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Springtime. | 0:00:24 | 0:00:25 | |
An awakening. | 0:00:27 | 0:00:28 | |
Fields and flowers burst into bloom... | 0:00:30 | 0:00:33 | |
..and trees, newly-clothed in vibrant green, | 0:00:34 | 0:00:37 | |
stretch from their winter slumber. | 0:00:37 | 0:00:39 | |
Life returning from near... | 0:00:40 | 0:00:43 | |
..and far. | 0:00:44 | 0:00:45 | |
But amongst these familiar signs hides | 0:00:46 | 0:00:48 | |
a more secret side to springtime. | 0:00:48 | 0:00:51 | |
Often overlooked, but as stunning a spectacle as any other. | 0:00:51 | 0:00:55 | |
'From our ocean shores...' | 0:00:58 | 0:01:01 | |
Oh, look at that! | 0:01:01 | 0:01:03 | |
We've got a jellyfish in here, too! | 0:01:03 | 0:01:05 | |
..to our open plains. | 0:01:05 | 0:01:07 | |
-How many are you lifting from these crates in an hour? -11,000. | 0:01:08 | 0:01:11 | |
From our highest peaks... | 0:01:15 | 0:01:18 | |
to forests far below... | 0:01:18 | 0:01:20 | |
..this is a time of discoveries and firsts. | 0:01:22 | 0:01:26 | |
85, 85, 85 on the right. | 0:01:27 | 0:01:29 | |
-Sold it! -GAVEL BANGS | 0:01:29 | 0:01:32 | |
The birth of a new season and its hidden wonders | 0:01:32 | 0:01:35 | |
are sights to truly stir the soul. | 0:01:35 | 0:01:37 | |
Spring flowers, | 0:01:49 | 0:01:51 | |
woodlands carpeted with bluebells, | 0:01:51 | 0:01:55 | |
tree blossom promising a fruitful summer and autumn. | 0:01:55 | 0:01:58 | |
We welcome the colour these blooms bring into our lives | 0:02:00 | 0:02:04 | |
as bleak winter fades. | 0:02:04 | 0:02:05 | |
We also love to welcome them into our homes. | 0:02:05 | 0:02:09 | |
With cut flowers, like these beautiful tulips, we can. | 0:02:12 | 0:02:16 | |
A well-known song might suggest that these will have come from | 0:02:16 | 0:02:20 | |
Holland but, in fact, they were grown right here in Lincolnshire. | 0:02:20 | 0:02:23 | |
Growing tulips was a big deal in these parts | 0:02:25 | 0:02:27 | |
in the first half of the 20th century. | 0:02:27 | 0:02:30 | |
In the '40s and '50s, coachloads of sightseers would arrive in | 0:02:30 | 0:02:34 | |
the flatlands around Spalding to take in the magnificent | 0:02:34 | 0:02:38 | |
springtime spectacle of the tulip crop at its peak. | 0:02:38 | 0:02:42 | |
There'd even be a Tulip Queen. | 0:02:42 | 0:02:44 | |
By the mid-'70s, though, British tulip farming was in decline, | 0:02:45 | 0:02:49 | |
unable to cope with the scale of the competition from Dutch growers | 0:02:49 | 0:02:53 | |
just across the North Sea. | 0:02:53 | 0:02:55 | |
Well, now British growers are making a comeback and, | 0:02:57 | 0:03:00 | |
here at Poplar Farm Flowers, they're doing it in a big way. | 0:03:00 | 0:03:04 | |
These vast glasshouses cover 10 acres and hold millions of | 0:03:05 | 0:03:09 | |
individual tulip plants at varying stages of development. | 0:03:09 | 0:03:13 | |
It's a dazzling patchwork of springtime colours. | 0:03:15 | 0:03:19 | |
And these fields are on the move. | 0:03:21 | 0:03:24 | |
Conveyor belts carry the flowers through the site before | 0:03:25 | 0:03:28 | |
delivering them directly to the workers who select the final blooms. | 0:03:28 | 0:03:32 | |
This is tulip production on an industrial scale but it's still | 0:03:35 | 0:03:39 | |
a family business, with Andrew Ellis currently at the helm. | 0:03:39 | 0:03:42 | |
In this particular glasshouse, it holds around six million tulips. | 0:03:43 | 0:03:49 | |
So, in this cropping house, there's 500,000 tulips each side, | 0:03:49 | 0:03:52 | |
easily today. Probably 700,000 when it's full. | 0:03:52 | 0:03:56 | |
Who was it in your family that started this, then? And when? | 0:03:56 | 0:03:59 | |
Well, we've been here... My father started here in 1960. | 0:03:59 | 0:04:03 | |
He grew his first tulips back in the '50s. | 0:04:03 | 0:04:05 | |
At that time, a lot of Dutch bulb exporters, salesmen, | 0:04:05 | 0:04:10 | |
they used to come into the area, even on bicycles, | 0:04:10 | 0:04:13 | |
Dutch bulb salesmen walked across the field with my dad, | 0:04:13 | 0:04:16 | |
persuading him to buy 4,000 tulips, | 0:04:16 | 0:04:18 | |
much to my grandmother's horror... | 0:04:18 | 0:04:20 | |
-He had no experience! -That's it. | 0:04:20 | 0:04:23 | |
-What a risk. -That's it. | 0:04:23 | 0:04:25 | |
'At a time when the UK tulip industry was in decline, | 0:04:25 | 0:04:29 | |
'Andrew's dad, Fred, managed to buck the trend, | 0:04:29 | 0:04:32 | |
'growing the business over five decades.' | 0:04:32 | 0:04:34 | |
In 1985, we grew 3.5 million tulips. | 0:04:35 | 0:04:38 | |
Today, we do just over 70 million. | 0:04:38 | 0:04:42 | |
'Modern tulip production is all about controlling the climate. | 0:04:42 | 0:04:47 | |
'In these giant glasshouses, the plants can grow without being | 0:04:47 | 0:04:50 | |
'subjected to the lottery of the British spring weather. | 0:04:50 | 0:04:53 | |
'And it all starts with the bulb. | 0:04:53 | 0:04:55 | |
'From here, the bulbs are stored in a dark, chilled warehouse. | 0:04:59 | 0:05:03 | |
'This tricks them into thinking it's winter and time | 0:05:03 | 0:05:06 | |
'to get to wriggle on producing a shoot. | 0:05:06 | 0:05:08 | |
'When the shoots are about 10 centimetres long, | 0:05:10 | 0:05:12 | |
'water is added before the bulbs begin their journey through | 0:05:12 | 0:05:15 | |
'the glasshouses, where a giant wood-fired central heating system | 0:05:15 | 0:05:19 | |
'creates the perfect growing conditions. | 0:05:19 | 0:05:21 | |
'When they reach the end of the line, | 0:05:24 | 0:05:26 | |
'the tulips are picked by skilled workers, | 0:05:26 | 0:05:29 | |
'who operate at a furious pace, | 0:05:29 | 0:05:31 | |
'under the watchful eye of supervisor Zigmas Andrijausk.' | 0:05:31 | 0:05:34 | |
How many are you lifting from these crates in an hour? | 0:05:34 | 0:05:37 | |
In an hour, it's 8,000-11,000. | 0:05:37 | 0:05:41 | |
-8,000-11,000? -Yes. -In an hour? | 0:05:41 | 0:05:44 | |
Sometimes per day, we're doing 250,000-300,000. | 0:05:44 | 0:05:49 | |
Dear me! | 0:05:49 | 0:05:51 | |
'In fact, for Mother's Day this year, | 0:05:53 | 0:05:55 | |
'the team picked an incredible 1.2 million stems in just 24 hours. | 0:05:55 | 0:06:00 | |
'Only stems between 32cm-35cm are selected. | 0:06:01 | 0:06:06 | |
'It takes an expert eye and a delicate touch. | 0:06:06 | 0:06:09 | |
'A steep learning curve for any new member of the team.' | 0:06:10 | 0:06:13 | |
The speed at which they work is quite incredible. | 0:06:14 | 0:06:17 | |
Are they OK? | 0:06:24 | 0:06:25 | |
-Check those? Are they OK? -No. | 0:06:25 | 0:06:27 | |
That's no good. Oh, dear. | 0:06:27 | 0:06:30 | |
-No? -Yes. -That's all right? | 0:06:33 | 0:06:35 | |
Right, so half of my bunch was unacceptable. Sorry about that. | 0:06:35 | 0:06:39 | |
Just turned round and my flowers have disappeared. | 0:06:46 | 0:06:48 | |
'You really need to be on your toes here.' | 0:06:48 | 0:06:51 | |
9,000-11,000 an hour is an incredible rate of picking. | 0:06:51 | 0:06:55 | |
'I'm starting to get my eye in. Slowly.' | 0:06:55 | 0:06:58 | |
Get my friend to double-check those. | 0:06:58 | 0:07:00 | |
It's no good. | 0:07:02 | 0:07:04 | |
Three. That's all right. Not so bad, that one. | 0:07:06 | 0:07:09 | |
Just three that weren't acceptable. | 0:07:09 | 0:07:11 | |
I think this is my job, actually. | 0:07:13 | 0:07:15 | |
I'll just make sure they're all nice and neat on the conveyor belt. | 0:07:15 | 0:07:19 | |
I think this is better for me. | 0:07:19 | 0:07:20 | |
Well, this is just the first stage of getting these beautiful | 0:07:25 | 0:07:28 | |
flowers into your homes. | 0:07:28 | 0:07:29 | |
But to really help these tulips on their way, | 0:07:29 | 0:07:32 | |
it takes some springtime super science. | 0:07:32 | 0:07:35 | |
You can see all that a little bit later. | 0:07:35 | 0:07:37 | |
Whilst I'm lending a hand with the spring harvest deep inland, | 0:07:40 | 0:07:43 | |
Ellie is heading to the very edge of our landscape, | 0:07:43 | 0:07:46 | |
witnessing a seasonal invasion that, for some, is a rather sore subject. | 0:07:46 | 0:07:52 | |
Throughout the winter months, | 0:07:54 | 0:07:56 | |
our oceans have been inhospitable places but the coming of | 0:07:56 | 0:08:00 | |
warmer temperatures and longer days brings new life to our shores. | 0:08:00 | 0:08:04 | |
The warm spring tides bring plenty of wildlife with them, | 0:08:04 | 0:08:08 | |
all eager to feed on the feasts along our shores. | 0:08:08 | 0:08:11 | |
But there's one spring visitor floating on the tides | 0:08:11 | 0:08:15 | |
that fill generations of swimmers, paddlers and beachcombers | 0:08:15 | 0:08:19 | |
with a sense of dread... | 0:08:19 | 0:08:20 | |
..the jellyfish. | 0:08:21 | 0:08:23 | |
In their masses, they gracefully glide through our seas. | 0:08:24 | 0:08:28 | |
With their delicate bells and with every pulse, | 0:08:28 | 0:08:31 | |
these vessels feed on the nectar of the ocean. | 0:08:31 | 0:08:34 | |
Today, I'm on the hunt for this fascinating creature | 0:08:36 | 0:08:39 | |
but I'm going to need a bit of help in finding them. | 0:08:39 | 0:08:42 | |
Now, we've been scouring this stretch of coastline in hope | 0:08:43 | 0:08:46 | |
of finding jellyfish, without any luck. | 0:08:46 | 0:08:48 | |
But thanks to the medium of Twitter, | 0:08:48 | 0:08:50 | |
a couple of hours ago one Countryfile viewer let us know | 0:08:50 | 0:08:53 | |
that there were some here | 0:08:53 | 0:08:54 | |
so we've arranged to meet our scientist, Peter. | 0:08:54 | 0:08:56 | |
Hi, Peter, how are you doing? So, we get a closer look. | 0:08:56 | 0:08:59 | |
Yes. | 0:08:59 | 0:09:00 | |
This is kind of a sad event but also a great opportunity to be | 0:09:00 | 0:09:03 | |
-able to see them close up. -That's right. | 0:09:03 | 0:09:05 | |
So, at this time of year, | 0:09:05 | 0:09:07 | |
it's fairly normal for barrel jellyfish to be stranding. | 0:09:07 | 0:09:10 | |
And can they strand in large numbers? | 0:09:10 | 0:09:12 | |
Yeah, we get reports of hundreds, | 0:09:12 | 0:09:14 | |
thousands of these things stranding in certain places. | 0:09:14 | 0:09:16 | |
'Peter is leading a nationwide survey to investigate | 0:09:16 | 0:09:20 | |
'mass strandings as he's keen to understand the movements | 0:09:20 | 0:09:23 | |
'of these enigmatic creatures.' | 0:09:23 | 0:09:25 | |
The barrel jellyfish for me | 0:09:25 | 0:09:27 | |
is like the Arnold Schwarzenegger of jellyfish. | 0:09:27 | 0:09:29 | |
It's a really thick sort of | 0:09:29 | 0:09:31 | |
hard, rubbery jellyfish and it's also one of the strongest swimmers. | 0:09:31 | 0:09:34 | |
And research has shown that they're not just passively drifting, | 0:09:34 | 0:09:37 | |
they're actually actively swimming up and down the water column, | 0:09:37 | 0:09:40 | |
searching for their prey. | 0:09:40 | 0:09:42 | |
Absolutely fascinating but really nothing for humans to get | 0:09:42 | 0:09:44 | |
too alarmed about because their sting isn't powerful enough | 0:09:44 | 0:09:47 | |
-to really hurt us. -All jellyfish sting but some stings | 0:09:47 | 0:09:50 | |
are stronger than others, so it's always best to wear gloves. | 0:09:50 | 0:09:53 | |
And when we ask people to take part in our survey, | 0:09:53 | 0:09:55 | |
we always say, "Look but don't touch," | 0:09:55 | 0:09:57 | |
because you don't want to get stung | 0:09:57 | 0:09:58 | |
by some species of jellyfish cos they can really spoil your day. | 0:09:58 | 0:10:01 | |
It's one thing seeing these creatures beached on land but | 0:10:01 | 0:10:05 | |
I want to see them in their natural habitat so I'm continuing my hunt | 0:10:05 | 0:10:09 | |
on the open sea with the help of an eagle-eyed crew. | 0:10:09 | 0:10:12 | |
Yeah, there is a nice slick here going off to the left. | 0:10:12 | 0:10:15 | |
At this time of year, the conditions are perfect for these jellyfish | 0:10:17 | 0:10:20 | |
as they are drawn here on spring tides | 0:10:20 | 0:10:23 | |
to feed on immense plankton blooms. | 0:10:23 | 0:10:25 | |
These microscopic organisms spread right across our oceans. | 0:10:26 | 0:10:30 | |
But can understanding plankton help me on my jellyfish hunt? | 0:10:32 | 0:10:36 | |
Marine scientist Richard Kirby has captured incredibly detailed | 0:10:36 | 0:10:40 | |
images of them. This looks like plankton art. | 0:10:40 | 0:10:43 | |
It is almost abstract, isn't it? | 0:10:43 | 0:10:45 | |
It is incredibly beautiful and as we zoom in, | 0:10:45 | 0:10:47 | |
you can see all the detail of the different types. | 0:10:47 | 0:10:49 | |
And this is your footage? | 0:10:49 | 0:10:50 | |
This is footage I filmed the other day and I do this because | 0:10:50 | 0:10:54 | |
they're beautiful, aren't they, and showing people is... | 0:10:54 | 0:10:56 | |
something they wouldn't normally be able to see. | 0:10:56 | 0:10:59 | |
It's absolutely gorgeous. | 0:10:59 | 0:11:00 | |
It's amazing to think these microscopic organisms are | 0:11:02 | 0:11:06 | |
no bigger than a hair's width. | 0:11:06 | 0:11:08 | |
It is hard to overstate the importance of plankton. | 0:11:08 | 0:11:11 | |
It is the beginning of all life in the oceans. | 0:11:11 | 0:11:14 | |
It is, and right now spring is happening in the sea. | 0:11:14 | 0:11:16 | |
The phytoplankton are kicking off. | 0:11:16 | 0:11:18 | |
In fact, they're blooming. | 0:11:18 | 0:11:19 | |
Just like spring in your garden, you find you have to cut the grass now - | 0:11:19 | 0:11:22 | |
the phytoplankton are growing and that determines the abundance | 0:11:22 | 0:11:25 | |
of everything else in the sea, it feeds the whole marine food chain. | 0:11:25 | 0:11:29 | |
'Plankton is the key to finding our jellyfish and Richard's | 0:11:29 | 0:11:33 | |
'research can tell us if this area is a good feeding ground.' | 0:11:33 | 0:11:37 | |
Argh! Look at that! It is a soup of plankton. | 0:11:37 | 0:11:42 | |
I can't see my fingers through the other side. | 0:11:42 | 0:11:44 | |
We have a jellyfish in here, too. | 0:11:44 | 0:11:46 | |
'OK, it's only a baby compass jellyfish but seeing how much | 0:11:46 | 0:11:50 | |
'plankton there is, the signs are looking good to find the adults. | 0:11:50 | 0:11:54 | |
'So I want to get onto the water for a closer look. | 0:11:54 | 0:11:57 | |
'Local marine enthusiast Ben Spicer is my guide and knows where | 0:11:58 | 0:12:02 | |
'the best places are to try to spot barrel jellyfish.' | 0:12:02 | 0:12:05 | |
-Let's see if we can get some, that would be amazing. -Yeah, cool. | 0:12:05 | 0:12:07 | |
I'm feeling confident. | 0:12:07 | 0:12:08 | |
-Just keep looking down. -All right. | 0:12:11 | 0:12:13 | |
There are so many different types of jellyfish, | 0:12:15 | 0:12:17 | |
sometimes you can spot them a mile off and sometimes they will | 0:12:17 | 0:12:20 | |
loom right up from underneath you. | 0:12:20 | 0:12:24 | |
The other day I filmed some footage here and it was | 0:12:24 | 0:12:26 | |
a very big barrel jellyfish just cruising along and the visibility | 0:12:26 | 0:12:30 | |
was so clear - there is an abundance of them in the Port Isaac Bay area. | 0:12:30 | 0:12:34 | |
The funny thing about it is we both know under there, there is | 0:12:36 | 0:12:40 | |
so much life going on but the plankton means we can't see it | 0:12:40 | 0:12:43 | |
and it's because of the plankton it's even there. | 0:12:43 | 0:12:46 | |
With no luck in the kayaks, back on the boat the only jellyfish | 0:12:51 | 0:12:55 | |
I've seen is the little stowaway we caught earlier. | 0:12:55 | 0:12:58 | |
With the hours passing and time running out, | 0:13:03 | 0:13:05 | |
my hopes of a close encounter with a big barrel jellyfish, like the | 0:13:05 | 0:13:09 | |
ones we saw on the beach earlier, are rapidly running out. | 0:13:09 | 0:13:12 | |
Yeah, just below us, just behind us now. | 0:13:16 | 0:13:18 | |
Just as we're giving up hope, | 0:13:20 | 0:13:22 | |
a massive barrel jellyfish appears right alongside us. | 0:13:22 | 0:13:26 | |
Finally we're able to get a glimpse of this spectacular animal. | 0:13:26 | 0:13:30 | |
It's a real thrill to see one out in the wild and it's not | 0:13:35 | 0:13:39 | |
a thing of nightmares. | 0:13:39 | 0:13:41 | |
It's truly captivating. | 0:13:41 | 0:13:43 | |
But it's a fleeting encounter as it dives back down to the deep, | 0:13:43 | 0:13:47 | |
disappearing through the thickness of the plankton. | 0:13:47 | 0:13:51 | |
At last we have seen what we came for and before heading back | 0:13:51 | 0:13:54 | |
to the shore, there is one last thing to do - | 0:13:54 | 0:13:57 | |
set our little stowaway free. | 0:13:57 | 0:13:59 | |
And now it's time to return it to the ocean. | 0:14:01 | 0:14:04 | |
Gone! | 0:14:04 | 0:14:05 | |
More spring life back in the sea. | 0:14:05 | 0:14:08 | |
From spring life deep in our oceans to surprisingly seasonal treats | 0:14:12 | 0:14:16 | |
found far inland, this is a time when hidden wonders abound, | 0:14:16 | 0:14:21 | |
as John has been discovering. | 0:14:21 | 0:14:24 | |
Nettles, wild bilberries, | 0:14:26 | 0:14:30 | |
perhaps even a dandelion. | 0:14:30 | 0:14:33 | |
Spring is one of the best times to go foraging. Across Britain's | 0:14:33 | 0:14:38 | |
food scene, there is a growing trend towards unexpected wild ingredients | 0:14:38 | 0:14:42 | |
added to menus, creating new ways to tantalise our taste buds. | 0:14:42 | 0:14:47 | |
There are natural larders everywhere from local woods... | 0:14:49 | 0:14:53 | |
..lanes, | 0:14:54 | 0:14:57 | |
seashores, | 0:14:57 | 0:14:58 | |
and of course hedgerows. | 0:14:58 | 0:15:01 | |
I'm meeting Chris Colette who has turned foraging into | 0:15:07 | 0:15:10 | |
a business. His team travel the length and breadth | 0:15:10 | 0:15:13 | |
of the country searching for the very best | 0:15:13 | 0:15:16 | |
in seasonal leaves, flowers and fruits on the orders of top chefs. | 0:15:16 | 0:15:21 | |
For him, spring is a time when often overlooked wonders abound. | 0:15:21 | 0:15:26 | |
This little plant here, John, is one of our chefs most favourite plants. | 0:15:26 | 0:15:31 | |
What is it? | 0:15:31 | 0:15:32 | |
This is called wood sorrel and if you try that, you will get the | 0:15:32 | 0:15:36 | |
taste of Granny Smith apple peel. | 0:15:36 | 0:15:38 | |
-Safe to eat? -It is. | 0:15:38 | 0:15:39 | |
Yeah, it definitely tastes like apple peel. | 0:15:43 | 0:15:46 | |
Some nice bilberries here. | 0:15:55 | 0:15:57 | |
It looks like a very good year for them by the amount of flowers. | 0:15:57 | 0:16:01 | |
They are basically the wild equivalent to blueberries. | 0:16:01 | 0:16:04 | |
What do you do to make sure that you're having | 0:16:09 | 0:16:11 | |
no environmental impact when you're foraging because I'm sure | 0:16:11 | 0:16:15 | |
a lot of people say, "Just leave things as they are." | 0:16:15 | 0:16:17 | |
There's a misconception that foragers go and look for | 0:16:17 | 0:16:19 | |
these weird and wonderful plants that are quite rare. | 0:16:19 | 0:16:22 | |
It's not particularly true. | 0:16:22 | 0:16:24 | |
We look for things that are massively abundant, | 0:16:24 | 0:16:27 | |
stinging nettles, the beech leaf, | 0:16:27 | 0:16:29 | |
things that have very little impact environmentally. | 0:16:29 | 0:16:32 | |
-And have you got a customer today for any of this? -We do indeed. | 0:16:32 | 0:16:36 | |
We have been doing a project with The Wild Beer Company. | 0:16:36 | 0:16:38 | |
They're making a beer from beach and linden leaves. | 0:16:38 | 0:16:41 | |
The beech leaves taste nutty | 0:16:41 | 0:16:43 | |
and the linden has a real citrus taste to it. | 0:16:43 | 0:16:47 | |
So, foraging for a brewer not a chef. That sounds intriguing. | 0:16:47 | 0:16:52 | |
And I'm joining Chris on his delivery to find out more. | 0:16:52 | 0:16:56 | |
-I'll go ahead with this one. -Thanks, John. | 0:16:56 | 0:16:59 | |
Andrew Cooper and Brett Ellis co-founded this farmhouse brewery. | 0:17:00 | 0:17:05 | |
They dream up and brew up some bizarre concoctions. | 0:17:05 | 0:17:09 | |
In just four years, | 0:17:09 | 0:17:10 | |
they've put together more than 100 really distinctive beers. | 0:17:10 | 0:17:13 | |
Well, Andrew, Brett, hi. Extra supplies for you here. | 0:17:15 | 0:17:18 | |
I would have never imagined anybody would put beech leaves and | 0:17:19 | 0:17:23 | |
linden leaves into a beer. | 0:17:23 | 0:17:26 | |
This is a celebration of spring and these new leaves are perfect | 0:17:26 | 0:17:30 | |
for us to make a delicate herbal beer with. | 0:17:30 | 0:17:33 | |
And Brett, does it taste like a traditional beer apart from | 0:17:33 | 0:17:36 | |
-these leaves in it? -I think it does. | 0:17:36 | 0:17:38 | |
It has some of the core ingredients from every beer, so barley, | 0:17:38 | 0:17:43 | |
wheat, so makes it quite available and approachable to most people. | 0:17:43 | 0:17:47 | |
And Andrew, what is the strangest stuff you've ever put into a beer? | 0:17:47 | 0:17:51 | |
Well, we're not afraid of trying different ingredients in beers, | 0:17:51 | 0:17:54 | |
-we've even had lobsters in beer. -Lobster?! -Yeah. | 0:17:54 | 0:18:00 | |
It sounds as though you're creating a very modern upmarket posh drink, | 0:18:00 | 0:18:06 | |
but not a beer. You have to convince me. | 0:18:06 | 0:18:09 | |
I'm a traditional beer drinker from Yorkshire. | 0:18:09 | 0:18:11 | |
Well, the proof is in the pudding. | 0:18:11 | 0:18:14 | |
We'll show you a couple of things first | 0:18:14 | 0:18:17 | |
and maybe we'll pull out some surprises. | 0:18:17 | 0:18:20 | |
So this is the start of a beer's life. | 0:18:24 | 0:18:26 | |
With their wild ingredients, including a different beer for each | 0:18:28 | 0:18:32 | |
season, Andrew and Brett are pushing back the boundaries of beer making. | 0:18:32 | 0:18:36 | |
-I'm steaming up. -Me too! | 0:18:38 | 0:18:40 | |
And before I test their spring beer, they want to show me | 0:18:40 | 0:18:43 | |
something you are more likely to see in a distillery. | 0:18:43 | 0:18:46 | |
They call it their barrel library. | 0:18:46 | 0:18:49 | |
-Goodness me! This is impressive, isn't it? -There are 100,000 litres. | 0:18:49 | 0:18:55 | |
Goodness me! And you would normally expect beer to be in metal casks. | 0:18:55 | 0:19:00 | |
Yeah, we age all sorts of different things in different barrels here. | 0:19:00 | 0:19:03 | |
So this is a red wine barrel and over there is | 0:19:03 | 0:19:05 | |
a white wine barrel and a bourbon barrel and all those different | 0:19:05 | 0:19:08 | |
liquids that were previously in the wood give character to the beers. | 0:19:08 | 0:19:12 | |
This stage of the process is more like winemaking or distilling. | 0:19:12 | 0:19:16 | |
And what about the spring beer? | 0:19:16 | 0:19:18 | |
The spring beer isn't in here. | 0:19:18 | 0:19:19 | |
We want to keep that nice and fresh and clean and | 0:19:19 | 0:19:22 | |
so we just do that as quite a quick process in the brewery. | 0:19:22 | 0:19:26 | |
-Shall we go and taste it? -OK, lead on. | 0:19:26 | 0:19:28 | |
Let's see if it's as good as you say. | 0:19:28 | 0:19:30 | |
'The time has come for me to be introduced to spring's newest | 0:19:31 | 0:19:35 | |
'offering - a beer flavoured with foraged leaves. | 0:19:35 | 0:19:39 | |
'It's the taste test.' | 0:19:39 | 0:19:41 | |
Well, the big moment. | 0:19:41 | 0:19:43 | |
Are you going to win over a traditional beer drinker with | 0:19:44 | 0:19:47 | |
-your spring beer? -I hope so, John. | 0:19:47 | 0:19:49 | |
-You're actually the first person to drink this. -Am I really? | 0:19:49 | 0:19:52 | |
So it's a special moment. | 0:19:52 | 0:19:53 | |
-I hope that is an honour. -Cheers. -Let's see. | 0:19:53 | 0:19:57 | |
Hm, it's certainly... | 0:20:00 | 0:20:01 | |
It's not really, to me, a beery taste but it's more like | 0:20:01 | 0:20:05 | |
a cocktail. | 0:20:05 | 0:20:07 | |
This is certainly very different from the beer I'm used to drinking | 0:20:07 | 0:20:10 | |
but you might win me over. You do make a bitter as well, don't you? | 0:20:10 | 0:20:13 | |
-Of course. -Here's to spring in a glass. | 0:20:13 | 0:20:17 | |
There's no landscape quite like the Lake District on | 0:20:30 | 0:20:33 | |
a bright and breezy spring day. | 0:20:33 | 0:20:35 | |
Wasdale brings together the towering presence of Scarfell, | 0:20:38 | 0:20:42 | |
England's highest mountain, | 0:20:42 | 0:20:45 | |
and Wast Water, England's deepest lake. | 0:20:45 | 0:20:48 | |
It is a rare treat to see them bathed in sunshine. | 0:20:51 | 0:20:54 | |
But for one National Trust worker, | 0:20:56 | 0:20:59 | |
this spring day is special for different reasons. | 0:20:59 | 0:21:03 | |
My name is Sarah Anderson. | 0:21:03 | 0:21:04 | |
I am an upland ranger in the Lake District - | 0:21:04 | 0:21:07 | |
the only female upland ranger working for the National Trust. | 0:21:07 | 0:21:10 | |
The work we're doing is part of a long-term project called | 0:21:15 | 0:21:17 | |
Fix The Fells which has the aim of restoring some of the most | 0:21:17 | 0:21:20 | |
popular and highly eroded footpaths in the Lake District. | 0:21:20 | 0:21:23 | |
I was one of the first volunteers on the project | 0:21:26 | 0:21:28 | |
when it began 10 years ago | 0:21:28 | 0:21:29 | |
and I have been a full-time member of staff for five years. | 0:21:29 | 0:21:32 | |
This is the exciting part, not just the helicopter ride up, | 0:21:36 | 0:21:40 | |
but this is my first time on Scarfell this year. | 0:21:40 | 0:21:42 | |
I love spring. | 0:21:55 | 0:21:58 | |
Having been confined to the valley bottoms all winter, it feels | 0:21:58 | 0:22:01 | |
like we come out of hibernation and back onto the high fells. | 0:22:01 | 0:22:05 | |
At this time of year, we're running around like squirrels... | 0:22:05 | 0:22:08 | |
..hoarding rock. | 0:22:09 | 0:22:11 | |
Once we've got all the rock, we use them to | 0:22:11 | 0:22:15 | |
fix the eroded paths, a helicopter comes along and takes them | 0:22:15 | 0:22:19 | |
over the mountains for us | 0:22:19 | 0:22:20 | |
so we don't have to move them quite so far. | 0:22:20 | 0:22:22 | |
And then we put them in the path to make it a nicer surface to walk on. | 0:22:22 | 0:22:26 | |
There are more than 70 bags of rocks in total. | 0:22:30 | 0:22:33 | |
They have just one day to airlift them all to | 0:22:33 | 0:22:36 | |
a spot higher up the mountain. | 0:22:36 | 0:22:38 | |
Spring is a great time of year. | 0:23:02 | 0:23:04 | |
Working on the fells, you can get four seasons in one day - | 0:23:04 | 0:23:08 | |
clear beautiful days like today | 0:23:08 | 0:23:10 | |
with the clouds rushing across the fell sides, | 0:23:10 | 0:23:14 | |
other days you might be barely able to see a hand in front of your face. | 0:23:14 | 0:23:17 | |
It keeps it interesting, definitely keeps it interesting. | 0:23:18 | 0:23:22 | |
With the bags loaded, | 0:23:31 | 0:23:32 | |
Sarah heads up the mountain to help guide the pilot in. | 0:23:32 | 0:23:36 | |
With no radio contact, | 0:23:36 | 0:23:38 | |
she uses a simple method to show him | 0:23:38 | 0:23:40 | |
exactly where she wants the delivery. | 0:23:40 | 0:23:42 | |
It is a bit like playing Splat The Rat! | 0:23:42 | 0:23:45 | |
It's a job that requires incredible skill, precision and a serious | 0:23:54 | 0:23:59 | |
helping of nerve in the buffeting and unpredictable mountain winds. | 0:23:59 | 0:24:03 | |
He nearly got the rat! | 0:24:17 | 0:24:19 | |
The footpath from Wasdale Head to Scarfell summit is one of | 0:24:25 | 0:24:28 | |
the busiest in the Lakes and the erosion from walkers and | 0:24:28 | 0:24:32 | |
winter rains here is severe. | 0:24:32 | 0:24:34 | |
The rocks brought up the mountain today will be used throughout | 0:24:34 | 0:24:37 | |
the spring and summer to help make it safer and wider. | 0:24:37 | 0:24:41 | |
Because this path gets over 100,000 people on it every year, | 0:24:41 | 0:24:45 | |
people are spreading out so we have this massive strip of erosion | 0:24:45 | 0:24:49 | |
here all the way down and around the other side as well. | 0:24:49 | 0:24:54 | |
So we are just stabilising this bit of path | 0:24:54 | 0:24:57 | |
so it doesn't get any worse, actually, erm... | 0:24:57 | 0:25:00 | |
..and then we'll gradually improve it so it's a much more sustainable | 0:25:01 | 0:25:05 | |
line for the amount of people it takes walking up here every year. | 0:25:05 | 0:25:08 | |
It costs £200 to repair a metre of footpath. | 0:25:13 | 0:25:18 | |
But if it makes it easier for people to enjoy views like this, | 0:25:18 | 0:25:21 | |
it's all worthwhile. | 0:25:21 | 0:25:23 | |
MATT BAKER: I'm in Lincolnshire | 0:25:34 | 0:25:36 | |
where springtime has been super-sized. | 0:25:36 | 0:25:38 | |
Tulips are grown here at Poplar Farm Flowers on an epic scale, | 0:25:38 | 0:25:43 | |
all to supply supermarkets with bunches of cut flowers just | 0:25:43 | 0:25:47 | |
as they're ready to bloom. | 0:25:47 | 0:25:49 | |
Earlier I saw how they're grown but bringing the scent of spring | 0:25:49 | 0:25:52 | |
into your living room is all about science. | 0:25:52 | 0:25:55 | |
Getting from this to this takes real precision | 0:25:56 | 0:26:00 | |
and cutting edge technology. | 0:26:00 | 0:26:02 | |
Cutting edge... Have a look. | 0:26:04 | 0:26:06 | |
Tomasz is in charge of the automated production line. | 0:26:08 | 0:26:12 | |
This state-of-the-art machine photographs, X-rays, | 0:26:12 | 0:26:15 | |
measures and gathers data on every single flower stem, | 0:26:15 | 0:26:19 | |
sorting the springtime blooms at lightning speed. | 0:26:19 | 0:26:23 | |
-This camera makes about four pictures in one second. -Really? | 0:26:23 | 0:26:29 | |
-Is that how many flowers are coming through? -Yes. -Just gone over 82,000. | 0:26:29 | 0:26:35 | |
'This prototype is the only one of its kind in the world - | 0:26:35 | 0:26:38 | |
'it can even tell the colour of every tulip passing through | 0:26:38 | 0:26:42 | |
'it to create identical mixed bunches. | 0:26:42 | 0:26:44 | |
'But it can't do everything as pack house manager Nick Ellis explains.' | 0:26:46 | 0:26:50 | |
You might have all of this newfangled technical stuff, | 0:26:50 | 0:26:54 | |
-Nick, but you still need the human touch. -You do, yes. | 0:26:54 | 0:26:57 | |
You still need people to check them to make sure there are | 0:26:57 | 0:27:02 | |
the correct count of stems and the colour mix is correct and Rika | 0:27:02 | 0:27:05 | |
is just stood there, checking. | 0:27:05 | 0:27:07 | |
She'll pop an extra stem in if the machine happens to drop one. | 0:27:07 | 0:27:11 | |
'The finishing touches are also done by hand. | 0:27:12 | 0:27:15 | |
'I'm getting some tulip-tying tips from Virginia who's trusting me | 0:27:15 | 0:27:18 | |
'to wrap things up.' | 0:27:18 | 0:27:21 | |
You can have a break now! | 0:27:21 | 0:27:23 | |
So, that one is going over there. No. Oh, no. I see. | 0:27:23 | 0:27:28 | |
-And then that one comes like this. -Yes. -So it is a V. -Yeah. | 0:27:28 | 0:27:33 | |
Turn that over and a bit of tape on there. | 0:27:34 | 0:27:37 | |
I'm terrible at wrapping Christmas presents, to be honest with you. | 0:27:38 | 0:27:42 | |
-It's OK. -I will keep going. I'll get the hang of it. | 0:27:46 | 0:27:49 | |
Reminds me of when I was a young lad | 0:27:51 | 0:27:52 | |
I used to go into the fish and chip shop | 0:27:52 | 0:27:54 | |
and I used to be mesmerised by the ladies who | 0:27:54 | 0:27:56 | |
could wrap fish and chips so quickly and hand it over to you. | 0:27:56 | 0:28:00 | |
Just reminds me of the same thing. | 0:28:00 | 0:28:02 | |
'And always one to give value for money...' | 0:28:05 | 0:28:08 | |
I got a doubler, did I get two? | 0:28:08 | 0:28:11 | |
Oh, well. Double wrap for your money on this one. | 0:28:11 | 0:28:15 | |
That's a special one, that. | 0:28:15 | 0:28:16 | |
It's hard to get your head around 70 million tulips are coming from | 0:28:19 | 0:28:24 | |
this place and these are going to be in the shops by tomorrow night. | 0:28:24 | 0:28:27 | |
The chances are if you have a mixed bunch like this, | 0:28:27 | 0:28:29 | |
in your house, it will have come from here and you never know, | 0:28:29 | 0:28:32 | |
I might have even wrapped it for you. | 0:28:32 | 0:28:35 | |
And I'm not the only one trying my hand at a new seasonal skill. | 0:28:37 | 0:28:41 | |
Adam is hoping to fulfil a long held ambition at this year's | 0:28:41 | 0:28:45 | |
spring lamb auctions but first there's | 0:28:45 | 0:28:48 | |
a few new arrivals to check on down at the farm. | 0:28:48 | 0:28:51 | |
-ADAM: -After a long winter and months spent sheltering indoors, you would | 0:28:54 | 0:28:58 | |
imagine most of our animals would look forward to going outside. | 0:28:58 | 0:29:02 | |
But maybe not today. | 0:29:02 | 0:29:04 | |
RAIN POURS | 0:29:04 | 0:29:06 | |
Spring brings new life but it also often brings showers like this one, | 0:29:06 | 0:29:11 | |
a welcome sight for us farmers after a few very dry months. | 0:29:11 | 0:29:15 | |
Despite the rain, there are still jobs to be done. | 0:29:16 | 0:29:19 | |
Lambing meant a busy start to the season but now it is a good | 0:29:19 | 0:29:22 | |
time for me to take stock of how the new additions are getting on. | 0:29:22 | 0:29:27 | |
There's a young calf in our herd of Gloucester cattle who needs tagging. | 0:29:27 | 0:29:30 | |
So just hold this calf in a little mini cattle crush to hold him still | 0:29:31 | 0:29:35 | |
and then I've got to put two tags in his ears. | 0:29:35 | 0:29:37 | |
That's the cattle laws in this country, | 0:29:37 | 0:29:39 | |
they have to have two identification ear tags. | 0:29:39 | 0:29:42 | |
It's just like having your ears pierced. That's it, job done. | 0:29:43 | 0:29:48 | |
I can put him back with his mum now. | 0:29:48 | 0:29:50 | |
Here we go. There, that wasn't too bad, was it? Go on, then. | 0:29:52 | 0:29:56 | |
These are the lambs I turned out back in March | 0:30:00 | 0:30:03 | |
when they were only small. | 0:30:03 | 0:30:04 | |
They've grown on really well. | 0:30:04 | 0:30:06 | |
And today I'm putting them on to new pastures. | 0:30:06 | 0:30:09 | |
HE WHISTLES | 0:30:09 | 0:30:11 | |
Nowadays a lot of farmers choose to send their lambs directly to | 0:30:13 | 0:30:17 | |
the wholesaler's and that is what we do but it was traditionally | 0:30:17 | 0:30:20 | |
the markets where the profits were either made or lost. | 0:30:20 | 0:30:23 | |
This year marks the 200th anniversary of livestock | 0:30:25 | 0:30:28 | |
auction marts. | 0:30:28 | 0:30:30 | |
At one time, almost every major town in the country had its own | 0:30:30 | 0:30:33 | |
livestock market. | 0:30:33 | 0:30:35 | |
They were a great social occasion. | 0:30:37 | 0:30:40 | |
Lots of interesting characters and an opportunity for | 0:30:40 | 0:30:43 | |
neighbouring farmers to meet and check out each other's stock. | 0:30:43 | 0:30:47 | |
A combination of closures and amalgamations mean that over | 0:30:47 | 0:30:50 | |
the last 50 years the number of livestock marts | 0:30:50 | 0:30:53 | |
has declined from around 650 to only 152 today. | 0:30:53 | 0:30:57 | |
And while some sales have declined, spring lamb sales remain popular. | 0:30:59 | 0:31:04 | |
Up here in the Cotswolds we finished lambing | 0:31:04 | 0:31:06 | |
a few weeks ago but down in the south-west, where the weather | 0:31:06 | 0:31:09 | |
is milder, a lot of the flocks were lambing at Christmas time, | 0:31:09 | 0:31:12 | |
so their spring lamb is ready for the markets now, so I'm heading down | 0:31:12 | 0:31:16 | |
there to find out more and perhaps have a go at some auctioneering. | 0:31:16 | 0:31:19 | |
When demand is high from buyers all over the country, | 0:31:21 | 0:31:24 | |
the livestock market can still be | 0:31:24 | 0:31:26 | |
the best place to get a premium price. | 0:31:26 | 0:31:29 | |
Farmers like Dick Hartnell are taking that risk in the hope | 0:31:30 | 0:31:33 | |
of getting good returns. | 0:31:33 | 0:31:34 | |
Dick farms on the Blackdown Hills in Devon. | 0:31:36 | 0:31:39 | |
It's his sheep that I'll be trying my hand at selling today. | 0:31:39 | 0:31:42 | |
We start lambing just after Christmas. | 0:31:43 | 0:31:46 | |
In fact this year it was Boxing Day. | 0:31:46 | 0:31:48 | |
And normally, about 11 weeks old, we'll have | 0:31:50 | 0:31:55 | |
a few singles at 40-42 kilos that we sell which is ready for the | 0:31:55 | 0:32:00 | |
spring Easter market and of course everyone wants spring lambs | 0:32:00 | 0:32:04 | |
for Easter market and that's what we aim at. | 0:32:04 | 0:32:07 | |
I'll be auctioning Dick's lambs at Exeter Livestock Centre | 0:32:19 | 0:32:22 | |
where 1,200 lambs will be sold in just a couple of hours. | 0:32:22 | 0:32:28 | |
No pressure, then! | 0:32:28 | 0:32:29 | |
-Good morning, Dick. -Morning. -Nice and early. | 0:32:30 | 0:32:32 | |
Yeah, we have to try get up in the morning, haven't we? | 0:32:32 | 0:32:35 | |
-Shall I give you a hand to unload them? -That would be very good. | 0:32:35 | 0:32:38 | |
So these are Suffolk crosses. | 0:32:39 | 0:32:41 | |
-Yeah, Suffolk on 'em. -With black heads. | 0:32:41 | 0:32:44 | |
Very different to a lot of the white-headed lambs which are what, | 0:32:44 | 0:32:47 | |
-Dorsets... -Dorsets, Charolais, Texels... -Why'd you go for these? | 0:32:47 | 0:32:51 | |
I've tried the rest, I like these and it's good old | 0:32:51 | 0:32:54 | |
traditional British breed, isn't it? | 0:32:54 | 0:32:57 | |
It's very generous of you to let me auction for you. | 0:32:57 | 0:32:59 | |
That was brave, weren't we? | 0:32:59 | 0:33:01 | |
Very brave. | 0:33:01 | 0:33:02 | |
-Trade's up, everybody says it's going to be fantastic. -Really? -Yeah. | 0:33:02 | 0:33:06 | |
What sort of money are you hoping for these, then? | 0:33:06 | 0:33:08 | |
-They ought to be round the 88s to be honest with you. -Should they? | 0:33:08 | 0:33:11 | |
-No commission today! -So if I mess it up they might go for 50. | 0:33:11 | 0:33:14 | |
They'll go home at that. | 0:33:14 | 0:33:15 | |
-Right, let's get them in the pen, shall we? -Yeah, righty-ho. | 0:33:15 | 0:33:18 | |
'I've always fancied trying my hand at auctioneering, | 0:33:18 | 0:33:21 | |
'but for Dick it's his livelihood, | 0:33:21 | 0:33:22 | |
'and it's my responsibility to get the price he needs for these lambs.' | 0:33:22 | 0:33:26 | |
Go on, little lambs. | 0:33:26 | 0:33:28 | |
'Before they're sold, they need to be registered, | 0:33:28 | 0:33:30 | |
'weighed and allocated a pen number.' | 0:33:30 | 0:33:33 | |
40.8. | 0:33:34 | 0:33:35 | |
It all seems a bit chaotic, but it's actually very organised. | 0:33:35 | 0:33:38 | |
They bring the lambs in, they go into the scales, | 0:33:38 | 0:33:40 | |
they count them in, they get an overall weight. | 0:33:40 | 0:33:43 | |
The mathematician over there works out how many kilos each lamb is. | 0:33:43 | 0:33:46 | |
They get a red cross on to show they're farm-assured, | 0:33:46 | 0:33:48 | |
which means they're kept to very high-quality standards, | 0:33:48 | 0:33:51 | |
and then into the pens for sales. | 0:33:51 | 0:33:53 | |
Right, Dick, off we go. | 0:33:53 | 0:33:54 | |
How heavy are we, look? | 0:33:54 | 0:33:56 | |
THEY LAUGH | 0:33:56 | 0:33:59 | |
38 fours, 75 two, £70 bid. | 0:33:59 | 0:34:02 | |
£70 bid. 70 bid. A half. One. A half. Two. | 0:34:02 | 0:34:04 | |
A half? | 0:34:04 | 0:34:06 | |
The sale has started, and it's going very fast and furious. | 0:34:06 | 0:34:09 | |
The speed that he speaks, | 0:34:09 | 0:34:11 | |
catching up those bids and selling lambs at a good price. | 0:34:11 | 0:34:14 | |
Head auctioneer Russell Steer is taking time out | 0:34:14 | 0:34:17 | |
to give me some top tips before I auction Dick's lambs. | 0:34:17 | 0:34:19 | |
The market is a great social, isn't it? | 0:34:21 | 0:34:23 | |
Oh, it is, yeah. You know, a lot of farmers rely on it | 0:34:23 | 0:34:25 | |
to get out and about. | 0:34:25 | 0:34:26 | |
It could be the only outing they have that week. | 0:34:26 | 0:34:29 | |
And the buyers, who are buying for the abattoirs and the supermarkets, | 0:34:29 | 0:34:33 | |
they can be some tricksy characters, can't they? | 0:34:33 | 0:34:35 | |
They can indeed. You'll be fairly fortunate today, I think. | 0:34:35 | 0:34:39 | |
I told them last week you were coming, | 0:34:39 | 0:34:41 | |
so half of them aren't coming today. | 0:34:41 | 0:34:43 | |
And so, any tips? How do I get going? | 0:34:44 | 0:34:46 | |
Just go slow and steady, I think, to start with. | 0:34:46 | 0:34:49 | |
Don't try and be in a mad rush and make mistakes. | 0:34:49 | 0:34:52 | |
And how do you spot who's busy? Are they waving a flag? | 0:34:52 | 0:34:55 | |
Initially, yeah, I'm sure for you they'll make it fairly clear. | 0:34:55 | 0:34:58 | |
So wave a hand or something? | 0:34:58 | 0:35:00 | |
Yeah, they'll do something, or make it obvious, you know, | 0:35:00 | 0:35:02 | |
big head-nod or a big wink. | 0:35:02 | 0:35:04 | |
-Sure. -But then, you know, | 0:35:04 | 0:35:05 | |
if you get going and you're travelling a fair distance | 0:35:05 | 0:35:08 | |
it might become more subtle to just a twitch of the finger, so... | 0:35:08 | 0:35:11 | |
Wiggle of the nose. | 0:35:11 | 0:35:12 | |
Wiggle of the nose or just a slight sort of smirk on the face, yeah. | 0:35:12 | 0:35:15 | |
Really? Goodness me. | 0:35:15 | 0:35:16 | |
Oh. Well, that's really settled me down nicely. Not! | 0:35:16 | 0:35:20 | |
I'm about to sell Dick's lambs | 0:35:22 | 0:35:25 | |
and the nerves are kicking in. | 0:35:25 | 0:35:26 | |
Ladies and gentlemen, we're very privileged | 0:35:29 | 0:35:31 | |
to have Adam Henson with us today. | 0:35:31 | 0:35:33 | |
So I'm going to hand over to him to sell Richard's two lambs. | 0:35:33 | 0:35:36 | |
If you do a good job, you can keep going, all right? | 0:35:36 | 0:35:38 | |
Now, you be gentle with me, | 0:35:38 | 0:35:40 | |
all your dealers and traders and butchers out there. | 0:35:40 | 0:35:42 | |
I know you're very good at maths, and I'm not. | 0:35:42 | 0:35:44 | |
Where are we going to start us? | 0:35:44 | 0:35:46 | |
85. 85. Got 85 here on the right? 85. | 0:35:46 | 0:35:48 | |
-Yeah. -86. | 0:35:49 | 0:35:50 | |
'If they are bidding, they're really not making it obvious.' | 0:35:50 | 0:35:53 | |
86-half. 86-half. 86-half? | 0:35:53 | 0:35:55 | |
Go on, gentlemen, 86-half. | 0:35:55 | 0:35:57 | |
87? 87. 87-half? | 0:35:57 | 0:35:59 | |
Go on, sir, 87-half. | 0:36:01 | 0:36:02 | |
-88 here, he's a very lucky man. 88, we're giving these away. -Yeah. | 0:36:02 | 0:36:06 | |
-I think that's it. -There we go, sold here to the lovely gentleman. | 0:36:06 | 0:36:09 | |
-Jaspers. -Jaspers, there we go, marvellous. | 0:36:09 | 0:36:12 | |
-Goodness me, Dick. -Well done, mate. -My heart's thumping. | 0:36:12 | 0:36:14 | |
It's so difficult, because it's just a little wink, | 0:36:14 | 0:36:17 | |
a little raise of the chin. | 0:36:17 | 0:36:18 | |
-You go to auctions, surely, you must buy them. -Yeah, I do. | 0:36:18 | 0:36:21 | |
Normally give a little wink or a little nod | 0:36:21 | 0:36:23 | |
-and got it sorted out. -So how did I do? | 0:36:23 | 0:36:25 | |
-All right. -Yeah. -It was very good, actually. I was quite impressed. | 0:36:25 | 0:36:28 | |
You ought to have had a white coat on. | 0:36:28 | 0:36:30 | |
That's all that was missing, a white coat. | 0:36:30 | 0:36:32 | |
Well, I'm pleased I didn't let you down, Dick. Good to see you. | 0:36:32 | 0:36:36 | |
-It was all right. Nice to see you again. -I'll buy you a bacon butty. | 0:36:36 | 0:36:39 | |
Even better! Cheers. | 0:36:39 | 0:36:40 | |
BIRDSONG | 0:36:51 | 0:36:54 | |
It's early - very early. | 0:36:54 | 0:36:56 | |
It's cold, it's dark | 0:36:56 | 0:36:58 | |
and I'm in the middle of the woods in Cambridgeshire. | 0:36:58 | 0:37:01 | |
But if you can't hear it already, | 0:37:01 | 0:37:03 | |
it's the perfect time to hear one of the wonders of the season. | 0:37:03 | 0:37:06 | |
BIRDSONG | 0:37:06 | 0:37:08 | |
'Nightingales. | 0:37:10 | 0:37:11 | |
'These members of the thrush family may, at first glance, | 0:37:11 | 0:37:14 | |
'seem uninspiring. | 0:37:14 | 0:37:16 | |
'But they are one of nature's finest singers, | 0:37:16 | 0:37:18 | |
'with an intricate range of up to 250 riffs and calls. | 0:37:18 | 0:37:22 | |
'The best time to hear it is at night | 0:37:22 | 0:37:24 | |
'and in the very early hours.' | 0:37:24 | 0:37:26 | |
Good morning, Sam. | 0:37:26 | 0:37:28 | |
-Hey, Steve. -How are you? -Good to see you. | 0:37:28 | 0:37:31 | |
So, I'm meeting up | 0:37:31 | 0:37:33 | |
with Mercury Prize-nominated folk musician Sam Lee, | 0:37:33 | 0:37:35 | |
who's become obsessed with these ornithological performers. | 0:37:35 | 0:37:39 | |
Well, it's the perfect spot. | 0:37:39 | 0:37:40 | |
We've got the hedgerow here | 0:37:40 | 0:37:42 | |
with the dense shelter for the nightingales to live in. | 0:37:42 | 0:37:45 | |
They absolutely love it in here, | 0:37:45 | 0:37:47 | |
so they always provide a perfect concert for us right here. | 0:37:47 | 0:37:50 | |
CELLO PLAYS | 0:37:52 | 0:37:55 | |
There's a long tradition | 0:37:55 | 0:37:56 | |
of musicians duetting with these springtime visitors. | 0:37:56 | 0:37:59 | |
NIGHTINGALE CALLS | 0:37:59 | 0:38:01 | |
In fact, the first-ever BBC outside broadcast | 0:38:01 | 0:38:03 | |
featured renowned cellist Beatrice Harrison | 0:38:03 | 0:38:06 | |
playing in her garden in Surrey | 0:38:06 | 0:38:08 | |
accompanied by a nightingale that sat beside her. | 0:38:08 | 0:38:11 | |
More than 100 years on, | 0:38:14 | 0:38:15 | |
Sam is following in Beatrice's footsteps and, as day breaks, | 0:38:15 | 0:38:19 | |
it's time to see if he can pull off the ultimate springtime duet. | 0:38:19 | 0:38:22 | |
SAM WARBLES | 0:38:22 | 0:38:25 | |
(Any luck?) | 0:38:34 | 0:38:36 | |
(In short, no.) | 0:38:36 | 0:38:38 | |
'Fortunately for us, like the birds themselves, | 0:38:38 | 0:38:40 | |
'Sam has a large musical repertoire to call on, and he has another go.' | 0:38:40 | 0:38:44 | |
# Hark, oh, hark | 0:38:44 | 0:38:47 | |
# How the nightingale is singing | 0:38:47 | 0:38:51 | |
NIGHTINGALE CALLS | 0:38:51 | 0:38:55 | |
# And on yonder green bower | 0:38:56 | 0:39:00 | |
NIGHTINGALE CALLS | 0:39:00 | 0:39:02 | |
# The turtle doves are building | 0:39:02 | 0:39:04 | |
NIGHTINGALE CALLS | 0:39:04 | 0:39:07 | |
# The sun is just a-glimmering | 0:39:07 | 0:39:11 | |
# Arise | 0:39:11 | 0:39:16 | |
# My dear. # | 0:39:16 | 0:39:18 | |
I don't know if that was coincidence, luck, | 0:39:21 | 0:39:24 | |
or an actual response, | 0:39:24 | 0:39:26 | |
but every time you held your note or you took a breath, | 0:39:26 | 0:39:30 | |
the nightingale genuinely filled the gaps for you. | 0:39:30 | 0:39:35 | |
Yeah. | 0:39:35 | 0:39:36 | |
The early hours of spring | 0:39:44 | 0:39:46 | |
are the best time to hear nightingales in full trill, | 0:39:46 | 0:39:48 | |
as males try to attract a mate and protect their territory. | 0:39:48 | 0:39:52 | |
By the end of May, this ritual will be complete | 0:39:52 | 0:39:54 | |
and their song will disappear for another year. | 0:39:54 | 0:39:57 | |
It's a busy time for Mike Drew, | 0:39:58 | 0:40:00 | |
who works for Anglian Water on this site, | 0:40:00 | 0:40:02 | |
not as an aquatic but as an aviation expert. | 0:40:02 | 0:40:05 | |
The birds themselves, once you've netted them, | 0:40:07 | 0:40:09 | |
you're putting the trackers on them, | 0:40:09 | 0:40:11 | |
what do those trackers tell you? | 0:40:11 | 0:40:13 | |
They'll kind of track the path that that bird will take | 0:40:13 | 0:40:16 | |
through kind of France, into Spain, | 0:40:16 | 0:40:18 | |
and whereabouts, when it hits kind of North Africa, | 0:40:18 | 0:40:21 | |
which way around Africa it will go, | 0:40:21 | 0:40:23 | |
and kind of tracking them right the way down | 0:40:23 | 0:40:26 | |
to Senegal and the Gambia and Sierra Leone. | 0:40:26 | 0:40:28 | |
Fantastic, really. Amazing. | 0:40:28 | 0:40:30 | |
How important is this project? | 0:40:30 | 0:40:33 | |
-In the past 40 years, they've declined by about 90%. -Wow. | 0:40:33 | 0:40:36 | |
It's really important that this project happens, | 0:40:36 | 0:40:39 | |
so we can try and find out why these birds are declining. | 0:40:39 | 0:40:43 | |
Alongside the tracking project, | 0:40:43 | 0:40:45 | |
careful management of the woodland by the local Wildlife Trust | 0:40:45 | 0:40:48 | |
is creating dense scrub and helping reverse the decline - | 0:40:48 | 0:40:52 | |
here, at least - in the nightingale population. | 0:40:52 | 0:40:54 | |
The nightingales are likely to quieten down soon, | 0:40:58 | 0:41:00 | |
so we've only got a limited time | 0:41:00 | 0:41:02 | |
to try to net a bird while they're still active. | 0:41:02 | 0:41:04 | |
Quite magical, really, aren't they? | 0:41:06 | 0:41:07 | |
'Mike's got special permission | 0:41:07 | 0:41:09 | |
'to use a recording of a male nightingale as a lure.' | 0:41:09 | 0:41:12 | |
-So this is the lure, is it? -It is. | 0:41:14 | 0:41:16 | |
This is what we're going to try and attract this male down with. | 0:41:16 | 0:41:19 | |
And, hopefully, right into the net. | 0:41:19 | 0:41:21 | |
Yeah, the nightingale call will come out of the speaker | 0:41:21 | 0:41:24 | |
and it will make that bird think | 0:41:24 | 0:41:26 | |
that there's a rival male in his territory | 0:41:26 | 0:41:28 | |
and hopefully come and find it to see it off. | 0:41:28 | 0:41:30 | |
-So, play button? -Yep, play button. | 0:41:30 | 0:41:32 | |
NIGHTINGALE RECORDING | 0:41:32 | 0:41:35 | |
Leave that to do its magic. | 0:41:37 | 0:41:39 | |
That's it, let's come back in a bit. | 0:41:39 | 0:41:40 | |
Let's go. | 0:41:40 | 0:41:42 | |
'All we can do now is wait.' | 0:41:43 | 0:41:45 | |
There he is, look. Just coming down on the bottom there. | 0:41:49 | 0:41:53 | |
I can't wait to get closer to him. | 0:41:53 | 0:41:56 | |
'And it's not long before I get my chance. | 0:41:56 | 0:41:59 | |
'Mike's lured himself a nightingale. | 0:41:59 | 0:42:02 | |
'Taking its measurements has got to happen gently and quickly | 0:42:02 | 0:42:05 | |
'so that he can be released again as soon as possible.' | 0:42:05 | 0:42:08 | |
We're going to now start to take various measurements of the bird, | 0:42:08 | 0:42:12 | |
and this is where I'd really like your help, | 0:42:12 | 0:42:15 | |
taking some of the bits for me. | 0:42:15 | 0:42:17 | |
Yeah, absolutely. | 0:42:17 | 0:42:18 | |
OK, right, so I am literally your wing man. | 0:42:18 | 0:42:21 | |
-You are indeed. -Let's go. | 0:42:21 | 0:42:23 | |
'Mike's being helped by Dr Chris Hewson | 0:42:23 | 0:42:25 | |
'from the British Trust for Ornithology, | 0:42:25 | 0:42:27 | |
'who's here to monitor the safe tagging of the nightingales.' | 0:42:27 | 0:42:31 | |
So interesting. | 0:42:31 | 0:42:32 | |
'This little fella hasn't been tagged before, | 0:42:32 | 0:42:34 | |
'so it's probably a new arrival - | 0:42:34 | 0:42:36 | |
'exactly what Mike and Chris were hoping for. | 0:42:36 | 0:42:40 | |
'The bird's fitted with a lightweight geotag.' | 0:42:40 | 0:42:43 | |
You can see it's really quite delicate, | 0:42:43 | 0:42:45 | |
and they're really putting a lot of care and attention into the bird | 0:42:45 | 0:42:48 | |
as much as they are into the tracker. | 0:42:48 | 0:42:51 | |
'The whole process has taken just a few minutes. | 0:42:51 | 0:42:53 | |
'Some final checks and he's ready to fly again.' | 0:42:53 | 0:42:56 | |
And it's important, isn't it, | 0:42:56 | 0:42:58 | |
to make sure that you release him back where he was caught? | 0:42:58 | 0:43:01 | |
Yeah, absolutely. You need to release him back on his territory. | 0:43:01 | 0:43:03 | |
We've only had him off for a few minutes | 0:43:03 | 0:43:05 | |
but, nonetheless, it'll want to get back on the territory | 0:43:05 | 0:43:08 | |
and start defending it again. | 0:43:08 | 0:43:09 | |
So would I! Come on, then, let's go. | 0:43:09 | 0:43:11 | |
It's time for this young nightingale to get back to his song perch | 0:43:17 | 0:43:21 | |
and hit those high notes. | 0:43:21 | 0:43:22 | |
Now, for me, that is a spring sight that takes some beating. | 0:43:29 | 0:43:33 | |
Up at 2am, cold and dark, | 0:43:33 | 0:43:36 | |
but it's so been worth it. | 0:43:36 | 0:43:38 | |
Those nightingales, their songs, seeing them up in the trees - | 0:43:38 | 0:43:42 | |
it's been excellent. | 0:43:42 | 0:43:43 | |
From birdlife to blossom - | 0:43:57 | 0:44:00 | |
this is a season where the sights and sounds of our natural world | 0:44:00 | 0:44:04 | |
burst forth and awaken the senses. | 0:44:04 | 0:44:07 | |
I'm in Lincolnshire, | 0:44:11 | 0:44:12 | |
seeing how spring flowers are grown on a massive scale. | 0:44:12 | 0:44:15 | |
But not all are grown under glass, like the tulips. | 0:44:17 | 0:44:19 | |
These beautiful alliums are grown out in the field, | 0:44:22 | 0:44:25 | |
where they're at the mercy of our fickle British weather. | 0:44:25 | 0:44:28 | |
We've had a pretty typical spring day today, | 0:44:29 | 0:44:32 | |
a few showers earlier on, a bit of blue sky. | 0:44:32 | 0:44:35 | |
But, on the whole, it certainly hasn't been a typical spring. | 0:44:35 | 0:44:39 | |
A lack of rainfall is causing big problems | 0:44:39 | 0:44:41 | |
for people like horticulturalist Ian White. | 0:44:41 | 0:44:44 | |
I have to say, I mean, the ground that we are on here, Ian, | 0:44:45 | 0:44:48 | |
it's rock hard, isn't it? | 0:44:48 | 0:44:49 | |
It is cracking like concrete, yes. | 0:44:49 | 0:44:52 | |
So what kind of an experience | 0:44:52 | 0:44:54 | |
have you been having here throughout spring? | 0:44:54 | 0:44:56 | |
Well, it's been lacking in rainfall since autumn. | 0:44:56 | 0:45:00 | |
Right. | 0:45:00 | 0:45:01 | |
And last month in particular was 30% only | 0:45:01 | 0:45:04 | |
of what we would expect in April. | 0:45:04 | 0:45:05 | |
Right. And what kind of effect has that been having | 0:45:05 | 0:45:08 | |
on the crops that you've got outside? | 0:45:08 | 0:45:10 | |
It makes them later, | 0:45:10 | 0:45:12 | |
slightly smaller and generally weaker. | 0:45:12 | 0:45:16 | |
Any pests and diseases are always more likely | 0:45:16 | 0:45:18 | |
when the plants are under stress. | 0:45:18 | 0:45:20 | |
And these are certainly under moisture stress now. | 0:45:20 | 0:45:23 | |
For flower-growers, a dry spring is proving to be of real concern. | 0:45:23 | 0:45:26 | |
And although we've had some wet weather recently, | 0:45:26 | 0:45:29 | |
we need a lot more to help our crops in the months ahead. | 0:45:29 | 0:45:32 | |
But the question is, where has all of this rain been | 0:45:32 | 0:45:34 | |
that we've desperately needed this spring? | 0:45:34 | 0:45:37 | |
The good news is, weather expert John Hammond is here to tell us. | 0:45:37 | 0:45:39 | |
Here we are again. | 0:45:39 | 0:45:41 | |
John, you have come up with some ingenious ways over the years | 0:45:41 | 0:45:43 | |
of explaining the jet stream. | 0:45:43 | 0:45:45 | |
-I sure have. -This one takes the biscuit. | 0:45:45 | 0:45:47 | |
Well, my next trick, we're employing a front-loader, | 0:45:47 | 0:45:50 | |
a bowser, and a big, big blue hosepipe. And... | 0:45:50 | 0:45:54 | |
-It looks very impressive. Go on. -..a peony. | 0:45:54 | 0:45:57 | |
The peony's quite important, actually, because the peony, | 0:45:57 | 0:46:00 | |
for the purposes of this exercise, represents the UK. | 0:46:00 | 0:46:02 | |
So, fire up the jet stream, would you, Matthew? | 0:46:02 | 0:46:05 | |
OK. Here comes the rain. | 0:46:05 | 0:46:06 | |
Yeah. Now, normally, the jet stream coming in from the west | 0:46:06 | 0:46:09 | |
kind of crosses the country in fairly regular patterns like this, | 0:46:09 | 0:46:13 | |
so we get doses of rain, | 0:46:13 | 0:46:14 | |
doses of dry weather, | 0:46:14 | 0:46:16 | |
nothing too extreme, nothing too prolonged. | 0:46:16 | 0:46:18 | |
-Good news for the farmers and the growers, OK? -Yeah. | 0:46:18 | 0:46:21 | |
Occasionally something weird goes on in the atmospherics... | 0:46:21 | 0:46:24 | |
You know, even in the Pacific, the other side of the world, | 0:46:24 | 0:46:26 | |
which can deflect the jet stream for a longer period of time, like that. | 0:46:26 | 0:46:31 | |
Which means that the UK | 0:46:31 | 0:46:33 | |
is kind of out of the firing line of the jet stream | 0:46:33 | 0:46:36 | |
for a more prolonged spell of time - | 0:46:36 | 0:46:38 | |
we just stay dry for weeks, if not months. | 0:46:38 | 0:46:41 | |
And that's what happened through the spring, | 0:46:41 | 0:46:43 | |
of course, parts of the UK have had, well, | 0:46:43 | 0:46:45 | |
a third of their normal rainfall in the last few weeks. | 0:46:45 | 0:46:48 | |
For some areas, in April we didn't see a drop of rain. | 0:46:48 | 0:46:51 | |
So, have you got a hunch about what's going to be happening | 0:46:51 | 0:46:53 | |
over the next few months? | 0:46:53 | 0:46:54 | |
There are no clear indications for the next few months | 0:46:54 | 0:46:57 | |
but, hopefully, for the next few weeks, at least, | 0:46:57 | 0:46:59 | |
things will revert to something a bit more back to normal. | 0:46:59 | 0:47:03 | |
We've had a few showers today in actual fact, haven't we? | 0:47:03 | 0:47:05 | |
But, you know, we need a few more than the odd shower | 0:47:05 | 0:47:08 | |
to get things back to normal. | 0:47:08 | 0:47:09 | |
So, fingers crossed the jet stream will start to behave | 0:47:09 | 0:47:12 | |
a bit more like this in the weeks and months ahead. | 0:47:12 | 0:47:15 | |
Well, that peony's nicely watered now, John. | 0:47:15 | 0:47:17 | |
Yeah, we've got a few more thousand to do this afternoon, though, Matt. | 0:47:17 | 0:47:20 | |
Yeah, and while we do, let's hand to the BBC Weather Centre | 0:47:20 | 0:47:23 | |
and get the five-day forecast - see if there's any rain on the way. | 0:47:23 | 0:47:26 | |
I've been on land and sea | 0:48:12 | 0:48:14 | |
around the Cornish coast, | 0:48:14 | 0:48:15 | |
exploring the spring wildlife thriving in our waters. | 0:48:15 | 0:48:19 | |
And after a long day out at sea, | 0:48:20 | 0:48:22 | |
I've been invited for a spring supper. | 0:48:22 | 0:48:25 | |
How can I refuse? | 0:48:25 | 0:48:26 | |
I'm having my dinner cooked by Michelin-starred chef, | 0:48:29 | 0:48:33 | |
and MasterChef mentor, Paul Ainsworth. | 0:48:33 | 0:48:36 | |
For him, this time of year is truly special. | 0:48:36 | 0:48:38 | |
-All right, Johnny? -All right, Paul? | 0:48:39 | 0:48:41 | |
There you go, mate. You got it? | 0:48:41 | 0:48:43 | |
Yes, look at that beauty. Thank you very much. | 0:48:43 | 0:48:44 | |
What I love about being in Padstow | 0:48:44 | 0:48:46 | |
is the food network that we've got going on. | 0:48:46 | 0:48:48 | |
To be able to go and meet the people, | 0:48:48 | 0:48:52 | |
see the produce, | 0:48:52 | 0:48:53 | |
to actually know where it's coming from, | 0:48:53 | 0:48:56 | |
is something that's incredible. | 0:48:56 | 0:48:59 | |
-You brought the weather with you. -I always do. | 0:48:59 | 0:49:01 | |
-How are you? Are you OK? -I'm well. Yeah. You? | 0:49:01 | 0:49:03 | |
-Good. Yes, very good, thank you. -Great. | 0:49:03 | 0:49:05 | |
'Paul is taking me to gather the ingredients for his spring meal. | 0:49:05 | 0:49:08 | |
'Along the way, we'll meet the tightknit Cornish community | 0:49:08 | 0:49:11 | |
'who help make up his food network.' | 0:49:11 | 0:49:14 | |
-This is how we go shopping in Padstow. -We always do this. | 0:49:14 | 0:49:17 | |
-Just like this. -Great. | 0:49:17 | 0:49:18 | |
And so where are we going first? | 0:49:18 | 0:49:19 | |
We're going to go to St Enodoc asparagus first. | 0:49:19 | 0:49:22 | |
All right. Looking forward to it. | 0:49:22 | 0:49:23 | |
What a lush morning. | 0:49:29 | 0:49:30 | |
-It's beautiful, isn't it? -It is amazing. | 0:49:30 | 0:49:32 | |
Nestled in amongst the sand dunes on the Cornish coast | 0:49:33 | 0:49:37 | |
is this asparagus farm | 0:49:37 | 0:49:38 | |
run by Jax Buse and Natalie Burch, | 0:49:38 | 0:49:40 | |
who've been growing here for more than 25 years. | 0:49:40 | 0:49:43 | |
So this one is ready? | 0:49:45 | 0:49:46 | |
Yeah, you can see that it's longer than a knife, | 0:49:46 | 0:49:49 | |
so, yeah, we would cut it down there very carefully | 0:49:49 | 0:49:51 | |
so that it doesn't damage anything else. | 0:49:51 | 0:49:53 | |
And these? | 0:49:53 | 0:49:55 | |
Yeah, this one we'll be able to pick tomorrow, | 0:49:55 | 0:49:58 | |
leaving that one for the day after, | 0:49:58 | 0:50:00 | |
because it will have grown possibly two inches in a day. | 0:50:00 | 0:50:03 | |
-In 24 hours?! -Yeah! -That's fast! | 0:50:03 | 0:50:06 | |
The asparagus here really is something special. | 0:50:09 | 0:50:13 | |
I guess a lot of people imagine that asparagus is more of an inland crop. | 0:50:16 | 0:50:19 | |
Well, it's not, because it loves the salt. | 0:50:19 | 0:50:21 | |
So, the salt comes across here in the winter, | 0:50:21 | 0:50:24 | |
deposits itself on all the soil | 0:50:24 | 0:50:26 | |
and then it grows up, tasting amazing, | 0:50:26 | 0:50:28 | |
because it's got the salt in it. | 0:50:28 | 0:50:30 | |
And field-to-fork for you will be really quick, won't it? | 0:50:30 | 0:50:33 | |
This is a phone call in the morning - how much can we have? | 0:50:33 | 0:50:36 | |
Yeah, you can have this - cut. | 0:50:36 | 0:50:38 | |
And literally over on the boat that we came across on | 0:50:38 | 0:50:41 | |
and to the restaurant. | 0:50:41 | 0:50:42 | |
Our journey continues and with the taste of salt air | 0:50:45 | 0:50:47 | |
and the sound of gulls overhead, | 0:50:47 | 0:50:49 | |
I can see why Paul loves this place. | 0:50:49 | 0:50:52 | |
Next on the menu - seaweed. | 0:50:53 | 0:50:55 | |
Not for a side dish, but as a seasoning | 0:50:55 | 0:50:57 | |
to make the asparagus really take on the flavours of the Cornish coast. | 0:50:57 | 0:51:01 | |
You want the nice moist stuff. | 0:51:01 | 0:51:03 | |
You see where the sun's been on it for a bit, | 0:51:03 | 0:51:04 | |
but we just want that lovely taste of the ocean. | 0:51:04 | 0:51:06 | |
-Will that do? -That is amazing. | 0:51:06 | 0:51:08 | |
-Right. -Brilliant. I'm intrigued. | 0:51:08 | 0:51:11 | |
'Another ingredient ticked off our list, | 0:51:11 | 0:51:13 | |
'but I'm a bit confused by our next stop.' | 0:51:13 | 0:51:17 | |
Paul, I'm sure you mentioned seafood was the main event, | 0:51:17 | 0:51:19 | |
but we've pitched up to a dairy farm. | 0:51:19 | 0:51:21 | |
We have, but this dairy farm is a very special dairy farm. | 0:51:23 | 0:51:26 | |
It's got a wonderful story to it. | 0:51:26 | 0:51:27 | |
Tim Marshall's family has been running this dairy farm here | 0:51:30 | 0:51:34 | |
for generations. | 0:51:34 | 0:51:35 | |
But he's taken his farming in a different direction - | 0:51:35 | 0:51:39 | |
oysters. | 0:51:39 | 0:51:41 | |
My brother and myself were farming together. | 0:51:41 | 0:51:43 | |
It was obvious we weren't going to make a living | 0:51:43 | 0:51:46 | |
for two families out of that. | 0:51:46 | 0:51:47 | |
I was always keen on fishing and fancied a fish farm of some sort, | 0:51:47 | 0:51:50 | |
and a friend put us on to this way of growing oysters, | 0:51:50 | 0:51:53 | |
and that's the beginning of the story, basically. | 0:51:53 | 0:51:55 | |
30 years later it seems to be doing all right. | 0:51:55 | 0:51:57 | |
-30 years later, yes, yes. -That's fantastic. | 0:51:57 | 0:51:59 | |
Is spring a good time for harvesting oysters? | 0:51:59 | 0:52:01 | |
Yep, spring is a good time. | 0:52:01 | 0:52:02 | |
Through the winter they lie dormant, | 0:52:02 | 0:52:04 | |
but during the spring there's a lot more food in the water, | 0:52:04 | 0:52:06 | |
they're starting to get themselves ready for spawning | 0:52:06 | 0:52:09 | |
later in the summer | 0:52:09 | 0:52:10 | |
and they're just beefing themselves up | 0:52:10 | 0:52:12 | |
and they're in perfect condition at the moment. | 0:52:12 | 0:52:14 | |
'These spring oysters might be in their prime, | 0:52:14 | 0:52:16 | |
'but my track record with oysters on Countryfile isn't great.' | 0:52:16 | 0:52:20 | |
Oh, that hasn't improved for me! | 0:52:23 | 0:52:26 | |
Paul's got a lot of work to do to win me round. | 0:52:27 | 0:52:30 | |
-I feel your pain. -That's amazing. Don't... It's amazing. | 0:52:33 | 0:52:36 | |
I feel good. I feel zingy. | 0:52:36 | 0:52:38 | |
You're going to convert me today with these, aren't you? | 0:52:38 | 0:52:40 | |
-I'm definitely going to convert you. -All right, that's a challenge. | 0:52:40 | 0:52:43 | |
That's the final ingredient ticked off our shopping list. | 0:52:44 | 0:52:48 | |
-We did it. -You got everything? -We've got everything. | 0:52:48 | 0:52:50 | |
'Paul's organised a great spot for our spring cook-up, | 0:52:52 | 0:52:55 | |
'and I can't wait to get started.' | 0:52:55 | 0:52:57 | |
This is a feast for the eyes already. | 0:52:57 | 0:52:59 | |
Let's cook a spring menu. | 0:52:59 | 0:53:01 | |
-Let's put you to work. -OK. | 0:53:01 | 0:53:03 | |
First up, your favourite! | 0:53:05 | 0:53:07 | |
-Oysters. -Oysters. -Goody! | 0:53:07 | 0:53:09 | |
We're going to now panade them. | 0:53:09 | 0:53:11 | |
It goes crunchy and crispy really quickly. | 0:53:11 | 0:53:13 | |
Next, we'll move on to the asparagus. | 0:53:16 | 0:53:17 | |
-Spread them out like that. -So they all get a bit of seaweed? | 0:53:18 | 0:53:21 | |
Yeah, so they all get a bit of seaweed. | 0:53:21 | 0:53:23 | |
Then we're going to serve | 0:53:23 | 0:53:24 | |
-with our wonderful mayonnaise that we've made. -Fantastic. | 0:53:24 | 0:53:27 | |
OK. | 0:53:27 | 0:53:29 | |
They do look great, even for a non-oyster lover like me. | 0:53:29 | 0:53:32 | |
A non-oyster lover. | 0:53:32 | 0:53:33 | |
And there you have St Enodoc asparagus, | 0:53:33 | 0:53:36 | |
roasted and steamed over seaweed. | 0:53:36 | 0:53:39 | |
Porthilly oysters, crisped, | 0:53:39 | 0:53:40 | |
beautiful Cornish charcuterie. | 0:53:40 | 0:53:42 | |
And what's gorgeous is | 0:53:42 | 0:53:43 | |
this wild-garlic mayonnaise complements both. | 0:53:43 | 0:53:46 | |
-It's a spring feast! -Yeah. | 0:53:46 | 0:53:47 | |
From the land, from the sea, to the table - | 0:53:47 | 0:53:50 | |
in the same day, within a few hours. | 0:53:50 | 0:53:52 | |
-Same day. -It's certainly fresh. | 0:53:52 | 0:53:54 | |
We've got to dig in. | 0:53:54 | 0:53:55 | |
'Crumbed and deep-fried, will Paul be able to convert me | 0:53:55 | 0:53:58 | |
'and make me an oyster-lover?' | 0:53:58 | 0:54:00 | |
-Be honest, though. -Of course, of course. | 0:54:00 | 0:54:02 | |
-OK, you ready? -Yeah. -Here we go. | 0:54:02 | 0:54:03 | |
Mmm. | 0:54:03 | 0:54:05 | |
I can tell already. | 0:54:09 | 0:54:10 | |
-You like it, don't you? -It's so different. | 0:54:10 | 0:54:12 | |
-It's amazing, isn't it? -It's like really, really posh scampi. | 0:54:12 | 0:54:15 | |
-Yeah, yeah. -You can actually bite it. | 0:54:15 | 0:54:17 | |
You can bite it, it's comforting. Try it with the asparagus as well. | 0:54:17 | 0:54:20 | |
-That is really good. -So, converted? | 0:54:20 | 0:54:21 | |
-Yeah, this is the only way I'm going to have them. -I told you. Yes! | 0:54:21 | 0:54:25 | |
Your way. | 0:54:25 | 0:54:27 | |
That is delicious. Really, really good. Right, asparagus, too. | 0:54:27 | 0:54:30 | |
'After all their hard work, | 0:54:31 | 0:54:33 | |
'it seems only right that Jax and Natalie from the asparagus farm | 0:54:33 | 0:54:36 | |
'are here to join us for this feast.' | 0:54:36 | 0:54:38 | |
Without you... | 0:54:38 | 0:54:40 | |
Yeah, it's amazing. There we are. Natalie. | 0:54:40 | 0:54:43 | |
-Thank you. -That's unbelievable. | 0:54:43 | 0:54:46 | |
-Amazing. -Well, what better way to see in this springtime | 0:54:46 | 0:54:49 | |
than with seasonal food, | 0:54:49 | 0:54:51 | |
beautiful scenery | 0:54:51 | 0:54:53 | |
and good company? | 0:54:53 | 0:54:54 | |
And if you want to carry on the springtime celebrations | 0:54:54 | 0:54:57 | |
in the week ahead, you can, | 0:54:57 | 0:54:58 | |
with the Countryfile Spring Diaries. | 0:54:58 | 0:55:01 | |
I don't know about you, but keeping fit can be hard work. | 0:55:04 | 0:55:07 | |
Really good actually! | 0:55:07 | 0:55:09 | |
There is a nest in there. How exciting! | 0:55:09 | 0:55:12 | |
-Are you in my slipstream? -I think I am. | 0:55:12 | 0:55:15 | |
-The Cornish way, always a winner for you? -Yes, it definitely is. | 0:55:15 | 0:55:18 | |
That is uniquely delicious. | 0:55:18 | 0:55:20 | |
What do you bring to the team? | 0:55:20 | 0:55:22 | |
I'm a good tea-maker! | 0:55:22 | 0:55:23 | |
Now, that is important! | 0:55:23 | 0:55:25 | |
And now for the big moment. | 0:55:25 | 0:55:28 | |
Whoa! | 0:55:28 | 0:55:30 | |
That's every morning this week on BBC One. | 0:55:31 | 0:55:34 | |
Hope you can join us. Bye for now. | 0:55:37 | 0:55:39 | |
Right, I've got a spring feast to finish. | 0:55:39 | 0:55:41 |