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This is a story of Britain, but a Britain that we very rarely see. | 0:00:03 | 0:00:08 | |
Britain as an undiscovered country. We're travelling | 0:00:10 | 0:00:13 | |
from the southern tip of England to the far north of Scotland, | 0:00:13 | 0:00:17 | |
exploring the best the British countryside has to offer. | 0:00:17 | 0:00:19 | |
But we are going to be taking the long way round, because this journey | 0:00:19 | 0:00:23 | |
is all about getting off the beaten track. | 0:00:23 | 0:00:26 | |
'We're going in search of the secret... | 0:00:26 | 0:00:29 | |
Oh, yes! Gorgeous. | 0:00:29 | 0:00:32 | |
'..the forgotten, | 0:00:32 | 0:00:34 | |
'the unexpected, the lost treasures our landscapes.' | 0:00:34 | 0:00:39 | |
This is absolutely incredible. What a spot! | 0:00:40 | 0:00:45 | |
'We asked you to share your secret places - | 0:00:46 | 0:00:49 | |
'the little known, the hard to get to, | 0:00:49 | 0:00:52 | |
'the deserted.' | 0:00:52 | 0:00:54 | |
Who could fail to get lost in a place like this? | 0:00:54 | 0:00:59 | |
'And we'll be sharing our own hidden gems.' | 0:00:59 | 0:01:02 | |
Oh, look at this for a view! It's absolutely extraordinary. | 0:01:02 | 0:01:07 | |
'Over the next four weeks, we're going to be journeying through | 0:01:07 | 0:01:10 | |
'the last great wildernesses of our country, | 0:01:10 | 0:01:14 | |
'this astonishing place we call home.' | 0:01:14 | 0:01:17 | |
It's absolutely amazing. | 0:01:17 | 0:01:20 | |
'We're looking to reclaim the hidden and the overlooked. | 0:01:20 | 0:01:24 | |
'To find the pieces of our history that might have slipped between the cracks. | 0:01:24 | 0:01:30 | |
'Secrets kept in shadow, waiting for their moment in the sun. | 0:01:30 | 0:01:34 | |
'Every road taken is an opportunity to explore.' | 0:01:34 | 0:01:37 | |
Oh, man. Honestly, I cannot stop smiling. | 0:01:37 | 0:01:44 | |
This is secret Britain. | 0:01:46 | 0:01:48 | |
This epic adventure begins in the far South West. | 0:01:58 | 0:02:02 | |
And the first leg will take us from Cornwall right across to Dover. | 0:02:02 | 0:02:07 | |
We're each taking different routes across the busiest parts of our small island, | 0:02:07 | 0:02:12 | |
sidestepping the urban sprawl in search of true wilderness in the increasingly crowded South. | 0:02:12 | 0:02:18 | |
And we're starting here, in Cornwall. | 0:02:18 | 0:02:22 | |
The setting for many a seaside holiday. | 0:02:25 | 0:02:28 | |
Nearly five million of us head here every year. | 0:02:37 | 0:02:42 | |
And why not? It's stunning. | 0:02:43 | 0:02:46 | |
It's easy to forget that what's now a pleasure playground used to be a working landscape. | 0:02:50 | 0:02:57 | |
The shells of tin mines echo a reminder of a not-so-distant past. | 0:02:57 | 0:03:02 | |
Cornwall seems like an open book. | 0:03:08 | 0:03:12 | |
It's beauty on display for all to see. | 0:03:12 | 0:03:15 | |
But like the rest of the well-trodden South, | 0:03:16 | 0:03:19 | |
there are still hidden corners waiting to be explored. | 0:03:19 | 0:03:24 | |
You just have to make the effort to find them. | 0:03:30 | 0:03:33 | |
And for that, I'm going to need a little help. | 0:03:33 | 0:03:36 | |
Right, we're all kitted up. Am I at the front or the back? | 0:03:37 | 0:03:41 | |
Yeah, if you sit in the front, I'll control from the back of the kayak. | 0:03:41 | 0:03:45 | |
Just carry it into the water, to sort of knee-depth. And then we'll... | 0:03:45 | 0:03:48 | |
Looks a bit choppy, Simon. | 0:03:48 | 0:03:50 | |
I think we'll be OK. Just keep it straight as we're kayaking out. | 0:03:50 | 0:03:53 | |
We'll try and time it between the waves. | 0:03:53 | 0:03:56 | |
Simon Carley-Smith loves to paddle these waters. | 0:03:57 | 0:04:01 | |
He wants to show me that you can still get away from the crowds | 0:04:01 | 0:04:05 | |
on one of the busiest coastlines in Britain. | 0:04:05 | 0:04:08 | |
Keep it steady. Right. | 0:04:08 | 0:04:12 | |
We're through. | 0:04:12 | 0:04:13 | |
'This is the Pentire headland, | 0:04:18 | 0:04:20 | |
'on the north Cornish coast. | 0:04:20 | 0:04:24 | |
'To the west lies Padstow and the packed surfing beaches of Newquay.' | 0:04:24 | 0:04:28 | |
'But down here, we're on our own.' | 0:04:30 | 0:04:33 | |
This is delightful. I can't believe how crystal clear the water is. | 0:04:34 | 0:04:39 | |
I know. It doesn't get better than this. It really doesn't. | 0:04:39 | 0:04:42 | |
You'd never suspect that we were so close to Polzeath. | 0:04:42 | 0:04:45 | |
Obviously, you could walk the coastal path along here. | 0:04:45 | 0:04:48 | |
The coast path does run along the edge. | 0:04:48 | 0:04:50 | |
Yeah, but to get down in a canoe, in a kayak like this, | 0:04:50 | 0:04:53 | |
and see it from this perspective... | 0:04:53 | 0:04:55 | |
Yeah, it's a different world. | 0:04:55 | 0:04:57 | |
A different world. | 0:04:57 | 0:04:59 | |
'It's a world that's not always easy to get to, | 0:04:59 | 0:05:03 | |
'as I'm starting to find out.' | 0:05:03 | 0:05:05 | |
Look at this swell now. We're being battered by the Atlantic wind. | 0:05:07 | 0:05:11 | |
And we're going through. | 0:05:11 | 0:05:12 | |
We're going through this gulley, next to Seven Souls Rock. | 0:05:13 | 0:05:17 | |
Has to be said, Simon, there's a lot more space on this side. | 0:05:17 | 0:05:21 | |
Yeah, I know, but there's a lot more excitement on the left. | 0:05:21 | 0:05:24 | |
Oh, hey! | 0:05:27 | 0:05:29 | |
-This is lovely stuff. -Keep surfing the wave. | 0:05:30 | 0:05:33 | |
We are literally paddling up and down hill here. | 0:05:33 | 0:05:37 | |
We've got a bit of big something coming in behind us. | 0:05:37 | 0:05:39 | |
-Here comes the wave! -On the left-hand side. | 0:05:39 | 0:05:42 | |
Really chunking it down on the left. | 0:05:42 | 0:05:45 | |
And we're through. | 0:05:46 | 0:05:47 | |
There's little low, | 0:05:47 | 0:05:49 | |
and here comes another little one, to carry us clear. | 0:05:49 | 0:05:53 | |
-Ah, yes! Simon, that was brilliant. -You did really well there. Very well. | 0:05:53 | 0:05:57 | |
I have to say, I thought we were a bit mad, going for that, but... | 0:05:57 | 0:06:00 | |
It was nearly eight or nine souls then, I've got to say. | 0:06:00 | 0:06:04 | |
'This is a unique stretch of the Cornish coastline, where the sea laps the shore. | 0:06:04 | 0:06:10 | |
'The closest most people get is the cliff path high above.' | 0:06:10 | 0:06:15 | |
'Looming over us are the jagged rocky outcrops of Pentire Point and the Rumps.' | 0:06:16 | 0:06:22 | |
'These brooding cliffs tell a story all their own, | 0:06:25 | 0:06:29 | |
'a story of ancient underwater volcanoes and shallow seas. | 0:06:29 | 0:06:33 | |
'The curious folds in the rock are known as pillow lava, | 0:06:33 | 0:06:37 | |
'formed hundreds of millions of years ago, when magma oozed up and cooled rapidly in the sea. | 0:06:37 | 0:06:43 | |
'Tiny petrified gas bubbles are still trapped inside.' | 0:06:43 | 0:06:47 | |
'From the water, you feel like you can reach out and touch a truly ancient world.' | 0:06:49 | 0:06:54 | |
'These dark volcanic cliffs have plenty of secrets to share.' | 0:06:59 | 0:07:04 | |
We'll pop in and visit the Lundy Hole, which is a huge sea cave | 0:07:04 | 0:07:08 | |
that the roof has collapsed and it's made a really exciting feature. | 0:07:08 | 0:07:11 | |
-Oh, wow! -Just take the kayak right deep into the cave. | 0:07:17 | 0:07:20 | |
It gets shallow there so we can moor it up. | 0:07:20 | 0:07:23 | |
-Ah! -It's beautiful, isn't it? | 0:07:24 | 0:07:26 | |
This is something else. | 0:07:28 | 0:07:29 | |
You can only access this from the water? | 0:07:29 | 0:07:31 | |
From the water, yeah. We'll just leave it. | 0:07:31 | 0:07:34 | |
-This will just float around. -Yeah. -It's not going to go anywhere. | 0:07:34 | 0:07:38 | |
All these boulders are the remains of the roof that collapsed goodness knows how long ago. | 0:07:38 | 0:07:43 | |
It does make you wonder how long that roof's got. | 0:07:43 | 0:07:45 | |
-I think we'll be OK. -You reckon? | 0:07:45 | 0:07:48 | |
'Myth and legend abound in Cornwall, and Lundy Hole is no exception. | 0:07:50 | 0:07:56 | |
'It's said to have been formed by the Devil while he was fleeing from a Cornish saint.' | 0:07:56 | 0:08:01 | |
'You do have to be pretty determined to get here.' | 0:08:03 | 0:08:08 | |
The access here really is really difficult. | 0:08:08 | 0:08:11 | |
There's only a couple of beaches between Polzeath and Port Isaac | 0:08:11 | 0:08:15 | |
where you can actually enter the water without having an abseil rope. | 0:08:15 | 0:08:20 | |
-So that's why we've got it to ourselves. -Special. | 0:08:20 | 0:08:22 | |
-Yeah, very special. -Very special. | 0:08:22 | 0:08:24 | |
-Right, let's keep exploring. -Shall we head back out? -Yeah. | 0:08:24 | 0:08:27 | |
We'll head round to a nice sandy beach now. | 0:08:27 | 0:08:29 | |
'While people jostle for space on Cornwall's popular beaches, | 0:08:32 | 0:08:36 | |
'arriving by kayak means we get one all to ourselves.' | 0:08:36 | 0:08:40 | |
-Fantastic. -Yeah. And look at it. | 0:08:43 | 0:08:48 | |
Seriously, not a soul in sight. | 0:08:48 | 0:08:52 | |
This place is so inaccessible, | 0:08:55 | 0:08:57 | |
not even our camera crew can come down here and film us. | 0:08:57 | 0:09:02 | |
-Just us. But shh, it's a secret! You can't tell anyone. -Absolutely. | 0:09:02 | 0:09:06 | |
There you go. That's where it is, if you want to know. | 0:09:12 | 0:09:15 | |
X marks the spot. | 0:09:15 | 0:09:17 | |
Secluded coves and caves aren't Cornwall's only secrets. | 0:09:32 | 0:09:36 | |
Time to leave the Atlantic behind | 0:09:36 | 0:09:38 | |
and head across to the altogether more gentle southern Cornish coast. | 0:09:38 | 0:09:43 | |
Mevagissey's sleepy suntrap of a harbour is picture-postcard Cornwall. | 0:09:48 | 0:09:53 | |
But on the outskirts of nearby St Austell, | 0:09:55 | 0:09:58 | |
the landscape unexpectedly transforms into something almost alien... | 0:09:58 | 0:10:03 | |
..something with a strange beauty, all of its own. | 0:10:05 | 0:10:08 | |
This area has become a stunning wildlife haven. | 0:10:28 | 0:10:32 | |
And just look at this splash of lilac spotted across the crevices. | 0:10:34 | 0:10:39 | |
It's gorgeous. | 0:10:39 | 0:10:41 | |
These are known as the Cornish Alps. | 0:10:50 | 0:10:52 | |
In the '60s there would have been about 50 of these cone-shaped mountains scattered across | 0:10:52 | 0:10:57 | |
the entire landscape, the remains of a once-thriving mining industry. | 0:10:57 | 0:11:01 | |
Buried under this slice of Cornwall is an especially fine layer of china clay. | 0:11:04 | 0:11:10 | |
For over 250 years, this clay has been mined for the manufacture of porcelain and paper. | 0:11:10 | 0:11:16 | |
At its height, nearly one million ton of clay a year were being produced. | 0:11:16 | 0:11:21 | |
It was a lucrative industry that radically remodelled the St Austell skyline. | 0:11:24 | 0:11:31 | |
For every ton of clay there were five tons of spoil, | 0:11:31 | 0:11:34 | |
spoil that piled into man-made mountains. | 0:11:34 | 0:11:37 | |
Cycling through this lunar landscape, | 0:11:40 | 0:11:42 | |
you get a sense of the sheer scale of the industry... | 0:11:42 | 0:11:45 | |
..an industry that still continues today. | 0:11:47 | 0:11:50 | |
But once the miners move on, nature is allowed to take over | 0:11:54 | 0:11:58 | |
and the Alps take on a life of their own. | 0:11:58 | 0:12:01 | |
Made by man, reclaimed by Mother Nature. | 0:12:04 | 0:12:08 | |
An unexpected sort of Wilderness. | 0:12:08 | 0:12:10 | |
The Cornish Alps are a great escape and a monument to a proud industrial past. | 0:12:10 | 0:12:16 | |
But I'm leaving St Austell and its secrets behind. | 0:12:22 | 0:12:25 | |
I'm moving on, tracking the River Fowey inland until we reach the forbidding majesty of Bodmin Moor. | 0:12:25 | 0:12:31 | |
The moor is famed for the Bodmin beast, and the smugglers of Jamaica Inn. | 0:12:38 | 0:12:43 | |
But there's a forgotten corner which harbours a secret far older and more mysterious, | 0:12:44 | 0:12:51 | |
the final chapter in the legendary story of King Arthur. | 0:12:51 | 0:12:55 | |
It's a secret that's well worth a short detour on my trip across the South. | 0:12:56 | 0:13:00 | |
According to legend, hidden in the depths of this bottomless pool | 0:13:00 | 0:13:05 | |
lies King Arthur's famous sword, Excalibur, guarded by the Lady of the Lake. | 0:13:05 | 0:13:10 | |
As Arthur lay mortally wounded after the bottle of Camlann, | 0:13:13 | 0:13:16 | |
he ordered Sir Bedivere to chuck his sword into the water. | 0:13:16 | 0:13:19 | |
What's a knight to do? Reluctantly, he agreed to his king's last wish. | 0:13:19 | 0:13:24 | |
But before Excalibur hit the water, a lady's hand rose up and grabbed it | 0:13:29 | 0:13:33 | |
before disappearing again beneath the surface. | 0:13:33 | 0:13:36 | |
The sword remains hidden, protected by its guardian | 0:13:40 | 0:13:43 | |
until such time as the country needs its help once more. | 0:13:43 | 0:13:46 | |
The so-called bottomless pool of Dozmary has in fact dried out many times. | 0:13:48 | 0:13:54 | |
But just because nobody has yet found Excalibur lying in the mud | 0:13:54 | 0:13:58 | |
doesn't mean it isn't there. | 0:13:58 | 0:14:00 | |
Many people come to Cornwall drawn by the legend of King Arthur, | 0:14:03 | 0:14:07 | |
yet few ever make it to Dozmary. | 0:14:07 | 0:14:09 | |
It's a precious piece of secret Britain. | 0:14:09 | 0:14:12 | |
Back on the Atlantic coast | 0:14:18 | 0:14:20 | |
is a far more celebrated landmark in Arthur's story. | 0:14:20 | 0:14:24 | |
Summer visitors flock to the dramatic ruins of Tintagel, | 0:14:25 | 0:14:29 | |
believing it to be the great king's birthplace. | 0:14:29 | 0:14:34 | |
But to find real secrets on this stunning stretch of coast, | 0:14:34 | 0:14:38 | |
you have to look beyond the tourists, beyond the castle, and beyond the cliff path. | 0:14:38 | 0:14:43 | |
Everyone has a special place, | 0:14:46 | 0:14:47 | |
and one couple found theirs tucked off Tintagel's beaten track. | 0:14:47 | 0:14:52 | |
Louise and David Osborne loved Rocky Valley so much | 0:14:55 | 0:14:58 | |
that this is where they celebrated their wedding. | 0:14:58 | 0:15:00 | |
We came here about a year before the wedding | 0:15:02 | 0:15:05 | |
and we were just walking the Boscastle to Tintagel coast path. | 0:15:05 | 0:15:09 | |
We decided to turn left and go through the forest, really. | 0:15:11 | 0:15:17 | |
We just sort of went up there and discovered | 0:15:17 | 0:15:20 | |
the ruins and the maze and the whole of the valley. | 0:15:20 | 0:15:23 | |
It wasn't in any of the guidebooks. It was something you just stumble across. | 0:15:27 | 0:15:31 | |
We got married not far down the road, then we came here, | 0:15:31 | 0:15:35 | |
had a nice picnic, with pasties and cheap fizz. | 0:15:35 | 0:15:40 | |
Then we took all our guests for a little walk through the valley | 0:15:40 | 0:15:44 | |
to show them our favourite place. | 0:15:44 | 0:15:47 | |
Rocky Valley, to me, is number one spot in the whole wide world. | 0:15:49 | 0:15:55 | |
Nothing ever would beat this. | 0:15:55 | 0:15:56 | |
This is just the most perfect place. | 0:15:56 | 0:15:59 | |
-We'll definitely keep returning. -Yes. -Definitely. As often as we can. | 0:15:59 | 0:16:03 | |
Back on our journey to uncover the secrets of the South, | 0:16:10 | 0:16:13 | |
I'm heading ever eastwards. | 0:16:13 | 0:16:15 | |
I've crossed the border into Devon | 0:16:15 | 0:16:18 | |
and the landscape opens out before me. | 0:16:18 | 0:16:20 | |
In 1964, the novelist EM Forster complained, "There's no forest | 0:16:21 | 0:16:27 | |
"or fell to escape to today, no cave to curl up, no deserted valley." | 0:16:27 | 0:16:33 | |
Well, he'd clearly forgotten about the nearly 400 square miles | 0:16:33 | 0:16:37 | |
of bleak wilderness that make up Dartmoor National Park. | 0:16:37 | 0:16:41 | |
The rugged, desolate beauty of the moor. | 0:16:47 | 0:16:51 | |
Granite tors standing proud above rock-strewn grasslands. | 0:16:51 | 0:16:55 | |
It's both majestic and mysterious. | 0:16:55 | 0:17:00 | |
Natural perfection, you might think. | 0:17:00 | 0:17:03 | |
But Dartmoor has a hidden history. | 0:17:03 | 0:17:06 | |
Around 6,000 years ago, most of this was in fact forest, | 0:17:06 | 0:17:11 | |
part of the vast wild wood that stretched across Britain | 0:17:11 | 0:17:16 | |
from coast to coast. | 0:17:16 | 0:17:17 | |
Like most of the South, Dartmoor's open landscape | 0:17:17 | 0:17:21 | |
has been almost entirely shaped by man. | 0:17:21 | 0:17:24 | |
Apart, that is, from a few remote and secret spots high on the moor. | 0:17:24 | 0:17:30 | |
Simon Lee from Natural England | 0:17:30 | 0:17:32 | |
has agreed to take me into Dartmoor's past. | 0:17:32 | 0:17:36 | |
-We have well and truly left civilisation behind. -We have, yeah. | 0:17:37 | 0:17:41 | |
Got a few sheep there. | 0:17:41 | 0:17:43 | |
Apart from the occasional hiker, there's not a soul in sight. | 0:17:43 | 0:17:46 | |
Not a soul in sight, no. | 0:17:46 | 0:17:48 | |
'We're heading for one of Dartmoor's last remaining pockets of wild wood, | 0:17:48 | 0:17:53 | |
'Black-a-Tor Copse. | 0:17:53 | 0:17:54 | |
'It's a steep climb up the Okement Valley to where the moor almost touches the sky.' | 0:17:54 | 0:18:00 | |
-There isn't a lot of woodland here now, is there? -No! | 0:18:00 | 0:18:02 | |
A lot of that was cleared by Bronze Age people. | 0:18:02 | 0:18:04 | |
-And if you scramble up the slope, you might get a glimpse of it. -OK. | 0:18:07 | 0:18:12 | |
Black-a-Tor Copse? | 0:18:14 | 0:18:17 | |
-Looking splendid in the mist. -Doesn't it just? | 0:18:17 | 0:18:20 | |
'Forests like this once covered Britain. | 0:18:22 | 0:18:25 | |
'As people settled and began to farm, | 0:18:26 | 0:18:29 | |
'they cleared the trees and enclosed the land. | 0:18:29 | 0:18:32 | |
'Black-a-Tor Copse is a moment frozen in time. | 0:18:33 | 0:18:38 | |
'A world of oak trees long-since forgotten.' | 0:18:39 | 0:18:43 | |
This is absolutely incredible. | 0:18:43 | 0:18:47 | |
What a spot! | 0:18:47 | 0:18:48 | |
It's so different to what is just a couple of steps behind, and you walk into all of this. | 0:18:48 | 0:18:52 | |
It looks so cosy and comfy. | 0:18:52 | 0:18:55 | |
There's rock-hard granite down here | 0:18:55 | 0:18:57 | |
but because it's covered in all these mosses and lichen, | 0:18:57 | 0:18:59 | |
it's like a big quilt. You just kind of want to dive into it all. | 0:18:59 | 0:19:03 | |
How old are these kind of twisted oaks, then? | 0:19:06 | 0:19:10 | |
There's documented evidence that there have been trees here for several centuries. | 0:19:10 | 0:19:14 | |
But the individual trees themselves, probably no more than about 200 years old. | 0:19:14 | 0:19:19 | |
Are they stunted simply because they can't get the root system down into this granite? | 0:19:19 | 0:19:24 | |
No, I think the main reason they're stunted is because of | 0:19:24 | 0:19:28 | |
the weather conditions up here. | 0:19:28 | 0:19:30 | |
It's so high - we're up about 1,300ft here, so it's cold and it's wet. | 0:19:30 | 0:19:36 | |
-Yeah. -And it's simply that they can't grow any faster or any bigger. | 0:19:36 | 0:19:41 | |
'This is one of only three high-altitude woodlands left on Dartmoor. All are protected. | 0:19:41 | 0:19:48 | |
'The unique conditions make it feel almost tropical. | 0:19:48 | 0:19:52 | |
'Not rainforest, but cloudforest.' | 0:19:52 | 0:19:56 | |
It's just loaded with mosses and lichen and ferns. | 0:19:56 | 0:20:02 | |
It is. In terms of what you're seeing at the moment, it's a woodland | 0:20:02 | 0:20:06 | |
that's as near natural as you can get in the UK. | 0:20:06 | 0:20:09 | |
'Walking through these gnarled oaks | 0:20:11 | 0:20:13 | |
'feels like walking into a primeval indigenous landscape, | 0:20:13 | 0:20:18 | |
'a secret of Britain's past.' | 0:20:18 | 0:20:20 | |
Ever since I was a little lad, I have always, always loved oak trees. | 0:20:23 | 0:20:27 | |
I don't know what it's about them. I think they're just... | 0:20:27 | 0:20:30 | |
They're so homely and so protective | 0:20:30 | 0:20:32 | |
and ever since I've had the chance to come in here, | 0:20:32 | 0:20:35 | |
I've seen yet another side to their character. | 0:20:35 | 0:20:38 | |
The way that they've... Well, look at this. | 0:20:38 | 0:20:41 | |
They've twisted and bent themselves around | 0:20:41 | 0:20:44 | |
this boulderous and boggy landscape of Dartmoor. | 0:20:44 | 0:20:48 | |
And trudging across that misty, bleak moor to get here, | 0:20:48 | 0:20:52 | |
on arrival it just feels so warm and so welcoming. | 0:20:52 | 0:20:58 | |
And to think really that this landscape hasn't changed at all | 0:20:58 | 0:21:02 | |
since the last ice age, it is really, really rare. | 0:21:02 | 0:21:07 | |
This is a very special spot. | 0:21:09 | 0:21:12 | |
'Two and a half million people visit Dartmoor every year. | 0:21:26 | 0:21:31 | |
'But few venture as far as Black-a-Tor Copse | 0:21:31 | 0:21:34 | |
'and even fewer realise that there's a greater secret locked in the heart of the moor - | 0:21:34 | 0:21:39 | |
'one that played a part in building some of Britain's proudest monuments. | 0:21:39 | 0:21:45 | |
'The local name for granite is moonstone, | 0:21:45 | 0:21:48 | |
'and it's been used here for thousands of years. | 0:21:48 | 0:21:52 | |
'But just 200 years ago, Dartmoor granite became the stone of choice | 0:21:52 | 0:21:56 | |
'for the architects of many of London's finest buildings.' | 0:21:56 | 0:22:01 | |
'I'm going to explore Dartmoor's forgotten link with our national heritage.' | 0:22:07 | 0:22:12 | |
'My search begins close to one of its most famous landmarks - | 0:22:18 | 0:22:22 | |
'Haytor, an imposing slab of granite.' | 0:22:22 | 0:22:26 | |
'I'm following something I never imagined you'd find on Dartmoor.' | 0:22:32 | 0:22:37 | |
A junction here. | 0:22:37 | 0:22:40 | |
'A railway. | 0:22:40 | 0:22:42 | |
'Made of stone.' | 0:22:42 | 0:22:44 | |
So... that must be Hound Tor up there. | 0:22:44 | 0:22:49 | |
'It's the start of an extraordinary transportation network | 0:22:49 | 0:22:52 | |
'that carried granite from moorland quarries down to the sea | 0:22:52 | 0:22:56 | |
'and on to the heart of London.' | 0:22:56 | 0:22:59 | |
'As the weather takes a turn for the worst, the tramway leads me to local archaeologist Jane Marchand.' | 0:23:01 | 0:23:08 | |
-Jane, how you doing? All right? -I'm fine, Matt, thanks. | 0:23:08 | 0:23:11 | |
What have you done to the weather? | 0:23:11 | 0:23:13 | |
-I apologise, but this is real Dartmoor weather. -Isn't it just. | 0:23:13 | 0:23:16 | |
It's lovely. I've had a lovely walk down this tramway. | 0:23:16 | 0:23:19 | |
-Have you? -Yeah, following these little granite rails. | 0:23:19 | 0:23:22 | |
-Is this the quarry down here on the left? -This is Holwell Quarry, down here. | 0:23:22 | 0:23:25 | |
The working here was really a very short period of time, | 0:23:25 | 0:23:29 | |
probably about 30, 40 years. But you can see | 0:23:29 | 0:23:32 | |
the amount of granite that's been extracted. | 0:23:32 | 0:23:34 | |
And the effort that must have gone into it. | 0:23:34 | 0:23:37 | |
We've lost the whole of that granite face. | 0:23:37 | 0:23:40 | |
We know that the granite from Holwell Quarry | 0:23:40 | 0:23:43 | |
went to the British Museum. Formed the British Library. | 0:23:43 | 0:23:45 | |
And there's some in Buckingham Palace, apparently. | 0:23:45 | 0:23:48 | |
It was seen to be the best granite in the country, if not in the world. | 0:23:48 | 0:23:52 | |
-And did they blast it, then, with gunpowder? -They did, they did, yeah. | 0:23:54 | 0:23:58 | |
And you've got evidence, where the... | 0:23:58 | 0:24:00 | |
That's actually where they'd have put the stick of gunpowder in. | 0:24:00 | 0:24:04 | |
Yeah, yeah. | 0:24:04 | 0:24:06 | |
Oh, this is rather nice, Matt. | 0:24:06 | 0:24:08 | |
It's a nice little secret building, really, | 0:24:08 | 0:24:10 | |
that most people don't know is here. | 0:24:10 | 0:24:12 | |
It's what we call a beehive shelter. | 0:24:12 | 0:24:15 | |
And this is where, once they put the gunpowder in, | 0:24:15 | 0:24:18 | |
-they'd have all run for cover to. -Right. | 0:24:18 | 0:24:22 | |
-To get away from the effects of the blast. If you want to go in... -Can I go in, yes? -Yeah. | 0:24:22 | 0:24:26 | |
I have got a little torch with me. Always prepared. Here we go. | 0:24:26 | 0:24:30 | |
It's cosy, that's for sure. | 0:24:30 | 0:24:33 | |
And beautifully built, actually. | 0:24:33 | 0:24:35 | |
-If you look at the great blocks of granite that they've used. -Yeah. | 0:24:35 | 0:24:39 | |
It actually gives them some protection from the weather as well. | 0:24:39 | 0:24:43 | |
It's probably quite a welcome place to have. | 0:24:43 | 0:24:45 | |
It does feel very protected. | 0:24:45 | 0:24:47 | |
-It does, doesn't it? -Especially with these... -Massive great slabs, yeah. | 0:24:47 | 0:24:51 | |
Once the granite was quarried, one-ton blocks were loaded on to wagons, | 0:24:57 | 0:25:02 | |
which were pulled along the tramway by teams of horses. | 0:25:02 | 0:25:05 | |
I'm following the granite's route off the moor all the way to the Stover Canal, | 0:25:07 | 0:25:12 | |
and the second leg of its long journey to London | 0:25:12 | 0:25:15 | |
via the port at Teignmouth. | 0:25:15 | 0:25:17 | |
The canal was a vital link for both the quarry and the nearby china clay mines, | 0:25:21 | 0:25:26 | |
but as demand dwindled, it saw its last barge past through in 1939. | 0:25:26 | 0:25:32 | |
Over the years, evidence of this once-thriving industry has gradually disappeared. | 0:25:32 | 0:25:38 | |
Right, well, I'm now in the village of Teigngrace | 0:25:41 | 0:25:46 | |
and I'm trying to find the start of the Stover Canal, | 0:25:46 | 0:25:49 | |
which I think is down here in this housing estate. | 0:25:49 | 0:25:53 | |
It feels so wrong. I'm going to walk into somebody's garden in a minute. | 0:25:53 | 0:25:56 | |
But, er... | 0:25:56 | 0:25:58 | |
Oh, no, hang on a minute. This is it. Good, good. | 0:25:58 | 0:26:01 | |
I've got a railway line which is running through here. | 0:26:01 | 0:26:04 | |
And I think I need to cross this railway line. | 0:26:06 | 0:26:10 | |
Let's have a look. | 0:26:10 | 0:26:11 | |
How does this work? One of them slidey ones. | 0:26:13 | 0:26:17 | |
Check there's no trains coming. | 0:26:18 | 0:26:20 | |
No. | 0:26:20 | 0:26:22 | |
No, judging by the look of that, I don't think this railway line has been used for a while. | 0:26:22 | 0:26:27 | |
Through this little gate and it should just be up ahead. | 0:26:29 | 0:26:33 | |
This must be the bridge. This is it. | 0:26:33 | 0:26:35 | |
I found it! Yes. | 0:26:35 | 0:26:37 | |
Yeah, this is it. This is it. | 0:26:40 | 0:26:43 | |
I think just up by that greenhouse | 0:26:43 | 0:26:46 | |
is where the trackway would have ended. | 0:26:46 | 0:26:48 | |
All the granite would have been taken off down to Teignmouth. | 0:26:48 | 0:26:52 | |
Incredible to think there'd be 50ft barges here, | 0:26:54 | 0:26:58 | |
full of 35 tons of granite. | 0:26:58 | 0:27:02 | |
Yeah. | 0:27:04 | 0:27:06 | |
So Teignmouth must be that way. | 0:27:06 | 0:27:10 | |
Incredible. | 0:27:15 | 0:27:18 | |
'Wandering along the overgrown banks of this tranquil stretch of water, | 0:27:18 | 0:27:23 | |
'history hangs in the air all around. | 0:27:23 | 0:27:26 | |
'This is Haytor's secret. | 0:27:26 | 0:27:28 | |
'A past that should be remembered.' | 0:27:28 | 0:27:31 | |
'The men who worked and transported Dartmoor granite | 0:27:34 | 0:27:37 | |
'were true industrial pioneers, | 0:27:37 | 0:27:40 | |
'who helped create some of the nation's most magnificent buildings.' | 0:27:40 | 0:27:44 | |
'Scratch the surface of this great country | 0:27:51 | 0:27:54 | |
'and you'll find stories like Haytor everywhere.' | 0:27:54 | 0:27:57 | |
'As we travel across the South | 0:27:58 | 0:28:00 | |
'on this leg of our search for secret Britain, | 0:28:00 | 0:28:03 | |
'we're looking for to reclaim the hidden and the forgotten, | 0:28:03 | 0:28:06 | |
'the cracks in our crowded modern world. | 0:28:06 | 0:28:09 | |
'Incredible stories of things we might otherwise overlook.' | 0:28:09 | 0:28:14 | |
'Travelling east along Dorset's Jurassic Coast, | 0:28:16 | 0:28:19 | |
'I've reached the cliffs above Bridport.' | 0:28:19 | 0:28:23 | |
I'm now at 626 feet above sea level. | 0:28:23 | 0:28:28 | |
This is the highest point on the south coast, Golden Cap. | 0:28:28 | 0:28:32 | |
And stretched out all below, delicious Dorset, | 0:28:32 | 0:28:36 | |
as far as the eye can see. | 0:28:36 | 0:28:38 | |
'But I'm bypassing its pretty villages with their quaint cottages, | 0:28:44 | 0:28:48 | |
'as I head into a hidden network of ancient tracks | 0:28:48 | 0:28:51 | |
'that run unnoticed between our modern roads.' | 0:28:51 | 0:28:55 | |
'These are the hollow-ways, from the Anglo-Saxon for "sunken road".' | 0:28:56 | 0:29:01 | |
'At first glance, they might seem like simple footpaths, | 0:29:02 | 0:29:05 | |
'but look closer and they tell a story of our long-forgotten past.' | 0:29:05 | 0:29:09 | |
'To guide me on my journey into this dappled green world | 0:29:12 | 0:29:16 | |
'is landscape historian Valerie Belsey.' | 0:29:16 | 0:29:20 | |
The canopy here is so dense | 0:29:20 | 0:29:22 | |
and it makes the lane very atmospheric, doesn't it? | 0:29:22 | 0:29:26 | |
It does, because remember it started off at the top of the field, | 0:29:26 | 0:29:29 | |
and then it's been eroded. | 0:29:29 | 0:29:31 | |
And it was used by cattle in the beginning. | 0:29:31 | 0:29:34 | |
And the dung from the cattle has been thrown back up and that acts | 0:29:34 | 0:29:38 | |
as fertiliser so the trees on the top have grown even taller. | 0:29:38 | 0:29:42 | |
-That's why it's so lush. -That's right, yeah. | 0:29:42 | 0:29:45 | |
This has been a busy pathway throughout the centuries. | 0:29:45 | 0:29:49 | |
The tree-shrouded holloways are unique to the soft stone counties | 0:29:52 | 0:29:56 | |
of southern England. | 0:29:56 | 0:29:57 | |
Drovers would have used them as a route to market - generations | 0:29:58 | 0:30:02 | |
of travellers carving out a well-worn path hidden in a hedgerow. | 0:30:02 | 0:30:06 | |
This holloway is trodden so deep into the yellow Dorset sandstone | 0:30:08 | 0:30:13 | |
that it's become known as Hell Lane. | 0:30:13 | 0:30:16 | |
Is the depth of this particular lane an indicator of how old it is? | 0:30:18 | 0:30:23 | |
Because the sides are very steep. | 0:30:23 | 0:30:25 | |
It's not a given clue. There are other clues. | 0:30:25 | 0:30:29 | |
'To date a holloway, you have to piece together nature's clues. | 0:30:29 | 0:30:33 | |
'Part of that means counting the number of species that grow along its banks.' | 0:30:35 | 0:30:40 | |
This is part of Hooper and Pollard's hedge-dating theory. | 0:30:40 | 0:30:43 | |
Each hardwood species for a 30-yard stretch of any lane on one side | 0:30:43 | 0:30:48 | |
is representative of 100 years. | 0:30:48 | 0:30:51 | |
So we've got holly, which is the first of the species. | 0:30:51 | 0:30:55 | |
-The next one up is hazel, so that's two. -Which is just here. | 0:30:55 | 0:30:59 | |
That's that one there with the lovely light going through the leaves. | 0:30:59 | 0:31:03 | |
-So we're up to 200 years. -200 years. | 0:31:03 | 0:31:06 | |
Ash here. | 0:31:08 | 0:31:09 | |
And we've got an ash, which is three. | 0:31:09 | 0:31:12 | |
And then going up the ash is a briar, now that counts, so that's four. | 0:31:12 | 0:31:17 | |
And then if you look a little bit further along we've got the maple | 0:31:17 | 0:31:20 | |
leaf tree which is a sycamore, which gives us 500 years. | 0:31:20 | 0:31:25 | |
So in this short stretch, we've bagged 500 years? | 0:31:25 | 0:31:28 | |
500 years, yes. | 0:31:28 | 0:31:30 | |
Five centuries of history locked into a handful of English trees. | 0:31:31 | 0:31:37 | |
Leaving Valerie behind, I follow Hell Lane even deeper into Dorset. | 0:31:38 | 0:31:44 | |
Given its name, this particular holloway has a surprising destination. | 0:31:44 | 0:31:49 | |
Hell Lane turns into a pilgrims' path leading to an ancient church. | 0:31:49 | 0:31:54 | |
It's certainly well-weathered stone. | 0:32:02 | 0:32:05 | |
Nestling in a corner of the church is the unique shrine to a saint | 0:32:19 | 0:32:23 | |
from Saxon times said to have the power of healing. | 0:32:23 | 0:32:27 | |
There are two interesting things about this shrine. | 0:32:27 | 0:32:31 | |
First of all, this is the only parish church in England | 0:32:31 | 0:32:35 | |
to hold the bones of a saint, and secondly, | 0:32:35 | 0:32:39 | |
St Wite was a woman. | 0:32:39 | 0:32:41 | |
'Even today, people bring their petitions to the good St Wite.' | 0:32:46 | 0:32:50 | |
My journey through the holloways of Dorset has been a revelation. | 0:33:02 | 0:33:07 | |
From above, they snake like green rivers through the countryside. | 0:33:07 | 0:33:11 | |
From below, they're a dappled doorway into another world, | 0:33:11 | 0:33:17 | |
extraordinary, everyday places... | 0:33:17 | 0:33:21 | |
just waiting to be discovered. | 0:33:21 | 0:33:23 | |
Beyond Dorset, I'm heading deeper into the heart of the south, | 0:33:29 | 0:33:33 | |
into the open, rolling countryside of Salisbury Plain. | 0:33:33 | 0:33:37 | |
Here stands Stonehenge, Britain's world-famous ancient monument... | 0:33:41 | 0:33:46 | |
..mysterious, rather than secret. | 0:33:48 | 0:33:52 | |
Not so the vast expanse of the plain, | 0:33:55 | 0:33:59 | |
which is under the control of the MoD. | 0:33:59 | 0:34:02 | |
Out there are thousands of other monuments, an ancient landscape rarely seen. | 0:34:03 | 0:34:09 | |
Not many civvies get to experience what I'm off to see, | 0:34:14 | 0:34:17 | |
because we've been given special access to some of the 94,000 acres | 0:34:17 | 0:34:21 | |
controlled by the British Army, | 0:34:21 | 0:34:23 | |
and I am assured that if I do as I'm told, everything should be perfectly safe. | 0:34:23 | 0:34:28 | |
Salisbury Plain is the largest military training ground in Britain. | 0:34:31 | 0:34:36 | |
Roughly the size of the Isle of Wight, it's big enough for a full-scale battle. | 0:34:36 | 0:34:40 | |
Not the kind of place for a Sunday stroll, you might think. | 0:34:42 | 0:34:47 | |
But even though much of the area remains out of bounds, | 0:34:47 | 0:34:50 | |
the surprising thing about Salisbury Plain is that not all of it is off-limits. | 0:34:50 | 0:34:56 | |
You have to take the signs seriously, but if you can get here | 0:34:56 | 0:34:59 | |
it offers a unique window onto Britain's history. | 0:34:59 | 0:35:03 | |
That's because, despite the ongoing warfare, | 0:35:03 | 0:35:06 | |
its many archaeological sites are largely undisturbed. | 0:35:06 | 0:35:10 | |
MoD archaeologist Richard Osgood has uncovered some of the secrets | 0:35:12 | 0:35:16 | |
of this plain, including its ancient military past. | 0:35:16 | 0:35:21 | |
You're standing on an Iron Age hill fort. | 0:35:21 | 0:35:23 | |
This is about 300 BC, | 0:35:23 | 0:35:24 | |
it's the biggest we have here, about 10 hectares. | 0:35:24 | 0:35:27 | |
-This hill we're on? -This is a rampart of a hill fort. | 0:35:27 | 0:35:29 | |
It's a big impressive monument, | 0:35:29 | 0:35:31 | |
expressing the powers of those that constructed it. | 0:35:31 | 0:35:34 | |
But it's not on its own, because as you look out here there are other features all connected with this. | 0:35:34 | 0:35:39 | |
The word we use is "palimpsest", layer upon layer of archaeology, | 0:35:39 | 0:35:42 | |
and the military being here has protected it. | 0:35:42 | 0:35:45 | |
The MoD first bought this land over 100 years ago, | 0:35:46 | 0:35:50 | |
and their ownership has saved its rolling chalk grasslands | 0:35:50 | 0:35:54 | |
from being developed or intensively farmed. | 0:35:54 | 0:35:57 | |
It's what makes Salisbury Plain probably the greatest open-air museum in Britain. | 0:35:57 | 0:36:02 | |
-Can you see those lines, those sort of terraces? -The steps on the left? | 0:36:04 | 0:36:07 | |
Yeah, those are field terraces from the Medieval period. | 0:36:07 | 0:36:10 | |
There's a corresponding set on the other side. | 0:36:10 | 0:36:12 | |
But if you follow those up, there's a clump of trees right | 0:36:12 | 0:36:16 | |
-at the top, and they're sitting on a Bronze Age burial mound. -Are they? | 0:36:16 | 0:36:19 | |
It's a round barrow, about 2,000 BC. | 0:36:19 | 0:36:23 | |
We're going to go and look at some Iron Age stuff, let's go and see what we've got. | 0:36:23 | 0:36:27 | |
Super, sounds good. | 0:36:27 | 0:36:29 | |
Chisenbury Midden is one of the richest sites on all Salisbury Plain. | 0:36:38 | 0:36:43 | |
To protect the remains here, digging is strictly forbidden, | 0:36:43 | 0:36:47 | |
but the local badgers don't seem to understand the rules. | 0:36:47 | 0:36:51 | |
So they must be turning up all sorts of stuff then, these badgers. | 0:36:51 | 0:36:54 | |
They do, they're incredibly powerful | 0:36:54 | 0:36:57 | |
bits of machinery in many ways. | 0:36:57 | 0:36:59 | |
They're great at digging stuff. | 0:36:59 | 0:37:01 | |
You can see that this big mound of spoil is coming out from the set. | 0:37:01 | 0:37:05 | |
-There's something in here. -Have you got something there? | 0:37:05 | 0:37:08 | |
Is that something? | 0:37:08 | 0:37:10 | |
Yeah, congratulations. I've been on excavations that have found less pottery than that. | 0:37:10 | 0:37:15 | |
Is that honestly something? It was literally just lying there! | 0:37:15 | 0:37:18 | |
-That is a large shard of an early Iron Age pot. -You're kidding me! | 0:37:18 | 0:37:21 | |
No, and look at the size of it. | 0:37:21 | 0:37:23 | |
-Is that early Iron Age? -Yeah. Actually, can you see there? | 0:37:23 | 0:37:27 | |
It's actually got some decorations from fingernails running along the edge. | 0:37:27 | 0:37:31 | |
-Never in this world... -Yeah. | 0:37:31 | 0:37:32 | |
It's an early Iron Age shard which has been decorated. | 0:37:32 | 0:37:36 | |
It was honestly just lying there, you would think I was meant to pick it up... | 0:37:36 | 0:37:40 | |
-No, that's right, not placed at all! -That is extraordinary. | 0:37:40 | 0:37:44 | |
That is a big piece as well, isn't it? | 0:37:44 | 0:37:46 | |
So what do you think that would have been? | 0:37:46 | 0:37:48 | |
It's a big cooking vessel. You can see the circumference | 0:37:48 | 0:37:52 | |
pretty much from the rim that that you've got. | 0:37:52 | 0:37:54 | |
-It's going round like that. -Yeah, absolutely. | 0:37:54 | 0:37:57 | |
Those sharp-clawed archaeologists certainly know what they're doing. | 0:37:57 | 0:38:01 | |
I'm just thinking, you know, the amount of history that is buried | 0:38:04 | 0:38:08 | |
in that mound is absolutely mind-blowing. | 0:38:08 | 0:38:12 | |
And this view here, this chalky grassland, | 0:38:12 | 0:38:16 | |
it has hardly changed since neolithic times. | 0:38:16 | 0:38:19 | |
This place really is like a landscape time-capsule. | 0:38:19 | 0:38:24 | |
And thanks to those badgers, | 0:38:24 | 0:38:26 | |
they've just prised it open and given us a little glimpse. | 0:38:26 | 0:38:31 | |
The chalk that shapes this landscape underpins much of southern England - | 0:38:37 | 0:38:43 | |
a great white way leading to the coast. | 0:38:43 | 0:38:47 | |
It's time for me to leave the untamed beauty | 0:38:49 | 0:38:52 | |
of Salisbury Plain behind. | 0:38:52 | 0:38:53 | |
Moving east, the chalk rises up into the rolling South Downs. | 0:38:56 | 0:39:00 | |
Latter-day travelling players Ed and Will believe every landscape has a story to tell, | 0:39:06 | 0:39:13 | |
a story that needs to be kept alive, both in word and song. | 0:39:13 | 0:39:18 | |
We've been walking these ancient pathways for years. | 0:39:18 | 0:39:22 | |
The South Downs are really our local mountain range. | 0:39:22 | 0:39:26 | |
You're on top of the world. | 0:39:26 | 0:39:28 | |
It may be a small, English world, but you're on top of it. | 0:39:28 | 0:39:31 | |
It's a way of life that's really let us learn a lot about the old traditions and the history. | 0:39:31 | 0:39:37 | |
I wonder if we could sing you a quick song, would that be possible? | 0:39:37 | 0:39:40 | |
It won't take a minute of your time. | 0:39:40 | 0:39:42 | |
# My son John was tall and slim | 0:39:42 | 0:39:45 | |
BOTH: # And he had a leg for every limb... # | 0:39:45 | 0:39:47 | |
'The songs are a powerful passport.' | 0:39:47 | 0:39:49 | |
They don't weigh anything, they don't cost anything, they introduce you to people... | 0:39:49 | 0:39:54 | |
What we try and do is to take these songs and give them out where they're unexpected. | 0:39:57 | 0:40:02 | |
'Just on the side of the street, whenever you meet anyone.' | 0:40:02 | 0:40:05 | |
# Oh, it's the farmer's daughter, dear | 0:40:05 | 0:40:09 | |
# She brews aplenty of strong beer | 0:40:09 | 0:40:11 | |
# And she's enough to cheer up any soul... # | 0:40:11 | 0:40:14 | |
'And the reactions are amazing.' | 0:40:14 | 0:40:16 | |
People don't know that this whole realm of song and folklore exists. | 0:40:16 | 0:40:20 | |
APPLAUSE | 0:40:20 | 0:40:21 | |
Thank you. | 0:40:21 | 0:40:23 | |
# Time passes over... # | 0:40:23 | 0:40:25 | |
One of the songs we learnt on the South Downs was called Sorrows Away. | 0:40:25 | 0:40:30 | |
BOTH: # Since we've learned a new act to drive sorrows away | 0:40:30 | 0:40:36 | |
# Sorrows away | 0:40:36 | 0:40:40 | |
# Sorrows away | 0:40:40 | 0:40:43 | |
# Sorrows away, oh... # | 0:40:43 | 0:40:47 | |
We're just doing the same things everyone has always done, just | 0:40:47 | 0:40:50 | |
being part of the landscape here, just like our great ancestors were. | 0:40:50 | 0:40:54 | |
And it's really important that people realise that there are these things, | 0:40:54 | 0:40:59 | |
these songs, stories, ways of life | 0:40:59 | 0:41:01 | |
that we have and that we have inherited from our ancestors, | 0:41:01 | 0:41:05 | |
and we must not forget that. | 0:41:05 | 0:41:07 | |
# Well, I may not be rich And I may not be poor | 0:41:07 | 0:41:12 | |
# But I'm as happy as those that have thousands or more. # | 0:41:12 | 0:41:20 | |
I'm also exploring the South Downs | 0:41:25 | 0:41:27 | |
in search, not of history or tradition, but for something | 0:41:27 | 0:41:30 | |
that feels strangely exotic in this corner | 0:41:30 | 0:41:33 | |
of quintessentially English countryside. | 0:41:33 | 0:41:37 | |
I have joined a hunt for one of the most elusive and sought after plants in nature, the orchid. | 0:41:37 | 0:41:42 | |
But if we find what we're hoping to find, there's no way I can tell you where we are. | 0:41:42 | 0:41:46 | |
Because these precious flowers attract thieves, | 0:41:46 | 0:41:50 | |
obsessive collectors who dig up and steal their specimens as soon as they surface. | 0:41:50 | 0:41:55 | |
And with a worldwide black-market in orchids estimated at £6 billion, | 0:41:57 | 0:42:02 | |
it's no wonder my guides, Graham from the National Trust and | 0:42:02 | 0:42:05 | |
orchid expert David Lang, want me to keep our precise location to myself. | 0:42:05 | 0:42:10 | |
So, David, what exactly are we looking for? | 0:42:12 | 0:42:16 | |
We're looking for fragrant orchids here. | 0:42:16 | 0:42:18 | |
You're looking for an orchid about that tall, | 0:42:18 | 0:42:21 | |
sort of pinky-purple, with a slender spike. | 0:42:21 | 0:42:24 | |
So watch where we put our feet? | 0:42:24 | 0:42:25 | |
Watch where you put your feet, please. | 0:42:25 | 0:42:27 | |
What about this? | 0:42:34 | 0:42:37 | |
-That's a common spotted orchid. -So that's one? | 0:42:37 | 0:42:40 | |
As the name implies, it's actually very common, | 0:42:40 | 0:42:43 | |
and if you look closely, it's got spotted leaves. | 0:42:43 | 0:42:46 | |
They look like little tiger stripes on there. | 0:42:46 | 0:42:48 | |
Not to be confused with the early purple orchid, | 0:42:48 | 0:42:51 | |
which has similar leaves, but much deeper purple flowers. | 0:42:51 | 0:42:54 | |
What have you got for me, David? | 0:42:54 | 0:42:56 | |
I've found you a nice patch of fragrant orchids. | 0:42:56 | 0:42:59 | |
Oh, lovely! | 0:42:59 | 0:43:01 | |
If you look at this lot, and you get down low and look up there. | 0:43:01 | 0:43:04 | |
Oh, isn't that gorgeous? | 0:43:04 | 0:43:06 | |
It's absolutely superb. | 0:43:06 | 0:43:07 | |
You can come up here safely. Have a sniff of that one. | 0:43:07 | 0:43:10 | |
Oh, yes, very delicate. | 0:43:12 | 0:43:14 | |
-A very delicate smell. -Beautiful to look at from down here as well. | 0:43:14 | 0:43:18 | |
You've got a lovely vista of them here. It's a gorgeous sight. | 0:43:18 | 0:43:21 | |
This is the best area for them. | 0:43:21 | 0:43:23 | |
The flowers have got a little three-lobed lip and a very long spur | 0:43:23 | 0:43:27 | |
which is full of nectar, and that attracts mainly | 0:43:27 | 0:43:31 | |
skipper butterflies and small flies. | 0:43:31 | 0:43:34 | |
David leads us down to a secluded hollow where he sets us hunting | 0:43:37 | 0:43:42 | |
for an even rarer orchid. | 0:43:42 | 0:43:44 | |
What are we looking for, apart from nettles and thistles? | 0:43:47 | 0:43:50 | |
We're looking for fly orchids here. | 0:43:50 | 0:43:52 | |
And I can see some just up here. | 0:43:52 | 0:43:54 | |
Can you see them? Here we are. | 0:43:54 | 0:43:56 | |
-You see? -Right. | 0:43:59 | 0:44:01 | |
Now, the wasp that pollinates these thinks this is another wasp. | 0:44:03 | 0:44:07 | |
The male wasps come to copulate or mate with the flower, | 0:44:07 | 0:44:10 | |
and in so doing they get pollen dusted on their heads. | 0:44:10 | 0:44:13 | |
It's no coincidence, then, that the flower actually resembles a wasp. | 0:44:13 | 0:44:17 | |
It does look exactly like a little wasp which is perched | 0:44:17 | 0:44:20 | |
with its wings folded, and of course it secretes these pheromones | 0:44:20 | 0:44:24 | |
which attract the male wasp who thinks it's a female. | 0:44:24 | 0:44:27 | |
The males come on the wing about a fortnight before the females, | 0:44:27 | 0:44:30 | |
so they're coming and pollinating the orchids, and then a fortnight later the ladies appear | 0:44:30 | 0:44:35 | |
and they realise the error of their ways | 0:44:35 | 0:44:37 | |
and chase the ladies and leave the flowers alone. | 0:44:37 | 0:44:40 | |
-Very sneaky! -Very sneaky, very clever. | 0:44:40 | 0:44:42 | |
-So in essence, the orchid is seducing the male wasp? -Absolutely. | 0:44:42 | 0:44:46 | |
-Completely falsely, leading it on? -Yes, yes, absolutely. Brilliant. | 0:44:46 | 0:44:50 | |
It works extremely well. | 0:44:50 | 0:44:51 | |
Orchids are as shy as anyone else when it comes to reproduction, and few people have actually | 0:44:53 | 0:44:57 | |
witnessed the way in which they woo their wasps. | 0:44:57 | 0:45:01 | |
But suddenly, right in front of us... | 0:45:01 | 0:45:05 | |
We've got it happening. We've got it happening. | 0:45:05 | 0:45:07 | |
-What we have actually got here is the wasp in action. It's happening. -Yes, yes. | 0:45:07 | 0:45:13 | |
How often have you seen this, David? | 0:45:14 | 0:45:16 | |
-Never. -Never? | 0:45:16 | 0:45:18 | |
-You've never seen this before? -Nope. | 0:45:22 | 0:45:25 | |
-So this is a first for you? -The first time I've seen it actually happening in front of me. | 0:45:25 | 0:45:29 | |
-In how many years? -Since 1947. | 0:45:29 | 0:45:32 | |
That's incredible! | 0:45:32 | 0:45:33 | |
How lucky are we to be here right now? | 0:45:33 | 0:45:36 | |
People do see it but I've never been lucky enough to see it before. | 0:45:36 | 0:45:39 | |
And get a photograph of it. | 0:45:39 | 0:45:41 | |
-And get it on film. -Yes, it can't be bad, can it? | 0:45:41 | 0:45:43 | |
Dear, oh dear. What a bit of luck. | 0:45:43 | 0:45:46 | |
You look quite overcome! | 0:45:46 | 0:45:48 | |
I'm very pleased. Very pleased indeed. | 0:45:48 | 0:45:51 | |
Hidden away from the thieves and hunters, | 0:45:53 | 0:45:56 | |
I hope these fascinating flowers will be left to procreate in peace. | 0:45:56 | 0:46:00 | |
My journey is now taking me east to join Matt in Dover. | 0:46:03 | 0:46:07 | |
But I can't leave the Downs behind without a quick detour in search of another secret, | 0:46:07 | 0:46:12 | |
one once hidden in shadow, now glorying in the sun. | 0:46:12 | 0:46:16 | |
Novelist Virginia Woolf is perhaps as well known for her life as for her work. | 0:46:21 | 0:46:28 | |
A member of the Bloomsbury Group, a collection of writers, thinkers and artists, she and her friends | 0:46:28 | 0:46:33 | |
sought refuge here in the Downs from the conventions of London society and the ravages of the Great War. | 0:46:33 | 0:46:40 | |
These days, the haunts of Virginia and her friends are meccas for literary fans, but at the beginning | 0:46:43 | 0:46:48 | |
of the 20th century, a place like Charleston House was her safe haven. | 0:46:48 | 0:46:53 | |
Charleston now opens its doors to the public, a testament to the artists who made their lives here. | 0:47:00 | 0:47:06 | |
What was once a sanctuary, a private secret, is now shared. | 0:47:13 | 0:47:18 | |
But the sense of true escape remains. | 0:47:18 | 0:47:21 | |
Your imagination just runs wild. | 0:47:24 | 0:47:27 | |
Who could fail to get lost in a place like this? | 0:47:27 | 0:47:31 | |
Absolute bliss. | 0:47:31 | 0:47:33 | |
I'm heading east towards Dover, | 0:47:40 | 0:47:43 | |
the last stop on this leg of our journey across Secret Britain. | 0:47:43 | 0:47:48 | |
But there's just time for one final detour. | 0:47:48 | 0:47:51 | |
This is Dungeness, | 0:47:53 | 0:47:56 | |
a bleak, remote wilderness clinging to the very edge of our island. | 0:47:58 | 0:48:04 | |
Few other places can boast both a steam railway and a nuclear power plant. | 0:48:06 | 0:48:11 | |
Arriving here feels like stepping through the looking glass. | 0:48:15 | 0:48:19 | |
This is the largest pebble beach in Europe. And it's on the move, | 0:48:22 | 0:48:27 | |
expanding out into the Channel at a rate of up to eight and a half feet a year. | 0:48:27 | 0:48:33 | |
Dilapidated sheds and decaying boats dot the landscape, | 0:48:33 | 0:48:39 | |
abandoned in a world of constantly shifting shingle. | 0:48:39 | 0:48:45 | |
This arid place is the closest thing we have in Britain to a desert. | 0:48:45 | 0:48:50 | |
It rains as little here as it does on the Rock of Gibraltar. | 0:48:50 | 0:48:54 | |
Ecologist Owen Leyshon is my guide to its harsh beauty. | 0:48:55 | 0:49:00 | |
So, Owen, it's an extraordinary landscape. | 0:49:00 | 0:49:04 | |
It's very tough for any plants and humans to survive on Dungeness. | 0:49:04 | 0:49:10 | |
Cold in the winter, really hot and dry in the summer. | 0:49:10 | 0:49:14 | |
It's, then, as close an environment as you can get to a desert. | 0:49:14 | 0:49:18 | |
-Yes. -So there's no soil or anything. How deep is this single? | 0:49:18 | 0:49:20 | |
It's about 17 to 20 metres deep, the shingle. | 0:49:20 | 0:49:24 | |
If it's that deep then the plants are certainly determined, | 0:49:27 | 0:49:31 | |
their roots searching the shingle for every nutrient, | 0:49:31 | 0:49:35 | |
every drop of salt-free moisture. | 0:49:35 | 0:49:38 | |
There seem to be a lot of these white-flowered plants here, Owen. | 0:49:38 | 0:49:43 | |
-What have we got here? What are these? -This is sea kale. | 0:49:43 | 0:49:46 | |
Nice, good old tough seaside plant, nice juicy leaves to it with | 0:49:46 | 0:49:49 | |
a lovely big white pom-pom display of flowers on it. | 0:49:49 | 0:49:54 | |
Characteristic seaside plant, but on Dungeness you could probably say | 0:49:54 | 0:49:58 | |
the biggest collection of sea kale in this country. | 0:49:58 | 0:50:02 | |
Look closer and more than one third of all the plant species in the UK | 0:50:03 | 0:50:08 | |
managed to grow amongst these pebbles. | 0:50:08 | 0:50:11 | |
But there aren't the only form of life here. | 0:50:11 | 0:50:13 | |
Further inland, fresh water collects in craters left by gravel extraction, | 0:50:13 | 0:50:18 | |
and in the freshwater lives something that was once declared extinct in Britain. | 0:50:18 | 0:50:24 | |
Oh, my word! They're leeches. | 0:50:25 | 0:50:28 | |
These are medicinal leeches. | 0:50:28 | 0:50:30 | |
In Europe, Dungeness is one of the best places for the species. | 0:50:30 | 0:50:35 | |
This is come from a gravel pit, so the water quality is excellent. | 0:50:35 | 0:50:39 | |
Lots of food for them, frogs and birds for them to feed on, because they need blood. | 0:50:39 | 0:50:44 | |
And you need a special licence... | 0:50:44 | 0:50:46 | |
You need a licence to handle these because they're quite rare in this country. | 0:50:46 | 0:50:50 | |
What do you have to do - just keep them moving? | 0:50:50 | 0:50:51 | |
I've got to keep holding these a bit like a hot potato. | 0:50:51 | 0:50:55 | |
There we go, let's get this one out. | 0:50:57 | 0:51:01 | |
I've just got to keep moving him around because he's going to be looking for a place to bite me. | 0:51:01 | 0:51:06 | |
And which end is the teeth? | 0:51:06 | 0:51:08 | |
300 teeth on it, | 0:51:08 | 0:51:10 | |
and they expand about two or three times their size when they've had their meal. | 0:51:10 | 0:51:14 | |
That will be it for the rest of the season. | 0:51:14 | 0:51:17 | |
This is the largest leech in this country. | 0:51:17 | 0:51:20 | |
You're not going to mistake this for anything else. | 0:51:20 | 0:51:22 | |
Leeches have long been used in medicine, and in the 19th century their popularity reached its peak. | 0:51:22 | 0:51:30 | |
Over-harvesting lead to dramatic shortages, but here in this corner of Kent, the leech somehow hung on. | 0:51:30 | 0:51:38 | |
It all adds to the atmosphere - | 0:51:41 | 0:51:43 | |
an alien, storybook world, | 0:51:43 | 0:51:47 | |
lost somewhere in time. | 0:51:47 | 0:51:49 | |
Coming as I have from the heart of England's green and pleasant land, | 0:51:53 | 0:51:57 | |
Dungeness is a startling sight. | 0:51:57 | 0:52:01 | |
It's strangely alluring, it's dreamlike, it's almost in slow motion, this place. | 0:52:01 | 0:52:07 | |
Totally unexpected | 0:52:07 | 0:52:10 | |
but unforgettable. | 0:52:10 | 0:52:12 | |
Beyond Dungeness, the flatlands of shingle give way to | 0:52:27 | 0:52:30 | |
the towering chalk skyscrapers of the Kent coast. | 0:52:30 | 0:52:33 | |
It's one of our island's most iconic landscapes, | 0:52:34 | 0:52:38 | |
and it's our last stop on this journey across the crowded south. | 0:52:38 | 0:52:44 | |
The white cliffs of Dover, an awe-inspiring sight, and for | 0:52:45 | 0:52:49 | |
generations a symbol of hope and freedom. | 0:52:49 | 0:52:52 | |
But let's leave Vera Lynn behind for one moment and explore their hidden secrets. | 0:52:52 | 0:52:56 | |
The cliffs stand guard at the narrowest point | 0:52:59 | 0:53:02 | |
of the English Channel and have long been a key stronghold in the defence of Britain's coastline. | 0:53:02 | 0:53:07 | |
Dover wears most of its military history on its sleeve. | 0:53:10 | 0:53:14 | |
Its proud castle and wartime tunnels now welcome visitors with open arms. | 0:53:14 | 0:53:20 | |
But what I'm looking for lies down a steep zig-zag path cut directly into the chalk. | 0:53:23 | 0:53:29 | |
This rather precipitous route leads to Langdon Bay, | 0:53:31 | 0:53:35 | |
and a well-hidden ghost of Dover's military past. | 0:53:35 | 0:53:39 | |
From above you'd never know it was here. | 0:53:39 | 0:53:42 | |
There were searchlights set back in these tunnels, | 0:53:47 | 0:53:51 | |
and they would check out every ship that was coming into the harbour or close to the harbour, and if they | 0:53:51 | 0:53:55 | |
didn't like the look of them they would send a signal, and then... | 0:53:55 | 0:53:59 | |
Boom. | 0:53:59 | 0:54:00 | |
Imagine being posted here on a harsh winter's night | 0:54:06 | 0:54:09 | |
during a German bombing raid - the sea outside battering against the cliffs, the cold, the noise. | 0:54:09 | 0:54:16 | |
This really was frontline Britain. | 0:54:16 | 0:54:19 | |
But Dover's harbour wasn't only vulnerable in wartime. | 0:54:20 | 0:54:23 | |
Langdon Bay has another secret, | 0:54:26 | 0:54:29 | |
one only revealed at low tide and by a steep scramble down a ladder. | 0:54:29 | 0:54:34 | |
On this beach below Kent's great white walls of chalk | 0:54:42 | 0:54:46 | |
lies the twisted and torn skeleton of the steamship Falcon. | 0:54:46 | 0:54:51 | |
It looks like the ribcage of some massive prehistoric beast that's been left behind on the beach. | 0:54:51 | 0:54:58 | |
Look how it's been corroded and shaped by the sea. | 0:55:00 | 0:55:04 | |
Limpets attach themselves to it. | 0:55:04 | 0:55:07 | |
It's quite beautiful. | 0:55:07 | 0:55:08 | |
It's not a casualty of war. | 0:55:11 | 0:55:13 | |
The SS Falcon posed a different kind of danger to Dover. | 0:55:13 | 0:55:17 | |
An elderly steamship, which had seen better days, the Falcon set sail in October 1926, | 0:55:20 | 0:55:27 | |
heavily laden with the cargo of jute and matches. | 0:55:27 | 0:55:32 | |
She lies almost forgotten now, but in her day, the Falcon was one of the biggest news stories in Britain. | 0:55:32 | 0:55:39 | |
Just off Dover, her unfortunate combination of cargo caught fire | 0:55:41 | 0:55:45 | |
and the crew were forced to abandon ship. | 0:55:45 | 0:55:49 | |
This rare footage shows the fire consuming her from within. | 0:55:52 | 0:55:56 | |
The captain tried desperately to save his ship but eyewitnesses | 0:56:00 | 0:56:04 | |
watched in horror as the Falcon began to drift towards the harbour, | 0:56:04 | 0:56:08 | |
putting Dover at risk of a major blaze. | 0:56:08 | 0:56:11 | |
With moments to spare, the wind changed and good fortune blew | 0:56:11 | 0:56:15 | |
her clear, only to come to grief on the rocky shore of Langdon Bay. | 0:56:15 | 0:56:22 | |
Now the Falcon's iron hull is all that remains. | 0:56:22 | 0:56:25 | |
A secret echo of a forgotten past. | 0:56:27 | 0:56:30 | |
It seems a fitting place to end the first leg of our adventure. | 0:56:33 | 0:56:37 | |
Dover's white cliffs stand in complete contrast to | 0:56:57 | 0:56:59 | |
the volcanic majesty of the north Cornish coast where we started. | 0:56:59 | 0:57:04 | |
It's a reminder of just how different Secret Britain can be. | 0:57:07 | 0:57:11 | |
Between the cracks of our crowded modern country we have found a far more ancient land. | 0:57:18 | 0:57:23 | |
Yes, there are wild and undiscovered corners, from the untamed vastness | 0:57:23 | 0:57:27 | |
of Salisbury Plain to the hollow ways and green lanes that weave their way through our countryside. | 0:57:27 | 0:57:34 | |
And from the alien landscapes of Dungeness to the Cornish Alps. | 0:57:34 | 0:57:39 | |
Every road taken can lead to a discovery, | 0:57:39 | 0:57:43 | |
a forgotten piece of the story of Britain. | 0:57:43 | 0:57:48 | |
But this is just the start of our exciting journey. | 0:57:50 | 0:57:54 | |
There's a lot more Secret Britain just waiting to be explored. | 0:57:54 | 0:57:58 | |
Next time we're moving north to travel through the hidden heart of Britain. | 0:58:03 | 0:58:07 | |
Where have you brought me? | 0:58:07 | 0:58:09 | |
It's an epic journey that will take us all the way from the flatlands of | 0:58:09 | 0:58:12 | |
the east to the staggering sea cliffs of Pembrokeshire. | 0:58:12 | 0:58:17 | |
Oh, my word! | 0:58:17 | 0:58:18 | |
I'm heading into a flooded water world in search of a very secret island... | 0:58:18 | 0:58:23 | |
You just cannot see it at all. | 0:58:24 | 0:58:26 | |
While I'm discovering Snowdon's ancient botanical secrets. | 0:58:26 | 0:58:30 | |
So this is it. | 0:58:30 | 0:58:32 | |
SHE LAUGHS | 0:58:32 | 0:58:33 | |
Subtitles by Red Bee Media Ltd | 0:58:34 | 0:58:37 | |
E-mail [email protected] | 0:58:37 | 0:58:41 |