Browse content similar to Devon. Check below for episodes and series from the same categories and more!
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We live in a country with some of the most diverse | 0:00:09 | 0:00:12 | |
and beautiful landscapes in the world. | 0:00:12 | 0:00:15 | |
So diverse, very few of us know every nook and cranny. | 0:00:17 | 0:00:21 | |
And so beautiful it'd be a crime to miss any of them. | 0:00:25 | 0:00:28 | |
The British Isles are full of secrets and surprises | 0:00:31 | 0:00:34 | |
just waiting to be discovered. | 0:00:34 | 0:00:37 | |
-CHRIS GROANS -Good, Chris, good. -Thank you! | 0:00:39 | 0:00:41 | |
Wow! Oh, my God! | 0:00:41 | 0:00:44 | |
Out of nowhere they came! | 0:00:44 | 0:00:46 | |
It's easy to think Britain is a crowded place, | 0:00:46 | 0:00:49 | |
but with more than 60 million acres out there, | 0:00:49 | 0:00:52 | |
there's still plenty of the UK for us to discover and enjoy. | 0:00:52 | 0:00:56 | |
SHE LAUGHS | 0:00:56 | 0:00:58 | |
The power of the elements really belittles you! | 0:00:58 | 0:01:02 | |
In this series, we're going to escape the crowds | 0:01:02 | 0:01:05 | |
and get off the beaten track. | 0:01:05 | 0:01:07 | |
We're on the hunt for the unexpected... | 0:01:08 | 0:01:10 | |
Did you see it? | 0:01:10 | 0:01:12 | |
-There we go! -Woohoo! | 0:01:12 | 0:01:13 | |
..the breathtaking.. | 0:01:13 | 0:01:15 | |
Oh! It's freezing! | 0:01:16 | 0:01:17 | |
..the hidden... | 0:01:17 | 0:01:18 | |
I think I've found it! | 0:01:19 | 0:01:21 | |
Look at the size of this place. | 0:01:22 | 0:01:24 | |
This is the place we call home. | 0:01:25 | 0:01:29 | |
This is our secret Britain. | 0:01:29 | 0:01:31 | |
The clear blue waters of the English Riviera. | 0:01:42 | 0:01:46 | |
A mysterious moor, | 0:01:48 | 0:01:50 | |
once inhabited by people known as "deep-valley dwellers". | 0:01:50 | 0:01:54 | |
And wild, dramatic granite cliffs. | 0:01:56 | 0:01:59 | |
This is the only county in England with two separate coastlines. | 0:02:01 | 0:02:06 | |
I'm in one of the most important naval bases anywhere in the UK | 0:02:09 | 0:02:14 | |
and the biggest in Western Europe. | 0:02:14 | 0:02:16 | |
This is Devon. | 0:02:16 | 0:02:19 | |
From holding off Viking raiders | 0:02:26 | 0:02:28 | |
to seeing off the Spanish Armada, | 0:02:28 | 0:02:31 | |
Devon has a long naval history. | 0:02:31 | 0:02:34 | |
It's from here in Plymouth that our warships sailed | 0:02:34 | 0:02:37 | |
when Britannia ruled the waves. | 0:02:37 | 0:02:40 | |
In our quest to uncover Devon's secrets, | 0:02:44 | 0:02:48 | |
we'll be travelling from the south coast, all the way across | 0:02:48 | 0:02:52 | |
the wild expanse of Dartmoor, | 0:02:52 | 0:02:54 | |
to the craggy and treacherous north coast. | 0:02:54 | 0:02:57 | |
And so our journey begins here in Plymouth. | 0:03:02 | 0:03:05 | |
It was from here in 1577 that Devon's greatest hero, | 0:03:09 | 0:03:14 | |
the explorer Sir Francis Drake, set off to circumnavigate the globe. | 0:03:14 | 0:03:18 | |
When he returned, he was made governor of a small island | 0:03:20 | 0:03:23 | |
that's just a stone's throw from the mainland. | 0:03:23 | 0:03:26 | |
It may have been little, but it was of huge strategic importance. | 0:03:28 | 0:03:32 | |
Still known as Drake's Island, it's right in the middle | 0:03:36 | 0:03:39 | |
of Plymouth Sound, | 0:03:39 | 0:03:42 | |
and is the site of five centuries of military history. | 0:03:42 | 0:03:46 | |
It's not easy getting onto Drake's Island, and it's been in private | 0:03:50 | 0:03:53 | |
ownership for two decades, so I'm really lucky to get to explore it. | 0:03:53 | 0:03:57 | |
Drake's Island covers just six-and-a-half acres. | 0:04:03 | 0:04:06 | |
Yet in the days when the greatest threat of invasion | 0:04:06 | 0:04:09 | |
was from the sea, it was critical for the defence of the realm. | 0:04:09 | 0:04:13 | |
Without it, Plymouth harbour would have been dangerously exposed. | 0:04:13 | 0:04:16 | |
Welcome. | 0:04:22 | 0:04:23 | |
Chris Bourne quite literally holds the keys to the island. | 0:04:23 | 0:04:27 | |
Wow! This place has got a lot to tell us, hasn't it? | 0:04:27 | 0:04:30 | |
Oh, it has indeed! | 0:04:30 | 0:04:31 | |
He's the estate manager, | 0:04:31 | 0:04:33 | |
and knows this place like the back of his hand. | 0:04:33 | 0:04:36 | |
-You know, I think these are sort of, like, 1880. -Pretty old. | 0:04:36 | 0:04:39 | |
But God knows how on earth they got them up here. I'll never know. | 0:04:39 | 0:04:43 | |
And it's shabby-chic, really. | 0:04:43 | 0:04:45 | |
LAUGHING: Is that the look you're going for? | 0:04:45 | 0:04:47 | |
-We're working for, yeah, very nice. -Amazing. | 0:04:47 | 0:04:49 | |
Yeah. | 0:04:49 | 0:04:50 | |
'The ambition is to develop the island and build a luxury hotel. | 0:04:52 | 0:04:56 | |
'So this could be a last chance to see | 0:04:57 | 0:05:00 | |
'what remains of the island's rich history. | 0:05:00 | 0:05:02 | |
'It's an overgrown mishmash of abandoned | 0:05:06 | 0:05:08 | |
'military buildings, old cannons and underground tunnels. | 0:05:08 | 0:05:12 | |
'But one feature that really stands out | 0:05:15 | 0:05:17 | |
'is the late-19th-century horseshoe-shaped building | 0:05:17 | 0:05:20 | |
'which wraps itself round the head of the island.' | 0:05:20 | 0:05:23 | |
Wow! What's all this? | 0:05:24 | 0:05:26 | |
Well, welcome to the casemates. | 0:05:26 | 0:05:28 | |
These are located on the south-east of the island. | 0:05:28 | 0:05:31 | |
We have 20 gun placements here, | 0:05:31 | 0:05:34 | |
and behind, we have the ammunition stores. | 0:05:34 | 0:05:38 | |
The island has a myriad of underground tunnels, | 0:05:38 | 0:05:41 | |
and the ammunition was brought through here, through those tunnels, | 0:05:41 | 0:05:44 | |
and stored in here for the guns directly in front of you. | 0:05:44 | 0:05:48 | |
You could play hide-and-seek for days in here, couldn't you? | 0:05:48 | 0:05:51 | |
-Yeah, you can get lost quite easily, that's for sure. -Yeah! | 0:05:51 | 0:05:54 | |
-Shall we have a look further on? -OK. | 0:05:54 | 0:05:56 | |
'I'm glad Chris is here to show me around. | 0:05:59 | 0:06:02 | |
'There's no logic to this place. | 0:06:02 | 0:06:04 | |
'He's promised me a trip back in time and underground, | 0:06:06 | 0:06:10 | |
'to a part of the island built during the Napoleonic Wars.' | 0:06:10 | 0:06:13 | |
-Whoo! Down the rabbit hole. -Yes. Mysterious. | 0:06:17 | 0:06:22 | |
-A secret world down here. -It really is. | 0:06:22 | 0:06:24 | |
-Ooh, crumbs! It goes down a long way! -I know. All the way. | 0:06:24 | 0:06:27 | |
Welcome to the underworld. | 0:06:29 | 0:06:32 | |
-What an entrance! -I know. It's somewhat menacing. | 0:06:32 | 0:06:36 | |
It is, a bit. | 0:06:36 | 0:06:38 | |
I'm sure I know where I'm going. | 0:06:38 | 0:06:40 | |
Yeah, I trust you. HE LAUGHS | 0:06:40 | 0:06:42 | |
-I bet there's no phone signal. -It's all right, I've got the torch. We're OK. | 0:06:42 | 0:06:47 | |
There's about a kilometre of this. | 0:06:47 | 0:06:49 | |
-Is there? -Yeah. It goes... It goes... | 0:06:49 | 0:06:52 | |
Some go that way, some go this way, and there's huge underground stores | 0:06:52 | 0:06:55 | |
where they obviously put all of the ammunition. | 0:06:55 | 0:06:58 | |
'These tunnels were built in the early 1800s. | 0:07:00 | 0:07:03 | |
'They're part of a subterranean network that runs between | 0:07:03 | 0:07:07 | |
'all the buildings on the island, | 0:07:07 | 0:07:08 | |
'making it possible to move ammunition and men | 0:07:08 | 0:07:11 | |
'safely between the gun placements.' | 0:07:11 | 0:07:14 | |
And this is an ammunition store, | 0:07:17 | 0:07:18 | |
the main ammunition store for the island. | 0:07:18 | 0:07:21 | |
This could be an art installation, couldn't it, this stretcher? | 0:07:21 | 0:07:24 | |
-It could indeed. -Really spooky. | 0:07:24 | 0:07:26 | |
D'you know what's quite strange? | 0:07:28 | 0:07:30 | |
Cos they're not caves, they're not mines, | 0:07:30 | 0:07:31 | |
they're clearly human places, it asks so many questions - | 0:07:31 | 0:07:34 | |
what were they doing, what was it like? All of that. | 0:07:34 | 0:07:36 | |
Yeah. This... How much time and effort it must have taken to... | 0:07:36 | 0:07:40 | |
to create these tunnels in the first place. | 0:07:40 | 0:07:42 | |
Yeah. | 0:07:42 | 0:07:43 | |
-The secrets of these walls, eh? -Yeah. Yeah, absolutely. | 0:07:43 | 0:07:46 | |
-That is quite long enough in here. -Oh, OK. Let's get out of here. | 0:07:48 | 0:07:51 | |
-Yeah, I'd rather like to get out. -I think I know the way. | 0:07:51 | 0:07:54 | |
No matter how long I spend on Drake's Island, | 0:08:00 | 0:08:03 | |
I'm not sure I'd ever uncover all its secrets. | 0:08:03 | 0:08:06 | |
What is clear, though, is how critical it was | 0:08:07 | 0:08:10 | |
to the protection of our shores in perilous times. | 0:08:10 | 0:08:13 | |
Drake's Island is the land that time forgot, | 0:08:15 | 0:08:18 | |
and I must say, I feel so lucky to have had a chance to look round it, | 0:08:18 | 0:08:22 | |
and this is just the beginning. | 0:08:22 | 0:08:24 | |
We don't have to go far to discover more of Devon's secrets. | 0:08:28 | 0:08:33 | |
Just across the bay is Plymouth Hoe, | 0:08:33 | 0:08:35 | |
one of Devon's top tourist attractions. | 0:08:35 | 0:08:39 | |
SEAGULLS CRY | 0:08:39 | 0:08:41 | |
It's an area rich in history, seaside fun and cream teas. | 0:08:41 | 0:08:47 | |
Cream on first, of course. | 0:08:47 | 0:08:49 | |
But in the past, | 0:08:50 | 0:08:52 | |
it was the first port of call for some very different visitors. | 0:08:52 | 0:08:55 | |
It looks pretty now, but at the beginning of the 19th century | 0:08:56 | 0:09:00 | |
the waters around here | 0:09:00 | 0:09:01 | |
were full of prison hulks, packed with French prisoners of war. | 0:09:01 | 0:09:05 | |
Cream teas were definitely not on the menu for those guys. | 0:09:05 | 0:09:09 | |
Back then, Britain was at war with Napoleon's France. | 0:09:10 | 0:09:14 | |
As the war rumbled on, more and more French POWs | 0:09:18 | 0:09:22 | |
were sent to floating prison ships just off Plymouth. | 0:09:22 | 0:09:26 | |
Eventually, conditions on the ships got so bad | 0:09:27 | 0:09:30 | |
that plans had to be drawn up for a prison, | 0:09:30 | 0:09:32 | |
not on the coast, but high up on the moors. | 0:09:32 | 0:09:36 | |
The prison was finished in 1809, and to get to their new home | 0:09:37 | 0:09:42 | |
the French POWs had to walk. | 0:09:42 | 0:09:44 | |
Dartmoor is the largest open space in southern England. | 0:09:48 | 0:09:53 | |
Its highest point is over 2,000ft above sea level. | 0:09:57 | 0:10:01 | |
For the prisoners, | 0:10:04 | 0:10:06 | |
most of the 17-mile walk to the new prison in Princetown was uphill. | 0:10:06 | 0:10:10 | |
Even on a beautiful day like this, this is pretty tough going, | 0:10:16 | 0:10:21 | |
and I've got walking boots on. | 0:10:21 | 0:10:23 | |
Most of the prisoners would have been barefoot. | 0:10:23 | 0:10:26 | |
The original POW prison on Dartmoor | 0:10:32 | 0:10:34 | |
was built by Sir Thomas Tyrwhitt. | 0:10:34 | 0:10:37 | |
He was a close friend of the Prince Regent - | 0:10:37 | 0:10:40 | |
so close, he named Princetown after him. | 0:10:40 | 0:10:43 | |
The land Tyrwhitt owned on Dartmoor | 0:10:43 | 0:10:46 | |
wasn't much good for farming, | 0:10:46 | 0:10:48 | |
but what he DID have was space and granite. | 0:10:48 | 0:10:52 | |
The prison was the perfect opportunity to capitalise on both. | 0:10:52 | 0:10:56 | |
This is the old prison quarry. | 0:10:57 | 0:11:00 | |
I've been told the granite from here was used to build the prison. | 0:11:02 | 0:11:06 | |
Once the prisoners were here, those who could worked in the quarry. | 0:11:09 | 0:11:15 | |
It's eerie down here and it's cold. | 0:11:16 | 0:11:20 | |
Can you imagine what it must have been like to be a prisoner, | 0:11:20 | 0:11:23 | |
hundreds of miles away from home, to end up here, working in a quarry? | 0:11:23 | 0:11:29 | |
Not nice. | 0:11:29 | 0:11:30 | |
Alain Sibiril is following in the footsteps | 0:11:35 | 0:11:39 | |
of his 19th-century countrymen. | 0:11:39 | 0:11:41 | |
But unlike them, this Frenchman has chosen to live in the area. | 0:11:42 | 0:11:46 | |
He is the French Consul in Plymouth. | 0:11:47 | 0:11:50 | |
We're meeting in a place which has a special resonance for Alain. | 0:11:51 | 0:11:55 | |
Well, this is the beautiful church | 0:11:55 | 0:11:57 | |
of St Michael and All Angels Church in Princetown, | 0:11:57 | 0:12:01 | |
which was built partially by the French prisoners of war in 1812. | 0:12:01 | 0:12:07 | |
It is probably the only church in England which has been built | 0:12:07 | 0:12:11 | |
by prisoners of war. | 0:12:11 | 0:12:12 | |
The French, in 1812... | 0:12:12 | 0:12:14 | |
'Most people walk by St Michael's and All Angels Church in Princetown | 0:12:14 | 0:12:19 | |
'and have no idea of its unique history.' | 0:12:19 | 0:12:22 | |
I can't imagine what it must have been like for these prisoners | 0:12:23 | 0:12:27 | |
to find themselves in such a remote place. | 0:12:27 | 0:12:30 | |
This is a letter. | 0:12:30 | 0:12:34 | |
It was written by a young... we would call a novice in French, | 0:12:34 | 0:12:39 | |
but we would probably say that it's a midshipman in English. | 0:12:39 | 0:12:44 | |
It's dated 1 January 1814 | 0:12:44 | 0:12:48 | |
and this young man is called Jean Antoine Grande. | 0:12:48 | 0:12:52 | |
His family lived in Grasse in the south of France | 0:12:52 | 0:12:55 | |
on the Mediterranean. | 0:12:55 | 0:12:57 | |
And as you can see, he writes here... | 0:12:57 | 0:12:59 | |
"Your son, Jean Antoine Grande, | 0:13:00 | 0:13:03 | |
"novice on board the vessel Rivoli, | 0:13:03 | 0:13:07 | |
"prisoner of war at Dartmoor Prison, England." | 0:13:07 | 0:13:11 | |
England. | 0:13:11 | 0:13:12 | |
Does the young novice say anything about the conditions | 0:13:14 | 0:13:20 | |
that they were under and facing whilst they were here? | 0:13:20 | 0:13:23 | |
Yes, h-h-he does. | 0:13:23 | 0:13:24 | |
You know, for instance, he says that... | 0:13:24 | 0:13:29 | |
as far as his health is concerned, he said it's rather good. | 0:13:29 | 0:13:33 | |
But being far away from his family causes him a lot of chagrin, | 0:13:33 | 0:13:40 | |
you know, a lot of grief, a lot of unhappiness. | 0:13:40 | 0:13:43 | |
And... | 0:13:43 | 0:13:45 | |
he...he hopes that his family is well | 0:13:45 | 0:13:48 | |
and he's hoping that very soon his chains will be broken. | 0:13:48 | 0:13:53 | |
-That he'll be released. -He'll be... He'll be released. | 0:13:53 | 0:13:56 | |
Yeah, of course, at that time - 1 January - | 0:13:56 | 0:13:58 | |
he didn't know that he would be released just a few months after. | 0:13:58 | 0:14:01 | |
I have read it a number of occasions and every time I read it, | 0:14:04 | 0:14:08 | |
I'm moved, each time I read it. | 0:14:08 | 0:14:12 | |
French prisoners of war were held on Dartmoor for six years | 0:14:14 | 0:14:18 | |
until the war with France came to an end. | 0:14:18 | 0:14:22 | |
At its peak, 6,000 prisoners of war were held here. | 0:14:24 | 0:14:28 | |
1,200 of them died before the Napoleonic Wars were over. | 0:14:28 | 0:14:32 | |
I like to think that this granite church on these windswept moors | 0:14:35 | 0:14:39 | |
is a lasting tribute to them. | 0:14:39 | 0:14:41 | |
-SOLDIER YELLS: -Rapid fire! -GUNFIRE | 0:14:50 | 0:14:53 | |
The French POWs are long gone, | 0:14:54 | 0:14:57 | |
but you can still find soldiers on the moor, | 0:14:57 | 0:15:00 | |
like these members of the British Armed Forces. | 0:15:00 | 0:15:03 | |
SOLDIERS SHOUT | 0:15:03 | 0:15:06 | |
What you might not know about Dartmoor | 0:15:06 | 0:15:08 | |
is how crucial it is for the defence of the realm. | 0:15:08 | 0:15:12 | |
So why is this beautiful landscape | 0:15:15 | 0:15:16 | |
so important to the British military? | 0:15:16 | 0:15:19 | |
Well, there's only one way of finding out | 0:15:19 | 0:15:21 | |
and that is to join in and get stuck in. | 0:15:21 | 0:15:24 | |
These boys are the best of the best. | 0:15:24 | 0:15:27 | |
They've got all the equipment, they've got helmets | 0:15:27 | 0:15:29 | |
and they have guns. | 0:15:29 | 0:15:30 | |
I've got a woolly hat and some waterproofs. | 0:15:30 | 0:15:34 | |
These soldiers are on a 72-hour training exercise | 0:15:37 | 0:15:42 | |
and they spent last night sleeping out on the moor. | 0:15:42 | 0:15:45 | |
Dartmoor is beautiful, but it's also an austere landscape | 0:15:47 | 0:15:52 | |
and this is why it's the perfect place for military training. | 0:15:52 | 0:15:56 | |
There are huge areas that are almost featureless, so navigation - | 0:15:58 | 0:16:02 | |
so vital in many hostile environments - is tough. | 0:16:02 | 0:16:05 | |
-SOLDIER: -Down the right now! | 0:16:05 | 0:16:07 | |
And as in any combat zone, | 0:16:07 | 0:16:10 | |
to survive, you need to be completely self-sufficient. | 0:16:10 | 0:16:13 | |
Right lads, OK. | 0:16:16 | 0:16:17 | |
What we're doing is removing these two ammo tins from here | 0:16:17 | 0:16:20 | |
to White Tor, which we're... | 0:16:20 | 0:16:22 | |
'Lieutenant Oli Sharland is the Troop Commander.' | 0:16:22 | 0:16:25 | |
When your arm's tired, swap arms. | 0:16:25 | 0:16:26 | |
When both arms get tired, then rotate in from Delta to Charlie. | 0:16:26 | 0:16:29 | |
Happy? OK. | 0:16:29 | 0:16:31 | |
Can I just say, thank you for letting me be part of this. | 0:16:31 | 0:16:33 | |
Was it a tough night last night? | 0:16:33 | 0:16:35 | |
Aye, been in worse, like, but, yeah, it's quite cheeky. | 0:16:35 | 0:16:39 | |
My room in the hotel last night was a little bit hot | 0:16:39 | 0:16:43 | |
and I didn't sleep that well, and the breakfast, well... | 0:16:43 | 0:16:46 | |
You know, the latte that I had just wasn't strong enough. | 0:16:46 | 0:16:48 | |
So, bear with me. | 0:16:48 | 0:16:50 | |
You can burn that off when you carry this... | 0:16:50 | 0:16:52 | |
-LAUGHTER -When you say helping, along with us. | 0:16:52 | 0:16:55 | |
Yeah. | 0:16:55 | 0:16:56 | |
-SOLDIER: -Cheers, mate. | 0:16:56 | 0:16:57 | |
Oh, my word! How heavy is this? | 0:16:58 | 0:17:01 | |
Between about... It's about 45 kilos. | 0:17:02 | 0:17:04 | |
You... You just tell me when you get... | 0:17:04 | 0:17:05 | |
Just tell me when you get tired and I'll...I'll help out, yeah? | 0:17:05 | 0:17:08 | |
'With a 7st load on their backs, | 0:17:10 | 0:17:12 | |
'by the time the soldiers finish their exercise | 0:17:12 | 0:17:15 | |
'they'll have covered 20 miles.' | 0:17:15 | 0:17:18 | |
Who's got the short straw first? | 0:17:18 | 0:17:20 | |
OK. | 0:17:22 | 0:17:23 | |
You've been out here for 36 hours? | 0:17:47 | 0:17:49 | |
Normally we do it between 36 and 46 hours | 0:17:49 | 0:17:51 | |
-because the cannon patrol is 40-46 hours. -Yeah. | 0:17:51 | 0:17:54 | |
I've just been having a chat with them | 0:17:56 | 0:17:58 | |
and they say that THIS is the toughest test. | 0:17:58 | 0:18:00 | |
All the wind, | 0:18:00 | 0:18:01 | |
the wet overnight, and now they go walking, | 0:18:01 | 0:18:04 | |
and I do feel very guilty, | 0:18:04 | 0:18:07 | |
cos I'm having really good fun. This is beautiful! | 0:18:07 | 0:18:11 | |
Absolutely beautiful. | 0:18:11 | 0:18:13 | |
Dartmoor might have fabulous scenery, | 0:18:14 | 0:18:17 | |
but it also has a reputation for... | 0:18:17 | 0:18:20 | |
changeable weather. | 0:18:20 | 0:18:21 | |
-THUNDER RUMBLES -Presumably another reason | 0:18:21 | 0:18:23 | |
why it's good for military training. | 0:18:23 | 0:18:25 | |
I mean, who else would come out for a walk in this kind of weather? | 0:18:27 | 0:18:32 | |
And you can walk for absolutely miles and see nothing - | 0:18:32 | 0:18:36 | |
and I mean nothing - and no-one. | 0:18:36 | 0:18:39 | |
But every now and again you see something really unusual. | 0:18:39 | 0:18:43 | |
SHEEP BLEAT | 0:18:43 | 0:18:45 | |
'Someone who holds the key to another military secret up here | 0:18:45 | 0:18:48 | |
'is Lieutenant Colonel Tony Clarke. | 0:18:48 | 0:18:51 | |
'Now, he was in charge of military training in the South West | 0:18:51 | 0:18:54 | |
'before he retired. | 0:18:54 | 0:18:56 | |
'But he still loves to spend time wandering the moor...' | 0:18:56 | 0:18:59 | |
Oh, it's gorgeous...for Dartmoor. | 0:18:59 | 0:19:01 | |
-Dartmoor, lovely weather. -Yeah. | 0:19:01 | 0:19:03 | |
'..and keeping up-to-date with what's going on on his old patch.' | 0:19:03 | 0:19:07 | |
If they can survive on Dartmoor, they can survive anywhere. | 0:19:07 | 0:19:11 | |
'I'm hoping that whatever the Colonel has in store, | 0:19:11 | 0:19:14 | |
'it's worth coming out in this weather for.' | 0:19:14 | 0:19:17 | |
Ah... Oh! | 0:19:17 | 0:19:18 | |
There you are, look, a railway. | 0:19:20 | 0:19:21 | |
Did you expect to find a railway on Dartmoor? | 0:19:21 | 0:19:24 | |
No, what is it, a fun railway? Or a mine? Am I close? | 0:19:24 | 0:19:28 | |
-That's what it looks like. -Yeah, but you're wrong. | 0:19:28 | 0:19:31 | |
It's one of five railways on Dartmoor - | 0:19:31 | 0:19:33 | |
run by the military in years gone by - | 0:19:33 | 0:19:35 | |
to move targets representing tanks. | 0:19:35 | 0:19:38 | |
Absolutely necessary for the infantry anti-tank gunners | 0:19:38 | 0:19:41 | |
to knock out those tanks that were trying to kill them. | 0:19:41 | 0:19:44 | |
And we'll have a look at one, cos it lives down there in that shed. | 0:19:44 | 0:19:47 | |
-There's a tank in there? -No, not a tank, | 0:19:47 | 0:19:49 | |
just a trolley on which the cut-out of the tank will be. | 0:19:49 | 0:19:52 | |
-CHRIS WHEEZES -Oh, right, OK. | 0:19:52 | 0:19:54 | |
And it goes, what, around in a circle? And then... | 0:19:54 | 0:19:56 | |
-A circle at this end... -Yeah. | 0:19:56 | 0:19:58 | |
A long straight, where they fired at it... | 0:19:58 | 0:20:00 | |
-Yeah. -..and then another circle at the far end. | 0:20:00 | 0:20:02 | |
And it continued like that until all the rounds were expended. | 0:20:02 | 0:20:05 | |
I've got to say, Tony, I'm a bit disappointed. | 0:20:05 | 0:20:07 | |
-I thought it was going to be a fun ride, for me. I thought it was going to go up and down... -It can be. | 0:20:07 | 0:20:11 | |
..on a little trip, you and me. | 0:20:11 | 0:20:12 | |
What we can do is I'll put you on top of it and give you a push. | 0:20:12 | 0:20:15 | |
-Yeah? -Yeah. | 0:20:15 | 0:20:16 | |
Oh, at least I'm going to have some fun on a day like today. | 0:20:16 | 0:20:18 | |
-I won't be shot at, though, will I? -No, no, no, no. | 0:20:18 | 0:20:20 | |
-Those boys have gone? -As long as you behave. | 0:20:20 | 0:20:22 | |
Yeah! | 0:20:22 | 0:20:24 | |
'If I'd stumbled across this shed on my own, | 0:20:26 | 0:20:28 | |
'I'd never have guessed what's locked inside it. | 0:20:28 | 0:20:31 | |
'But thanks to Tony, I'm getting a peek at a curious relic | 0:20:31 | 0:20:36 | |
'from our military past.' | 0:20:36 | 0:20:37 | |
Right, here we go. Here we go. | 0:20:38 | 0:20:40 | |
Right, let's get it outside where we can see. | 0:20:40 | 0:20:42 | |
All right. It's not pretty, is it? | 0:20:42 | 0:20:44 | |
-BOTH GROAN -Hey-aah! | 0:20:44 | 0:20:46 | |
It is. It depends on what you... what you like. | 0:20:46 | 0:20:48 | |
-STRAINING: -Mind the door! | 0:20:48 | 0:20:49 | |
-Here we are. -That's it, we've got it. | 0:20:49 | 0:20:51 | |
-CHRIS CHUCKLES -Go on! | 0:20:51 | 0:20:52 | |
I'm coming! Come on, let's get him out. | 0:20:52 | 0:20:53 | |
-BOTH GROAN -Hey-aah! -Aah! | 0:20:53 | 0:20:55 | |
-Come on. Come on, then. -CHRIS GROANS | 0:20:55 | 0:20:56 | |
Ah! Come on. | 0:20:56 | 0:20:57 | |
-There she is. -There we go. | 0:20:57 | 0:20:59 | |
-So... -Look at that. There you are. | 0:20:59 | 0:21:01 | |
Right. | 0:21:01 | 0:21:02 | |
-So there's an engine in there, is there? -1942... | 0:21:02 | 0:21:06 | |
and it's provided invaluable training to soldier after soldier | 0:21:06 | 0:21:10 | |
using the 120mm anti-tank weapon. | 0:21:10 | 0:21:13 | |
So you say 1942, so this would have been used for training soldiers | 0:21:13 | 0:21:17 | |
-during the Second World War? -Absolutely. | 0:21:17 | 0:21:18 | |
And it's just a vehicle engine inside here, | 0:21:18 | 0:21:20 | |
inside this armour plate - look. | 0:21:20 | 0:21:22 | |
So, come on, let's see the workings of this. | 0:21:22 | 0:21:24 | |
-Here you are. If you lift that bit up. -Is this the engine in the back? | 0:21:24 | 0:21:26 | |
That's it. You can see the engine. | 0:21:26 | 0:21:28 | |
-Just turn that one over. -OK. | 0:21:28 | 0:21:30 | |
-Out the way, mind the... That's it, good. -So, petrol? | 0:21:30 | 0:21:32 | |
It's petrol, yeah. See the spark plugs? | 0:21:32 | 0:21:34 | |
And just turn that up there. Look, there's the engine there. | 0:21:34 | 0:21:37 | |
-Beautiful. -Two-cylinder. | 0:21:37 | 0:21:38 | |
But look at the machinery in there, it's incredible. | 0:21:38 | 0:21:41 | |
I assume that people just didn't sit on it and drive it? | 0:21:41 | 0:21:44 | |
-No, not unless they were totally stupid. -Yeah. | 0:21:44 | 0:21:46 | |
High explosive and human beings - not a good mixture. | 0:21:46 | 0:21:49 | |
But it was all automatic. | 0:21:49 | 0:21:50 | |
The accelerator was triggered | 0:21:50 | 0:21:52 | |
when it went over a bit of metal that raised it up. | 0:21:52 | 0:21:55 | |
The points were changed automatically, | 0:21:55 | 0:21:57 | |
and even stopping was the same. | 0:21:57 | 0:21:59 | |
Or you waited until it ran out of fuel. | 0:21:59 | 0:22:01 | |
And it would just go round and round and round... | 0:22:01 | 0:22:03 | |
Round and round | 0:22:03 | 0:22:04 | |
and fired at when it was going through from both directions. | 0:22:04 | 0:22:07 | |
This is a lovely little secret, it really is. | 0:22:07 | 0:22:10 | |
I mean, as I said, I quite literally tripped over this little secret. | 0:22:10 | 0:22:13 | |
Shall we put this engine back? | 0:22:13 | 0:22:15 | |
-Yeah. Careful of your fingers. -I will. | 0:22:15 | 0:22:18 | |
-I notice you left me to do it. -I'm using the handle! | 0:22:18 | 0:22:20 | |
You see, that's mil... | 0:22:20 | 0:22:21 | |
That's military training, that's military training for you! | 0:22:21 | 0:22:24 | |
-Right. -There we are. | 0:22:24 | 0:22:25 | |
-Right. And here... -This back in there. | 0:22:25 | 0:22:28 | |
-Right, on you go. -Really? | 0:22:28 | 0:22:29 | |
-Yes! Come on, come on. -Come on, then, sunshine. Away you go. | 0:22:29 | 0:22:32 | |
Right. Have we got anybody else to help us, or is it just you and me? | 0:22:32 | 0:22:35 | |
-What's your rank? What's your rank? -A colonel. | 0:22:35 | 0:22:37 | |
Colonel. I'm going to be pulled around by the Colonel. | 0:22:37 | 0:22:40 | |
-What is another name for a colonel? -I don't know. | 0:22:40 | 0:22:43 | |
A nut. | 0:22:43 | 0:22:44 | |
-LAUGHS: -Very good! -Here we go! Ahh, heave! | 0:22:44 | 0:22:47 | |
-Hey, I'm moving it! -And very good. | 0:22:47 | 0:22:49 | |
-Can you just get the whip out a bit? -Yeah, exactly. | 0:22:49 | 0:22:52 | |
-GROANS: -Hey-ahh! Come on! | 0:22:52 | 0:22:53 | |
'Who would have guessed that this old piece of railway track | 0:22:53 | 0:22:56 | |
'has trained the best of British?' | 0:22:56 | 0:22:59 | |
For some Dartmoor enthusiasts, | 0:23:06 | 0:23:09 | |
hitching a lift is the last thing they want. | 0:23:09 | 0:23:12 | |
This National Park is the only place in England | 0:23:13 | 0:23:16 | |
where you're legally allowed | 0:23:16 | 0:23:17 | |
to go wild camping. | 0:23:17 | 0:23:20 | |
This means you can pitch your tent | 0:23:20 | 0:23:21 | |
almost anywhere on the moor, | 0:23:21 | 0:23:23 | |
taking everything you need to survive on your back. | 0:23:23 | 0:23:27 | |
Mike Nendick has camped | 0:23:28 | 0:23:29 | |
in some of the most spectacular places in the world, | 0:23:29 | 0:23:32 | |
but he always comes back to the 400 square miles | 0:23:32 | 0:23:36 | |
of outstanding natural beauty that is Dartmoor. | 0:23:36 | 0:23:39 | |
I never cease to be inspired by it, amazed by it. | 0:23:40 | 0:23:44 | |
The landscape changes every day, the colours change through the seasons. | 0:23:44 | 0:23:49 | |
Dartmoor gets in your blood, I think. | 0:23:49 | 0:23:51 | |
One of the great things about Dartmoor, for me, | 0:23:55 | 0:23:58 | |
is being able to navigate through it. | 0:23:58 | 0:24:00 | |
It's not just about looking at a map and seeing, | 0:24:00 | 0:24:03 | |
"There's point A, there's point B," | 0:24:03 | 0:24:04 | |
it's about reading the landscape as well. | 0:24:04 | 0:24:07 | |
Following streams, tracks... | 0:24:07 | 0:24:11 | |
looking at the contours of the hillside. | 0:24:11 | 0:24:14 | |
It's a way of actually moving through the landscape, | 0:24:14 | 0:24:16 | |
which human beings have been doing | 0:24:16 | 0:24:18 | |
for thousands and thousands of years. | 0:24:18 | 0:24:20 | |
You can see this area around here is really wet. | 0:24:25 | 0:24:28 | |
Pick a piece... | 0:24:28 | 0:24:29 | |
You can see underneath it's... it's very brown | 0:24:31 | 0:24:34 | |
and the top bit's vivid green. | 0:24:34 | 0:24:36 | |
This is sphagnum moss. Sphagnum moss is a bog plant. | 0:24:36 | 0:24:40 | |
When it dies back, the dead material sinks down | 0:24:40 | 0:24:43 | |
and over many, many years, builds up, and that's what creates a bog. | 0:24:43 | 0:24:48 | |
During the First World War, | 0:24:48 | 0:24:49 | |
the people of Dartmoor gathered this material and dried it out. | 0:24:49 | 0:24:53 | |
Because it's so absorbent and it has slightly antiseptic qualities, | 0:24:53 | 0:24:57 | |
it was used as battlefield dressings and sent to the Western Front. | 0:24:57 | 0:25:01 | |
So, it's a really fascinating plant | 0:25:01 | 0:25:03 | |
and something to look out for when you're walking across the moor. | 0:25:03 | 0:25:05 | |
There are so many things that you can see | 0:25:13 | 0:25:15 | |
when you come out onto Dartmoor. | 0:25:15 | 0:25:17 | |
It's... It's known as a palimpsest, which means you can... | 0:25:17 | 0:25:20 | |
you can see one layer of human history | 0:25:20 | 0:25:23 | |
superimposed on top of another. | 0:25:23 | 0:25:24 | |
There are many stone crosses on Dartmoor, | 0:25:27 | 0:25:29 | |
but this is believed to be the oldest. | 0:25:29 | 0:25:31 | |
It's called Siward's Cross. | 0:25:31 | 0:25:33 | |
If you look on this side, | 0:25:33 | 0:25:34 | |
you can see engraved in the stone "Bocland". | 0:25:34 | 0:25:38 | |
That's possibly an old version of the word "Buckland". | 0:25:38 | 0:25:41 | |
There is possibly another meaning, however. | 0:25:41 | 0:25:43 | |
It could mean "Book-land", a reference to the Bible. | 0:25:43 | 0:25:46 | |
Not quite so clear, but engraved on this side is the word "Siward". | 0:25:48 | 0:25:53 | |
Now, Siward was mentioned in the Anglo-Saxon Chronicles | 0:25:53 | 0:25:57 | |
and he was known to have owned land in the Tavistock area - | 0:25:57 | 0:25:59 | |
which lies on this side of the cross - before the Norman Conquest. | 0:25:59 | 0:26:04 | |
Well, the sun's beginning to set and I'm just on me way up the hill. | 0:26:08 | 0:26:12 | |
It's, um... | 0:26:12 | 0:26:13 | |
It's one of my favourite places to camp on the moor. | 0:26:13 | 0:26:16 | |
It's a bit of a climb to get there, but well worth it when you do | 0:26:16 | 0:26:20 | |
because when you pitch your tent just on the other side of the hill, | 0:26:20 | 0:26:24 | |
you've got the whole of the north of Dartmoor set out before you. | 0:26:24 | 0:26:27 | |
Fantastic views... | 0:26:27 | 0:26:28 | |
No sign of human habitation | 0:26:28 | 0:26:30 | |
and a great place to stay on a night like this. | 0:26:30 | 0:26:33 | |
For me, the attraction of wild camping is actually | 0:26:36 | 0:26:39 | |
coming out onto Dartmoor and experiencing the landscape I love, | 0:26:39 | 0:26:42 | |
listening to the sounds of the night. | 0:26:42 | 0:26:45 | |
No trappings of the modern world other than your tent | 0:26:45 | 0:26:47 | |
and your equipment with you. | 0:26:47 | 0:26:49 | |
And just having a peaceful night's sleep, | 0:26:49 | 0:26:51 | |
especially on a marvellous moonlit night, | 0:26:51 | 0:26:54 | |
away from it all, just listening to the wind blowing through the grass. | 0:26:54 | 0:26:57 | |
WIND HOWLS | 0:27:08 | 0:27:11 | |
BIRDS TWITTER | 0:27:13 | 0:27:16 | |
It is early. | 0:27:23 | 0:27:25 | |
But thankfully, I'm a morning person, and I've been promised that | 0:27:25 | 0:27:28 | |
first light on the moor is not to be missed, | 0:27:28 | 0:27:31 | |
especially if I want to experience Dartmoor at its mystical best. | 0:27:31 | 0:27:36 | |
Dartmoor is rich with prehistoric monuments. | 0:27:38 | 0:27:42 | |
There are mysterious standing stones, | 0:27:42 | 0:27:45 | |
stone rows and 13 stone circles. | 0:27:45 | 0:27:49 | |
It would be easy to assume that every inch of Dartmoor | 0:27:52 | 0:27:55 | |
had been meticulously examined by archaeologists, | 0:27:55 | 0:27:58 | |
but astonishingly, the moor is still revealing more secrets. | 0:27:58 | 0:28:03 | |
I've seen a few stone circles in my time | 0:28:05 | 0:28:08 | |
and I just love all the mystery that surrounds them. | 0:28:08 | 0:28:11 | |
They're usually found in places like this with stunning views, | 0:28:11 | 0:28:15 | |
which I think, for me, makes it even more special. | 0:28:15 | 0:28:18 | |
It was at Sittaford Tor | 0:28:22 | 0:28:23 | |
on north-western Dartmoor nine years ago | 0:28:23 | 0:28:25 | |
that an amazing discovery was made. | 0:28:25 | 0:28:28 | |
The first new stone circle to be found in more than 100 years | 0:28:30 | 0:28:35 | |
was unearthed by Alan Endacott. | 0:28:35 | 0:28:37 | |
Alan searches for stones like others hunt down hidden treasure. | 0:28:38 | 0:28:43 | |
He's often joined on his explorations | 0:28:43 | 0:28:45 | |
by Dartmoor National Park archaeologist Lee Bray. | 0:28:45 | 0:28:48 | |
-It's pretty squelchy up here. -Yeah! | 0:28:50 | 0:28:53 | |
You need good boots. | 0:28:53 | 0:28:54 | |
-Going to have to jump this one. -Yeah. | 0:28:54 | 0:28:57 | |
There we go. | 0:28:58 | 0:28:59 | |
'In 2007, a fire swept across this part of the moor. | 0:29:00 | 0:29:04 | |
'And with the earth laid bare, Alan made his exciting discovery.' | 0:29:06 | 0:29:11 | |
I was sort of working systematically along the ridge, | 0:29:13 | 0:29:15 | |
-I came back up the hill and... -Yeah. | 0:29:15 | 0:29:17 | |
-..saw that stone there sticking up. -Oh, right, that was your first one. | 0:29:17 | 0:29:20 | |
-So that was the first clue. -Mm! | 0:29:20 | 0:29:21 | |
And then, er, I noticed a couple of others | 0:29:21 | 0:29:23 | |
where the peat had been burnt back by the fire | 0:29:23 | 0:29:25 | |
and then I went round and sort of started poking around | 0:29:25 | 0:29:27 | |
beneath the surface to see if I could find further ones... | 0:29:27 | 0:29:30 | |
And I think I found about 20 stones in total on that day. | 0:29:30 | 0:29:32 | |
After a while, I realised, yeah, they were all evenly spaced | 0:29:32 | 0:29:35 | |
and on the same arc - it had to be a circle. | 0:29:35 | 0:29:37 | |
Lee, what's the thinking behind this stone circle here? | 0:29:39 | 0:29:42 | |
Erm, well, at the moment it's got a number of unusual features, | 0:29:42 | 0:29:47 | |
er, we're not too sure about. | 0:29:47 | 0:29:50 | |
-One of them, obviously, is all the stones are lying flat... -Mm. | 0:29:50 | 0:29:53 | |
..which we don't see on Dartmoor | 0:29:53 | 0:29:55 | |
and that leads into why this stone circle is so special. | 0:29:55 | 0:29:58 | |
Er, it's untouched, it's pristine since prehistory. | 0:29:58 | 0:30:02 | |
Lee has done radiocarbon testing on samples taken from under the stones. | 0:30:04 | 0:30:10 | |
The results show that this stone circle is at least | 0:30:10 | 0:30:13 | |
4,000 years old. | 0:30:13 | 0:30:15 | |
But for Alan the stone circle's existence is proof of a theory | 0:30:17 | 0:30:21 | |
he's been working on since he was a boy. | 0:30:21 | 0:30:24 | |
This has been years in the making for you, then. | 0:30:25 | 0:30:27 | |
It had been, really, because I'd... well, way back into my childhood | 0:30:27 | 0:30:30 | |
I'd been trying to make sense of all these monuments | 0:30:30 | 0:30:32 | |
and I'd been predicting there'd be a circle in this vicinity. | 0:30:32 | 0:30:36 | |
But with the fire, it was a golden opportunity to go round | 0:30:36 | 0:30:38 | |
and see if I could, you know, prove the point, so... | 0:30:38 | 0:30:40 | |
How did you realise that it wasn't just a few stones, | 0:30:40 | 0:30:43 | |
but it was a whole circle? | 0:30:43 | 0:30:45 | |
You know, looking across at a flat, | 0:30:45 | 0:30:46 | |
-you don't really get any idea of the spectacle, but... -No. | 0:30:46 | 0:30:49 | |
..I've tried a number of ways over the years to get aerial photographs. | 0:30:49 | 0:30:52 | |
I think the first attempt was carrying a stepladder out here, | 0:30:52 | 0:30:55 | |
-which was not...not... -ELLIE LAUGHS | 0:30:55 | 0:30:57 | |
Probably got some strange looks as well! | 0:30:57 | 0:30:58 | |
Then I tried a kite, but believe it or not, | 0:30:58 | 0:31:00 | |
the day I tried flying my kite there was no wind, | 0:31:00 | 0:31:02 | |
which is highly unusual for Dartmoor. | 0:31:02 | 0:31:04 | |
So, um... I then tried a helium balloon, | 0:31:04 | 0:31:06 | |
-a giant helium balloon, and... -Wow. | 0:31:06 | 0:31:08 | |
..it was fine, it carried the camera no problem at all, | 0:31:08 | 0:31:10 | |
it just kept spinning around and around, so that was...that was... | 0:31:10 | 0:31:13 | |
-LAUGHTER -And then burst, embarrassingly! | 0:31:13 | 0:31:15 | |
Oh, no! You're like the zany professor, trying all these different techniques! | 0:31:15 | 0:31:19 | |
Finally, Alan got hold of a drone | 0:31:22 | 0:31:24 | |
and could see his discovery from the air. | 0:31:24 | 0:31:27 | |
Today, the moor is reclaiming the stones. | 0:31:30 | 0:31:33 | |
But from Alan's footage after the fire, | 0:31:33 | 0:31:35 | |
you can clearly see the circle. | 0:31:35 | 0:31:38 | |
Well, there's no doubting the beauty of those stone circles | 0:31:56 | 0:31:59 | |
and I suppose it's a way of man | 0:31:59 | 0:32:00 | |
responding to the incredible landscape around him, | 0:32:00 | 0:32:03 | |
but I've got to tell you something, nature does a pretty good job, too. | 0:32:03 | 0:32:08 | |
There are some wonderful formations in this area | 0:32:08 | 0:32:12 | |
and that, too, fuels our imagination. | 0:32:12 | 0:32:14 | |
Dartmoor, and the surrounding area, | 0:32:17 | 0:32:19 | |
is home to the largest single body of granite in Britain. | 0:32:19 | 0:32:23 | |
Look, I don't want to tempt fate, but it looks as if it's drying up. | 0:32:24 | 0:32:27 | |
-I know, it does. Thank goodness. -CHRIS CHUCKLES | 0:32:27 | 0:32:29 | |
It's only torrential... | 0:32:29 | 0:32:31 | |
'Pat Read has spent her life wandering the moors, | 0:32:31 | 0:32:34 | |
'researching the myths and legends | 0:32:34 | 0:32:36 | |
'connected to the strange granite formations.' | 0:32:36 | 0:32:40 | |
What is it about this place, Dartmoor? | 0:32:40 | 0:32:42 | |
Oh, it's just a very healing sort of place, | 0:32:42 | 0:32:45 | |
-I find it very therapeutic. -Yeah. | 0:32:45 | 0:32:48 | |
Um... Come here when your spirits are low - | 0:32:48 | 0:32:51 | |
I think it must be the wide open spaces or something - | 0:32:51 | 0:32:53 | |
and you just feel better. | 0:32:53 | 0:32:55 | |
And the fresh air, and just the sheer beauty of the whole place. | 0:32:55 | 0:32:59 | |
'Pat's taking me to one of her favourite places on Dartmoor | 0:32:59 | 0:33:02 | |
'to see a beautiful rock formation known as the Tolemen Stone.' | 0:33:02 | 0:33:08 | |
-And it's perfectly natural... -Perfectly natural. | 0:33:08 | 0:33:10 | |
-Not man-made? -No, it has been worn away with a hole in the middle, | 0:33:10 | 0:33:14 | |
which has been caused by river erosion over many, many years. | 0:33:14 | 0:33:18 | |
The Tolemen means "holed stone". | 0:33:18 | 0:33:22 | |
-BOTH: -Holed stone. | 0:33:22 | 0:33:24 | |
-I mean, it does look extraordinary, doesn't it? -It is. | 0:33:24 | 0:33:27 | |
Which, obviously, then begs legend. | 0:33:27 | 0:33:29 | |
-I bet this one's got a good one, hasn't it? -It certainly has. | 0:33:29 | 0:33:32 | |
They said that if a woman had been unfaithful, | 0:33:32 | 0:33:35 | |
she was told to go and wash in a nearby pool, | 0:33:35 | 0:33:38 | |
then come down here, go through the Tolemen Stone. | 0:33:38 | 0:33:41 | |
Then go back to the stone circle, run round it three times | 0:33:41 | 0:33:45 | |
and then kneel before the stones and ask for forgiveness. | 0:33:45 | 0:33:49 | |
And another legend says, if you go through it and stand in the river, | 0:33:49 | 0:33:54 | |
you will never, ever have rheumatism or arthritis again. | 0:33:54 | 0:33:57 | |
I'm not a woman, I haven't been unfaithful... | 0:33:57 | 0:33:59 | |
-PAT LAUGHS -So, the only thing I can hope for is lack of rheumatism. | 0:33:59 | 0:34:02 | |
-Other people say it's a form of purification. -Is it? | 0:34:02 | 0:34:05 | |
Yes. Perhaps you need to be purified. | 0:34:05 | 0:34:07 | |
'Clearly, Pat thinks I do. And who am I to argue?' | 0:34:07 | 0:34:11 | |
So, I've got to go through the... that hole... | 0:34:11 | 0:34:13 | |
Through the hole. Stand in the river. | 0:34:13 | 0:34:15 | |
I've got to have my feet in the river?! | 0:34:15 | 0:34:17 | |
Oh, you've got to get your feet wet. | 0:34:17 | 0:34:18 | |
I-I hadn't planned on that, but I'll give it a go. | 0:34:18 | 0:34:20 | |
-Go on. Good luck. -PAT LAUGHS | 0:34:20 | 0:34:23 | |
CHRIS GROANS | 0:34:23 | 0:34:25 | |
Be careful! It's slippery. | 0:34:25 | 0:34:28 | |
-GROANS: -Ahh! | 0:34:29 | 0:34:31 | |
Oh, dear! | 0:34:32 | 0:34:33 | |
-Just the one foot, I think, Pat. -Absolutely. | 0:34:38 | 0:34:40 | |
Ooh! That's cold! | 0:34:50 | 0:34:52 | |
HE EXHALES | 0:34:58 | 0:35:00 | |
Oh, it's freezing! | 0:35:00 | 0:35:01 | |
Did Pat say how long I should put it under? | 0:35:01 | 0:35:04 | |
Five seconds should be enough. | 0:35:05 | 0:35:07 | |
SHE LAUGHS | 0:35:09 | 0:35:11 | |
While granite underpins most of Devon, | 0:35:15 | 0:35:18 | |
there is one small area which is quite different. | 0:35:18 | 0:35:21 | |
A tiny pocket of limestone caves. | 0:35:24 | 0:35:28 | |
They're home to something so rare in England | 0:35:28 | 0:35:31 | |
that they've been made a Site of Special Scientific Interest. | 0:35:31 | 0:35:35 | |
And we've been sworn to keep the exact location a secret. | 0:35:36 | 0:35:40 | |
Gerald Marangone stumbled across the caves when he was a child. | 0:35:42 | 0:35:46 | |
My name is Gerald. | 0:35:47 | 0:35:49 | |
I was born in this beautiful part of Devon. | 0:35:49 | 0:35:51 | |
I grew up here and I've lived here ever since. | 0:35:51 | 0:35:53 | |
As a child, we explored this area quite a lot. | 0:35:57 | 0:35:59 | |
We came across the cave, really, by accident. | 0:35:59 | 0:36:02 | |
We sort of dared each other who would go in, who wouldn't go in. | 0:36:02 | 0:36:06 | |
We maybe went in a metre or so, | 0:36:06 | 0:36:08 | |
but when it got dark and a little scary, we were straight back out. | 0:36:08 | 0:36:13 | |
Yeah. | 0:36:15 | 0:36:16 | |
I was introduced to caving by a colleague of mine, | 0:36:16 | 0:36:19 | |
basically reliving what I did as a child, | 0:36:19 | 0:36:22 | |
but going a lot further in and exploring the whole cave. | 0:36:22 | 0:36:25 | |
It's reasonably difficult to get in. | 0:36:29 | 0:36:31 | |
Some places you can crawl along on your hands and knees, | 0:36:31 | 0:36:34 | |
but most places it's crawl along on your belly. | 0:36:34 | 0:36:36 | |
The big buzz for me | 0:36:42 | 0:36:43 | |
is going somewhere that's very claustrophobic. | 0:36:43 | 0:36:46 | |
You'll not necessarily want to get stuck, | 0:36:46 | 0:36:48 | |
but it's a challenge to get through it | 0:36:48 | 0:36:50 | |
and know that you can get through it | 0:36:50 | 0:36:52 | |
and come out the other side thinking, | 0:36:52 | 0:36:54 | |
"Yeah, I did that, I managed it." | 0:36:54 | 0:36:56 | |
There's some absolutely cracking formations up in this corner. | 0:36:59 | 0:37:02 | |
Yeah, yeah. | 0:37:02 | 0:37:04 | |
This cave is very secret. | 0:37:05 | 0:37:07 | |
Not a lot of people know it even exists. | 0:37:07 | 0:37:10 | |
There are some very, very pretty formations. | 0:37:11 | 0:37:14 | |
They're quite big aragonite formations that you don't see | 0:37:14 | 0:37:17 | |
in any other caves in Britain. | 0:37:17 | 0:37:19 | |
They're the only formations that... that grow like that. | 0:37:19 | 0:37:22 | |
Very stony. | 0:37:23 | 0:37:24 | |
Yeah, there's loads more up here. | 0:37:27 | 0:37:29 | |
-They are all over, fantastic. -Yeah. | 0:37:31 | 0:37:33 | |
Aragonite tends to grow... almost grow like a flower head, | 0:37:35 | 0:37:38 | |
but nobody's really sure how they actually form, | 0:37:38 | 0:37:40 | |
whether it's wind in the cave... | 0:37:40 | 0:37:42 | |
It's-It's formed the same as a stalactite, | 0:37:42 | 0:37:44 | |
with calcite dripping out the water. | 0:37:44 | 0:37:47 | |
But nobody's really sure how they... how they tend to twist and turn. | 0:37:47 | 0:37:50 | |
Yeah, there's some behind you in that...bit behind you there. | 0:37:50 | 0:37:54 | |
Up in there. | 0:37:56 | 0:37:57 | |
So unique to have something like this in Devon, eh? | 0:38:02 | 0:38:05 | |
-A strange world, innit? -Yeah, yeah, it is. | 0:38:06 | 0:38:08 | |
The secret world of caving isn't everyone's idea of fun. | 0:38:19 | 0:38:23 | |
Locals above ground | 0:38:25 | 0:38:26 | |
have some of Dartmoor's better-known residents to deal with. | 0:38:26 | 0:38:29 | |
Hill ponies have been living | 0:38:33 | 0:38:35 | |
on Dartmoor for thousands of years. | 0:38:35 | 0:38:37 | |
Charlotte Faulkner's mission is to keep them here for thousands more. | 0:38:37 | 0:38:42 | |
She thinks the Dartmoor ponies are the secret to keeping the moor | 0:38:42 | 0:38:46 | |
the remarkable place it is. | 0:38:46 | 0:38:48 | |
Dartmoor has been managed for 3,000 years, | 0:38:50 | 0:38:54 | |
with the cattle, the sheep and the ponies together, | 0:38:54 | 0:38:56 | |
and they've created the habitats for all sorts of amazing birds, | 0:38:56 | 0:38:59 | |
animals, butterflies... | 0:38:59 | 0:39:01 | |
I mean, the marsh fritillary butterfly wouldn't be there | 0:39:01 | 0:39:04 | |
without the habitat created by the way the ponies graze. | 0:39:04 | 0:39:07 | |
The marsh fritillary is one of England's fastest-declining | 0:39:10 | 0:39:13 | |
species of butterfly. | 0:39:13 | 0:39:14 | |
Its population has dropped by nearly half since the 1970s. | 0:39:16 | 0:39:21 | |
So you've got to recognise, | 0:39:23 | 0:39:26 | |
anything we do now | 0:39:26 | 0:39:28 | |
will change it for generations to come | 0:39:28 | 0:39:30 | |
and we have got to try and ensure that that's kept. | 0:39:30 | 0:39:34 | |
QUAD BIKE HUMS | 0:39:34 | 0:39:37 | |
Every autumn, all the ponies on Dartmoor are rounded up, or drifted, | 0:39:38 | 0:39:42 | |
to be counted, health-checked and in some cases sold. | 0:39:42 | 0:39:46 | |
Records of the pony drift date back to the 11th century. | 0:39:49 | 0:39:53 | |
Thanks to Charlotte's efforts, | 0:39:53 | 0:39:55 | |
the next generation of drifters are set to keep the tradition alive. | 0:39:55 | 0:39:59 | |
You'll see a lot of children out today | 0:40:03 | 0:40:05 | |
and the reason I invite all the children | 0:40:05 | 0:40:07 | |
is because I need them to learn. | 0:40:07 | 0:40:09 | |
And if they learn this bit, then they will be addicted | 0:40:09 | 0:40:12 | |
and they will help me to continue to conserve the ponies on the moor later on. | 0:40:12 | 0:40:15 | |
It's like a drip-drip effect. | 0:40:15 | 0:40:17 | |
There's a pony right on the brow of the hill over there. | 0:40:22 | 0:40:24 | |
Charlotte's job is to make sure everyone is in the right place | 0:40:26 | 0:40:29 | |
at the right time. | 0:40:29 | 0:40:30 | |
Not an easy task when the whole moor is under a blanket of fog. | 0:40:31 | 0:40:36 | |
(That's probably his cattle.) | 0:40:37 | 0:40:39 | |
I can't see. | 0:40:44 | 0:40:45 | |
It's too foggy. | 0:40:45 | 0:40:47 | |
We'll just have to wait. | 0:40:50 | 0:40:52 | |
QUAD BIKE HUMS | 0:41:06 | 0:41:09 | |
-There they are, look. -Oh, there's... Oh, yes, I can see them now! | 0:41:14 | 0:41:18 | |
Wow! | 0:41:20 | 0:41:22 | |
Just out of nowhere they came. | 0:41:23 | 0:41:25 | |
-There's another rider. -Yeah. | 0:41:34 | 0:41:36 | |
Up there, coming in. That'll be my son. That's Thomas. | 0:41:36 | 0:41:40 | |
-Flying across the... -Yeah. | 0:41:40 | 0:41:42 | |
'Charlotte's 14-year-old son Tom | 0:41:48 | 0:41:50 | |
'has been riding with the drift since he was ten. | 0:41:50 | 0:41:54 | |
'This year, he's joined by his friend Heli.' | 0:41:54 | 0:41:58 | |
So, Tom, how was that? | 0:41:58 | 0:41:59 | |
I just saw the horses come through. Is it fun? It looks... | 0:41:59 | 0:42:02 | |
It's brilliant fun, yeah. | 0:42:02 | 0:42:05 | |
-We got lost in the fog on the moor. -HELI AND DENISE LAUGH | 0:42:05 | 0:42:07 | |
I was thinking that could be quite challenging, | 0:42:07 | 0:42:09 | |
on a day like this when it was very, very foggy. | 0:42:09 | 0:42:11 | |
We couldn't see anything. | 0:42:11 | 0:42:13 | |
All the horses know where they are more than we do, to be honest. | 0:42:13 | 0:42:16 | |
You've just got to let go of the reins | 0:42:16 | 0:42:18 | |
and they're going to walk in some direction, they'll eventually find a road. | 0:42:18 | 0:42:21 | |
And it's just something that, I guess, is part of the family. | 0:42:21 | 0:42:24 | |
I mean, I was obviously spending time with your mum | 0:42:24 | 0:42:26 | |
and she's been telling me so much, but, you know, the fact that | 0:42:26 | 0:42:29 | |
you guys are out here... | 0:42:29 | 0:42:31 | |
Been doing it from quite a young age | 0:42:31 | 0:42:33 | |
and just all really enjoy it. | 0:42:33 | 0:42:35 | |
But getting the ponies OFF the moor is only half the job. | 0:42:38 | 0:42:42 | |
MAN YELLS AT PONY | 0:42:42 | 0:42:44 | |
PONY WHINNIES | 0:42:44 | 0:42:46 | |
So, Charlotte, what's happening now? What's the next stage of the process? | 0:42:46 | 0:42:49 | |
What we're doing now, as you'll see, the group... | 0:42:49 | 0:42:51 | |
All the ponies that we've brought in are just down here, OK? | 0:42:51 | 0:42:54 | |
And the gentlemen now are all splitting them out | 0:42:54 | 0:42:56 | |
as to who owns what. | 0:42:56 | 0:42:58 | |
Once the ponies are identified, | 0:43:00 | 0:43:01 | |
they're coaxed back to each owner's farm... | 0:43:01 | 0:43:04 | |
PONY NEIGHS LOUDLY | 0:43:04 | 0:43:06 | |
..where they'll be health-checked | 0:43:06 | 0:43:08 | |
before returning to the moor or sold. | 0:43:08 | 0:43:11 | |
-So, I've got my stick in hand. -Yeah. | 0:43:11 | 0:43:13 | |
What am I going to do with that? | 0:43:13 | 0:43:15 | |
-Well, you sort of knock it on the ground... -Yeah. | 0:43:15 | 0:43:17 | |
And that should... | 0:43:17 | 0:43:18 | |
That should persuade them to go in the general direction you want. | 0:43:18 | 0:43:21 | |
It'll make you feel braver. | 0:43:21 | 0:43:22 | |
OK, I feel like I've got the power in my hands, anyway. | 0:43:22 | 0:43:25 | |
-You've got the power in your hand. -BOTH LAUGH | 0:43:25 | 0:43:27 | |
'That's the plan!' | 0:43:27 | 0:43:29 | |
-Oh, so, there's some coming. -Yeah. | 0:43:29 | 0:43:31 | |
-WOMAN YELLS: -Right! | 0:43:31 | 0:43:33 | |
-And they're going right. -So, they're going right. -Going right! | 0:43:33 | 0:43:36 | |
'But has anyone told the ponies?' | 0:43:36 | 0:43:38 | |
-OK. -Right! -So, do we need to... | 0:43:38 | 0:43:40 | |
-And then we follow them on up. -We follow them up. | 0:43:40 | 0:43:43 | |
-So that they don't want to go back and join the others. -Yeah. | 0:43:43 | 0:43:46 | |
So, they know that they need to go right? | 0:43:46 | 0:43:48 | |
WOMAN YELLS AT PONIES | 0:43:48 | 0:43:50 | |
MAN AND BOY SHOUT AT PONIES | 0:43:50 | 0:43:52 | |
-Move! MAN: -Yah! | 0:43:52 | 0:43:54 | |
-Well done, Olly! -CHARLOTTE CHUCKLES | 0:43:54 | 0:43:56 | |
-Which way? -Which way, Anne? | 0:43:58 | 0:44:01 | |
-HORSE NEIGHS -That's it, little fella. -OK. | 0:44:01 | 0:44:05 | |
It's about 50 miles from the middle of Dartmoor to my next secret, | 0:44:19 | 0:44:24 | |
but it feels a lot further. | 0:44:24 | 0:44:27 | |
Small country roads wind through farmland | 0:44:36 | 0:44:39 | |
and picture-postcard villages... | 0:44:39 | 0:44:41 | |
..until finally we hit the sea again. | 0:44:46 | 0:44:48 | |
This is Devon's spectacular north coast. | 0:44:51 | 0:44:55 | |
Just look at those granite outcrops, | 0:45:06 | 0:45:09 | |
they stretch out from the cliffs into the Atlantic | 0:45:09 | 0:45:12 | |
like giant prehistoric fingers. | 0:45:12 | 0:45:15 | |
The coastline is completely different to the south, | 0:45:15 | 0:45:18 | |
but from here you can really see what Devon is made of. | 0:45:18 | 0:45:22 | |
SEAGULLS CRY | 0:45:22 | 0:45:25 | |
What you might not know, though, | 0:45:25 | 0:45:26 | |
is that buried in the middle of all that granite is a precious metal. | 0:45:26 | 0:45:30 | |
While today, north Devon's coastal towns and villages | 0:45:31 | 0:45:34 | |
are associated with summer tourists, ice cream and fudge, | 0:45:34 | 0:45:38 | |
this wasn't always the case. | 0:45:38 | 0:45:40 | |
This is the stunning, sleepy seaside town of Combe Martin. | 0:45:42 | 0:45:48 | |
It's hard to believe that THIS was once at the centre | 0:45:48 | 0:45:51 | |
of a thriving silver-mining industry. | 0:45:51 | 0:45:53 | |
Over there is a whole series | 0:45:53 | 0:45:56 | |
of hidden tunnels and caves. | 0:45:56 | 0:45:59 | |
The last working mine in Combe Martin closed in 1890, | 0:46:01 | 0:46:05 | |
but for the previous 600 years | 0:46:05 | 0:46:08 | |
it was at the centre of England's silver industry. | 0:46:08 | 0:46:11 | |
The silver extracted from these mines | 0:46:14 | 0:46:16 | |
was crucial to the wealth of England during the Middle Ages. | 0:46:16 | 0:46:20 | |
It paid for those soldiers used in the long war against France. | 0:46:20 | 0:46:24 | |
It was said that the battles of Crecy, Poitiers and Agincourt | 0:46:24 | 0:46:29 | |
were won in the shafts of Combe Martin. | 0:46:29 | 0:46:31 | |
This secret history of the village might have been lost forever... | 0:46:37 | 0:46:41 | |
..were it not for a group of local enthusiasts who decided | 0:46:42 | 0:46:46 | |
to dig up the village's past... | 0:46:46 | 0:46:48 | |
quite literally. | 0:46:48 | 0:46:50 | |
And what is it about this place, then? | 0:46:50 | 0:46:52 | |
-Well, I just... -It's different. -I'm more of an outdoors person. | 0:46:52 | 0:46:55 | |
I can't sit at home, like, and play the Xbox, | 0:46:55 | 0:46:57 | |
I've got to come out and, well... do things like this. | 0:46:57 | 0:46:59 | |
'While the average age of the group is over 50, | 0:46:59 | 0:47:02 | |
'teenagers Sam Boyce and James Found are by far its youngest | 0:47:02 | 0:47:07 | |
'AND most enthusiastic members.' | 0:47:07 | 0:47:09 | |
So, I must admit... I like to get out in the fresh air, | 0:47:11 | 0:47:15 | |
I'm not necessarily that keen on going underground. | 0:47:15 | 0:47:17 | |
-Yeah, it's worth it. -Is it? -SAM AND JAMES: -Yeah. | 0:47:18 | 0:47:21 | |
-CHRIS SIGHS -What, squeezing through gaps? | 0:47:21 | 0:47:23 | |
There's one squeeze, really, then... | 0:47:23 | 0:47:25 | |
Yeah, but I'm a lot... fatter than you two. | 0:47:25 | 0:47:28 | |
Oh, you'll be fine. There's bigger people have gone down. | 0:47:28 | 0:47:31 | |
CHRIS LAUGHS | 0:47:31 | 0:47:32 | |
'For them, a journey down the mine is exciting. | 0:47:32 | 0:47:36 | |
'For me...not so much!' | 0:47:36 | 0:47:38 | |
Have I got my light on? | 0:47:38 | 0:47:39 | |
Oh, no, if you just look at mine, there's a black button on the side. | 0:47:39 | 0:47:42 | |
-Right. -So just there. If you just press that one. | 0:47:42 | 0:47:44 | |
-One. -That's it, yeah. Press it again. Again. | 0:47:44 | 0:47:46 | |
-That's it. Three settings. -That's the brightest? -Yeah. | 0:47:46 | 0:47:49 | |
-Yours on? You've got yours on. -So, you get that. | 0:47:49 | 0:47:51 | |
-That's really bright. -That should be the brightest. | 0:47:51 | 0:47:53 | |
-I can't see now. -Sorry about that. | 0:47:53 | 0:47:54 | |
-That's all... -CHRIS LAUGHS | 0:47:54 | 0:47:56 | |
-In we go? -Yeah, let's crack on in. -Come on. | 0:47:56 | 0:47:58 | |
-So, if you just go down there after Sam... -Yeah. | 0:47:58 | 0:48:01 | |
..and I'll open it up for you. | 0:48:01 | 0:48:03 | |
-Where d'you want me? -If you just stand just there. | 0:48:04 | 0:48:07 | |
-Just go round there. -Here? | 0:48:07 | 0:48:08 | |
-Yeah, if you stand just there you can... -OK. -..see. | 0:48:08 | 0:48:10 | |
So, I'll just open it up for you... | 0:48:10 | 0:48:13 | |
Oh, my goodness! | 0:48:19 | 0:48:21 | |
So, that's the shaft. | 0:48:22 | 0:48:24 | |
CHRIS LAUGHS | 0:48:25 | 0:48:27 | |
-I can't even see the bottom. -It's a long way down. | 0:48:27 | 0:48:30 | |
Well, the bottom, at the minute, is 160-ish feet down. | 0:48:32 | 0:48:38 | |
So, that's about the height of the church over there, | 0:48:38 | 0:48:40 | |
as you see, on the other side of the hill. | 0:48:40 | 0:48:43 | |
-Yeah. -That's 90ft, it's about how far down we're going. | 0:48:43 | 0:48:45 | |
Oh... | 0:48:45 | 0:48:46 | |
-CHRIS INHALES DEEPLY -Is it worth it? -It is. -It is, yeah. | 0:48:48 | 0:48:50 | |
-Definitely. -It'd better be... | 0:48:50 | 0:48:53 | |
When the mine was closed, it was filled in. | 0:48:55 | 0:48:58 | |
You know, like, when you're rock climbing, | 0:48:58 | 0:49:00 | |
-you don't want to look down? -Yeah. | 0:49:00 | 0:49:02 | |
-I don't want to look up, it's... -CHRIS LAUGHS | 0:49:02 | 0:49:05 | |
I don't want to know how deep I'm going. | 0:49:05 | 0:49:07 | |
'The volunteers have dug out over 1,000 tonnes of rubble | 0:49:10 | 0:49:14 | |
'to reveal a network of man-made tunnels, hidden for over a century.' | 0:49:14 | 0:49:19 | |
-I'm going on the next ladder, mate. -Good. | 0:49:21 | 0:49:23 | |
'To get there, I have to clamber down seven vertical ladders.' | 0:49:23 | 0:49:28 | |
I was rather hoping that was the last ladder. | 0:49:28 | 0:49:30 | |
It's a bit of an awkward one, that one. | 0:49:32 | 0:49:35 | |
OK, you can come on that next one. | 0:49:35 | 0:49:38 | |
It seems to be getting more and more damp. | 0:49:38 | 0:49:42 | |
'Finally, we're at the bottom. | 0:49:42 | 0:49:44 | |
'Time to see just how much the dig has unearthed.' | 0:49:44 | 0:49:47 | |
What we're going to do is crawl through this little hole | 0:49:48 | 0:49:51 | |
and then it'll open up into a larger area. | 0:49:51 | 0:49:54 | |
-I'll do it. -Just mind your head a bit. | 0:49:55 | 0:49:57 | |
It's quite a tight squeeze, to be honest. | 0:49:57 | 0:49:59 | |
Is it nice and open and comfortable in there? | 0:50:01 | 0:50:04 | |
-Oh, yes. -It'd better be. | 0:50:04 | 0:50:06 | |
-Come on, big boy. -I'm coming, Sam. | 0:50:07 | 0:50:09 | |
Come on, then. | 0:50:09 | 0:50:10 | |
-I'm here, I'm up. -Well done. | 0:50:11 | 0:50:13 | |
-Cheers. -Right. | 0:50:13 | 0:50:15 | |
We're going to have to squat on these. | 0:50:16 | 0:50:18 | |
I think I'll squat next to my new friend. | 0:50:18 | 0:50:20 | |
-It's a bit tight in here, isn't it? -CHRIS WHEEZES | 0:50:21 | 0:50:23 | |
It's all right. | 0:50:23 | 0:50:24 | |
Can I just say, what's wrong with a game of golf? | 0:50:24 | 0:50:26 | |
Or a game of tennis? | 0:50:26 | 0:50:28 | |
It's not nearly as exciting, is it? | 0:50:28 | 0:50:30 | |
You come down here every weekend and pretty much something different's happened. | 0:50:30 | 0:50:33 | |
Like, they've got further with the dig, or they've found something else. | 0:50:33 | 0:50:37 | |
What do you know about the history of this mine? | 0:50:37 | 0:50:40 | |
We know... We've got records dating back to the 1200s, like, | 0:50:40 | 0:50:44 | |
so we know that's when it was mining. | 0:50:44 | 0:50:46 | |
Um... Obviously, a lot of the silver that came out... | 0:50:46 | 0:50:50 | |
all the silver in the Crown Jewels comes from Combe Martin. | 0:50:50 | 0:50:53 | |
The Lord Mayor of London has got a cup | 0:50:53 | 0:50:55 | |
that is pure Combe Martin silver as well. | 0:50:55 | 0:50:58 | |
-Is that right? -Yeah. | 0:50:58 | 0:50:59 | |
What do your mum and dad think about you coming down here? | 0:50:59 | 0:51:01 | |
When I first came down, my mum was like, | 0:51:01 | 0:51:03 | |
"I need to speak to them to see if it's OK... | 0:51:03 | 0:51:05 | |
"Is it safe for them?" First time I did it, she was like, | 0:51:05 | 0:51:07 | |
-"Oh, yeah, it's fine, you can just..." -Yeah. | 0:51:07 | 0:51:09 | |
She's happy that I do it and not sit at home. | 0:51:09 | 0:51:11 | |
-I just come out, actually do something and achieve something. -Yeah. | 0:51:11 | 0:51:14 | |
-So, d'you want to follow me up? -Yeah. | 0:51:14 | 0:51:16 | |
-So, now, if you think this is claustrophobic in here... -Yeah. | 0:51:16 | 0:51:19 | |
-..imagine it... -Yeah. -..if they were smoking. | 0:51:19 | 0:51:22 | |
-Oh, my... -This way. | 0:51:22 | 0:51:24 | |
-Yeah. -So, imagine that, if there's smoke and all the smoke fumes. | 0:51:24 | 0:51:27 | |
-Yeah, thanks(!) -CHRIS LAUGHS | 0:51:27 | 0:51:29 | |
-And it'd be a... It'd be a lot worse, wouldn't it? -They used to smoke down here? | 0:51:29 | 0:51:32 | |
They used to smoke here, yeah. So they used to have their pipes. | 0:51:32 | 0:51:35 | |
They'd start about this long. They'd snap and get shorter and shorter. | 0:51:35 | 0:51:38 | |
Oh, my goodness. Are you all right there? Oh, what's this? | 0:51:38 | 0:51:40 | |
That's the old cable ladder, how they used to get up and down. | 0:51:40 | 0:51:43 | |
See where we are now, this is the old workings, | 0:51:43 | 0:51:45 | |
-where they used to come in and out. -Yeah. | 0:51:45 | 0:51:47 | |
So, if you carry on up here, we'll miss out a few ladders. | 0:51:47 | 0:51:49 | |
That goes right up to the surface, does it? | 0:51:49 | 0:51:51 | |
Not right to the surface, up to the ladders sort of stages. | 0:51:51 | 0:51:53 | |
-Goes up to the sixth fathom level. -Yeah. | 0:51:53 | 0:51:55 | |
-CHRIS CHUCKLES -But you can see the way that they have just worked this, haven't they? | 0:51:55 | 0:51:59 | |
-Yeah. -Yeah. | 0:51:59 | 0:52:00 | |
I mean, I must admit, I'm coming round to your side, | 0:52:00 | 0:52:03 | |
-it is fascinating. -Yeah... | 0:52:03 | 0:52:04 | |
'It's a labyrinth down here.' | 0:52:04 | 0:52:07 | |
'The boys have taken me as far as they can, | 0:52:08 | 0:52:11 | |
'but who knows how much further the tunnels go?' | 0:52:11 | 0:52:14 | |
'There are rumours that some of them might stretch halfway to the coast!' | 0:52:15 | 0:52:20 | |
'And with Sam and James's enthusiasm, | 0:52:21 | 0:52:23 | |
'I'm sure they'll get there... | 0:52:23 | 0:52:26 | |
'even if it takes until they're 50.' | 0:52:26 | 0:52:29 | |
SEAGULLS CRY | 0:52:29 | 0:52:32 | |
Devon's two coastlines have made it a place where adventures begin. | 0:52:32 | 0:52:38 | |
Drake left from the south coast to help defend the nation | 0:52:38 | 0:52:41 | |
against the invading Spanish Armada, | 0:52:41 | 0:52:44 | |
and he returned here to Hartland on the north coast. | 0:52:44 | 0:52:48 | |
Drake built the quay here at Hartland to land the treasure | 0:52:50 | 0:52:53 | |
from his travels. | 0:52:53 | 0:52:55 | |
It's been a place of legend ever since. | 0:52:55 | 0:52:57 | |
Hartland was famously a place of shipwrecks and shipwreckers. | 0:53:00 | 0:53:05 | |
Local people would lure ships onto these dangerous rocky waters | 0:53:05 | 0:53:09 | |
and wreck the vessels, then take the loot. | 0:53:09 | 0:53:12 | |
But today's thrill-seekers are less likely to be wreckers than surfers. | 0:53:12 | 0:53:17 | |
Andrew Cotton is a legend amongst surfers. | 0:53:18 | 0:53:21 | |
He grew up on the north coast of Devon, | 0:53:21 | 0:53:24 | |
but like Drake, he's travelled the world in pursuit of adventure, | 0:53:24 | 0:53:27 | |
including waves like this 60-footer in Portugal. | 0:53:27 | 0:53:31 | |
Andrew, Devon born and bred. | 0:53:35 | 0:53:37 | |
What was it that got you into surfing? | 0:53:37 | 0:53:40 | |
Well, if you live in north Devon, I think, you know, | 0:53:40 | 0:53:42 | |
it's such an amazing coastline and loads of nice beaches, and... | 0:53:42 | 0:53:45 | |
it's just a great way to spend the weekend, I suppose. | 0:53:45 | 0:53:48 | |
What are the chances of me getting your secret surf spots out of you? | 0:53:48 | 0:53:51 | |
-HE CHUCKLES -Ah... Pretty slim. | 0:53:52 | 0:53:55 | |
-You hold them close to your chest, do you? -Definitely, yeah. | 0:53:55 | 0:53:57 | |
That's why they're secret. But, no, like... | 0:53:57 | 0:53:59 | |
No, surfers are really always protective about, you know, their spots, you know? | 0:53:59 | 0:54:03 | |
I think every surfer in the UK will have their special place, but... | 0:54:03 | 0:54:06 | |
You know, even my best mates don't always tell me | 0:54:08 | 0:54:11 | |
where they're going to surf. | 0:54:11 | 0:54:13 | |
Wow! A secretive world. | 0:54:13 | 0:54:15 | |
'If I'm going to get any information out of Andrew, | 0:54:15 | 0:54:19 | |
'it's going to take some persuasion.' | 0:54:19 | 0:54:21 | |
For me, I spend a lot of time on jet skis and, for me, | 0:54:22 | 0:54:26 | |
that's a good way that I check a lot of spots. | 0:54:26 | 0:54:29 | |
So, we can... We can get the ski out | 0:54:29 | 0:54:32 | |
and we can check a few beaches out and see what you think. | 0:54:32 | 0:54:34 | |
Awesome. Sounds good. | 0:54:34 | 0:54:36 | |
-Shall I get on there now? -Yes, get on! Let's go! | 0:54:37 | 0:54:40 | |
I've never done this before, you know. | 0:54:40 | 0:54:42 | |
ELLIE GROANS | 0:54:42 | 0:54:44 | |
-Hey! -We're on. | 0:54:44 | 0:54:45 | |
'Agreeing to take me out on the jet ski is, I think, | 0:54:45 | 0:54:48 | |
'the closest I'm going to get to Andrew's secrets.' | 0:54:48 | 0:54:51 | |
Like that? | 0:54:51 | 0:54:52 | |
-I was just going to say, might get a little bit wet. -OK. | 0:54:52 | 0:54:56 | |
-But...don't be scared to hold on tight, cos it... -OK, thanks. | 0:54:56 | 0:55:00 | |
D'you know what I mean, like? | 0:55:00 | 0:55:02 | |
It's like a motorbike, wow! ELLIE LAUGHS | 0:55:08 | 0:55:10 | |
Wow. | 0:55:13 | 0:55:14 | |
ELLIE YELLS | 0:55:19 | 0:55:20 | |
Whoa! | 0:55:22 | 0:55:23 | |
ELLIE LAUGHS I've never known anything like it! | 0:55:28 | 0:55:32 | |
Oh, come on! | 0:55:35 | 0:55:36 | |
'Andrew uses his jet ski to reach the most inaccessible | 0:55:38 | 0:55:42 | |
'and, by their very nature, secret surf spots.' | 0:55:42 | 0:55:45 | |
That is nuts! | 0:55:46 | 0:55:47 | |
So, like, as we were coming round, obviously, this is all Saunton | 0:55:50 | 0:55:53 | |
and then you come around, this is, like...Downend Point. | 0:55:53 | 0:55:56 | |
-Right! -And this actually gets, like, quite good waves along here. | 0:55:56 | 0:56:00 | |
It has to be low tide, and, like, a certain swell... | 0:56:00 | 0:56:04 | |
-Yeah, it gets quite good. -Again, it's a bit rocky, though. | 0:56:04 | 0:56:07 | |
-Yeah, but sometimes that makes the best waves. -Oh, OK. | 0:56:07 | 0:56:11 | |
So, like, points like this are really fun places to surf. | 0:56:11 | 0:56:15 | |
-But it's just... -Not for the amateurs, I shouldn't think. | 0:56:15 | 0:56:18 | |
No, no. I would say, like, intermediates to advanced, I reckon. | 0:56:18 | 0:56:21 | |
HE LAUGHS | 0:56:21 | 0:56:24 | |
-Is this one of your favourite spots around here? -Yeah. Definitely, yeah. | 0:56:24 | 0:56:28 | |
'If only I could, it would be amazing to surf one of the spots | 0:56:29 | 0:56:33 | |
'that Andrew has shown me. | 0:56:33 | 0:56:35 | |
'But I have my own secret.' | 0:56:35 | 0:56:38 | |
How many surfers would kill me right now to get a lesson with you? | 0:56:38 | 0:56:41 | |
'I don't even know the front from the back end of a surf board.' | 0:56:41 | 0:56:45 | |
Paddle, paddle, paddle! Good. | 0:56:58 | 0:57:02 | |
'Andrew promises he can get me standing up in one lesson, | 0:57:02 | 0:57:06 | |
'but he does admit it might take a bit more practice | 0:57:06 | 0:57:09 | |
'before I'm ready for one of his secret surf spots.' | 0:57:09 | 0:57:12 | |
Paddle! | 0:57:24 | 0:57:25 | |
Ooh! | 0:57:25 | 0:57:26 | |
-Whoo! -Whoohoo! Yeah! | 0:57:32 | 0:57:36 | |
Well, what an exhilarating way to end our travels, | 0:57:39 | 0:57:43 | |
which began on a secret island off the south coast, | 0:57:43 | 0:57:46 | |
came all the way across Dartmoor and has ended here, | 0:57:46 | 0:57:48 | |
searching out the best secret surfing spot on the north. | 0:57:48 | 0:57:53 | |
Devon may be a county of two coastlines, | 0:57:53 | 0:57:55 | |
but it's certainly a place of many different faces. | 0:57:55 | 0:57:59 | |
There's more to Devon than cream teas, you know. | 0:57:59 | 0:58:02 | |
Next time we're in Northern Ireland. | 0:58:04 | 0:58:06 | |
That is such a view! Oh! How wonderful! | 0:58:08 | 0:58:12 | |
-You were at Sydney in -2000. Yes. | 0:58:12 | 0:58:15 | |
This is as big an occasion and you're not treating it as. You need to get focused, woman! | 0:58:15 | 0:58:19 | |
-Oh! -Oh! Too much! Aah! | 0:58:19 | 0:58:23 | |
And we've got the moon shining above as well. | 0:58:24 | 0:58:26 | |
-And the sun's coming up! -Yeah, it's getting close. | 0:58:26 | 0:58:30 |