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# Yeah, not going out | 0:00:02 | 0:00:04 | |
# Not staying in | 0:00:04 | 0:00:06 | |
# Just hanging around with my head in a spin | 0:00:06 | 0:00:09 | |
# But that is no need to scream and shout | 0:00:09 | 0:00:12 | |
# We're not going out | 0:00:12 | 0:00:15 | |
# We are not going out. # | 0:00:15 | 0:00:18 | |
Don't come in! Come back in 20 minutes. | 0:00:24 | 0:00:27 | |
Oh God, please say he's not. | 0:00:27 | 0:00:29 | |
That'll teach me to come home when Loose Women's on. | 0:00:29 | 0:00:32 | |
Lee, I don't exactly know what you're doing in there, | 0:00:32 | 0:00:35 | |
but this is my flat and I'm coming through the door in three seconds. | 0:00:35 | 0:00:38 | |
Two, one. | 0:00:38 | 0:00:40 | |
Do you know, I'd rather have caught you masturbating. | 0:00:44 | 0:00:47 | |
Why don't you go out and come back in again? | 0:00:47 | 0:00:49 | |
What are you doing? | 0:00:49 | 0:00:51 | |
The toaster's broken. How else am I supposed to make crumpets? | 0:00:51 | 0:00:55 | |
There are rules to lodging in my flat. | 0:00:56 | 0:00:59 | |
They don't say "no barbecues". | 0:00:59 | 0:01:01 | |
They don't say "no dog fighting" but I don't expect that either. | 0:01:01 | 0:01:04 | |
That's fine. I can cancel that. | 0:01:04 | 0:01:06 | |
Hello? I know this might sound a little weird, but how would you like to be a movie star? | 0:01:07 | 0:01:12 | |
Sorry, are you talking to me or him? | 0:01:12 | 0:01:14 | |
Neither, actually. I was talking to the apartment. | 0:01:14 | 0:01:17 | |
You'll have to excuse him, he's a bit lofty. | 0:01:19 | 0:01:21 | |
I'm Mike. I'm shooting a movie in the apartment downstairs. | 0:01:21 | 0:01:26 | |
We almost had everything in the can and then this goddamn water pipe burst. | 0:01:26 | 0:01:30 | |
The place is flooded, we can't use it. I need a place exactly the same for one day for £500. | 0:01:30 | 0:01:37 | |
Deal. | 0:01:37 | 0:01:39 | |
What have we just been talking about? | 0:01:39 | 0:01:41 | |
-Masturba... -No! | 0:01:42 | 0:01:44 | |
Sweetheart, at the risk of sounding like Noel Edmonds, deal or no deal? | 0:01:45 | 0:01:49 | |
Thank God for that, I thought you were going to call her Blobby. | 0:01:49 | 0:01:53 | |
No deal. No offence, I'm just a bit particular about what goes on in this flat. | 0:01:53 | 0:01:57 | |
No offence, but you're having a barbecue. | 0:01:57 | 0:01:59 | |
Which Lee is about to take downstairs and dispose of before I cook him a sausage. | 0:01:59 | 0:02:04 | |
We haven't got any sa... I get it! | 0:02:04 | 0:02:06 | |
Crumpet? | 0:02:12 | 0:02:14 | |
You'll have to excuse my lodger, she gets a bit fussy about these things. | 0:02:14 | 0:02:18 | |
-So you own this place? -Absolutely. | 0:02:18 | 0:02:20 | |
And when it comes to making the decisions, I wear the trousers. | 0:02:20 | 0:02:24 | |
They're still trousers, count the legs! Anyway, the point is, I'm willing to negotiate. | 0:02:25 | 0:02:30 | |
-Negotiate? -I'm thinking a man who's willing to pay £500 is probably willing to pay £1,000. | 0:02:30 | 0:02:36 | |
And I'm thinking a guy that has indoor barbecues in his pyjamas is willing to accept £100. | 0:02:36 | 0:02:42 | |
The offer is £500. | 0:02:42 | 0:02:45 | |
£950? | 0:02:45 | 0:02:47 | |
£80. | 0:02:49 | 0:02:50 | |
-£500. -Deal. | 0:02:54 | 0:02:57 | |
I'll see you tomorrow morning at 8.00. | 0:02:57 | 0:03:00 | |
8.00? My land...lodger doesn't leave till much later than that, and she'd only be in the way. | 0:03:00 | 0:03:05 | |
Why don't we say 9.00am? | 0:03:05 | 0:03:06 | |
How about 7.30? | 0:03:06 | 0:03:08 | |
I'll see you at 8.00am. | 0:03:09 | 0:03:11 | |
Tim, I think you're making a big mistake. Why would you want to pack your job in? | 0:03:15 | 0:03:21 | |
Because I want to do something more exciting, more dangerous. | 0:03:21 | 0:03:24 | |
Something that makes you wonder whether you'll be alive at the end of the day | 0:03:24 | 0:03:27 | |
and when you are, you know you've stared at death and laughed in his face. | 0:03:27 | 0:03:31 | |
And is accountancy not doing that for you? | 0:03:31 | 0:03:34 | |
-What are you two talking about? -I'm looking for a new job. | 0:03:35 | 0:03:38 | |
-Why, have you been caught stealing Blu-tak from the stationery cupboard? -That was a one-off. | 0:03:38 | 0:03:43 | |
Why can't society forget and allow a man to rebuild his life? | 0:03:43 | 0:03:48 | |
-If you must know, I'm thinking of moving on to something new. -Paperclips? | 0:03:48 | 0:03:52 | |
-What's brought this on? I thought you liked your job. -It's OK, I suppose. | 0:03:52 | 0:03:56 | |
But a senior accounts co-ordinator with a mid-level brokerage firm | 0:03:56 | 0:04:00 | |
-is not exactly what I dreamt about when I was a kid. -Yes, it was. | 0:04:00 | 0:04:04 | |
OK, yes, it was, but it turned out to be a whole lot less of a thrill than I hoped. | 0:04:04 | 0:04:08 | |
-What did you want to do when you were a kid, Lee? -Nothing. | 0:04:08 | 0:04:12 | |
Well, that's nice, we both got what we wanted. | 0:04:12 | 0:04:14 | |
Well, I think you should stick with it. It's a well-paid and secure position. | 0:04:16 | 0:04:22 | |
HE MOUTHS | 0:04:22 | 0:04:25 | |
SHE MOUTHS | 0:04:25 | 0:04:26 | |
Right, I'm going to go. | 0:04:27 | 0:04:29 | |
Where? | 0:04:29 | 0:04:31 | |
Milk a cow. | 0:04:34 | 0:04:36 | |
Pick up my car... | 0:04:40 | 0:04:43 | |
from the dairy. | 0:04:43 | 0:04:45 | |
-You see, the thing about my job is this. -I don't give a monkeys. | 0:04:50 | 0:04:53 | |
I just needed her gone because I need to ask you a favour. | 0:04:53 | 0:04:56 | |
The thing is, I need you to offer to give Lucy a lift tomorrow morning | 0:04:56 | 0:05:00 | |
-very early to work because I need her out of the flat. -Why? | 0:05:00 | 0:05:03 | |
OK, I'll come straight out with it. | 0:05:03 | 0:05:05 | |
Honesty's the best policy. | 0:05:05 | 0:05:07 | |
I'm having the carpet cleaned. | 0:05:07 | 0:05:09 | |
I spilt some red wine, I've hidden the stain under the sofa | 0:05:09 | 0:05:12 | |
and I want to get it sorted out before she finds it. | 0:05:12 | 0:05:16 | |
-OK, fine. -Great. | 0:05:16 | 0:05:18 | |
But why am I left with this horrible feeling that you're up to something? | 0:05:18 | 0:05:22 | |
Hand on heart, Tim, all I'm trying to do is clean up. | 0:05:22 | 0:05:26 | |
Morning. | 0:05:35 | 0:05:36 | |
Morning. | 0:05:36 | 0:05:37 | |
Tim's downstairs. | 0:05:37 | 0:05:39 | |
You trying to get rid of me? | 0:05:39 | 0:05:41 | |
No. | 0:05:41 | 0:05:42 | |
So, Friday night, I'm guessing you'll be back late, drinks and all that? | 0:05:42 | 0:05:46 | |
-Actually, I was thinking of coming straight home. Thought I might see a film. -Yeah, you might. | 0:05:46 | 0:05:51 | |
I just bought that new Sex And The City DVD if you fancy it. | 0:05:53 | 0:05:56 | |
-Already seen it. -Any good? | 0:05:56 | 0:05:58 | |
Bit too much city for my liking. | 0:05:58 | 0:06:00 | |
So what time roughly? | 0:06:01 | 0:06:04 | |
-Oh, I don't know. Half-eight. -Great. | 0:06:04 | 0:06:06 | |
-I'll see you then. -Or earlier. | 0:06:06 | 0:06:09 | |
I might pop back for lunch. | 0:06:09 | 0:06:11 | |
Oh, don't do that. Why don't you go to that place I took you for lunch? | 0:06:11 | 0:06:15 | |
-You know, with the nice sandwiches and the scented candles. -Boots? | 0:06:15 | 0:06:20 | |
Yeah. Anyway, you won't be able to pop back because you won't have your car cos Tim's taking you. | 0:06:20 | 0:06:24 | |
Oh yeah. | 0:06:24 | 0:06:25 | |
Why am I smelling a rat? | 0:06:29 | 0:06:31 | |
Have you tried Listerine? | 0:06:31 | 0:06:33 | |
So, have you ever met Al Pacino? | 0:06:44 | 0:06:46 | |
No. | 0:06:47 | 0:06:48 | |
I met his brother once. | 0:06:48 | 0:06:51 | |
-Did you? -Yeah. | 0:06:51 | 0:06:52 | |
Cappuccino! | 0:06:52 | 0:06:55 | |
He wasn't my cup of tea. | 0:06:55 | 0:06:57 | |
OK, you guys, positions. | 0:06:57 | 0:07:00 | |
We're almost ready for a take. | 0:07:00 | 0:07:03 | |
Right, mate, you promise you'll be out of here 8.30 tonight at the latest? | 0:07:03 | 0:07:07 | |
Well, if you go and leave us to it, I guess we can get wrapped by five. | 0:07:07 | 0:07:12 | |
-8.30'll be fine. -All right, just like rehearsals. | 0:07:12 | 0:07:17 | |
I want the dialogue by the window, then you come down here, hit your mark, right in front of the camera, | 0:07:17 | 0:07:23 | |
sit down on that coffee table, and that, sweetheart, is when you give him the blow job. | 0:07:23 | 0:07:28 | |
You happy? | 0:07:34 | 0:07:35 | |
Ron? Jane? | 0:07:35 | 0:07:37 | |
What time's Freddie getting here? | 0:07:37 | 0:07:39 | |
Rolling. | 0:07:40 | 0:07:43 | |
And...action! | 0:07:43 | 0:07:45 | |
How the hell are we going to break into this bank without a weapon? | 0:07:45 | 0:07:49 | |
I just can't get my head around it. | 0:07:49 | 0:07:51 | |
Don't worry, baby, I've got something else you can get your head round. | 0:07:51 | 0:07:57 | |
And trust me, this weapon is always cocked and loaded. | 0:07:57 | 0:08:01 | |
Oh, if it's the weapon I think you mean, I think it's ready to be slipped into its holster! | 0:08:01 | 0:08:07 | |
This is a porn film! | 0:08:07 | 0:08:09 | |
What the hell was that? | 0:08:12 | 0:08:14 | |
Audio descriptive service for the blind. | 0:08:14 | 0:08:17 | |
The people that come to see my movies aren't blind, buddy. | 0:08:18 | 0:08:21 | |
Not to begin with, maybe. | 0:08:21 | 0:08:23 | |
This is a legitimate piece of cinema. It's a...a crime thriller. | 0:08:23 | 0:08:28 | |
Oh, which one's Miss Marple and which one's Hetty Wainthropp? | 0:08:28 | 0:08:33 | |
All right, it's an erotic thriller. | 0:08:33 | 0:08:35 | |
But it's still a credible piece of movie-making. | 0:08:35 | 0:08:38 | |
It asks profound questions about the human condition | 0:08:38 | 0:08:41 | |
and its ability to cope with complex emotional issues. | 0:08:41 | 0:08:44 | |
-What's it called? -Sluts in Heat 2. | 0:08:44 | 0:08:47 | |
-Get out of the flat. -What? | 0:08:50 | 0:08:52 | |
Get out of the flat. | 0:08:52 | 0:08:55 | |
You signed a contract. | 0:08:55 | 0:08:57 | |
If you fail to provide a location, then you are liable for the personal cost of £5,000. | 0:08:57 | 0:09:03 | |
And if Lucy finds out I've been using her flat to make porn films, | 0:09:03 | 0:09:06 | |
I'm liable for the personal cost of my nads. | 0:09:06 | 0:09:08 | |
Her flat? | 0:09:08 | 0:09:10 | |
You told me it was your flat. | 0:09:10 | 0:09:12 | |
Go on, get out. | 0:09:12 | 0:09:13 | |
No. | 0:09:15 | 0:09:16 | |
-What? -We're not leaving till we make our movie. | 0:09:16 | 0:09:19 | |
Well, you can't make your movie with a broken mic, can you? | 0:09:19 | 0:09:24 | |
I'll scream! | 0:09:26 | 0:09:27 | |
All right, maybe we should leave. | 0:09:27 | 0:09:29 | |
-And as soon as I sue your ass, this Lucy's going to find out we were here. -She might not. | 0:09:29 | 0:09:34 | |
She will when I slip something through her letterbox. | 0:09:34 | 0:09:36 | |
Oh, you lot just never switch off, do you? | 0:09:36 | 0:09:39 | |
Of course, if you just leave us to it, you get your money, we get our movie, everybody's happy. | 0:09:41 | 0:09:47 | |
-What do you say? -Looks like I haven't got a choice, doesn't it? -Right! | 0:09:47 | 0:09:50 | |
We're doing it again. Positions. | 0:09:50 | 0:09:53 | |
Missionary, doggy style, piledriver. | 0:09:53 | 0:09:56 | |
Oh sorry, I thought we were brainstorming. | 0:09:56 | 0:09:58 | |
Don't we have a slight problem here? He's broken the boom? | 0:09:58 | 0:10:01 | |
I wouldn't worry about that. I got an idea. | 0:10:01 | 0:10:04 | |
Action. | 0:10:09 | 0:10:10 | |
What if the cops come after us? | 0:10:10 | 0:10:12 | |
Relax, it's London. | 0:10:12 | 0:10:14 | |
All they have is truncheons, and, trust me, my truncheon can top any guy. | 0:10:14 | 0:10:19 | |
Oh, yeah? What's so special about your truncheon, honey pie? | 0:10:19 | 0:10:23 | |
Let's just say you won't be in any doubt when you've been banged by this little baby. | 0:10:23 | 0:10:28 | |
Oh, well, maybe you should prove to me just how big it is. | 0:10:28 | 0:10:34 | |
Trust me, when you see this thing, you'll know it's huge. | 0:10:34 | 0:10:37 | |
-I've been told by some it's unnaturally big. -Cut! | 0:10:37 | 0:10:41 | |
What the hell are you doing?! | 0:10:43 | 0:10:45 | |
I'm doing my best is what I'm doing. | 0:10:45 | 0:10:47 | |
I feel like a midget working in a car wash. | 0:10:47 | 0:10:50 | |
A midget working in a car wash? | 0:10:52 | 0:10:54 | |
That's a good scenario. | 0:10:54 | 0:10:58 | |
Make a note of that. | 0:10:58 | 0:11:00 | |
All right, let's change positions and see if that helps. | 0:11:00 | 0:11:03 | |
In fact, let's just skip to the scene where you just start whipping his ass. | 0:11:03 | 0:11:07 | |
OK, Rod, put on your dog collar and get on all fours. | 0:11:07 | 0:11:11 | |
Sorry, was that you or did Orson Welles just turn up? | 0:11:11 | 0:11:14 | |
You see, Rod, those four years at RADA weren't wasted. You finally got the lead. | 0:11:14 | 0:11:18 | |
OK, rolling and... | 0:11:20 | 0:11:23 | |
action. | 0:11:23 | 0:11:24 | |
Ooh, you naughty, naughty, filthy, dirty dog. | 0:11:24 | 0:11:28 | |
What is that smell? | 0:11:28 | 0:11:30 | |
It's not a BAFTA, that's for sure. | 0:11:30 | 0:11:32 | |
You're all covered in mud. Now I'm going to have to sponge you down. | 0:11:32 | 0:11:39 | |
Oh, oh, oh, oh, oh! | 0:11:39 | 0:11:45 | |
Look at the mess on my carpet! | 0:11:45 | 0:11:48 | |
That's a novel way of getting rid of wine stains! | 0:11:51 | 0:11:54 | |
Tim, will you just calm down? | 0:12:04 | 0:12:06 | |
I'm sorry that I lied to you, but they were just going to have a bit of a cuddle. | 0:12:06 | 0:12:10 | |
Oh yeah, was he going to roll over and have his tummy tickled? | 0:12:10 | 0:12:14 | |
I've played Pictionary on that rug. | 0:12:14 | 0:12:16 | |
And now you're allowing two strangers to film... | 0:12:18 | 0:12:21 | |
rumpy-pumpy on it?! | 0:12:21 | 0:12:23 | |
OK, I'll be honest, there's a little bit of adult content, but that's Hollywood. | 0:12:23 | 0:12:28 | |
All the big stars have to do sex scenes. Mickey Rourke, Glenn Close, Sharon Stone. | 0:12:28 | 0:12:33 | |
Why should it be any different for... | 0:12:33 | 0:12:35 | |
Rod Hardpole and... | 0:12:35 | 0:12:38 | |
Janey Flangelove? | 0:12:38 | 0:12:39 | |
-Look, it's a legitimate film. -Oh, is that right? | 0:12:42 | 0:12:45 | |
Do you really think John Nettles would appear in a dirty movie? | 0:12:46 | 0:12:51 | |
John Nettles? | 0:12:53 | 0:12:55 | |
-THE John Nettles? -Yep. | 0:12:55 | 0:12:57 | |
John "keeper of law and order on the otherwise dangerous island of Jersey, | 0:12:57 | 0:13:01 | |
"to say nothing of his crime-fighting abilities in Midsomer Murders" Nettles? | 0:13:01 | 0:13:05 | |
-That is he. -Is he coming here? | 0:13:05 | 0:13:09 | |
No, he's in LA, doing all the action bits. | 0:13:09 | 0:13:11 | |
These lot are the baddies, a bunch of degenerate, sex-obsessed bank robbers. | 0:13:11 | 0:13:15 | |
Not for much longer. Wait till Bergerac catches up with you! | 0:13:15 | 0:13:18 | |
-But Lucy still needs to be told what's going on. -No, she doesn't. | 0:13:21 | 0:13:24 | |
You know what Lucy's like. She'll worry, stop us filming and miss out on all that money. | 0:13:24 | 0:13:28 | |
-So you're giving her the money, are you? -Of course. I've got some scruples, Tim. | 0:13:28 | 0:13:32 | |
How much is it? | 0:13:32 | 0:13:33 | |
£200. | 0:13:33 | 0:13:35 | |
OK, I'll keep quiet. | 0:13:37 | 0:13:39 | |
-Thanks, Tim. -On one condition... | 0:13:39 | 0:13:42 | |
you get me a walk-on part in the film. | 0:13:42 | 0:13:44 | |
-What? -You heard. | 0:13:48 | 0:13:51 | |
I'm looking for a more exciting career path. Maybe this is fate. | 0:13:51 | 0:13:54 | |
It only has to be a tiny little part. | 0:13:54 | 0:13:56 | |
I have no doubt that it would be. | 0:13:59 | 0:14:02 | |
Tim, I can't get you a part in this film and you are not an actor. | 0:14:02 | 0:14:06 | |
OK, no problem. | 0:14:06 | 0:14:08 | |
-I'll just drift off home anyway and don't worry, I won't say a word to Lucy. -Really? | 0:14:08 | 0:14:13 | |
See, you believed that bit of acting, didn't you? | 0:14:13 | 0:14:16 | |
Trust me, we've got no choice. | 0:14:21 | 0:14:23 | |
If Tim goes running to Lucy, everyone's screwed. | 0:14:23 | 0:14:25 | |
Or, more to the point, no-one is. | 0:14:25 | 0:14:28 | |
Lucy will throw us both out of the flat. | 0:14:28 | 0:14:30 | |
You'll have nowhere to film Sluts In Heat 2, I'll have nowhere to watch Sluts In Heat 1. | 0:14:30 | 0:14:35 | |
Just give him a tiny little walk-on part and nothing that involves any bad language or nudity. | 0:14:35 | 0:14:40 | |
-Jesus Christ! -If you've got the false beard, that would be perfect. | 0:14:40 | 0:14:44 | |
I guess he could stand in for Rod, right up till the sex scene, | 0:14:44 | 0:14:48 | |
you know, as the pizza guy. | 0:14:48 | 0:14:50 | |
Won't the audience spot it's a different person? | 0:14:50 | 0:14:52 | |
We won't see his face, just his helmet. | 0:14:52 | 0:14:55 | |
There is no way Tim is going to allow you to... His motorbike helmet! Perfect. | 0:14:55 | 0:15:00 | |
Rod, give that dopey guy your pizza outfit, then put your gimp suit on. | 0:15:00 | 0:15:04 | |
For the last time, it doesn't really matter what your motivation is. | 0:15:08 | 0:15:14 | |
Yeah, I know, but I was thinking, and it's just a suggestion, | 0:15:14 | 0:15:17 | |
perhaps I'm from an Italian family and I've taken this job | 0:15:17 | 0:15:20 | |
to please my father. But actually, | 0:15:20 | 0:15:23 | |
I'm saving the tips to finance my real dream of studying tropical medicine. | 0:15:23 | 0:15:26 | |
Great. That'll really lift it. | 0:15:26 | 0:15:29 | |
What's my line again? | 0:15:29 | 0:15:31 | |
"Who ordered pizza?" | 0:15:31 | 0:15:32 | |
Sorry to go on. I do have a reputation for being anal. | 0:15:33 | 0:15:36 | |
I'd keep that to yourself today! | 0:15:36 | 0:15:38 | |
Positions! | 0:15:38 | 0:15:40 | |
You forgot this. | 0:15:44 | 0:15:46 | |
Hang on, there's no pizza inside. | 0:15:49 | 0:15:51 | |
And why is there's a hole cut into the bottom? | 0:15:51 | 0:15:54 | |
So that just before we open the box you can slip your penis through. | 0:15:54 | 0:15:57 | |
Isn't that a little unhygienic? | 0:16:01 | 0:16:03 | |
Janey, get ready for your scene. | 0:16:04 | 0:16:06 | |
This is definitely not Bergerac! | 0:16:11 | 0:16:13 | |
This is a porn film! | 0:16:21 | 0:16:22 | |
OK, before you barge in there, stop this film and throw Lee out of the window, | 0:16:25 | 0:16:30 | |
just remember, he's your best friend, and things could always be worse. | 0:16:30 | 0:16:34 | |
-Hi, darling. -See? | 0:16:34 | 0:16:36 | |
I've been looking every where for you. Why are you dressed like that? | 0:16:38 | 0:16:43 | |
It's my new job. I told you I was looking for a new career path. | 0:16:43 | 0:16:48 | |
Tim, you're a qualified accountant! | 0:16:48 | 0:16:50 | |
Yeah, but it's actually always been a secret dream of mine | 0:16:50 | 0:16:54 | |
to work for the... | 0:16:54 | 0:16:56 | |
Hot and Meaty Sausage Company. | 0:16:56 | 0:16:59 | |
But you can't ride a motorbike. | 0:16:59 | 0:17:02 | |
-I'm doing it on foot. -So why are you wearing a helmet? | 0:17:02 | 0:17:05 | |
I know, it's health and safety gone mad. | 0:17:05 | 0:17:08 | |
And why are you delivering to Lee? | 0:17:08 | 0:17:10 | |
Well, he ordered the first one, you know, to help get me started. | 0:17:10 | 0:17:14 | |
This was all his idea, wasn't it? | 0:17:14 | 0:17:16 | |
I knew I shouldn't have left him to talk to you in the pub. | 0:17:16 | 0:17:19 | |
I think I need to have a word with Lee. | 0:17:19 | 0:17:21 | |
KNOCKS AT DOOR | 0:17:21 | 0:17:22 | |
Right, Lee, what's all this business about you encouraging Tim to resign from his job? | 0:17:28 | 0:17:33 | |
Well, don't just stand there all innocent, like butter wouldn't melt. | 0:17:36 | 0:17:42 | |
This pizza's cold. I'll go and get you another one. | 0:17:42 | 0:17:45 | |
Do you want to give me a hand delivering these pizzas? | 0:17:45 | 0:17:48 | |
He's not coming back, is he? | 0:17:52 | 0:17:55 | |
We're going back to Plan A. Rod, you're the pizza delivery guy again. | 0:17:55 | 0:17:59 | |
How can I be pizza guy when that loser's run off with my costume? | 0:17:59 | 0:18:03 | |
When do you ever see a guy on a motorbike dressed like this?! | 0:18:03 | 0:18:07 | |
"Gimp My Ride"? | 0:18:07 | 0:18:09 | |
Tim won't let us down. | 0:18:09 | 0:18:12 | |
Trust me. He's going to come walking through that door any minute now. | 0:18:12 | 0:18:16 | |
And look on the bright side, if he's late, at least you get a pound off. | 0:18:18 | 0:18:23 | |
Hello. | 0:18:23 | 0:18:24 | |
Strange question, have you got any pizzas you'd like me to deliver? | 0:18:24 | 0:18:28 | |
I don't want payment, I just like delivering pizzas. | 0:18:30 | 0:18:34 | |
12 ham and pineapple, please. | 0:18:36 | 0:18:38 | |
I've just thought of something. That outfit that Lee was wearing. | 0:18:45 | 0:18:48 | |
-Outfit? -In the flat just now, the leather swimming trunks. | 0:18:48 | 0:18:52 | |
Oh yes, those. | 0:18:52 | 0:18:55 | |
Lee's, um, learning to swim but he's quite scared of the water, | 0:18:55 | 0:18:59 | |
-so he's getting used to wearing the trunks around the flat first. -What about the rubber gimp mask? | 0:18:59 | 0:19:05 | |
-Yes, well, there's a very simple explanation for that too. -Which is? | 0:19:05 | 0:19:10 | |
Lee's a sexual deviant. | 0:19:13 | 0:19:15 | |
Oh, right. | 0:19:15 | 0:19:17 | |
-I would've told you before but he's a bit embarrassed about it. -There's no need to be. | 0:19:17 | 0:19:22 | |
I didn't learn to swim till I was 22! | 0:19:22 | 0:19:24 | |
OK, you're right. He's not coming back, is he? | 0:19:28 | 0:19:31 | |
-You're going to have to do something else and quickly. -Right. To hell with this. | 0:19:31 | 0:19:35 | |
Forget the pizza scene. Rod, take Jane into the kitchen and bang her over the sink. | 0:19:35 | 0:19:39 | |
Great. There's a couple of pans that need scouring, if you could work that into it. | 0:19:39 | 0:19:43 | |
Oi, come on. | 0:19:45 | 0:19:46 | |
Yeah, I'm going to need a few minutes to, you know... | 0:19:46 | 0:19:49 | |
What, you mean little Jimmy Krankie? | 0:19:49 | 0:19:52 | |
-Yes. -How long's that going to take? | 0:19:52 | 0:19:54 | |
-God knows. -We haven't got time for this, mate. | 0:19:54 | 0:19:58 | |
Look, Jane's ready. She's a real old pro. | 0:19:58 | 0:20:01 | |
No offence, love. | 0:20:01 | 0:20:03 | |
I bet you think my job's real easy, huh? | 0:20:03 | 0:20:06 | |
I bet you look at her and you think, "piece of cake"? | 0:20:06 | 0:20:10 | |
I don't think "piece of cake". | 0:20:10 | 0:20:11 | |
What do you think? | 0:20:11 | 0:20:13 | |
Baps. | 0:20:15 | 0:20:16 | |
Well, it's not and that's why I need time. | 0:20:19 | 0:20:22 | |
We haven't got time, mate! | 0:20:22 | 0:20:23 | |
So if you don't get in there now, I will personally come over there and fluff you up myself! | 0:20:23 | 0:20:28 | |
Bring it on. | 0:20:28 | 0:20:30 | |
Get off me, you lunatic! | 0:20:34 | 0:20:36 | |
I mean it! Get it out now and start thinking of Felicity Kendal! | 0:20:36 | 0:20:40 | |
CRASHING | 0:20:40 | 0:20:42 | |
That's it. No more. | 0:20:45 | 0:20:49 | |
-I quit. -What? | 0:20:49 | 0:20:51 | |
I have had it up to here. | 0:20:51 | 0:20:54 | |
Oh, impressive! | 0:20:54 | 0:20:55 | |
Oh, dear. Now what? | 0:20:58 | 0:21:01 | |
I'll tell you what, we finish making our movie. | 0:21:02 | 0:21:05 | |
How? He's downed tools. | 0:21:05 | 0:21:09 | |
Well, tool. Actually, it was already down. | 0:21:09 | 0:21:13 | |
-Looks like we need a new actor now, doesn't it? -To do the pizza bit? | 0:21:13 | 0:21:17 | |
To do everything. | 0:21:17 | 0:21:19 | |
Are you proposing that I act in a scene with a female porn star? I wouldn't dream of it! | 0:21:19 | 0:21:24 | |
All right, I would dream of it. I have dreamt of it, | 0:21:24 | 0:21:27 | |
but that's not the point. No chance. | 0:21:27 | 0:21:30 | |
You don't do it, not only will your landlady kill you, I will too. | 0:21:30 | 0:21:35 | |
-I wouldn't know what to do! I've only ever seen the first few minutes! -Look, pal, | 0:21:35 | 0:21:39 | |
we have a contract and I'm not leaving this apartment till I make my porno film. | 0:21:39 | 0:21:44 | |
You said it was an erotic thriller. | 0:21:44 | 0:21:47 | |
No, chum, it's a porno. | 0:21:47 | 0:21:49 | |
Hard-core, X-rated filth, and you, my friend, are my new male lead. | 0:21:49 | 0:21:55 | |
Oh. My mum would be so proud! | 0:21:55 | 0:21:57 | |
-I didn't place an order. -I know you didn't. -Speak up. | 0:22:03 | 0:22:06 | |
I know you didn't place an order. It's free. Please just take it. | 0:22:06 | 0:22:10 | |
-But I don't like pineapple. -Then pick them off! | 0:22:10 | 0:22:12 | |
What the hell is going on? | 0:22:19 | 0:22:21 | |
Tim has got a new job delivering pizza. It was Lee's idea. | 0:22:21 | 0:22:25 | |
Oh, bloody Lee, always has to drag you down to his level. | 0:22:25 | 0:22:29 | |
Oh, don't worry. He hasn't sunk quite as low as Lee. | 0:22:29 | 0:22:33 | |
Lee's become a sexual deviant. | 0:22:33 | 0:22:36 | |
What? | 0:22:36 | 0:22:37 | |
He's using your flat for some kind of sado-masochistic bondage session. | 0:22:37 | 0:22:42 | |
Just wait till I get my hands on him. I'm going to strangle him! | 0:22:42 | 0:22:46 | |
He'd probably enjoy that. | 0:22:46 | 0:22:48 | |
I'm sorry, Vanessa, drinks are cancelled. | 0:22:48 | 0:22:52 | |
Take me home. Now. | 0:22:52 | 0:22:54 | |
Oh, today just keeps on giving, doesn't it? | 0:22:55 | 0:22:58 | |
Three, two, one, action! | 0:23:05 | 0:23:08 | |
This is a waste of a perfectly good melon. | 0:23:21 | 0:23:24 | |
Don't worry, you'll be using the other half later. Start acting. | 0:23:24 | 0:23:30 | |
I feel like I'm in a nightmare version of Jim'll Fix It. | 0:23:30 | 0:23:34 | |
Say the line! | 0:23:34 | 0:23:36 | |
-Who ordered pizza? -Give it to me. | 0:23:37 | 0:23:41 | |
Improvise, for Christ's sake! | 0:23:42 | 0:23:44 | |
OK, I will, and you're going to love it. | 0:23:44 | 0:23:47 | |
It's 12 inches, piping hot, and the base is thin and... Not thin. | 0:23:47 | 0:23:51 | |
I mean, it's got a cheesy crust. I'll start again. | 0:23:51 | 0:23:54 | |
Who ordered pizza? Feel free to remove your own toppings. | 0:23:58 | 0:24:02 | |
Oh, well, maybe I will. | 0:24:02 | 0:24:05 | |
Oh, it's so hot in here tonight. | 0:24:05 | 0:24:08 | |
Yes, it is, but the good news is, the hosepipe ban's been lifted. | 0:24:08 | 0:24:14 | |
-Cut! -What? That was a perfectly good bit of innuendo. | 0:24:14 | 0:24:17 | |
It wasn't sexy, Lee. Tease her a bit. | 0:24:17 | 0:24:20 | |
All right, Big Ears, how's Noddy? | 0:24:22 | 0:24:23 | |
Just start undressing her. | 0:24:26 | 0:24:29 | |
Can you go out the room? | 0:24:35 | 0:24:37 | |
I've got to film the damn thing! | 0:24:37 | 0:24:39 | |
Close your eyes. | 0:24:40 | 0:24:42 | |
I can't close my eyes, I'm directing. Action! | 0:24:42 | 0:24:45 | |
-Can I close my eyes? -No. | 0:24:46 | 0:24:48 | |
Oh, oh... | 0:24:51 | 0:24:54 | |
Well, say something. | 0:24:54 | 0:24:56 | |
Sorry for staring at your tits! | 0:24:56 | 0:24:58 | |
Call her a tramp. Tell her what you're going to do to her! | 0:24:59 | 0:25:03 | |
What, give her 50p for a cup of tea? | 0:25:03 | 0:25:05 | |
Why would I want to have sex with a tramp? | 0:25:05 | 0:25:08 | |
Because your landlady'll be home any moment now. | 0:25:08 | 0:25:12 | |
Action! Get 'em off, sweetcheeks. | 0:25:13 | 0:25:16 | |
Oh, you're so forceful. What are you going to do to me? | 0:25:16 | 0:25:19 | |
I'm going to show you a good time, aren't I, you dirty, smelly, big-eared homeless person. | 0:25:19 | 0:25:26 | |
Oh, yeah? | 0:25:26 | 0:25:27 | |
Yeah. Now, get that cardie off or you won't feel the benefit! | 0:25:27 | 0:25:32 | |
Just forget the dialogue and start making love to her now. | 0:25:33 | 0:25:39 | |
I will, if it'll stop you shouting at me! | 0:25:39 | 0:25:41 | |
Where are you going? | 0:25:41 | 0:25:43 | |
Put my pyjamas on, brush my teeth. | 0:25:43 | 0:25:45 | |
No, let's just forget the acting altogether and go right for the big money shot. | 0:25:45 | 0:25:50 | |
Here's your big moment, Lee. | 0:25:50 | 0:25:54 | |
Oh, my God. | 0:25:54 | 0:25:56 | |
I've had enough. This time he's packing his bags and leaving. | 0:25:56 | 0:25:59 | |
Why don't we calm down, go for a drink and discuss this? | 0:25:59 | 0:26:01 | |
Well, let's invite Lee while we're here, although he might need a straw if he's still got his gimp mask on. | 0:26:01 | 0:26:08 | |
Not only does he treat my flat like he owns it, he's now using the place for his depraved sex games. | 0:26:08 | 0:26:13 | |
Come on, Lucy, that just shows how irrational you're being. | 0:26:13 | 0:26:16 | |
Lee is far from perfect, but if there's one thing he isn't, it's a sexual deviant. | 0:26:16 | 0:26:20 | |
< BRAYING NOISES | 0:26:20 | 0:26:22 | |
Maybe he's playing Buckaroo. | 0:26:26 | 0:26:27 | |
You're back early. | 0:26:40 | 0:26:42 | |
Look, no barbecue. | 0:26:44 | 0:26:47 | |
You said you weren't going to be back till half past eight. | 0:26:58 | 0:27:01 | |
I don't know if I'll ever be able to trust you again. | 0:27:01 | 0:27:05 | |
I should throw you out right now. | 0:27:05 | 0:27:08 | |
He was going to sue me. | 0:27:08 | 0:27:10 | |
No, he wasn't. I asked the flat downstairs, there was never a leak. | 0:27:10 | 0:27:13 | |
She just threw them out when she realised it was porn. | 0:27:13 | 0:27:16 | |
Well, hadn't she signed a contract? | 0:27:16 | 0:27:18 | |
No, Lee, she'd signed a six-month warranty on a tumble dryer. | 0:27:18 | 0:27:21 | |
The same as you if you'd bothered to read it. | 0:27:21 | 0:27:25 | |
Right. Well, look on the bright side, I may have gone behind your back and allowed a porn film | 0:27:25 | 0:27:30 | |
involving bestiality to be filmed in your living room, but if your tumble dryer ever breaks down... | 0:27:30 | 0:27:35 | |
-You're only staying here on two conditions. -Which are? | 0:27:35 | 0:27:38 | |
Firstly, stop treating the flat like you own it and, secondly, get a job. | 0:27:38 | 0:27:44 | |
And, as luck would have it, I've found one for you. | 0:27:44 | 0:27:48 | |
Pizza delivery boy? You've got to be joking. | 0:27:48 | 0:27:51 | |
-Well, there is another option if you want, involving sex. -What? | 0:27:51 | 0:27:56 | |
Take the pizza delivery job, or you can go and get f... | 0:27:56 | 0:27:59 | |
# Not going out | 0:27:59 | 0:28:00 | |
# Not staying in | 0:28:00 | 0:28:02 | |
# Just hanging around with my head in a spin | 0:28:02 | 0:28:05 | |
# But that is no need to scream and shout | 0:28:05 | 0:28:08 | |
# We're not going out | 0:28:08 | 0:28:11 | |
# We are not going out. # | 0:28:11 | 0:28:14 | |
Subtitles by Red Bee Media Ltd | 0:28:15 | 0:28:17 | |
Email [email protected] | 0:28:17 | 0:28:19 |