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where the mighty River Wye flows through Wales and England. | :00:30. | :00:35. | |
The landscape doesn't get much more beautiful than this. | :00:36. | :00:39. | |
But this is an area that that's better known for its books | :00:40. | :00:42. | |
than its looks. This is the Hay Festival, | :00:43. | :00:45. | |
one of the country's biggest and best literature festivals. | :00:46. | :00:47. | |
We're going to be meeting some of the writers here and exploring | :00:48. | :00:50. | |
the themes here at the festival and in the countryside around us. | :00:51. | :00:54. | |
Tom asks if we've fallen out of love with organic food. | :00:55. | :00:58. | |
The premiums we had been promised weren't there. | :00:59. | :01:02. | |
The financial smart thing to do then was to revert back to conventional. | :01:03. | :01:13. | |
Adam's getting a hi-tech view of his farm. | :01:14. | :01:17. | |
600 grams. That's incredibly light, isn't it? Very lightweight. | :01:18. | :01:23. | |
And John is joined by Deborah Meaden and Simon King to launch this | :01:24. | :01:27. | |
year's Countryfile Photographic Competition. | :01:28. | :01:33. | |
It's quite cosy and quite warm in here. | :01:34. | :01:37. | |
It is. It sure is. And a little claustrophobic! | :01:38. | :01:56. | |
The River Wye meandering through fields, past towns. | :01:57. | :02:05. | |
that straddles the English-Welsh border and we're based today | :02:06. | :02:10. | |
in Hay-on-Wye, home to the famous festival. | :02:11. | :02:14. | |
It's one of the UK's biggest and best-known literary festivals. | :02:15. | :02:18. | |
We'll be soaking up the atmosphere, meeting the odd writer and | :02:19. | :02:22. | |
finding literary inspiration in the surrounding countryside. | :02:23. | :02:28. | |
People come from all over the world to lap up the atmosphere at | :02:29. | :02:31. | |
the festival. There are all sorts of events and talks and | :02:32. | :02:35. | |
a wide range of things to get involved in. | :02:36. | :02:38. | |
At this year's festival, there's a strong countryside theme and | :02:39. | :02:42. | |
Hannah Marshall from the Woodland Trust is going to tell me more. | :02:43. | :02:48. | |
Hannah, it wouldn't be a British festival without pouring rain. | :02:49. | :02:51. | |
And very fittingly, we're sitting on sunny deckchairs! | :02:52. | :02:54. | |
Why not? Tell me about what the Woodland Trust are doing here at the | :02:55. | :02:58. | |
festival. So, here at the festival, we're launching our charter for the | :02:59. | :03:01. | |
woods and trees, it's a relaunch of the 800-year-old charter. | :03:02. | :03:05. | |
It's a way to engage the public in planting trees, | :03:06. | :03:08. | |
in telling us the stories and what memories they have of trees. | :03:09. | :03:11. | |
We're giving away free trees to anybody that wants them and | :03:12. | :03:14. | |
wants to sign the charter. What we're going to do is we're | :03:15. | :03:16. | |
going to record their postcodes and we're actually going to create | :03:17. | :03:19. | |
a map of where the trees are all going to be planted. | :03:20. | :03:21. | |
And then from there, we're going to record that into | :03:22. | :03:24. | |
our 64 million tree planting target for 2025. | :03:25. | :03:27. | |
What are the trees that you've got on offer for people to take away? | :03:28. | :03:30. | |
So we've got a silver birch next to you, | :03:31. | :03:31. | |
which is a beautifully tall, fast-growing tree. Yes, yes. | :03:32. | :03:34. | |
We've got Rowan, which is absolutely stunning for the wildlife, | :03:35. | :03:37. | |
with those beautiful red berries. Oh, yeah. | :03:38. | :03:39. | |
because I've got north-facing garden that's clay soil. | :03:40. | :03:43. | |
It's a gardener's dream(!) Stunning. That's a difficult one. | :03:44. | :03:46. | |
We'd probably go with a goat willow for that one. | :03:47. | :03:49. | |
It should hopefully do well with the moist clay, if it sort of gets a | :03:50. | :03:53. | |
bit waterlogged, and it'll be great for the local bees and wildlife. | :03:54. | :03:56. | |
Lovely. Add me to the map. I'll take my willow away. Perfect. | :03:57. | :03:59. | |
All right, I'll see you soon. Thank you. Thank you. | :04:00. | :04:02. | |
'The rural setting of the festival is a key part of its charm, | :04:03. | :04:05. | |
'where you'll bump into old friends.. .' Jules! Ellie! | :04:06. | :04:10. | |
You absorb all the countryside getting here. Yeah. | :04:11. | :04:14. | |
Cos it's, you know... It feels quite a remote place. | :04:15. | :04:17. | |
I've never been to Hay before and I like wild swimming and everyone | :04:18. | :04:22. | |
was like, dip in the river, and get yourself in amongst some books. | :04:23. | :04:25. | |
Deep immersion in the countryside! Yeah! | :04:26. | :04:27. | |
This year marks the festival's 30th anniversary. | :04:28. | :04:30. | |
Peter Florence has been involved since the start. | :04:31. | :04:34. | |
The festival's grown a bit in the 30 years. | :04:35. | :04:38. | |
Well, yeah, but it's in really important ways exactly the | :04:39. | :04:42. | |
It started out as a sort of gathering. | :04:43. | :04:47. | |
You put down a picnic rug, you say, "Come and have a meal, tell | :04:48. | :04:51. | |
and it's just a bigger picnic rug now. | :04:52. | :04:55. | |
Why is it important that it's in this rural setting? | :04:56. | :04:58. | |
It's almost impossible not to look at all this green and think - | :04:59. | :05:02. | |
it's so beautiful, it's so liberating. | :05:03. | :05:05. | |
you want to throw yourself into the landscape. | :05:06. | :05:10. | |
What's the impact on the town and on the countryside of all these | :05:11. | :05:14. | |
people descending for the festival? There have been moments when | :05:15. | :05:17. | |
it's been tested. The big thing came in 2001 - | :05:18. | :05:20. | |
we had foot and mouth outbreak four miles down the road, | :05:21. | :05:23. | |
and we knew it was sort of game over and we called | :05:24. | :05:25. | |
a public meeting and the Young Farmers said, no - if you go down, | :05:26. | :05:29. | |
so they ran the footbaths for all the people to walk over | :05:30. | :05:34. | |
they managed to man all the gates and all the public footpaths. | :05:35. | :05:40. | |
They took ownership of the festival and it became not | :05:41. | :05:44. | |
a kind of cultural thing, but a community thing. | :05:45. | :05:46. | |
And restoring this place back to life without the festival, | :05:47. | :05:50. | |
You come back in six weeks' time, the sheep will be back, | :05:51. | :05:54. | |
the grass will be beaten down, it'll be a field again. | :05:55. | :06:05. | |
There's plenty on offer besides books. | :06:06. | :06:08. | |
Young minds can get to grips with all sorts of activities. | :06:09. | :06:11. | |
There's herb brushes. This one's made out of mint. | :06:12. | :06:16. | |
Ella, can you give me some advice on how to do this? | :06:17. | :06:19. | |
What do I need to do? You have to get the end like this, that bit... | :06:20. | :06:24. | |
Yeah. ..into a colour and wipe on the paper. | :06:25. | :06:29. | |
Hi, Sarah. Hello. What are you making here? | :06:30. | :06:32. | |
So these are based on Guatemalan worry dolls, but without the worry. | :06:33. | :06:38. | |
So they're just something to tell your stories to. | :06:39. | :06:41. | |
Are you guys quite inspired by the countryside, then? Yeah. | :06:42. | :06:45. | |
Our Gran lives in the countryside, so we love going up to see her. | :06:46. | :06:48. | |
'Later, I'll be heading off with a well-known children's | :06:49. | :06:53. | |
'illustrator on a very special wildlife safari, but first...' | :06:54. | :06:57. | |
the amount of land being farmed organically has been dropping. | :06:58. | :07:03. | |
So are farmers falling out of love with organics, and if so, why? | :07:04. | :07:08. | |
30 years ago, and a green revolution was taking place. | :07:09. | :07:18. | |
It was set to change the face of farming. | :07:19. | :07:21. | |
From cosmetics to crops, the organic movement promised, for those who | :07:22. | :07:26. | |
could afford it, a bounty of health, taste and environmental benefits. | :07:27. | :07:34. | |
And as many began to question industrial farming methods | :07:35. | :07:37. | |
and what was going on our skin and in our food, | :07:38. | :07:41. | |
It was expected to revolutionise our farms and food and some | :07:42. | :07:50. | |
famous faces were predicting big things for it. | :07:51. | :07:54. | |
One prediction is that by the year 2000, | :07:55. | :07:57. | |
20% of all British agriculture will be grown organically. | :07:58. | :08:08. | |
But far from revolutionising our agriculture, | :08:09. | :08:11. | |
the amount of land used to grow organic food | :08:12. | :08:14. | |
has actually fallen by a third here in the UK in the last seven years. | :08:15. | :08:19. | |
Now, John may have predicted 20%, but we're not even close. | :08:20. | :08:24. | |
In fact, right now, just 3% of our farmland is organic. | :08:25. | :08:33. | |
given that the worldwide organic market is now worth ?60 billion | :08:34. | :08:38. | |
and here in Britain, we account for almost 2 billion of that. | :08:39. | :08:43. | |
So, if the demand is there, why aren't farmers rushing to meet it? | :08:44. | :08:53. | |
Well, Dai Evans did. He owns a 300-acre sheep farm in West Wales. | :08:54. | :09:00. | |
In 2008, he converted to organic, but just six years later, | :09:01. | :09:04. | |
What is it that got you into organic farming in the first place? | :09:05. | :09:12. | |
Well, about 15 years ago, the Welsh Assembly announced that they | :09:13. | :09:16. | |
had a target of having 20% of Welsh farmers farming organically. | :09:17. | :09:22. | |
We looked at the options and the package they were offering | :09:23. | :09:25. | |
and we decided that was the way to go for us then as a family farm. | :09:26. | :09:31. | |
Was it partly an ideological motive as well? | :09:32. | :09:35. | |
That it would be good for the wildlife, the landscape? | :09:36. | :09:37. | |
Obviously, we are interested in caring for our environment, | :09:38. | :09:42. | |
so that we pass on to the next generation the land then in | :09:43. | :09:46. | |
But changing to organic farming isn't easy. | :09:47. | :09:57. | |
It's a two-year process known as conversion. | :09:58. | :10:00. | |
In that time, you can't use artificial chemicals or | :10:01. | :10:03. | |
fertilisers, but you can't call your produce organic either. | :10:04. | :10:08. | |
For Dai, it was a tough time, but once finished, | :10:09. | :10:10. | |
he'd expected to get more cash for his new organic lambs. | :10:11. | :10:14. | |
The premiums we had been promised weren't there. | :10:15. | :10:17. | |
We could see in our local supermarket then really that | :10:18. | :10:20. | |
the cost of organic meat was higher, but the supermarkets weren't | :10:21. | :10:24. | |
prepared to pass on the extra money that they received to the farmer. | :10:25. | :10:30. | |
'And losing out on sales wasn't Dai's only problem.' | :10:31. | :10:34. | |
There was a lot of farms that converted to organic. | :10:35. | :10:37. | |
The old adage of supply and demand then and the meat then that | :10:38. | :10:43. | |
was available for the supermarkets to buy, there was an oversupply. | :10:44. | :10:49. | |
How did you feel about getting out of it? | :10:50. | :10:52. | |
I just realised then that the market wasn't what it was perceived | :10:53. | :10:58. | |
to be initially and the financial smart thing to do then was to | :10:59. | :11:03. | |
Would you go back to being an organic farmer? | :11:04. | :11:09. | |
We would want more guarantees that we would be financially | :11:10. | :11:13. | |
rewarded then for our efforts once we were organic again. | :11:14. | :11:19. | |
'And it's not just sheep farmers struggling. | :11:20. | :11:22. | |
'Beef farmers rearing chemical-free cattle are working harder for | :11:23. | :11:26. | |
'Arable farmers are battling disease and unpredictable demand. | :11:27. | :11:32. | |
'And with costs of organic feed continually increasing, | :11:33. | :11:36. | |
'even dairy farmers are feeling the pinch.' | :11:37. | :11:45. | |
The simple fact is that in some areas, organic farming is | :11:46. | :11:48. | |
becoming increasingly difficult and farmers are dropping out. | :11:49. | :11:55. | |
So, can organic farming really work here in the UK? | :11:56. | :11:58. | |
She's Head of Farming at the Soil Association. | :11:59. | :12:02. | |
Don't these figures overall suggest that it's tough to make money | :12:03. | :12:06. | |
out of organic farming? Some people have tried it, | :12:07. | :12:08. | |
haven't really made much money, and have gone out of it again. | :12:09. | :12:11. | |
Isn't that the reality? I think farming is tough. | :12:12. | :12:14. | |
But organic farming is particularly tough. | :12:15. | :12:16. | |
Um, I would say if you are an organic beef-and-sheep farmer, | :12:17. | :12:20. | |
there's not a huge amount of difference. | :12:21. | :12:23. | |
I think if you're an organic arable farmer, the requirement in terms | :12:24. | :12:26. | |
of timing is far more stringent than, say, for a non-organic farmer. | :12:27. | :12:32. | |
Why do you think there has been this pretty steep drop in the area | :12:33. | :12:35. | |
of land under organic farming in recent years? | :12:36. | :12:38. | |
I think there's been a lag effect after the recession | :12:39. | :12:40. | |
many retailers decided that consumers wouldn't want to | :12:41. | :12:46. | |
buy organic food, so they reduced the shelf space available. | :12:47. | :12:49. | |
And hence, organic food sales fell because it just wasn't available. | :12:50. | :12:52. | |
Farmers took that message and they started to come out of organic. | :12:53. | :12:56. | |
What's happening now is we're seeing that reverse, | :12:57. | :12:58. | |
as the demand for organic food is now in its third year of growth. | :12:59. | :13:03. | |
'but can they make it work and meet the demand?' | :13:04. | :13:07. | |
diversity is key and by that I mean having a range of different | :13:08. | :13:12. | |
crops and also in many cases having livestock, as well as crops. | :13:13. | :13:17. | |
Are you getting the government support that you need? | :13:18. | :13:19. | |
Well, at the moment, farmers who want to go into conversion benefit | :13:20. | :13:23. | |
from support under the Countryside Stewardship scheme, | :13:24. | :13:26. | |
which takes them through the two years of conversion. | :13:27. | :13:28. | |
'There is other funding to help farmers through conversion, | :13:29. | :13:32. | |
'but the Soil Association say in the UK that's lower than much | :13:33. | :13:36. | |
'of Europe. In Denmark, for instance, the government plans | :13:37. | :13:39. | |
'to double the amount of organic land by 2020 and payments there | :13:40. | :13:43. | |
I think there's a real need for support, | :13:44. | :13:49. | |
in terms of helping farmers who want to go organic in understanding | :13:50. | :13:52. | |
how to farm organically. And what are you doing, | :13:53. | :13:55. | |
as the Soil Association, to help organic farmers? | :13:56. | :13:57. | |
We've been running it now for over seven years. | :13:58. | :14:02. | |
And that takes about 20 people a year who want to come in to | :14:03. | :14:05. | |
Where are you seeing the green shoots of organic farming recovery? | :14:06. | :14:10. | |
Where the organic farmer themselves can see | :14:11. | :14:12. | |
Essentially, an independent route to market. | :14:13. | :14:16. | |
And that works well for smaller businesses - especially, | :14:17. | :14:19. | |
Organic farming uses a lot of labour and on a larger farm, | :14:20. | :14:33. | |
so do smaller holdings have the key to growing more organic veg? | :14:34. | :14:43. | |
Jamie Carr thinks so. He trained with the Soil Association. | :14:44. | :14:48. | |
With no farming in his blood, but brimming with passion, he | :14:49. | :14:51. | |
started his own organic smallholding in Oxfordshire, growing veg. | :14:52. | :14:58. | |
Nice to see you. You've got a very vigorous-looking crop going here. | :14:59. | :15:03. | |
Can I give you hand at all? Yeah, yeah, go for it. What am I doing? | :15:04. | :15:07. | |
Well, we're just pinching and twisting tomatoes, so if you | :15:08. | :15:11. | |
see where there's one growing out of the elbow, just snap that off. | :15:12. | :15:15. | |
Simple as. Why did you get into organic farming? | :15:16. | :15:21. | |
Ideological reasons. I think this is the way forward for agriculture. | :15:22. | :15:24. | |
You can grow incredible amounts of crops. | :15:25. | :15:27. | |
You can grow four, five crops in the same spot. | :15:28. | :15:32. | |
So my two acres has suddenly become ten. | :15:33. | :15:35. | |
I'm probably taking about maybe ?600 profit a month. | :15:36. | :15:41. | |
That's considerably less than the average income. | :15:42. | :15:44. | |
It is, but I've only been going since October, most of which | :15:45. | :15:48. | |
time, I've been building polytunnels, planting things. | :15:49. | :15:51. | |
what we're working on now will actually be on the market. Exactly. | :15:52. | :15:55. | |
Making you a little bit more money. I don't think it's too bad. | :15:56. | :15:58. | |
I struggle to work out how you can do organic on a really, | :15:59. | :16:02. | |
The way that big arable operations are run, | :16:03. | :16:07. | |
it feels to me too removed from all the bits that make organic work. | :16:08. | :16:12. | |
You know, a really close observation of soil, | :16:13. | :16:16. | |
how things interact and all this sort of stuff, | :16:17. | :16:18. | |
so I think we need a lot more farmers on small operations, | :16:19. | :16:22. | |
So, how am I doing? Have I ruined your crop? Dented your income? | :16:23. | :16:28. | |
Um, they... I think I'll go back over them, but they look OK! | :16:29. | :16:32. | |
I'm sure you'll go back and check them! | :16:33. | :16:37. | |
And maybe Jamie's on to something and the future of our organic | :16:38. | :16:40. | |
farming is in the hands of smallholders, driven by their | :16:41. | :16:44. | |
passion and belief that their way really is the good life. | :16:45. | :16:57. | |
SEAN: Our landscape has been inspirational to artists and writers | :16:58. | :17:00. | |
Here at the Hay Festival, I'm meeting teenagers from all | :17:01. | :17:10. | |
over Wales, chosen from hundreds to take part in the Beacons Project, | :17:11. | :17:15. | |
an initiative to nurture and inspire the next generation of | :17:16. | :17:19. | |
And the festival is perfectly placed, surrounded by | :17:20. | :17:25. | |
stunning countryside, to bring out the budding writer in all of us. | :17:26. | :17:29. | |
Some of you don't look like you like walking. I'm not sure. | :17:30. | :17:33. | |
LAUGHTER There's a glum face there, no? | :17:34. | :17:35. | |
Leading the workshop is local author Tom Bullou, | :17:36. | :17:46. | |
who grew up on a farm not far from here. | :17:47. | :17:50. | |
The landscape has played a big part in all of his writing. | :17:51. | :17:57. | |
And today, he's sharing his love of his home turf with some of | :17:58. | :18:00. | |
My favourite thing about storytelling is just creating a | :18:01. | :18:08. | |
whole new world and being somewhere different, like you can escape. | :18:09. | :18:12. | |
It can help us become closer, more empathetic, | :18:13. | :18:16. | |
What could tell you that we're on the Wales-England border? | :18:17. | :18:25. | |
Sheep. Sheep, yeah. No, no. It's a good point. | :18:26. | :18:28. | |
The sheep, absolutely. It looks a bit sunnier over there! | :18:29. | :18:33. | |
This workshop is all about getting the students to explore their | :18:34. | :18:41. | |
And to put those responses into words. | :18:42. | :18:49. | |
They're trying to capture fleeting moments, rapidly changing. | :18:50. | :18:54. | |
A mist moves in that transforms the landscape. | :18:55. | :18:57. | |
And just go through each of your senses in turn and think | :18:58. | :19:04. | |
I'm heading down the hill where the mist has cleared to grab | :19:05. | :19:13. | |
We're looking at some young writers who are spending most of | :19:14. | :19:19. | |
their time in tents down in Hay Festival at the moment. | :19:20. | :19:22. | |
And writers who are familiar with this landscape to some extent, | :19:23. | :19:26. | |
But I think it's important to bring them up here and ask them to | :19:27. | :19:32. | |
really look at the landscape that's surrounding them and use | :19:33. | :19:35. | |
so think about what smells they might be able to pick up here, | :19:36. | :19:41. | |
think about what the ground feels like, what the air feels like, | :19:42. | :19:44. | |
what the cold feels like. Yeah, yeah. And it's been dramatic. | :19:45. | :19:47. | |
The change has been dramatic. I mean, you think, 20 minutes ago, | :19:48. | :19:50. | |
we couldn't see a couple of metres in front of us. | :19:51. | :19:52. | |
But you know, if you're going to write about this part of the world, | :19:53. | :19:55. | |
a dynamic landscape and the weather reflects that. | :19:56. | :20:05. | |
"The rain was sniping through the unfurling fern, | :20:06. | :20:08. | |
"shuddering the red globe flowers of the wimberries. | :20:09. | :20:11. | |
"As they came to the common and the sheep dispersed among the quarries, | :20:12. | :20:15. | |
"the wary yearlings and the bare hawthorns, | :20:16. | :20:17. | |
"Oliver crossed the rutted lane and turned his back to the wind | :20:18. | :20:23. | |
The Beacons Project is developing confidence in young people. | :20:24. | :20:31. | |
It's really good to see experienced writers like Tom sharing | :20:32. | :20:35. | |
their knowledge and encouraging the next generation to build | :20:36. | :20:38. | |
"Peculiar, enigmatic, untamed, liberated. | :20:39. | :20:46. | |
"The horses' refined box fringes, sculpted, yet untouched." | :20:47. | :20:52. | |
"The cold is almost comforting, biting her bare hands as she sits. | :20:53. | :20:57. | |
"Yet the mist is restrictive, almost opaque, | :20:58. | :21:00. | |
Right, it's that time of year again - | :21:01. | :21:12. | |
the Countryfile Photographic Competition for 2017 | :21:13. | :21:15. | |
Here's John with this year's theme and details of how to take part. | :21:16. | :21:25. | |
Wilderness Britain, a landscape barely touched by human presence. | :21:26. | :21:32. | |
The best our islands have to offer in any weather, in any season. | :21:33. | :21:39. | |
Vistas which often only wild animals see. | :21:40. | :21:43. | |
A huge challenge for anyone with a camera, | :21:44. | :21:46. | |
It's time to launch the Countryfile Photographic Competition. | :21:47. | :21:55. | |
Our theme this year is Call Of The Wild. | :21:56. | :21:58. | |
And we want you to grab your cameras, your smartphones, | :21:59. | :22:01. | |
and capture the British countryside and its wildlife at their very best. | :22:02. | :22:09. | |
We've been called to the wilds of deepest Dorset. | :22:10. | :22:13. | |
RSPB Arne is a sparkling gem on the edge of Poole Harbour. | :22:14. | :22:19. | |
It's a place loved by award-winning wildlife presenter and | :22:20. | :22:22. | |
cameraman Simon King, whose work takes him all over the world. | :22:23. | :22:27. | |
And Dragons' Den mainstay and keen amateur photographer | :22:28. | :22:32. | |
Deborah Meaden will also be giving her verdict on your entries. | :22:33. | :22:36. | |
Luckily for Countryfile, both Deborah and Simon are once | :22:37. | :22:43. | |
again in when it comes to judging our competition. | :22:44. | :22:48. | |
Well, we've got a fantastic location for launching the competition | :22:49. | :22:52. | |
this year. Maybe we'll go for a little photo safari in a moment. | :22:53. | :22:55. | |
Let's do it. But our theme this year is Call Of The Wild, | :22:56. | :22:58. | |
so what do you make of that, Deborah? | :22:59. | :23:01. | |
Oh, it speaks to me because I actually get that tug towards | :23:02. | :23:04. | |
nature, not just look at it, and that's what it says to me, | :23:05. | :23:08. | |
Call Of The Wild, what does that mean to you? | :23:09. | :23:11. | |
Well, I think the keyword there is wild. | :23:12. | :23:14. | |
So for me, wilderness, as you were saying, Deborah, is what moves | :23:15. | :23:18. | |
me, what motivates me, what touches me and what ignites my soul. | :23:19. | :23:22. | |
It's a sense that we can be part of a landscape that is much as | :23:23. | :23:26. | |
Now, let's go for a little safari, shall we? | :23:27. | :23:31. | |
There are magnificent places all over the county, but Arne really | :23:32. | :23:45. | |
is a standout reserve because of its diversity in such a small space. | :23:46. | :23:51. | |
And it's got keystone species that you just absolutely associate | :23:52. | :23:56. | |
with this sort of landscape, you hardly ever see anywhere else. | :23:57. | :24:03. | |
'First stop on our safari is to try out equipment most of us | :24:04. | :24:08. | |
'already have on us - smartphone cameras. | :24:09. | :24:13. | |
'The insects of this freshwater pond are tricky to snap, | :24:14. | :24:16. | |
'so a clip-on macro lens really helps.' | :24:17. | :24:20. | |
Your minimum focus on the phone as it stands might be say 15cm, | :24:21. | :24:24. | |
That's not close enough to get it filling the frame. | :24:25. | :24:29. | |
This attached means you can get even closer. Ah! | :24:30. | :24:32. | |
On my mobile phone, Simon, I can't zoom in and out. I don't know why. | :24:33. | :24:45. | |
To be honest with you, there are some phones where you can | :24:46. | :24:48. | |
just what looks like zoom in on the image, by expanding the image. | :24:49. | :24:53. | |
What you are doing is cropping in on your existing number of pixels. | :24:54. | :24:57. | |
I wouldn't do it because you can crop in later. | :24:58. | :25:00. | |
All you're going to end up doing is actually getting a grainy picture. | :25:01. | :25:03. | |
'Whatever your wildlife calling, can I remind you | :25:04. | :25:10. | |
'that pictures of pets are not allowed, nor are zoo animals. | :25:11. | :25:14. | |
'And any images of UK wildlife in captivity | :25:15. | :25:18. | |
Whatever you photograph, please do it responsibly. | :25:19. | :25:40. | |
Take care not to disturb any creatures, | :25:41. | :25:42. | |
Next, Simon's taking us to one of his favourite spots to try | :25:43. | :25:52. | |
They're mid price, with good zoom lenses. | :25:53. | :25:57. | |
How close would I have to get with this camera to get quite a close up? | :25:58. | :26:01. | |
This one, I think, has got about a 30X zoom, so actually, | :26:02. | :26:04. | |
you could get a pretty good shot already. | :26:05. | :26:06. | |
'RSPB Arne is home to a laid-back herd of 200 sika deer.' | :26:07. | :26:15. | |
We do get an awful lot of deer pictures sent in. | :26:16. | :26:18. | |
So it has to be different, doesn't it? | :26:19. | :26:20. | |
Absolutely. The one that's going to catch the eye. Absolutely. | :26:21. | :26:23. | |
You're right. You're looking for more. | :26:24. | :26:25. | |
time at all four corners of the frame. | :26:26. | :26:34. | |
How are you doing, Deborah, with your bridge camera? | :26:35. | :26:36. | |
Well, I'm not sure I've got the special one. | :26:37. | :26:39. | |
But actually, what I love about this is it's | :26:40. | :26:41. | |
so light that it's really easy just to manoeuvre and hold still and... | :26:42. | :26:47. | |
And of course, what we're looking for are wonderful pictures of | :26:48. | :26:50. | |
the countryside, not necessarily with wildlife. | :26:51. | :26:53. | |
Well, actually, I've just taken some pictures of this really gorgeous... | :26:54. | :26:57. | |
I looked up and thought it just looks lovely. | :26:58. | :27:03. | |
Do you think you've got what it takes to enter? | :27:04. | :27:06. | |
We'll be looking at every one of the many thousands of entries | :27:07. | :27:13. | |
that you send in and picking the very best for our Countryfile | :27:14. | :27:16. | |
calendar, which goes on sale later this year in aid of | :27:17. | :27:19. | |
Buy one and you'll get some amazing photos to look at on your | :27:20. | :27:24. | |
And of course, as usual, we'll have an overall winner, | :27:25. | :27:29. | |
voted for by you, our Countryfile viewers. | :27:30. | :27:35. | |
Not only will that picture grace the cover of our calendar, the winner | :27:36. | :27:38. | |
will receive a voucher for ?1,000 to be spent on photographic kit. | :27:39. | :27:44. | |
The person who takes the judges' favourite photo will receive | :27:45. | :27:47. | |
a voucher for ?500, also to be spent on equipment. | :27:48. | :27:52. | |
And specialist kit can be a godsend in trying to snap elusive | :27:53. | :27:56. | |
In goes the camera. And this? Yes, please, yeah. | :27:57. | :28:03. | |
'Arne is home to one of Britain's rarest birds, | :28:04. | :28:06. | |
'the Dartford warbler. They're hard enough to see, | :28:07. | :28:09. | |
It's quite cosy and quite warm in here. | :28:10. | :28:13. | |
It is. It sure is. And a little claustrophobic. | :28:14. | :28:19. | |
'Patience is certainly a virtue when it comes to photography in the wild | :28:20. | :28:23. | |
'and Simon will be back later to await his camera-shy subject. | :28:24. | :28:30. | |
'But in the meantime, let's get his expert opinion on how | :28:31. | :28:34. | |
'successfully Deborah and I captured our walk on the wild side today.' | :28:35. | :28:40. | |
Well, here's one I got on the mobile. | :28:41. | :28:42. | |
And it was what you were saying, Simon, | :28:43. | :28:44. | |
because I took a big wide shot but then if you crop it, you see? | :28:45. | :28:48. | |
Yeah, nice frame. That's lovely. There's the damsel fly. | :28:49. | :28:51. | |
And it almost looks as though it's been caught in a net, doesn't it? | :28:52. | :28:54. | |
Yeah, with the reflected reed. Yeah, yeah. | :28:55. | :28:57. | |
That's a very good tip. Now, Deborah. What about yours? | :28:58. | :28:59. | |
Well, I did mine with the bridge camera, of course. | :29:00. | :29:02. | |
You've got a good eye on this, Simon, but I quite like this one. | :29:03. | :29:06. | |
That's actually quite a nice composition. | :29:07. | :29:08. | |
Yeah, and the way she's actually looking straight... | :29:09. | :29:10. | |
People talk about thirds in pictures and if you're dividing your | :29:11. | :29:13. | |
picture into thirds, this is the classic example. | :29:14. | :29:15. | |
You've got your lower third, centre and the upper third. | :29:16. | :29:18. | |
Centre of interest with the log in the middle. Deer at the bottom. | :29:19. | :29:23. | |
And I like the position of the three heads as well. | :29:24. | :29:25. | |
Yeah. Well, thank you very much, both of you. | :29:26. | :29:28. | |
And see you for the judging. Looking forward to it. | :29:29. | :29:33. | |
Well, why not go on your own photographic safari and enter | :29:34. | :29:36. | |
You can submit up to three photographs that fit our theme, | :29:37. | :29:42. | |
We need your name, address and a contact number, written on | :29:43. | :29:49. | |
the back of the print, with a note of where the picture was taken. | :29:50. | :29:54. | |
The competition closes at midnight on Friday, the 21st of July. | :29:55. | :30:14. | |
Because we're looking for a really fresh crop of pictures, | :30:15. | :30:18. | |
I'm afraid those that have won previous national competitions | :30:19. | :30:21. | |
are not allowed, and neither is the work of professionals. | :30:22. | :30:25. | |
and I'm afraid that it's just not possible | :30:26. | :30:30. | |
The full terms and conditions are on our website, | :30:31. | :30:37. | |
where you'll also find details of the BBC's code of conduct | :30:38. | :30:40. | |
The competition closes at midnight on Friday, the 21st of July, | :30:41. | :30:48. | |
so that means you've got just under five weeks to send in your entries. | :30:49. | :30:52. | |
So why not heed the call of the wild and get those shutters clicking? | :30:53. | :30:59. | |
Did he capture Arne's camera-shy Dartford warblers? | :31:00. | :31:05. | |
ELLIE: We've been taking a look round the Hay Festival, | :31:06. | :31:18. | |
one of the biggest celebrations of books and words in the country, | :31:19. | :31:21. | |
and there's one author I'm keen to meet. | :31:22. | :31:25. | |
He's funny, he's clever, he's handsome... | :31:26. | :31:28. | |
I just hope he's as nice in real life as he is on the telly. | :31:29. | :31:32. | |
'Scuse me, would you mind signing my programme? | :31:33. | :31:35. | |
What are you doing at a literary festival? Can you read?! | :31:36. | :31:42. | |
Luckily, there are also professionals around. | :31:43. | :31:46. | |
well-known for the Horrible Histories series, | :31:47. | :31:51. | |
has turned his hand to wildlife with his latest book, | :31:52. | :31:53. | |
And we're off spotting animals of our own. | :31:54. | :32:04. | |
Even though we're just a short hop from the hustle and bustle | :32:05. | :32:07. | |
of the festival here, it feels like a world away. | :32:08. | :32:11. | |
A world that's full of curious creatures. | :32:12. | :32:14. | |
Hi, Martin. Hi, how are you? All right. And you? Very well indeed. | :32:15. | :32:18. | |
Got some beautiful cows here. They're quite well-known. | :32:19. | :32:20. | |
I thought you were all about the lesser-known animals. | :32:21. | :32:23. | |
Yeah, I guess I've been drawing the more exotic animals | :32:24. | :32:26. | |
Well, shall we do a local safari, and we'll see some of the small | :32:27. | :32:31. | |
and wonderful creatures from around here? Brilliant! Good. | :32:32. | :32:33. | |
And draw as we go? I think so. All right, thank you. Here's a pencil. | :32:34. | :32:37. | |
'We're in the Woolhope Dome area of Herefordshire, | :32:38. | :32:41. | |
'where farmer and conservationist Mark O'Brien is showing us around.' | :32:42. | :32:45. | |
Mark, your farm seems to be a haven for wildlife. | :32:46. | :32:49. | |
Yeah, that's just because there's an abundance of different habitats, | :32:50. | :32:52. | |
and also in these woods, we're doing a lot of copsing | :32:53. | :32:55. | |
to help the rare invertebrates in the wood. | :32:56. | :32:58. | |
Fantastic. So you're managing it sympathetically. | :32:59. | :33:01. | |
We've got rare wood white butterflies | :33:02. | :33:03. | |
along this woodland path here, so would you like to see some? | :33:04. | :33:05. | |
Yeah. Have you seen one of those before? No, no! | :33:06. | :33:07. | |
Wood white butterflies are on the wing right now, | :33:08. | :33:15. | |
but you'll be lucky to catch a glimpse - | :33:16. | :33:17. | |
They seem to be out when the sun is out, they're on the wing then, | :33:18. | :33:22. | |
so we're just going to have to try and draw when we see them, | :33:23. | :33:25. | |
or from our imaginations. How about that? | :33:26. | :33:27. | |
so I can kind of remember what they were when they were still. | :33:28. | :33:31. | |
This is proper safari sketching, isn't it? Yeah, yeah. | :33:32. | :33:34. | |
Quite angular little bodies, and then, really, | :33:35. | :33:37. | |
kind of overlapping wings when they stop. | :33:38. | :33:41. | |
Often it's the male that we see out on the wing, | :33:42. | :33:44. | |
and they've got this dark edge to their forewing, | :33:45. | :33:46. | |
That's how you tell a male from a female. Like a shadow. Yeah. | :33:47. | :33:51. | |
That's so fluttery. Here we go. Please keep still! | :33:52. | :33:55. | |
Just for a moment. Come on, this way, this way. Wait for it... | :33:56. | :34:00. | |
That's it, no, I've got... That's like a heart shape, that wing. Yeah. | :34:01. | :34:06. | |
That's got to come down there much more. | :34:07. | :34:09. | |
Just the slightest bit of pale markings showing through | :34:10. | :34:13. | |
So this would be how a child would draw it. That's good. | :34:14. | :34:18. | |
Children draw really well! SHE LAUGHS | :34:19. | :34:21. | |
Look, I've got... I've got a shape. You've got that beautiful wing. | :34:22. | :34:23. | |
That sort of heart-shaped thing, and then... It IS quite heart-shaped. | :34:24. | :34:26. | |
That was a hard one to start with. Next time we'll be luckier. | :34:27. | :34:29. | |
I reckon. OK. Let's try the next one. | :34:30. | :34:33. | |
There's probably about 15 of the nests in old trees | :34:34. | :34:43. | |
How fabulous. It's stunning. Shall we do a bit of sketching? | :34:44. | :34:49. | |
People might not have heard of wild honeybees. | :34:50. | :34:51. | |
They're essentially as a cultivated honeybee, | :34:52. | :34:54. | |
but just not managed by people, is that so? Exactly, exactly. | :34:55. | :34:57. | |
Well, I like my exotic stuff, but this has shown me | :34:58. | :35:00. | |
that there's amazing, amazing creatures right on your doorstep. | :35:01. | :35:05. | |
Shall we move on and see what else there is? | :35:06. | :35:09. | |
The countryside around Hay-on-Wye is home to a huge variety of wildlife. | :35:10. | :35:17. | |
You could easily get lucky and see a barn owl, | :35:18. | :35:20. | |
The next animal on our safari is a real superstar. | :35:21. | :35:28. | |
Definitely on the lesser-spotted list in recent years. | :35:29. | :35:34. | |
OK, David, we've got a nest in here. | :35:35. | :35:37. | |
Small-mammal recorders Denise Foster and her colleague David Lee | :35:38. | :35:41. | |
regularly checking the nest boxes in the area. | :35:42. | :35:50. | |
Hi, Ellie, yes, we have, we've got two in this box. Wow! | :35:51. | :35:55. | |
as you can see, they're quite grey in colour. | :35:56. | :35:59. | |
Is this the first time you've ever seen one? Yeah. | :36:00. | :36:01. | |
This time of year, they're eating caterpillars and insects, | :36:02. | :36:04. | |
and they're normally high up in the canopy, | :36:05. | :36:06. | |
so we're extremely lucky to find these two in this box today. | :36:07. | :36:08. | |
They're hard to spot at the best of times, aren't they, | :36:09. | :36:10. | |
And what's the monitoring you're doing? | :36:11. | :36:14. | |
We just sort of weigh them and then sex them, so male and female, | :36:15. | :36:17. | |
We'll leave you to it. Thank you so much! OK. See you later. Thank you. | :36:18. | :36:26. | |
'This time, we're relying on photographs to draw from.' | :36:27. | :36:30. | |
Not sure about my interpretation skills, but I'll do my best. | :36:31. | :36:34. | |
I'm a cartoonist - I don't draw realistically ever. | :36:35. | :36:38. | |
You've done that thing that artists do way you draw an egg | :36:39. | :36:41. | |
and you draw a box, and you've actually then | :36:42. | :36:42. | |
It's that thing of kind of seeing the shapes in the thing | :36:43. | :36:47. | |
Like, a cow is basically a box with a pointy bit at the front. Yeah. | :36:48. | :36:52. | |
Slugs are easy. SHE CHUCKLES | :36:53. | :36:55. | |
All you need is a pad and pencil, and the great outdoors, | :36:56. | :36:59. | |
and you, too, can head out on your own lesser-spotted safari. | :37:00. | :37:08. | |
Now, the lack of rainfall in the last few months | :37:09. | :37:11. | |
has been a worry for farmers up and down the land. | :37:12. | :37:14. | |
But Adam's seeing how high tech can help. | :37:15. | :37:28. | |
ADAM: So far, this year has been one of the driest in a decade. | :37:29. | :37:31. | |
Some areas of the UK have had a fifth of their normal rainfall. | :37:32. | :37:35. | |
As farmers, we're in the lap of the gods sometimes, | :37:36. | :37:40. | |
especially when it comes to the weather and pests and diseases. | :37:41. | :37:44. | |
we can work with Mother Nature to get the best out of our crops. | :37:45. | :37:53. | |
'Farming may be one of our oldest industries, but in this digital age, | :37:54. | :37:56. | |
'many farmers now rely on advances in agricultural technology.' | :37:57. | :38:02. | |
Here on our farm, the crops are kept in check by an agronomist. | :38:03. | :38:06. | |
and he walks the fields with our arable manager, and then advises | :38:07. | :38:11. | |
on seed varieties, fertiliser, and crop-protection products. | :38:12. | :38:15. | |
But some farmers are taking to the skies | :38:16. | :38:18. | |
to pinpoint areas that need attention. | :38:19. | :38:26. | |
Paul O'Shea and David Caplin get a bird's-eye view of the crops | :38:27. | :38:30. | |
using this bit of kit that Paul's just putting together. | :38:31. | :38:37. | |
Hello. How are you doing, OK? Yes, good thanks. | :38:38. | :38:45. | |
My word, this looks very exciting. What have we got here? | :38:46. | :38:47. | |
This is a professional mapping drone that we use primarily | :38:48. | :38:50. | |
in the construction industry, but more recently, | :38:51. | :38:52. | |
we've recognised that it has its uses in the agricultural market. | :38:53. | :38:56. | |
It basically identifies healthy crop from dying crop. Brilliant. | :38:57. | :38:59. | |
Now, I'm not highly technical, so how does it work? | :39:00. | :39:02. | |
Well, we upload a flight plan on our computer, | :39:03. | :39:05. | |
It's fully autonomous - we throw it in the air, | :39:06. | :39:09. | |
it flies the fields, and captures data at the same time. | :39:10. | :39:11. | |
The drones I've seen are like little helicopters, | :39:12. | :39:14. | |
Yes, they're multi-rotors - this is what's called a fixed wing. | :39:15. | :39:19. | |
It's a lot lighter, it can go longer distances, | :39:20. | :39:22. | |
and therefore it can gather more data. | :39:23. | :39:24. | |
Can I hold it? Yes, you sure can. 600 grams. | :39:25. | :39:27. | |
That's incredibly light, isn't it? It is very lightweight. | :39:28. | :39:29. | |
ADAM CHUCKLES Basically polystyrene! | :39:30. | :39:31. | |
Can we see it in the air? We sure can. | :39:32. | :39:33. | |
If you stand back, we'll get it up for you. OK. | :39:34. | :39:45. | |
As the drone soars to a height of 120 metres, | :39:46. | :39:58. | |
it will follow a flight plan up and down our fields. | :39:59. | :40:02. | |
and with the help of a special camera, | :40:03. | :40:06. | |
Paul is able to convert the images into a colour index called NDVI. | :40:07. | :40:12. | |
I really need a science bod to explain the basics to me, | :40:13. | :40:15. | |
So, this leaf from the crop is a nice, healthy green. | :40:16. | :40:21. | |
This one here is less healthy, more of a yellowy colour, | :40:22. | :40:24. | |
is reflecting very strongly in the colour green. | :40:25. | :40:29. | |
It's not reflecting so strongly in the red colour or the blue colour. | :40:30. | :40:33. | |
so this one is reflecting slightly less green and slightly more red. | :40:34. | :40:39. | |
That's why it appears yellow in colour. | :40:40. | :40:41. | |
And our NDVI camera is trying to detect the difference | :40:42. | :40:43. | |
That's all very clever, but can I not see that with my naked eye - | :40:44. | :40:47. | |
where there's yellow and where there's green? | :40:48. | :40:50. | |
You can, yes, but it'll take you quite a while | :40:51. | :40:52. | |
So the advantage of the drone is it flies at about 60 miles an hour, | :40:53. | :40:56. | |
and it can cover that distance in a lot shorter time. | :40:57. | :41:00. | |
It sounds like this device can save us farmers a lot of time and energy. | :41:01. | :41:11. | |
An agronomist who I've been working with for the last 25 years. | :41:12. | :41:21. | |
Hi, Jim. Hi, Adam. My word, look at you with your computer. | :41:22. | :41:24. | |
How things have changed over the years we've been working together! | :41:25. | :41:27. | |
It's moved on a bit, hasn't it? It really has! | :41:28. | :41:29. | |
How can this be used, then? How can you benefit from the drone? | :41:30. | :41:34. | |
Currently we do use satellite imagery | :41:35. | :41:39. | |
Now, a drone is able to usurp to some degree the satellite imagery, | :41:40. | :41:45. | |
because it's not dependent on cloud level. | :41:46. | :41:48. | |
The other advantage is that its resolution is much higher | :41:49. | :41:51. | |
You know, they're small enough and beginning to become cheap enough | :41:52. | :41:55. | |
for farmers to actually own themselves. | :41:56. | :41:57. | |
Even though Jim has known these fields for donkey's years, | :41:58. | :42:00. | |
the eye in the sky is giving him a view he otherwise wouldn't have. | :42:01. | :42:04. | |
He's going to show me how he can pinpoint a problem area. | :42:05. | :42:07. | |
It's called an Umbelliferae, but in basic terms, wild carrot. Right! | :42:08. | :42:15. | |
Now, we know we've got to strip down this edge of the field, | :42:16. | :42:22. | |
and to be fair, it wouldn't take any great determination | :42:23. | :42:25. | |
to work out where to put the sprayer. | :42:26. | :42:27. | |
But if we'd had this strip out in the middle of the field, and... | :42:28. | :42:31. | |
not exactly forgotten where it was, but couldn't work out exactly | :42:32. | :42:33. | |
where it was, a big thick strip of this in the middle of a field | :42:34. | :42:36. | |
A lot of wet seed, which is difficult to deal with, | :42:37. | :42:40. | |
causing a lot of problems in storage. | :42:41. | :42:42. | |
So, we would know where we had to go and put the sprayer. | :42:43. | :42:45. | |
The sprayer could go out, spray off without doing the whole field, | :42:46. | :42:48. | |
It's about that accuracy for you, isn't it? It is. | :42:49. | :42:53. | |
Not putting the wrong stuff in the wrong place. | :42:54. | :42:55. | |
It's all about that, because you imagine what it's like | :42:56. | :42:57. | |
trying to wade out through this crop. | :42:58. | :42:59. | |
Trying to work out where that strip is | :43:00. | :43:01. | |
out in the middle of the field would take an enormous amount of effort. | :43:02. | :43:04. | |
It is, and this is a short crop compared to some! | :43:05. | :43:09. | |
You know, so, the ability of that drone to pinpoint | :43:10. | :43:12. | |
where the problem is is hugely useful from our point of view. | :43:13. | :43:22. | |
Using drones as a tool to survey our crops | :43:23. | :43:24. | |
but can also be good for the environment, | :43:25. | :43:30. | |
and a useful weapon in the fight against dry conditions. | :43:31. | :43:35. | |
The sprayer has been programmed to target those problem areas. | :43:36. | :43:41. | |
They say that the definition of a good farmer is a man outstanding | :43:42. | :43:45. | |
in his field, which basically means we'll never get away | :43:46. | :43:47. | |
from walking our crops, but it's been great seeing the drone | :43:48. | :43:51. | |
The progression of technology in agriculture is just extraordinary, | :43:52. | :43:56. | |
and what's important is that we make the most of it | :43:57. | :43:58. | |
SEAN: Back in Hay-on-Wye, the literary festival is in full swing. | :43:59. | :44:21. | |
There's a feast of books to feed the mind, | :44:22. | :44:24. | |
but it's my grumbling tummy I need to sort out, | :44:25. | :44:26. | |
and I think I've found the right place. | :44:27. | :44:27. | |
Hay Festival might be all about the books, | :44:28. | :44:33. | |
in supporting local food producers, too, | :44:34. | :44:37. | |
and there's plenty of good local food to tickle the tastebuds. | :44:38. | :44:43. | |
Recent years have seen a surge in the popularity of venison, | :44:44. | :44:46. | |
but one Welsh farm was way ahead of the curve, | :44:47. | :44:49. | |
selling the meat here at Hay for the past 30 years. | :44:50. | :44:57. | |
This sheep-farming family took the bold and brave decision | :44:58. | :45:01. | |
to switch from rearing small, woolly animals to keeping much larger ones. | :45:02. | :45:06. | |
You wouldn't mess with one of those, would you? No. | :45:07. | :45:13. | |
They caught the venison bug on a trip to New Zealand, | :45:14. | :45:16. | |
Andrew and Elaine now farm a 300-strong herd of deer in the | :45:17. | :45:21. | |
They're so graceful, aren't they? Just elegant. | :45:22. | :45:26. | |
But difficult to round up, I guess. No, not too bad. | :45:27. | :45:29. | |
Would we be in this field during rutting season? | :45:30. | :45:34. | |
Not in the rutting September time, no, it would be, you know, | :45:35. | :45:37. | |
it wouldn't be a safe place to be. Are they just dangerous anyway? | :45:38. | :45:40. | |
Looking at the - well, the antlers on those. No, they're... | :45:41. | :45:43. | |
They could do some damage, couldn't they? | :45:44. | :45:45. | |
As long... We see them most days, so they become familiar with us, | :45:46. | :45:48. | |
Venison is becoming quite fashionable now, | :45:49. | :45:52. | |
but you were doing this back in the '80s. | :45:53. | :45:54. | |
It's very popular, you know, chefs, telly programmes raise the profile. | :45:55. | :46:00. | |
Is it a seasonal meat? In the same way as sheep. | :46:01. | :46:02. | |
Historically it was, but because we're in a farmed environment, | :46:03. | :46:07. | |
we've got a consistent supply of a good product all year round. | :46:08. | :46:14. | |
It's been a busy week for the Morgans, | :46:15. | :46:16. | |
but now they're ready for the festival. | :46:17. | :46:18. | |
Your tomatoes are a bit thick, aren't they? | :46:19. | :46:20. | |
I think I'm better at front of house. Yeah, I reckon so, too. | :46:21. | :46:24. | |
And their daughter, Megan, really knows how to crack the whip. | :46:25. | :46:29. | |
So, salad first. Yeah, how much of this do we put in? | :46:30. | :46:31. | |
Oh, not too much. Is that going to ruin all your profits? | :46:32. | :46:34. | |
Yeah. Not too much now. One slice of tomato, not too many. | :46:35. | :46:38. | |
so can one of these burgers slip off the conveyor belt into my plate? | :46:39. | :46:43. | |
Oh, if you work hard enough today, maybe. | :46:44. | :46:46. | |
So, the burgers, where are they? Just in the middle one there. | :46:47. | :46:49. | |
I have to say, they look very nice today. Oh. Just today? Every day. | :46:50. | :46:55. | |
I picked out a really good one for you there. | :46:56. | :46:59. | |
Are you having the burger with the salad? | :47:00. | :47:02. | |
Whilst the Morgans made the move from sheep to dear, | :47:03. | :47:07. | |
Martin and Juliet Noble share an anniversary with the Hay Festival. | :47:08. | :47:17. | |
It was 30 years ago on a farm not far from here that they | :47:18. | :47:20. | |
became the first commercial producers of sheep's milk ice cream. | :47:21. | :47:25. | |
you made the switch from cow's milk to sheep's milk. | :47:26. | :47:29. | |
Well, we did that because actually we were new to farming when | :47:30. | :47:33. | |
we started milking sheep and we didn't really know how to milk cows, | :47:34. | :47:37. | |
and I suppose the whole investment in equipment was much higher. | :47:38. | :47:41. | |
And we'd read a book that told us that from sheep, you could get... | :47:42. | :47:45. | |
From dairy sheep, you could get milk, | :47:46. | :47:46. | |
And then we started to make ice cream quite soon afterwards. | :47:47. | :47:52. | |
How did it go down 30 years ago, sheep's milk ice cream? | :47:53. | :47:56. | |
Well, it was slightly challenging, we used to have sheep's milk written | :47:57. | :47:59. | |
on all our signs and things, and every now and again you would see | :48:00. | :48:01. | |
people in the queue and they would spot it and go, | :48:02. | :48:04. | |
"Oh, it sheep's milk." And they'd leave the queue. | :48:05. | :48:06. | |
We spent a lot of time trying to get people into the queue. | :48:07. | :48:09. | |
What are customers like here at Hay? | :48:10. | :48:12. | |
Well, Hay customers are, you know, they're right up for it. | :48:13. | :48:14. | |
And also, because we've been here 30 years, loads of people come, | :48:15. | :48:17. | |
You must feel really proud that the people keep coming back. | :48:18. | :48:23. | |
Certainly, ice cream is a lovely thing to do, | :48:24. | :48:27. | |
people are always happy when they buy ice cream. | :48:28. | :48:30. | |
Does it make any difference that it's sheep's milk? | :48:31. | :48:32. | |
Does it taste any different to normal ice cream? No. | :48:33. | :48:36. | |
They just capture such good, different flavours. | :48:37. | :48:41. | |
It's not quite as rich as cow's milk. | :48:42. | :48:45. | |
do I rummage around the book stores looking for a literary bargain? | :48:46. | :48:51. | |
Or do I spend my pennies on an ice cream? | :48:52. | :48:56. | |
but fingers crossed it will be over the next week. | :48:57. | :49:00. | |
Let's find out from the Countryfile five-day forecast. | :49:01. | :49:14. | |
It's a case of, be careful what you wish for. The place to be was along | :49:15. | :49:22. | |
the coast today, eating an ice cream. A bit of fair weather cloud | :49:23. | :49:27. | |
in Scotland, but a beautiful day, hardly a cloud in the sky for | :49:28. | :49:32. | |
Cornwall. In the south-east, it was the hottest day of the year so far, | :49:33. | :49:39. | |
32 Celsius in Greater London. The heat was fairly extensive today | :49:40. | :49:43. | |
across England and Wales, high 20s and low 30s, as you can see. Just | :49:44. | :49:47. | |
the far north-west, a little more disappointing, with cloud and | :49:48. | :49:53. | |
showery outbreaks of rain continuing. The hot air has been | :49:54. | :49:58. | |
sitting to the south of that weather front, behind it, fresher | :49:59. | :50:01. | |
conditions. That will play a subtle part as we move into Tuesday. That | :50:02. | :50:08. | |
front in the south-west is still producing showery outbreaks of rain | :50:09. | :50:12. | |
and poor visibility on the coast. Further south, a humid, sticky night | :50:13. | :50:17. | |
for trying to sleep. It will be a warm start to Monday morning, hardly | :50:18. | :50:21. | |
a cloud in the sky again and the temperatures are set to rocket. The | :50:22. | :50:27. | |
weather front slowly sinks its way south into central Scotland, but for | :50:28. | :50:30. | |
the bulk of the country, a dry and sunny story, with just the outside | :50:31. | :50:35. | |
chance of catching a shower if the heat triggers them off, but they | :50:36. | :50:39. | |
will be fleeting. Temperatures could be up to 31 Celsius. With light | :50:40. | :50:45. | |
breezes, it could feel pretty hot, even close to the coast. Clouding | :50:46. | :50:49. | |
over a little into Northern Ireland and Central Scotland as we go into | :50:50. | :50:53. | |
the day, from that weather front. The Northern Isles and the Western | :50:54. | :50:56. | |
Isles will see some brightness tomorrow, maybe just a shower, but | :50:57. | :51:00. | |
certainly better than it has been. The weather front will sink South | :51:01. | :51:06. | |
overnight from Monday into Tuesday. Nothing in terms of rain, but behind | :51:07. | :51:11. | |
it is a cold front, so fresher air. Mid-teens into Scotland, mid-to high | :51:12. | :51:18. | |
20s into Scotland. It stays hot and humid to the south of that front. | :51:19. | :51:23. | |
That front clears through as we move into Wednesday and allows this front | :51:24. | :51:26. | |
of moving from the Atlantic, which could trigger sharp potentially | :51:27. | :51:32. | |
thundery downpours. It will steadily push its way to the East, but ahead | :51:33. | :51:38. | |
of it, a good deal of dry weather, with that heat remaining in the | :51:39. | :51:41. | |
south-east. A little fresher to the north-east with the breeze from the | :51:42. | :51:47. | |
sea. These two weather fronts are straddled across the country, known | :51:48. | :51:51. | |
as a broad warm sector, and that will drag in hot air out of the | :51:52. | :51:57. | |
south-east. On Thursday, we could see temperatures around 30 Celsius | :51:58. | :52:02. | |
and above, but it is a fleeting heat, because behind that front, | :52:03. | :52:06. | |
fresher air, and many will see high teens and low 20s. An area of low | :52:07. | :52:14. | |
pressure moves in on Friday to the north-west, bringing increasing wind | :52:15. | :52:17. | |
and heavy rain for a time across the Northwest and into Northern Ireland. | :52:18. | :52:23. | |
It will weaken as it pushes east, so no substantial rainfall for England | :52:24. | :52:29. | |
and Wales. A more pleasant feel, albeit on the breezy site. That is | :52:30. | :52:32. | |
the theme as we go into next weekend. Some cooler days and | :52:33. | :52:34. | |
fresher nights. And it is a case We are at the Hay literary festival | :52:35. | :52:46. | |
in the beautiful Wye Valley. Thinkers and writers from all over | :52:47. | :52:50. | |
the world have gathered to share ideas in the most perfect | :52:51. | :52:53. | |
rural setting. I've been exploring the | :52:54. | :52:57. | |
countryside round about, and the wildlife safari I did | :52:58. | :52:59. | |
earlier has left me wanting more. There's one creature I'm | :53:00. | :53:04. | |
dying to see. My pursuit started back in | :53:05. | :53:08. | |
March up in North Wales, where I only saw them from | :53:09. | :53:14. | |
a distance. I'm headed for Herefordshire, | :53:15. | :53:17. | |
countryside to stir the spirit. And for a lover of wildlife, | :53:18. | :53:29. | |
a kind of paradise. Ecologist Nigel Hand shares | :53:30. | :53:35. | |
my passion. He's been studying these elusive | :53:36. | :53:38. | |
animals for a decade. If anyone can get | :53:39. | :53:41. | |
me close to an adder, it's him. Hi, Nigel, how are you? Hello. | :53:42. | :53:44. | |
Good to see you. Nice to meet you. So, what's your method for tracking | :53:45. | :53:47. | |
down the adders, then? Well, bizarrely, I can smell them | :53:48. | :53:50. | |
on site, which sounds a bit odd. Can everyone smell them, or have you | :53:51. | :53:55. | |
just got a particular sense for it? I think I've been working round | :53:56. | :53:58. | |
them so long now. Is that the only method? | :53:59. | :54:00. | |
No, I have another method, actually. Radio telemetry. | :54:01. | :54:03. | |
This looks more technical. So I have a receiver and an aerial, | :54:04. | :54:06. | |
and we put a tag on a snake. And then we type its number in | :54:07. | :54:11. | |
and pick up the signal of the So you've tagged | :54:12. | :54:14. | |
a number of snakes around this site? We've tagged ten snakes on this | :54:15. | :54:19. | |
site, and we've been following | :54:20. | :54:21. | |
them around since early April. So which one are we going | :54:22. | :54:23. | |
to go and track? We are going to go track 299, | :54:24. | :54:25. | |
which is a female. OK. The sun's out, | :54:26. | :54:29. | |
so she might be basking. 'Right now, | :54:30. | :54:37. | |
299 could have shed her skin, 'which means she may have cast off | :54:38. | :54:40. | |
the tracking device, too. 'We can't be sure of what we'll | :54:41. | :54:44. | |
find.' We're very close now. | :54:45. | :54:49. | |
Do I need to keep quiet? 34. It's really exciting! | :54:50. | :54:55. | |
SHE WHISPERS: I like this. I guess with those very | :54:56. | :55:00. | |
distinctive zigzag markings, in this dead bracken, | :55:01. | :55:02. | |
she'd be so well camouflaged. I think she's curled up in there, | :55:03. | :55:05. | |
Ellie, actually. 'On with the special bite-proof | :55:06. | :55:08. | |
gauntlets.' Oh, my goodness, Nigel, | :55:09. | :55:14. | |
you're so good at finding them. I'm just going to grab her, | :55:15. | :55:20. | |
just to have a quick look at her condition and see how close she is | :55:21. | :55:24. | |
to shedding her skin, Ellie. You can see the tag there on her | :55:25. | :55:27. | |
quite clearly. Yes, it's put on with | :55:28. | :55:29. | |
a medical tape, Ellie, and the aerial is | :55:30. | :55:32. | |
about 12 centimetres. Oh, I see. It looks almost like it's | :55:33. | :55:34. | |
gone under the skin, And it doesn't change | :55:35. | :55:36. | |
the way they behave? Not at all, we've seen them | :55:37. | :55:40. | |
combating, in courtship and mating, | :55:41. | :55:43. | |
and even feeding with the tags on, so it doesn't seem to impair | :55:44. | :55:45. | |
their behaviour. we've pulled her out of the very | :55:46. | :55:48. | |
humid part of the dead bracken. At this time of year, when they're | :55:49. | :55:53. | |
coming to shed their skins, they need that humidity to help | :55:54. | :55:56. | |
soften the skin. Today or tomorrow, she's probably | :55:57. | :56:00. | |
going to shed her skin. So we'll be finding another tag | :56:01. | :56:02. | |
at some point. That's really exciting, | :56:03. | :56:05. | |
getting this close to one, isn't it? That was so cool, | :56:06. | :56:07. | |
seeing her so close up! Do you still get the buzz even | :56:08. | :56:10. | |
all these years on? It doesn't leave you, actually. | :56:11. | :56:13. | |
I think every snake is a new snake. Nigel's research | :56:14. | :56:16. | |
has shown that males travel greater distances than females during | :56:17. | :56:22. | |
the breeding season. And where adders come | :56:23. | :56:25. | |
face-to-face with humans, like here on this golf course, | :56:26. | :56:28. | |
Nigel's work is helping landowners manage their patch for | :56:29. | :56:32. | |
these rare animals. There are an estimated 100,000 adult | :56:33. | :56:37. | |
adders in the UK, a number which has massively declined in recent | :56:38. | :56:42. | |
years, mainly due to habitat loss. But they're pretty | :56:43. | :56:46. | |
oblivious to humans, which is why they can peacefully | :56:47. | :56:48. | |
coexist here alongside the golfers. If we leave them alone, | :56:49. | :56:53. | |
they should do us the same courtesy. The Wye Valley is | :56:54. | :57:00. | |
a landscape full of surprises. Back at the Hay Festival, we've got | :57:01. | :57:12. | |
a big surprise of our own to share. Please put your hands together for | :57:13. | :57:18. | |
the Countryfile presenters Good evening, everybody. | :57:19. | :57:21. | |
Good evening. Thank you very much to the | :57:22. | :57:29. | |
Hay Festival for having us. And thank you to everybody who | :57:30. | :57:33. | |
has bought the Countryfile calendar for 2017. Yes, | :57:34. | :57:36. | |
sales last year were staggering. You've helped us raise | :57:37. | :57:41. | |
a truly unbelievable amount for Children in Need. | :57:42. | :57:44. | |
And that figure is... It's a staggering amount going to | :57:45. | :57:49. | |
Children In Need, and it's a record-breaker for us, | :57:50. | :58:03. | |
too. And if you'd like to take part in | :58:04. | :58:06. | |
next year's calendar, by entering our photographic competition, | :58:07. | :58:10. | |
all the details are on our website. Next week, I'll be taking a look at | :58:11. | :58:13. | |
some of our working animals, including the robots that are | :58:14. | :58:16. | |
changing the face of falconry. Not to be missed. | :58:17. | :58:20. | |
I'm sure you'll all agree. Thanks so much for having us. | :58:21. | :58:22. | |
Bye-bye. Goodbye. The BAFTA award-winning comedian | :58:23. | :58:24. | |
returns, The BAFTA award-winning comedian | :58:25. | :59:11. | |
returns, some of his finest | :59:12. | :59:17. | |
and funniest moments. | :59:18. | :59:21. |