Browse content similar to The Sunken Gallery. Check below for episodes and series from the same categories and more!
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Gently. Gently. | 0:00:02 | 0:00:05 | |
See? I told you it would work. | 0:00:06 | 0:00:07 | |
OK, point taken. | 0:00:07 | 0:00:09 | |
It'll be perfect for the Minerva job. | 0:00:09 | 0:00:11 | |
-Oops! -Ant, we can't salvage delicate things | 0:00:13 | 0:00:16 | |
from a sunken ship if you're just going to squash them! | 0:00:16 | 0:00:19 | |
Lots of stuff from the Minerva is probably old junk anyway. | 0:00:19 | 0:00:22 | |
The Minerva is full of priceless lost artwork! | 0:00:22 | 0:00:25 | |
So, paintings and stuff? | 0:00:27 | 0:00:28 | |
Art that has been missing for over 60 years. | 0:00:28 | 0:00:32 | |
Missing Pissarros, early Rembrandts, | 0:00:32 | 0:00:34 | |
a bunch of Pre-Raphaelite paintings by Holman Hunt. | 0:00:34 | 0:00:36 | |
So, paintings and stuff? | 0:00:36 | 0:00:39 | |
And Child With Kraken. | 0:00:39 | 0:00:41 | |
Probably the most famous lost painting ever. | 0:00:41 | 0:00:43 | |
Child With Kraken is a painting of a question mark?! | 0:00:43 | 0:00:47 | |
-I don't get art. -It's not... | 0:00:47 | 0:00:48 | |
Oh! The question mark is because it was never photographed. | 0:00:48 | 0:00:52 | |
Oh, so it could be terrible? | 0:00:52 | 0:00:55 | |
Something is coming. A sub? | 0:00:55 | 0:00:57 | |
And another one. Both big. | 0:00:57 | 0:00:59 | |
Mum, are you seeing this? | 0:00:59 | 0:01:01 | |
There are multiple objects coming from all directions. | 0:01:01 | 0:01:03 | |
'They're heading straight for us. | 0:01:03 | 0:01:05 | |
'Get back to the Aronnax.' | 0:01:05 | 0:01:07 | |
We're coming. | 0:01:07 | 0:01:09 | |
We're going to make it. | 0:01:09 | 0:01:11 | |
OK. I think not. | 0:01:14 | 0:01:16 | |
Attention, Nektons, this is the commander. | 0:01:16 | 0:01:18 | |
By order of the world ocean authority, you are all under arrest. | 0:01:18 | 0:01:22 | |
My family are explorers. | 0:01:25 | 0:01:27 | |
We have been for generations. | 0:01:27 | 0:01:29 | |
While others look up to the stars, | 0:01:29 | 0:01:31 | |
we know there are an infinite number of things | 0:01:31 | 0:01:33 | |
that shine in the darkness below. | 0:01:33 | 0:01:35 | |
There are things lurking in the seas that long ago vanished into myth. | 0:01:35 | 0:01:39 | |
My family are explorers, and we explore the deep. | 0:01:39 | 0:01:43 | |
Hey, you can't just... | 0:01:57 | 0:01:59 | |
We are taking control of the Aronnax | 0:01:59 | 0:02:00 | |
until an investigation is completed. | 0:02:00 | 0:02:02 | |
Investigation into what? | 0:02:02 | 0:02:03 | |
We didn't do anything. | 0:02:03 | 0:02:04 | |
We believe that at least one Nekton was involved | 0:02:04 | 0:02:07 | |
in stealing a recently discovered sunken ship. | 0:02:07 | 0:02:09 | |
Not the Minerva? | 0:02:09 | 0:02:11 | |
You are familiar with it? | 0:02:11 | 0:02:12 | |
A salvage company has asked us to help raise it. | 0:02:12 | 0:02:15 | |
A convenient excuse for being in the area. | 0:02:15 | 0:02:18 | |
Are you calling us thieves? | 0:02:18 | 0:02:19 | |
Nobody is calling you anything yet, but the Minerva has been stolen, | 0:02:19 | 0:02:23 | |
along with its priceless cargo. | 0:02:23 | 0:02:25 | |
This is crazy. You know that we would never do this. | 0:02:25 | 0:02:28 | |
I have my orders. A crime has been committed, | 0:02:28 | 0:02:31 | |
we need to undertake a thorough investigation. | 0:02:31 | 0:02:33 | |
Nobody boards our ship and accuses us of a crime without evidence. | 0:02:33 | 0:02:37 | |
Only one person wears that distinctive wet suit. | 0:02:40 | 0:02:43 | |
-Antaeus Nekton. -That's not me. | 0:02:43 | 0:02:46 | |
It wouldn't be difficult to fake one of our wet suits. | 0:02:46 | 0:02:48 | |
Who wouldn't want to wear a uniform? | 0:02:48 | 0:02:50 | |
It is a timeless classic. | 0:02:50 | 0:02:51 | |
Look, there's an easy way to settle this. | 0:02:51 | 0:02:53 | |
The Aronnax tracks everywhere we go. | 0:02:53 | 0:02:55 | |
I will access the tracking logs to prevent evidence tampering. | 0:02:55 | 0:02:59 | |
The Aronnax visited the site yesterday, at the time of the theft. | 0:03:00 | 0:03:04 | |
That's impossible. | 0:03:04 | 0:03:06 | |
You leave me no choice. | 0:03:06 | 0:03:08 | |
Search the ship! | 0:03:08 | 0:03:09 | |
We're not here to steal cookies. | 0:03:23 | 0:03:25 | |
I'm not stealing it, I'm confiscating it. | 0:03:25 | 0:03:29 | |
There's nothing in there. | 0:03:31 | 0:03:33 | |
Well, safes can contain all sorts of secrets. | 0:03:33 | 0:03:35 | |
Now this is interesting. | 0:03:38 | 0:03:40 | |
Stay focused. | 0:03:43 | 0:03:44 | |
-I just think... -It's irrelevant. | 0:03:44 | 0:03:46 | |
It's not a painting or a sculpture. | 0:03:46 | 0:03:48 | |
And it's mine. | 0:03:48 | 0:03:50 | |
Are you done turning our home upside down? | 0:03:50 | 0:03:52 | |
I'm doing my job. | 0:03:52 | 0:03:53 | |
You should see this, Commander. | 0:03:53 | 0:03:55 | |
Child With Kraken. | 0:03:57 | 0:03:58 | |
I have never seen that before! | 0:03:58 | 0:04:00 | |
I'm afraid this confirms it. | 0:04:00 | 0:04:03 | |
That's been planted here. | 0:04:03 | 0:04:04 | |
-The Nektons are thieves. -Where are the other paintings? | 0:04:04 | 0:04:07 | |
Where is the Minerva? | 0:04:07 | 0:04:09 | |
I don't know. Someone is trying to frame us to destroy our reputation. | 0:04:09 | 0:04:13 | |
Take their communicators. | 0:04:13 | 0:04:15 | |
Place the children in custody and keep these two here for questioning. | 0:04:15 | 0:04:19 | |
Why am I being put in the kitchen? | 0:04:20 | 0:04:22 | |
Your room is too close to your brother's. | 0:04:22 | 0:04:25 | |
We don't want you two talking. | 0:04:25 | 0:04:26 | |
We've been framed. I've been framed! | 0:04:28 | 0:04:31 | |
I'd never steal art. | 0:04:31 | 0:04:32 | |
I have absolutely no appreciation for it. | 0:04:32 | 0:04:35 | |
Ask my sister! | 0:04:35 | 0:04:37 | |
Geoffrey. | 0:04:45 | 0:04:46 | |
POP! | 0:04:49 | 0:04:50 | |
"Stuck in my room. What about you?" | 0:04:50 | 0:04:52 | |
Fontaine gets to be in the kitchen! | 0:04:55 | 0:04:57 | |
The kitchen is where the cookies are! | 0:04:57 | 0:04:59 | |
"We need to clear our name. I'll get us out. Be ready." | 0:05:00 | 0:05:04 | |
Get us out? How? | 0:05:04 | 0:05:06 | |
Welcome to the Swamp Knight. Your new totally amphibious knight. | 0:05:11 | 0:05:15 | |
The Swamp Knight can walk on land. | 0:05:15 | 0:05:18 | |
I can hear the kid's voice from the moon pool room. | 0:05:18 | 0:05:20 | |
It makes no sense. I'll investigate, you check his room. | 0:05:20 | 0:05:23 | |
Ha! | 0:05:28 | 0:05:30 | |
-Ant! -Hey! | 0:05:34 | 0:05:35 | |
Now I'm ready. | 0:05:37 | 0:05:39 | |
Cookie? | 0:05:39 | 0:05:40 | |
Aargh! | 0:05:43 | 0:05:45 | |
Ha-ha-ha-ha! | 0:05:45 | 0:05:47 | |
'Officers, status report.' | 0:05:49 | 0:05:51 | |
Everything is fine. | 0:05:53 | 0:05:55 | |
Yeah, all good here. | 0:05:55 | 0:05:57 | |
Good. | 0:05:58 | 0:06:00 | |
Oh, yeah! | 0:06:00 | 0:06:02 | |
Ohh! | 0:06:03 | 0:06:04 | |
So, how do we clear our names? | 0:06:07 | 0:06:09 | |
Easy. Find the sunken gallery and return it. | 0:06:09 | 0:06:12 | |
As long as your engines are off and I'm in stealth mode, | 0:06:19 | 0:06:21 | |
we won't show up on their instruments...I think. | 0:06:21 | 0:06:24 | |
What about their eyes? They can still see us with their eyes, right? | 0:06:24 | 0:06:27 | |
We're nearly through. | 0:06:29 | 0:06:30 | |
Oh, no! | 0:06:32 | 0:06:33 | |
We're not through. | 0:06:37 | 0:06:39 | |
What we do now, Ant? | 0:06:39 | 0:06:41 | |
Spiral. Follow my lead! | 0:06:41 | 0:06:44 | |
Fontaine, is it working? | 0:06:50 | 0:06:52 | |
I think so! | 0:06:52 | 0:06:53 | |
Effacing manoeuvre on my mark. | 0:06:53 | 0:06:56 | |
Ready? | 0:06:56 | 0:06:58 | |
Now! | 0:06:58 | 0:06:59 | |
Oh! | 0:07:00 | 0:07:02 | |
-Ohh! -Agh! | 0:07:02 | 0:07:04 | |
-Yes! -Ha-ha-ha! | 0:07:05 | 0:07:07 | |
Where are they? | 0:07:07 | 0:07:09 | |
Did you lose our kids? | 0:07:10 | 0:07:12 | |
Temporarily. | 0:07:12 | 0:07:13 | |
Didn't you have highly-trained WOA guards watching them? | 0:07:13 | 0:07:16 | |
Check on the guards, Captain Hernandez. | 0:07:16 | 0:07:19 | |
Yes, Commander. Don't trust a word they say. | 0:07:19 | 0:07:22 | |
You people seem awfully quick to make accusations. | 0:07:23 | 0:07:26 | |
A crime was committed. Someone is guilty. | 0:07:26 | 0:07:29 | |
And if you can't find a scapegoat, you'll just create one. | 0:07:29 | 0:07:32 | |
Are you accusing me of planting evidence? | 0:07:32 | 0:07:34 | |
It's the only logical explanation. | 0:07:34 | 0:07:36 | |
I'll be back to continue your questioning | 0:07:36 | 0:07:39 | |
when you have calmed down. | 0:07:39 | 0:07:40 | |
Ah, maybe next time I'll do the talking. | 0:07:40 | 0:07:44 | |
These are the coordinates. | 0:07:44 | 0:07:47 | |
There's certainly not a ship there any more. | 0:07:47 | 0:07:49 | |
We need to approach this logically. | 0:07:49 | 0:07:51 | |
We can't just... | 0:07:51 | 0:07:53 | |
rush into everything. | 0:07:53 | 0:07:55 | |
Drag marks. | 0:08:01 | 0:08:03 | |
So it was dragged? | 0:08:03 | 0:08:05 | |
Why drag something underwater? | 0:08:05 | 0:08:06 | |
Right. Moving something that big takes a lot of power. | 0:08:06 | 0:08:10 | |
So, it would be easier just to raise it. | 0:08:10 | 0:08:12 | |
The drag marks are a decoy! | 0:08:12 | 0:08:14 | |
They went in the opposite direction. | 0:08:14 | 0:08:16 | |
You think the WOA is setting us up? | 0:08:21 | 0:08:23 | |
Who else has the resources? | 0:08:23 | 0:08:24 | |
What do you think they want? | 0:08:24 | 0:08:26 | |
Hernandez seems awfully interested in our piece of the Ephemocron. | 0:08:26 | 0:08:29 | |
Do you think he knows what it is? | 0:08:29 | 0:08:31 | |
Even if he knows that it's part of an ancient navigation device, | 0:08:31 | 0:08:34 | |
ours is only one piece of it. Without the rest, it's useless. | 0:08:34 | 0:08:37 | |
Wait! | 0:08:37 | 0:08:39 | |
Is that a lift bag? | 0:08:39 | 0:08:41 | |
Exactly the kind of thing you'd use to raise a sunken ship. | 0:08:41 | 0:08:44 | |
So they must have put the ship down somewhere near here. | 0:08:44 | 0:08:47 | |
Huh, nothing the size of a ship nearby. | 0:08:47 | 0:08:50 | |
But caves, chasms, craters. | 0:08:50 | 0:08:52 | |
Check for somewhere to hide a ship. | 0:08:52 | 0:08:54 | |
Bingo! | 0:08:55 | 0:08:57 | |
There it is. The Minerva. | 0:09:01 | 0:09:04 | |
Should we call the World Ocean Authority? | 0:09:04 | 0:09:06 | |
If they come and the art is gone, they might still think we stole it. | 0:09:06 | 0:09:10 | |
I have to check inside first. | 0:09:10 | 0:09:12 | |
I'll stay here and keep a lookout. | 0:09:13 | 0:09:15 | |
Please be careful. | 0:09:15 | 0:09:17 | |
You can use my night onboard camera to see what I see. | 0:09:17 | 0:09:20 | |
It's all here. Now we should call the Aronnax. | 0:09:45 | 0:09:47 | |
OK, but maybe open a crate first? | 0:09:47 | 0:09:50 | |
I just want to see one piece. | 0:09:50 | 0:09:52 | |
You wanted to call the Aronnax to begin with! | 0:09:52 | 0:09:54 | |
I know, but...one crate? | 0:09:54 | 0:09:56 | |
Look right there. What's under that sheet? | 0:09:56 | 0:09:59 | |
Wow! | 0:10:03 | 0:10:05 | |
-MAN: -It simply must be here somewhere! | 0:10:05 | 0:10:07 | |
Ant, who was that? | 0:10:10 | 0:10:11 | |
-What's happening? -Have you checked all the crates? | 0:10:11 | 0:10:14 | |
Still working our way through them. | 0:10:14 | 0:10:16 | |
Do you smell that? That's the smell of rarity. | 0:10:16 | 0:10:20 | |
Antiquity. | 0:10:20 | 0:10:21 | |
It's magnificent. | 0:10:21 | 0:10:22 | |
Ugh, it smells like mouldy old boxes. | 0:10:24 | 0:10:26 | |
I suppose it would...to some. | 0:10:26 | 0:10:29 | |
Keep looking. We won't leave until we've inspected | 0:10:29 | 0:10:31 | |
every corner and crevice. | 0:10:31 | 0:10:33 | |
Conger. | 0:10:33 | 0:10:34 | |
Can anyone read me? Hello? | 0:10:39 | 0:10:42 | |
This is Fontaine Nekton. Come on. | 0:10:42 | 0:10:44 | |
Fontaine? This is Captain Hernandez. | 0:10:44 | 0:10:46 | |
-Where are you? -'I need to speak to my parents.' | 0:10:46 | 0:10:49 | |
You may speak with me or nobody at all. | 0:10:49 | 0:10:51 | |
'You have already placed yourself and your family in more trouble | 0:10:51 | 0:10:54 | |
'by escaping your house arrest.' | 0:10:54 | 0:10:56 | |
The best thing to do now is cooperate. | 0:10:56 | 0:10:59 | |
Fine! We've found the ship, but the real thieves are in there. | 0:10:59 | 0:11:03 | |
Send through the coordinates and we'll send our subs. | 0:11:03 | 0:11:06 | |
Boss, is this what you're looking for? | 0:11:08 | 0:11:10 | |
Yes. This is perfect. | 0:11:12 | 0:11:14 | |
-Perfect and priceless. -What is it? | 0:11:14 | 0:11:17 | |
An ancient navigation device. | 0:11:17 | 0:11:19 | |
Or part of one at least. | 0:11:19 | 0:11:20 | |
But it's broken, isn't it? | 0:11:20 | 0:11:22 | |
It is, and yet it is probably | 0:11:22 | 0:11:24 | |
the most valuable item on this entire ship. | 0:11:24 | 0:11:27 | |
-'Conger?' -Speak to me, Hernandez. | 0:11:27 | 0:11:29 | |
The Nekton children have found the Minerva. | 0:11:29 | 0:11:32 | |
What?! You were supposed to keep them occupied! | 0:11:32 | 0:11:35 | |
'And you were supposed to move the ship to somewhere | 0:11:35 | 0:11:38 | |
'where it would not be found. | 0:11:38 | 0:11:39 | |
'Now, ensure that the artefact is secured, | 0:11:39 | 0:11:42 | |
'or our employer will be very unhappy. | 0:11:42 | 0:11:45 | |
Order the crew to take the subs and grab those children now! | 0:11:45 | 0:11:48 | |
Uh-oh. | 0:11:53 | 0:11:54 | |
Ugh! Can't I go one day without getting into a high-speed chase? | 0:11:56 | 0:12:01 | |
Commander, we've been thinking. | 0:12:04 | 0:12:07 | |
We don't want to accuse anyone without evidence. | 0:12:07 | 0:12:09 | |
We'll leave that to you. | 0:12:09 | 0:12:10 | |
I'm doing the talking now. Remember? | 0:12:10 | 0:12:12 | |
Commander, doesn't it strike you as odd | 0:12:12 | 0:12:16 | |
that the person who retrieved the tracking logs | 0:12:16 | 0:12:18 | |
that put us at the site of the theft | 0:12:18 | 0:12:20 | |
is the same person who found the stolen painting? | 0:12:20 | 0:12:23 | |
What are you suggesting? | 0:12:23 | 0:12:25 | |
-ALARM RINGS -What is that? -Something's wrong. | 0:12:28 | 0:12:30 | |
The bridge. | 0:12:30 | 0:12:31 | |
Wait, you're all still under arrest! | 0:12:31 | 0:12:34 | |
If something is wrong, you're going to need us. | 0:12:34 | 0:12:36 | |
You can arrest us again later. | 0:12:36 | 0:12:39 | |
Whoa! | 0:12:44 | 0:12:45 | |
-False alarm. -What would set off an alarm like that? | 0:12:51 | 0:12:54 | |
Not what, who? | 0:12:54 | 0:12:56 | |
Who was the last person on the bridge? | 0:12:57 | 0:12:59 | |
Captain Hernandez. | 0:12:59 | 0:13:01 | |
THUDDING What was that? | 0:13:06 | 0:13:08 | |
No! | 0:13:11 | 0:13:13 | |
The Ephemocron! | 0:13:13 | 0:13:15 | |
There must be a reason Hernandez made his move now. | 0:13:19 | 0:13:22 | |
Check the last transmission. | 0:13:22 | 0:13:24 | |
There! | 0:13:24 | 0:13:25 | |
Coordinates for something. | 0:13:25 | 0:13:28 | |
The Minerva? | 0:13:28 | 0:13:29 | |
Look at the intricate sculpting along the edges. | 0:13:29 | 0:13:33 | |
The hand-cut precision. | 0:13:33 | 0:13:35 | |
Yeah, I like that it's kind of, er...shiny. | 0:13:35 | 0:13:38 | |
Shiny? What incredible insight. | 0:13:38 | 0:13:41 | |
I don't really get art. | 0:13:41 | 0:13:42 | |
-Clearly. -If our employer just wants this thing, | 0:13:42 | 0:13:45 | |
what happens to the rest of the stuff? | 0:13:45 | 0:13:48 | |
The rest of this spectacular collection is mine to keep. | 0:13:48 | 0:13:52 | |
Or sell for millions. | 0:13:52 | 0:13:54 | |
Oh, now I appreciate art. | 0:13:54 | 0:13:56 | |
Fontaine. | 0:13:59 | 0:14:00 | |
Ant, what's happening? | 0:14:00 | 0:14:02 | |
I'm still on the Minerva with the thieves. | 0:14:02 | 0:14:04 | |
Hernandez is working with them. | 0:14:04 | 0:14:06 | |
What?! | 0:14:06 | 0:14:07 | |
Fontaine, are you OK? | 0:14:12 | 0:14:14 | |
Argh! | 0:14:14 | 0:14:15 | |
Yeah, just fine! | 0:14:18 | 0:14:19 | |
Ant, behind you! | 0:14:20 | 0:14:22 | |
-Huh? -No! | 0:14:22 | 0:14:24 | |
No sign of Hernandez. | 0:14:24 | 0:14:26 | |
Radio your fleet. We will converge on this position... | 0:14:26 | 0:14:30 | |
You do not issue orders to my people... | 0:14:30 | 0:14:32 | |
You're wasting our time arguing. | 0:14:32 | 0:14:33 | |
Our kids are out there doing your job. | 0:14:33 | 0:14:36 | |
OK. Let's go. | 0:14:39 | 0:14:41 | |
You made that fake video, didn't you? | 0:14:47 | 0:14:49 | |
You're the one trying to frame me. | 0:14:49 | 0:14:51 | |
And the salvage company that hired the Nektons? Moi. | 0:14:51 | 0:14:54 | |
Having a bad day, aren't you? | 0:14:54 | 0:14:57 | |
-You're a thief! -Is it really stealing | 0:14:57 | 0:15:00 | |
if people had all but forgotten that these artworks existed? | 0:15:00 | 0:15:05 | |
Er, yeah, it is. | 0:15:05 | 0:15:07 | |
Agree to disagree. | 0:15:07 | 0:15:08 | |
I shall be leaving here with all of this marvellous artwork in tow. | 0:15:08 | 0:15:13 | |
My vehicle should be here in three, two, one... | 0:15:13 | 0:15:18 | |
We will take the Minerva aboard my ship, | 0:15:22 | 0:15:25 | |
strip it of everything valuable, | 0:15:25 | 0:15:27 | |
then deposit it somewhere far away. | 0:15:27 | 0:15:29 | |
That can't be good. | 0:15:38 | 0:15:40 | |
Hmm. | 0:15:42 | 0:15:43 | |
Oh! | 0:15:48 | 0:15:49 | |
Grab him! | 0:15:50 | 0:15:51 | |
Oh! | 0:15:55 | 0:15:57 | |
Oh, dear. | 0:16:02 | 0:16:04 | |
I'll take that, thank you. | 0:16:06 | 0:16:08 | |
You give that back! I'm warning you! | 0:16:08 | 0:16:11 | |
'Ant, do you read? I need a little help out here. | 0:16:11 | 0:16:14 | |
-'Ant, heads up!' -I see you. | 0:16:19 | 0:16:22 | |
Hernandez, they have taken the Ephemocron piece. | 0:16:22 | 0:16:25 | |
-Stop them! -They won't get away. | 0:16:25 | 0:16:27 | |
No! | 0:16:32 | 0:16:33 | |
Stop them! | 0:16:39 | 0:16:40 | |
I'll get the cables, you handle them. | 0:16:44 | 0:16:47 | |
He's on your tail! | 0:17:00 | 0:17:01 | |
Surprise! | 0:17:22 | 0:17:24 | |
ENGINE STALLS | 0:17:32 | 0:17:34 | |
You are useless! | 0:17:36 | 0:17:37 | |
I'll capture the boy myself at any cost. | 0:17:37 | 0:17:40 | |
THUD! | 0:17:40 | 0:17:41 | |
What's the cost of a broken windshield? | 0:17:41 | 0:17:44 | |
No, you fool! Stop! | 0:17:47 | 0:17:49 | |
Last one. Whoohoo! | 0:17:52 | 0:17:55 | |
You could have warned me! | 0:17:59 | 0:18:00 | |
Sorry. | 0:18:00 | 0:18:02 | |
Ha-ha! Better hurry, you're leaking. | 0:18:04 | 0:18:07 | |
You will pay for this! | 0:18:07 | 0:18:09 | |
I'll tell that to the World Ocean Authority. | 0:18:09 | 0:18:12 | |
They're arriving any minute. | 0:18:12 | 0:18:13 | |
Oh! | 0:18:13 | 0:18:15 | |
Hey, what about me? | 0:18:21 | 0:18:23 | |
That's it. Run away! | 0:18:27 | 0:18:29 | |
Oh, yeah, oh, yeah! | 0:18:37 | 0:18:39 | |
It's good to see you safe. | 0:18:50 | 0:18:52 | |
Do you have any idea where Conger was going? | 0:18:52 | 0:18:55 | |
Er...I'm happy to see you safe as well. | 0:18:55 | 0:18:58 | |
Of course. And, with the Minerva recovered, | 0:18:58 | 0:19:01 | |
WOA will see to it that the artwork is properly protected. | 0:19:01 | 0:19:04 | |
Commander, we've recovered this from the Minerva. | 0:19:04 | 0:19:06 | |
The painting Hernandez planted was a fake. | 0:19:06 | 0:19:08 | |
This is the real Child With Kraken. | 0:19:08 | 0:19:12 | |
That's Child With Kraken? Can I see it? | 0:19:12 | 0:19:14 | |
-Oh! -We've cleaned and replaced | 0:19:16 | 0:19:18 | |
-everything that was disrupted during our search. -Everything? | 0:19:18 | 0:19:21 | |
Well... There was this one cookie that we couldn't replace. | 0:19:21 | 0:19:26 | |
One cookie? | 0:19:26 | 0:19:27 | |
Er...six cookies. | 0:19:27 | 0:19:30 | |
Thank you, Nektons. | 0:19:30 | 0:19:32 | |
WOA apologises for the misunderstanding. | 0:19:32 | 0:19:35 | |
The Nektons might sometimes be troublemakers, Commander... | 0:19:35 | 0:19:38 | |
But we are not thieves. | 0:19:38 | 0:19:40 | |
Next time you think we might be involved in something, just call us. | 0:19:40 | 0:19:44 | |
Wait, can I take a photo of Child With Kraken before you leave? | 0:19:46 | 0:19:49 | |
Are you OK? | 0:19:56 | 0:19:57 | |
We lost it, Kaiko. Without that piece of the Ephemocron, | 0:19:57 | 0:20:01 | |
we may never find the Maria. | 0:20:01 | 0:20:03 | |
Oh, yeah. I managed to liberate this from a master criminal. | 0:20:03 | 0:20:07 | |
Ta-da! | 0:20:07 | 0:20:09 | |
That's amazing! So...we lost a piece... | 0:20:09 | 0:20:12 | |
-And gained a piece. -And now we know other pieces still exist. | 0:20:12 | 0:20:16 | |
Maybe we can find them all. | 0:20:16 | 0:20:18 | |
Um, guys? I kind of just did. | 0:20:18 | 0:20:22 | |
It's the Ephemocron. All of it. | 0:20:23 | 0:20:26 | |
Huh? | 0:20:29 | 0:20:31 | |
What are you all staring at? | 0:20:31 | 0:20:33 |