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Eight of the UK's most talented young singers... | 0:00:02 | 0:00:05 | |
..are going head-to-head... | 0:00:08 | 0:00:10 | |
HE SCREECHES | 0:00:10 | 0:00:11 | |
-No way... -Pow! | 0:00:11 | 0:00:14 | |
..in a battle for the ultimate gig - | 0:00:14 | 0:00:16 | |
Radio 1's Big Weekend. | 0:00:16 | 0:00:18 | |
I just can't believe it, to be honest. I just want to win. | 0:00:18 | 0:00:21 | |
But with their mums as the judges... | 0:00:21 | 0:00:23 | |
Sorry, can I start again? | 0:00:23 | 0:00:24 | |
I thought you were absolutely fabulous. I got goose pimples. | 0:00:24 | 0:00:28 | |
..and some fierce competition... | 0:00:28 | 0:00:31 | |
Oh, wow! | 0:00:31 | 0:00:32 | |
I don't believe I've done that! | 0:00:32 | 0:00:34 | |
-I am a bit upset. -I'm so sorry. | 0:00:34 | 0:00:37 | |
..will they still want a career in the music industry... | 0:00:37 | 0:00:40 | |
If I'm honest, I don't know, I'm just super scared. | 0:00:40 | 0:00:42 | |
I literally can't sing that song. | 0:00:42 | 0:00:43 | |
The competition's really hotting up. | 0:00:43 | 0:00:45 | |
..when they find out what it's really like? | 0:00:45 | 0:00:47 | |
It's brutal. There are no days off. | 0:00:47 | 0:00:49 | |
You're always being watched. | 0:00:49 | 0:00:51 | |
-Oh, I've completely forgotten. -Relax! | 0:00:51 | 0:00:53 | |
You're always being judged. | 0:00:53 | 0:00:55 | |
I don't really want to answer that question. | 0:00:55 | 0:00:57 | |
This is "Got What It Takes?". | 0:00:57 | 0:01:00 | |
Why do you think you've got what it takes? | 0:01:00 | 0:01:02 | |
That's a very tricky question. | 0:01:03 | 0:01:05 | |
# So come on, tell me, what's it going to be? | 0:01:06 | 0:01:09 | |
# I've got, got, got what it takes now | 0:01:09 | 0:01:11 | |
# Going to hear me Going to make them see | 0:01:11 | 0:01:15 | |
# I've got, got, got what it takes now | 0:01:15 | 0:01:18 | |
# Oh-oh, oh-oh | 0:01:18 | 0:01:20 | |
# I've got, got, got what it takes now | 0:01:20 | 0:01:23 | |
# Oh-oh, oh-oh | 0:01:23 | 0:01:26 | |
# I've got, got, got what it takes now. # | 0:01:26 | 0:01:28 | |
Hey, guys, to make it in music you've got to be tough, which is | 0:01:31 | 0:01:34 | |
why we're really putting our eight singers through their paces. | 0:01:34 | 0:01:37 | |
And this week is no exception. | 0:01:37 | 0:01:40 | |
SHE HOLDS A NOTE | 0:01:40 | 0:01:42 | |
Keep going, keep going! | 0:01:43 | 0:01:45 | |
I don't have much money but, boy, if I did, | 0:01:45 | 0:01:47 | |
I'd buy a big house where we both could live. | 0:01:47 | 0:01:50 | |
I'm such an emotional wreck! | 0:01:50 | 0:01:52 | |
CHEERING | 0:01:52 | 0:01:54 | |
That's what I'm talking about, Lisa. | 0:01:54 | 0:01:57 | |
It's another day at the music mansion. | 0:01:59 | 0:02:01 | |
-Morning, everyone. ALL: -Morning. | 0:02:03 | 0:02:05 | |
So we're over halfway through now | 0:02:05 | 0:02:07 | |
and the competition couldn't be closer. | 0:02:07 | 0:02:09 | |
Five of you are tied with one sing-off each | 0:02:09 | 0:02:11 | |
and we've still got three up for grabs. | 0:02:11 | 0:02:14 | |
Any one of you can still win that automatic qualification | 0:02:14 | 0:02:17 | |
into the final. So, guys, you've got a new song today. | 0:02:17 | 0:02:20 | |
Let's go and find out what it is. | 0:02:20 | 0:02:23 | |
'I think this song is quite simple compared to last time.' | 0:02:23 | 0:02:26 | |
I'm hoping that it's really going to get their energy levels up, | 0:02:26 | 0:02:29 | |
you know, they can proper rock out to it. | 0:02:29 | 0:02:32 | |
Each episode, only three of the singers | 0:02:32 | 0:02:34 | |
get to perform in an end-of-show sing off. | 0:02:34 | 0:02:37 | |
Those places can be won in a series of challenges. | 0:02:37 | 0:02:40 | |
But first, our musical director David Tench will be teaching | 0:02:40 | 0:02:44 | |
the whole group the new song. | 0:02:44 | 0:02:45 | |
I'm hoping that this song's going to, sort of, uplift them | 0:02:45 | 0:02:49 | |
-a little bit. -Yeah, exactly, it's got a great vibe to it. | 0:02:49 | 0:02:51 | |
It can be done in lots of different ways | 0:02:51 | 0:02:53 | |
so there's plenty of opportunity to do their own thing. | 0:02:53 | 0:02:56 | |
-Hiya! -Hi. | 0:02:56 | 0:02:57 | |
Hi, guys, so you've got another song, | 0:02:59 | 0:03:01 | |
another chance to be in the sing-off. | 0:03:01 | 0:03:03 | |
-Are you all excited? ALL: -Yeah! | 0:03:03 | 0:03:06 | |
So the song you'll be singing this time is... | 0:03:06 | 0:03:09 | |
-..Sweet Child O' Mine by Guns N' Roses. -Yes! -Yes! | 0:03:13 | 0:03:16 | |
# Oh, oh, oh Sweet child o' mine... # | 0:03:18 | 0:03:24 | |
This platinum-selling single gave stellar rock band | 0:03:24 | 0:03:27 | |
Guns N' Roses its only American number one way back in the '80s. | 0:03:27 | 0:03:32 | |
But will such a rock classic suit everyone's voice? | 0:03:34 | 0:03:37 | |
Rai-Elle, what do you think of the song? | 0:03:38 | 0:03:41 | |
Erm, rock's not really my type, but I'm ready to give it a go. | 0:03:41 | 0:03:44 | |
'I'm not really familiar with the song' | 0:03:44 | 0:03:46 | |
but I'll just try my best to change the song to what I want it to be. | 0:03:46 | 0:03:49 | |
Becky, I know this is one of your favourites. | 0:03:49 | 0:03:51 | |
Yeah, I'm really excited because I've been looking forward to | 0:03:51 | 0:03:54 | |
getting a song that I can play guitar to. | 0:03:54 | 0:03:57 | |
I love it. It's such a cool song. | 0:03:57 | 0:03:59 | |
# She's got a smile that it seems to me | 0:04:01 | 0:04:05 | |
# Reminds me of childhood memories... # | 0:04:05 | 0:04:09 | |
I'm not that keen on the song but I'm going to try and make it my own | 0:04:09 | 0:04:14 | |
and hopefully it will sound more to my taste. | 0:04:14 | 0:04:18 | |
# Oh, sweet child o' mine... # | 0:04:18 | 0:04:22 | |
I'd love to get in the sing-off of this song | 0:04:24 | 0:04:26 | |
just to go on that stage one more time before I get out. | 0:04:26 | 0:04:29 | |
# Oh, sweet love o' mine. # | 0:04:29 | 0:04:34 | |
APPLAUSE | 0:04:35 | 0:04:37 | |
Guys, I can't wait to hear three of you perform this | 0:04:39 | 0:04:42 | |
at the end of the show. | 0:04:42 | 0:04:43 | |
Good luck. See you later. ALL: Bye. | 0:04:43 | 0:04:45 | |
David Tench is an expert at getting singers to perform their best | 0:04:46 | 0:04:50 | |
and he knows it's not just about vocals. | 0:04:50 | 0:04:53 | |
I think it's important to sort of keep our energy up | 0:04:53 | 0:04:55 | |
because you're always being judged when you're in this industry. | 0:04:55 | 0:04:59 | |
You're only as good as your last performance. | 0:04:59 | 0:05:01 | |
That's something that's hard to live with in this business, | 0:05:01 | 0:05:04 | |
but it's true. | 0:05:04 | 0:05:05 | |
So let's give this one all we've got, yeah? | 0:05:05 | 0:05:08 | |
Amaria, you're looking down. | 0:05:08 | 0:05:10 | |
-I don't mind it. -Is it your thing? | 0:05:10 | 0:05:13 | |
No, I wouldn't pick the song, but... | 0:05:13 | 0:05:15 | |
'I need them to show as much energy as they can.' | 0:05:16 | 0:05:19 | |
Today, I think, when the song was announced, | 0:05:19 | 0:05:21 | |
a few of the guys were thinking, "Oh, this isn't for me." | 0:05:21 | 0:05:24 | |
Lola, what are you thinking? | 0:05:24 | 0:05:26 | |
Is this something you would want to play on guitar, maybe? | 0:05:26 | 0:05:29 | |
-Um, not really. -What...what are you thinking? | 0:05:29 | 0:05:32 | |
No, nothing, it's... | 0:05:32 | 0:05:33 | |
It's fine, it's fine. | 0:05:33 | 0:05:35 | |
'I couldn't work out what was happening with Lola today.' | 0:05:35 | 0:05:37 | |
Maybe the song wasn't right for her and that was the only problem. | 0:05:37 | 0:05:41 | |
# She's got a smile that it seems to me | 0:05:41 | 0:05:45 | |
# Reminds me of childhood memories... # | 0:05:45 | 0:05:48 | |
I think it's an interesting song. | 0:05:48 | 0:05:52 | |
# See an ounce of pain. # | 0:05:52 | 0:05:54 | |
Yeah, that's cool. | 0:05:54 | 0:05:55 | |
I hope that she can find a way of turning the song into something | 0:05:55 | 0:05:58 | |
that works for her, cos at the moment it's... | 0:05:58 | 0:06:00 | |
It's her worst performance, actually. | 0:06:00 | 0:06:02 | |
# Oh, sweet child o' mine... # | 0:06:02 | 0:06:08 | |
'When we go into the rehearsal, | 0:06:08 | 0:06:10 | |
'I always find it really difficult because I know Rai-Elle and Lily | 0:06:10 | 0:06:13 | |
'and others have, like, really strong vocals where I don't.' | 0:06:13 | 0:06:16 | |
# Oh, sweet love o' mine. # | 0:06:16 | 0:06:22 | |
-Yes! -APPLAUSE | 0:06:22 | 0:06:24 | |
That's great. | 0:06:25 | 0:06:27 | |
Well done. | 0:06:27 | 0:06:29 | |
Er...Becky. | 0:06:29 | 0:06:30 | |
# She's got a smile that it seems to me | 0:06:30 | 0:06:34 | |
# Reminds me of childhood memories | 0:06:34 | 0:06:38 | |
# Everything was as fresh as the bright blue sky... # | 0:06:38 | 0:06:41 | |
'Sweet Child O' Mine is Becky's favourite song' | 0:06:43 | 0:06:45 | |
and she's done a complete reworking of it which is cool. | 0:06:45 | 0:06:48 | |
# Oh, sweet child o' mine... # | 0:06:48 | 0:06:52 | |
Getting into a sing-off with this song would be amazing. | 0:06:54 | 0:06:59 | |
13-year-old Becky is a rock chick from Leeds. | 0:07:02 | 0:07:05 | |
I like singing rock music, I like playing it, | 0:07:07 | 0:07:10 | |
I like listening to it. | 0:07:10 | 0:07:12 | |
And she is already a big fan of Guns N' Roses. | 0:07:12 | 0:07:15 | |
# Where do we go? Where do we go? # | 0:07:15 | 0:07:19 | |
When Becky picks up the guitar, she transforms herself. | 0:07:19 | 0:07:22 | |
She comes out of that little quiet Becky | 0:07:22 | 0:07:25 | |
and she turns herself into something amazing. | 0:07:25 | 0:07:27 | |
Her rock riffs have so far failed to get into the sing-offs. | 0:07:27 | 0:07:31 | |
I'm really upset that I'm the last person to sing. | 0:07:31 | 0:07:34 | |
Can her rock chick attitude take her all the way this time? | 0:07:34 | 0:07:37 | |
I'm prepared to work really, really hard to succeed. | 0:07:37 | 0:07:42 | |
# O' mine. # | 0:07:44 | 0:07:50 | |
APPLAUSE | 0:07:50 | 0:07:53 | |
Becky, I mean, that was a reworking of the song! | 0:07:55 | 0:07:57 | |
That's a great start, everybody. I think it's been a good rehearsal. | 0:07:57 | 0:08:01 | |
Exciting times! | 0:08:01 | 0:08:03 | |
# I got, got, got what it takes now. # | 0:08:03 | 0:08:06 | |
Taking knock-backs is a big part of working in the music industry, | 0:08:08 | 0:08:11 | |
so here's a bit of advice on how to deal with it. | 0:08:11 | 0:08:13 | |
Hello, I'm Raleigh Ritchie | 0:08:13 | 0:08:15 | |
and you're watching "Got What It Takes?". | 0:08:15 | 0:08:17 | |
There was never a time we wanted to give up, | 0:08:17 | 0:08:19 | |
but there were times where we had to be really strong and push through | 0:08:19 | 0:08:22 | |
some of the difficulties we experienced. | 0:08:22 | 0:08:23 | |
You've always got to keep going no matter how hard it gets. | 0:08:23 | 0:08:26 | |
If you want to do it and it is your dream, you have to keep going. | 0:08:26 | 0:08:28 | |
Never stop believing in yourself cos if you don't, | 0:08:28 | 0:08:31 | |
then it's going to be so difficult. | 0:08:31 | 0:08:33 | |
Two end of show sing-off spots are up for grabs. | 0:08:36 | 0:08:38 | |
They can only be won in a music industry challenge | 0:08:38 | 0:08:41 | |
and it's time to find out exactly what that will be. | 0:08:41 | 0:08:44 | |
Hey, guys. | 0:08:44 | 0:08:45 | |
If you want to make it in the music industry, stage presence is a must. | 0:08:45 | 0:08:49 | |
You may have a beautiful voice, | 0:08:49 | 0:08:50 | |
but can you win over an audience with your performance? | 0:08:50 | 0:08:53 | |
Well, we're going to find out in your challenge, | 0:08:53 | 0:08:55 | |
which is all about owning the stage. | 0:08:55 | 0:08:58 | |
I think it'll be about, like, | 0:08:58 | 0:09:00 | |
so you're not just stood still on stage. | 0:09:00 | 0:09:02 | |
It'll help us with, like, the sing-offs as well. | 0:09:02 | 0:09:05 | |
Yeah, putting on a good show. | 0:09:05 | 0:09:06 | |
Judging today's challenge is singer, stage actress | 0:09:09 | 0:09:12 | |
and blogger Carrie Hope Fletcher. | 0:09:12 | 0:09:15 | |
# Will you buy me a house of gold? # | 0:09:15 | 0:09:20 | |
With over 500,000 subscribers, | 0:09:21 | 0:09:24 | |
this lady also knows a thing or two about the challenges of live | 0:09:24 | 0:09:27 | |
performance, having starred onstage in Les Miserables. | 0:09:27 | 0:09:30 | |
Hi, guys. | 0:09:32 | 0:09:33 | |
My name's Carrie Hope Fletcher and I'm playing Eponine at the moment | 0:09:33 | 0:09:36 | |
in London's West End in Les Miserables, which is... | 0:09:36 | 0:09:38 | |
It's quite a cool job, but it's very, very demanding. | 0:09:38 | 0:09:41 | |
What's the hardest part of the job? | 0:09:41 | 0:09:43 | |
I don't get to see my family and friends as often as I'd like | 0:09:43 | 0:09:46 | |
because we do it eight times a week every week, | 0:09:46 | 0:09:48 | |
but that's just part of the job. | 0:09:48 | 0:09:50 | |
Have you ever, like, fallen off the stage while you have been onstage? | 0:09:50 | 0:09:53 | |
I have, yeah, actually not that long ago. | 0:09:53 | 0:09:56 | |
I fell over quite badly and just had to keep going. | 0:09:56 | 0:09:59 | |
-So, have you got a song you can play us? -I have. | 0:09:59 | 0:10:02 | |
I've got my guitar with me and I'll sing a song that you guys | 0:10:02 | 0:10:05 | |
will probably know. It's by Taylor Swift. | 0:10:05 | 0:10:07 | |
# I remember when we broke up the first time, saying, "This is it, | 0:10:07 | 0:10:10 | |
# "I've had enough", cos, like, we haven't seen each other in a month | 0:10:10 | 0:10:13 | |
# When you said you needed space. What? | 0:10:13 | 0:10:17 | |
# Then you come around again and say | 0:10:17 | 0:10:19 | |
# "Baby, I miss you and I swear I'm going to change." | 0:10:19 | 0:10:21 | |
# Trust me, remember how that lasted for a day. I say, "I hate you," | 0:10:21 | 0:10:25 | |
# We break up, you call me, "I love you." | 0:10:25 | 0:10:27 | |
# Oo-oh-oh, you broke it off again last night | 0:10:27 | 0:10:31 | |
# But oo-oh-oh, this time I'm telling you, I'm telling you | 0:10:31 | 0:10:37 | |
# We are never, never, ever getting back together | 0:10:37 | 0:10:42 | |
# We are never, never, ever getting back together. # | 0:10:42 | 0:10:47 | |
CHEERING AND APPLAUSE | 0:10:48 | 0:10:49 | |
Thank you! | 0:10:51 | 0:10:52 | |
The group's industry challenge this week is all about commanding | 0:10:52 | 0:10:56 | |
the stage and they are about to get a crash course from Carrie. | 0:10:56 | 0:10:59 | |
Right, let's get started. | 0:10:59 | 0:11:01 | |
First up is learning to connect with the song | 0:11:02 | 0:11:04 | |
by reading the lyrics to each other. | 0:11:04 | 0:11:06 | |
Lights will guide you home and ignite your bones | 0:11:06 | 0:11:10 | |
and I will try to fix you. | 0:11:10 | 0:11:11 | |
-Yeah, that was pretty awkward. -THEY LAUGH | 0:11:11 | 0:11:14 | |
Would you let me see beneath your beautiful...? | 0:11:14 | 0:11:17 | |
-Be a good audience, come on. -THEY LAUGH | 0:11:17 | 0:11:20 | |
Should have known you was trouble from the first kiss. | 0:11:20 | 0:11:24 | |
I don't have much money but, boy, if I did, | 0:11:24 | 0:11:27 | |
I'd buy a big house where we both could live. | 0:11:27 | 0:11:30 | |
I'm just such an emotional wreck! | 0:11:30 | 0:11:32 | |
Next, expressing emotion without the use of words. | 0:11:34 | 0:11:37 | |
Having a good voice is massively important, | 0:11:42 | 0:11:44 | |
but you've also got to be interesting to watch, otherwise | 0:11:44 | 0:11:47 | |
no-one's going to want to watch you when you give a performance. | 0:11:47 | 0:11:50 | |
Finally, being able to handle distractions | 0:11:50 | 0:11:53 | |
whilst performing is vital. | 0:11:53 | 0:11:55 | |
HE YELLS | 0:11:55 | 0:11:58 | |
# Oh, yeah. # | 0:11:58 | 0:11:59 | |
Just completely zone out anything that's putting you off. | 0:11:59 | 0:12:02 | |
# Only love can hurt like this... # | 0:12:02 | 0:12:04 | |
This! | 0:12:04 | 0:12:06 | |
If you want to perform on stage in front of lots of other people | 0:12:06 | 0:12:09 | |
you've got to expect the unexpected. | 0:12:09 | 0:12:13 | |
-# Only love can hurt like... # -THIS! | 0:12:13 | 0:12:15 | |
AH! | 0:12:15 | 0:12:16 | |
Time to put everything they've learned to the test. | 0:12:18 | 0:12:21 | |
The singers must now all put on a solo performance for Carrie | 0:12:21 | 0:12:24 | |
and try to impress her with their stage presence. | 0:12:24 | 0:12:27 | |
Ready? | 0:12:27 | 0:12:28 | |
Y-yeah. | 0:12:28 | 0:12:30 | |
Go for it. | 0:12:30 | 0:12:31 | |
# Easy come, easy go | 0:12:31 | 0:12:33 | |
# That's just how you live. # | 0:12:33 | 0:12:35 | |
# My love has come along. # | 0:12:35 | 0:12:40 | |
# It's a little bit funny | 0:12:40 | 0:12:43 | |
# This feeling inside. # | 0:12:43 | 0:12:47 | |
So far, the singers are doing a great job of showing emotion | 0:12:47 | 0:12:50 | |
and connecting with the lyrics. | 0:12:50 | 0:12:53 | |
But how will they handle some tricky distractions? | 0:12:53 | 0:12:56 | |
# Take, take it all, but you never give... # | 0:12:56 | 0:12:59 | |
TROMBONE BLASTS | 0:13:04 | 0:13:06 | |
# Had your eyes wide open... # | 0:13:06 | 0:13:09 | |
# I know you're... # | 0:13:09 | 0:13:11 | |
TROMBONE BLASTS | 0:13:11 | 0:13:14 | |
Wait! Hold on. | 0:13:14 | 0:13:16 | |
SHE LAUGHS | 0:13:16 | 0:13:17 | |
Go on, keep going. You can do it. | 0:13:17 | 0:13:19 | |
Forgot about the distractions, so I thought I was just performing. Oh! | 0:13:19 | 0:13:24 | |
# Past the infatuation phase... # | 0:13:24 | 0:13:28 | |
TROMBONE PLAYS | 0:13:28 | 0:13:31 | |
# Right in the thick of love. # | 0:13:31 | 0:13:34 | |
# When you feel so tired... # | 0:13:34 | 0:13:36 | |
TROMBONE PLAYS | 0:13:36 | 0:13:37 | |
# You can't sleep... # | 0:13:37 | 0:13:39 | |
It was a bit unexpected, but I think I dealt with it OK. | 0:13:40 | 0:13:44 | |
# And you can tell everybody | 0:13:49 | 0:13:52 | |
-# That this is your song... # -MONKEY SCREECHES | 0:13:52 | 0:13:55 | |
# I still put you first... # | 0:13:55 | 0:13:58 | |
Obviously, I know that if you're going to perform | 0:13:58 | 0:14:01 | |
in a big arena or whatever you'll have distractions, | 0:14:01 | 0:14:03 | |
like the lights will go out. But gorillas?! | 0:14:03 | 0:14:06 | |
GORILLA SCREECHES | 0:14:06 | 0:14:08 | |
# The night I looked at you. # | 0:14:08 | 0:14:13 | |
Rai-Elle just wasn't fazed. | 0:14:14 | 0:14:16 | |
Like, completely unfazed by everything. | 0:14:16 | 0:14:18 | |
SINGS OVER HER | 0:14:22 | 0:14:26 | |
SHE CONTINUES | 0:14:26 | 0:14:29 | |
# He's... # | 0:14:32 | 0:14:34 | |
-Yeah. -Keep going, keep going. -OK. | 0:14:34 | 0:14:37 | |
It smells like chewing gum | 0:14:37 | 0:14:38 | |
and I think I've just had chewing gum chucked on me. | 0:14:38 | 0:14:41 | |
# Only love can hurt like this... # | 0:14:43 | 0:14:45 | |
Well done! | 0:14:47 | 0:14:48 | |
That was not expected. | 0:14:50 | 0:14:52 | |
Well done! | 0:14:53 | 0:14:54 | |
Challenge over, it's decision time. | 0:14:58 | 0:15:00 | |
The two that have impressed Carrie the most will get to perform | 0:15:00 | 0:15:04 | |
in the end of show sing-off. | 0:15:04 | 0:15:05 | |
You guys did amazingly. | 0:15:06 | 0:15:08 | |
That was really, really difficult | 0:15:08 | 0:15:10 | |
with those horrible distractions and I felt so mean. | 0:15:10 | 0:15:12 | |
I don't think there's anyone on the planet who wouldn't have jumped | 0:15:12 | 0:15:15 | |
in your situation. | 0:15:15 | 0:15:16 | |
But there are two people who did stand out for me. | 0:15:18 | 0:15:21 | |
And they are Lola and Rai-Elle. | 0:15:25 | 0:15:28 | |
You guys did amazingly. | 0:15:30 | 0:15:32 | |
Rai-Elle, you didn't even flinch, you didn't even blink. | 0:15:32 | 0:15:35 | |
And Lola, I just love the fact that you even started | 0:15:35 | 0:15:37 | |
singing to the gorilla. | 0:15:37 | 0:15:39 | |
I'm really happy. | 0:15:39 | 0:15:41 | |
Even though I'm not too keen on the song, but I'm just going to | 0:15:41 | 0:15:43 | |
give it a go and, hopefully, win the sing-off. | 0:15:43 | 0:15:45 | |
My fifth sing-off now, which I'm really happy about. | 0:15:45 | 0:15:48 | |
I'm proud of myself and I'll give it my best shot. | 0:15:48 | 0:15:51 | |
It may have been a day of high jinks, | 0:15:56 | 0:15:59 | |
but back at the music mansion the fun doesn't stop. | 0:15:59 | 0:16:02 | |
I'm going to be singing Guns N' Roses, Sweet Child O' Mine. | 0:16:02 | 0:16:07 | |
Give us a little chorus. | 0:16:07 | 0:16:09 | |
# Oh, oh-oh, sweet child o' mine. # | 0:16:09 | 0:16:13 | |
We're going to go in the cupboard. | 0:16:13 | 0:16:15 | |
# Oh, sweet child o' mine. # | 0:16:15 | 0:16:19 | |
We're just chilling and we're playing table tennis. | 0:16:19 | 0:16:22 | |
-Without a ball. -Without a ball. | 0:16:22 | 0:16:25 | |
We lost the rackets the other day and we're playing with our hands. | 0:16:25 | 0:16:28 | |
So, yeah. Bye! | 0:16:28 | 0:16:30 | |
It's a new day | 0:16:36 | 0:16:37 | |
and the mums are about to find out what their sixth challenge will be. | 0:16:37 | 0:16:41 | |
The winner will secure the third and final | 0:16:41 | 0:16:43 | |
end of show sing-off spot for their child. | 0:16:43 | 0:16:45 | |
Hey, Mums, it's challenge time | 0:16:45 | 0:16:47 | |
and my mum is about to deliver the clue. | 0:16:47 | 0:16:50 | |
Every week in the charts, artists battle it out | 0:16:50 | 0:16:52 | |
to become number one in the country and in this challenge you'll be | 0:16:52 | 0:16:55 | |
facing off against someone who is number one week after week. | 0:16:55 | 0:16:59 | |
Goal! | 0:16:59 | 0:17:01 | |
Oh! They've got Beckham! | 0:17:01 | 0:17:02 | |
Could be. | 0:17:02 | 0:17:04 | |
LAUGHTER | 0:17:04 | 0:17:05 | |
We wish! | 0:17:05 | 0:17:06 | |
The mums' sixth challenge, | 0:17:08 | 0:17:10 | |
Beating No. 1, is a fierce penalty shoot out. | 0:17:10 | 0:17:14 | |
Games guru and fitness trainer to the stars Kevin Adams | 0:17:14 | 0:17:17 | |
will act as ref. | 0:17:17 | 0:17:19 | |
Each one will take three penalties. | 0:17:19 | 0:17:21 | |
Each penalty will put points on the board. | 0:17:21 | 0:17:23 | |
The further away the penalty, the more points the mum will score. | 0:17:23 | 0:17:26 | |
What they don't know is who they have to score against. | 0:17:28 | 0:17:31 | |
Guys, this is a penalty shoot out like no other because | 0:17:32 | 0:17:35 | |
you're going to be up against one of the best goalies in the land. | 0:17:35 | 0:17:38 | |
England goalie, Karen Bardsley. | 0:17:41 | 0:17:43 | |
ALL: Whoa! | 0:17:43 | 0:17:45 | |
As goalkeeper for the most successful England team since 1966, | 0:17:48 | 0:17:52 | |
not a lot gets past Karen Bardsley. | 0:17:52 | 0:17:55 | |
This is going to be tough. | 0:17:55 | 0:17:57 | |
Karen is Manchester City and England's number one goalie. | 0:17:57 | 0:18:00 | |
Is there a lot of pressure in the goal? | 0:18:00 | 0:18:02 | |
When it comes to penalties, the pressure is on the taker. | 0:18:02 | 0:18:05 | |
It's time to beat number one. Let's go! | 0:18:05 | 0:18:08 | |
With Lola and Rai-Elle's mums sitting this one out, | 0:18:08 | 0:18:11 | |
the pressure is on for the other six to win that final sing-off spot. | 0:18:11 | 0:18:15 | |
First up, Lily's mum, Lisa. | 0:18:17 | 0:18:19 | |
Lily has performed twice at the sing-offs but has yet to win one. | 0:18:19 | 0:18:23 | |
Can Lisa's footy skills win Lisa another chance? | 0:18:23 | 0:18:26 | |
This penalty will earn you four points. | 0:18:26 | 0:18:29 | |
Lily, how are you feeling right now? | 0:18:29 | 0:18:31 | |
I'm a bit worried | 0:18:31 | 0:18:32 | |
because she's not really ever done, like, football before. | 0:18:32 | 0:18:36 | |
Three, two, one. | 0:18:36 | 0:18:38 | |
WHISTLE BLOWS | 0:18:38 | 0:18:40 | |
CHEERING | 0:18:40 | 0:18:42 | |
That is four points! | 0:18:42 | 0:18:43 | |
Lisa, that was the easy one. Now time to get an eight-point penalty. | 0:18:45 | 0:18:49 | |
Three, two, one. | 0:18:49 | 0:18:51 | |
WHISTLE BLOWS | 0:18:51 | 0:18:53 | |
CHEERING | 0:18:53 | 0:18:56 | |
OK, Lisa, it's all to play for. | 0:18:58 | 0:19:00 | |
If you can put this 12-point shot past the England goalkeeper, | 0:19:00 | 0:19:04 | |
my hat's going to come off to you. | 0:19:04 | 0:19:06 | |
Are you ready? | 0:19:06 | 0:19:07 | |
Three, two, one. | 0:19:10 | 0:19:11 | |
WHISTLE BLOWS | 0:19:11 | 0:19:13 | |
Oh! Well done. | 0:19:15 | 0:19:17 | |
With a great first score of 12, she is going to be hard to beat. | 0:19:19 | 0:19:22 | |
The best goalie that England has to offer. | 0:19:25 | 0:19:27 | |
Next, it's Matt's mum, Katie... | 0:19:27 | 0:19:29 | |
Shame! | 0:19:30 | 0:19:32 | |
I did my best but it wasn't good enough to beat the England goalie. | 0:19:32 | 0:19:35 | |
..then Evan's mum, Fiona... | 0:19:35 | 0:19:37 | |
WHISTLE BLOWS | 0:19:37 | 0:19:38 | |
GROANS | 0:19:40 | 0:19:41 | |
What a shot! Good save, Karen! | 0:19:41 | 0:19:43 | |
I'd like to have scored some goals but she was a very good goalkeeper. | 0:19:43 | 0:19:46 | |
-..and Paddy's mum, Diane... -Three, two, one. | 0:19:46 | 0:19:51 | |
WHISTLE BLOWS | 0:19:51 | 0:19:53 | |
Oh, good save, Karen! | 0:19:53 | 0:19:55 | |
..who all failed to score any of their three penalties | 0:19:55 | 0:19:58 | |
past England's number one. | 0:19:58 | 0:20:00 | |
Not very good, am I? | 0:20:01 | 0:20:03 | |
Becky's mum, Linda, | 0:20:04 | 0:20:05 | |
has yet to see her daughter perform in a sing-off. | 0:20:05 | 0:20:08 | |
Can she win her a place to sing her favourite song? | 0:20:08 | 0:20:11 | |
Becky, do you think your mum can do this? | 0:20:11 | 0:20:13 | |
I think my mum can definitely do it. | 0:20:13 | 0:20:15 | |
I think your mum can do this as well. This is for four points. | 0:20:15 | 0:20:17 | |
On my whistle. | 0:20:17 | 0:20:18 | |
WHISTLE BLOWS | 0:20:18 | 0:20:20 | |
Come on! | 0:20:20 | 0:20:22 | |
ALL: Yes! | 0:20:22 | 0:20:24 | |
You've put one past the England goalie. Can you make it two? | 0:20:26 | 0:20:29 | |
This will tie with Lisa's score of 12. | 0:20:29 | 0:20:32 | |
Only Karen Bardsley stands in your way. | 0:20:32 | 0:20:34 | |
WHISTLE BLOWS | 0:20:34 | 0:20:36 | |
Go on, Mum! | 0:20:36 | 0:20:38 | |
GROANS | 0:20:38 | 0:20:40 | |
On target, though. OK, Linda, it's all to play for. | 0:20:40 | 0:20:44 | |
No-one has scored from the 12-point spot. | 0:20:44 | 0:20:46 | |
If she scores, she takes the lead. | 0:20:46 | 0:20:48 | |
If she misses, it's game over for Becky. | 0:20:48 | 0:20:50 | |
Oh, please! Come on, Mum. You can do it! | 0:20:50 | 0:20:54 | |
WHISTLE BLOWS | 0:20:54 | 0:20:56 | |
GROANS | 0:20:56 | 0:20:58 | |
Oh, four points. You did four points! | 0:20:58 | 0:21:00 | |
Aw, sorry! | 0:21:00 | 0:21:02 | |
Four is not enough to beat Lisa who is still in the lead with 12. | 0:21:06 | 0:21:10 | |
I would have loved to be able to finally get on that stage, | 0:21:12 | 0:21:15 | |
especially singing one of my favourite songs, | 0:21:15 | 0:21:18 | |
-so I am a bit upset. -I'm so sorry. | 0:21:18 | 0:21:20 | |
Now, only one person stands between Lily and that final sing-off spot - | 0:21:24 | 0:21:28 | |
Amaria's mum, Jasmine. | 0:21:28 | 0:21:30 | |
What do you reckon? Low, up high? What? | 0:21:30 | 0:21:34 | |
The pressure really is on. Tensions are high. | 0:21:34 | 0:21:36 | |
-How are you feeling for your mum? -She's going to drop! | 0:21:36 | 0:21:38 | |
SHE LAUGHS | 0:21:38 | 0:21:40 | |
I like that! | 0:21:40 | 0:21:41 | |
These words of encouragement coming from Amaria, "She's going to drop!" | 0:21:41 | 0:21:44 | |
Amaria is a confident 12-year-old from East London. | 0:21:46 | 0:21:50 | |
My dream is that I want to make it out there. | 0:21:50 | 0:21:54 | |
I think I've got what it takes. | 0:21:54 | 0:21:56 | |
And her mum thinks she'll go far. | 0:21:56 | 0:21:58 | |
She's good at what she does and she knows she's good at what she does. | 0:21:58 | 0:22:01 | |
I think she's just destined to do this. | 0:22:01 | 0:22:03 | |
Amaria has been in two sing-offs and won one | 0:22:05 | 0:22:08 | |
with Jesse J's Who You Are. | 0:22:08 | 0:22:09 | |
# Seeing is deceiving | 0:22:09 | 0:22:12 | |
# Dreaming is believing... # | 0:22:12 | 0:22:14 | |
This is what she has to do. And I've just got to make it happen for her. | 0:22:14 | 0:22:18 | |
And this is her chance to do just that, | 0:22:21 | 0:22:23 | |
but she'll need some fancy footwork to beat Lisa's score of 12. | 0:22:23 | 0:22:27 | |
Are you ready? For four points... | 0:22:27 | 0:22:30 | |
Three, two, one. | 0:22:30 | 0:22:32 | |
What are you doing? | 0:22:35 | 0:22:36 | |
GROANS | 0:22:36 | 0:22:38 | |
I have never seen those tactics in all my years of watching football. | 0:22:38 | 0:22:42 | |
Four points gone but you still have a chance. | 0:22:42 | 0:22:44 | |
This one is for eight points. Let's go! | 0:22:44 | 0:22:46 | |
Three, two, one. | 0:22:48 | 0:22:51 | |
WHISTLE BLOWS | 0:22:51 | 0:22:52 | |
Just shoot! | 0:22:52 | 0:22:53 | |
CHEERING | 0:22:54 | 0:22:56 | |
That's what I'm talking about, Lisa! | 0:22:57 | 0:22:59 | |
With only one ball left, | 0:23:04 | 0:23:06 | |
can she win her daughter that final sing-off spot? | 0:23:06 | 0:23:09 | |
For 12 points, Jasmine, on my whistle. | 0:23:09 | 0:23:13 | |
Three, two, one. | 0:23:13 | 0:23:17 | |
WHISTLE BLOWS | 0:23:17 | 0:23:18 | |
No, no, no! | 0:23:21 | 0:23:23 | |
KEVIN LAUGHS | 0:23:23 | 0:23:25 | |
YES! YES! | 0:23:25 | 0:23:27 | |
MUSIC: Nessun Dorma by Luciano Pavarotti | 0:23:27 | 0:23:30 | |
# Vincero! # | 0:23:30 | 0:23:31 | |
I'm just annoyed that I didn't beat Lisa. | 0:23:33 | 0:23:36 | |
I wanted to whitewash her. | 0:23:36 | 0:23:37 | |
Lisa, you put two shots past the England goalie. | 0:23:37 | 0:23:40 | |
Karen, that was amazing, wasn't it? | 0:23:40 | 0:23:42 | |
It absolutely was. I thought it was going to take my head right off! | 0:23:42 | 0:23:46 | |
Really on top of the world right now, aren't we? | 0:23:46 | 0:23:49 | |
Yeah! | 0:23:49 | 0:23:51 | |
# I got, got, got what it takes now. # | 0:23:51 | 0:23:54 | |
So, Lily will be joining Rai-Elle and Lola | 0:23:56 | 0:23:59 | |
in tonight's end of show sing-off in front of the mums. | 0:23:59 | 0:24:02 | |
They will each be performing their own version | 0:24:02 | 0:24:04 | |
of Guns N' Roses Sweet Child O' Mine. | 0:24:04 | 0:24:06 | |
Musical director David Tench will help them to perform at their best. | 0:24:06 | 0:24:10 | |
-So, guitar today for this song? -Mm-hm. | 0:24:10 | 0:24:13 | |
I think that if I give it a bit of guitar | 0:24:13 | 0:24:15 | |
it will probably add the rock back into it. | 0:24:15 | 0:24:17 | |
Do you want to show me what you've got, then we'll take it from there? | 0:24:17 | 0:24:20 | |
# She's got a smile that it seems to me | 0:24:20 | 0:24:23 | |
# Reminds me of childhood memories | 0:24:23 | 0:24:27 | |
# Where every... # | 0:24:27 | 0:24:28 | |
I've performed four times and already I feel a little bit like, | 0:24:28 | 0:24:32 | |
what if my next performance is just the same? | 0:24:32 | 0:24:35 | |
# Sweet love o' mine. # | 0:24:35 | 0:24:39 | |
That's fantastic. It's a great feel. | 0:24:39 | 0:24:41 | |
Just turn up the juice of everything. You know, try... | 0:24:41 | 0:24:44 | |
-Try and make it big? -Yeah, make it big. | 0:24:44 | 0:24:45 | |
And the only other thing I would say is the lyrics. | 0:24:45 | 0:24:47 | |
You know them really, don't you? | 0:24:47 | 0:24:49 | |
I just think they're rubbish lyrics, if I'm honest. Sorry! I really do. | 0:24:49 | 0:24:53 | |
Especially the second verse, | 0:24:53 | 0:24:54 | |
"Her hair reminds me of a warm, safe place..." | 0:24:54 | 0:24:57 | |
He ran out of lyrics there. | 0:24:57 | 0:24:58 | |
I've got Axl on the phone, actually, so I'm just going to... | 0:24:58 | 0:25:02 | |
-This is your second sing-off now. -Yeah. -The first one you smashed. | 0:25:02 | 0:25:06 | |
-How do you feel going into this sing-off? -I'm thinking... | 0:25:06 | 0:25:08 | |
-I'm going to take the rock out, basically. -Yeah, do that. | 0:25:08 | 0:25:12 | |
-Definitely. -I think the more I can show myself to the mums | 0:25:12 | 0:25:16 | |
then the more points I can get. | 0:25:16 | 0:25:18 | |
Every opportunity is a good opportunity. | 0:25:18 | 0:25:20 | |
What do you think about that feeling you get | 0:25:20 | 0:25:22 | |
when you know you've got it down? Do you know what I'm talking about? | 0:25:22 | 0:25:26 | |
Yeah, it's kind of like that feeling, "Oh, my goodness!" | 0:25:26 | 0:25:28 | |
You feel like you can fly, that's what I feel like. | 0:25:28 | 0:25:31 | |
I feel I can do anything if I just put my mind to it. | 0:25:31 | 0:25:33 | |
I wouldn't choose this song to sing. | 0:25:33 | 0:25:35 | |
I just think at the end here there is a chance for you to do | 0:25:35 | 0:25:38 | |
-an up... -Yeah. -One, two, three and... | 0:25:38 | 0:25:42 | |
# Oh, oh-oh... # | 0:25:42 | 0:25:44 | |
-Do you think I can get that? -Yeah, of course you can! | 0:25:44 | 0:25:48 | |
I don't really sing rocky stuff. I sing ballads. | 0:25:48 | 0:25:51 | |
I think it's all one tone and it's not got any high notes. | 0:25:51 | 0:25:54 | |
# Oh, oh, oh | 0:25:54 | 0:25:56 | |
# Sweet child o' mine. # | 0:25:56 | 0:26:00 | |
Last one. | 0:26:00 | 0:26:01 | |
So I've got to think positively and think that I can change it | 0:26:01 | 0:26:04 | |
and make it into something that I would like. | 0:26:04 | 0:26:06 | |
You're going in against Rai-Elle and Lola this time. | 0:26:06 | 0:26:10 | |
How do you feel about those guys as competition? | 0:26:10 | 0:26:12 | |
In my opinion, I think me, Rai-Elle and Lola are the best singers here | 0:26:12 | 0:26:17 | |
so it's going to be a really challenging sing-off. | 0:26:17 | 0:26:20 | |
With rehearsals over, it's time for the sing-off. | 0:26:22 | 0:26:25 | |
Can they put into practice everything they've learned | 0:26:25 | 0:26:27 | |
from Carrie and David about performing? | 0:26:27 | 0:26:30 | |
We're at sing-off six now. | 0:26:30 | 0:26:32 | |
I don't think any of them seem that keen on this song, | 0:26:32 | 0:26:35 | |
but it's a massive opportunity for someone to take the lead. | 0:26:35 | 0:26:39 | |
Each sing-off, the mums are the judges | 0:26:39 | 0:26:41 | |
and will vote to decide which performer is the winner. | 0:26:41 | 0:26:44 | |
The person with the most sing-off wins after eight episodes | 0:26:44 | 0:26:47 | |
will automatically qualify for the grand final. | 0:26:47 | 0:26:50 | |
Currently, there are five singers all with one win each. | 0:26:52 | 0:26:55 | |
Tonight, Lily could draw level or either Rai-Elle or Lola | 0:26:55 | 0:26:58 | |
could take the lead. | 0:26:58 | 0:27:01 | |
So, guys, welcome to sing-off six. | 0:27:01 | 0:27:04 | |
We got three big singers performing today. | 0:27:04 | 0:27:06 | |
Bernice, we've got Rai-Elle in her second sing-off. | 0:27:06 | 0:27:08 | |
How are you feeling? | 0:27:08 | 0:27:09 | |
This isn't a song that she knew before it was revealed to them | 0:27:09 | 0:27:12 | |
and she's really been practising hard, | 0:27:12 | 0:27:14 | |
so I've got every faith that she's going to do her best. | 0:27:14 | 0:27:17 | |
I think the biggest challenge for Lola is trying to do something | 0:27:17 | 0:27:20 | |
different now, because she's done quite a few sing-offs, | 0:27:20 | 0:27:23 | |
so I think she might be feeling that she's getting a bit repetitive. | 0:27:23 | 0:27:26 | |
Lisa, you obviously worked hard to get Lily into the sing-off. | 0:27:26 | 0:27:29 | |
Yeah, I'm feeling a bit nervous, but I know she'll do her best. | 0:27:29 | 0:27:32 | |
So, let's get the sing-off started. First up is Lola. | 0:27:32 | 0:27:36 | |
For the fifth time, Lola takes the stage. | 0:27:38 | 0:27:41 | |
Can she win over the mums once more? | 0:27:41 | 0:27:43 | |
# She's got a smile that it seems to me | 0:27:46 | 0:27:49 | |
# Reminds me of childhood memories | 0:27:49 | 0:27:53 | |
# Where everything was as fresh as the bright blue sky | 0:27:53 | 0:27:58 | |
# Now and then when I see her face | 0:28:01 | 0:28:04 | |
# She takes me away to that special place | 0:28:04 | 0:28:08 | |
# And if I'd stare too long I'd probably break down and cry | 0:28:08 | 0:28:13 | |
# Ah, oh-oh-oh, sweet love o' mine | 0:28:16 | 0:28:21 | |
# Ah, oh-oh-oh, sweet child o' mine. # | 0:28:23 | 0:28:29 | |
CHEERING | 0:28:32 | 0:28:35 | |
Lola, I absolutely love your version of that song. | 0:28:35 | 0:28:38 | |
So, Mums, what did you think of that? | 0:28:38 | 0:28:41 | |
For me, that was one of your best performances. | 0:28:41 | 0:28:44 | |
That was the one that looked like you had the most fun. | 0:28:44 | 0:28:46 | |
Lola, you have such an individual style. | 0:28:46 | 0:28:48 | |
I thought it was a fantastic performance. | 0:28:48 | 0:28:50 | |
Well done, Lola. | 0:28:50 | 0:28:51 | |
I think it went all right. I think the mums liked it. | 0:28:56 | 0:28:59 | |
I think I was at my most relaxed. | 0:28:59 | 0:29:00 | |
Obviously my fifth performance now | 0:29:00 | 0:29:02 | |
so it's like I'm just super relaxed on stage now. | 0:29:02 | 0:29:05 | |
Lola gave a fantastic performance as always. She tried something new. | 0:29:05 | 0:29:09 | |
She hasn't done that kind of country, soul thing before | 0:29:09 | 0:29:13 | |
and it worked for her. | 0:29:13 | 0:29:14 | |
Next up we have Rai-Elle. | 0:29:14 | 0:29:16 | |
This is only Rai-Elle's second time in the sing-off. | 0:29:20 | 0:29:23 | |
Can this rock classic give her the win she needs to take the lead? | 0:29:23 | 0:29:26 | |
# She's got a smile that it seems to me | 0:29:29 | 0:29:33 | |
# Reminds me of childhood memories | 0:29:33 | 0:29:38 | |
# Where everything was as fresh as the bright blue sky | 0:29:38 | 0:29:44 | |
# Oh, oh-oh-oh, sweet child o' mine | 0:29:47 | 0:29:52 | |
# Ah, ooh-ooh, sweet love o' mine | 0:29:55 | 0:30:00 | |
# Oh, oh, sweet child o' mine | 0:30:03 | 0:30:09 | |
# Ah, oh, oh-ooh | 0:30:12 | 0:30:16 | |
# Sweet love o' mine. # | 0:30:16 | 0:30:22 | |
CHEERING | 0:30:26 | 0:30:28 | |
Rai-Elle, for someone who didn't know that song to begin with, | 0:30:32 | 0:30:35 | |
-you absolutely smashed that. -Thank you. | 0:30:35 | 0:30:37 | |
So, Mums, what did you think of that? | 0:30:37 | 0:30:40 | |
That had me dancing. Her performance was wicked! | 0:30:40 | 0:30:43 | |
I thought that was a fantastic performance, Rai-Elle. | 0:30:43 | 0:30:46 | |
You looked as if you were having great fun. | 0:30:46 | 0:30:48 | |
-Well done, Rai-Elle. -Thank you. | 0:30:48 | 0:30:50 | |
Oh, my gosh, it was mad! It was crazy. I had the best time. | 0:30:54 | 0:30:58 | |
Right now I'm just going to go and eat a chocolate bar because... | 0:30:58 | 0:31:01 | |
Yeah, I haven't had one in ages. | 0:31:01 | 0:31:03 | |
Rai-Elle concentrated and she didn't let anything get in her way. | 0:31:03 | 0:31:06 | |
She just did her thing and she did her homework. | 0:31:06 | 0:31:09 | |
Next up is Lily. | 0:31:09 | 0:31:10 | |
In rehearsal, Lily tried to hit some big notes. | 0:31:14 | 0:31:17 | |
Can she reach them in front of the mums? | 0:31:17 | 0:31:19 | |
# She's got eyes of the bluest sky | 0:31:24 | 0:31:28 | |
# As if they thought of rain | 0:31:28 | 0:31:33 | |
# I'd hate to look into those eyes | 0:31:33 | 0:31:37 | |
# And see an ounce of pain | 0:31:37 | 0:31:40 | |
# Her hair reminds me of a warm, safe place | 0:31:41 | 0:31:45 | |
# Where as a child I'd hide | 0:31:45 | 0:31:48 | |
# And stare | 0:31:50 | 0:31:52 | |
# Oh, oh, oh, sweet child o' mine | 0:31:59 | 0:32:06 | |
# Oh, sweet child o' mine. # | 0:32:08 | 0:32:16 | |
CHEERING | 0:32:18 | 0:32:21 | |
-Lily, well done, that was amazing. -Thank you. | 0:32:24 | 0:32:27 | |
That note at the end was like, "Bam!" | 0:32:27 | 0:32:29 | |
-I'm so proud of you. Well done. -Thank you. | 0:32:29 | 0:32:31 | |
Mums, what did you think of that performance? | 0:32:31 | 0:32:34 | |
That was absolutely marvellous, Lily. | 0:32:34 | 0:32:36 | |
-It really showed off your voice. -I'm really proud of you. | 0:32:36 | 0:32:39 | |
Brilliant performance and I loved the little bit at the end. | 0:32:39 | 0:32:42 | |
-It was really nice. -Well done, Lily. -Thank you. | 0:32:42 | 0:32:45 | |
I was so nervous. I've been going over that song, like, literally | 0:32:49 | 0:32:52 | |
even when I'm talking, I'm just trying to think of the song. | 0:32:52 | 0:32:55 | |
Lily gave a great performance. | 0:32:55 | 0:32:56 | |
What happened with her is that she was thinking | 0:32:56 | 0:32:59 | |
all the time about those end notes so she had a few wobbles early on. | 0:32:59 | 0:33:02 | |
This one is going to be a really tricky decision. Let's get voting. | 0:33:03 | 0:33:07 | |
I was so happy with today's sing-off. | 0:33:09 | 0:33:12 | |
Everyone smashed it, as far as I'm concerned. | 0:33:12 | 0:33:14 | |
I don't think anybody needs to worry any more about, | 0:33:14 | 0:33:17 | |
"This song's not for me." | 0:33:17 | 0:33:19 | |
Just look at what those three did today | 0:33:19 | 0:33:21 | |
to turn it into something good. | 0:33:21 | 0:33:22 | |
Guys, in my opinion, this has been one of the best sing-offs | 0:33:22 | 0:33:25 | |
we've had so far. | 0:33:25 | 0:33:26 | |
I think everyone has really stepped up their game, | 0:33:26 | 0:33:29 | |
but there can only be one winner. | 0:33:29 | 0:33:31 | |
And today, the person with the most votes is... | 0:33:35 | 0:33:38 | |
..Rai-Elle. | 0:33:41 | 0:33:43 | |
CHEERING AND APPLAUSE | 0:33:43 | 0:33:45 | |
I'm going for gold, so I'm not going to stop trying my best | 0:33:50 | 0:33:54 | |
so that I can win. | 0:33:54 | 0:33:56 | |
Both sing-offs that Rai-Elle has been in she has won now | 0:33:56 | 0:33:59 | |
so she's leading the group. But it is still anyone's game. | 0:33:59 | 0:34:02 | |
All to play for in the next two sing-offs. | 0:34:02 | 0:34:05 | |
Who knows what will happen? | 0:34:05 | 0:34:06 | |
I think everybody now has to up their game. | 0:34:06 | 0:34:10 | |
Next time... GROANING | 0:34:10 | 0:34:12 | |
I think it was the strongest negative reaction | 0:34:12 | 0:34:15 | |
we've had to a song. | 0:34:15 | 0:34:16 | |
I literally can't sing that song. | 0:34:16 | 0:34:18 | |
This is completely horrific for me. | 0:34:20 | 0:34:23 | |
I hate this song! | 0:34:24 | 0:34:26 | |
'Mum, I don't want to do this one. I don't want to do it.' | 0:34:26 | 0:34:31 | |
THEY SING SWEET CHILD O' MINE | 0:34:31 | 0:34:34 |