Browse content similar to Northern Ireland. Check below for episodes and series from the same categories and more!
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We live in a country with some of the most diverse | 0:00:09 | 0:00:12 | |
and beautiful landscapes in the world. | 0:00:12 | 0:00:15 | |
So diverse, very few of us know every nook and cranny. | 0:00:17 | 0:00:21 | |
And so beautiful, it'd be a crime to miss any of them. | 0:00:25 | 0:00:28 | |
The British Isles are full of secrets and surprises | 0:00:31 | 0:00:34 | |
just waiting to be discovered. | 0:00:34 | 0:00:37 | |
-Good, Chris, good. Well done. -Thank you! | 0:00:39 | 0:00:41 | |
Wow! Oh, my God! | 0:00:41 | 0:00:44 | |
Out of nowhere, they came. | 0:00:44 | 0:00:46 | |
It's easy to think Britain is a crowded place, | 0:00:46 | 0:00:49 | |
but with more than 60 million acres out there, | 0:00:49 | 0:00:52 | |
there's still plenty of the UK for us to discover and enjoy. | 0:00:52 | 0:00:56 | |
The power of the elements really belittles you. | 0:00:58 | 0:01:02 | |
In this series, we're going to escape the crowds | 0:01:02 | 0:01:05 | |
and get off the beaten track. | 0:01:05 | 0:01:07 | |
We're on the hunt for the unexpected. | 0:01:08 | 0:01:11 | |
Did you see it? There we go. Ooh! | 0:01:11 | 0:01:13 | |
The breathtaking. | 0:01:13 | 0:01:16 | |
Oh, it's freezing. | 0:01:16 | 0:01:17 | |
The hidden. | 0:01:17 | 0:01:19 | |
I think we've found it! | 0:01:19 | 0:01:21 | |
Look at the size of this place. | 0:01:22 | 0:01:24 | |
This is the place we call home. | 0:01:26 | 0:01:29 | |
This is our Secret Britain. | 0:01:29 | 0:01:31 | |
We're on the western edge of the British Isles. | 0:02:09 | 0:02:13 | |
This is one of the least touristy, but most spectacular | 0:02:13 | 0:02:17 | |
and surprising places in the country. | 0:02:17 | 0:02:19 | |
The mountains behind me were formed nearly 60 million years ago | 0:02:21 | 0:02:25 | |
from volcanic rock and away over to the north lies the largest lake | 0:02:25 | 0:02:30 | |
in the UK and a mountain range that was once as big as the Himalayas. | 0:02:30 | 0:02:35 | |
This is Northern Ireland. | 0:02:37 | 0:02:39 | |
This ancient landscape is the keeper of secrets | 0:02:42 | 0:02:46 | |
that go back into the mists of time. | 0:02:46 | 0:02:48 | |
Striking out on the paths less travelled, | 0:02:50 | 0:02:52 | |
we're tracking down rare wildlife... | 0:02:52 | 0:02:55 | |
Did you see it. See it. There we go. Ooh! | 0:02:55 | 0:02:58 | |
..trying out little known pastimes... | 0:02:58 | 0:03:00 | |
You need to get focused, woman! | 0:03:00 | 0:03:02 | |
..and exploring the magic and majesty of Northern Ireland. | 0:03:04 | 0:03:08 | |
I don't think I've ever seen anything like that. | 0:03:08 | 0:03:11 | |
Heavily restricted and regularly patrolled, | 0:03:23 | 0:03:26 | |
these sand dunes hide some of the best guarded secrets | 0:03:26 | 0:03:30 | |
in Northern Ireland. | 0:03:30 | 0:03:31 | |
The British Army has a long history of training cavalry and infantry | 0:03:36 | 0:03:40 | |
on the stunning beach here at Ballykinler on the east coast, | 0:03:40 | 0:03:44 | |
in the shadow of the Mourne Mountains. | 0:03:44 | 0:03:47 | |
The army stopped using horses in battle after the First World War | 0:03:47 | 0:03:51 | |
and they're rarely seen down on these sands nowadays. | 0:03:51 | 0:03:55 | |
Thanks, Elaine. Lovely. | 0:03:55 | 0:03:58 | |
In fact, this whole site has been cut off completely | 0:03:58 | 0:04:01 | |
for more than a century, so it's packed full of wildlife secrets. | 0:04:01 | 0:04:05 | |
Off limits and dangerous, the red flag keeps most people away. | 0:04:10 | 0:04:14 | |
But in the heart of Ballykinler's training ground, is a rare | 0:04:14 | 0:04:18 | |
and covert conservation project led by Northern Ireland's | 0:04:18 | 0:04:22 | |
top squirrel man, Declan Looney. | 0:04:22 | 0:04:24 | |
-Right next to the shooting range. You can hear them. -Indeed, yeah. | 0:04:26 | 0:04:28 | |
-So, is this a good site for releasing reds? -It is, yeah. | 0:04:28 | 0:04:31 | |
Anybody involved in red squirrel conservation will know that there's a number of things | 0:04:31 | 0:04:35 | |
that need to be considered before we do a release and the most important of those | 0:04:35 | 0:04:38 | |
is that we have an area we've confirmed there's no grey squirrels. | 0:04:38 | 0:04:42 | |
Northern Ireland's native red squirrel is outnumbered six to one | 0:04:42 | 0:04:46 | |
by invasive greys and the reds are under serious threat. | 0:04:46 | 0:04:50 | |
Amazingly, their best chance for survival | 0:04:50 | 0:04:52 | |
is in the middle of this firing range. | 0:04:52 | 0:04:55 | |
Tagged and monitored, Declan's animals are ready for release | 0:04:58 | 0:05:02 | |
into a red squirrel-only zone. | 0:05:02 | 0:05:05 | |
Yeah, this is our soft release enclosure. | 0:05:05 | 0:05:07 | |
The principle of a soft release enclosure is that | 0:05:07 | 0:05:10 | |
the squirrels inside are given a period of time to gradually become | 0:05:10 | 0:05:13 | |
accustomed to the external environment. | 0:05:13 | 0:05:15 | |
So, we'll keep a close eye on things and how it develops | 0:05:15 | 0:05:17 | |
and then once we're content that the squirrels are settled in, we'll open this hatch here at the top | 0:05:17 | 0:05:21 | |
and we'll let the squirrels come out into these trees in their own time. | 0:05:21 | 0:05:25 | |
-They've got the chance to go straight across there. -They have, yeah. | 0:05:25 | 0:05:28 | |
So, if we look about we can see, for the most part, | 0:05:28 | 0:05:31 | |
these are a species of conifer that's particularly favoured by red squirrels called Maritime Pine. | 0:05:31 | 0:05:36 | |
-Ah-ha. -So, there's an abundant natural food resource within this stand of trees. | 0:05:36 | 0:05:41 | |
Do you think we could actually get in close and see them? | 0:05:41 | 0:05:43 | |
-We could. We can go in, if we keep it down a bit. We can have a look, yeah. -Keep it low down. Right. | 0:05:43 | 0:05:47 | |
How ironic that I have to keep my voice down, | 0:05:57 | 0:06:00 | |
when I'm in the middle of a firing range! | 0:06:00 | 0:06:03 | |
(There's one here.) | 0:06:07 | 0:06:08 | |
That's amazing. That lovely fluffy tail and the ear tufts. | 0:06:14 | 0:06:18 | |
Oh, it's looking pretty bright and well, isn't it? | 0:06:22 | 0:06:24 | |
Yeah, absolutely. This is one of the young males. | 0:06:24 | 0:06:27 | |
The long term plan for this young male and the others | 0:06:27 | 0:06:29 | |
is that they become established within Ballykinler Camp | 0:06:29 | 0:06:32 | |
and then following years, we'll introduce some females | 0:06:32 | 0:06:36 | |
and basically they supplement the captive breeding population | 0:06:36 | 0:06:39 | |
in Northern Ireland. | 0:06:39 | 0:06:41 | |
-So, the future's looking pretty good here? -It is. | 0:06:41 | 0:06:43 | |
It's looking, it's looking well for the future. | 0:06:43 | 0:06:46 | |
The squirrels certainly look happy enough, | 0:06:48 | 0:06:51 | |
but I do wonder why they'd want to stick around with all these soldiers, | 0:06:51 | 0:06:54 | |
once they're released into the wild. | 0:06:54 | 0:06:56 | |
What the red squirrels don't know yet, | 0:07:05 | 0:07:07 | |
is just how rare and special their new 1,300 acre home is. | 0:07:07 | 0:07:11 | |
Tony Canniford runs the base and appreciates better than most | 0:07:15 | 0:07:19 | |
what an important site this is for wildlife. | 0:07:19 | 0:07:22 | |
That is such a view! | 0:07:30 | 0:07:33 | |
Oh, how wonderful! | 0:07:33 | 0:07:35 | |
-So, we've got a few seals hauled out here. -Yeah. | 0:07:39 | 0:07:42 | |
There's normally a lot more. There's normally about 200 | 0:07:42 | 0:07:44 | |
-and a mix of common and grey seals. -Mm. -It's the premier site | 0:07:44 | 0:07:47 | |
for the island of Ireland, or one of the premier sites. | 0:07:47 | 0:07:50 | |
But when you've got all the 200 plus hauled out there - | 0:07:50 | 0:07:53 | |
common and grey - it's an amazing sight. | 0:07:53 | 0:07:55 | |
What is it about the geography of this place that makes it | 0:07:57 | 0:07:59 | |
ideal for wildlife? | 0:07:59 | 0:08:01 | |
The army has been here really since the mid 1850s, that sort of time, | 0:08:01 | 0:08:06 | |
and that has enabled us to control the access of who's come in here. | 0:08:06 | 0:08:09 | |
So, it's a nice, safe area for the wildlife we have here. | 0:08:09 | 0:08:13 | |
You are lucky. | 0:08:18 | 0:08:20 | |
-A good office, isn't it? -You are very lucky. | 0:08:20 | 0:08:22 | |
From wildlife to a different sort of wild. | 0:08:29 | 0:08:33 | |
Whoa! | 0:08:33 | 0:08:35 | |
'I've seen a lot of sport in my time, but never anything like this.' | 0:08:35 | 0:08:40 | |
And it's completely bonkers! | 0:08:40 | 0:08:43 | |
50 miles west of Ballykinler is Armagh, | 0:08:44 | 0:08:48 | |
where I'm being initiated into one of Ireland's best kept secrets. | 0:08:48 | 0:08:52 | |
The game looks straightforward - | 0:08:57 | 0:08:59 | |
chuck a heavy ball as far as possible down the road... | 0:08:59 | 0:09:03 | |
CHEERING | 0:09:03 | 0:09:05 | |
..whoever gets the furthest in 20 throws, wins. | 0:09:05 | 0:09:08 | |
How hard can it be? | 0:09:08 | 0:09:09 | |
That was amazing. | 0:09:11 | 0:09:13 | |
-That was a big shot. -That was big. | 0:09:13 | 0:09:15 | |
This is Road Bowls. | 0:09:15 | 0:09:17 | |
Chris Mallon is the chairman of the Armagh Road Bowling Association. | 0:09:17 | 0:09:21 | |
-So, the car's just going through. -Yeah, yeah. We can't stop them. | 0:09:21 | 0:09:25 | |
-And that's just quite normal -Oh, that's normal, yeah. We can't get the roads closed, | 0:09:25 | 0:09:29 | |
so what you have to do is try and accommodate them. | 0:09:29 | 0:09:31 | |
Be as good as you can with letting traffic run | 0:09:31 | 0:09:35 | |
and not to hold it up, you know. | 0:09:35 | 0:09:36 | |
No-one seems to know where road bowls came from, | 0:09:36 | 0:09:39 | |
but it's been around in Ireland for several hundred years. | 0:09:39 | 0:09:43 | |
Mostly played in just two counties - Cork in the south | 0:09:43 | 0:09:46 | |
and here in Armagh - each has a unique throwing style. | 0:09:46 | 0:09:51 | |
We've got a girl here to show you her Cork technique which... | 0:09:51 | 0:09:53 | |
they throw like a windmill style, | 0:09:53 | 0:09:55 | |
the full 360 degrees of the arm. | 0:09:55 | 0:09:59 | |
Now, that was the Cork style. | 0:09:59 | 0:10:01 | |
-So that was the Cork style. -Yeah. | 0:10:01 | 0:10:02 | |
Right. And she's actually from Cork? | 0:10:02 | 0:10:04 | |
She's from Cork, yeah. | 0:10:04 | 0:10:06 | |
So this is Armagh style. | 0:10:06 | 0:10:08 | |
And you deliver the ball under arm. | 0:10:08 | 0:10:10 | |
-I'm amazed at how quickly he's actually running in. -Aye. | 0:10:12 | 0:10:14 | |
-Yeah, he... -And how far he's gone back. | 0:10:14 | 0:10:17 | |
He can get great speed, the bowler. | 0:10:17 | 0:10:18 | |
I mean, that's almost what, 80 metres, maybe more? | 0:10:18 | 0:10:21 | |
That'd be more. That'd be probably 100 yards up the road, maybe more. | 0:10:21 | 0:10:24 | |
Phwoar! | 0:10:24 | 0:10:26 | |
It looks easy enough for me | 0:10:26 | 0:10:27 | |
to challenge Chris's daughter to a short match. | 0:10:27 | 0:10:30 | |
What Chris failed to mention is | 0:10:32 | 0:10:34 | |
that Kelly is the All Ireland Senior Road Bowling Champion. | 0:10:34 | 0:10:38 | |
Do you want to go first or second? | 0:10:38 | 0:10:40 | |
-I'm going to go first. -All right. | 0:10:40 | 0:10:42 | |
-Happy now? -Right. -OK. | 0:10:42 | 0:10:43 | |
-Right. -Right. -Here we go. | 0:10:43 | 0:10:45 | |
We've got six throws each past the viaduct | 0:10:45 | 0:10:48 | |
and we'll see who gets the furthest down the road. | 0:10:48 | 0:10:52 | |
It's only money! | 0:10:56 | 0:10:57 | |
There's pressure. | 0:11:00 | 0:11:01 | |
A reputation to maintain now. | 0:11:03 | 0:11:05 | |
Right. I'm coming back. | 0:11:05 | 0:11:07 | |
Ooh-ah! | 0:11:12 | 0:11:14 | |
Not bad for a first go! | 0:11:18 | 0:11:20 | |
My ball's marked by a tuft of grass where it stopped, | 0:11:20 | 0:11:23 | |
ready for my next throw. | 0:11:23 | 0:11:25 | |
-I'm not sure. -Better. | 0:11:32 | 0:11:34 | |
Yeah. That's not too bad. It's OK. | 0:11:34 | 0:11:37 | |
OK, so she's good. | 0:11:39 | 0:11:41 | |
Already 20 yards behind, | 0:11:41 | 0:11:43 | |
I'm going to have to raise my game to give Kelly a run for her money. | 0:11:43 | 0:11:47 | |
From the sands of Ballykinler in the east, | 0:12:01 | 0:12:03 | |
to the remote back roads of County Armagh. | 0:12:03 | 0:12:07 | |
And south to the mountainous border with the Irish Republic, | 0:12:07 | 0:12:11 | |
steeped in myth and legend. | 0:12:11 | 0:12:13 | |
This is Slieve Gullion, | 0:12:22 | 0:12:24 | |
one of the most mystical mountains in all Ireland. | 0:12:24 | 0:12:27 | |
Slieve Gullion means mountain of the steep slope. | 0:12:28 | 0:12:34 | |
No kidding! | 0:12:34 | 0:12:35 | |
But, apparently, at the top there's supposedly a witch's house | 0:12:35 | 0:12:40 | |
and a mythical lake. | 0:12:40 | 0:12:42 | |
But it strikes me as I'm climbing up here, | 0:12:42 | 0:12:45 | |
there's a reason why it's secret - | 0:12:45 | 0:12:47 | |
it's so difficult to get to. | 0:12:47 | 0:12:49 | |
Now, I don't believe in fairies, but I love fairy tales | 0:13:00 | 0:13:05 | |
and their mystical secrets, | 0:13:05 | 0:13:06 | |
and the legend here is so tightly bound to | 0:13:06 | 0:13:09 | |
the landscape that I'm irresistibly drawn to get to the bottom of it. | 0:13:09 | 0:13:13 | |
And I can only do that by getting to the top of it. | 0:13:15 | 0:13:18 | |
That was a bit of a walk, that, Claire. | 0:13:20 | 0:13:22 | |
-Yeah. Good to arrive -Right. Good to arrive. | 0:13:22 | 0:13:24 | |
I tell you, it was worth it, though, spectacular views. | 0:13:24 | 0:13:26 | |
Claire Foley is an archaeologist. | 0:13:26 | 0:13:28 | |
She's spent a lot of time up here | 0:13:28 | 0:13:31 | |
trying to untangle the riddle of this mountain. | 0:13:31 | 0:13:34 | |
Now, look, we've come all this way to talk giants and witches. | 0:13:34 | 0:13:39 | |
-Mm-hm. -Now, I've done a bit of research. | 0:13:39 | 0:13:41 | |
What I've heard is that Fionn the giant came up here to do | 0:13:41 | 0:13:44 | |
-a bit of hunting. -Mm-hm. | 0:13:44 | 0:13:46 | |
-And he lost one of his dogs. -Yeah. | 0:13:46 | 0:13:48 | |
-OK. And all of a sudden, he came to this lake. -Yes. | 0:13:48 | 0:13:51 | |
And he sees a beautiful woman, | 0:13:51 | 0:13:54 | |
and he asks this beautiful woman, "Have you seen my dog?" | 0:13:54 | 0:13:56 | |
And she says, "Excuse me, I'm a bit busy myself | 0:13:56 | 0:13:59 | |
"because I've lost something." | 0:13:59 | 0:14:01 | |
-Yes. -What had she lost? | 0:14:01 | 0:14:02 | |
She'd lost her ring. | 0:14:02 | 0:14:03 | |
She said it had dropped into the water and asked him to retrieve it. | 0:14:03 | 0:14:08 | |
And so he dived in and rummaged round in the boggy water | 0:14:08 | 0:14:11 | |
and found the ring, miraculously, but in retrieving the ring, | 0:14:11 | 0:14:15 | |
he turned into an old man with long, grey hair. | 0:14:15 | 0:14:18 | |
-So forever more he had grey hair. -Mm-hm. Mm-hm. | 0:14:18 | 0:14:20 | |
Yes, beautiful women can do that to a man, you know. | 0:14:20 | 0:14:23 | |
SHE CHUCKLES | 0:14:23 | 0:14:25 | |
The woman who cursed Fionn the giant was Cailleach Beara, | 0:14:25 | 0:14:29 | |
a bitter old witch who's said to have lived on this mountain. | 0:14:29 | 0:14:33 | |
Surely the stuff of make-believe! | 0:14:33 | 0:14:36 | |
But 200 years ago, locals looking for the witch | 0:14:49 | 0:14:53 | |
found human bones inside a mysterious lair. | 0:14:53 | 0:14:57 | |
So, this is the witch's cairn, is it? | 0:15:01 | 0:15:05 | |
Well, this is where people believe she lived, yes. | 0:15:05 | 0:15:08 | |
I can imagine that. | 0:15:08 | 0:15:10 | |
With that view out there. | 0:15:10 | 0:15:12 | |
And I can imagine she could have pounced on anybody. | 0:15:12 | 0:15:15 | |
Today, a sinister-looking entrance entices the curious to | 0:15:17 | 0:15:22 | |
explore the lair's secrets. | 0:15:22 | 0:15:24 | |
You'll be able to stand up inside. | 0:15:28 | 0:15:29 | |
-Hopefully, yeah. -Ah-ha. | 0:15:29 | 0:15:31 | |
Whoa! | 0:15:33 | 0:15:34 | |
'This hidden chamber is made from huge slabs of overlapping granite | 0:15:37 | 0:15:43 | |
'and does, indeed, look like the work of giants.' | 0:15:43 | 0:15:46 | |
Oh, this is incredible. What is it? | 0:15:46 | 0:15:49 | |
This is a Neolithic passage tomb dating to 5,000 years ago. | 0:15:49 | 0:15:53 | |
This is 5,000 years old? | 0:15:55 | 0:15:57 | |
This is a 5,000 year old highly-engineered structure | 0:15:57 | 0:16:01 | |
built for burial and lots of other rituals probably, yes. | 0:16:01 | 0:16:05 | |
I actually think they may have locked young men | 0:16:05 | 0:16:08 | |
in here as in initiation ceremony. | 0:16:08 | 0:16:10 | |
That's my theory. | 0:16:10 | 0:16:11 | |
Now, obviously, it's very difficult to know | 0:16:11 | 0:16:13 | |
because we don't know much about the Stone Age, do we? | 0:16:13 | 0:16:15 | |
It's pre-history, really. | 0:16:15 | 0:16:17 | |
You know when you said 5,000 years ago, | 0:16:17 | 0:16:19 | |
for me, I'm trying to think. | 0:16:19 | 0:16:20 | |
5,000 years, I always think about Egyptians | 0:16:20 | 0:16:23 | |
and the great big pyramids. | 0:16:23 | 0:16:25 | |
Are we talking about roughly the same... | 0:16:25 | 0:16:27 | |
-Well, this is earlier than the Great Pyramids. -Wow. | 0:16:27 | 0:16:30 | |
Probably contemporary with some of the minor ones. | 0:16:30 | 0:16:33 | |
This is the highest-surviving passage tomb in all Ireland. | 0:16:33 | 0:16:38 | |
It's an impressive achievement given the Stone Age people | 0:16:38 | 0:16:41 | |
who built it must have lived way down in the valley. | 0:16:41 | 0:16:45 | |
As we sit here having come out of there, I'm just trying to think | 0:16:46 | 0:16:50 | |
and picture what sort of community would create something like this. | 0:16:50 | 0:16:56 | |
Well, these people were farmers | 0:16:56 | 0:16:58 | |
and they were following on a long tradition of at least | 0:16:58 | 0:17:01 | |
1,000 years of farming before they developed this tomb type. | 0:17:01 | 0:17:05 | |
And they farmed that beautiful land that we can see down below. | 0:17:05 | 0:17:08 | |
And all those field enclosures almost remind me of what | 0:17:08 | 0:17:11 | |
a Neolithic field system would look like, | 0:17:11 | 0:17:13 | |
although these are more recent. | 0:17:13 | 0:17:15 | |
Archaeologists are only starting to piece together | 0:17:17 | 0:17:20 | |
the truth about this remote and weather-beaten monument. | 0:17:20 | 0:17:24 | |
To my untrained eye, this really is the stuff of fairy tales. | 0:17:24 | 0:17:29 | |
It's no wonder that myths | 0:17:31 | 0:17:33 | |
and legends ended up trying to explain this, is it? | 0:17:33 | 0:17:37 | |
Well, actually, we like myths and legends, as well, | 0:17:37 | 0:17:39 | |
because myths and legends in Ireland | 0:17:39 | 0:17:41 | |
have helped to preserve places like this | 0:17:41 | 0:17:43 | |
because people are afraid of the fairies | 0:17:43 | 0:17:45 | |
and they're afraid of the witch. | 0:17:45 | 0:17:46 | |
You can still... There might be people still living here | 0:17:46 | 0:17:48 | |
who believe that she was a real person. | 0:17:48 | 0:17:50 | |
-Yeah, and so they didn't dare touch it. -Yeah. | 0:17:50 | 0:17:52 | |
So people have that association with these sacred places | 0:17:52 | 0:17:55 | |
and they like to try to keep them preserved. | 0:17:55 | 0:17:58 | |
These ancient landscapes will forever be steeped | 0:18:05 | 0:18:08 | |
in the tall tales of yesteryear. | 0:18:08 | 0:18:10 | |
Telling stories remains a big part of Irish culture. | 0:18:14 | 0:18:18 | |
Professional storyteller Colum Sands | 0:18:18 | 0:18:21 | |
has dedicated his life to keeping this long tradition alive. | 0:18:21 | 0:18:26 | |
'Come away, oh, human child, to the waters and the wild | 0:18:28 | 0:18:34 | |
'With a fairy hand in hand, | 0:18:34 | 0:18:36 | |
'for the world's more full of weeping than you can understand.' | 0:18:36 | 0:18:41 | |
There were songs that told stories | 0:18:45 | 0:18:47 | |
and then there were tunes that told stories in their own way. | 0:18:47 | 0:18:51 | |
This is one my father used to play, | 0:18:51 | 0:18:53 | |
and I always just imagined my own pictures when I heard this tune. | 0:18:53 | 0:18:58 | |
It's called The King Of The Fairies. | 0:18:58 | 0:19:01 | |
People often think of storytelling as something for children. | 0:19:16 | 0:19:20 | |
I believe stories are being told to us all the time. | 0:19:20 | 0:19:23 | |
I grew up in a part of County Down called Mayobridge in the early '50s. | 0:19:30 | 0:19:36 | |
We didn't have electricity or running water in the house, | 0:19:36 | 0:19:39 | |
so it was very much a part of life, both the storytelling and the music. | 0:19:39 | 0:19:44 | |
There'd be stories of the locality - | 0:19:48 | 0:19:50 | |
news, what was happening, who was going to get married. | 0:19:50 | 0:19:53 | |
There would also be ghost stories, fairy stories. | 0:19:53 | 0:19:57 | |
Some of them had been told for hundreds of years. | 0:19:59 | 0:20:02 | |
Some of the tunes were very old, as well. | 0:20:02 | 0:20:04 | |
They were all part of a tapestry of life | 0:20:06 | 0:20:08 | |
and they still are to this day in this country. | 0:20:08 | 0:20:11 | |
If you're walking through the landscape on this island, | 0:20:22 | 0:20:24 | |
you may often come upon a field that is clear, but somewhere, | 0:20:24 | 0:20:28 | |
maybe in the very centre of the field or to one side, | 0:20:28 | 0:20:31 | |
there's a lone bush. | 0:20:31 | 0:20:34 | |
'They're known as fairy thorns, | 0:20:34 | 0:20:36 | |
'often regarded as being connected to the underworld.' | 0:20:36 | 0:20:41 | |
'You don't touch them, you don't go too close to them. | 0:20:43 | 0:20:46 | |
People come here to make offerings, | 0:20:49 | 0:20:51 | |
to tie all kinds of things to the bushes. | 0:20:51 | 0:20:54 | |
It could be something like the Calliagh, | 0:20:54 | 0:20:57 | |
the last cutting of the harvest. | 0:20:57 | 0:20:59 | |
The very last piece when you're cutting the corn or the wheat. | 0:20:59 | 0:21:03 | |
The same kind of offerings that would have been made | 0:21:05 | 0:21:07 | |
thousands of years ago in another culture. | 0:21:07 | 0:21:10 | |
'This is like a connection between two worlds. | 0:21:13 | 0:21:16 | |
'Here, it's in the stone circle. | 0:21:18 | 0:21:20 | |
'It's right beside these stones, which hold in | 0:21:20 | 0:21:24 | |
'who knows what story.' | 0:21:24 | 0:21:26 | |
You don't dabble with the fairies, but the fairy thorn - | 0:21:32 | 0:21:36 | |
I've already come slightly close to it, but I won't | 0:21:36 | 0:21:38 | |
get any closer than that - | 0:21:38 | 0:21:41 | |
is a very special part of life | 0:21:41 | 0:21:43 | |
in this country. | 0:21:43 | 0:21:45 | |
In Armagh, I'm in big trouble. | 0:21:53 | 0:21:56 | |
-CHEERING -Very good. Oh, listen to the cheers. | 0:21:56 | 0:21:59 | |
They're clearly happy with that one. | 0:21:59 | 0:22:01 | |
I've got to work on that technique. | 0:22:01 | 0:22:03 | |
'I really thought I'd be better than this. | 0:22:05 | 0:22:07 | |
'But then, I am up against a champion. | 0:22:07 | 0:22:10 | |
'But that's my excuse and I'm sticking to it!' | 0:22:10 | 0:22:13 | |
-So, you're on your third shot. -Is this me or is this you? | 0:22:13 | 0:22:17 | |
You might be down there, I might be just here. | 0:22:17 | 0:22:22 | |
Oh, right, she's getting competitive now, eh? | 0:22:22 | 0:22:25 | |
'I must be getting it wrong. | 0:22:25 | 0:22:27 | |
'I seem to have attracted my own motivational coach.' | 0:22:27 | 0:22:30 | |
Too much fun going on here. | 0:22:30 | 0:22:31 | |
You're looking round you, like, you're not concentrating. | 0:22:31 | 0:22:34 | |
-So, I need to focus? -Do you know what I mean, like? | 0:22:34 | 0:22:36 | |
-No, I hear you. -Like we're in Sydney here. | 0:22:36 | 0:22:38 | |
-You were in Sydney in -2000? Yes. | 0:22:38 | 0:22:40 | |
This is as big an occasion and you're not treating it as. | 0:22:40 | 0:22:42 | |
You need to get focused, woman. | 0:22:42 | 0:22:43 | |
-How's that? -That's good, that's good. | 0:22:46 | 0:22:49 | |
-Right now, see where he is there? -Yeah. | 0:22:49 | 0:22:51 | |
-You don't keep looking at the man. -OK. -You know what I mean? -Yeah. | 0:22:51 | 0:22:54 | |
Go on, now. | 0:22:54 | 0:22:55 | |
-All right. -Straight through his legs. | 0:22:55 | 0:22:57 | |
That's very good, that was a great shot. | 0:23:01 | 0:23:03 | |
That was a great shot. Look, it's bending round now. | 0:23:03 | 0:23:06 | |
I tell you once you miss the point, | 0:23:06 | 0:23:08 | |
once you miss the corner it... That's a good shot. | 0:23:08 | 0:23:11 | |
Very nice shot. | 0:23:15 | 0:23:16 | |
Got to admire that. | 0:23:17 | 0:23:19 | |
-Oh. -Oh, too much! | 0:23:22 | 0:23:24 | |
Too left, aah! | 0:23:25 | 0:23:27 | |
'At first sight, I thought road bowling | 0:23:28 | 0:23:31 | |
'was a quaint local tradition - | 0:23:31 | 0:23:33 | |
'a bit of fun heaving an oversized ball bearing | 0:23:33 | 0:23:36 | |
'down the road.' | 0:23:36 | 0:23:38 | |
Right, I've got one more, one more throw. | 0:23:38 | 0:23:39 | |
-One more, one more. -And I'm going to give it everything. | 0:23:39 | 0:23:42 | |
Finish it off. | 0:23:42 | 0:23:44 | |
This is for pride. | 0:23:44 | 0:23:45 | |
'But how wrong was I? Pride? What pride?' | 0:23:45 | 0:23:49 | |
Go on, now. Keep it down a wee bit there. | 0:23:49 | 0:23:51 | |
Keep it down a small bit. Right? | 0:23:51 | 0:23:53 | |
Come on, now, give this a lash. | 0:23:55 | 0:23:57 | |
Good. Yes! | 0:24:01 | 0:24:02 | |
APPLAUSE | 0:24:02 | 0:24:04 | |
Yes! Well done. | 0:24:04 | 0:24:06 | |
What I love about road bowls is it's inclusive. | 0:24:09 | 0:24:12 | |
Men, women, children can take part. | 0:24:12 | 0:24:16 | |
You're out in the open space | 0:24:16 | 0:24:17 | |
and it's got a real sense of tradition here | 0:24:17 | 0:24:20 | |
amongst the community. | 0:24:20 | 0:24:22 | |
'And, yes, Kelly won!' | 0:24:24 | 0:24:26 | |
Some secrets are hidden in plain sight, | 0:24:38 | 0:24:41 | |
they could be staring you in the face, but if you don't know | 0:24:41 | 0:24:44 | |
what you're looking for, you can walk straight past them. | 0:24:44 | 0:24:47 | |
'Nature has a habit of reclaiming what we abandon. | 0:24:50 | 0:24:53 | |
'There was a fluke discovery in 2014 at Ballykinler | 0:24:55 | 0:24:58 | |
'that revealed this curious hidden feature | 0:24:58 | 0:25:01 | |
'on the restricted army base. | 0:25:01 | 0:25:03 | |
'Someone who's been puzzling over the unusual shape | 0:25:07 | 0:25:10 | |
'of these earthworks, is historian Philip Orr.' | 0:25:10 | 0:25:14 | |
You're actually having a look here at a piece of pure history | 0:25:14 | 0:25:18 | |
because this is the line of a trench dug at the start | 0:25:18 | 0:25:22 | |
of the First World War and it's been dug here | 0:25:22 | 0:25:25 | |
so that young men, who were based at Ballykinler training | 0:25:25 | 0:25:28 | |
in the army, can get a feel of what the Western Front's | 0:25:28 | 0:25:31 | |
going to be like. | 0:25:31 | 0:25:33 | |
'The war in France was mired in deadly | 0:25:36 | 0:25:38 | |
'and claustrophobic trench warfare. | 0:25:38 | 0:25:41 | |
'To make sure the new recruits experienced | 0:25:41 | 0:25:43 | |
'authentic fighting conditions, a large area of Ballykinler | 0:25:43 | 0:25:47 | |
'was turned over to create a realistic front-line trench system.' | 0:25:47 | 0:25:52 | |
Here, for example, you might have practised hurling a grenade | 0:25:52 | 0:25:56 | |
ie a tin full of stones out of the trench and over into no-man's-land | 0:25:56 | 0:26:01 | |
towards the German trenches, as you were pretending they were there. | 0:26:01 | 0:26:05 | |
Who were the men who trained here? | 0:26:05 | 0:26:06 | |
The young men who trained here were straight on the train | 0:26:06 | 0:26:09 | |
down from Belfast. | 0:26:09 | 0:26:11 | |
They'd probably never been out of the city in their lives, | 0:26:11 | 0:26:14 | |
they were young, working-class fellows. | 0:26:14 | 0:26:16 | |
Some of them attempted to get back home at the weekend as | 0:26:16 | 0:26:19 | |
if it was a Boys' Brigade camp or a Scout camp. | 0:26:19 | 0:26:23 | |
You almost get the feeling, at times, that they were | 0:26:23 | 0:26:27 | |
unaware of the intensity of what lay ahead of them. | 0:26:27 | 0:26:30 | |
'These medals were awarded to one of the soldiers who trained here | 0:26:41 | 0:26:44 | |
'and fought in France, Paul Miskelly's grandfather, Henry.' | 0:26:44 | 0:26:49 | |
You've got some photos in there? | 0:26:49 | 0:26:51 | |
I do indeed, photographs both of my grandfather, Henry... | 0:26:51 | 0:26:54 | |
-Yeah. -..of the First World War. -Handsome man. | 0:26:54 | 0:26:57 | |
He was just 17 when he joined up. | 0:26:57 | 0:27:00 | |
-Oh, my goodness. -Just a boy. -Indeed. -Yeah. | 0:27:00 | 0:27:03 | |
And that's Samuel, that's his brother. | 0:27:03 | 0:27:05 | |
-Oh! His younger brother? -Older brother Samuel. -Older brother. | 0:27:05 | 0:27:08 | |
Samuel was 20... 20 years of age when he joined up. | 0:27:08 | 0:27:11 | |
So, what then happened to your grandfather and great-uncle? | 0:27:11 | 0:27:14 | |
Well, my grandfather seen the war out, hence that's why I'm here. | 0:27:14 | 0:27:17 | |
Of course. | 0:27:17 | 0:27:18 | |
But unfortunately my great-uncle left the trenches in Tiefel Wood | 0:27:18 | 0:27:23 | |
and went over no-man's-land. | 0:27:23 | 0:27:25 | |
His body was never found again. | 0:27:25 | 0:27:27 | |
Good gracious. | 0:27:30 | 0:27:31 | |
He was 22 years of age when he was reported killed. | 0:27:31 | 0:27:34 | |
22. | 0:27:34 | 0:27:35 | |
And then how do your family remember them? | 0:27:39 | 0:27:43 | |
I always remember my grandmother wearing a brooch. | 0:27:43 | 0:27:45 | |
-A brooch? -A brooch. -Yeah. | 0:27:45 | 0:27:47 | |
With a photograph of Samuel, which she never took off. | 0:27:47 | 0:27:49 | |
-Have you got the brooch? -I have the brooch with me. | 0:27:49 | 0:27:51 | |
Let's have a look. | 0:27:51 | 0:27:53 | |
My grandma wore that all her life. | 0:27:53 | 0:27:55 | |
-Every single day? -Every single day. | 0:27:55 | 0:27:57 | |
'Henry and Samuel Miskelly weren't the only family members | 0:28:02 | 0:28:05 | |
'to train here. | 0:28:05 | 0:28:06 | |
'By a twist of fate, Paul was stationed at Ballykinler in | 0:28:06 | 0:28:10 | |
'the '70s, three decades before these trenches | 0:28:10 | 0:28:13 | |
'were unearthed again.' | 0:28:13 | 0:28:14 | |
I served with the Ulster Defence Regiment. | 0:28:16 | 0:28:18 | |
But you haven't seen... | 0:28:18 | 0:28:19 | |
Aye, it's the first time I've actually been in these trenches. | 0:28:19 | 0:28:22 | |
What do you make of it? | 0:28:22 | 0:28:24 | |
This is where my grandfather and my great-uncle actually walked | 0:28:24 | 0:28:28 | |
and trained prior to going away and, you know, actually walking | 0:28:28 | 0:28:31 | |
in their footsteps made me feel proud, you know. | 0:28:31 | 0:28:33 | |
And very emotional at times, you know. | 0:28:33 | 0:28:36 | |
'Whether missing in action, | 0:28:43 | 0:28:45 | |
'tucked away in secluded country lanes, or hidden on top | 0:28:45 | 0:28:49 | |
'of a mountain, there are secrets waiting to be discovered everywhere. | 0:28:49 | 0:28:54 | |
'To find them, you just need to know where to look | 0:28:54 | 0:28:58 | |
'and a little bit of luck.' | 0:28:58 | 0:29:00 | |
'Some secrets require personal sacrifice, | 0:29:13 | 0:29:16 | |
'like getting up in the middle of the night.' | 0:29:16 | 0:29:19 | |
It's a bit fresh. | 0:29:25 | 0:29:26 | |
Yeah. Just watch your step there, Chris. | 0:29:26 | 0:29:29 | |
Whoa! OK. | 0:29:29 | 0:29:31 | |
Right. So, we've got... | 0:29:31 | 0:29:33 | |
'Schoolteacher Mamraz Nagi, | 0:29:33 | 0:29:35 | |
'is passionate about the Fermanagh landscape and, this morning, | 0:29:35 | 0:29:38 | |
'he's promised to show me something really dazzling.' | 0:29:38 | 0:29:42 | |
Any thermals in here? | 0:29:42 | 0:29:43 | |
THEY LAUGH | 0:29:43 | 0:29:45 | |
I'm afraid not. | 0:29:45 | 0:29:47 | |
-Good to go? -Yeah, I'm ready. | 0:29:47 | 0:29:49 | |
It's a bit foggy, isn't it, this morning? | 0:29:50 | 0:29:53 | |
'20 minutes outside Enniskillen, in the far west of Northern Ireland, | 0:30:00 | 0:30:04 | |
'we're off up the Knockmore escarpment. | 0:30:04 | 0:30:06 | |
'And, at this time of the day, we've got the place to ourselves.' | 0:30:08 | 0:30:12 | |
Oh, it's beautiful, isn't it, now? | 0:30:23 | 0:30:25 | |
Absolutely stunning. | 0:30:25 | 0:30:27 | |
-I keep looking that way, but have you seen down here? -Yeah. | 0:30:27 | 0:30:29 | |
You're getting all the magentas over here and look at that ridge. | 0:30:29 | 0:30:33 | |
It's going to be beautiful this morning. | 0:30:36 | 0:30:38 | |
Oh, look at that. | 0:30:39 | 0:30:41 | |
I don't think I've ever seen anything like that. | 0:30:41 | 0:30:44 | |
Absolutely beautiful, and you're only ten miles out of town. | 0:30:44 | 0:30:47 | |
I am admiring this view. What time does the sun rise? | 0:30:50 | 0:30:52 | |
The sun rises just around 7.30. | 0:30:52 | 0:30:54 | |
-Remember, you got me up at four. -Yeah. | 0:30:56 | 0:30:58 | |
I better not miss this, otherwise you're going to be very upset. | 0:30:58 | 0:31:02 | |
'Mamraz is an amateur photographer, | 0:31:02 | 0:31:04 | |
'who will go to any length to get the perfect shot.' | 0:31:04 | 0:31:08 | |
-Oh, this is it. -Look at this. -Oh, wow! | 0:31:08 | 0:31:10 | |
And we've got the moon shining above as well. Everything! | 0:31:10 | 0:31:14 | |
-And the sun's coming up! -Yeah, getting close. | 0:31:14 | 0:31:17 | |
Wow, this little cave. | 0:31:17 | 0:31:20 | |
I was going to say, I'll get the comfortable spot in here. | 0:31:20 | 0:31:23 | |
-Not many seats. -Yeah. I think if you go to the inside... | 0:31:23 | 0:31:27 | |
-OK. -..against that wall. | 0:31:27 | 0:31:30 | |
-And I'm going to perch here right beside you. -OK. | 0:31:30 | 0:31:33 | |
Now, the sun comes up right to left? | 0:31:33 | 0:31:36 | |
Yeah. Just follow the ridge down and the sun will come up to the right | 0:31:36 | 0:31:40 | |
and the light should illuminate these walls and pour into the cave. | 0:31:40 | 0:31:44 | |
Because that's the thing we're doing differently, right? | 0:31:44 | 0:31:46 | |
Because most people take a photo of the sunrise. | 0:31:46 | 0:31:49 | |
But we're going to get the reflections off the walls. | 0:31:49 | 0:31:51 | |
-Yeah. -OK lens cap off. That's important, isn't it? | 0:31:51 | 0:31:53 | |
That's the most important thing. | 0:31:53 | 0:31:55 | |
'The wait sets in. | 0:31:58 | 0:32:00 | |
'But so does the mist... | 0:32:03 | 0:32:05 | |
'..shrouding Mamraz's secret in mystery.' | 0:32:07 | 0:32:10 | |
You promised me a nice sunrise down there. | 0:32:12 | 0:32:15 | |
LAUGHTER | 0:32:15 | 0:32:17 | |
It isn't happening, is it? | 0:32:17 | 0:32:19 | |
I'm going to have a look round. | 0:32:19 | 0:32:22 | |
Yeah, that is thick. | 0:32:22 | 0:32:23 | |
Oh, what a shame. | 0:32:23 | 0:32:25 | |
It is a total shame, but look, this is what we could have got. | 0:32:25 | 0:32:30 | |
This one. | 0:32:30 | 0:32:32 | |
-This is what I could have won? -This is what you could have won. | 0:32:34 | 0:32:37 | |
Oh, well done that is a spectacular shot. | 0:32:37 | 0:32:39 | |
-And we were right in that position to wait for it to happen. -I know. | 0:32:39 | 0:32:42 | |
We're just not going to get it this morning, I'm afraid. | 0:32:42 | 0:32:44 | |
-I'll just have a look. -Yeah. | 0:32:44 | 0:32:46 | |
-Nothing. -That's going to hurt even more, isn't it? | 0:32:46 | 0:32:49 | |
-It looks like a different country over there, doesn't it? -Yeah. | 0:32:49 | 0:32:53 | |
'I'm disappointed and tired - an early start for nothing. | 0:32:53 | 0:32:59 | |
'But Mamraz insists these clouds have a silver lining.' | 0:32:59 | 0:33:04 | |
The one cave that we're right at now has intrigued me for years. | 0:33:04 | 0:33:08 | |
When I first spotted it on the map, | 0:33:08 | 0:33:09 | |
it just didn't say cave it said "letter cave." | 0:33:09 | 0:33:13 | |
-Oh, right, yeah. -Which meant that there were inscriptions in it. | 0:33:13 | 0:33:16 | |
-In there? -Yeah, right in there. | 0:33:16 | 0:33:18 | |
Just right next to where we were standing. | 0:33:18 | 0:33:21 | |
I'm really, totally unobservant because I've been | 0:33:21 | 0:33:23 | |
-in there for, what? An hour. Let's have a look. -Yeah. | 0:33:23 | 0:33:26 | |
Is it... Whereabouts? | 0:33:28 | 0:33:30 | |
All along this wall, there's some lovely detail to be found. | 0:33:30 | 0:33:34 | |
I was staring at that wall for hours waiting for the sun. | 0:33:34 | 0:33:37 | |
-Yeah, yeah. -Oh, look. There's like a little man there, isn't there? | 0:33:37 | 0:33:40 | |
What's that? Looks like a fish or a leaf or something. | 0:33:40 | 0:33:42 | |
A fish or a leaf, yeah. | 0:33:42 | 0:33:44 | |
Then if you move up here, you'll seen some, | 0:33:45 | 0:33:47 | |
like, a Celtic symbol. | 0:33:47 | 0:33:49 | |
And there's one here of particular interest and it looks like | 0:33:49 | 0:33:52 | |
some sort of butterfly, which is just on the wall here. | 0:33:52 | 0:33:54 | |
-Oh, yeah, here. Beautifully done, isn't it? -Yeah. | 0:33:54 | 0:33:58 | |
'Covering the entire wall, | 0:33:58 | 0:33:59 | |
'the carvings tell the stories of long-forgotten hill dwellers. | 0:33:59 | 0:34:03 | |
'I just couldn't see for looking.' | 0:34:03 | 0:34:06 | |
-Some of these inscriptions are just prior to 400 AD. -Really? | 0:34:06 | 0:34:10 | |
Yeah. So, these would be pagan, so pre-Christian. | 0:34:10 | 0:34:13 | |
This one as well, down there. | 0:34:15 | 0:34:17 | |
And then a bit further up, we're into symbols that we recognise. | 0:34:17 | 0:34:21 | |
-Yeah. -There's Christianity up here. -Yeah. | 0:34:21 | 0:34:24 | |
-Some 21st century ones as well. -Yeah, unfortunately so. | 0:34:24 | 0:34:28 | |
-It's all part of history. -Yeah, it's all part of history. | 0:34:28 | 0:34:31 | |
Fascinating. I mean, you don't really need a sunrise, do you? | 0:34:31 | 0:34:34 | |
You just could have spent the entire morning in here. | 0:34:34 | 0:34:37 | |
'Fermanagh is a county riddled with hidden caves, sinkholes | 0:34:52 | 0:34:56 | |
'and underground rivers - | 0:34:56 | 0:34:58 | |
'not everyone's idea of a good day out, | 0:34:58 | 0:35:00 | |
'but an adventure playground for the fearless.' | 0:35:00 | 0:35:03 | |
Do you need any help, Bethany? | 0:35:04 | 0:35:06 | |
Yes. | 0:35:06 | 0:35:08 | |
'Caving to me, it's just a way to relax.' | 0:35:08 | 0:35:11 | |
Good girl. | 0:35:11 | 0:35:12 | |
'Tim Millen is a caver who shares his love of the sport with | 0:35:12 | 0:35:16 | |
'three of his children - Annabel, Noah and Bethany.' | 0:35:16 | 0:35:20 | |
'Once they reached six, we thought it would be OK to take them down. | 0:35:20 | 0:35:23 | |
'They're a bit more steady on their feet | 0:35:23 | 0:35:25 | |
'and they can overcome sort of the obstacles. | 0:35:25 | 0:35:27 | |
'So Bethany, this year has been her first year actually, you know. | 0:35:27 | 0:35:31 | |
'She turned six in December. | 0:35:31 | 0:35:33 | |
'She took to it like a duck to water, she loves it.' | 0:35:33 | 0:35:36 | |
I really like caving because I think it's like a special world to me. | 0:35:37 | 0:35:44 | |
I feel like I'm on a special mission to do loads | 0:35:47 | 0:35:51 | |
of fun stuff inside the caves. | 0:35:51 | 0:35:53 | |
Watch that. | 0:35:55 | 0:35:57 | |
'It's better than sitting in front of the TV playing video games all day long. | 0:35:57 | 0:36:00 | |
'It gets them out, it gets them to see everything around them | 0:36:00 | 0:36:03 | |
'and, you know, I think it's a wholesome activity, it really is.' | 0:36:03 | 0:36:06 | |
-Are you OK, Noah? -Yeah, I'm fine! | 0:36:08 | 0:36:10 | |
OK, Noah. Watch that slippy rock there. | 0:36:14 | 0:36:17 | |
'The cave today is, it's called Pollasumera. | 0:36:17 | 0:36:20 | |
'A bit of water just swishing round your feet at the start. | 0:36:20 | 0:36:23 | |
'A nice open passage and then it narrows down as you go round | 0:36:23 | 0:36:26 | |
'the bend a wee bit and gets narrower and narrower.' | 0:36:26 | 0:36:30 | |
Noah, leave that stick alone, in case it falls down. | 0:36:30 | 0:36:34 | |
That's a good boy. | 0:36:35 | 0:36:37 | |
'One of the dangers is the flood risk. | 0:36:37 | 0:36:39 | |
'The caves are underground rivers | 0:36:39 | 0:36:41 | |
'and so we're always watching on the weather forecast to make sure | 0:36:41 | 0:36:44 | |
'that you're going to be OK to get in and out before the water rises. | 0:36:44 | 0:36:47 | |
'Another thing is fall hazards. | 0:36:47 | 0:36:48 | |
'You know, you could fall on the rocks | 0:36:48 | 0:36:50 | |
'or fall down a hole. | 0:36:50 | 0:36:52 | |
'It's worth the risk. Ten times over.' | 0:36:55 | 0:36:58 | |
OK. | 0:36:58 | 0:36:59 | |
Almost at the squeeze, folks. | 0:36:59 | 0:37:02 | |
'Our objective today is to try to get beyond the squeeze | 0:37:02 | 0:37:05 | |
'that we didn't get to the last time.' | 0:37:05 | 0:37:06 | |
Bethany. Yeah? | 0:37:06 | 0:37:08 | |
'The squeeze in a cave is where you have to really push your body | 0:37:10 | 0:37:13 | |
'through a very tight space.' | 0:37:13 | 0:37:15 | |
OK. Right we've got as far as the squeeze. | 0:37:15 | 0:37:18 | |
So if we get through this, we've achieved what we came to do today. | 0:37:18 | 0:37:21 | |
-OK? So who's going to have a go at the squeeze? -Me. -Me. | 0:37:21 | 0:37:24 | |
-Not me. -Not you? -Me. | 0:37:24 | 0:37:26 | |
-I'll go first. -You go first Noah? | 0:37:26 | 0:37:27 | |
-No, I want to go first. -Right. | 0:37:27 | 0:37:29 | |
Well, Bethany'll go first, then Noah, and then Annabel. | 0:37:29 | 0:37:32 | |
'You have to breathe out to empty all the air out of your lungs | 0:37:32 | 0:37:35 | |
'so that you're as thin as possible to get through.' | 0:37:35 | 0:37:38 | |
Are you OK, Bethany? | 0:37:43 | 0:37:44 | |
My helmet's stuck. | 0:37:44 | 0:37:46 | |
You need to be a wee, a wee bit lower Bethany. Follow Noah. | 0:37:46 | 0:37:49 | |
It's no problem for the kids | 0:37:51 | 0:37:52 | |
but last time I had my mobile phone in my pocket | 0:37:52 | 0:37:54 | |
and that was probably an issue getting through. | 0:37:54 | 0:37:57 | |
So, I'll breathe out, push on through | 0:38:02 | 0:38:05 | |
and that'll be me through. | 0:38:05 | 0:38:07 | |
Oh! | 0:38:09 | 0:38:10 | |
Argh! | 0:38:10 | 0:38:12 | |
-Almost there. -Well done. | 0:38:12 | 0:38:14 | |
'At the end of the cave, I got through a really tight squeeze.' | 0:38:16 | 0:38:20 | |
It wasn't that tight for me, but it was very tight for Daddy. | 0:38:22 | 0:38:27 | |
Are you OK, kids? | 0:38:27 | 0:38:29 | |
'I just love exploring and the challenges that | 0:38:29 | 0:38:31 | |
'are involved in going to places that very few people get to see. | 0:38:31 | 0:38:35 | |
'But the kids, whenever it comes to show and tell at school, | 0:38:35 | 0:38:38 | |
'they have a really interesting story to tell that no-one else | 0:38:38 | 0:38:40 | |
'really can relate to, and just something exciting. | 0:38:40 | 0:38:43 | |
'A bit like Indiana Jones.' | 0:38:43 | 0:38:45 | |
'It's just 130 miles from Northern Ireland's wonderful | 0:38:57 | 0:39:01 | |
'western border back to its eastern shoreline. | 0:39:01 | 0:39:04 | |
'And Britain's largest sea inlet... | 0:39:06 | 0:39:09 | |
'..the beautiful Strangford Lough.' | 0:39:11 | 0:39:13 | |
You might ask how this lough can contain secrets when it's | 0:39:18 | 0:39:22 | |
one of the most popular places to live and visit in Northern Ireland. | 0:39:22 | 0:39:25 | |
But the key is to get off the tourist trail. | 0:39:25 | 0:39:28 | |
'Just ten miles south of Belfast, most day-trippers who visit | 0:39:29 | 0:39:34 | |
'Strangford Lough, stick to the scenic drives along the coast, | 0:39:34 | 0:39:37 | |
'or pleasure boating in its deeper waters. | 0:39:37 | 0:39:40 | |
'To discover the lough's less well known nooks and crannies, | 0:39:40 | 0:39:43 | |
'I'm going to need some local knowledge. | 0:39:43 | 0:39:46 | |
'Father and son Cadogan and Cadog Enright, | 0:39:46 | 0:39:48 | |
'are on a mission to seek out all the hidden corners of the lough.' | 0:39:48 | 0:39:54 | |
-OK. -Ellie in first. Up to the front. | 0:39:54 | 0:39:58 | |
I'm in. | 0:39:59 | 0:40:01 | |
-And now Cadog. -Me! | 0:40:01 | 0:40:03 | |
You sit on there, Ellie. | 0:40:03 | 0:40:06 | |
Woo! Steady on there, Cadog. | 0:40:06 | 0:40:08 | |
All right? | 0:40:08 | 0:40:10 | |
-Are we good? -Are we ready? -I'm good. | 0:40:10 | 0:40:12 | |
-Off we go! -Ooh! I'm sliding backwards. | 0:40:12 | 0:40:15 | |
-It's the beginning of the adventure. -We're away. | 0:40:15 | 0:40:19 | |
This is going to be great. | 0:40:19 | 0:40:21 | |
Are you going to shout some instructions at me? | 0:40:21 | 0:40:23 | |
-Straight out beyond that ferry. -All right. | 0:40:23 | 0:40:25 | |
-And then we'll turn left and head north. -OK. | 0:40:25 | 0:40:28 | |
Wow! | 0:40:28 | 0:40:29 | |
This is just blissful on its own, without even finding the secrets. | 0:40:29 | 0:40:33 | |
Right. There might be a current coming out behind that pier. | 0:40:33 | 0:40:36 | |
-OK. -So, just be aware of the fact it might want to push us out | 0:40:36 | 0:40:39 | |
and we'll stay in to the shore. | 0:40:39 | 0:40:41 | |
OK. | 0:40:41 | 0:40:43 | |
'The boys have promised me a unique perspective on this | 0:40:46 | 0:40:49 | |
'enchanting sea lough and its secluded islands. | 0:40:49 | 0:40:53 | |
'And navigating the shallows in a stealthy canoe, | 0:40:53 | 0:40:56 | |
'certainly rewards us with an exclusive experience.' | 0:40:56 | 0:40:59 | |
See that bird? | 0:40:59 | 0:41:01 | |
-It's a heron. -Yeah. A grey heron. | 0:41:01 | 0:41:04 | |
They look, they look like dinosaurs, don't they? | 0:41:04 | 0:41:07 | |
I know. | 0:41:07 | 0:41:09 | |
It's been great. I've seen oyster catchers, eiders, shanks. | 0:41:09 | 0:41:11 | |
It's been really good for wildlife already. | 0:41:11 | 0:41:13 | |
How many islands are there? | 0:41:13 | 0:41:15 | |
Oh, there are 370-odd. | 0:41:15 | 0:41:18 | |
So have you landed on them all, do you think? | 0:41:18 | 0:41:21 | |
We've landed probably on 108. | 0:41:21 | 0:41:24 | |
'The lads are taking me to their favourite uninhabited island. | 0:41:24 | 0:41:28 | |
'But first we have some tricky waters to navigate.' | 0:41:28 | 0:41:31 | |
It's certainly getting a bit lumpy now, the wind's picked up | 0:41:31 | 0:41:34 | |
and the tide's on the turn. You can really feel it. | 0:41:34 | 0:41:36 | |
-You see the left-hand side? -Yeah. | 0:41:36 | 0:41:38 | |
That's the strongest tide I think outside the Menai Straits. | 0:41:38 | 0:41:42 | |
Oh, no! | 0:41:42 | 0:41:43 | |
The strongest current. | 0:41:43 | 0:41:45 | |
Cadog and I have ridden that tide and shot up 12 miles | 0:41:45 | 0:41:48 | |
to the top of the lough in less than three hours. | 0:41:48 | 0:41:51 | |
Wow! The strength of that tide, that's incredible. | 0:41:51 | 0:41:54 | |
We've certainly got to get across all this now. | 0:41:54 | 0:41:57 | |
'The tidal waters are connected to the Irish Sea via a tight channel. | 0:41:58 | 0:42:03 | |
'Four times a day, 77 million gallons of saltwater | 0:42:03 | 0:42:08 | |
'rush through these narrows. | 0:42:08 | 0:42:10 | |
'The dramatic tidal surges, put off your average paddler.' | 0:42:10 | 0:42:14 | |
Here we go, this is getting quite bubbly now. | 0:42:16 | 0:42:19 | |
-Woo! -Hold on! -Yeah! | 0:42:19 | 0:42:23 | |
-We're picking up speed now. -I can feel it, I can feel it! | 0:42:25 | 0:42:28 | |
Ellie, we'll head out through the middle. | 0:42:28 | 0:42:31 | |
-Hee-hee! -If you see a big rock, steer away from it. | 0:42:32 | 0:42:34 | |
All right. | 0:42:34 | 0:42:36 | |
Oh! Here's the rocks. | 0:42:38 | 0:42:40 | |
There we go. | 0:42:42 | 0:42:44 | |
'Safely through the rapids, | 0:42:46 | 0:42:48 | |
'we hope to reach the boys' secret island retreat before dark.' | 0:42:48 | 0:42:53 | |
'20 miles from the lough are the Mourne Mountains, | 0:43:04 | 0:43:07 | |
'the highest in Northern Ireland. | 0:43:07 | 0:43:10 | |
'Bleak, steep and remote, | 0:43:12 | 0:43:16 | |
'they're the guardians of the mysteriously named Silent Valley. | 0:43:16 | 0:43:20 | |
This granite wall took 18 years to build | 0:43:22 | 0:43:25 | |
and spans 15 mountains, top to bottom. | 0:43:25 | 0:43:28 | |
It's an amazing feat of dry-stone wall engineering. | 0:43:28 | 0:43:31 | |
'Yet, this extraordinary 22-mile wall | 0:43:33 | 0:43:37 | |
'was just the beginning of a monumental construction project | 0:43:37 | 0:43:41 | |
'through the heart of Northern Ireland's toughest terrain. | 0:43:41 | 0:43:44 | |
'This is Silent Valley Reservoir. | 0:43:46 | 0:43:49 | |
'It's hard to imagine how the dam was ever built, when the only way | 0:43:49 | 0:43:53 | |
'in and out of these mountains seems to be a farm track. | 0:43:53 | 0:43:57 | |
'It's deathly quiet here | 0:43:58 | 0:44:00 | |
'and the silence speaks volumes to hill walker Alan Kilgore.' | 0:44:00 | 0:44:05 | |
So, talk to me about this road and where we are at the moment. | 0:44:05 | 0:44:08 | |
Well, you're really in the heart of the Mournes | 0:44:08 | 0:44:10 | |
and not far from where we are is the Silent Valley Reservoir. | 0:44:10 | 0:44:14 | |
But this is a very important road, | 0:44:14 | 0:44:16 | |
in that when the Silent Valley Reservoir was being built, | 0:44:16 | 0:44:19 | |
the workforce all lived on site. In and around where we are now, | 0:44:19 | 0:44:23 | |
there would have been a very busy town called Watertown. | 0:44:23 | 0:44:26 | |
So, you say a town. | 0:44:26 | 0:44:28 | |
I mean, I can't imagine any sort of town here. | 0:44:28 | 0:44:31 | |
I mean, it's just beautiful, lush. But what was it like? | 0:44:31 | 0:44:35 | |
Well, you've got to think back. | 0:44:35 | 0:44:37 | |
In this time there was a railway into the valley | 0:44:37 | 0:44:39 | |
bringing all the material up here. | 0:44:39 | 0:44:42 | |
The neighbouring villages couldn't accommodate a workforce. | 0:44:42 | 0:44:44 | |
The workforce had to be given some accommodation where they could live. | 0:44:44 | 0:44:48 | |
So this whole valley was a massive public work scheme with | 0:44:48 | 0:44:52 | |
people living on it, people looking after them. | 0:44:52 | 0:44:55 | |
So you had a whole community living here at one time. | 0:44:55 | 0:44:58 | |
'Watertown sprang up overnight, with shops, an infirmary, | 0:45:05 | 0:45:10 | |
'a police station and even a cinema, | 0:45:10 | 0:45:12 | |
'catering for the 600 workers who lived here.' | 0:45:12 | 0:45:15 | |
It's a bit of a clamber down. | 0:45:17 | 0:45:21 | |
-A big step. -You have maybe a half century of growth in here. | 0:45:21 | 0:45:25 | |
Well, it's a good job I'm fit. | 0:45:25 | 0:45:26 | |
Ooh! | 0:45:26 | 0:45:28 | |
'Alan insists remains are there to be found, if we make the effort.' | 0:45:28 | 0:45:33 | |
-Well, there's a ditch here. -Yes. | 0:45:34 | 0:45:36 | |
And it's a deep ditch. It's OK. | 0:45:36 | 0:45:39 | |
'I'm not sure that's what he had in mind.' | 0:45:39 | 0:45:41 | |
-Up! -There you go. Yeah. | 0:45:41 | 0:45:43 | |
-And there you are. -There's our base. -Yes. | 0:45:43 | 0:45:46 | |
This was where a family perhaps would have lived or, | 0:45:51 | 0:45:55 | |
a group of men would have shared accommodation. | 0:45:55 | 0:45:58 | |
And apart from this concrete base, just no evidence. | 0:45:58 | 0:46:02 | |
There's very little evidence of people living here. | 0:46:02 | 0:46:05 | |
Work started on the dam in 1923, | 0:46:08 | 0:46:11 | |
to create a three billion gallon reservoir to service Belfast. | 0:46:11 | 0:46:17 | |
'A great din filled this now silent valley for a decade. | 0:46:17 | 0:46:22 | |
'It was dangerous work for the men who laboured here. | 0:46:22 | 0:46:25 | |
'Terry King will never forget the sacrifice some of them | 0:46:25 | 0:46:29 | |
'made to get the dam built.' | 0:46:29 | 0:46:31 | |
Terry, your uncle actually helped construct the dam. | 0:46:31 | 0:46:34 | |
Tell me a little bit about him. | 0:46:34 | 0:46:36 | |
Yes, Mick was a digger driver. | 0:46:36 | 0:46:37 | |
He was the driver, or the controller of the machine, | 0:46:37 | 0:46:40 | |
digging this place out and digging all the soil and stuff out of here. | 0:46:40 | 0:46:46 | |
And then, when they had it all dug out and down to the depth, | 0:46:46 | 0:46:49 | |
he was making the banks here. | 0:46:49 | 0:46:51 | |
Do you have a picture of Mick that I could see? | 0:46:51 | 0:46:54 | |
Yes, I do indeed, of Mick and my Aunt Bridget, his wife. | 0:46:54 | 0:46:58 | |
And that was taken shortly after they were married. | 0:46:58 | 0:47:03 | |
'The driver of a steam-powered excavator, | 0:47:03 | 0:47:06 | |
'Mick dug down over 200 feet to bedrock. | 0:47:06 | 0:47:09 | |
'But in difficult conditions, danger was never far away.' | 0:47:11 | 0:47:15 | |
The machine rolled from the top, my mother said, | 0:47:17 | 0:47:19 | |
right down to the bottom with him in it. | 0:47:19 | 0:47:22 | |
So it was a complete wreck when they got to... | 0:47:22 | 0:47:25 | |
Got down to him, you know. | 0:47:25 | 0:47:27 | |
I mean his daughter was only six months old when he was killed. | 0:47:27 | 0:47:31 | |
They had one daughter. | 0:47:31 | 0:47:33 | |
'Mick was one of eight men who lost their lives building the dam. | 0:47:39 | 0:47:43 | |
'The massive project was completed in just over a decade. | 0:47:46 | 0:47:50 | |
'And today, the reservoir still channels 130 million litres | 0:47:50 | 0:47:55 | |
'of water a day, to Belfast.' | 0:47:55 | 0:47:57 | |
-Wow! Just look at this! -It's wonderful. | 0:47:59 | 0:48:03 | |
So not only is it functional in what it does, | 0:48:03 | 0:48:07 | |
just impressive masonry... | 0:48:07 | 0:48:10 | |
Massive. | 0:48:10 | 0:48:11 | |
And aesthetically something to really look at. | 0:48:11 | 0:48:14 | |
Just to carry water, to think it's built like this. | 0:48:14 | 0:48:17 | |
-Yeah. Very impressive. -Isn't it? | 0:48:17 | 0:48:19 | |
'We're so lucky to have been given special permission to | 0:48:19 | 0:48:24 | |
'go into the dam and embankment, | 0:48:24 | 0:48:26 | |
'that Terry's great uncle helped build. | 0:48:26 | 0:48:29 | |
'Every stone is beautifully dressed, | 0:48:29 | 0:48:32 | |
'even those of the enormous reservoir overspill.' | 0:48:32 | 0:48:35 | |
Ow! | 0:48:35 | 0:48:37 | |
-VOICE ECHOES: That's breathtaking. -It's like a railway tunnel. | 0:48:37 | 0:48:41 | |
-Wow, listen to the echo on that. -Yeah. | 0:48:41 | 0:48:43 | |
Woo-hoo! | 0:48:43 | 0:48:45 | |
-It's quite steep, Denise. -Yeah, the banks are really steep. | 0:48:50 | 0:48:53 | |
Yeah, the side walls are. | 0:48:53 | 0:48:55 | |
'Each brick down here was laid by hand, | 0:48:55 | 0:48:59 | |
'a testament to the skill of the workforce. | 0:48:59 | 0:49:01 | |
'And though it was built for functionality, | 0:49:01 | 0:49:04 | |
'there's a beauty in its form and symmetry.' | 0:49:04 | 0:49:07 | |
This is the end of the line, Denise. | 0:49:10 | 0:49:12 | |
This is the end of the line and what an impressive stop it is. | 0:49:12 | 0:49:16 | |
Wow! | 0:49:16 | 0:49:17 | |
-It's just incredible, isn't it? -Isn't it? | 0:49:21 | 0:49:23 | |
And all hand built by Mick and the other, | 0:49:23 | 0:49:26 | |
all the other workers and their teams, built in ten years. | 0:49:26 | 0:49:29 | |
'This impressive dam in such a remote and harsh location | 0:49:41 | 0:49:45 | |
'is perhaps a fitting monument to the memory of Mick | 0:49:45 | 0:49:48 | |
'and the men of Watertown. | 0:49:48 | 0:49:51 | |
'So too the silence and the valley they left behind.' | 0:49:52 | 0:49:56 | |
'On Strangford Lough, we've finally arrived | 0:50:01 | 0:50:04 | |
'at Cadog and Cadogan's secret uninhabited island.' | 0:50:04 | 0:50:07 | |
-All right. -Watch out! -Yes. | 0:50:08 | 0:50:10 | |
About here? | 0:50:10 | 0:50:12 | |
Okey doke. | 0:50:12 | 0:50:14 | |
Well, this is pretty remote. | 0:50:14 | 0:50:16 | |
'The boys love to camp in this isolated spot. | 0:50:17 | 0:50:20 | |
'They're hoping they'll be able to show me | 0:50:20 | 0:50:23 | |
'something really rare, the elusive swimming hare.' | 0:50:23 | 0:50:28 | |
You're like a mountain goat, Cadog. | 0:50:28 | 0:50:30 | |
-THEY CHUCKLE -Look at you on your nimble legs. | 0:50:30 | 0:50:32 | |
Oh! | 0:50:32 | 0:50:33 | |
I'll give you a pound if you spot a hare, Cadog. | 0:50:33 | 0:50:36 | |
So, this is where they'll be. | 0:50:36 | 0:50:38 | |
We'll probably see them race across, | 0:50:38 | 0:50:41 | |
and find cover as far away as they can from you, you know. | 0:50:41 | 0:50:44 | |
'Apparently, these Irish hares eat seaweed. | 0:50:44 | 0:50:48 | |
'I'm told it's almost impossible to catch them swimming, | 0:50:48 | 0:50:51 | |
'but we might just spy one on land.' | 0:50:51 | 0:50:53 | |
How many hares do you think there are here? | 0:50:55 | 0:50:57 | |
Well, we've always seen two or three. | 0:50:57 | 0:50:59 | |
Erm, and it's pretty much on every island. | 0:50:59 | 0:51:01 | |
It's just for some reason, every time we come here, | 0:51:01 | 0:51:04 | |
a hare races across. | 0:51:04 | 0:51:06 | |
I thought I saw a flicker of movement down there. | 0:51:13 | 0:51:15 | |
Oh, look! | 0:51:15 | 0:51:16 | |
Yeah, yeah, yeah. It's just behind... | 0:51:17 | 0:51:19 | |
Yeah, there it is. | 0:51:22 | 0:51:24 | |
Past all these thistles here and all this vegetation. | 0:51:24 | 0:51:28 | |
Oh, you just get tiny glimpses, but it's definitely there. | 0:51:28 | 0:51:30 | |
-Yeah, I saw it. -Did you see it? -Yeah. See, it's on that... | 0:51:30 | 0:51:33 | |
-There it is, it's going... That's it! -Oh, yeah I've got it. | 0:51:33 | 0:51:35 | |
There we go. Ooh! That's good speeds. | 0:51:35 | 0:51:38 | |
It's probably going to go swimming. | 0:51:40 | 0:51:42 | |
-Yeah. I'm not sure about these swimming hares. -Oh, no. | 0:51:44 | 0:51:46 | |
I think this is something you two see after... | 0:51:46 | 0:51:48 | |
-I think they're hiding at the moment. -After the camp fire. | 0:51:48 | 0:51:50 | |
If they're going swimming they'd go in that direction, wouldn't they? | 0:51:50 | 0:51:54 | |
'Catching a glimpse of a wild animal in its natural setting | 0:51:57 | 0:52:00 | |
'always feels very special. | 0:52:00 | 0:52:02 | |
'And, to be honest, just getting off the beaten track and away | 0:52:02 | 0:52:06 | |
'from the crowds in a setting like this, is reward in itself.' | 0:52:06 | 0:52:10 | |
Well, thank you for letting me see your secrets of the lough. | 0:52:13 | 0:52:17 | |
I mean, there's so much more. We've got 60-odd | 0:52:17 | 0:52:19 | |
islands on that side, and we haven't even been near them. | 0:52:19 | 0:52:23 | |
-I'll have to come back another day. -Yeah. -Cheers. | 0:52:23 | 0:52:26 | |
'Strangford isn't the only lough in Northern Ireland with | 0:52:35 | 0:52:38 | |
'a stunning collection of secluded islands. | 0:52:38 | 0:52:42 | |
'In the far west of Fermanagh lies the lake district. | 0:52:42 | 0:52:46 | |
'This is Lough Erne, | 0:52:47 | 0:52:50 | |
'the UK's longest freshwater lake. | 0:52:50 | 0:52:53 | |
'Heavily forested and remote, | 0:52:53 | 0:52:55 | |
'it's also very close to the Atlantic Ocean. | 0:52:55 | 0:52:58 | |
'Which meant this very spot was suddenly of huge strategic | 0:53:00 | 0:53:04 | |
'importance during the Second World War.' | 0:53:04 | 0:53:09 | |
It was the perfect place for a secret base, | 0:53:09 | 0:53:11 | |
hidden between the mountains and that forest. | 0:53:11 | 0:53:14 | |
I mean, it's still pretty difficult to find today, | 0:53:14 | 0:53:17 | |
but at least I have this photograph to help me find my bearings. | 0:53:17 | 0:53:21 | |
'With all these caravans dotted around on the tarmac, | 0:53:26 | 0:53:29 | |
'it's hard to imagine this holiday park | 0:53:29 | 0:53:32 | |
'was once an operational RAF base. | 0:53:32 | 0:53:35 | |
'But in World War II, this was RAF Castle Archdale. | 0:53:37 | 0:53:41 | |
'Sunderland and Catalina flying boats would've refuelled | 0:53:45 | 0:53:49 | |
'and re-armed here, | 0:53:49 | 0:53:50 | |
'before taking off on anti-submarine patrols over the Atlantic. | 0:53:50 | 0:53:54 | |
'Breege McCusker met many of the veterans who flew from here, | 0:54:01 | 0:54:04 | |
'and knows her way around the remains of this hidden air base.' | 0:54:04 | 0:54:08 | |
This is the first time I can actually almost | 0:54:08 | 0:54:12 | |
use my imagination and say, "Yeah, this does look like a base." | 0:54:12 | 0:54:16 | |
What is this exactly, here? | 0:54:16 | 0:54:19 | |
Well, what we're looking at is the Shetland Dock and that was | 0:54:19 | 0:54:22 | |
built in 1945 just towards the end of the Second World War. | 0:54:22 | 0:54:27 | |
And the idea was that the planes were going to be brought in here and serviced. | 0:54:27 | 0:54:31 | |
And for those who don't know anything about flying boats, and so on, they are big. | 0:54:31 | 0:54:35 | |
-Yeah. -I mean, they are big. | 0:54:35 | 0:54:37 | |
There's Catalinas and the Sunderlands which were here. | 0:54:37 | 0:54:40 | |
So the idea was that they came into this area here | 0:54:40 | 0:54:42 | |
and the wings would be overlapping these two areas here, | 0:54:42 | 0:54:45 | |
and the maintenance work would have been done on them. | 0:54:45 | 0:54:48 | |
You can hear a pin drop here, can't you, now. | 0:54:50 | 0:54:52 | |
But then it must have been very noisy. | 0:54:52 | 0:54:55 | |
This was like a city, a town. | 0:54:55 | 0:54:56 | |
To think they had over 2,500 personnel here. | 0:54:56 | 0:55:00 | |
This was vibrant. | 0:55:00 | 0:55:01 | |
'Flying up to 1,000 miles out over the Atlantic, | 0:55:08 | 0:55:12 | |
'these flying boats shadowed convoys and attacked enemy submarines. | 0:55:12 | 0:55:17 | |
'Missions could last 12 or 13 hours, so there were | 0:55:20 | 0:55:24 | |
'galley kitchens on board | 0:55:24 | 0:55:26 | |
'and even space to grab 40 winks. | 0:55:26 | 0:55:28 | |
'Then, it was back to Lough Erne, to refuel and re-arm, | 0:55:31 | 0:55:35 | |
'ready to go again. | 0:55:35 | 0:55:37 | |
'New Zealander Neil Ennis was a Sunderland pilot at RAF Archdale. | 0:55:39 | 0:55:44 | |
'His daughter, Pat, now lives just 30 miles away.' | 0:55:44 | 0:55:47 | |
1944, it says there. | 0:55:47 | 0:55:50 | |
So, in the '40s we know your dad was based here. | 0:55:50 | 0:55:54 | |
-Right? -Yes. Yes. -Yeah. What do you know about him? | 0:55:54 | 0:55:57 | |
Well, I just knew that he and my mum got married and the day after, | 0:55:57 | 0:56:02 | |
-he was sent to train as a pilot and ended up here. -Right. | 0:56:02 | 0:56:06 | |
Did he... Did he ever talk about it? | 0:56:06 | 0:56:08 | |
He talked about the conditions of the weather, | 0:56:08 | 0:56:11 | |
which he thought was appalling. | 0:56:11 | 0:56:13 | |
But in the planes, | 0:56:13 | 0:56:15 | |
they're incredibly noisy and cold and rattly, | 0:56:15 | 0:56:19 | |
-they were like big tin sheds. -Yeah. | 0:56:19 | 0:56:21 | |
And they always reminded me of those metal World War II trunks | 0:56:21 | 0:56:25 | |
-that you see in war movies. -Oh, yes. | 0:56:25 | 0:56:27 | |
You know, the whole plane was sort of like that. | 0:56:27 | 0:56:30 | |
But they were hunting for U-boats. | 0:56:30 | 0:56:32 | |
My father could never find anything when he was home. | 0:56:32 | 0:56:35 | |
He couldn't find socks in the airing cupboard | 0:56:35 | 0:56:37 | |
So God knows how they spotted U-boats. | 0:56:37 | 0:56:40 | |
This is what it was like in the 1940s. | 0:56:40 | 0:56:42 | |
-I don't know whether you've seen this photograph before. -No. | 0:56:42 | 0:56:45 | |
I mean, it's so busy. It's so quiet now. Really busy back then. | 0:56:45 | 0:56:48 | |
And did you know that this was the operations room | 0:56:48 | 0:56:50 | |
where we've just had a coffee? | 0:56:50 | 0:56:52 | |
-No. Not at all. -Yeah. | 0:56:52 | 0:56:53 | |
It's interesting listening to your voice because there's | 0:56:53 | 0:56:56 | |
obviously a lot of New Zealand, and there's a bit of Irish in there. | 0:56:56 | 0:56:59 | |
You obviously have an affiliation to this place, too. | 0:56:59 | 0:57:03 | |
I love it here. | 0:57:03 | 0:57:04 | |
I came here 30 years ago and was so happy. | 0:57:04 | 0:57:08 | |
From the second I got off the plane, | 0:57:08 | 0:57:10 | |
I just felt like home, so... | 0:57:10 | 0:57:13 | |
And I actually came here and settled here before I knew | 0:57:13 | 0:57:15 | |
that my father had been based in Castle Archdale. | 0:57:15 | 0:57:18 | |
'Northern Ireland has been a revelation. | 0:57:27 | 0:57:30 | |
'It's given up some spectacular secrets, | 0:57:36 | 0:57:38 | |
'and shown off its great natural wonders - | 0:57:38 | 0:57:42 | |
'its man-made marvels, | 0:57:42 | 0:57:44 | |
'stunning wildlife, | 0:57:44 | 0:57:46 | |
'unique geology and ancient stories. | 0:57:46 | 0:57:50 | |
'All of them wrapped up in majestic landscapes.' | 0:57:50 | 0:57:55 | |
And there's no better way of soaking up the magic | 0:57:55 | 0:57:58 | |
and majesty of Northern Ireland, than in the air. | 0:57:58 | 0:58:01 |