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It's a new dawn for Scotland's politicians, | 0:00:02 | 0:00:03 | |
and there's plenty going on in the countryside to keep them busy. | 0:00:03 | 0:00:07 | |
Hello, and a very warm welcome to Landward. | 0:00:25 | 0:00:27 | |
We have a packed programme for you, including some of the most | 0:00:27 | 0:00:30 | |
pressing issues facing the Scottish countryside. | 0:00:30 | 0:00:33 | |
But it's not ALL serious.... | 0:00:33 | 0:00:35 | |
'I try my hand at making rare-breed sausages...' | 0:00:37 | 0:00:41 | |
It's amazing how tense I'm becoming. | 0:00:41 | 0:00:43 | |
HE LAUGHS | 0:00:43 | 0:00:45 | |
'..Sarah meets the woman who wants to paint | 0:00:45 | 0:00:48 | |
'every castle in the Highlands...' | 0:00:48 | 0:00:50 | |
You just have to paint, get out there and paint as much as possible. | 0:00:50 | 0:00:53 | |
Just to the end and toss it, turn it over. OK? | 0:00:53 | 0:00:56 | |
'..and Nick's cooking up a storm in the food van.' | 0:00:56 | 0:00:59 | |
Who will taste my pork? | 0:00:59 | 0:01:01 | |
But first, I'm off to Perthshire to investigate one of the very | 0:01:08 | 0:01:11 | |
first things the new Scottish Government | 0:01:11 | 0:01:14 | |
will have to decide upon. | 0:01:14 | 0:01:16 | |
This is Archie, Finn and Darrach... | 0:01:16 | 0:01:21 | |
and their owner, Mo Bailey.' | 0:01:21 | 0:01:23 | |
-Here. -BLOWS WHISTLE | 0:01:23 | 0:01:24 | |
Come on, then. | 0:01:24 | 0:01:26 | |
They're working spaniels whose job involves retrieving game birds | 0:01:26 | 0:01:29 | |
from thick scrub during the shooting season. | 0:01:29 | 0:01:32 | |
Unlike most dogs in Scotland, | 0:01:32 | 0:01:34 | |
they've had their tails shortened or "docked". | 0:01:34 | 0:01:37 | |
This was done to prevent them | 0:01:37 | 0:01:39 | |
suffering tail injuries while working. | 0:01:39 | 0:01:42 | |
The docking of dogs' tails has been banned in Scotland since 2007. | 0:01:42 | 0:01:46 | |
It was hugely controversial, and, after years of opposition, | 0:01:46 | 0:01:50 | |
the Government announced a consultation on the issue. | 0:01:50 | 0:01:53 | |
Well, that consultation has now finished, | 0:01:53 | 0:01:55 | |
and the new Scottish Government will have to decide whether to | 0:01:55 | 0:01:58 | |
relax that ban for certain groups of dogs such as working spaniels. | 0:01:58 | 0:02:03 | |
Mo, these are your dogs, and they are docked. Tell me about them. | 0:02:06 | 0:02:11 | |
This is Archie. He's a working cocker. I bought him in England. | 0:02:11 | 0:02:15 | |
-So he's got a half-docked tail. -Yes. -This is Darrach. | 0:02:15 | 0:02:18 | |
He is ten, so he was obviously born before the ban came in. | 0:02:18 | 0:02:23 | |
He's got just a third off his tail. | 0:02:23 | 0:02:25 | |
And then I've got wee Finn here sitting at the back. | 0:02:25 | 0:02:27 | |
He's an Irish dog and he's also got a half-dock. | 0:02:27 | 0:02:31 | |
'Unlike in Scotland, | 0:02:31 | 0:02:33 | |
'the docking of working dogs' tails is legal in England and Ireland.' | 0:02:33 | 0:02:37 | |
Why do you have tails docked on your dogs? | 0:02:37 | 0:02:40 | |
It's to prevent them getting damaged and injured when they're out | 0:02:40 | 0:02:44 | |
beating, because I obviously use them | 0:02:44 | 0:02:46 | |
at beating in the shooting season. | 0:02:46 | 0:02:48 | |
You know, I wouldn't buy a dog if it had a long tail. | 0:02:48 | 0:02:51 | |
And have you seen other dogs out working that have got | 0:02:51 | 0:02:54 | |
-the long tails that cause problems? -Yep. Mm-hm. | 0:02:54 | 0:02:57 | |
I've had a couple of my friends who actually had to get | 0:02:57 | 0:03:00 | |
their dogs' tails amputated. | 0:03:00 | 0:03:02 | |
They just had great big, long tails and just kept | 0:03:02 | 0:03:04 | |
breaking down all the time, so... | 0:03:04 | 0:03:06 | |
the dogs had to get their tails amputated. | 0:03:06 | 0:03:09 | |
It took weeks, maybe even sometimes months, | 0:03:09 | 0:03:11 | |
because even if they've got a wee bit taken off, if it wasnae | 0:03:11 | 0:03:14 | |
taken high enough up, it would | 0:03:14 | 0:03:17 | |
maybe get re-infected again and then the whole process starts again. | 0:03:17 | 0:03:21 | |
'Over the years, there have been many documented cases of working | 0:03:22 | 0:03:26 | |
'dogs who did not have their tails docked at birth suffering injuries. | 0:03:26 | 0:03:31 | |
'Vet Neil McIntosh has treated several cases.' | 0:03:31 | 0:03:34 | |
Well, we see lots of tail injuries in spaniels. | 0:03:35 | 0:03:38 | |
Of course, we didn't see any prior to 2007, | 0:03:38 | 0:03:40 | |
because most of them had their tails docked. | 0:03:40 | 0:03:42 | |
After 2007, there was a slight lag, a couple of years where dogs | 0:03:42 | 0:03:46 | |
that were born after the ban went into work. | 0:03:46 | 0:03:48 | |
By 2009, 2010, we were starting to see a lot of chronic tail injuries. | 0:03:48 | 0:03:53 | |
So we were seeing dogs that were bleeding a lot. They were wagging | 0:03:53 | 0:03:56 | |
their tails in deep cover, | 0:03:56 | 0:03:57 | |
the tips of their tails were getting damaged, they started to bleed. | 0:03:57 | 0:04:00 | |
We have an example here. He's a working dog. | 0:04:00 | 0:04:03 | |
His back end's covered in blood from his wagging his tail. | 0:04:03 | 0:04:06 | |
-He loves working, so his tail wags all the time. -Yes. | 0:04:06 | 0:04:09 | |
And the only option now is to amputate this tail. | 0:04:09 | 0:04:11 | |
That's a completely different situation compared to tail | 0:04:11 | 0:04:14 | |
shortening of puppies. | 0:04:14 | 0:04:15 | |
That involves a snip for a few seconds | 0:04:15 | 0:04:17 | |
and then the puppies return to the litter. | 0:04:17 | 0:04:19 | |
Tail amputation in an adult dog is a big procedure. | 0:04:19 | 0:04:21 | |
You have to cut the skin, you have to sever the tail, | 0:04:21 | 0:04:24 | |
you have to tie off the blood vessels. | 0:04:24 | 0:04:27 | |
It's a very complicated procedure. It's one that's not without risk, | 0:04:27 | 0:04:30 | |
and a lot of vets don't like doing it. | 0:04:30 | 0:04:31 | |
A lot of docking in the past, | 0:04:31 | 0:04:33 | |
there were some stories of some dodgy practices, scissors | 0:04:33 | 0:04:36 | |
used and puppies suffering and all that kind of thing. | 0:04:36 | 0:04:39 | |
Surely we need to get rid of all that? | 0:04:39 | 0:04:41 | |
We have got rid of all that. | 0:04:41 | 0:04:43 | |
We're talking about shortening one third of the end of the tail, | 0:04:43 | 0:04:45 | |
where there's very little nervous tissue. | 0:04:45 | 0:04:47 | |
And you do that by a vet who knows that those dogs are going to | 0:04:47 | 0:04:51 | |
go into working homes, and that's going to be a very important | 0:04:51 | 0:04:53 | |
part, hopefully, of the legislation. | 0:04:53 | 0:04:55 | |
The original legislation came in for good reason | 0:04:55 | 0:04:57 | |
on animal-welfare grounds, so what's your thoughts on that now? | 0:04:57 | 0:05:00 | |
I think the original legislation was designed to | 0:05:00 | 0:05:02 | |
stop people from docking tails. | 0:05:02 | 0:05:04 | |
I don't think they realised it was going to cause | 0:05:04 | 0:05:06 | |
so much problems for working dogs. | 0:05:06 | 0:05:08 | |
This is not about being anti-hunting or shooting or snaring or | 0:05:08 | 0:05:12 | |
anything like that or rich sporting estates. | 0:05:12 | 0:05:14 | |
This is an animal-welfare issue. | 0:05:14 | 0:05:16 | |
I know that a lot of people are very anti it, | 0:05:16 | 0:05:18 | |
but a lot of people are anti it because they don't have knowledge. | 0:05:18 | 0:05:21 | |
They've never seen a tail injury, | 0:05:21 | 0:05:22 | |
they've never seen an adult tail being amputated. | 0:05:22 | 0:05:25 | |
Or, alternatively, sometimes people, I think, are | 0:05:25 | 0:05:27 | |
really anti-shooting and that's why they want to be anti tail docking. | 0:05:27 | 0:05:31 | |
And later in the programme, | 0:05:33 | 0:05:34 | |
we'll hear from campaigners who want the ban to | 0:05:34 | 0:05:37 | |
remain in place and the scientist whose research will help | 0:05:37 | 0:05:40 | |
the Government decide | 0:05:40 | 0:05:41 | |
if the sight of docked puppies like these will return to Scotland. | 0:05:41 | 0:05:45 | |
But before that, | 0:05:49 | 0:05:51 | |
I'm heading to the south-west to discover how farming | 0:05:51 | 0:05:54 | |
traditional rare breeds of livestock | 0:05:54 | 0:05:56 | |
can pay off both for the farmer, who | 0:05:56 | 0:05:58 | |
can command a premium price for his meat, | 0:05:58 | 0:06:00 | |
and the consumer, who benefits with a great-tasting product. | 0:06:00 | 0:06:05 | |
-Hiya, how you doing? -Hi there. Nice to see you. -Nice to see you. | 0:06:05 | 0:06:08 | |
'Here at Clash Farm in Dumfries and Galloway, Caron Stewart | 0:06:08 | 0:06:12 | |
'has been farming pedigree saddleback pigs for ten years.' | 0:06:12 | 0:06:16 | |
-So, here we are. -Yeah, so, this is the litter. | 0:06:18 | 0:06:21 | |
-They were born yesterday morning. -Oh, fantastic! Look at them! | 0:06:21 | 0:06:25 | |
My goodness. And look at her! She's a whopper! | 0:06:25 | 0:06:28 | |
'It's a much slower process than mass-market pork production, but the | 0:06:28 | 0:06:32 | |
'upside is quality for the customer and more cash for the farmer.' | 0:06:32 | 0:06:36 | |
We've got a pedigree herd, and, in fact, this sow here, there was | 0:06:37 | 0:06:41 | |
only two registered sows in the country when we got them. | 0:06:41 | 0:06:44 | |
So we've built that particular bloodline back up again. | 0:06:44 | 0:06:47 | |
And how do they differ from commercial pigs, then? | 0:06:47 | 0:06:51 | |
It's the eating, really. It tastes fantastic. | 0:06:51 | 0:06:54 | |
It's a slower-maturing animal, | 0:06:54 | 0:06:55 | |
and there's a marbling of fat through it. | 0:06:55 | 0:06:57 | |
So it makes it more succulent and tender. | 0:06:57 | 0:07:01 | |
'Meat of breeds like the British saddleback fell from favour in | 0:07:04 | 0:07:07 | |
'the 20th century as faster-growing commercial breeds took over. | 0:07:07 | 0:07:12 | |
'But the tables seem to be turning again.' | 0:07:12 | 0:07:15 | |
They were a slower-maturing animal, | 0:07:15 | 0:07:17 | |
and everybody wanted fast food, especially post-war, | 0:07:17 | 0:07:20 | |
and a lot of the commercial breeds were brought in. | 0:07:20 | 0:07:23 | |
So the numbers dropped dramatically. | 0:07:23 | 0:07:25 | |
Are they staying there now that these piglets have | 0:07:25 | 0:07:27 | |
been born, or do they get into the field quickly? | 0:07:27 | 0:07:29 | |
We like to keep an eye on them, make sure they're OK, | 0:07:29 | 0:07:32 | |
and then they'll go outside. | 0:07:32 | 0:07:34 | |
We've got another gilt here. | 0:07:34 | 0:07:37 | |
She's a first-time mother, and she's got a litter, | 0:07:37 | 0:07:39 | |
so we're going to put them out. | 0:07:39 | 0:07:41 | |
-Okey dokey. So, I'll give you a hand? -Yes, sure. -Fantastic. | 0:07:41 | 0:07:44 | |
-Out this way? -Yep. -Right, let's go. | 0:07:44 | 0:07:48 | |
Come on. | 0:07:51 | 0:07:54 | |
Look at that. | 0:07:54 | 0:07:56 | |
Off you go. Come on. | 0:07:56 | 0:07:58 | |
-We've lost one! -Come on. -Come on, come on. | 0:07:58 | 0:08:00 | |
-You're not supposed to be up here. -Right, come on. | 0:08:00 | 0:08:03 | |
DOUGIE LAUGHS | 0:08:04 | 0:08:06 | |
20 minutes later... | 0:08:06 | 0:08:07 | |
Come on, let's go, guys. | 0:08:07 | 0:08:09 | |
CARON LAUGHS We're out of the shed! | 0:08:09 | 0:08:12 | |
That's more like the thing! | 0:08:13 | 0:08:15 | |
-In one pile? -Yeah, just chuck it in. | 0:08:17 | 0:08:20 | |
So, Caron, first time outside, pretty much. | 0:08:24 | 0:08:26 | |
Will they be out here for a while now? | 0:08:26 | 0:08:28 | |
Yes. They'll be with their mum till they're eight weeks old, and then | 0:08:28 | 0:08:32 | |
they'll be weaned and they're pretty much left to their own devices | 0:08:32 | 0:08:37 | |
until they've grown up. | 0:08:37 | 0:08:39 | |
What's your passion for these saddlebacks? You clearly love them. | 0:08:39 | 0:08:43 | |
I do. They're just fantastic animals. | 0:08:43 | 0:08:46 | |
They've just got great temperaments and characters. | 0:08:46 | 0:08:50 | |
They taste fantastic, | 0:08:50 | 0:08:52 | |
and they're just a fantastic breed to deal with. | 0:08:52 | 0:08:56 | |
Are they quite easy to cook, as well? | 0:08:56 | 0:08:58 | |
It's a very quick-cooking meat compared to commercial type, | 0:08:58 | 0:09:03 | |
-and you're going to be helping us make some sausages. -Am I? -Yes! | 0:09:03 | 0:09:07 | |
'We're going to make them in the farm's butchery unit, | 0:09:09 | 0:09:11 | |
'where Caron cuts and cures the pork. | 0:09:11 | 0:09:14 | |
'It sells for a premium price at farmers' markets, and I'll be taking | 0:09:14 | 0:09:18 | |
'some of her pork fillet for Nick to cook up in the Landward food van.' | 0:09:18 | 0:09:23 | |
So, here we have the raw meat for the sausages. | 0:09:23 | 0:09:26 | |
So, what's the process? MACHINE WHIRS | 0:09:26 | 0:09:29 | |
What we'll do is we'll mince this through. | 0:09:29 | 0:09:31 | |
-And what cuts are you using for the sausages? -It's primarily shoulder | 0:09:31 | 0:09:36 | |
and belly. | 0:09:36 | 0:09:38 | |
That's what gives it the moisture, the succulence and the flavour. | 0:09:38 | 0:09:42 | |
MACHINE STOPS | 0:09:46 | 0:09:47 | |
There's the raw minced meat now. | 0:09:48 | 0:09:51 | |
Nice fat in there as well. That's lovely. | 0:09:51 | 0:09:53 | |
That's going to taste brilliant. | 0:09:53 | 0:09:55 | |
-Yep, so... -So, next up? | 0:09:55 | 0:09:57 | |
Yep, what we next do is the spices and the salt and pepper, | 0:09:57 | 0:10:02 | |
sprinkle it across the meat. | 0:10:02 | 0:10:05 | |
-If we give that a good mix... -OK. -Just all with the hands, yeah? -Yep. | 0:10:05 | 0:10:09 | |
That's quite a nice feeling, actually! | 0:10:09 | 0:10:11 | |
CARON LAUGHS | 0:10:11 | 0:10:12 | |
And off we go. | 0:10:13 | 0:10:14 | |
'The mixture goes through the mincer again, then it's ready to be | 0:10:14 | 0:10:17 | |
'made into sausages.' | 0:10:17 | 0:10:20 | |
Just feed it through. | 0:10:20 | 0:10:21 | |
'And apparently, I'm making them.' | 0:10:21 | 0:10:24 | |
Oh, my goodness me. | 0:10:24 | 0:10:25 | |
You just want to keep a bit of tension. | 0:10:27 | 0:10:29 | |
You don't want to overfill them. | 0:10:29 | 0:10:31 | |
It's amazing how tense I'm becoming. | 0:10:31 | 0:10:33 | |
THEY LAUGH | 0:10:33 | 0:10:35 | |
'And this is the easy bit.' | 0:10:35 | 0:10:38 | |
So, if we take three, | 0:10:38 | 0:10:40 | |
twist that round there... | 0:10:40 | 0:10:44 | |
Loop up. | 0:10:44 | 0:10:45 | |
Wrap that over and through. | 0:10:45 | 0:10:48 | |
-So, you want about sausage length, over the top. -Over the top. -Yeah. | 0:10:48 | 0:10:53 | |
-And twist? -Yeah. Under and through. | 0:10:53 | 0:10:56 | |
-And then they... -Yeah, so hold that in your... | 0:10:57 | 0:11:01 | |
Yep. | 0:11:01 | 0:11:03 | |
Oops. You know, this really isn't as easy as it looks. | 0:11:03 | 0:11:07 | |
But I'm going to take some of these and a pork fillet up to | 0:11:07 | 0:11:10 | |
Nick in Perth in the Landward food van to see if he can work his magic. | 0:11:10 | 0:11:15 | |
They're going to be tasty. They may not look so great... | 0:11:15 | 0:11:18 | |
They'll be lovely. | 0:11:18 | 0:11:19 | |
Now, when I heard about a woman wanting to paint every | 0:11:20 | 0:11:23 | |
castle in the Highlands, I thought, "She'll need some big brushes, | 0:11:23 | 0:11:27 | |
"a lot of scaffolding and thousands of gallons of paint." | 0:11:27 | 0:11:31 | |
But then I found out I'd got the wrong end of the stick. | 0:11:31 | 0:11:34 | |
Sarah's come to Dornie on the west coast to get the true story. | 0:11:37 | 0:11:41 | |
Scotland's formidable castles are evidence of our bloody past. | 0:11:45 | 0:11:49 | |
They've withstood sieges, religious rebellions | 0:11:49 | 0:11:52 | |
and changing royal allegiances. | 0:11:52 | 0:11:55 | |
Despite this violent history, there's no doubt that these | 0:11:57 | 0:12:00 | |
mighty strongholds are still a thing of beauty. | 0:12:00 | 0:12:03 | |
That's why thousands of people visit them each year | 0:12:03 | 0:12:06 | |
to enjoy their architecture and stunning surroundings. | 0:12:06 | 0:12:10 | |
You could just spend hours looking at them. | 0:12:10 | 0:12:14 | |
This of course is Eilean Donan, | 0:12:16 | 0:12:18 | |
a common sight on biscuit-tin lids and in Hollywood blockbusters, | 0:12:18 | 0:12:22 | |
and one of the most-photographed spots in Scotland. | 0:12:22 | 0:12:25 | |
But it's not just photographers it inspires. | 0:12:25 | 0:12:29 | |
-Claire? -Hi, Sarah. -Good morning! How are you doing? -I'm good. | 0:12:30 | 0:12:34 | |
-How are you? -You're well under way already, I see. | 0:12:34 | 0:12:36 | |
'I'm here to meet Highland artist Claire Innes, | 0:12:36 | 0:12:39 | |
'who's currently on a bit of a mission.' | 0:12:39 | 0:12:42 | |
I thought it would make for quite an interesting art project to try | 0:12:42 | 0:12:45 | |
and paint all the castles in the Highlands, and I think | 0:12:45 | 0:12:48 | |
there's about between 50 and 60 of them, so it's a bit of a challenge. | 0:12:48 | 0:12:52 | |
-Why castles? -I just think they make such an interesting subject. | 0:12:52 | 0:12:55 | |
They've got this air of mystery about them. | 0:12:55 | 0:12:57 | |
There's a lot of history | 0:12:57 | 0:12:59 | |
with the castles, and they've each got their own story to tell. | 0:12:59 | 0:13:04 | |
'Claire's been working on the project | 0:13:04 | 0:13:06 | |
'since the start of the year.' | 0:13:06 | 0:13:08 | |
So, these two you've done already? | 0:13:08 | 0:13:10 | |
-Yeah, this is a couple of preparatory sketches. -Mm-hm. | 0:13:10 | 0:13:13 | |
I would normally go out and sketch as much as I can on location | 0:13:13 | 0:13:17 | |
and then transfer it onto canvas. | 0:13:17 | 0:13:20 | |
And this is the finished article. | 0:13:20 | 0:13:22 | |
Well, these are very nearly finished. | 0:13:22 | 0:13:24 | |
So, this is Castle Stalker on the left | 0:13:24 | 0:13:26 | |
-and that's Dunvegan Castle on Skye. -And super-bold and very colourful. | 0:13:26 | 0:13:31 | |
I use quite a lot of colours in my palette. | 0:13:31 | 0:13:34 | |
I think you need to, with the grey Scottish skies, | 0:13:34 | 0:13:36 | |
-inject a wee bit of colour. -It can sometimes be like that. | 0:13:36 | 0:13:39 | |
Well, don't laugh, I am going to join you later and have a go. | 0:13:39 | 0:13:42 | |
I know you want to crack on at the moment and get going, | 0:13:42 | 0:13:45 | |
-so I'll see you in a bit. -Right, no problem. | 0:13:45 | 0:13:47 | |
'In just a couple of hours, | 0:13:54 | 0:13:56 | |
'Claire manages to get the bulk of the painting done. | 0:13:56 | 0:13:59 | |
'She obviously has a lot of talent, | 0:14:02 | 0:14:05 | |
'and the amazing thing is she hasn't had any formal training. | 0:14:05 | 0:14:09 | |
'I, on the other hand, need a bit of instruction.' | 0:14:13 | 0:14:17 | |
The idea of sketching is that you're not committing to anything. | 0:14:17 | 0:14:21 | |
It's really just about you working out how to get that onto the papers. | 0:14:21 | 0:14:25 | |
So, to begin with, | 0:14:25 | 0:14:26 | |
-you want to be quite free with the marks that you're making. -Mm-hm. | 0:14:26 | 0:14:30 | |
So nothing too hard. Don't press down on the pencil too hard, | 0:14:30 | 0:14:33 | |
and just be quite free with the marks. | 0:14:33 | 0:14:35 | |
And it's really just about you working out which | 0:14:35 | 0:14:38 | |
-marks are working for you. -OK. | 0:14:38 | 0:14:41 | |
How did you get started in all of this? | 0:14:41 | 0:14:45 | |
Well, I'm self-taught. I think I was probably about 14 | 0:14:45 | 0:14:49 | |
when I discovered a real passion for painting, | 0:14:49 | 0:14:54 | |
when I decided I wanted to be an artist when I grew up. | 0:14:54 | 0:14:57 | |
But I worked really, really hard. | 0:14:57 | 0:14:59 | |
I remember years ago I met the artist John Lowrie Morrison. | 0:14:59 | 0:15:02 | |
-I don't know if you've heard of him. -Yeah. Who hasn't? | 0:15:02 | 0:15:06 | |
One of Scotland's most successful artists. | 0:15:06 | 0:15:09 | |
And I always remember him saying you just have to paint, | 0:15:09 | 0:15:12 | |
get out there and paint as much as possible. | 0:15:12 | 0:15:16 | |
'Claire has definitely taken that message to heart. | 0:15:16 | 0:15:19 | |
'She's given herself a year | 0:15:19 | 0:15:21 | |
'to finish her castle-painting challenge, | 0:15:21 | 0:15:23 | |
'then she's hoping to exhibit in either Inverness or Edinburgh.' | 0:15:23 | 0:15:27 | |
-So, Claire's been working on her picture for five hours. -Yep. | 0:15:29 | 0:15:32 | |
-Is it done? -Yeah, I think so, but I'll probably take it home | 0:15:32 | 0:15:35 | |
and do a wee bit more work to it at home. | 0:15:35 | 0:15:38 | |
I think it looks amazing, given the time given. | 0:15:38 | 0:15:41 | |
-I'm not 100% happy with it yet. -Are you ever 100% happy? -No. | 0:15:41 | 0:15:45 | |
I don't think any artist ever is. | 0:15:45 | 0:15:47 | |
OK. So that gives me a get-out clause. | 0:15:47 | 0:15:49 | |
-Are you ready for my moment of truth? -Yeah. -OK. Everyone ready? | 0:15:49 | 0:15:53 | |
Ta-da! | 0:15:53 | 0:15:54 | |
-What do you think? -I think you've done really, really well. -Really? | 0:15:54 | 0:15:57 | |
-Yep. -I mean, given the fact that I haven't picked up a sketch pad or | 0:15:57 | 0:16:00 | |
pencil since school, I'm not that displeased with it. | 0:16:00 | 0:16:03 | |
No, I think it's really good. | 0:16:03 | 0:16:05 | |
We've got Eilean Donan, Claire's work and Sarah Mack's sketch. | 0:16:05 | 0:16:09 | |
I can see you're thinking, | 0:16:09 | 0:16:10 | |
-"Don't give up the day job." -No. I think it's fantastic. | 0:16:10 | 0:16:13 | |
If you have any other great ideas for things you'd like to see | 0:16:25 | 0:16:28 | |
on the programme, get in touch via our Facebook page or e-mail: | 0:16:28 | 0:16:32 | |
Throughout the series, as I travel the length and breadth of Scotland, | 0:16:44 | 0:16:47 | |
I'm going to be stopping off to show you some of my favourite pitstops. | 0:16:47 | 0:16:50 | |
Grandtully in Perthshire is a stunning, tranquil place. | 0:16:50 | 0:16:54 | |
But it's also famous for this. | 0:16:55 | 0:16:58 | |
'That's Mark French, a guide with Beyond Adventure. | 0:17:00 | 0:17:04 | |
'Today, he's going to show me how to traverse the Grandtully Rapids.' | 0:17:04 | 0:17:08 | |
As a rafting trip from Aberfeldy, | 0:17:09 | 0:17:11 | |
it's the last rapid that people come down. They always remember it. | 0:17:11 | 0:17:15 | |
For kayakers and canoers, as well, | 0:17:15 | 0:17:17 | |
the anticipation of paddling from Aberfeldy with the rapids gradually | 0:17:17 | 0:17:20 | |
getting bigger and bigger and then they get to Grandtully | 0:17:20 | 0:17:23 | |
and it's like, "Ohhh, it's Grandtully! This is brilliant!" | 0:17:23 | 0:17:25 | |
-Are you planning to swim today? -We're not planning on swimming... | 0:17:25 | 0:17:28 | |
-I'd really like to stay in the canoe. -So would I. | 0:17:28 | 0:17:31 | |
But there's always a chance. | 0:17:31 | 0:17:33 | |
Nice day though it is, the water's still freezing. Let's remember that | 0:17:33 | 0:17:36 | |
-before we go in. Come on, let's go. -Perfect! | 0:17:36 | 0:17:39 | |
Whoo-hoo-hoo! | 0:17:47 | 0:17:49 | |
That wasn't supposed to happen. | 0:18:05 | 0:18:07 | |
'The canoe hit a lump of water, | 0:18:07 | 0:18:09 | |
'causing the bow to shoot up in the air. | 0:18:09 | 0:18:12 | |
'When it came back down, it hit a rock and the canoe began to roll... | 0:18:12 | 0:18:16 | |
'sending us both into the water.' | 0:18:16 | 0:18:18 | |
And, yes, it is cold! | 0:18:20 | 0:18:22 | |
Earlier in the programme, we heard the arguments for a relaxation | 0:18:31 | 0:18:34 | |
of the legal ban on the docking of dogs' tails. | 0:18:34 | 0:18:37 | |
The exemption would be for certain types of working dogs. | 0:18:37 | 0:18:41 | |
But there are those who are not in favour of this relaxation. | 0:18:41 | 0:18:45 | |
There are some groups who believe the original animal welfare aims | 0:18:45 | 0:18:48 | |
of the 2007 legislation are just as valid today. | 0:18:48 | 0:18:52 | |
'The policy director of the Scottish animals campaign charity | 0:18:56 | 0:18:59 | |
'OneKind is Libby Anderson.' | 0:18:59 | 0:19:02 | |
'Dogs need their tails.' | 0:19:03 | 0:19:05 | |
They need their tails for balance, for communication, | 0:19:05 | 0:19:10 | |
for movement, to support their spine. | 0:19:10 | 0:19:13 | |
So if you're talking about amputating part of a dog's | 0:19:13 | 0:19:17 | |
anatomy, you need to be very, very sure | 0:19:17 | 0:19:19 | |
that it's the right thing to do. | 0:19:19 | 0:19:21 | |
Every dog that's docked in infancy suffers an amputation, | 0:19:21 | 0:19:26 | |
and that is a painful mutilation. | 0:19:26 | 0:19:28 | |
So what we want to see is a full cost-benefit | 0:19:28 | 0:19:31 | |
assessment of the animal welfare. | 0:19:31 | 0:19:34 | |
When we spoke to a vet earlier in the programme, | 0:19:34 | 0:19:38 | |
he admitted there was an element of discomfort and pain to a puppy. | 0:19:38 | 0:19:43 | |
I think for a long time there's been a slightly old-fashioned view | 0:19:43 | 0:19:46 | |
that they're so little and neonates don't feel pain. | 0:19:46 | 0:19:50 | |
Well, nobody really believes that any more. | 0:19:50 | 0:19:52 | |
Everyone knows that young vertebrates do feel pain | 0:19:52 | 0:19:55 | |
and it may be even worse than what they feel in adulthood. | 0:19:55 | 0:19:59 | |
-The people we spoke to are clearly people who love dogs. -Yes. | 0:19:59 | 0:20:02 | |
And they don't want to see suffering in their dogs. | 0:20:02 | 0:20:05 | |
Well, you must remember that they are using their dogs. | 0:20:05 | 0:20:08 | |
They're working dogs, even though they love them. | 0:20:08 | 0:20:10 | |
But they're putting them into a situation that they're working in. | 0:20:10 | 0:20:13 | |
Are those owners being irresponsible, then? | 0:20:13 | 0:20:16 | |
They should consider the terrain that they're working in | 0:20:16 | 0:20:19 | |
and whether the animal's likely to be put at risk. | 0:20:19 | 0:20:23 | |
Is this an animal welfare issue or do you just want to stop hunting? | 0:20:23 | 0:20:26 | |
No, it's a welfare issue about dogs. It's 100% about welfare. | 0:20:26 | 0:20:30 | |
Yes. That's what we're interested in. | 0:20:30 | 0:20:33 | |
The final decision rests with the Scottish Government. | 0:20:33 | 0:20:36 | |
They have consulted widely and also commissioned independent | 0:20:36 | 0:20:40 | |
'research from Glasgow University vet school.' | 0:20:40 | 0:20:42 | |
-Hi, Tim. How are you? -Hi. How are you? -Yeah, very well. -Good, good. | 0:20:42 | 0:20:45 | |
'That research was carried out by Tim Parkin.' | 0:20:45 | 0:20:48 | |
Well, from the survey, it was quite clear that spaniels | 0:20:49 | 0:20:52 | |
and hunt-point retrievers were far more likely to have tail | 0:20:52 | 0:20:56 | |
injuries than any other breed working in Scotland. | 0:20:56 | 0:21:00 | |
Spaniels specifically, in one shooting season, approximately | 0:21:00 | 0:21:04 | |
57% of them had at least one tail injury in that one season. | 0:21:04 | 0:21:07 | |
-More than half? -Yep. -Wow. -Hunt-point retrievers, about 39%. -Uh-huh. | 0:21:07 | 0:21:11 | |
Other working dog breeds, less so. | 0:21:11 | 0:21:13 | |
Those two breeds were specifically those | 0:21:13 | 0:21:15 | |
that are at much greater risk of ending up with a tail injury. | 0:21:15 | 0:21:18 | |
So, what was your opinion on tail docking before you started | 0:21:18 | 0:21:22 | |
-doing this research? -I've got to say, I was pretty neutral. | 0:21:22 | 0:21:24 | |
I really did have no opinion on this at all. | 0:21:24 | 0:21:27 | |
-I'm not a hunting-shooting-fishing guy. -And what's your opinion now? | 0:21:27 | 0:21:30 | |
My opinion now is that there is clear evidence that it's | 0:21:30 | 0:21:35 | |
irrefutable that if you have a dog that has had a shortened tail, | 0:21:35 | 0:21:39 | |
then they are clearly at much reduced risk of ending up | 0:21:39 | 0:21:41 | |
-with a tail injury. -Mm. | 0:21:41 | 0:21:42 | |
The key, for me, is that actually, what we need to do is target | 0:21:42 | 0:21:45 | |
-that intervention as a puppy as much as possible... -Right. | 0:21:45 | 0:21:49 | |
..such that you really target those individual dogs | 0:21:49 | 0:21:51 | |
-that are genuinely likely to go on and work. -Uh-huh. | 0:21:51 | 0:21:54 | |
And that would mean targeting the intervention, | 0:21:54 | 0:21:57 | |
the docking, at hunt-point retrievers or spaniels. | 0:21:57 | 0:22:00 | |
And as soon as the Government announces its decision, | 0:22:01 | 0:22:03 | |
we'll be sure to bring it to you. | 0:22:03 | 0:22:05 | |
Earlier in the programme, | 0:22:17 | 0:22:19 | |
I was in the south-west at a rare-breed pig farm. | 0:22:19 | 0:22:22 | |
I'm now with the Landward food van in Perth | 0:22:22 | 0:22:25 | |
and chef Nick Nairn to see if the citizens of the Fair City | 0:22:25 | 0:22:29 | |
can tell the difference between rare-breed and mass-produced pork. | 0:22:29 | 0:22:33 | |
But first, Nick has got to try my sausages. | 0:22:33 | 0:22:36 | |
Here we go. I made these sausages yesterday at Clash Farm, Port Logan, | 0:22:38 | 0:22:42 | |
just south of Stranraer. | 0:22:42 | 0:22:43 | |
They're saddleback sausages. See what you think. | 0:22:43 | 0:22:46 | |
-Visual inspection - slightly overcooked. -Yes. | 0:22:46 | 0:22:49 | |
-They're irregular shapes. Makes them look very home-made. -Uh-huh. | 0:22:49 | 0:22:53 | |
Mm. Now... | 0:22:54 | 0:22:56 | |
-Lots of meat in there. -Oh, yeah! -Not much filler. | 0:22:56 | 0:22:59 | |
-Good, huh? -Delicious. -Absolutely brilliant. | 0:22:59 | 0:23:01 | |
It really breaks my heart to say that, but they are fantastic. | 0:23:01 | 0:23:05 | |
We're not here to congratulate you on your sausage-making skills, | 0:23:05 | 0:23:08 | |
we're here to cook pork fillet. Look at the difference. | 0:23:08 | 0:23:11 | |
-That's supermarket stuff. This is the stuff from Clash Farm. -Yeah. | 0:23:11 | 0:23:15 | |
You see the colour's different, | 0:23:15 | 0:23:17 | |
texture's different. But it's expensive. | 0:23:17 | 0:23:19 | |
And what we want to find out is, do the great citizens of Perth | 0:23:19 | 0:23:22 | |
appreciate the difference between the two? | 0:23:22 | 0:23:25 | |
I'll cut them into medallions, pan-fry them, | 0:23:25 | 0:23:27 | |
but let's put a very light spice on the outside, | 0:23:27 | 0:23:29 | |
just a little bit of a glaze to make them a little bit interesting. | 0:23:29 | 0:23:32 | |
Not so strong that it would overpower | 0:23:32 | 0:23:34 | |
the natural flavour of the meat. | 0:23:34 | 0:23:35 | |
So, if you make a little spice mix with coriander seeds, | 0:23:35 | 0:23:39 | |
Szechuan peppercorns, fennel seeds, cumin seeds, | 0:23:39 | 0:23:42 | |
black peppercorns, star anise, cinnamon bark and cloves. | 0:23:42 | 0:23:46 | |
That's a hot pan. | 0:23:46 | 0:23:48 | |
Just choose the spices that you want, | 0:23:48 | 0:23:50 | |
go by the smell of what you get back up from the pan. | 0:23:50 | 0:23:55 | |
It's the Dougie Vipond spice mix. | 0:23:55 | 0:23:56 | |
-Now, they're really coming alive. -Chuck them into that mortar. | 0:23:56 | 0:24:00 | |
OK. And use the pestle to grind them down. | 0:24:00 | 0:24:03 | |
-Oh, it smells fantastic. -Really does, doesn't it? | 0:24:04 | 0:24:07 | |
I'm just going to trim away the fat from the outside of the pork fillet. | 0:24:07 | 0:24:11 | |
And you can see the colour of the saddleback pork. It's much darker, | 0:24:11 | 0:24:16 | |
the grain of the meat is much finer, it feels soft. | 0:24:16 | 0:24:21 | |
It's a beautiful piece of meat. | 0:24:21 | 0:24:22 | |
You know you could buy a spice grinder, you know? | 0:24:22 | 0:24:26 | |
-Do you know, I've got an electric one at home. -Have you? | 0:24:26 | 0:24:28 | |
I was going to bring it, then I thought you need the practice. | 0:24:28 | 0:24:31 | |
No, I certainly do. | 0:24:31 | 0:24:32 | |
I'm going to cut the loin in half. | 0:24:32 | 0:24:36 | |
And then I'm going to cut each half into quarters, | 0:24:36 | 0:24:39 | |
and then we'll cut these quarters into little dice. | 0:24:39 | 0:24:42 | |
And that gives a nice little cube of pork that we can first of all | 0:24:42 | 0:24:46 | |
rub with the spices and then we'll pan-fry. | 0:24:46 | 0:24:50 | |
Why are you using this particular cut of pork? | 0:24:50 | 0:24:52 | |
Well, partly because it's very lean and it cooks very quickly. | 0:24:52 | 0:24:57 | |
-It likes flash-frying, which suits what we're doing here. -Uh-huh. | 0:24:57 | 0:25:01 | |
But partly also because I think it represents fabulous value for money. | 0:25:01 | 0:25:05 | |
'The pork is coated in the Dougie Vipond spice mix | 0:25:05 | 0:25:08 | |
'and fried in rapeseed oil in two separate pans.' | 0:25:08 | 0:25:11 | |
Just toss it and turn it over. OK? | 0:25:14 | 0:25:17 | |
-That one there. -Yep. | 0:25:17 | 0:25:19 | |
Nice! | 0:25:20 | 0:25:21 | |
'Then Nick adds a final glaze.' | 0:25:21 | 0:25:24 | |
Then we add a little bit of honey, a little bit of soy and then, | 0:25:24 | 0:25:29 | |
to cut through the richness and the sweetness, | 0:25:29 | 0:25:31 | |
a little bit of lemon juice. | 0:25:31 | 0:25:34 | |
'Finally, it has to be tasted. First, the mass-produced pork.' | 0:25:34 | 0:25:39 | |
Now, this just smells absolutely amazing, doesn't it? | 0:25:39 | 0:25:43 | |
-This is nice. However, there's two bits of this left. -Ah. | 0:25:44 | 0:25:49 | |
Let's see how this is. | 0:25:49 | 0:25:50 | |
-It's a deep flavour. -Oh, man, immediately! -Mm-hm. | 0:25:52 | 0:25:55 | |
-Immediately, much bigger. -Yeah. | 0:25:55 | 0:25:58 | |
-More complex. -The texture is different, as well. -Mm-hm. | 0:25:58 | 0:26:01 | |
However, it's not up to us. | 0:26:01 | 0:26:02 | |
It's up to these fabulously turned-out | 0:26:03 | 0:26:06 | |
beautiful citizens of Perth. | 0:26:06 | 0:26:08 | |
Who will taste my pork? | 0:26:10 | 0:26:12 | |
DOUGIE LAUGHS | 0:26:12 | 0:26:14 | |
-A bit tough. This one is a bit dry. -Be honest with me. -A bit dry. | 0:26:14 | 0:26:17 | |
-That's not bad. -Overcooked, you might say? | 0:26:17 | 0:26:20 | |
-Can you help yourself? -Just a wee second. I'll come to you. | 0:26:20 | 0:26:23 | |
-The second one is the rare breed. -That's... -Yeah? | 0:26:23 | 0:26:28 | |
-..moist. -Yeah. -Full of flavour. | 0:26:28 | 0:26:31 | |
Which one do you prefer? | 0:26:31 | 0:26:33 | |
-Both. -Say that was £1. What would you pay for that one? | 0:26:34 | 0:26:38 | |
Well, I don't know. | 0:26:38 | 0:26:40 | |
Like, 1.50? | 0:26:40 | 0:26:42 | |
-Got quite a strong taste. -That one. -That one? -Yep. | 0:26:42 | 0:26:46 | |
-That's much more tender? OK. -That's a bit chewy. -"That's a bit chewy"! | 0:26:46 | 0:26:50 | |
-That's the one I cooked! -Chewy. -A bit chewy? -Mm. -Quite tough. | 0:26:50 | 0:26:55 | |
-"Quite tough"! -Well, it is, yeah. It's not... -He made me stay. | 0:26:55 | 0:26:58 | |
He made me cook it a bit longer. I think it's deliberate. | 0:26:58 | 0:27:00 | |
Say that was 100% premium. Say that was £1, that £2. | 0:27:00 | 0:27:03 | |
-Would you pay that? -Mm, definitely. | 0:27:03 | 0:27:04 | |
You're the only one that went for the rare breed. | 0:27:04 | 0:27:07 | |
-Oh! -Everyone else went for the mass-produced. | 0:27:07 | 0:27:09 | |
So, how did you fare? | 0:27:11 | 0:27:13 | |
Well, I feel... And I'm really worried, I'm really, | 0:27:13 | 0:27:16 | |
really worried that I overcooked the saddleback, | 0:27:16 | 0:27:18 | |
because I had 4-1 in favour of mass-produced. | 0:27:18 | 0:27:21 | |
-Really?! -Yes. | 0:27:21 | 0:27:22 | |
-100% saddleback. -Oh, thank goodness! I'm glad of that. | 0:27:22 | 0:27:26 | |
I was a little concerned that we both slightly overcooked it, | 0:27:26 | 0:27:30 | |
but I just thought, "Public tasting - don't want to have pink pork." | 0:27:30 | 0:27:33 | |
But really, to taste that at its best, it should be slightly pink. | 0:27:33 | 0:27:36 | |
So, saddleback won despite my cooking. | 0:27:36 | 0:27:38 | |
And that's almost all we have on the programme. | 0:27:38 | 0:27:40 | |
Here's what's coming up next time around. | 0:27:40 | 0:27:43 | |
'Managing deer on remote estates...' | 0:27:44 | 0:27:46 | |
We've only been doing the culling here since 2008. | 0:27:46 | 0:27:50 | |
If you went back, none of these seedlings would be here, | 0:27:50 | 0:27:53 | |
because every time a seedling comes up, the tops are being nipped off. | 0:27:53 | 0:27:56 | |
'..recreating farming from a bygone era...' | 0:27:56 | 0:27:59 | |
That's what the old shearing huts would look like. | 0:27:59 | 0:28:01 | |
And you go in there and you sleep and everything else you do outside. | 0:28:01 | 0:28:04 | |
-Despite the weather. -Yeah, absolutely. | 0:28:04 | 0:28:07 | |
'..and we're in the hills above Braemar for one of nature's most | 0:28:07 | 0:28:10 | |
'amazing spectacles.' | 0:28:10 | 0:28:12 | |
I can never tire of watching black grouse at the lek. | 0:28:12 | 0:28:15 | |
So, join us for that and much, much more, same time next week, | 0:28:17 | 0:28:21 | |
7.30, Friday night, BBC One Scotland. | 0:28:21 | 0:28:24 | |
In the meantime, from all of the Landward team, Nick, me | 0:28:24 | 0:28:26 | |
and everyone here in Perth, thank you for your company. | 0:28:26 | 0:28:29 | |
-Bye for now. -Goodbye. | 0:28:29 | 0:28:30 |