Browse content similar to Kent. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
We live in a country with some of the most diverse | 0:00:09 | 0:00:12 | |
and beautiful landscapes in the world. | 0:00:12 | 0:00:15 | |
So diverse, very few of us know every nook and cranny. | 0:00:17 | 0:00:21 | |
And so beautiful, it'd be a crime to miss any of them. | 0:00:25 | 0:00:28 | |
The British Isles are full of secrets | 0:00:31 | 0:00:33 | |
and surprises, just waiting to be discovered. | 0:00:33 | 0:00:37 | |
-Good, Chris, good. Well done! -Thank you! | 0:00:38 | 0:00:41 | |
Wow! Oh, my God! | 0:00:41 | 0:00:43 | |
Out of nowhere they came! | 0:00:43 | 0:00:46 | |
It's easy to think Britain is a crowded place, | 0:00:46 | 0:00:49 | |
but with more than 60 million acres out there, | 0:00:49 | 0:00:52 | |
there's still plenty of the UK for us to discover and enjoy. | 0:00:52 | 0:00:57 | |
SHE LAUGHS | 0:00:57 | 0:00:58 | |
The power of the elements really belittles you! | 0:00:58 | 0:01:02 | |
In this series, we're going to escape the crowds | 0:01:02 | 0:01:05 | |
and get off the beaten track. | 0:01:05 | 0:01:07 | |
We're on the hunt for the unexpected... | 0:01:08 | 0:01:10 | |
Did you see it? Did you see it? There we go. Whoo-ooh! | 0:01:10 | 0:01:13 | |
..the breathtaking... | 0:01:13 | 0:01:15 | |
Oh, it's freezing! | 0:01:16 | 0:01:17 | |
..the hidden. | 0:01:17 | 0:01:18 | |
I think we found it! | 0:01:19 | 0:01:21 | |
Look at the size of this place! | 0:01:22 | 0:01:24 | |
This is the place we call home. | 0:01:26 | 0:01:29 | |
This is our Secret Britain. | 0:01:29 | 0:01:31 | |
For the last 8,000 years, | 0:01:51 | 0:01:53 | |
these towering white cliffs have been the first | 0:01:53 | 0:01:56 | |
impression of Britain for everyone arriving here from the Continent. | 0:01:56 | 0:02:01 | |
These cliffs have welcomed and seen off invaders for thousands of years. | 0:02:07 | 0:02:13 | |
They're both our first line of defence | 0:02:14 | 0:02:17 | |
but also a world-famous symbol of hope and freedom. | 0:02:17 | 0:02:21 | |
This is Kent. Whoo-hoo-hoo! | 0:02:22 | 0:02:25 | |
You might think of Kent as the Garden of England, | 0:02:29 | 0:02:32 | |
full of lush orchards bursting with fruit, | 0:02:32 | 0:02:36 | |
or the gateway to Europe for millions of continental travellers. | 0:02:36 | 0:02:40 | |
But scratch beneath the surface | 0:02:42 | 0:02:44 | |
and there's much more to this county than meets the eye. | 0:02:44 | 0:02:47 | |
Heading off-road and off-limits, we want to discover an altogether | 0:02:48 | 0:02:52 | |
wilder side to Kent... | 0:02:52 | 0:02:54 | |
..uncover long-forgotten secrets... | 0:02:57 | 0:03:00 | |
Is this it? Are we here? | 0:03:00 | 0:03:01 | |
..and reveal its hidden history | 0:03:01 | 0:03:03 | |
as the front line in Britain's defences. | 0:03:03 | 0:03:06 | |
Look at the size of this place! | 0:03:06 | 0:03:08 | |
This is my county. | 0:03:21 | 0:03:23 | |
I grew up here, and if someone said, | 0:03:24 | 0:03:26 | |
"Let's go to North Kent for a day out," I'd have said you were mad! | 0:03:26 | 0:03:29 | |
The North Kent Marshes are made up of 50,000 acres of pristine wetland. | 0:03:38 | 0:03:44 | |
Sandwiched between the River Thames and the Medway, | 0:03:44 | 0:03:47 | |
they're surrounded by heavy industry yet feel complete isolated. | 0:03:47 | 0:03:52 | |
I'm still not sure whether this is bleak or rugged beauty. | 0:03:54 | 0:03:59 | |
I can't help but feel a menace in this landscape, and I'm not alone. | 0:04:01 | 0:04:06 | |
Charles Dickens described this marshland in sinister tones. | 0:04:06 | 0:04:10 | |
"The dark flat wilderness, | 0:04:14 | 0:04:17 | |
"intersected with dykes and mounds and gates, | 0:04:17 | 0:04:21 | |
"was the marshes, the low leaden line beyond was the river, | 0:04:21 | 0:04:26 | |
"and the distant savage lair from which the wind was rushing | 0:04:26 | 0:04:30 | |
"was the sea." | 0:04:30 | 0:04:31 | |
Dickens was inspired by his actual experience | 0:04:37 | 0:04:41 | |
of this very bleak landscape - | 0:04:41 | 0:04:43 | |
so much so that the very first chapter of Great Expectations | 0:04:43 | 0:04:47 | |
is set here, in this graveyard at St James' Church in Cooling. | 0:04:47 | 0:04:52 | |
Steve Martin is a Dickens fanatic. | 0:05:04 | 0:05:07 | |
He's tracked down the hidden locations that | 0:05:07 | 0:05:09 | |
inspired his literary hero. | 0:05:09 | 0:05:11 | |
I feel as if I've suddenly entered the Dickens world. | 0:05:12 | 0:05:16 | |
Well, there's the inspiration for the opening sequence | 0:05:18 | 0:05:21 | |
of Great Expectations, where Pip would be standing here. | 0:05:21 | 0:05:24 | |
Looking at these graves in the book would have been the graves of | 0:05:24 | 0:05:27 | |
his brothers and sisters and his parents, | 0:05:27 | 0:05:30 | |
and out from the side of the church porch there would have come | 0:05:30 | 0:05:32 | |
Abel Magwitch, the escaped convict, | 0:05:32 | 0:05:34 | |
grabbed him, "Hold your tongue, boy, or I'll cut your throat!" | 0:05:34 | 0:05:38 | |
-Steady, Steve, steady! -THEY LAUGH | 0:05:38 | 0:05:40 | |
Frightening! I can feel it. I mean, do we know that as a fact? | 0:05:40 | 0:05:43 | |
Yes. In fact, he used to bring, | 0:05:43 | 0:05:45 | |
when he became famous, he used to bring all his friends here. | 0:05:45 | 0:05:48 | |
And it's known he used to come here | 0:05:48 | 0:05:50 | |
and use the tabletop grave there as a picnic table. | 0:05:50 | 0:05:54 | |
I knew that Dickens had a house in Kent | 0:05:54 | 0:05:57 | |
but I had no idea that he regularly roamed these marshes. | 0:05:57 | 0:06:02 | |
Luckily for us, he wrote thousands of letters | 0:06:02 | 0:06:05 | |
and he describes his daily routine. | 0:06:05 | 0:06:07 | |
And he often walked from Gad's Hill, about seven miles from here, | 0:06:07 | 0:06:10 | |
but he didn't go in a straight line, he would walk across the marshes. | 0:06:10 | 0:06:13 | |
And, of course, when he was walking, he was deep in thought. | 0:06:13 | 0:06:16 | |
What about this area as a whole? What was it like back then? | 0:06:20 | 0:06:23 | |
It's probably easier if I show you from up the top of there. | 0:06:23 | 0:06:26 | |
I say, Steve, it's not the prettiest of landscapes. | 0:06:35 | 0:06:39 | |
No, I'd agree with you there. | 0:06:39 | 0:06:41 | |
I mean, Dickens used to call it a very strange weird place, | 0:06:41 | 0:06:44 | |
but it's also got its own beauty. | 0:06:44 | 0:06:47 | |
This, over as far as we can see, | 0:06:47 | 0:06:49 | |
this flat land here, would have all been marshy, wet. | 0:06:49 | 0:06:53 | |
Not ideal for walking, is it? | 0:06:53 | 0:06:55 | |
In Dickens's time, it would have been much worse | 0:06:55 | 0:06:57 | |
cos the sea wall wasn't built at the time, and you can imagine | 0:06:57 | 0:07:00 | |
the marsh would have come right up to the very grounds of this church. | 0:07:00 | 0:07:04 | |
OK. I'm trying to picture that this is the place to live at that time. | 0:07:04 | 0:07:07 | |
-It's not? -No. I mean, the average life expectancy, | 0:07:07 | 0:07:10 | |
if you lived on these lowlands here, was 30 years. | 0:07:10 | 0:07:13 | |
Why only 30 years? | 0:07:13 | 0:07:14 | |
Well, not only did you have malnutrition, | 0:07:14 | 0:07:17 | |
and it wasn't a very nice place to live, of course you had malaria. | 0:07:17 | 0:07:20 | |
-Malaria here? -Yes. | 0:07:20 | 0:07:21 | |
A lot of people think malaria is related to overseas | 0:07:21 | 0:07:25 | |
but this particular peninsula was well known for malaria, | 0:07:25 | 0:07:28 | |
and in fact, the very last malaria outbreak in this country, | 0:07:28 | 0:07:33 | |
it was in 1918, was in this area. | 0:07:33 | 0:07:35 | |
Some of the men from the villages around here used to | 0:07:35 | 0:07:38 | |
marry seven or eight times. | 0:07:38 | 0:07:39 | |
I often wonder whether they actually told the ladies where | 0:07:39 | 0:07:42 | |
-they were moving to. -THEY LAUGH | 0:07:42 | 0:07:44 | |
I mean, it sounds horrendous! | 0:07:44 | 0:07:46 | |
Yes. | 0:07:46 | 0:07:47 | |
The North Kent Marshes aren't easy to love but there are | 0:07:51 | 0:07:55 | |
thousands of overseas visitors who come back here year after year. | 0:07:55 | 0:07:59 | |
Well, I can't decide whether I love it or hate it here. | 0:08:04 | 0:08:10 | |
You see that? | 0:08:10 | 0:08:12 | |
I just don't know. What do you make of it? | 0:08:12 | 0:08:13 | |
-I think it's absolutely stunning. -Yeah? | 0:08:13 | 0:08:15 | |
Looking out now, you can see the industry in the background, | 0:08:15 | 0:08:18 | |
-but you can see that flock of lapwing just going up, in front of the docks. -Oh, yeah. | 0:08:18 | 0:08:21 | |
It's those kind of views that I just find absolutely stunning. | 0:08:21 | 0:08:25 | |
'RSPB warden Will Tofts runs a tenacious team of volunteers | 0:08:27 | 0:08:32 | |
'who maintain this bleak bit of Kent as an ornithological Heathrow.' | 0:08:32 | 0:08:38 | |
Now, Will, I'm a Kentish man and I was brought up, what, | 0:08:38 | 0:08:41 | |
just 20 miles that way, | 0:08:41 | 0:08:43 | |
and I'm a bit embarrassed to say that I'd never heard of this place. | 0:08:43 | 0:08:46 | |
Well, not many people have. I hadn't before I started working here. | 0:08:46 | 0:08:49 | |
It does seem incredible that, in the 21st century, | 0:08:49 | 0:08:52 | |
-that this hasn't been developed at all. -Yes. | 0:08:52 | 0:08:55 | |
And, with a little bit of your help, of course, | 0:08:55 | 0:08:58 | |
-this is now bird paradise, isn't it? -It is. | 0:08:58 | 0:09:00 | |
It's an internationally important area for wintering birds, | 0:09:00 | 0:09:04 | |
the whole Thames Estuary. | 0:09:04 | 0:09:05 | |
And so they flock here to feed on the mudflats, | 0:09:05 | 0:09:08 | |
and then they come up onto the grazing marsh to roost. | 0:09:08 | 0:09:11 | |
-How many birds are we talking about? -Oh, hundreds of thousands. | 0:09:11 | 0:09:14 | |
-Really? -Yes, yeah. | 0:09:14 | 0:09:15 | |
During the spring, we have breeding birds, like lapwing | 0:09:15 | 0:09:18 | |
and redshank, and they need this grazing marsh to breed. | 0:09:18 | 0:09:20 | |
So you can see, out at the moment, we've got sheep | 0:09:20 | 0:09:22 | |
and cattle grazing the ground, and they're getting the grass | 0:09:22 | 0:09:25 | |
into just the right condition for them to breed in the spring. | 0:09:25 | 0:09:27 | |
And then during the winter, we flood the whole marsh, | 0:09:27 | 0:09:30 | |
so it'll be mostly wet, and that's great for all the wildfowl | 0:09:30 | 0:09:33 | |
that come in from Siberia and Arctic during the winter. | 0:09:33 | 0:09:36 | |
For a twitcher like you, paradise? | 0:09:38 | 0:09:40 | |
Oh, absolutely. | 0:09:40 | 0:09:42 | |
-A bit like a secret corner of North Kent. -'I think I get it.' | 0:09:42 | 0:09:46 | |
I can now see there really is beauty in the desolation here. | 0:09:48 | 0:09:52 | |
These marshes were the inspiration | 0:09:53 | 0:09:56 | |
for some of the world's best-loved literature | 0:09:56 | 0:09:59 | |
and are the destination of choice for the hundreds of thousands | 0:09:59 | 0:10:03 | |
of wild birds that flock here every year. | 0:10:03 | 0:10:06 | |
North Kent isn't the only bit of the county with wetlands. | 0:10:11 | 0:10:15 | |
50 miles south are the ancient and fertile Romney Marshes. | 0:10:15 | 0:10:20 | |
For 25 miles along the coast and ten miles inland, | 0:10:20 | 0:10:24 | |
this vast marshland barely rises above sea level. | 0:10:24 | 0:10:29 | |
Cut off from the rest of the county... | 0:10:29 | 0:10:31 | |
..this is another wonderfully secluded landscape. | 0:10:35 | 0:10:38 | |
Across the flatlands, it's wild and windswept | 0:10:41 | 0:10:44 | |
and there are really hardly any trees. | 0:10:44 | 0:10:47 | |
John Betjeman wrote about here that "the sky is always | 0:10:47 | 0:10:50 | |
"three quarters of the landscape." | 0:10:50 | 0:10:53 | |
He was right about that. | 0:10:53 | 0:10:54 | |
The Romney Marshes are criss-crossed by a network of waterways | 0:10:58 | 0:11:01 | |
and boggy ditches. | 0:11:01 | 0:11:03 | |
It's the perfect habitat for a diverse community of animals | 0:11:04 | 0:11:08 | |
including, I'm told, a loud but rather shy visitor | 0:11:08 | 0:11:12 | |
from across the Channel. | 0:11:12 | 0:11:14 | |
What are you up to here, Owen? | 0:11:14 | 0:11:15 | |
I'm looking for marsh frogs. | 0:11:15 | 0:11:17 | |
'Owen Leyshon is the local wetland officer.' | 0:11:17 | 0:11:20 | |
-So marsh frogs, then... -Yeah. -They're not native. What are they? | 0:11:21 | 0:11:24 | |
No, we know the story about these creatures. | 0:11:24 | 0:11:26 | |
They were introduced in 1935 by the wife of the local MP, | 0:11:26 | 0:11:31 | |
Mr Edward Percy Smith, and she brought 12 frogs, put them in | 0:11:31 | 0:11:35 | |
the garden ponds and they promptly all escaped onto the Romney Marsh. | 0:11:35 | 0:11:40 | |
How would I spot one of these compared to the standard frogs that we have? | 0:11:40 | 0:11:43 | |
The marsh frogs, they're the largest frogs in Europe, so the big ones. | 0:11:43 | 0:11:46 | |
-Oh, right. -But the small ones, yeah, they're very bright green... | 0:11:46 | 0:11:50 | |
-OK. -..and they like basking in the sun. | 0:11:50 | 0:11:52 | |
So these will be on the side of the ditches, | 0:11:52 | 0:11:54 | |
-so we should have a good chance of seeing them today. -So we need to go creeping along? | 0:11:54 | 0:11:57 | |
We need to be very careful. They're very wary, so we've just got to be very careful. | 0:11:57 | 0:12:01 | |
-Shall we start heading that way? -Yeah, let's go that way. -Let's go quietly, then. | 0:12:01 | 0:12:04 | |
The frogs are skittish. | 0:12:10 | 0:12:12 | |
Getting close to one is going to take intuition and stealth. | 0:12:12 | 0:12:16 | |
-Yeah! Oh! -There we go. -Just disturbed every frog in the land! | 0:12:17 | 0:12:21 | |
There's a smaller one and then we'll cross back over there. | 0:12:22 | 0:12:25 | |
Marsh frogs are distinctive-looking and sounding. | 0:12:30 | 0:12:34 | |
They can grow up to 17 centimetres long | 0:12:34 | 0:12:37 | |
with powerful hind legs, which make them excellent jumpers. | 0:12:37 | 0:12:41 | |
The male frogs have prominent air sacs beside their mouths, | 0:12:41 | 0:12:45 | |
and in breeding season, they create an unholy racket in the marshes. | 0:12:45 | 0:12:49 | |
Visitors to the Romney Marsh are not quite sure what it is | 0:12:52 | 0:12:55 | |
when they first hear it. | 0:12:55 | 0:12:56 | |
They think it might be like a duck or something, | 0:12:56 | 0:12:58 | |
and they look in the ditch and they can't see any bird, | 0:12:58 | 0:13:01 | |
but actually, it's this frog which has got this, you know, | 0:13:01 | 0:13:04 | |
giggling, croaking, quacking kind of mating call. | 0:13:04 | 0:13:08 | |
And another name for them, the laughing frog, | 0:13:08 | 0:13:10 | |
I think is quite apt, really. | 0:13:10 | 0:13:11 | |
Going to creep round here. Ooh! Whee! | 0:13:13 | 0:13:16 | |
-That was one. -It actually it gave me a bit of a fright! | 0:13:16 | 0:13:18 | |
Just a plop. We didn't get a good view of that one. | 0:13:18 | 0:13:20 | |
I didn't see anything. I just saw the plop! | 0:13:20 | 0:13:23 | |
-Ooh, right under me! -Another one. | 0:13:23 | 0:13:25 | |
I can't believe I walked right past it! | 0:13:25 | 0:13:27 | |
-They're definitely laughing at us, aren't they? -They are laughing! | 0:13:27 | 0:13:31 | |
With each female marsh frog able to lay up to 1,000 eggs, | 0:13:31 | 0:13:35 | |
you'd think it'd be easy to find a few on their breeding ground, | 0:13:35 | 0:13:38 | |
but I can assure you it's not. | 0:13:38 | 0:13:42 | |
They've just got their eyes poking out of the top. | 0:13:42 | 0:13:44 | |
They're looking at us and they'll just dip down | 0:13:44 | 0:13:46 | |
and there'll be those little ripples on the water. | 0:13:46 | 0:13:49 | |
There's one here! There's one here! | 0:13:49 | 0:13:51 | |
WHISPERS: That's pretty, um... Yes! | 0:13:51 | 0:13:53 | |
Look, he's big, he's big! Whee! | 0:13:55 | 0:13:58 | |
SHE LAUGHS | 0:13:58 | 0:14:00 | |
I've seen my first marsh frog. | 0:14:00 | 0:14:01 | |
Brilliant. On the Romney Marsh! | 0:14:01 | 0:14:03 | |
Yeah, the right place. Oh, there's another one! | 0:14:03 | 0:14:06 | |
It's one thing trying to find Kent's secrets | 0:14:09 | 0:14:11 | |
hopping around at ground level, but what if | 0:14:11 | 0:14:14 | |
what you're looking for is literally over the edge of a cliff? | 0:14:14 | 0:14:18 | |
These are the best known cliffs in the UK, probably the world. | 0:14:26 | 0:14:31 | |
It's a bit scary walking along them, | 0:14:31 | 0:14:33 | |
especially if there's a breeze, but the views are spectacular. | 0:14:33 | 0:14:37 | |
The clifftop footpath out of Dover | 0:14:40 | 0:14:42 | |
was recently voted one of the best walks in Britain. | 0:14:42 | 0:14:46 | |
What these ramblers don't know is that children used to | 0:14:46 | 0:14:49 | |
dangle off these cliffs, | 0:14:49 | 0:14:51 | |
risking their lives to harvest a very valuable plant. | 0:14:51 | 0:14:55 | |
And now I'm going to risk mine to find out why. | 0:14:57 | 0:15:00 | |
The cliffs here are 300 feet high with nothing | 0:15:05 | 0:15:09 | |
but the rocks below to break your fall. | 0:15:09 | 0:15:11 | |
You go first, Will. I'll follow you. | 0:15:17 | 0:15:19 | |
SHE LAUGHS | 0:15:19 | 0:15:21 | |
'Will Owen is a professional forager. | 0:15:21 | 0:15:23 | |
'He makes his living scouring the Kent countryside for unusual | 0:15:23 | 0:15:27 | |
'and forgotten flavours.' | 0:15:27 | 0:15:29 | |
Do we need to be any lower? | 0:15:29 | 0:15:31 | |
-How about a couple more feet? -OK. | 0:15:31 | 0:15:33 | |
Very crumbly, isn't it? | 0:15:37 | 0:15:39 | |
Oh, my goodness! I haven't done this since I was at school... | 0:15:39 | 0:15:43 | |
..and I was not as heavy as I am right now! | 0:15:45 | 0:15:49 | |
'We're looking for a plant that was so popular with the nobility | 0:15:51 | 0:15:55 | |
'400 years ago, it was harvested to near extinction.' | 0:15:55 | 0:16:00 | |
Whoa! Is this it? Are we here? | 0:16:00 | 0:16:04 | |
This is it. We found it. | 0:16:04 | 0:16:05 | |
-It's this one, right? -This little one here is our rock samphire, yeah. | 0:16:05 | 0:16:09 | |
Rock samphire was so expensive up in London | 0:16:11 | 0:16:14 | |
that the Kentish peasants were prepared to risk their lives | 0:16:14 | 0:16:17 | |
and those of their children to pick this stuff. | 0:16:17 | 0:16:21 | |
It is amazing, isn't it? | 0:16:21 | 0:16:22 | |
I think it shows how desperate people would have been | 0:16:22 | 0:16:25 | |
and just how strong that demand was. | 0:16:25 | 0:16:27 | |
I just still can't imagine | 0:16:27 | 0:16:30 | |
someone climbing down here - | 0:16:30 | 0:16:33 | |
children climbing down here. | 0:16:33 | 0:16:34 | |
I mean, I feel relatively safe but, you know, | 0:16:34 | 0:16:38 | |
with just a single rope or something? | 0:16:38 | 0:16:40 | |
Yeah, a single rope, possibly in worse winds. | 0:16:40 | 0:16:43 | |
Oh! And I'm not going to look down, I promise you that. | 0:16:43 | 0:16:47 | |
How do you cook this or use it? | 0:16:47 | 0:16:49 | |
Traditionally, it was harvested from the cliff and from the beach | 0:16:50 | 0:16:54 | |
and the shingle, and then put in huge barrels of saltwater, | 0:16:54 | 0:16:59 | |
or brine, and taken up to London, where it was pickled. | 0:16:59 | 0:17:02 | |
These days, we still pickle it, but it is just as delicious. | 0:17:02 | 0:17:05 | |
You can pare it down, put it in salads or | 0:17:05 | 0:17:07 | |
wilt it down with fish and garlic and butter. | 0:17:07 | 0:17:10 | |
And here's something you probably don't know. | 0:17:10 | 0:17:13 | |
Rock samphire is a member of the carrot family | 0:17:13 | 0:17:16 | |
and it has 30 times more vitamin C than oranges. | 0:17:16 | 0:17:19 | |
Who knew? | 0:17:19 | 0:17:21 | |
I guess the secret, really, is that this is a forgotten delicacy. | 0:17:21 | 0:17:26 | |
Well, it's not entirely forgotten. | 0:17:26 | 0:17:28 | |
Foragers are still using it and, as long as it's foraged respectfully, | 0:17:28 | 0:17:33 | |
then that's a good thing. | 0:17:33 | 0:17:35 | |
Dover's white cliffs are better known as the backdrop | 0:17:39 | 0:17:42 | |
to Kent's 24/7 cross-channel ferry traffic. | 0:17:42 | 0:17:45 | |
13 million passengers pass through the port each year | 0:17:48 | 0:17:52 | |
and getting away from it all here can be a challenge. | 0:17:52 | 0:17:55 | |
Local bus driver Brian Vanderveen knows exactly where to go | 0:17:57 | 0:18:01 | |
when he wants some peace and quiet. | 0:18:01 | 0:18:03 | |
The Warren is a secluded pocket of pristine woodland | 0:18:04 | 0:18:08 | |
at the base of the cliffs just two miles outside of Dover. | 0:18:08 | 0:18:11 | |
We started coming down here probably | 0:18:16 | 0:18:17 | |
when we was probably ten with our parents, and obviously, when we got | 0:18:17 | 0:18:20 | |
to teenage stage, then we would sort of sneak down here on our bikes. | 0:18:20 | 0:18:24 | |
We'd climb trees, throw a rope over a branch and make a swing, | 0:18:24 | 0:18:28 | |
you could sit on it, and we would swing out probably over, | 0:18:28 | 0:18:31 | |
you know, maybe a 30-foot drop or something. | 0:18:31 | 0:18:33 | |
We used to get told off cos we'd get home too late. | 0:18:35 | 0:18:37 | |
We'd have to be in by, say, six o'clock | 0:18:37 | 0:18:39 | |
and we might roll in at ten o'clock. | 0:18:39 | 0:18:41 | |
We did get grounded then as well, in them days. | 0:18:41 | 0:18:43 | |
Wasn't long before we were back out | 0:18:43 | 0:18:45 | |
and then probably sneak down here again on our bikes. | 0:18:45 | 0:18:47 | |
The actual place is located right at the base of the white cliffs. | 0:18:57 | 0:19:02 | |
To actually get to this location takes a fair bit of effort. | 0:19:02 | 0:19:06 | |
It's a windy, steep path. | 0:19:07 | 0:19:10 | |
I think that's what helps to make it the place it is. | 0:19:10 | 0:19:13 | |
I've seen quite a sort of diverse wildlife down here. | 0:19:15 | 0:19:18 | |
It's got its own sort of, like, microclimate. | 0:19:18 | 0:19:21 | |
There is various types of plant. I know there's, like... | 0:19:21 | 0:19:24 | |
A certain species of butterfly are found only | 0:19:24 | 0:19:27 | |
in this part of the South East. | 0:19:27 | 0:19:28 | |
There's various sort of wild orchids that grow down here | 0:19:28 | 0:19:32 | |
and are more or less unique. | 0:19:32 | 0:19:34 | |
I've come down here in the past. | 0:19:39 | 0:19:41 | |
I've been down here the best part of a whole afternoon | 0:19:41 | 0:19:44 | |
and I haven't seen a single soul. | 0:19:44 | 0:19:46 | |
You get the fog sweeping in off the sea. | 0:19:48 | 0:19:50 | |
Sometimes, I imagine sort of, like, a T-Rex coming through | 0:19:52 | 0:19:55 | |
the woods or something! | 0:19:55 | 0:19:56 | |
It's sort of, like, prehistoric. | 0:19:56 | 0:19:59 | |
To me, it is the place I treasure most. | 0:19:59 | 0:20:03 | |
It is a special place. | 0:20:04 | 0:20:07 | |
You don't always have to leave town to lose yourself. | 0:20:18 | 0:20:21 | |
Sometimes, there are secret places waiting to be discovered | 0:20:21 | 0:20:26 | |
right under your feet. | 0:20:26 | 0:20:27 | |
The exact location I cannot reveal. | 0:20:33 | 0:20:36 | |
All I can tell you is that we are still in Kent, | 0:20:36 | 0:20:40 | |
and up there is the city of Rochester. | 0:20:40 | 0:20:43 | |
I'm in a labyrinth of tunnels that have been closed to | 0:20:49 | 0:20:52 | |
the public since the Second World War. | 0:20:52 | 0:20:55 | |
And I can only access this forgotten world | 0:21:04 | 0:21:07 | |
thanks to the ongoing explorations of local historian | 0:21:07 | 0:21:11 | |
Stephen Quinton, who's still uncovering their surprising stories. | 0:21:11 | 0:21:16 | |
Steve. | 0:21:17 | 0:21:19 | |
I'm glad you've got that map down here, it goes on for miles! | 0:21:19 | 0:21:22 | |
-It certainly does Chris, yes. -What is this place? | 0:21:22 | 0:21:24 | |
This was the underground tunnel system underneath the Shorts plane factory. | 0:21:24 | 0:21:30 | |
This was the factory that was built to protect the factory workers | 0:21:30 | 0:21:35 | |
once the bombing started during the Blitz. | 0:21:35 | 0:21:38 | |
It's common knowledge that the Shorts Aircraft Company | 0:21:42 | 0:21:45 | |
built flying boats in Rochester, | 0:21:45 | 0:21:48 | |
using the River Medway as the perfect natural runway. | 0:21:48 | 0:21:51 | |
What's not in the history books, | 0:21:53 | 0:21:56 | |
is that faced with the relentless aerial attacks in 1940, the company | 0:21:56 | 0:22:01 | |
extended their factory underground to escape the German bombs. | 0:22:01 | 0:22:05 | |
They haven't done it on a small scale either, have they? | 0:22:16 | 0:22:19 | |
No. It's certainly quite large down here. | 0:22:19 | 0:22:21 | |
How big is this place? | 0:22:21 | 0:22:23 | |
It's probably the best part of three or four miles, | 0:22:23 | 0:22:26 | |
if you add up all the different sections of tunnels. | 0:22:26 | 0:22:28 | |
Three to four miles underground? | 0:22:28 | 0:22:31 | |
Mm, yes. | 0:22:31 | 0:22:32 | |
I just can't get my head round that. | 0:22:35 | 0:22:37 | |
In addition to emergency office space, | 0:22:37 | 0:22:40 | |
workshops and a medical block, Shorts built oversized | 0:22:40 | 0:22:44 | |
factory tunnels down here to protect vital production. | 0:22:44 | 0:22:47 | |
And out this way, Chris. Yeah, through there. | 0:22:47 | 0:22:49 | |
Yeah, keep going. | 0:22:51 | 0:22:53 | |
'The miles and miles of brick-lined tunnels doubled up as a public | 0:22:53 | 0:22:57 | |
'air-raid shelter, big enough for 11,000 people.' | 0:22:57 | 0:23:01 | |
-Mind your head as you go through there, Chris. -I will. | 0:23:03 | 0:23:05 | |
I can see some wood. | 0:23:07 | 0:23:09 | |
That's the remnants of the bench seating that was down here, | 0:23:09 | 0:23:12 | |
which was both sides of the tunnel, | 0:23:12 | 0:23:14 | |
and that's where they used to sit during air raids. | 0:23:14 | 0:23:18 | |
Oh, look, there's some writing on the wall here... | 0:23:18 | 0:23:20 | |
-Yes, that's some of the original wartime graffiti. -Oh, Spitfire... | 0:23:20 | 0:23:24 | |
-LAUGHING: -Yeah! A Hurricane. We've got a cartoon Popeye... | 0:23:24 | 0:23:27 | |
Ah, look! | 0:23:27 | 0:23:29 | |
A Sunderland. | 0:23:29 | 0:23:30 | |
Is that the plane they made... | 0:23:30 | 0:23:32 | |
That's the plane that was made above the tunnels, | 0:23:32 | 0:23:34 | |
and the parts were made down in the tunnels. | 0:23:34 | 0:23:38 | |
And just up here's another plane, but I love this. | 0:23:38 | 0:23:41 | |
There's obviously a game going on between "G-N-T" and "J". | 0:23:41 | 0:23:47 | |
-What do you reckon, game of cards? -Could well be, people scoring. | 0:23:47 | 0:23:50 | |
-Scoring! -HE LAUGHS | 0:23:50 | 0:23:52 | |
Bit of cribbage as well. But that, I just think is absolutely fascinating. | 0:23:52 | 0:23:56 | |
What's going on in people's minds... | 0:23:56 | 0:23:58 | |
Bombing going on above, and how they were occupying themselves. | 0:23:58 | 0:24:02 | |
Exactly. | 0:24:02 | 0:24:03 | |
-Oh, look, a men's toilet! -Yes. | 0:24:04 | 0:24:06 | |
Or "lavatory", obviously, in the, 1940s. | 0:24:06 | 0:24:09 | |
-LAUGHING: -Lavatory back in those days, Chris, yes. | 0:24:09 | 0:24:11 | |
-So there were ladies' toilets too, right? -There were ladies' toilets too... | 0:24:11 | 0:24:14 | |
What sort of facilities are we talking about? | 0:24:14 | 0:24:17 | |
Um, well, they had a Nelson toilet. Erm, basically a large bucket. | 0:24:17 | 0:24:20 | |
A bucket toilet? | 0:24:20 | 0:24:22 | |
For 11,000 people? So what about privacy? | 0:24:22 | 0:24:25 | |
I'm afraid it was just a cloth curtain, and, er, sing loudly. | 0:24:25 | 0:24:30 | |
-LAUGHING: -Yeah! I bet you had to sing loudly. Goodness. | 0:24:30 | 0:24:33 | |
We've been walking for ages now, Steve. | 0:24:46 | 0:24:48 | |
I wondering where this factory is? | 0:24:48 | 0:24:49 | |
Well, you're just about reaching it now. | 0:24:49 | 0:24:52 | |
After all those tunnels, I didn't know what to expect, but this... | 0:24:55 | 0:24:59 | |
Look at the size of this place! | 0:24:59 | 0:25:01 | |
This is a real factory, isn't it? | 0:25:06 | 0:25:10 | |
Look. Every single section or bay... | 0:25:10 | 0:25:13 | |
-Yeah. -..numbered. | 0:25:13 | 0:25:14 | |
Original light fittings. | 0:25:14 | 0:25:16 | |
Fuse box over there. | 0:25:16 | 0:25:18 | |
Old boxes. | 0:25:18 | 0:25:19 | |
So what did they make in this factory? | 0:25:22 | 0:25:24 | |
Anything from compasses, gyros, to engine parts. | 0:25:24 | 0:25:28 | |
Anything that was really sensitive that the company didn't want bombed. | 0:25:28 | 0:25:33 | |
So you can imagine that this place was packed, and it was busy? | 0:25:33 | 0:25:37 | |
-Absolutely. -Yeah. -Absolutely. | 0:25:37 | 0:25:40 | |
'It's staggering to think that Shorts moved an entire factory underground. | 0:25:42 | 0:25:46 | |
'But while they secretly built planes down here, | 0:25:46 | 0:25:50 | |
'the Nazis were developing their own secret weapons.' | 0:25:50 | 0:25:53 | |
In 1944, they unleashed a fearsome new threat against Britain. | 0:25:58 | 0:26:03 | |
Pilotless rocket bombs, known as V-1s. | 0:26:05 | 0:26:07 | |
And they were launched across the Channel at London. | 0:26:08 | 0:26:12 | |
And nowhere was safe. | 0:26:13 | 0:26:15 | |
This is the tiny village of Little Chart, near Ashford, | 0:26:24 | 0:26:27 | |
just 60 miles from the capital city. | 0:26:27 | 0:26:30 | |
I bet this historic village, tucked away in the countryside, | 0:26:32 | 0:26:37 | |
must have felt as safe as houses during the war. | 0:26:37 | 0:26:39 | |
But looks can be deceptive. | 0:26:45 | 0:26:47 | |
The ruins of St Mary the Virgin, | 0:26:49 | 0:26:51 | |
a 700-year-old church on the edge of the village, | 0:26:51 | 0:26:54 | |
tell a different story. | 0:26:54 | 0:26:56 | |
In the summer of 1944, | 0:27:04 | 0:27:07 | |
a V-1 rocket slammed into the church. | 0:27:07 | 0:27:10 | |
Martin Pym worked on his family farm in the shadow of the church | 0:27:12 | 0:27:16 | |
during the war. | 0:27:16 | 0:27:17 | |
Martin, you actually remember the old church being hit. | 0:27:20 | 0:27:23 | |
Whereabouts were you at the time? | 0:27:23 | 0:27:25 | |
Well, we were on the farm. | 0:27:25 | 0:27:28 | |
It was late summer, I suppose, in the harvest, | 0:27:28 | 0:27:31 | |
and I was 16, I think. | 0:27:31 | 0:27:34 | |
And I was on top of the combine, and suddenly the combine stopped. | 0:27:34 | 0:27:38 | |
So, I looked up and saw this Doodle Bug, flying bomb, | 0:27:38 | 0:27:42 | |
just coming down. | 0:27:42 | 0:27:44 | |
And it looked, at that moment, that it was going to come down on us. | 0:27:44 | 0:27:48 | |
So, I jumped off and, as I hit the ground, | 0:27:48 | 0:27:51 | |
there was an enormous explosion. | 0:27:51 | 0:27:53 | |
So, you actually recall where the rocket actually hit the church, | 0:27:54 | 0:27:57 | |
at what point? | 0:27:57 | 0:27:59 | |
It hit the tower and exploded. | 0:27:59 | 0:28:02 | |
It knocked the rest of the church down. | 0:28:02 | 0:28:06 | |
We were sorry about the church, | 0:28:06 | 0:28:08 | |
because it was a very old 13th century church. | 0:28:08 | 0:28:12 | |
So, no, it was a great loss. A great pity. | 0:28:12 | 0:28:14 | |
Sheila, you used to come to this church when you were a little girl. | 0:28:21 | 0:28:25 | |
-That's right. -Yeah. -When I was about five or six. | 0:28:25 | 0:28:27 | |
Sheila Hancock grew up at a time | 0:28:28 | 0:28:30 | |
when the old church was the spiritual hub of the village. | 0:28:30 | 0:28:34 | |
Yes, I came until the actual church got bombed. | 0:28:34 | 0:28:38 | |
I was about nine then, you see. | 0:28:38 | 0:28:40 | |
-This is a picture of what it used to look like? -That's right. | 0:28:40 | 0:28:43 | |
-Wow! -Yeah. | 0:28:43 | 0:28:45 | |
So, talk me through this then. | 0:28:45 | 0:28:46 | |
This is the pews. | 0:28:46 | 0:28:47 | |
And where would they have been? | 0:28:47 | 0:28:49 | |
Here. | 0:28:49 | 0:28:50 | |
Yeah. | 0:28:50 | 0:28:52 | |
Here. | 0:28:52 | 0:28:53 | |
And then there's the, the altar rail, you see, which was...here. | 0:28:53 | 0:28:58 | |
So, you had happy memories here? | 0:29:00 | 0:29:01 | |
Yes, I did. Yes. | 0:29:01 | 0:29:03 | |
At the peak of Hitler's rocket attacks in the summer of 1944, | 0:29:07 | 0:29:11 | |
over 100 V-1s, or Doodle Bugs, | 0:29:11 | 0:29:15 | |
were being launched against London every day. | 0:29:15 | 0:29:18 | |
So, how come Little Chart was on the receiving end of a direct hit? | 0:29:20 | 0:29:24 | |
And was this an isolated incident? | 0:29:25 | 0:29:27 | |
I've got a map here which was actually in | 0:29:31 | 0:29:34 | |
one of the local papers at the time. | 0:29:34 | 0:29:36 | |
This is where the Doodle Bugs crashed in Kent. | 0:29:36 | 0:29:40 | |
The numbers are just staggering. | 0:29:40 | 0:29:41 | |
2,400 bombs that actually descended on Kent alone. | 0:29:41 | 0:29:47 | |
They say 200 more than London, which is extraordinary. | 0:29:47 | 0:29:50 | |
So, the history books tend to talk about London | 0:29:50 | 0:29:53 | |
and the big cities that were affected, | 0:29:53 | 0:29:56 | |
-but Kent, as a county, was covered, it was in the line of fire. -Yeah. | 0:29:56 | 0:30:01 | |
Because it was the route from the launching sites to London, | 0:30:01 | 0:30:06 | |
and that was the target. | 0:30:06 | 0:30:08 | |
So, these ones were shot down probably by anti-aircraft guns. | 0:30:08 | 0:30:14 | |
Then there were fighters here before they had barrage balloons. | 0:30:14 | 0:30:18 | |
Government policy was to defend London at all costs. | 0:30:20 | 0:30:24 | |
But every V-1 that dropped short had to come down somewhere. | 0:30:24 | 0:30:29 | |
That put rural Kent on the front line, | 0:30:29 | 0:30:31 | |
and earned the county the nickname Bomb Alley. | 0:30:31 | 0:30:35 | |
I just can't imagine what it must have been like just hearing | 0:30:35 | 0:30:38 | |
these Doodle Bugs flying overhead. | 0:30:38 | 0:30:41 | |
I mean, it was just random, I guess, when they were going to land | 0:30:41 | 0:30:44 | |
because the real target was London. | 0:30:44 | 0:30:46 | |
Yes. You would just think, "Oh, gosh", you know. | 0:30:46 | 0:30:49 | |
And you could just feel them sailing through the air | 0:30:49 | 0:30:52 | |
until they either hit the ground or hit something. | 0:30:52 | 0:30:56 | |
They were... I think they were horrible. | 0:30:56 | 0:30:58 | |
I'd heard of Kent being called The Garden of England, | 0:31:03 | 0:31:08 | |
but I'd never heard it referred to as Bomb Alley. | 0:31:08 | 0:31:11 | |
There are just secrets everywhere, | 0:31:11 | 0:31:13 | |
even in the places that you think you know. | 0:31:13 | 0:31:15 | |
On the ancient Romney Marshes, the ditches surrounding | 0:31:24 | 0:31:27 | |
Thomas a Becket Church in Fairfield, hold a surprise all of their own. | 0:31:27 | 0:31:32 | |
I've got a question for you. | 0:31:33 | 0:31:34 | |
What has this got to do with this? | 0:31:34 | 0:31:38 | |
The clue is in the name. | 0:31:42 | 0:31:45 | |
I'd always assumed that the fluffy, | 0:31:45 | 0:31:46 | |
puffy marshmallow was dreamt up by a confectionary mastermind | 0:31:46 | 0:31:50 | |
who knew how to whip together sugar and artificial flavourings. | 0:31:50 | 0:31:54 | |
What I didn't know was that, hidden in these reed beds, | 0:31:54 | 0:31:57 | |
is the plant responsible for one of my favourite treats. | 0:31:57 | 0:32:01 | |
This is marshmallow, then? | 0:32:01 | 0:32:03 | |
Indeed, yes. This has come from my garden. | 0:32:03 | 0:32:06 | |
Tell me a bit about this plant then? | 0:32:06 | 0:32:07 | |
Well, it's a scarce plant nationally, | 0:32:07 | 0:32:09 | |
found mainly on coastal marshlands and grazing marshlands, | 0:32:09 | 0:32:13 | |
and it's very, very popular with the sheep and the cattle, they love this. | 0:32:13 | 0:32:17 | |
How do we associate this one with the sweet that we know today? | 0:32:17 | 0:32:20 | |
Well, the sweet was made from the roots. | 0:32:20 | 0:32:22 | |
All the sweetness, and all the kind of gooeyness, down in the roots. | 0:32:22 | 0:32:26 | |
The marshmallow was long considered a medicinal plant, | 0:32:26 | 0:32:30 | |
boiled down and used as a treatment for sore throats. | 0:32:30 | 0:32:33 | |
But the very same natural extract | 0:32:33 | 0:32:35 | |
is also the perfect base for making pillow-like sweets. | 0:32:35 | 0:32:39 | |
I've got you the ingredients. Do you reckon you can use these? | 0:32:42 | 0:32:44 | |
Fantastic. Yeah, sure. It's a strange old ingredient. | 0:32:44 | 0:32:48 | |
While ancient recipes survive on paper, | 0:32:48 | 0:32:50 | |
making marshmallows from the root is a long lost art. | 0:32:50 | 0:32:54 | |
But that's not going to stop award-winning Kent chef, | 0:32:54 | 0:32:57 | |
Stephen Harris. | 0:32:57 | 0:32:58 | |
Basically, what I've got to do is to extract what is, in effect, | 0:33:00 | 0:33:03 | |
a mucus. It doesn't sound very nice, from the plant. | 0:33:03 | 0:33:07 | |
-Do you want to get working on some of these roots? -Yes. | 0:33:07 | 0:33:10 | |
And we need to peel them, | 0:33:10 | 0:33:12 | |
chop them up, and then get them in this pan of boiling water. | 0:33:12 | 0:33:15 | |
Is that enough, you've got in there? | 0:33:15 | 0:33:16 | |
No. I think we'll certainly need that one. | 0:33:16 | 0:33:18 | |
That one's a bit slimy, that's probably not good. | 0:33:18 | 0:33:20 | |
I'll take that one. And it does take a while, | 0:33:20 | 0:33:22 | |
it takes about 20 minutes. | 0:33:22 | 0:33:24 | |
So, as a chef, then, | 0:33:24 | 0:33:25 | |
-do you mind trying something that might be completely disastrous? -No. | 0:33:25 | 0:33:28 | |
-You like this experimenting? -Yeah. Yeah, that's what I do, really. | 0:33:28 | 0:33:31 | |
It's always quite good fun. | 0:33:31 | 0:33:32 | |
Once you've made a souffle, and a hollandaise, and all that, | 0:33:32 | 0:33:35 | |
you've run out of things to do. | 0:33:35 | 0:33:37 | |
You're kind of always, always looking for something new. | 0:33:37 | 0:33:40 | |
The marshmallow plant is rare and protected in the UK. | 0:33:40 | 0:33:44 | |
You can buy marshmallow extract, but maybe that's too easy. | 0:33:44 | 0:33:49 | |
Right. So, we now... | 0:33:49 | 0:33:50 | |
-Do some big whisking? -Yes. | 0:33:50 | 0:33:52 | |
This is going to take ages! | 0:33:56 | 0:33:57 | |
What does this egg white do? | 0:34:01 | 0:34:03 | |
Basically, we want this flavour of this root to be in something | 0:34:03 | 0:34:07 | |
that's airy and nice to eat. | 0:34:07 | 0:34:09 | |
So, that's what we're doing, is whisking the egg whites. | 0:34:09 | 0:34:13 | |
-Do you want me to take over? -Yeah, my arm's hurting already! | 0:34:13 | 0:34:15 | |
And if you grab the sugar... | 0:34:15 | 0:34:17 | |
We add the sugar a little bit at a time. | 0:34:17 | 0:34:19 | |
Lovely. | 0:34:19 | 0:34:21 | |
-Who needs a food processor, you're fast! -Right. | 0:34:22 | 0:34:26 | |
So, we now need to sieve this extract, then we're going to | 0:34:26 | 0:34:29 | |
put it into the egg white, and that is, in theory, marshmallow. | 0:34:29 | 0:34:34 | |
Oh, right. We're getting closer and closer. | 0:34:34 | 0:34:36 | |
I will whisk it all together. | 0:34:36 | 0:34:39 | |
Right, if I do the bag, you could put the mix in, in there. | 0:34:43 | 0:34:48 | |
Now what I suggest we do, | 0:34:48 | 0:34:50 | |
is I'll pipe some of this directly on and, and almost cook it. | 0:34:50 | 0:34:54 | |
One big experiment, this. | 0:34:54 | 0:34:55 | |
It is. Right. So... | 0:34:55 | 0:34:57 | |
So, here we are. We're piping onto there. | 0:35:01 | 0:35:05 | |
Oh! Got you. Oh, they look neat. | 0:35:05 | 0:35:09 | |
-Right. Now, I will turn off the heat source. -Turn off the heat? | 0:35:11 | 0:35:16 | |
-Yes. -How's it looking? -Yeah, we have a toasted marshmallow. | 0:35:16 | 0:35:18 | |
I'm amazed that we've got this far. Let's just go for it. | 0:35:18 | 0:35:22 | |
Right. I'll get one that's not too caramelised. | 0:35:22 | 0:35:25 | |
-There we go. -How's that for presentation there, look. | 0:35:25 | 0:35:28 | |
-There you go. -Let's have some of that. | 0:35:28 | 0:35:29 | |
It's actually marshmallow! You've done it. | 0:35:32 | 0:35:36 | |
While the home of the marshmallow is characteristic of the county's | 0:35:43 | 0:35:47 | |
coastal fringes, the interior is dominated by the rolling | 0:35:47 | 0:35:51 | |
hills of the North Downs. | 0:35:51 | 0:35:53 | |
A high, short ridge | 0:35:59 | 0:36:01 | |
stretching from the White Cliffs of Dover and Folkestone... | 0:36:01 | 0:36:04 | |
..all the way across the county, to south-east London and beyond. | 0:36:07 | 0:36:11 | |
The North Downs reach almost 250m above sea level, | 0:36:20 | 0:36:26 | |
which means you have to dig deep into the chalk | 0:36:26 | 0:36:29 | |
to uncover its secrets. | 0:36:29 | 0:36:31 | |
THEY CHEER | 0:36:33 | 0:36:35 | |
It's about 20 years since I last played cricket in Kent. | 0:36:38 | 0:36:42 | |
And there's nothing like it, a bit of sunshine, a village green | 0:36:42 | 0:36:45 | |
and the sound of leather on willow. | 0:36:45 | 0:36:47 | |
But you're thinking, "Enjoyable cricket in the sunshine? | 0:36:47 | 0:36:51 | |
"That's not a secret." | 0:36:51 | 0:36:54 | |
I've heard that somewhere nearby is an extraordinary | 0:36:56 | 0:36:58 | |
subterranean chamber. And I want in. | 0:36:58 | 0:37:03 | |
-Oh, I haven't done that for a while. -Well done, you! | 0:37:03 | 0:37:07 | |
My best bet is local estate owner, the American born | 0:37:07 | 0:37:10 | |
Countess Sondes, who's lived at Lees Court for 30 years. | 0:37:10 | 0:37:17 | |
Now, I know you're president of this club, | 0:37:17 | 0:37:19 | |
but we haven't come here to talk about cricket, have we? | 0:37:19 | 0:37:21 | |
There's a cave around here, right? | 0:37:21 | 0:37:25 | |
-WHISPERS: -Where is it? | 0:37:25 | 0:37:26 | |
Right down there. Way down. | 0:37:26 | 0:37:31 | |
So, where we've been playing cricket, in this area, | 0:37:31 | 0:37:33 | |
-there is a cave? -Sort of. | 0:37:33 | 0:37:36 | |
And you go down about 30 feet and wow! | 0:37:36 | 0:37:38 | |
You're in another world. | 0:37:38 | 0:37:40 | |
Will you go and show me where this is? | 0:37:42 | 0:37:44 | |
-Well, come on then, see what you think. -All right, come on then. | 0:37:44 | 0:37:47 | |
The Countess may have taken me into her confidence, | 0:37:47 | 0:37:50 | |
but I can't tell you where we're going. | 0:37:50 | 0:37:52 | |
The location of this cave is a secret. | 0:37:52 | 0:37:56 | |
And the entrance is utterly unremarkable | 0:37:56 | 0:37:59 | |
-Chris? -Yeah? | 0:37:59 | 0:38:02 | |
-Under here? -Right where we're standing. | 0:38:02 | 0:38:07 | |
Hidden in plain sight, just beyond the boundary rope | 0:38:08 | 0:38:13 | |
and I don't know what to expect. | 0:38:13 | 0:38:15 | |
THEY LAUGH | 0:38:15 | 0:38:17 | |
-It's not a small cave, this is huge. -It's huge! | 0:38:17 | 0:38:22 | |
30 steps lead down a narrow shaft into the void, where the | 0:38:22 | 0:38:26 | |
atmosphere is damp and chilling. | 0:38:26 | 0:38:29 | |
But what a sight! | 0:38:35 | 0:38:37 | |
It's not a cave, it's a different world. | 0:38:39 | 0:38:43 | |
Four vast chambers carved high above me into the chalk. | 0:38:43 | 0:38:48 | |
I'm really confused, | 0:38:49 | 0:38:51 | |
because, I mean, it's so organised. It's so structured. | 0:38:51 | 0:38:55 | |
Let's have a look down here. Oh, my goodness, it's enormous! | 0:38:55 | 0:39:01 | |
Chalk. It must be a mine of some sort. | 0:39:04 | 0:39:08 | |
Well, what do you think? | 0:39:09 | 0:39:12 | |
I must admit, I didn't expect it to be like this. You said a cave. | 0:39:12 | 0:39:17 | |
You were fibbing to me. It's like a different world down here, isn't it? | 0:39:17 | 0:39:20 | |
To me it's cathedral like. It's like, not anything I've ever seen. | 0:39:20 | 0:39:26 | |
I know it's not a cathedral. It looks like it, with that spire | 0:39:26 | 0:39:29 | |
there. And I can't imagine any person living in here. | 0:39:29 | 0:39:34 | |
So, come on, tell me, what is it? | 0:39:34 | 0:39:36 | |
It's 17th century. | 0:39:36 | 0:39:38 | |
It's called a dene hole, it's to mine chalk and that chalk | 0:39:38 | 0:39:42 | |
would have been used for agricultural purposes. Or it would | 0:39:42 | 0:39:46 | |
have gone into a kiln and that would have been limewater for building. | 0:39:46 | 0:39:51 | |
So, some for cement. And you say for agriculture. | 0:39:51 | 0:39:54 | |
What, like a fertiliser? | 0:39:54 | 0:39:56 | |
Exactly. It would go on top of the soil. | 0:39:56 | 0:40:00 | |
So, this is one, two, three chambers and there's one more. | 0:40:00 | 0:40:03 | |
I mean, do you know how it was mined? | 0:40:03 | 0:40:05 | |
Well, you can even see just looking at the walls. | 0:40:05 | 0:40:08 | |
-It was all done by hand, of course. -Yeah. | 0:40:08 | 0:40:10 | |
How many people would be down here? | 0:40:10 | 0:40:12 | |
One down here, but then there'd be two men, | 0:40:12 | 0:40:16 | |
that would have to go in a basket, in order to get it up to the top. | 0:40:16 | 0:40:20 | |
So, one man has done all of this? | 0:40:20 | 0:40:23 | |
Thousands of dene holes riddle the Kent landscape, | 0:40:23 | 0:40:27 | |
though few on this scale. | 0:40:27 | 0:40:29 | |
Some claim the name comes from Dane | 0:40:29 | 0:40:32 | |
and think they were used as hiding places from Norse invaders. | 0:40:32 | 0:40:36 | |
But many predate the Vikings by 1,000 years. | 0:40:36 | 0:40:40 | |
And who knows how many remain undiscovered? | 0:40:40 | 0:40:44 | |
I have to say you're a very, very lucky person to have this. | 0:40:48 | 0:40:51 | |
And think of what's right on top of us. | 0:40:51 | 0:40:53 | |
-Oh, it's another world! -They're playing cricket right now above us. | 0:40:53 | 0:40:57 | |
Some things aren't what they seem. | 0:41:01 | 0:41:04 | |
Apparently, this peaceful waterway on the Romney Marshes | 0:41:14 | 0:41:17 | |
harbours a big secret. | 0:41:17 | 0:41:20 | |
Down with the ducks and the swans, | 0:41:20 | 0:41:22 | |
this overgrown waterway looks tranquil. | 0:41:22 | 0:41:27 | |
The scenery's just beautiful. | 0:41:27 | 0:41:29 | |
You can walk your dog along it, you can even have a paddle, | 0:41:29 | 0:41:32 | |
but just check out the view from up there. | 0:41:32 | 0:41:35 | |
This is no ordinary canal. | 0:41:37 | 0:41:40 | |
It's 28 miles long, goes nowhere | 0:41:40 | 0:41:43 | |
and is definitely not built in a straight line. | 0:41:43 | 0:41:47 | |
This is the Royal Military Canal. | 0:41:49 | 0:41:52 | |
It's the third largest defensive structure in the UK, | 0:41:57 | 0:42:00 | |
behind Hadrian's Wall and Offa's Dyke. | 0:42:00 | 0:42:03 | |
And, virtually, no-one outside of Kent even knows it's here. | 0:42:03 | 0:42:07 | |
In fact, I'm not sure many people within Kent know it's here either. | 0:42:08 | 0:42:13 | |
So, what's it doing here? | 0:42:14 | 0:42:17 | |
Mike Umbers is a retired army officer, | 0:42:17 | 0:42:19 | |
who's spent years unearthing its history. | 0:42:19 | 0:42:23 | |
Oh, well, you made it. | 0:42:23 | 0:42:24 | |
I did make it. | 0:42:24 | 0:42:26 | |
THEY LAUGH | 0:42:26 | 0:42:28 | |
Mike, what can you tell me about this military canal? | 0:42:28 | 0:42:31 | |
You're seeing it a long time after it was built. | 0:42:31 | 0:42:35 | |
When it was new, pristine banks, all that earth that was | 0:42:35 | 0:42:38 | |
shovelled out of there, was piled up here on this bank | 0:42:38 | 0:42:41 | |
that we are now standing on. It was much higher than it is now. | 0:42:41 | 0:42:44 | |
So, all the soil, the earth came up to here, | 0:42:44 | 0:42:49 | |
flattened on this bit here and then fell away at the back. | 0:42:49 | 0:42:52 | |
That's right. It's 60 foot wide, it's nine foot deep. | 0:42:52 | 0:42:55 | |
For people who can't swim, to come up against this obstacle and to have | 0:42:55 | 0:42:59 | |
their horses, their guns, it really was a very formidable obstacle. | 0:42:59 | 0:43:05 | |
Stretching from the coast all the way round the Romney Marshes, | 0:43:09 | 0:43:14 | |
the Royal Military Canal was built as a defence | 0:43:14 | 0:43:17 | |
against Napoleonic invasion. | 0:43:17 | 0:43:20 | |
And the jinks, or the zigzags, were the latest in military thinking. | 0:43:20 | 0:43:25 | |
At every corner, you've got what we would call a pill box. | 0:43:25 | 0:43:30 | |
It would have in it guns firing enfilade, we call it, | 0:43:30 | 0:43:35 | |
right along the jinks of the canal. | 0:43:35 | 0:43:38 | |
Everything that the enemy is doing is under fire. | 0:43:38 | 0:43:41 | |
The canal was actually a secondary line of defence, | 0:43:41 | 0:43:44 | |
sitting a couple of miles behind a string of gun emplacements, | 0:43:44 | 0:43:48 | |
called Martello Towers, built along Kent's coast. | 0:43:48 | 0:43:52 | |
When the two lines are in position, we're going to get him | 0:43:52 | 0:43:55 | |
on the beach and he is going to come across those fields there. | 0:43:55 | 0:43:58 | |
And when he comes up against this second obstacle, | 0:43:58 | 0:44:01 | |
it is a real problem for him. | 0:44:01 | 0:44:05 | |
So, the perceived threat from Napoleon, it was real. | 0:44:05 | 0:44:08 | |
People used to frighten their babies by saying, "Boney's coming!" | 0:44:08 | 0:44:11 | |
He posed the biggest threat since the Spanish Armada. | 0:44:11 | 0:44:15 | |
He was massing his troops in Boulogne to advance on London. | 0:44:15 | 0:44:20 | |
If he hadn't had this and he had broken through, | 0:44:20 | 0:44:24 | |
it was Canterbury, it was London, it was Britain finished. | 0:44:24 | 0:44:27 | |
But that threat never materialised. | 0:44:27 | 0:44:29 | |
So, would you say this became a white elephant? | 0:44:29 | 0:44:31 | |
Oh, no way! Hitler knew of it. | 0:44:31 | 0:44:34 | |
Hitler had this great invasion plan, Sea Lion. | 0:44:34 | 0:44:36 | |
They had paratroopers dropping on high to seize the bridges, | 0:44:36 | 0:44:41 | |
but it was the same old canal. | 0:44:41 | 0:44:43 | |
Neither Hitler nor Napoleon ever put the canal to the test. | 0:44:46 | 0:44:52 | |
One of Kent's best kept secrets, it remains out of action. | 0:44:52 | 0:44:55 | |
Save for one day every other year when Kevin Howell | 0:44:55 | 0:45:00 | |
and the people of Hythe, turn their town into Little Venice. | 0:45:00 | 0:45:04 | |
OK. Finishing touches. | 0:45:05 | 0:45:07 | |
We just need to get the table laid. So, tea pot, cup, saucers, tarts. | 0:45:07 | 0:45:12 | |
I've lived in Hythe for just over 30 years. | 0:45:12 | 0:45:15 | |
We're ready to go. | 0:45:17 | 0:45:18 | |
Once you get costumes on, you sort of go, | 0:45:18 | 0:45:21 | |
"Right, OK, we can do this now." | 0:45:21 | 0:45:22 | |
Every two years, | 0:45:22 | 0:45:25 | |
the town puts on what they call the Hythe Venetian Fete. | 0:45:25 | 0:45:28 | |
I think people if they've heard of the fete, will assume it comes | 0:45:28 | 0:45:31 | |
through the high street on the road, but it's use of the canal | 0:45:31 | 0:45:34 | |
that actually makes it that bit different. | 0:45:34 | 0:45:37 | |
The Venetian Fete has been going for over 140 years. | 0:45:41 | 0:45:46 | |
The float this year takes the theme of Alice in Wonderland. | 0:45:46 | 0:45:49 | |
It's always good fun to do. | 0:45:49 | 0:45:51 | |
Floats are pulled up the canal by a row boat. | 0:45:54 | 0:45:57 | |
That, in itself, is quite a skilful job, | 0:45:57 | 0:46:00 | |
because you've got to control quite a big piece of kit behind you. | 0:46:00 | 0:46:05 | |
That's easy on the road, but on water that's a bit more tricky. | 0:46:05 | 0:46:12 | |
The floats run up and down the canal once in daylight. | 0:46:12 | 0:46:15 | |
The second run comes later in the evening and that's | 0:46:16 | 0:46:19 | |
when the floats are lit up. | 0:46:19 | 0:46:22 | |
There is a big firework display later in the evening. | 0:46:25 | 0:46:29 | |
It's really spectacular. Lights shine out. | 0:46:32 | 0:46:35 | |
You've got the reflections across the water on the canal as well, | 0:46:35 | 0:46:39 | |
which just adds an extra layer of lights and ripples. | 0:46:39 | 0:46:42 | |
It does feel good to be part of the community at an event like this. | 0:46:42 | 0:46:45 | |
It's a really nice, fun evening to come down and see. | 0:46:45 | 0:46:49 | |
Tradition and heritage are a big part of Kent. | 0:47:01 | 0:47:05 | |
The landscape remains rich with historic oasthouses, | 0:47:05 | 0:47:09 | |
nestled amongst the hop fields. | 0:47:09 | 0:47:12 | |
But the stories that went with them are being forgotten. | 0:47:12 | 0:47:16 | |
I used to go to school just around the corner from this very spot | 0:47:22 | 0:47:26 | |
and you never, ever forget that sweet smell of drying hops. | 0:47:26 | 0:47:30 | |
Hops are actually flowers. | 0:47:32 | 0:47:35 | |
They've been used to add aroma | 0:47:35 | 0:47:37 | |
and bitterness to beer for more than 1,000 years. | 0:47:37 | 0:47:40 | |
Today, they're picked by machines and a handful of workers. | 0:47:40 | 0:47:45 | |
But fourth generation hop farmer Peter Hall | 0:47:45 | 0:47:48 | |
remembers hop picking from his childhood being very different. | 0:47:48 | 0:47:53 | |
This is a beautiful part of the world, I have to say, | 0:47:53 | 0:47:56 | |
but I did expect to be surrounded by hop fields. | 0:47:56 | 0:47:59 | |
-Well, you're about 50 years too late. -Oh, right. OK. | 0:47:59 | 0:48:02 | |
-We've still got a little bit of hops. -Right. | 0:48:02 | 0:48:05 | |
Two acres that we grow organically. | 0:48:05 | 0:48:07 | |
But, go back to my grandfather's day, | 0:48:07 | 0:48:09 | |
we had 50 acres of hops here, 50 acres at Paddock Wood. | 0:48:09 | 0:48:12 | |
But times change, there's not the demand for the hops. | 0:48:12 | 0:48:16 | |
Beer isn't drunk in this country like it was. | 0:48:16 | 0:48:18 | |
And, so, we've now planted these very fertile bits | 0:48:18 | 0:48:21 | |
of the farm up with apple orchards that we're growing organically. | 0:48:21 | 0:48:26 | |
Until the 1950s, everything on the hop farm was done by hand. | 0:48:26 | 0:48:30 | |
For most of the year that meant Peter's grandfather | 0:48:30 | 0:48:34 | |
and a few farm hands. | 0:48:34 | 0:48:36 | |
But when summer came, everything changed. | 0:48:36 | 0:48:39 | |
Come harvest time that must have been completely... | 0:48:39 | 0:48:41 | |
Come harvest time, it was insanity. | 0:48:41 | 0:48:43 | |
You'd probably have had 400 pickers on 50 acres of hops. | 0:48:43 | 0:48:46 | |
And they would have been here with all their families and | 0:48:46 | 0:48:50 | |
hangers on and, you know, visitors and Uncle Tom Cobley and all. | 0:48:50 | 0:48:53 | |
So, I'm imagining now it's about 600 people, isn't it? | 0:48:53 | 0:48:57 | |
It probably could be running up to that, yeah. | 0:48:57 | 0:48:59 | |
It's certainly, you know, it's an awful lot. | 0:48:59 | 0:49:02 | |
Around 80,000 East Enders would pile down to Kent, | 0:49:03 | 0:49:07 | |
from London, every August. | 0:49:07 | 0:49:10 | |
Entire families. Men, women and children | 0:49:10 | 0:49:14 | |
toiling away in the hop fields. | 0:49:14 | 0:49:16 | |
This was hard manual labour. | 0:49:16 | 0:49:19 | |
And accommodating such an army of workers was no mean feat. | 0:49:19 | 0:49:24 | |
Where did they stay? | 0:49:24 | 0:49:26 | |
They stayed in a whole encampment around the farm. | 0:49:26 | 0:49:29 | |
The last remaining or one of the last remaining bits | 0:49:29 | 0:49:34 | |
is this ramshackle structure in here. | 0:49:34 | 0:49:37 | |
Hop pickers' huts were temporary structures, | 0:49:42 | 0:49:45 | |
so it's extremely rare for one to survive. | 0:49:45 | 0:49:48 | |
It's not much, I have to say. My first impressions, | 0:49:52 | 0:49:56 | |
it's like a little old tin hut, isn't it? | 0:49:56 | 0:50:00 | |
How old are these huts, about? | 0:50:00 | 0:50:02 | |
Well, I don't know this particular one, but there will have been | 0:50:02 | 0:50:05 | |
huts standing here on the common since 1850 I should think. | 0:50:05 | 0:50:07 | |
Wow. So what, would one family live in all of this? | 0:50:07 | 0:50:11 | |
No. God, no. No, no, no way. | 0:50:11 | 0:50:13 | |
I mean you'd... There are...we've got four bays. | 0:50:13 | 0:50:16 | |
You'd be looking at, probably, you know, four, five, | 0:50:16 | 0:50:19 | |
six people sleeping in each bay of this. | 0:50:19 | 0:50:22 | |
Hold on a second. Four, five, six people. | 0:50:22 | 0:50:25 | |
Hold on. One, two, three... | 0:50:26 | 0:50:28 | |
What, five steps you'd have a family in there? | 0:50:28 | 0:50:32 | |
Yeah. Yeah, it depends on the size of the family. | 0:50:32 | 0:50:35 | |
-And another family in here? -Yeah. Yeah, pretty much. Yeah. | 0:50:35 | 0:50:38 | |
-24 people from here to here? -It could be. | 0:50:38 | 0:50:41 | |
In spite of the crude accommodation and the back-breaking work, | 0:50:46 | 0:50:50 | |
Peter remembers the East Enders seeing their time here | 0:50:50 | 0:50:53 | |
as a sort of holiday. | 0:50:53 | 0:50:56 | |
Tell me, am I a bit soft? | 0:50:56 | 0:50:58 | |
Have I spent too much time in nice comfortable beds, | 0:50:58 | 0:51:01 | |
that I just couldn't imagine living in here? | 0:51:01 | 0:51:05 | |
To be perfectly honest with you, a lot of... | 0:51:05 | 0:51:07 | |
If you think about the East End, some of those | 0:51:07 | 0:51:10 | |
rows of houses in the East End were some pretty squalid conditions. | 0:51:10 | 0:51:13 | |
And, I mean, they were out in the fresh air here. | 0:51:13 | 0:51:16 | |
The children ran wild and they did run wild, I can tell you. | 0:51:16 | 0:51:19 | |
Whole communities would come and work on a particular farm. | 0:51:19 | 0:51:22 | |
Whole streets or groups of people. | 0:51:22 | 0:51:24 | |
They had the same hut every year. | 0:51:24 | 0:51:25 | |
And, I mean, I can remember we had families, | 0:51:25 | 0:51:28 | |
when we've been picking, with the machinery, | 0:51:28 | 0:51:31 | |
we had grandchildren, | 0:51:31 | 0:51:33 | |
great-grandchildren of people who'd worked for my great-grandfather, | 0:51:33 | 0:51:36 | |
who were still coming to work the hop garden and work the machinery. | 0:51:36 | 0:51:40 | |
And they would come down the fortnight before hop picking | 0:51:40 | 0:51:43 | |
for the weekend in their modern motors and all that stuff, | 0:51:43 | 0:51:46 | |
repaper all their hut out, all those kind of things. | 0:51:46 | 0:51:49 | |
Yeah, I'm beginning to turn, | 0:51:51 | 0:51:54 | |
because you actually feel that this is a very special place. | 0:51:54 | 0:51:57 | |
A moment in your life where you're actually experiencing | 0:51:57 | 0:52:00 | |
something different. | 0:52:00 | 0:52:02 | |
Though the armies of hop pickers are long gone | 0:52:13 | 0:52:15 | |
and the old ways are now dim and distant memories, | 0:52:15 | 0:52:19 | |
it's still possible to catch glimpses of Kent's agricultural | 0:52:19 | 0:52:22 | |
past in the architectural relics of its landscape. | 0:52:22 | 0:52:26 | |
But Kent is also a county that looks forward | 0:52:32 | 0:52:36 | |
and it appears to be edging ever closer towards France. | 0:52:36 | 0:52:39 | |
Seven miles out to sea from Ramsgate is Kent's furthest outpost. | 0:52:45 | 0:52:50 | |
It's a little bit lumpy today. Ooh! | 0:52:52 | 0:52:55 | |
I'm sure it's going to be worth it. | 0:52:55 | 0:52:57 | |
I hope it's going to be worth it. | 0:52:57 | 0:53:00 | |
The English Channel isn't just the busiest shipping lane in the world, | 0:53:06 | 0:53:11 | |
it's also surprisingly shallow, only 20 metres deep in places. | 0:53:11 | 0:53:15 | |
This makes it the perfect spot | 0:53:17 | 0:53:19 | |
for a considerable extension onto the county. | 0:53:19 | 0:53:22 | |
Time for some routine maintenance at a far from routine place, | 0:53:25 | 0:53:30 | |
Thanet Offshore Wind Farm. | 0:53:30 | 0:53:32 | |
This was the biggest wind farm in the world | 0:53:52 | 0:53:55 | |
when the blades first turned, back in 2010. | 0:53:55 | 0:53:58 | |
Stewart, what's happening now? | 0:54:04 | 0:54:06 | |
Well, we're going to try and push on. | 0:54:06 | 0:54:08 | |
The weather condition's not that great at the moment. | 0:54:08 | 0:54:10 | |
So, the waves are a bit high. | 0:54:10 | 0:54:12 | |
Team leader Stewart Box is worried that it could be | 0:54:12 | 0:54:15 | |
too choppy for us to climb the turbine today. | 0:54:15 | 0:54:17 | |
So, when you say push on, | 0:54:17 | 0:54:18 | |
we're pushing the boat up against the turbines? | 0:54:18 | 0:54:20 | |
Basically, the front of the boat is pushed, as it's just going now, | 0:54:20 | 0:54:23 | |
pushing it onto the boat. And the revs will go up and he's going | 0:54:23 | 0:54:26 | |
to try and stick on the front, so we can climb up the turbine. | 0:54:26 | 0:54:29 | |
Oh, right. And, what's the biggest challenge here then? | 0:54:29 | 0:54:33 | |
Waves. Waves are a massive challenge here. | 0:54:33 | 0:54:37 | |
When the waves are over 1.5 metres, | 0:54:37 | 0:54:39 | |
it's just too much to go up and down the ladder. | 0:54:39 | 0:54:42 | |
I've made it all the way out here and kept my lunch down, | 0:54:42 | 0:54:46 | |
only to discover that the swell might stop me | 0:54:46 | 0:54:49 | |
getting up the turbine. | 0:54:49 | 0:54:51 | |
-Well, look how steady he's made it! -Yeah, he's done a really... | 0:54:52 | 0:54:56 | |
-Is that steady or what? -Yeah, he's made a pretty good job at that. | 0:54:56 | 0:54:59 | |
So, we'll just find out what he's thinking. | 0:54:59 | 0:55:01 | |
What's the skipper... Oh, he's like that! | 0:55:01 | 0:55:03 | |
-Are you going to go? -He's giving us a middle... | 0:55:03 | 0:55:06 | |
-Do you want to go? -What was that, a thumbs up? | 0:55:06 | 0:55:09 | |
-It's a thumbs up, yeah. -Was it? We're going on! Whoohoo! | 0:55:09 | 0:55:12 | |
Oh, there's some ominous squeaks here. | 0:55:17 | 0:55:19 | |
And it's a bit choppy. | 0:55:20 | 0:55:22 | |
-All right to go? -Yeah, got it. | 0:55:27 | 0:55:29 | |
Whoa! Suddenly everything feels like it's moving. | 0:55:33 | 0:55:37 | |
There are 100 of these 70 metre turbines out | 0:55:43 | 0:55:46 | |
here on the wind farm. | 0:55:46 | 0:55:47 | |
But just because they're fastened to the sea floor, | 0:55:47 | 0:55:50 | |
doesn't mean they're rock solid. | 0:55:50 | 0:55:52 | |
I've learnt to twist these up pretty spectacularly. | 0:55:58 | 0:56:01 | |
-Cool. -Are you level? -Yeah, I'm good. | 0:56:10 | 0:56:12 | |
-I've forgotten what to do here now. -I'll undo you. | 0:56:12 | 0:56:15 | |
-Oh-ho-ho-ho-ho! -You've made it to the top. -I've made it to the top! | 0:56:17 | 0:56:21 | |
But I didn't think this was going to be moving. | 0:56:21 | 0:56:23 | |
I thought it was solid here. Do you know what's nuts, | 0:56:23 | 0:56:26 | |
it does actually feel quite calm, compared to down there. | 0:56:26 | 0:56:28 | |
The waves are going crazy. The back of the boat is just wild. | 0:56:28 | 0:56:32 | |
This is really very privileged access. | 0:56:37 | 0:56:39 | |
People aren't allowed to come close to these wind turbines. | 0:56:39 | 0:56:42 | |
VIP access, this. Not many people get to come here. | 0:56:42 | 0:56:46 | |
It is, isn't it? Is it access all areas in here? | 0:56:46 | 0:56:48 | |
Wow! | 0:56:48 | 0:56:49 | |
Oh, my God! The wind turbines go on and on into the distance! | 0:56:49 | 0:56:53 | |
And they really take your breath away when you're standing here. | 0:56:55 | 0:56:59 | |
It's quite mesmerising. | 0:56:59 | 0:57:02 | |
These massive turbines | 0:57:14 | 0:57:16 | |
and the spectacular views back towards the coast, remind me that | 0:57:16 | 0:57:20 | |
there's so much more to this county than the White Cliffs of Dover. | 0:57:20 | 0:57:23 | |
-Born and bred in Kent, right? -Yeah. I was born and bred in Ramsgate. | 0:57:26 | 0:57:30 | |
So, literally from yay high I've been looking out to sea. | 0:57:30 | 0:57:33 | |
And now I actually work out at sea, so it's brilliant. | 0:57:33 | 0:57:37 | |
For the 23 million people who arrive in Britain via Kent | 0:57:42 | 0:57:47 | |
every year, the first impression of the county can be hectic. | 0:57:47 | 0:57:51 | |
You have to make an effort to escape the crowds | 0:57:51 | 0:57:54 | |
and get off the beaten track. | 0:57:54 | 0:57:56 | |
Even in a county as busy as Kent, | 0:57:56 | 0:57:59 | |
there are still places where you can really connect with the landscape. | 0:57:59 | 0:58:03 | |
And going the extra mile can change your perspective on everything. | 0:58:03 | 0:58:09 | |
Next time on Secret Britain, we're delving into Devon. | 0:58:09 | 0:58:14 | |
Welcome to the underworld. | 0:58:16 | 0:58:19 | |
Discovering the secrets of its military past... | 0:58:19 | 0:58:22 | |
-There she is! -There we go. | 0:58:22 | 0:58:24 | |
..meeting some of Dartmoor's best-loved inhabitants. | 0:58:24 | 0:58:28 | |
Just out of nowhere they came. | 0:58:28 | 0:58:31 | |
..and dipping our toes into Devon's ancient myths and legends. | 0:58:31 | 0:58:35 | |
Oh, it's freezing! | 0:58:35 | 0:58:37 |