
out into the sea, would you believe, for one last shrimping trip. | 0:32:30 | 0:32:35 | |
Mind you, judging by the look of these wheels, we've got | 0:32:35 | 0:32:38 | |
quite a bit of restoration work to do first! | 0:32:38 | 0:32:41 | |
This 18th-century cart is being given a new lease of life | 0:32:45 | 0:32:49 | |
thanks to a local lad and master wheelwright, Phill Gregson. | 0:32:49 | 0:32:52 | |
-Phill, how're you doing? -You OK? Nice to see you. | 0:32:55 | 0:32:58 | |
I understand that you are the man to be breathing new life into this | 0:32:58 | 0:33:01 | |
cart, because it's been in the family quite a while, this trade? | 0:33:01 | 0:33:04 | |
Yes, fourth generation. It goes back to my great-grandfather. | 0:33:04 | 0:33:08 | |
It was my grandfather as well, | 0:33:08 | 0:33:10 | |
and my mother and father were both wheelwrights. | 0:33:10 | 0:33:12 | |
-So it's definitely in the blood! -Where does it all start then, Phill? | 0:33:12 | 0:33:15 | |
You always start from the centre, so you work your way out. | 0:33:15 | 0:33:18 | |
-You turn a nave... -Is that what this is? -Yes, this is the nave. | 0:33:18 | 0:33:21 | |
That's quite an old-fashioned style. | 0:33:21 | 0:33:23 | |
They're called a different name in every county. Naves, naffs, hubs, | 0:33:23 | 0:33:28 | |
knots, knurls, burrs... Absolutely all sorts of names up and down. | 0:33:28 | 0:33:33 | |
-These are called the fellies... -OK. That's amazing. | 0:33:33 | 0:33:37 | |
There's obviously different types of wood in this wheel. | 0:33:37 | 0:33:41 | |
Yes, you've got elm for the naves, oak for the spokes | 0:33:41 | 0:33:45 | |
-and ash for the fellies. -And why the difference in wood? | 0:33:45 | 0:33:48 | |
The elm is very strong under compression, it doesn't split, | 0:33:48 | 0:33:52 | |
it's got very interlocking grain structure, | 0:33:52 | 0:33:54 | |
so when you drive the spokes in - they're driven in with | 0:33:54 | 0:33:57 | |
a sledgehammer - they don't split the nave apart. | 0:33:57 | 0:34:00 | |
The oak is very strong under compression again, | 0:34:00 | 0:34:02 | |
it doesn't distort or twist | 0:34:02 | 0:34:03 | |
when it's got the weight of the load and the tyre on it. | 0:34:03 | 0:34:07 | |
And the ash is very springy, so it absorbs shock on the road. | 0:34:07 | 0:34:10 | |
-That's your suspension? -Yes, basically. | 0:34:10 | 0:34:12 | |
Everything is made tight, | 0:34:12 | 0:34:14 | |
"there's no room for glue" is the old wheelwright's saying. | 0:34:14 | 0:34:17 | |
So there's no nails or anything? | 0:34:17 | 0:34:18 | |
No nails, no screws, no glue. | 0:34:18 | 0:34:21 | |
It's all done by the compression of the tyre. | 0:34:21 | 0:34:23 | |
So are you going to show me how this tyre thing works? | 0:34:23 | 0:34:25 | |
Yes, let's get on and get these tyres on before brew time! | 0:34:25 | 0:34:29 | |
-Everything works around brew time! -It does round here! | 0:34:29 | 0:34:31 | |
Before the hoop or tyre is put onto the wheel, it needs to be heated. | 0:34:34 | 0:34:38 | |
-So we've got the two hoops for the shrimping cart. -Yes. | 0:34:41 | 0:34:44 | |
We're heating them up so they get cherry red so they expand. | 0:34:44 | 0:34:48 | |
I guess what's lovely is in today's day and age, everybody's | 0:34:48 | 0:34:51 | |
looking at temperature gauges to make sure everything's just right... | 0:34:51 | 0:34:54 | |
-If it looks right, we're ready to go. -The metal itself, is this iron? | 0:34:54 | 0:34:58 | |
-It's steel, nowadays. -OK. | 0:34:58 | 0:35:00 | |
Traditionally, going back into the 1800s, it would have been iron. | 0:35:00 | 0:35:04 | |
-I bet you always have jacket potatoes, do you, for lunch? -Yeah! | 0:35:04 | 0:35:08 | |
With the steel tyre heated to "cherry red", | 0:35:08 | 0:35:11 | |
it's time to fit it onto the wooden wheel. | 0:35:11 | 0:35:14 | |
Keeping it in the family, Phill's fiancee Emily is on hand to help. | 0:35:18 | 0:35:22 | |
-So about here then, for me? -Yeah. -Is that high enough on my tongs? | 0:35:26 | 0:35:29 | |
-Perfect. -Hang on, two secs. | 0:35:29 | 0:35:32 | |
And yes, good. | 0:35:32 | 0:35:34 | |
Right, tongs out. | 0:35:40 | 0:35:42 | |
Oh, like a glove, this. You want water? Here we go, water, water. | 0:35:44 | 0:35:49 | |
-Am I just going round? -Water. | 0:35:49 | 0:35:51 | |
HAMMERING | 0:35:51 | 0:35:55 | |
Oh, look at that, it's lovely! | 0:36:04 | 0:36:06 | |
If you're ready, without touching the tyre... | 0:36:06 | 0:36:09 | |
Get hold of the opposite spokes from me... That's it. | 0:36:09 | 0:36:12 | |
And put it on the floor. Watch the metalwork, because it's still hot. | 0:36:12 | 0:36:16 | |
Now wheel it over to the tank. | 0:36:16 | 0:36:18 | |
-Just there, that's it. -Into the tank? -Into the tank, lift it in. | 0:36:18 | 0:36:22 | |
-All the way in? -Yes, lift it straight in. | 0:36:22 | 0:36:24 | |
-And then just keep turning it in the tank until it's cool. -Wow. | 0:36:28 | 0:36:33 | |
And so, because that is contracting at such a rate, | 0:36:33 | 0:36:36 | |
it then tightens up all the joinery work. | 0:36:36 | 0:36:38 | |
Compresses everything down to the centre. | 0:36:38 | 0:36:39 | |
That's where the strength of the wheel comes from. | 0:36:39 | 0:36:42 | |
What a beautiful creation that is. | 0:36:42 | 0:36:43 | |
Yes, they look fantastic when they're freshly hooped. | 0:36:43 | 0:36:46 | |
I thoroughly, thoroughly enjoyed that. | 0:36:46 | 0:36:48 | |
You can come again - you're getting the hang of this! | 0:36:48 | 0:36:50 | |
We know who to call up the next time we're short of people! Well done. | 0:36:50 | 0:36:53 | |
Thanks, man. | 0:36:53 | 0:36:55 | |
Now it's off to the museum to get the shrimping cart | 0:36:56 | 0:36:59 | |
back on the beach. | 0:36:59 | 0:37:01 | |
-Is it a long walk? -Couple of miles. | 0:37:04 | 0:37:07 | |
Soon be there! | 0:37:07 | 0:37:08 | |
This is the next traditional technique - | 0:37:08 | 0:37:11 | |
-rolling your cartwheel down the country roads! -It does me good. | 0:37:11 | 0:37:13 | |
Ooh! Hang on, I've gone a bit wonky! | 0:37:13 | 0:37:15 | |
-ELLIE: -After a long winter, | 0:37:25 | 0:37:27 | |
the countryside is finally coming alive with the sounds of new life. | 0:37:27 | 0:37:31 | |
BLEATING | 0:37:32 | 0:37:34 | |
For farmers, the seasons bring varied challenges - as Adam knows | 0:37:37 | 0:37:41 | |
only too well. | 0:37:41 | 0:37:43 | |
The bit of warm weather we've had lately has been very welcome. | 0:37:54 | 0:37:57 | |
This time last year, there was snow on the ground, so we've got | 0:37:57 | 0:38:00 | |
ewes and lambs out on the grass and later on we'll be turning out | 0:38:00 | 0:38:03 | |
some cattle that have been shut in all winter, so they'll be delighted. | 0:38:03 | 0:38:06 | |
I really feel like spring has sprung. | 0:38:06 | 0:38:08 | |
Because the weather hasn't warmed up sufficiently yet for the grass | 0:38:13 | 0:38:16 | |
to grow properly, we are having to supplementary feed the ewes - | 0:38:16 | 0:38:19 | |
we're giving them some ewe nuts, but also some of this - | 0:38:19 | 0:38:22 | |
fodder beet, that farmers grow to feed cattle and sheep. | 0:38:22 | 0:38:25 | |
We've bought it in. | 0:38:25 | 0:38:27 | |
It's full of carbohydrate and sugar and a bit of protein | 0:38:27 | 0:38:31 | |
and they love it. | 0:38:31 | 0:38:33 | |
A tasty meal that will keep this lot going | 0:38:56 | 0:38:59 | |
until the grass starts to green up in the coming weeks. | 0:38:59 | 0:39:02 | |
But it's not just about the animals. | 0:39:07 | 0:39:09 | |
It's also a time when momentum builds out in the arable fields. | 0:39:09 | 0:39:13 | |
All the crops on our farms are annuals, | 0:39:18 | 0:39:21 | |
completing their life cycle within 12 months. | 0:39:21 | 0:39:23 | |
The seeds are sown and during spring and summer, | 0:39:25 | 0:39:28 | |
the crops put on most of their growth. | 0:39:28 | 0:39:30 | |
They produce flowers and towards the end of their life cycle, | 0:39:33 | 0:39:36 | |
they set seed. | 0:39:36 | 0:39:37 | |
Finally, when the time is right, they are harvested, | 0:39:39 | 0:39:42 | |
ready to be stored. | 0:39:42 | 0:39:43 | |
This is one of our oil seed rape fields that we planted | 0:39:49 | 0:39:52 | |
back in August. | 0:39:52 | 0:39:53 | |
It established very well | 0:39:53 | 0:39:55 | |
and it's come out of the winter looking lovely. | 0:39:55 | 0:39:57 | |
This time last year, the equivalent crop was absolutely atrocious | 0:39:57 | 0:40:00 | |
and some of it was just a few centimetres tall | 0:40:00 | 0:40:03 | |
and we ended up having to take it out, but this is almost | 0:40:03 | 0:40:06 | |
growing in front of your eyes as the weather warms up. | 0:40:06 | 0:40:09 | |
It's got great potential. | 0:40:09 | 0:40:12 | |
'Over the next few months, this oilseed rape will shoot up, | 0:40:12 | 0:40:16 | |
'making the most of the spring conditions.' | 0:40:16 | 0:40:18 | |
Although the crops are looking pretty good, | 0:40:19 | 0:40:21 | |
they still need looking after. | 0:40:21 | 0:40:23 | |
We need to be vigilant about pests and diseases, | 0:40:23 | 0:40:25 | |
we need to be right on top of the weeds | 0:40:25 | 0:40:27 | |
and also they need feeding with fertiliser, | 0:40:27 | 0:40:30 | |
so the crop husbandry, right from planting to harvest, | 0:40:30 | 0:40:33 | |
has to be very good. | 0:40:33 | 0:40:34 | |
And today we are fertilising this crop of oilseed rape. | 0:40:37 | 0:40:40 | |
This is what is known as Kieserit. | 0:40:42 | 0:40:44 | |
It's sulphur and magnesium. | 0:40:44 | 0:40:46 | |
And let's cut the bag and out it comes. | 0:40:46 | 0:40:50 | |
And we used to get plenty of sulphur from the atmosphere | 0:40:50 | 0:40:53 | |
because of the power stations, | 0:40:53 | 0:40:54 | |
but now they have all cleaned their act up, | 0:40:54 | 0:40:56 | |
we are having to apply it to the crop. | 0:40:56 | 0:40:58 | |
A little bit ironic, but there we go! | 0:40:58 | 0:41:00 | |
Martin, our arable manager, is driving the machine | 0:41:11 | 0:41:14 | |
and in the cab with him is Dave, who is one of the tractor drivers | 0:41:14 | 0:41:17 | |
and he is learning how to use the fertiliser spreader | 0:41:17 | 0:41:19 | |
because it is quite complicated. | 0:41:19 | 0:41:21 | |
What we have done is taken a soil sample | 0:41:21 | 0:41:23 | |
across the whole of this field, in fact, across the whole of the farm. | 0:41:23 | 0:41:26 | |
We then get a soil map, | 0:41:26 | 0:41:28 | |
which tells you the nutrients in that soil. | 0:41:28 | 0:41:30 | |
We then make a calculation | 0:41:30 | 0:41:32 | |
and put it into the on-board computer on the tractor. | 0:41:32 | 0:41:35 | |
It has a satellite navigation dish on top of the tractor. | 0:41:35 | 0:41:37 | |
As it drives up and down the field, it knows exactly where it is | 0:41:37 | 0:41:40 | |
and speeds up or slows down the amount of fertiliser | 0:41:40 | 0:41:44 | |
it is applying to the ground. | 0:41:44 | 0:41:46 | |
And that should then optimise the potential yield of this crop. | 0:41:46 | 0:41:50 | |
Incredible technology! | 0:41:50 | 0:41:51 | |
With the fertiliser well under way, | 0:42:03 | 0:42:05 | |
I am heading off to help turn out my neighbour's Hereford cattle. | 0:42:05 | 0:42:09 | |
On the way, I am passing the seed drill working in the field. | 0:42:09 | 0:42:12 | |
I'm just pulling alongside now. It is an incredible machine. | 0:42:14 | 0:42:18 | |
It's planting spring barley, | 0:42:18 | 0:42:19 | |
so that barley goes for malting for making lager, | 0:42:19 | 0:42:23 | |
so when you're in the pub, drinking your pint of lager, | 0:42:23 | 0:42:26 | |
this is where it all starts. | 0:42:26 | 0:42:27 | |
The tractor has an on-board satellite navigation system, | 0:42:27 | 0:42:31 | |
so it is driving in a dead straight line. | 0:42:31 | 0:42:34 | |
It's talking to the drill behind | 0:42:34 | 0:42:36 | |
and the seed hopper holds all the seed | 0:42:36 | 0:42:39 | |
that gets blown down tubes by a big fan | 0:42:39 | 0:42:41 | |
and then delivered into what is called a coulter, | 0:42:41 | 0:42:44 | |
where it goes into the soil at the perfect depth | 0:42:44 | 0:42:46 | |
and we want the seeds going in at 425 seeds per metre squared. | 0:42:46 | 0:42:51 | |
It has to be very accurate. There is a reader on the drill | 0:42:51 | 0:42:54 | |
and if it goes faster, it speeds up the amount of seed | 0:42:54 | 0:42:58 | |
that gets delivered into the lovely tilf of the seedbed. | 0:42:58 | 0:43:01 | |
A couple of miles down the road from the farm, | 0:43:13 | 0:43:15 | |
Mike, our livestock manager, | 0:43:15 | 0:43:17 | |
is helping to look after my neighbour's herd of Hereford cattle. | 0:43:17 | 0:43:21 | |
-Hi, Mike. -Hi, Ad, how are you doing? -They look really lovely, don't they? | 0:43:21 | 0:43:25 | |
Yes, they are getting on really well. | 0:43:25 | 0:43:27 | |
-So, how many calves have you had so far? -About 45 so far, yes. | 0:43:27 | 0:43:29 | |
-What sort of age as these ones? -These are just a couple of weeks old. | 0:43:29 | 0:43:33 | |
-Your dad has some back home, hasn't he? -He's got a few, yes. | 0:43:33 | 0:43:36 | |
So you grew up with them as a boy? | 0:43:36 | 0:43:37 | |
Yes, little bit, but I have not worked with this many before. | 0:43:37 | 0:43:41 | |
So, how many have you got to turn out then, Mike? | 0:43:41 | 0:43:44 | |
There's two here and another 13. | 0:43:44 | 0:43:46 | |
-And who is this one? -This was our first bull calf born here. | 0:43:46 | 0:43:50 | |
We've called him Legend, so hopefully he will go on and do great things. | 0:43:50 | 0:43:53 | |
-OK, well, shall I pull him out of the way while you get the cow? -Yes. | 0:43:53 | 0:43:56 | |
A young bull like this could be sold to a pedigree breeder | 0:43:56 | 0:44:02 | |
or go on to dairy herds to make beef animals | 0:44:02 | 0:44:06 | |
or it might even get exported to somewhere like France | 0:44:06 | 0:44:09 | |
and he has got great potential, | 0:44:09 | 0:44:11 | |
really smart-looking fellow. | 0:44:11 | 0:44:13 | |
-Shall I just slip the halter off him, Mike? -Yes, go for it. | 0:44:13 | 0:44:16 | |
'It's Legend's first taste of freedom.' Right. | 0:44:17 | 0:44:20 | |
'Time to let some of the others out to join him.' | 0:44:20 | 0:44:22 | |
-So, this is the young bull you bought? -Yes. | 0:44:22 | 0:44:24 | |
BULL BELLOWS | 0:44:24 | 0:44:26 | |
-All right, all right, calm down! -This is Jones. | 0:44:26 | 0:44:30 | |
Come on, girls! | 0:44:30 | 0:44:32 | |
ADAM WHISTLES | 0:44:34 | 0:44:37 | |
'No sooner have we got the last few out, | 0:44:40 | 0:44:42 | |
'they turn and head straight back into the shed.' | 0:44:42 | 0:44:44 | |
Go on, out of it! Go on! | 0:44:44 | 0:44:47 | |
Go on! Go on, then! Go on! | 0:44:49 | 0:44:52 | |
They have been stuck inside all winter | 0:44:52 | 0:44:54 | |
and now they don't want to go out. | 0:44:54 | 0:44:55 | |
They haven't realised they've got all that spring grass to go to. | 0:44:55 | 0:44:58 | |
Go on, then! Go on! | 0:44:58 | 0:45:00 | |
Go on, then! | 0:45:00 | 0:45:01 | |
Go on, then! There's a good girl! | 0:45:02 | 0:45:06 | |
'Hooray! Success!' | 0:45:06 | 0:45:08 | |
Takes some doing, doesn't it? | 0:45:08 | 0:45:10 | |
'And as soon as they see the fresh green pastures ahead, | 0:45:11 | 0:45:15 | |
'there is no stopping them.' | 0:45:15 | 0:45:17 | |
They are all charging around now, calling to their calves | 0:45:27 | 0:45:30 | |
and calling to the other cattle back in the shed. | 0:45:30 | 0:45:32 | |
Really tucking into this log and itching themselves. | 0:45:32 | 0:45:35 | |
The bull's getting very excited. Full of the joys of spring. | 0:45:35 | 0:45:39 | |
There's quite a lot of time and effort feeding cattle | 0:45:39 | 0:45:41 | |
when they are in the sheds, but when they come out | 0:45:41 | 0:45:43 | |
onto lovely grass like this, they can just live off it. | 0:45:43 | 0:45:46 | |
We may be giving the calves a bit of extra feed, | 0:45:46 | 0:45:49 | |
but apart from that, they will be self-sufficient. | 0:45:49 | 0:45:52 | |
There is something very special about turning cows | 0:45:52 | 0:45:55 | |
and calves onto fresh grass like this in the spring. | 0:45:55 | 0:45:58 | |
A wonderful sight, something I never get bored of. | 0:45:58 | 0:46:01 | |
-ELLIE: -The Sefton Coast, | 0:46:17 | 0:46:19 | |
a beautiful and stunning coastal landscape. | 0:46:19 | 0:46:22 | |
But, like much of the country, it has recently witnessed | 0:46:22 | 0:46:25 | |
just how powerful and damaging extreme weather can be. | 0:46:25 | 0:46:29 | |
Last year's storm gave the coast here a real battering | 0:46:29 | 0:46:33 | |
and the damage is still evident. | 0:46:33 | 0:46:35 | |
The vast expanses of sand dunes above Ainsdale Beach | 0:46:38 | 0:46:43 | |
are some of the largest in the UK. | 0:46:43 | 0:46:45 | |
Last December 5th, | 0:46:45 | 0:46:47 | |
they suffered four years' worth of erosion in just one day. | 0:46:47 | 0:46:51 | |
Wildlife and their habitats were devastated | 0:46:51 | 0:46:54 | |
and many buildings and structures were severely damaged. | 0:46:54 | 0:46:58 | |
This boardwalk, which forms part of the coastal path, | 0:46:58 | 0:47:02 | |
was practically washed away, but instead of being written off, | 0:47:02 | 0:47:06 | |
it's being saved and repaired, incredibly, | 0:47:06 | 0:47:09 | |
using some of the trees that were lost in the storm. | 0:47:09 | 0:47:13 | |
Just a short distance inland, | 0:47:20 | 0:47:22 | |
this pine woodland was ravaged by the gales, | 0:47:22 | 0:47:25 | |
but most of the fallen trees are being salvaged | 0:47:25 | 0:47:28 | |
through a project run by Sefton Council. | 0:47:28 | 0:47:31 | |
Ian McAlvey is one of the team leaders. | 0:47:31 | 0:47:34 | |
So, tell me about these trees. Are these, the ones you are cutting, | 0:47:34 | 0:47:37 | |
the ones that came down in the storm? | 0:47:37 | 0:47:38 | |
Yes, 12 in this little area here alone came down in the storms, yes. | 0:47:38 | 0:47:42 | |
And these planks you've just cut, where are they destined for? | 0:47:42 | 0:47:45 | |
Well, they are destined for the workshop down at Ainsdale, | 0:47:45 | 0:47:48 | |
which is part of Natural Alternatives, | 0:47:48 | 0:47:50 | |
which is an inclusion programme that we run, | 0:47:50 | 0:47:53 | |
which we aim to improve the quality of lives for everybody in Sefton - | 0:47:53 | 0:47:56 | |
young people who are disengaged, excluded from mainstream education. | 0:47:56 | 0:48:00 | |
We've got adults with learning difficulties, | 0:48:00 | 0:48:03 | |
anybody who wants to come here and gain work experience with us. | 0:48:03 | 0:48:07 | |
'One of Ian's apprentices is Martin Rogers, | 0:48:08 | 0:48:11 | |
'a local lad who joined the scheme just under a year ago.' | 0:48:11 | 0:48:15 | |
So, Martin, what was it that got you into this in the first place? | 0:48:15 | 0:48:18 | |
Well, I grew up around here | 0:48:18 | 0:48:19 | |
and I've always known about the Ranger Service | 0:48:19 | 0:48:21 | |
and, when I got into year ten, I was looking for something to do | 0:48:21 | 0:48:24 | |
for work experience and I had two weeks great work with them, | 0:48:24 | 0:48:27 | |
so, when I'd finished college, | 0:48:27 | 0:48:30 | |
I decided to apply here for an apprenticeship scheme. | 0:48:30 | 0:48:33 | |
And what do you think you would have done if you weren't doing this? | 0:48:34 | 0:48:37 | |
Probably would've been working in a shop or a factory | 0:48:37 | 0:48:40 | |
or something like that, | 0:48:40 | 0:48:41 | |
but I have always wanted to work outdoors and I've never seen myself | 0:48:41 | 0:48:44 | |
in an office, working nine to five, stuck in a cubicle. | 0:48:44 | 0:48:48 | |
I've always been an outdoor person. | 0:48:48 | 0:48:49 | |
I love my chainsaw, I love the woodchipping, everything about it. | 0:48:49 | 0:48:53 | |
'The team learns a whole range of skills.' | 0:48:57 | 0:49:00 | |
I'll be careful with this, this has been lovingly produced. | 0:49:00 | 0:49:03 | |
'We are dropping by their workshops | 0:49:03 | 0:49:05 | |
'to pick up some signs that they have made. | 0:49:05 | 0:49:07 | |
'We are going to install them in a special habitat | 0:49:07 | 0:49:10 | |
'they have created for one of the dunes' warty residents, | 0:49:10 | 0:49:13 | |
'the very rare natterjack toad.' | 0:49:13 | 0:49:16 | |
'I'm giving Martin and Lewis Saunders a hand.' | 0:49:26 | 0:49:30 | |
Ready? | 0:49:30 | 0:49:32 | |
Good job. | 0:49:32 | 0:49:33 | |
There we go. | 0:49:36 | 0:49:37 | |
That is there. Nice one! Lovely! So, these natterjacks then, | 0:49:38 | 0:49:42 | |
they are really rare, I've only ever seen them a handful of times. | 0:49:42 | 0:49:45 | |
-It's quite exciting working with them, isn't it? -Yes, it really is. | 0:49:45 | 0:49:48 | |
You don't see them that many times of the year, | 0:49:48 | 0:49:50 | |
-it's only towards the summer. -Yes. | 0:49:50 | 0:49:52 | |
But when you do see them, they are nice to look at. | 0:49:52 | 0:49:54 | |
-You came from a pretty inner-city area, didn't you? -Yes. | 0:49:54 | 0:49:57 | |
I didn't really have much to do, basically, | 0:49:57 | 0:49:59 | |
so I started hanging around with lads and sort of stuff | 0:49:59 | 0:50:03 | |
and got myself into a bit of trouble at times, | 0:50:03 | 0:50:06 | |
but eventually I had come across a job on the internet | 0:50:06 | 0:50:09 | |
and applied for it | 0:50:09 | 0:50:11 | |
and a couple of weeks later I got an interview with Sefton Council. | 0:50:11 | 0:50:14 | |
And, yeah, it was good. | 0:50:14 | 0:50:16 | |
What do you reckon, if you think about it now, | 0:50:16 | 0:50:18 | |
you would have been doing had you stayed where you were? | 0:50:18 | 0:50:21 | |
I could be on the wrong path now, like, a real wrong path, but... | 0:50:21 | 0:50:25 | |
I am made up that I actually have got this job, | 0:50:25 | 0:50:28 | |
to sort of channel me off that and put me back on the right path. | 0:50:28 | 0:50:31 | |
Yeah. | 0:50:31 | 0:50:32 | |
'With Martin and Lewis's help, | 0:50:37 | 0:50:39 | |
'the natterjacks should have a good chance of survival. | 0:50:39 | 0:50:42 | |
'And hopefully the boardwalk | 0:50:43 | 0:50:44 | |
'is going to benefit from their skills as well.' | 0:50:44 | 0:50:47 | |
So, things have come full circle now. | 0:50:47 | 0:50:49 | |
This is the timber that was blown down in the storm | 0:50:49 | 0:50:52 | |
-mending the storm damage. -Yes, it is, yes. | 0:50:52 | 0:50:54 | |
How long is it going to take you? | 0:50:54 | 0:50:55 | |
We're hoping to have it open by the summer, | 0:50:55 | 0:50:57 | |
-but it's all down to weather and a few other conditions. -Fabulous. | 0:50:57 | 0:51:00 | |
Today we are on the unspoiled coastline of Southport | 0:51:09 | 0:51:12 | |
in England's northwest. | 0:51:12 | 0:51:13 | |
Twice a day, the retreating tide leaves Sir Antony Gormley's | 0:51:13 | 0:51:17 | |
iron men gazing wistfully to the horizon. | 0:51:17 | 0:51:20 | |
And low tide also reveals | 0:51:23 | 0:51:25 | |
this landscape's shallow, sloping beaches, | 0:51:25 | 0:51:28 | |
perfect for harvesting the famous local delicacy - Southport shrimp. | 0:51:28 | 0:51:33 | |
'Now harvested by tractors, it's more than 40 years | 0:51:36 | 0:51:39 | |
'since the traditional horse and cart last took to the sands, | 0:51:39 | 0:51:43 | |
'but after some careful restoration by wheelwright Phill Gregson, | 0:51:43 | 0:51:47 | |
'it is time to get this one off display | 0:51:47 | 0:51:50 | |
'and back into the surf for one last shrimping trip.' | 0:51:50 | 0:51:53 | |
And look at these! | 0:51:53 | 0:51:55 | |
Absolute beauties! | 0:51:55 | 0:51:57 | |
Wow! | 0:51:57 | 0:51:59 | |
It's the equivalent of getting a brand-new pair of shoes, this. | 0:51:59 | 0:52:02 | |
Yes. And if all goes to plan, they should just slide on. | 0:52:02 | 0:52:06 | |
As a wheelwright, what does this moment feel like for you, Phill? | 0:52:06 | 0:52:09 | |
Greasy, at the moment! | 0:52:09 | 0:52:10 | |
MATT LAUGHS | 0:52:10 | 0:52:12 | |
This is the end of the job, | 0:52:12 | 0:52:13 | |
you know, and actually getting to see the wheels go on | 0:52:13 | 0:52:16 | |
and take them out on the shore, | 0:52:16 | 0:52:18 | |
it's going to be absolutely brilliant today. | 0:52:18 | 0:52:21 | |
-It's working, Phill! -Yes, it runs lovely. The wheels are running true. | 0:52:22 | 0:52:26 | |
-It's a nice moment. -Happy boy? -Yeah, just a bit! | 0:52:26 | 0:52:29 | |
I can't wait to see it on the beach. | 0:52:29 | 0:52:31 | |
-Don't let it overbalance you. -No. | 0:52:31 | 0:52:33 | |
Oh, hang on! Excuse me, my dear. Sorry. | 0:52:33 | 0:52:36 | |
That's the green man, let's go! | 0:52:36 | 0:52:38 | |
'Now that the wheels are on, all we need is a horse.' | 0:52:38 | 0:52:41 | |
-Hang on. That's it, brakes on. Spin around. -Aye, go on. | 0:52:42 | 0:52:46 | |
Into horse mode. Ready? | 0:52:46 | 0:52:48 | |
Giddy-up! | 0:52:48 | 0:52:49 | |
'It was way back in the 1970s when a shrimping cart like this | 0:52:53 | 0:52:57 | |
'last took to the coast. | 0:52:57 | 0:52:58 | |
'Gerald Rimmer, who I met earlier, | 0:52:58 | 0:53:01 | |
'was the last of the horse-drawn shrimpers.' | 0:53:01 | 0:53:03 | |
The horse what I had was nearly 18 hands tall. | 0:53:03 | 0:53:06 | |
You are talking about up here. | 0:53:06 | 0:53:09 | |
-And it would wade that deep. -Right. | 0:53:09 | 0:53:11 | |
And you could go where you couldn't go with a tractor. | 0:53:11 | 0:53:13 | |
'Just what is he going to make of this?' | 0:53:13 | 0:53:17 | |
-This is Puzzle. -Puzzle? -Isn't he an absolute bobby dazzler? -Lovely. | 0:53:17 | 0:53:22 | |
-He looks almost as excited as you do, Gerald! -Yes. | 0:53:22 | 0:53:25 | |
THEY LAUGH | 0:53:25 | 0:53:27 | |
'Puzzle is a cob horse. | 0:53:29 | 0:53:31 | |
'With a steady disposition, he is perfect for driving in the surf. | 0:53:31 | 0:53:35 | |
'After trotting a mile out over the sand, | 0:53:35 | 0:53:37 | |
'it's time to see our shrimping cart back where it belongs.' | 0:53:37 | 0:53:40 | |
Well, the wheels are still on anyway! | 0:53:40 | 0:53:43 | |
That's what it's all about. | 0:53:43 | 0:53:45 | |
No doubt, this is bringing a smile to Gerald's face. | 0:53:45 | 0:53:49 | |
-Are you all right, Gerald? -Yes. -So, what do you make of this? | 0:53:49 | 0:53:52 | |
What is it like to see this cart now? | 0:53:52 | 0:53:54 | |
It brings back memories from when I used to go with the horse and cart. | 0:53:54 | 0:53:58 | |
I never thought I'd see it again. | 0:53:58 | 0:54:01 | |
It's so lovely to be sat here and look behind, you know, | 0:54:01 | 0:54:05 | |
from the old to the new. | 0:54:05 | 0:54:08 | |
What a day! | 0:54:09 | 0:54:10 | |
Gerald! Are you a happy boy? | 0:54:14 | 0:54:17 | |
-Yes, spot on! -Spot on! -How about that? | 0:54:17 | 0:54:21 | |
Cheers, lads. Thank you very much indeed. | 0:54:21 | 0:54:23 | |
-Well, bad news and good news. -Go on. | 0:54:23 | 0:54:25 | |
The good news is I've had a wonderful time. | 0:54:25 | 0:54:27 | |
The bad news is we didn't get any shrimp. | 0:54:27 | 0:54:29 | |
Well, don't worry because Christian suspected that might happen | 0:54:29 | 0:54:32 | |
and he's brought an alternative. | 0:54:32 | 0:54:33 | |
Christian has got the old shrimp! Lovely stuff! | 0:54:33 | 0:54:36 | |
-Shall we hand them out? -Yes, there's one for you. | 0:54:36 | 0:54:38 | |
-Lads, come here, come on. -Get yourself a fork. | 0:54:38 | 0:54:40 | |
Well, that is just about it from the potted-shrimp party in Southport. | 0:54:40 | 0:54:43 | |
Next week we are going to be on the Isles of Scilly. | 0:54:43 | 0:54:46 | |
-Are they good? -These are beautiful! | 0:54:46 | 0:54:47 | |
I'm going to be looking after | 0:54:47 | 0:54:49 | |
a precious cargo of newly hatched ducklings. | 0:54:49 | 0:54:51 | |
I am going to be finding out how they've managed to eradicate rats | 0:54:51 | 0:54:54 | |
on one of the islands in the hope of tempting back sea birds. | 0:54:54 | 0:54:56 | |
-See you then. -See you later. Did you bring anything for a horse? | 0:54:56 | 0:54:59 | |
ELLIE LAUGHS | 0:54:59 | 0:55:02 |