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Nestled in the far north-west of England, this is the Lake District. | 0:00:04 | 0:00:09 | |
A land defined by its natural beauty. | 0:00:10 | 0:00:13 | |
And known to millions who love the Lakes was | 0:00:22 | 0:00:25 | |
the late Alfred Wainwright - author, guide-writer and talented artist. | 0:00:25 | 0:00:30 | |
But, above all, he was the greatest fell walker. | 0:00:30 | 0:00:34 | |
Wainwright's guides have inspired generations of walkers to roam these glorious fells | 0:00:36 | 0:00:42 | |
and now, a century after his birth, | 0:00:42 | 0:00:44 | |
it's my turn to go in search of the real Wainwright experience. | 0:00:44 | 0:00:49 | |
I'm here in the Lake District to experience the magic of the fells | 0:01:13 | 0:01:16 | |
that inspired a lifetime of work from the late Alfred Wainwright. | 0:01:16 | 0:01:20 | |
My first challenge is arguably Wainwright's favourite. | 0:01:20 | 0:01:23 | |
It's the place he chose as his final resting place, and the fell on which he took his last walk... | 0:01:23 | 0:01:29 | |
It's Haystacks. | 0:01:29 | 0:01:31 | |
Haystacks stands at 1,900ft in the western area of the Lakes on the edge of Buttermere. | 0:01:45 | 0:01:51 | |
Wainwright made no secret of his fondness for this fell, so | 0:01:54 | 0:01:57 | |
I'm hoping to discover just why it captured his heart and imagination. | 0:01:57 | 0:02:02 | |
These guides have made the fells accessible to hundreds of thousands of walkers. | 0:02:05 | 0:02:09 | |
I've got to admit, when I first saw one, it was on my dad's bookshelf when I was a teenager. | 0:02:09 | 0:02:13 | |
I didn't pay it much attention then. | 0:02:13 | 0:02:15 | |
But now, at first glance, what you notice is the incredible | 0:02:15 | 0:02:17 | |
attention to detail, which I hope I don't find too confusing. | 0:02:17 | 0:02:21 | |
In 1930, aged 23, Wainwright left the industrial landscape | 0:02:27 | 0:02:32 | |
of his home town in Blackburn and made his first visit to the Lakes. | 0:02:32 | 0:02:36 | |
It was to change his life forever, | 0:02:36 | 0:02:38 | |
inspiring a lifetime of work in Lakeland. | 0:02:38 | 0:02:41 | |
Before I head off, I'm going to meet a Lake District local, broadcaster | 0:02:43 | 0:02:47 | |
and friend of Alfred Wainwright, Eric Robson. | 0:02:47 | 0:02:51 | |
-Hello. Nice to see you, Eric. -Look, we've got the weather. | 0:02:52 | 0:02:56 | |
I know! As long as the rain stays off, we're in good shape. | 0:02:56 | 0:03:00 | |
And I've brought the symbol of Haystacks, of course. | 0:03:00 | 0:03:02 | |
-The shaggy terrier! -The shaggy terrier among foxhounds. | 0:03:02 | 0:03:06 | |
'Twenty years ago Eric Robson made four series with Alfred Wainwright, | 0:03:06 | 0:03:10 | |
'or AW, as he was know to his friends, | 0:03:10 | 0:03:13 | |
'including the North Country, Scotland, Coast to Coast and AW's final walk, here on Haystacks.' | 0:03:13 | 0:03:20 | |
What was it about Haystacks that captivated Wainwright so? | 0:03:20 | 0:03:25 | |
I think because it's a very special mountain. | 0:03:25 | 0:03:30 | |
It's in a wonderful place in the Lake District. | 0:03:30 | 0:03:32 | |
The views from it are tremendous in every direction. | 0:03:32 | 0:03:35 | |
It's on a route between Buttermere and the great mountains of Gavel and Scafell. | 0:03:35 | 0:03:41 | |
Also, it's... | 0:03:41 | 0:03:43 | |
It's just got a...spirit. | 0:03:44 | 0:03:47 | |
It's got a real spirit. | 0:03:47 | 0:03:49 | |
I've been up there lots and lots of times. | 0:03:49 | 0:03:52 | |
It really does capture | 0:03:52 | 0:03:55 | |
the changing light, | 0:03:55 | 0:03:57 | |
those little bits of water on the top, Innominate Tarn, places like that. | 0:03:57 | 0:04:01 | |
Why do you think people still like the Wainwright guides so much? | 0:04:01 | 0:04:06 | |
There's so much choice out there now. | 0:04:06 | 0:04:08 | |
You could argue they're not the most up-to-date, not the most modern, | 0:04:08 | 0:04:12 | |
yet still hundreds of thousands of people use his words and pictures to guide themselves across the fells. | 0:04:12 | 0:04:18 | |
Because nobody has interpreted mountain landscapes better. | 0:04:18 | 0:04:21 | |
As you say, you can pick up any number of daft guide books - | 0:04:21 | 0:04:26 | |
glossy colour jobs. But colour photography doesn't | 0:04:26 | 0:04:31 | |
fillet the mountain the way Wainwright's drawings do. | 0:04:31 | 0:04:36 | |
He devised a unique way of turning a three-dimensional image | 0:04:36 | 0:04:40 | |
into a two-dimensional image that was still understandable. | 0:04:40 | 0:04:44 | |
You can actually see your way through the mountain. | 0:04:44 | 0:04:47 | |
But it wasn't just that. | 0:04:47 | 0:04:49 | |
The big mistake he made was calling these pictorial guides. | 0:04:49 | 0:04:53 | |
Any fool can write a guidebook. I've written guidebooks! | 0:04:53 | 0:04:56 | |
These are not guidebooks. They're works of philosophy and poetry. | 0:04:56 | 0:05:00 | |
He encapsulates all those things in his writing and also he was | 0:05:00 | 0:05:05 | |
fascinated by the relationship between man and landscape. | 0:05:05 | 0:05:08 | |
That was really at the core of his work. | 0:05:08 | 0:05:11 | |
He knew this wasn't a wilderness. | 0:05:11 | 0:05:12 | |
He knew this was a landscape generated by man. | 0:05:12 | 0:05:16 | |
The fingerprints of man are all over it. | 0:05:16 | 0:05:18 | |
It was that inter-link between man and landscape that really made his books special. | 0:05:18 | 0:05:24 | |
He revelled in that and he drew those strands out. | 0:05:24 | 0:05:27 | |
He brought those mountains to life. | 0:05:27 | 0:05:29 | |
-Part of his books as well is that there was no one right way up or down a mountain. -That's right. | 0:05:29 | 0:05:35 | |
He gave you many options. | 0:05:35 | 0:05:37 | |
All his pictorial guides were...were an indication that you could do it. | 0:05:37 | 0:05:43 | |
Because, when Wainwright started writing his books in the '50s, | 0:05:43 | 0:05:47 | |
the vast majority of people who visited the Lake District thought, "I can't get up there." | 0:05:47 | 0:05:52 | |
Suddenly he produced these books that proved they could. | 0:05:52 | 0:05:55 | |
If you can't go that way, go the other way. | 0:05:55 | 0:05:57 | |
He was going up in a pair of old boots, scruffy sweater and an old anorak. | 0:05:57 | 0:06:02 | |
He wasn't kitted out. | 0:06:02 | 0:06:03 | |
You might be able to help me here. There's one half of me that likes Wainwright - the poetic, romantic, | 0:06:03 | 0:06:09 | |
descriptive man who was in love with the fells. | 0:06:09 | 0:06:12 | |
There's another side of me that thinks he was just a bit of a grumpy old man, a bit old-fashioned. | 0:06:12 | 0:06:17 | |
He wasn't a grumpy old man. | 0:06:17 | 0:06:19 | |
Legend has him being so, | 0:06:19 | 0:06:22 | |
but actually he was a gentle, generous chap. | 0:06:22 | 0:06:26 | |
He didn't say a lot. | 0:06:26 | 0:06:28 | |
He engaged his brain before he opened his mouth, which is a very endearing characteristic. | 0:06:28 | 0:06:34 | |
He thought very deeply and cared very deeply about the landscapes he was in. These places mattered to him. | 0:06:34 | 0:06:39 | |
They were not places to gabble. | 0:06:39 | 0:06:42 | |
They were places to savour. | 0:06:42 | 0:06:44 | |
He taught me a huge amount about how to appreciate these hills, | 0:06:44 | 0:06:48 | |
to actually get yourself out there, time and again perhaps, | 0:06:48 | 0:06:52 | |
to one particular place, just enjoying what's there. | 0:06:52 | 0:06:55 | |
He was this mystery character. | 0:06:55 | 0:06:57 | |
The cult started very early on. People started to look for him. | 0:06:57 | 0:07:00 | |
It was like sightings of the great white whale. | 0:07:00 | 0:07:02 | |
He managed to be the ghost in the machine for so many years, because, yes, there were little | 0:07:02 | 0:07:08 | |
line drawings in his book, but then he started doing the coffee-table books, | 0:07:08 | 0:07:13 | |
where the photographs of him were there. | 0:07:13 | 0:07:15 | |
People could recognise him instantly. | 0:07:15 | 0:07:18 | |
Out on the hill, you could see out of the corner of your eye... | 0:07:18 | 0:07:21 | |
I'd be doing an interview with him and there'd be people saying... | 0:07:21 | 0:07:26 | |
-There he is! -They'd be straight towards us. The only other thing, | 0:07:26 | 0:07:30 | |
something he did grump about, was people | 0:07:30 | 0:07:33 | |
misusing the hills, misusing the mountains. | 0:07:33 | 0:07:37 | |
He hated organised parties. | 0:07:37 | 0:07:38 | |
He hated great swarms of people walking together. He didn't approve of that. | 0:07:38 | 0:07:43 | |
-Go discover on your own. -Go discover on your own. | 0:07:43 | 0:07:46 | |
The solitary quality of this place is what he tried to capture for himself | 0:07:46 | 0:07:50 | |
and I think what he communicates so well in those books. | 0:07:50 | 0:07:54 | |
It's that communication that echoes down the decades. | 0:07:54 | 0:07:59 | |
I shall go and discover, see if he's up there. | 0:07:59 | 0:08:02 | |
Maybe I'll see him up there! | 0:08:02 | 0:08:03 | |
-Enjoy your walk. -I will. -Nice to meet you. Bye-bye. | 0:08:03 | 0:08:06 | |
Before I head off, let's take a moment to look at the route ahead. | 0:08:11 | 0:08:15 | |
Haystacks rises between the deep hollow of Warnscale Bottom and Ennerdale. | 0:08:29 | 0:08:34 | |
I'll start at a point known as Gatesgarth Farm, | 0:08:34 | 0:08:38 | |
nestled on the edge of Buttermere. | 0:08:38 | 0:08:40 | |
The path takes me across farmland | 0:08:40 | 0:08:42 | |
along the southern edge of the water. | 0:08:42 | 0:08:44 | |
The initial ascent is a steep climb northwest before the path | 0:08:46 | 0:08:50 | |
turns sharply and heads southward through the bracken-covered hill. | 0:08:50 | 0:08:54 | |
The path takes me along the edge of the hillside, | 0:08:56 | 0:08:59 | |
giving spectacular views into the valley below, | 0:08:59 | 0:09:03 | |
before reaching the flatter parts known as Low and High Wax Knot. | 0:09:03 | 0:09:07 | |
I'll head across the zigzag path at Scarth Gap, where the terrain becomes rocky underfoot, | 0:09:10 | 0:09:15 | |
before reaching a grassy saddle, | 0:09:16 | 0:09:18 | |
from where I have a clear view of the summit ascent. | 0:09:18 | 0:09:22 | |
I'll then approach the peak via a small unnamed tarn... | 0:09:29 | 0:09:33 | |
..before reaching the breathtaking views from the summit cairn. | 0:09:36 | 0:09:40 | |
This nice gentle path isn't in the book. | 0:10:06 | 0:10:10 | |
This steep one is, | 0:10:10 | 0:10:13 | |
so that must be the way, | 0:10:13 | 0:10:15 | |
which is a bit unfortunate really, isn't it? | 0:10:15 | 0:10:18 | |
Start with a bang. | 0:10:18 | 0:10:20 | |
Hope I don't get lost. | 0:10:22 | 0:10:24 | |
Embarrassing to get lost from the start of the walk! | 0:10:24 | 0:10:27 | |
I have to admit, I was expecting | 0:10:39 | 0:10:42 | |
a more gradual climb from the beginning. | 0:10:42 | 0:10:44 | |
This is hard work - already! | 0:10:44 | 0:10:47 | |
This is just a few minutes into the walk proper. | 0:11:05 | 0:11:08 | |
About 500ft up now and already | 0:11:08 | 0:11:11 | |
the view is just spectacular. | 0:11:11 | 0:11:14 | |
Buttermere looking mellifluous. | 0:11:14 | 0:11:16 | |
Beautiful. You just want to dive in, part the water. | 0:11:16 | 0:11:20 | |
And I think the weather's gonna hold. | 0:11:21 | 0:11:23 | |
Over there is a chink of beautiful blue sky. | 0:11:23 | 0:11:27 | |
Lakeland is known for its changeable weather patterns, | 0:11:35 | 0:11:39 | |
each valley almost having its own microclimate. | 0:11:39 | 0:11:42 | |
Even the most experienced of walkers can be caught unawares | 0:11:42 | 0:11:46 | |
by a sudden burst of rain or low mist creeping in. | 0:11:46 | 0:11:49 | |
I'm really looking forward to getting to the top | 0:11:52 | 0:11:55 | |
to find out exactly why Wainwright found this fell so special. | 0:11:55 | 0:12:00 | |
Assuming I make it, of course! | 0:12:00 | 0:12:02 | |
Fell walking means "rough walking". | 0:12:11 | 0:12:13 | |
Those who take to the hills, whatever their motivation, are rewarded with | 0:12:13 | 0:12:17 | |
a variety of spectacular views and distant panoramas, | 0:12:17 | 0:12:21 | |
from where the lakes below | 0:12:21 | 0:12:23 | |
are transformed into sparkling jewels in the sunlight. | 0:12:23 | 0:12:26 | |
Look at that shaft of sunlight! | 0:12:32 | 0:12:34 | |
It's almost godly. | 0:12:34 | 0:12:36 | |
I've been going for about 25 minutes now, so I think it's time | 0:13:11 | 0:13:16 | |
to soak in some more of the views. | 0:13:16 | 0:13:18 | |
And see exactly what Wainwright's got in store for me. | 0:13:23 | 0:13:27 | |
'Interestingly, Wainwright maps are not strictly plan or elevation views. | 0:13:33 | 0:13:39 | |
'He deliberately distorted perspectives and scales | 0:13:39 | 0:13:42 | |
'in order to get in all the information he thought would be valuable for any walker.' | 0:13:42 | 0:13:46 | |
You wouldn't think the same view could get any better, but it does. | 0:13:57 | 0:14:00 | |
Now, this, according to AW, is Low Wax Knott. | 0:14:04 | 0:14:09 | |
There are meant to be lots of boulders in your way. | 0:14:09 | 0:14:12 | |
Clearly someone has got here before me and moved them all, which is very kind of them. | 0:14:12 | 0:14:17 | |
'Wainwright describes his passion for this landscape | 0:14:25 | 0:14:29 | |
'in the first of his pictorial guides.' | 0:14:29 | 0:14:31 | |
The magical atmosphere of the Lakes, | 0:14:31 | 0:14:35 | |
the silence of lonely hills, the dawn chorus of birdsong, | 0:14:35 | 0:14:40 | |
silver cascades dancing and leaping down bracken steeps | 0:14:40 | 0:14:45 | |
and the symphonies of murmuring streams. | 0:14:45 | 0:14:48 | |
It's easy to see why Wainwright, who was office-bound all week, | 0:14:54 | 0:14:57 | |
loved to escape to this, the peace and the quiet and the scenery. | 0:14:57 | 0:15:02 | |
But he always argued that you should walk alone. | 0:15:02 | 0:15:05 | |
He didn't like other people, it was a distraction. | 0:15:05 | 0:15:08 | |
He especially didn't like schoolchildren, gangs of them. | 0:15:08 | 0:15:12 | |
And you could say that was a bit unsociable, | 0:15:12 | 0:15:15 | |
but actually being here alone now, | 0:15:15 | 0:15:18 | |
it is so serene and so peaceful, | 0:15:18 | 0:15:22 | |
and it's a real luxury to have all this space to yourself. | 0:15:22 | 0:15:26 | |
It's beautiful, really beautiful. | 0:15:33 | 0:15:35 | |
If you take a peek across the valley there, you can see | 0:16:02 | 0:16:07 | |
two different paths to get to the top of Haystacks. | 0:16:07 | 0:16:10 | |
In the book there are actually six different ways to get to the top, | 0:16:13 | 0:16:17 | |
so no chance of getting bored. | 0:16:17 | 0:16:19 | |
'Wainwright indicates in book six | 0:16:22 | 0:16:24 | |
'that his preferred route up Haystacks | 0:16:24 | 0:16:26 | |
'was the ascent from Gatesgarth, where I started, | 0:16:26 | 0:16:29 | |
'but via this path at Wharnscale Bottom. | 0:16:29 | 0:16:32 | |
'This takes you on a longer ascent of two-and-three-quarter miles. | 0:16:32 | 0:16:36 | |
'Wainwright liked the imposing crag overhanging the path. | 0:16:37 | 0:16:41 | |
'He would then enjoy the views on my walk | 0:16:41 | 0:16:44 | |
'as he made his leisurely descent. | 0:16:44 | 0:16:47 | |
'It's already becoming clearer to me just what an achievement it was | 0:17:06 | 0:17:10 | |
'to finish seven hand-drawn books like these in only 13 years. | 0:17:10 | 0:17:15 | |
'The more I look at them, and around me, | 0:17:15 | 0:17:18 | |
'the more I can appreciate his work, his passion and sheer dedication.' | 0:17:18 | 0:17:22 | |
I'm approaching Scarth Gap now, | 0:17:34 | 0:17:37 | |
and suddenly the terrain's become much rougher underfoot and also the path has just widened. | 0:17:37 | 0:17:42 | |
Actually, you can't really see the path. | 0:17:42 | 0:17:44 | |
What was once an "S" shape up the mountain has just, | 0:17:44 | 0:17:47 | |
in the words of Wainwright, "been butchered by short-cutters". | 0:17:47 | 0:17:51 | |
You see, people just walk straight up the middle and create this mess. | 0:17:51 | 0:17:55 | |
'Wainwright described this route in book six. | 0:18:05 | 0:18:08 | |
The ascent of Haystacks via the pass of Scarth Gap | 0:18:10 | 0:18:14 | |
is a prelude of much merit and beauty | 0:18:14 | 0:18:16 | |
to a mountain walk of unique character. | 0:18:16 | 0:18:19 | |
After an hour and a half, I am into the rhythm of this Lakeland walk. | 0:18:22 | 0:18:26 | |
I have been looking forward to this because this is the last cairn at the top of Scarth Gap, | 0:18:29 | 0:18:33 | |
and Wainwright marks significant cairns with triangles, and it's definitely here. | 0:18:33 | 0:18:38 | |
But it also means it's been here since 1966, because that's when | 0:18:38 | 0:18:42 | |
this book was published, so a lot of tired legs have wandered past, | 0:18:42 | 0:18:46 | |
and right now mine are no exception. | 0:18:46 | 0:18:49 | |
'Cairns like this are familiar sights across the Lakes, | 0:18:53 | 0:18:56 | |
'made by the simple act of adding a stone as you pass. | 0:18:56 | 0:19:00 | |
'Now, I've been incredibly lucky with the weather so far, | 0:19:00 | 0:19:03 | |
'but imagine trying to navigate your way in the mist and rain. | 0:19:03 | 0:19:08 | |
'The cairns are an invaluable tool for helping you stick to the path. | 0:19:08 | 0:19:11 | |
'From this grassy saddle, | 0:19:29 | 0:19:31 | |
'I can now get a clear view of all the surrounding fells. | 0:19:31 | 0:19:35 | |
'Wainwright captures the character of this walk | 0:19:35 | 0:19:38 | |
'in the opening sentence of his introduction.' | 0:19:38 | 0:19:41 | |
Haystacks stands unabashed and unashamed in the midst of a circle | 0:19:41 | 0:19:45 | |
of much loftier fells, like a shaggy terrier in the company of foxhounds. | 0:19:45 | 0:19:50 | |
It's lovely and soft underfoot here, on this saddle that's nestled in between the mountains. | 0:19:52 | 0:19:58 | |
That way is Kirk Fell, but more importantly, | 0:19:58 | 0:20:00 | |
up there is my first clear view of the climb to the summit. | 0:20:00 | 0:20:05 | |
'In his first guide Wainwright acknowledged...' | 0:20:19 | 0:20:22 | |
Many are they who have fallen under the spell of Lakeland, | 0:20:22 | 0:20:25 | |
and so many are they who have been moved to tell of their affection, | 0:20:25 | 0:20:30 | |
in story and verse and picture and song. | 0:20:30 | 0:20:35 | |
That is a cracking view of Buttermere | 0:20:38 | 0:20:41 | |
and Crummock water behind it. | 0:20:41 | 0:20:43 | |
I'm not sure if that's Grasmoor or not, the big mountain. | 0:20:43 | 0:20:47 | |
Because this is the view from the summit, but there isn't a definitive page from here. I think it is. | 0:20:49 | 0:20:57 | |
It's lovely anyway. | 0:20:58 | 0:21:00 | |
'This is such a clear day that I can see | 0:21:04 | 0:21:06 | |
'all the way beyond Crummock Water to the Solway Firth in Scotland. | 0:21:06 | 0:21:10 | |
'Wainwright always maintained that he began writing the guidebooks | 0:21:17 | 0:21:21 | |
'for his own memory of the places he had visited and loved. | 0:21:21 | 0:21:24 | |
'Something to look back on when he could no longer walk the fells. | 0:21:26 | 0:21:30 | |
'It was on Haystacks that AW took his final walk, with eyesight | 0:21:34 | 0:21:38 | |
'that had deteriorated too far for it to be safe any longer. | 0:21:38 | 0:21:42 | |
'He famously said...' | 0:21:42 | 0:21:44 | |
Haystacks wept tears for me that day. | 0:21:44 | 0:21:47 | |
It's amazing to think that Wainwright was still walking when he was nearly 80. | 0:21:54 | 0:22:00 | |
'From the opening sentence of book one, his motivation was clear... | 0:22:00 | 0:22:05 | |
Surely there is no other place in this whole wonderful world quite like Lakeland. | 0:22:05 | 0:22:11 | |
No other so exquisitely lovely, no other so charming, | 0:22:11 | 0:22:15 | |
no other that calls so insistently across a gulf of distance. | 0:22:15 | 0:22:19 | |
All who truly love Lakeland are exiles when away from it. | 0:22:20 | 0:22:24 | |
I can appreciate why Wainwright was so enchanted with Haystacks, and he never travelled abroad. | 0:22:29 | 0:22:35 | |
And I suppose when you've got this on your doorstep, | 0:22:35 | 0:22:39 | |
why would you? | 0:22:39 | 0:22:41 | |
Wainwright says that, "For a man trying to get persistent worry | 0:22:46 | 0:22:50 | |
"out of his mind, the top of Haystacks is a wonderful cure." | 0:22:50 | 0:22:54 | |
I like that. | 0:22:54 | 0:22:56 | |
Persistent worry. | 0:22:56 | 0:22:58 | |
We've all got persistent worries, haven't we? | 0:22:58 | 0:23:01 | |
Haven't we? | 0:23:01 | 0:23:03 | |
As tempting as it is to linger, it's only 20 minutes to go, | 0:23:12 | 0:23:15 | |
I'm reliably informed, to the top, | 0:23:15 | 0:23:18 | |
so let's get going. | 0:23:18 | 0:23:19 | |
Oh! That is my first view of the summit, | 0:23:24 | 0:23:28 | |
and there's the beautiful Ennerdale Valley, | 0:23:28 | 0:23:31 | |
which is a particularly quiet spot of the Lakes, | 0:23:31 | 0:23:34 | |
because there's no vehicle access. | 0:23:34 | 0:23:36 | |
But enough of that...more of that! | 0:23:36 | 0:23:38 | |
Here we are, | 0:24:00 | 0:24:02 | |
my first Lakeland summit. | 0:24:02 | 0:24:05 | |
And there's the cairn. | 0:24:05 | 0:24:07 | |
Nearly there. | 0:24:07 | 0:24:09 | |
Nearly. | 0:24:11 | 0:24:12 | |
That's it. | 0:24:18 | 0:24:20 | |
Oh, fantastic! | 0:24:22 | 0:24:25 | |
It's an incredible feeling. | 0:24:29 | 0:24:30 | |
It's exhilarating, exciting, to have made it to your first proper summit. | 0:24:30 | 0:24:36 | |
Hello, lakes. | 0:24:44 | 0:24:45 | |
'On reaching the top, what I've discovered and can appreciate | 0:25:13 | 0:25:16 | |
'is that this summit is more than a peak and a cairn. | 0:25:16 | 0:25:20 | |
'There are the three tarns, plunging edges of the rocky crags, | 0:25:20 | 0:25:24 | |
'and sumptuous views from every vantage point.' | 0:25:24 | 0:25:27 | |
Wainwright described this as, in fact, "The best fell top of all. | 0:25:35 | 0:25:40 | |
"A place of great charm and fairyland attractiveness. | 0:25:40 | 0:25:44 | |
"For beauty, variety and interesting detail, for sheer fascination | 0:25:44 | 0:25:49 | |
"and unique individuality, the summit of Haystacks is supreme. | 0:25:49 | 0:25:54 | |
"One can forget even a raging toothache on Haystacks." | 0:25:54 | 0:25:59 | |
But we're not gonna end our walk here, we're gonna head over that way | 0:25:59 | 0:26:03 | |
to his final destination, | 0:26:03 | 0:26:06 | |
Innominate Tarn. | 0:26:06 | 0:26:07 | |
'Such was his love of Haystacks, | 0:26:13 | 0:26:15 | |
'it was the place where he chose to have his ashes scattered. | 0:26:15 | 0:26:19 | |
'Alfred Wainwright died in 1991 aged 84.' | 0:26:19 | 0:26:23 | |
This is a fantastic introduction to the Lakeland Fells. | 0:26:29 | 0:26:33 | |
Of all 214 fells in the Lake District, | 0:26:33 | 0:26:36 | |
Haystacks clearly captured his heart and his imagination, | 0:26:36 | 0:26:41 | |
and it's easy to see why. | 0:26:41 | 0:26:43 | |
"All I ask for at the end is a last long resting place by the side of Innominate Tarn on Haystacks, | 0:27:15 | 0:27:22 | |
"where the water gently laps on the gravelly shore and the heather blooms, | 0:27:22 | 0:27:27 | |
"and Pillar and Gable keep unfailing watch. | 0:27:27 | 0:27:30 | |
"A quiet place, a lonely place. | 0:27:30 | 0:27:32 | |
"I shall go to it for the last time, and be carried. | 0:27:32 | 0:27:36 | |
"Someone who knew me in life will take me there and empty me out of a little box and leave me there alone. | 0:27:36 | 0:27:42 | |
"And if you, dear reader, should get a bit of grit in your boots | 0:27:42 | 0:27:46 | |
"as you are crossing Haystacks in years to come, please treat it with respect. | 0:27:46 | 0:27:50 | |
"It might be me." | 0:27:50 | 0:27:53 | |
In the end, Wainwright's widow, Betty, and his best friend granted his last wish. | 0:28:19 | 0:28:24 | |
Wainwright said, "A walk in Lakeland is like a walk in Heaven," | 0:28:25 | 0:28:29 | |
and I'm inclined to agree. | 0:28:29 | 0:28:30 | |
Subtitles by Red Bee Media Ltd - 2007 | 0:28:48 | 0:28:50 | |
E-mail [email protected] | 0:28:50 | 0:28:52 |