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Eight of the UK's most talented young singers... | 0:00:02 | 0:00:05 | |
..are going head-to-head... | 0:00:08 | 0:00:10 | |
-No way! -..in a battle for the ultimate gig. | 0:00:10 | 0:00:15 | |
Radio 1's Big Weekend. | 0:00:15 | 0:00:18 | |
I just can't believe it, to be honest, I just want to win. | 0:00:18 | 0:00:21 | |
But with their mums as the judges... | 0:00:21 | 0:00:23 | |
Sorry, can I start again? | 0:00:23 | 0:00:24 | |
I thought you were absolutely fabulous, I got goose pimples. | 0:00:24 | 0:00:28 | |
..and some seriously tough challenges... | 0:00:28 | 0:00:31 | |
Oh, wow! | 0:00:31 | 0:00:32 | |
I don't believe I've done that! | 0:00:32 | 0:00:34 | |
-I am a bit upset. -I'm so sorry. | 0:00:34 | 0:00:37 | |
..will they still want to be part of the music industry... | 0:00:37 | 0:00:40 | |
If I'm honest, I don't know, I'm just super-scared. | 0:00:40 | 0:00:42 | |
-I literally can't sing that song. -Competition is really hotting up. | 0:00:42 | 0:00:45 | |
..when they find out what it's really like? | 0:00:45 | 0:00:48 | |
-It's brutal, there are no days off. -You're always being watched. | 0:00:48 | 0:00:51 | |
-Argh, I completely forgot them! -Relax! You're always being judged. | 0:00:51 | 0:00:55 | |
I don't really want to answer that question. | 0:00:55 | 0:00:57 | |
This...is Got What It Takes? | 0:00:57 | 0:01:00 | |
Why do you think you've got what it takes? | 0:01:00 | 0:01:02 | |
That's a very tricky question. | 0:01:04 | 0:01:05 | |
# So, come on, tell me What's it going to be? | 0:01:06 | 0:01:09 | |
# I've got, got, got what it takes now | 0:01:09 | 0:01:12 | |
# Going to hear me Going to make them see | 0:01:12 | 0:01:14 | |
# I've got, got, got what it takes now | 0:01:14 | 0:01:17 | |
# Oh, oh Got, got, got what it takes now | 0:01:17 | 0:01:23 | |
# Oh, oh Got, got, got what it takes now. # | 0:01:23 | 0:01:28 | |
Hey, guys! Lauren here. | 0:01:32 | 0:01:34 | |
Life in the music industry can be extremely rewarding, | 0:01:34 | 0:01:37 | |
but it's a career that certainly has its highs and lows. | 0:01:37 | 0:01:39 | |
As our eight are about to find out. | 0:01:39 | 0:01:41 | |
# You... # Oh, I hate this song! | 0:01:41 | 0:01:44 | |
I literally can't sing that song. | 0:01:44 | 0:01:46 | |
I don't know how we're going to find an outfit that we both agree on. | 0:01:46 | 0:01:49 | |
'Mum, I don't want to do this - I don't want to do it!' | 0:01:49 | 0:01:52 | |
Welcome to the Music Mansion. A new day brings fresh challenges | 0:01:54 | 0:01:58 | |
and more chances for our young singers to show off their talents. | 0:01:58 | 0:02:02 | |
-Morning, guys. -Morning. | 0:02:02 | 0:02:04 | |
Not long left now, but with two sing-offs still up for grabs, | 0:02:04 | 0:02:07 | |
that automatic qualification in the final could still be anybody's. | 0:02:07 | 0:02:11 | |
Rai-Elle, you have won both the sing-offs that you've been in. | 0:02:11 | 0:02:14 | |
How do you feel about that? | 0:02:14 | 0:02:16 | |
I'm happy I've got two wins, | 0:02:16 | 0:02:17 | |
but at the end of the day, it's anyone's game still. | 0:02:17 | 0:02:20 | |
Imogen, obviously Lola's been through to five sing-offs. | 0:02:20 | 0:02:23 | |
Do you think she could still get that automatic place in the final? | 0:02:23 | 0:02:26 | |
I think Lola still obviously could, | 0:02:26 | 0:02:28 | |
but I'm sort of proud of what she's done so far. | 0:02:28 | 0:02:31 | |
Guys, just remember that every time you get up on that stage, it's more | 0:02:31 | 0:02:35 | |
experience and it's more time just to show everyone how good you are. | 0:02:35 | 0:02:38 | |
-Shall we go and find out what your new song is? -Yeah! -Let's go. | 0:02:38 | 0:02:42 | |
In each episode, the group must compete in challenges | 0:02:42 | 0:02:45 | |
for three end-of-show sing-off places, | 0:02:45 | 0:02:47 | |
where they'll get a chance to perform on stage. | 0:02:47 | 0:02:50 | |
But first, it's time to learn a new song | 0:02:50 | 0:02:52 | |
with music maestro David Tench. | 0:02:52 | 0:02:54 | |
This is such a big song. | 0:02:54 | 0:02:56 | |
Yes. I think it's going to suit the girls better than the boys. | 0:02:56 | 0:02:58 | |
Oh, massively! | 0:02:58 | 0:03:00 | |
We'll work with it. | 0:03:01 | 0:03:02 | |
This sing-off is so important. I mean, we've only got two left now. | 0:03:02 | 0:03:05 | |
I really don't know which way it's going to go. | 0:03:05 | 0:03:08 | |
-Hi, guys! -ALL: -Hi! | 0:03:08 | 0:03:10 | |
Today's song is really, really difficult. | 0:03:10 | 0:03:13 | |
In my opinion, it's the hardest song we've had so far. | 0:03:13 | 0:03:16 | |
The song you'll be competing to sing this time is... | 0:03:16 | 0:03:20 | |
I Have Nothing by Whitney Houston. | 0:03:25 | 0:03:27 | |
-Oh, no. -No, no. | 0:03:27 | 0:03:29 | |
Are you actually serious? | 0:03:29 | 0:03:31 | |
Are you joking? | 0:03:31 | 0:03:33 | |
Taken from the soundtrack of the blockbuster hit movie | 0:03:34 | 0:03:38 | |
The Bodyguard, I Have Nothing reached number three | 0:03:38 | 0:03:40 | |
in the UK charts way back in 1993. | 0:03:40 | 0:03:43 | |
# Stay in my arms if you dare... # | 0:03:43 | 0:03:46 | |
It's a powerhouse of a ballad, | 0:03:46 | 0:03:48 | |
which could push our young singers' voices to the limit. | 0:03:48 | 0:03:51 | |
# Don't walk away from me... # | 0:03:51 | 0:03:54 | |
-I literally can't sing that song. -I don't think I'll be able to sing it. | 0:03:54 | 0:03:57 | |
I think it was the strongest | 0:03:57 | 0:03:59 | |
negative reaction we've had to a song. | 0:03:59 | 0:04:01 | |
# Share my life | 0:04:01 | 0:04:05 | |
# Take me for what I am... # | 0:04:05 | 0:04:10 | |
I really don't like the song. | 0:04:10 | 0:04:12 | |
It doesn't suit boys' voices at all, and I just...really don't like it. | 0:04:12 | 0:04:16 | |
# Can't run from myself There's nowhere to hide | 0:04:16 | 0:04:23 | |
# Don't make me close... # | 0:04:23 | 0:04:25 | |
It's one of my favourite songs to sing | 0:04:25 | 0:04:27 | |
cos I love singing big songs. I just | 0:04:27 | 0:04:30 | |
really hope that I can sing this. | 0:04:30 | 0:04:31 | |
# Stay in my arms if you dare... # | 0:04:31 | 0:04:36 | |
Because I haven't been in a sing-off yet, I really want the chance | 0:04:37 | 0:04:41 | |
to perform and I really want to be able to perform this song. | 0:04:41 | 0:04:45 | |
# Ooh-ooh-ooh. # | 0:04:45 | 0:04:50 | |
I've heard this song quite a bit on the radio. | 0:04:52 | 0:04:56 | |
Never sung it before because I just thought I'd break my voice. | 0:04:56 | 0:04:59 | |
I think this is going to be a really interesting one, | 0:04:59 | 0:05:01 | |
and I can't wait to hear three of you perform it. | 0:05:01 | 0:05:03 | |
-Good luck, guys! See you later. -Bye! -ALL: -Bye! | 0:05:03 | 0:05:06 | |
We don't know who'll get through to the sing-offs | 0:05:06 | 0:05:08 | |
so it could be someone who really doesn't suit this song | 0:05:08 | 0:05:11 | |
or somebody could go up there and smash it. | 0:05:11 | 0:05:13 | |
There's lots of things we can do. I've thought about the key, | 0:05:13 | 0:05:15 | |
I've thought about the range that it covers. | 0:05:15 | 0:05:17 | |
Just take it step by step, we've got plenty of time. | 0:05:17 | 0:05:19 | |
Pretty much everybody except Lily was just thinking, | 0:05:19 | 0:05:22 | |
"I really don't want to sing this song." | 0:05:22 | 0:05:24 | |
Can Lily sing it first? | 0:05:24 | 0:05:25 | |
OK, well, I think I will grant you that, | 0:05:25 | 0:05:27 | |
if Lily wants to sing it first then that's a good idea. | 0:05:27 | 0:05:30 | |
# Don't make me close one more door | 0:05:30 | 0:05:35 | |
# I don't wanna hurt any more... # | 0:05:35 | 0:05:39 | |
This song suits Lily well and she's been singing it a long time, | 0:05:39 | 0:05:41 | |
but that doesn't mean there aren't others | 0:05:41 | 0:05:43 | |
who can't give her a run for her money. | 0:05:43 | 0:05:45 | |
# Don't make me close one more door... # | 0:05:45 | 0:05:48 | |
Amaria's got her own kind of vibe on it. | 0:05:48 | 0:05:51 | |
# ..hurt any more... # | 0:05:51 | 0:05:53 | |
Rai-Elle, she performed it really well just now. | 0:05:53 | 0:05:55 | |
# Stay in my arms, if you dare... # | 0:05:55 | 0:05:59 | |
Becky - she turns it into something else, | 0:05:59 | 0:06:02 | |
it's like a little kind of country-rock approach! | 0:06:02 | 0:06:05 | |
# Stay in my arms if you dare | 0:06:05 | 0:06:09 | |
# Must I imagine you there? # | 0:06:09 | 0:06:14 | |
This is definitely my scariest song so far. | 0:06:14 | 0:06:17 | |
# Share my life... # | 0:06:17 | 0:06:19 | |
I think I'm going to have to really work hard to learn the tune, | 0:06:19 | 0:06:22 | |
because I really don't know it. | 0:06:22 | 0:06:24 | |
-# Stay in my... # -HIS VOICE BREAKS | 0:06:24 | 0:06:26 | |
Don't worry about it! One, two, three. | 0:06:26 | 0:06:28 | |
# Stay in my arms if you dare... # | 0:06:28 | 0:06:31 | |
But this song isn't just proving difficult for the boys. | 0:06:31 | 0:06:35 | |
# Nothing, nothing, nothing... # | 0:06:35 | 0:06:38 | |
Oh, I can't sing this. # If I don't have you... # | 0:06:38 | 0:06:43 | |
Oh, I hate this song. | 0:06:43 | 0:06:45 | |
I think it was one of my least favourite lessons, I think, so far. | 0:06:45 | 0:06:50 | |
No, no, no, no, no, no! | 0:06:50 | 0:06:52 | |
THEY LAUGH | 0:06:52 | 0:06:55 | |
-I hate this song. -You hate it? -Yeah, I just can't stand it. | 0:06:56 | 0:07:00 | |
14-year-old singer Lola from Kent | 0:07:03 | 0:07:05 | |
also has two talented sisters. | 0:07:05 | 0:07:08 | |
Amelie just has an amazing jazz voice. | 0:07:08 | 0:07:10 | |
# I don't wanna hurt you and then you left me in tears... # | 0:07:10 | 0:07:14 | |
Claudia sings harmonies - and she's five. | 0:07:14 | 0:07:17 | |
# Down a one-way road... # | 0:07:17 | 0:07:21 | |
So far Lola has delivered five accomplished | 0:07:23 | 0:07:26 | |
sing-off performances.... | 0:07:26 | 0:07:28 | |
# You won't see me fall apart... # | 0:07:28 | 0:07:33 | |
..winning one of them with her version of Riptide. | 0:07:33 | 0:07:35 | |
# Baby, running down to the riptide... # | 0:07:35 | 0:07:37 | |
The thing I've learnt is that I just keep on going. | 0:07:37 | 0:07:40 | |
Lola has found music really helpful as an outlet because she is | 0:07:40 | 0:07:45 | |
a very strong character and she feels things very deeply. | 0:07:45 | 0:07:47 | |
-If I feel it, then they're going to feel it. -Well done, Lola. | 0:07:47 | 0:07:50 | |
Whoo! | 0:07:50 | 0:07:52 | |
# Got, got, got what it takes now. # | 0:07:52 | 0:07:55 | |
In the music industry there'll be days when you wonder | 0:07:55 | 0:07:59 | |
if all the hard work is really worth it. | 0:07:59 | 0:08:01 | |
So what makes artists keep following their dreams? | 0:08:01 | 0:08:03 | |
You kind of have to forget about all the attention, forget about all | 0:08:03 | 0:08:06 | |
the fame and the accolades and think about the one reason | 0:08:06 | 0:08:09 | |
that you wanted to do music was in the first place, | 0:08:09 | 0:08:12 | |
and that was because you loved it. | 0:08:12 | 0:08:13 | |
I think the best bit is when you have an amazing crowd | 0:08:13 | 0:08:16 | |
and they love what you do and it's the best thing you could ever do. | 0:08:16 | 0:08:20 | |
My top tip would be just make sure you enjoy it, because there's | 0:08:20 | 0:08:23 | |
no point doing something you love if you're not enjoying it. | 0:08:23 | 0:08:26 | |
There are only three end-of-show sing-off spots available, | 0:08:29 | 0:08:32 | |
and two of them can be won in our Music Industry challenge. | 0:08:32 | 0:08:35 | |
If you're going to make it big in the music industry, | 0:08:35 | 0:08:38 | |
at some point you're going to have to think about your look. | 0:08:38 | 0:08:41 | |
So today's challenge is all about styling. | 0:08:41 | 0:08:44 | |
-Yes! -Oh, no! -This is so exciting! | 0:08:44 | 0:08:47 | |
I know nothing about fashion, really, at all! | 0:08:47 | 0:08:50 | |
Today's guest judge is an expert in making artists look cool. | 0:08:52 | 0:08:56 | |
Sian Nuttall is a stylist to the stars | 0:08:58 | 0:09:00 | |
and has worked with the likes of Gorgon City, | 0:09:00 | 0:09:03 | |
Rudimental and MNEK. | 0:09:03 | 0:09:04 | |
I'm Sian, I'm a stylist and I work with lots of different artists. | 0:09:04 | 0:09:08 | |
I'm guessing you have a massive wardrobe? | 0:09:08 | 0:09:10 | |
Yeah, I do have a really big wardrobe and I love it! | 0:09:10 | 0:09:13 | |
So what's the hardest part about working in the fashion industry? | 0:09:13 | 0:09:16 | |
The competitiveness. | 0:09:16 | 0:09:17 | |
And it's all very fast-paced, so you've got to be on the ball, | 0:09:17 | 0:09:21 | |
make sure you're on top of all the trends | 0:09:21 | 0:09:24 | |
and that you're very organised and just constantly on the go. | 0:09:24 | 0:09:27 | |
When you're on tour, do you always have someone styling you? | 0:09:27 | 0:09:30 | |
No, you definitely don't always have someone on tour styling you. | 0:09:30 | 0:09:33 | |
My role a lot of the time is to collate the clothing | 0:09:33 | 0:09:36 | |
and get a lot of different clothing for the artists | 0:09:36 | 0:09:39 | |
to take on tour with them, but often they'll have to pull that | 0:09:39 | 0:09:42 | |
all together and style an outfit themselves. | 0:09:42 | 0:09:45 | |
Today's challenge is to come up with a new look which will be judged on | 0:09:45 | 0:09:48 | |
-creativity... -Look, that one's so small. | 0:09:48 | 0:09:51 | |
..uniqueness of style, and also reflect their personalities. | 0:09:51 | 0:09:55 | |
-That is not you! -It's not me at all! | 0:09:55 | 0:09:57 | |
The singers will be working in pairs | 0:09:57 | 0:09:59 | |
and must come up with a unified look that ties them together. | 0:09:59 | 0:10:03 | |
-Amaria is teamed with Matt... -That's too big. | 0:10:03 | 0:10:05 | |
-..Lola with Paddy... -No, it's too many patterns. | 0:10:05 | 0:10:08 | |
-Lily is with Becky... -Are we going for rocker | 0:10:08 | 0:10:11 | |
-or are we going for classy? -Classy AND rocky. | 0:10:11 | 0:10:14 | |
..and Rai-Elle is with Evan. | 0:10:14 | 0:10:16 | |
Just not too tight, please, I'm begging you. | 0:10:16 | 0:10:19 | |
The hardest thing for them is pulling it all together | 0:10:19 | 0:10:21 | |
to make sure every item complements one another. | 0:10:21 | 0:10:24 | |
I don't like the trousers, Lily. | 0:10:24 | 0:10:26 | |
Becky is the only singer not to have been in the sing-off, | 0:10:26 | 0:10:29 | |
so she will be desperate to win this challenge. | 0:10:29 | 0:10:31 | |
I don't know how we're going to find an outfit that we'll both agree on. | 0:10:31 | 0:10:35 | |
-It's really hard. -I look like something out of Scooby-Doo! | 0:10:35 | 0:10:38 | |
Time is short, so they must pull their new look together quickly. | 0:10:39 | 0:10:43 | |
It's actually going better than I thought it would go, | 0:10:43 | 0:10:45 | |
because Evan's got really good style, for me and for him. | 0:10:45 | 0:10:48 | |
I don't like that. | 0:10:48 | 0:10:50 | |
-I don't like that. -Who wants to wear a tie? | 0:10:50 | 0:10:53 | |
Oh, I'm into this... No, I don't like the writing on it. | 0:10:53 | 0:10:56 | |
Trying out new styles can be a fun part of the job | 0:10:56 | 0:10:58 | |
but there are things to watch out for. | 0:10:58 | 0:11:00 | |
You may be asked to wear something you're not comfortable in - | 0:11:00 | 0:11:03 | |
I know I have been in the past - so that's why it's | 0:11:03 | 0:11:05 | |
so important to find your own image. | 0:11:05 | 0:11:07 | |
You've got to make sure you're comfortable. | 0:11:07 | 0:11:09 | |
If you're going to be on stage and running around | 0:11:09 | 0:11:11 | |
and giving a great performance, you don't | 0:11:11 | 0:11:13 | |
want to be having to think about really ridiculous high heels | 0:11:13 | 0:11:16 | |
and massive costumes that you might not necessarily want to wear. | 0:11:16 | 0:11:20 | |
One of the worst outfits I can remember was a silver waistcoat, | 0:11:20 | 0:11:24 | |
and I looked like a turkey in tinfoil. | 0:11:24 | 0:11:27 | |
The teams have now chosen their looks, | 0:11:27 | 0:11:30 | |
but what will professional stylist Sian make of them? | 0:11:30 | 0:11:32 | |
First thing I'll be looking for is creativity and uniqueness of style. | 0:11:32 | 0:11:36 | |
-First up, it's Matt and Amaria... -Aw, perfect. | 0:11:36 | 0:11:40 | |
..who have gone for a slick two-tone look | 0:11:40 | 0:11:42 | |
that instantly connects them together. | 0:11:42 | 0:11:44 | |
What inspired you to choose these looks? | 0:11:44 | 0:11:46 | |
Black and white are very different tones, | 0:11:48 | 0:11:50 | |
so I think they complement each other. | 0:11:50 | 0:11:52 | |
The monochrome theme is definitely on trend, so well done. | 0:11:52 | 0:11:56 | |
You've gone a little bit out there and taken a risk, and it's paid of. | 0:11:56 | 0:11:59 | |
I think the hardest bit about it is we have completely different styles. | 0:11:59 | 0:12:03 | |
BOTH: Bye. | 0:12:05 | 0:12:06 | |
Oh, you girls look great! | 0:12:10 | 0:12:11 | |
Becky and Lily have gone for a smart denim look, | 0:12:12 | 0:12:15 | |
bringing in a bit of rock chick with the leather. | 0:12:15 | 0:12:18 | |
I think you've done a really good job of finding unity | 0:12:18 | 0:12:22 | |
between the looks, I think you definitely look great together. | 0:12:22 | 0:12:25 | |
We sort of had to go for quite a rocky style | 0:12:25 | 0:12:26 | |
but still keep it quite classy because obviously that's | 0:12:26 | 0:12:29 | |
putting both of our styles together - | 0:12:29 | 0:12:31 | |
so we kind of thought a bit of country. | 0:12:31 | 0:12:33 | |
Up next, Paddy and Lola. | 0:12:34 | 0:12:36 | |
You guys look great. | 0:12:38 | 0:12:39 | |
They've gone for country casual, combining urban street wear. | 0:12:39 | 0:12:43 | |
So tell me, what inspired your look? | 0:12:43 | 0:12:45 | |
We've got country kind...and then we've got a bit of street swagger... | 0:12:45 | 0:12:49 | |
-I don't know what the country thing is, but, yeah. -HE MIMICS A BANJO | 0:12:50 | 0:12:54 | |
I think fashion is all about mixing different trends into one. | 0:12:54 | 0:12:57 | |
I think it gave me a good idea of how fashion | 0:12:57 | 0:13:00 | |
and the music industry do really link. | 0:13:00 | 0:13:03 | |
Finally, it's Rai-Elle and Evan. | 0:13:04 | 0:13:07 | |
Hey! | 0:13:07 | 0:13:09 | |
You've gone out there! I love it! | 0:13:10 | 0:13:12 | |
They've decided to stand out from the crowd with a retro '90s vibe. | 0:13:12 | 0:13:16 | |
What inspired both of your looks? | 0:13:16 | 0:13:18 | |
So basically we decided we wanted to do something a bit different. | 0:13:18 | 0:13:21 | |
You definitely look unique, that's for sure. | 0:13:21 | 0:13:24 | |
It was so good, I really enjoyed it. | 0:13:24 | 0:13:26 | |
It was probably the best challenge yet, I would say! | 0:13:26 | 0:13:29 | |
12-year-old Evan is a young singer-songwriter | 0:13:31 | 0:13:33 | |
from the Scottish Borders. | 0:13:33 | 0:13:35 | |
# All my friends are turning green. # | 0:13:35 | 0:13:38 | |
Some of the songs have suited Evan's acoustic style. | 0:13:38 | 0:13:41 | |
But he's had to learn to become versatile. | 0:13:41 | 0:13:44 | |
This is quite a difficult song to sing. | 0:13:45 | 0:13:48 | |
He reached the sing-off tackling a demanding Jessie J song. | 0:13:48 | 0:13:51 | |
# In the blur of the stars... # | 0:13:51 | 0:13:55 | |
I think you looked so confident up there. | 0:13:55 | 0:13:57 | |
But is there anyone he wouldn't want to cover? | 0:13:57 | 0:14:00 | |
My worst nightmare would be to perform an Olly Murs song | 0:14:00 | 0:14:03 | |
because I don't like his songs. | 0:14:03 | 0:14:06 | |
What if he's watching?! | 0:14:06 | 0:14:07 | |
Sorry, Olly! | 0:14:08 | 0:14:10 | |
Sian now has to decide on a winning team. | 0:14:11 | 0:14:13 | |
At the moment I'm just really, really torn. | 0:14:13 | 0:14:17 | |
How did yours go? | 0:14:17 | 0:14:19 | |
I think it went really well. | 0:14:19 | 0:14:20 | |
We've gone for colours and tones to match the same, | 0:14:20 | 0:14:23 | |
but then you've gone for literally twins. | 0:14:23 | 0:14:26 | |
Thank you. | 0:14:26 | 0:14:27 | |
Each pair looks so good and so individual, | 0:14:27 | 0:14:30 | |
really done a great job, I'm impressed. | 0:14:30 | 0:14:33 | |
It was actually easy putting our clothes together. | 0:14:33 | 0:14:35 | |
I chose all of this, to be honest. Well, she chose the top, that's it. | 0:14:35 | 0:14:38 | |
I think everyone looks like a little team, don't you think? | 0:14:38 | 0:14:41 | |
It's such a tricky decision, | 0:14:41 | 0:14:43 | |
I really don't know which way I'm going to sway at this point. | 0:14:43 | 0:14:46 | |
It's been super-hard for me | 0:14:50 | 0:14:52 | |
but I have chosen a winner. And the winning couple... | 0:14:52 | 0:14:58 | |
..is Becky and Lily! | 0:15:02 | 0:15:04 | |
Oh, my God! Whooo! | 0:15:04 | 0:15:07 | |
Great result - especially for Becky. | 0:15:07 | 0:15:09 | |
That means I'm going to be in the sing-off, finally! | 0:15:09 | 0:15:12 | |
It's been quite difficult at times but I was very pleased | 0:15:12 | 0:15:14 | |
she got through to that sing-off. | 0:15:14 | 0:15:16 | |
That made her day. | 0:15:16 | 0:15:18 | |
I think we both tried and we both had an amazing time - I think that's | 0:15:18 | 0:15:22 | |
what counts. I'd rather have an amazing time than win and be bored. | 0:15:22 | 0:15:26 | |
Yeah! | 0:15:26 | 0:15:28 | |
End of day one and there's more styling in the mansion. | 0:15:29 | 0:15:32 | |
I just finished doing Becky's make-up for her. | 0:15:32 | 0:15:35 | |
Matt's going to be doing Lola's eyebrows. | 0:15:35 | 0:15:38 | |
-Do I use this? -Just do it, just do it! | 0:15:38 | 0:15:40 | |
How do you curl this part of your hair? | 0:15:40 | 0:15:43 | |
Oh, my God! | 0:15:45 | 0:15:48 | |
Obviously I'm going to be on telly | 0:15:48 | 0:15:50 | |
so I don't to have my make-up all blotchy and stuff. | 0:15:50 | 0:15:53 | |
No, no, no, Lily... Where are the make-up wipes? | 0:15:53 | 0:15:58 | |
Lola and Lily captured us and decided to do our make-up. | 0:15:58 | 0:16:02 | |
-Cos I really like doing make-up. -It was torture, to be honest. -Bye! | 0:16:02 | 0:16:07 | |
It's a new day and time for the mums to find out what today's | 0:16:11 | 0:16:15 | |
physical challenge will be. | 0:16:15 | 0:16:17 | |
Whoever wins will secure the third | 0:16:17 | 0:16:19 | |
and final end-of-show sing-off spot for their child. | 0:16:19 | 0:16:21 | |
Morning, Mums! | 0:16:21 | 0:16:23 | |
Every artist's worst nightmare is forgetting their words | 0:16:23 | 0:16:25 | |
in front of thousands of screaming fans. | 0:16:25 | 0:16:27 | |
To pull off a flawless performance, it takes great memory | 0:16:27 | 0:16:30 | |
and nerves of steel. Think you've got what it takes, ladies? | 0:16:30 | 0:16:34 | |
We're about to find out in today's challenge, The Recollection Rapids. | 0:16:34 | 0:16:37 | |
-Rapids? Water? -I don't like water. | 0:16:37 | 0:16:41 | |
Anything to do with water, I'm a bit scared of it. | 0:16:41 | 0:16:43 | |
Lisa and Linda get to sit today's challenge out, | 0:16:43 | 0:16:47 | |
and Jasmine is also not going... | 0:16:47 | 0:16:50 | |
I decided I didn't want to take part in it cause it was water, | 0:16:50 | 0:16:52 | |
and I'd be no good to nobody! | 0:16:52 | 0:16:54 | |
For my daughter's sake I feel, | 0:16:54 | 0:16:55 | |
"Ugh, maybe I've let her down a little bit." | 0:16:55 | 0:16:57 | |
Not quite sure what it's going to be, but it involves water! | 0:17:00 | 0:17:03 | |
Not looking forward to this one at all. | 0:17:08 | 0:17:11 | |
We are arriving to some kind of water centre, | 0:17:13 | 0:17:16 | |
water sports centre, I think. | 0:17:16 | 0:17:18 | |
In this challenge, the mums must paddle down the white-water rapids | 0:17:23 | 0:17:27 | |
whilst looking out for pictures of musical instruments. | 0:17:27 | 0:17:30 | |
When they get to the end they'll have 30 seconds to | 0:17:30 | 0:17:32 | |
remember as many as they can. The mum with the highest score wins. | 0:17:32 | 0:17:36 | |
As always, games guru and fitness trainer to the stars | 0:17:36 | 0:17:39 | |
Kevin Adams will oversee today's challenge, | 0:17:39 | 0:17:42 | |
but he's less than impressed with the turnout from the mums. | 0:17:42 | 0:17:45 | |
When I arrive and I see there's not six mums here, I'm slightly | 0:17:45 | 0:17:48 | |
disappointed but guess what, they are going to be more disappointed | 0:17:48 | 0:17:51 | |
at the fact that they didn't take part in this challenge - not good. | 0:17:51 | 0:17:55 | |
And things are going from bad to worse. After seeing what's involved | 0:17:55 | 0:17:59 | |
in the challenge, Bernice has also decided to sit this one out. | 0:17:59 | 0:18:03 | |
No, I'm not doing this challenge. | 0:18:03 | 0:18:06 | |
I don't like failure but at least try and fail, but don't fail to try. | 0:18:06 | 0:18:11 | |
Rai-Elle does know about my fears and my phobias | 0:18:11 | 0:18:14 | |
and the things I really don't like. | 0:18:14 | 0:18:16 | |
I'm not too upset because I know my mum does not do well with the cold. | 0:18:16 | 0:18:21 | |
-And now Katie is having second thoughts too. -I'm just scared. | 0:18:21 | 0:18:25 | |
Anybody that knows me would know that this is everything | 0:18:25 | 0:18:30 | |
I hate rolled into a challenge - water, cold, wet... | 0:18:30 | 0:18:36 | |
OK, mums, this is going to be one of our toughest challenges | 0:18:37 | 0:18:41 | |
and three of you have already pulled out. | 0:18:41 | 0:18:43 | |
So congratulations for you three because you are still here! | 0:18:43 | 0:18:46 | |
But at the last minute, Katie shakes off her fears | 0:18:46 | 0:18:49 | |
and steps up for the challenge. | 0:18:49 | 0:18:52 | |
-Hey, Katie! Are you going to do the challenge? -Of course! -You are? | 0:18:55 | 0:18:59 | |
Give me a high five, that's absolutely amazing. | 0:18:59 | 0:19:02 | |
Everything about this is everything I'm terrified of, | 0:19:02 | 0:19:06 | |
so this is completely horrific for me. | 0:19:06 | 0:19:09 | |
I'm sure Matt has put himself out of his comfort zone | 0:19:09 | 0:19:12 | |
lots and lots of times when he's on stage | 0:19:12 | 0:19:14 | |
and this is the same thing so, yep, let's do it! | 0:19:14 | 0:19:17 | |
Wanting to get it over with, Katie decides to take to the rapids first. | 0:19:20 | 0:19:24 | |
Let's start Recollection Rapids! Three... | 0:19:24 | 0:19:27 | |
-SHE WHIMPERS -..two... | 0:19:27 | 0:19:28 | |
-Don't let me fall in! -..one. | 0:19:28 | 0:19:31 | |
You have to try | 0:19:31 | 0:19:32 | |
and remember as many of these ten signs you see on the way down! | 0:19:32 | 0:19:36 | |
She doesn't look nervous at all! | 0:19:39 | 0:19:40 | |
Katie is managing to keep her cool, | 0:19:42 | 0:19:44 | |
but is she remembering to look out for the signs? | 0:19:44 | 0:19:47 | |
Keep looking out for the signs - | 0:19:47 | 0:19:48 | |
you've got to remember as many as possible! | 0:19:48 | 0:19:50 | |
Come, Katie. | 0:19:56 | 0:19:57 | |
Katie's made it through the rapids, but how many signs did she remember? | 0:19:57 | 0:20:01 | |
-Go. -Flute, oboe, piano, euphonium, | 0:20:01 | 0:20:04 | |
clarinet, violin, | 0:20:04 | 0:20:06 | |
harmonica, piano, | 0:20:06 | 0:20:08 | |
drums, saxophone, er... | 0:20:08 | 0:20:12 | |
flute, drums, | 0:20:12 | 0:20:14 | |
bass, euphonium, | 0:20:14 | 0:20:17 | |
harmonica thingy. | 0:20:17 | 0:20:19 | |
Um... | 0:20:19 | 0:20:20 | |
Well done. | 0:20:20 | 0:20:21 | |
Katie conquered her fears and remembered seven signs. | 0:20:21 | 0:20:24 | |
A good score that will be hard to beat. | 0:20:24 | 0:20:26 | |
With two mums sitting out of the challenge, only three others | 0:20:26 | 0:20:31 | |
can knock her off the top spot. | 0:20:31 | 0:20:33 | |
Paddy's mum Diane, Evan's mum Fiona | 0:20:34 | 0:20:37 | |
and Lola's mum Imogen. | 0:20:37 | 0:20:40 | |
You have to remember these signs! | 0:20:40 | 0:20:42 | |
It's a tough challenge. | 0:20:49 | 0:20:50 | |
Who will win that final sing-off spot for their child? | 0:20:50 | 0:20:53 | |
The mums have made it down the rapids, | 0:21:02 | 0:21:04 | |
but can anyone remember more instruments than Katie? | 0:21:04 | 0:21:07 | |
-Let's go. -Trombone, bongo, violin. | 0:21:07 | 0:21:11 | |
Euphonium, trumpet, trombone, saxophone. | 0:21:11 | 0:21:14 | |
Harmonica, euphonium. | 0:21:14 | 0:21:16 | |
Piano. | 0:21:16 | 0:21:17 | |
Clarinet, violin, recorder. | 0:21:17 | 0:21:19 | |
Uh... | 0:21:19 | 0:21:22 | |
Tambourine... | 0:21:22 | 0:21:23 | |
Oh, how many's that? Piano. | 0:21:23 | 0:21:26 | |
Harmonica and a violin. | 0:21:26 | 0:21:28 | |
Well done, well done! | 0:21:28 | 0:21:31 | |
Time to find out who's won today's physical challenge. | 0:21:31 | 0:21:35 | |
OK, Mums, well done. Katie, how are you feeling now? | 0:21:35 | 0:21:38 | |
-Absolutely fab! Yeah, really glad I did it! -Well done. | 0:21:38 | 0:21:43 | |
The winner, and the mum that puts their child through | 0:21:43 | 0:21:49 | |
to the sing-off is... | 0:21:49 | 0:21:51 | |
..by one point... | 0:21:55 | 0:21:58 | |
Imogen! Well done! | 0:21:58 | 0:22:01 | |
By one point! | 0:22:01 | 0:22:04 | |
It's a bit mixed feelings | 0:22:04 | 0:22:06 | |
cos I know Lola doesn't really like this song | 0:22:06 | 0:22:08 | |
and now she'll have to learn it in a very short space of time, | 0:22:08 | 0:22:11 | |
as I don't think she's been practising it. | 0:22:11 | 0:22:13 | |
It's time to break the news to Lola that she'll be singing | 0:22:13 | 0:22:16 | |
one of her least favourite songs. | 0:22:16 | 0:22:18 | |
Hi, Lola, I'm sorry but I won! | 0:22:18 | 0:22:20 | |
'Mum, I don't want to do this one - I don't want to do it!' | 0:22:20 | 0:22:23 | |
Well, listen, what I would say | 0:22:23 | 0:22:25 | |
is that if you do it, you will - as you always do... | 0:22:25 | 0:22:30 | |
'I don't want to do it - I said it.' | 0:22:30 | 0:22:32 | |
Lola, Lola, you have to do this! | 0:22:32 | 0:22:35 | |
Not-so-happy response, but actually, the more | 0:22:35 | 0:22:39 | |
she performs, the better she will become as a performer. | 0:22:39 | 0:22:42 | |
Every time she has to learn something in a short | 0:22:42 | 0:22:44 | |
space of time and every time she has to try | 0:22:44 | 0:22:47 | |
and do a version of a song, it's all good experience for her. | 0:22:47 | 0:22:49 | |
# I got, got, got what it takes now. # | 0:22:49 | 0:22:52 | |
Lola is definitely not comfortable with today's song, but covering | 0:22:55 | 0:22:59 | |
other artists' work is an important skill to have in the industry. | 0:22:59 | 0:23:02 | |
Seems to be a little bit of an issue with Lola - | 0:23:02 | 0:23:05 | |
she doesn't want to sing today, so hopefully I'll be able to | 0:23:05 | 0:23:09 | |
convince her that it's the best thing to do. | 0:23:09 | 0:23:11 | |
-So what's going on? -I'm just feeling not very good today | 0:23:13 | 0:23:16 | |
and I don't really want to perform at all but... I don't know. | 0:23:16 | 0:23:19 | |
-Are you feeling the pressure? -Feeling the pressure, yeah. | 0:23:19 | 0:23:23 | |
You have done the most sing-offs, therefore you've spent almost | 0:23:23 | 0:23:27 | |
every day having some sort of stress and pressure on you, | 0:23:27 | 0:23:30 | |
trying to think of how you're going to change this song, | 0:23:30 | 0:23:33 | |
because not all of the songs have been your style. | 0:23:33 | 0:23:35 | |
Exactly. I love performing, no matter how many times I do it, | 0:23:35 | 0:23:38 | |
it's just the fact that it does become, like, stressful, | 0:23:38 | 0:23:41 | |
because you're like, | 0:23:41 | 0:23:42 | |
"How do I reinvent it this time?" That kind of thing. | 0:23:42 | 0:23:45 | |
She's been in a lot of sing-offs and she's only won one of them | 0:23:45 | 0:23:48 | |
so she's probably feeling a little bit down on herself | 0:23:48 | 0:23:51 | |
and, you know, she doesn't want to get up there and not win again. | 0:23:51 | 0:23:54 | |
The last bit of advice I can give you, Lola, is that this is | 0:23:54 | 0:23:58 | |
another opportunity and you can't waste these opportunities. | 0:23:58 | 0:24:01 | |
'Lola makes the right choice and decides to give the song a go.' | 0:24:01 | 0:24:05 | |
-So, Lola... -Hi, Lola! -Hi! -..will be joining Becky... | 0:24:07 | 0:24:10 | |
I'm good, how are you? | 0:24:10 | 0:24:13 | |
-Hello! -..and Lily in the sing-off. | 0:24:13 | 0:24:16 | |
One, two, three, two. | 0:24:16 | 0:24:18 | |
# I have nothing, nothing, nothing... | 0:24:18 | 0:24:23 | |
This is going to be an exciting sing-off. | 0:24:23 | 0:24:25 | |
The song is not Becky's kind of thing | 0:24:25 | 0:24:28 | |
but she's turned it into her thing. | 0:24:28 | 0:24:30 | |
She's got this kind of low, deep, sort of...almost growly sound to it. | 0:24:30 | 0:24:35 | |
My only thing is be careful on those "haves" when you come back up... | 0:24:35 | 0:24:39 | |
# If I don't have... # | 0:24:39 | 0:24:40 | |
Keep that up, it's a little bit flat on the V. | 0:24:40 | 0:24:43 | |
Three, and. | 0:24:43 | 0:24:45 | |
# If I don't have you... | 0:24:45 | 0:24:48 | |
# Have... | 0:24:48 | 0:24:50 | |
# Have... # | 0:24:50 | 0:24:51 | |
That's better, perfect! | 0:24:51 | 0:24:54 | |
That's your one Achilles heel. | 0:24:54 | 0:24:56 | |
I think it was nice that I was able to put my rocky voice into it. | 0:24:56 | 0:25:01 | |
# There's nowhere to hide | 0:25:01 | 0:25:05 | |
# Don't...make... # | 0:25:05 | 0:25:08 | |
-It's good. -Sorry, can I go again? | 0:25:08 | 0:25:10 | |
Lily, there's a lot of pressure on her because this is her | 0:25:10 | 0:25:12 | |
fourth time in the sing-offs and she still hasn't won one. | 0:25:12 | 0:25:16 | |
So I think today she thinks this is | 0:25:16 | 0:25:18 | |
the song that's going to get her that win. | 0:25:18 | 0:25:21 | |
# I have nothing if I don't have you. # | 0:25:21 | 0:25:27 | |
You just raced through it. You can't do that so fast. | 0:25:27 | 0:25:32 | |
You know, the audience, you have them in the palm of your hand. | 0:25:32 | 0:25:37 | |
That's the spine-tingle moment, | 0:25:37 | 0:25:38 | |
especially when you're singing it, not me! | 0:25:38 | 0:25:40 | |
Really happy it's a ballad and it's a really big song that | 0:25:40 | 0:25:45 | |
I can show off my voice in because I haven't been able to do that yet | 0:25:45 | 0:25:48 | |
with any of the other songs. | 0:25:48 | 0:25:50 | |
# Take my love | 0:25:50 | 0:25:53 | |
# I'll never ask for too much... # | 0:25:53 | 0:25:57 | |
Lola is really inventive. | 0:25:57 | 0:26:00 | |
I've worked for artists that haven't been able to change songs up | 0:26:00 | 0:26:03 | |
as effectively as that, so I'm really blown away. | 0:26:03 | 0:26:07 | |
# If I don't have you... # | 0:26:07 | 0:26:13 | |
Great, wow, it's going to be a dark and emotional moment. | 0:26:13 | 0:26:17 | |
-Yeah. Oh, God, I like it so much more, thank you. -You're welcome. | 0:26:17 | 0:26:20 | |
If you take a song, I don't think you should ever do it the way the | 0:26:20 | 0:26:24 | |
artist has done it because then what is the point in covering the song? | 0:26:24 | 0:26:28 | |
David has done all he can to prepare the three performers. | 0:26:29 | 0:26:33 | |
It's time for the seventh Got What It Takes? sing-off. | 0:26:33 | 0:26:36 | |
I am really worried about this sing-off, I think the pressure's on | 0:26:36 | 0:26:39 | |
so much that I don't think any of them will be able to pull it off. | 0:26:39 | 0:26:42 | |
The mums will judge each performance | 0:26:46 | 0:26:48 | |
and vote to decide which one of the three is the winner. | 0:26:48 | 0:26:50 | |
The person with the most sing-off wins after eight episodes will | 0:26:50 | 0:26:54 | |
automatically qualify for the Grand Final. | 0:26:54 | 0:26:57 | |
So far, Rai-Elle leads with two sing-off wins. | 0:26:57 | 0:27:00 | |
Lola, Paddy, Amaria and Matt have one win each. | 0:27:00 | 0:27:03 | |
Hi, Mums, and welcome to the show's seventh sing-off. | 0:27:05 | 0:27:08 | |
I'm really excited for this sing-off, | 0:27:08 | 0:27:10 | |
because I think it's going to be so interesting! | 0:27:10 | 0:27:12 | |
So, Linda, this is Becky's first time on the stage. | 0:27:12 | 0:27:15 | |
I know it's not really a song that she would have chosen herself - | 0:27:15 | 0:27:18 | |
how has she been preparing for it? | 0:27:18 | 0:27:21 | |
I think she's worked really hard over the last 24 hours | 0:27:21 | 0:27:24 | |
and I think she's going to give it her best. | 0:27:24 | 0:27:26 | |
So first up, it's Becky. | 0:27:26 | 0:27:29 | |
First time in a sing-off for Becky. Can she make it count? | 0:27:31 | 0:27:34 | |
# Share my life | 0:27:39 | 0:27:43 | |
# Take me for what I am | 0:27:43 | 0:27:47 | |
# I don't really need to look very much further | 0:27:47 | 0:27:52 | |
# I don't want to have to go where you don't follow | 0:27:52 | 0:27:57 | |
# I won't hold it back again This passion inside | 0:27:57 | 0:28:00 | |
# I can't run from myself | 0:28:00 | 0:28:03 | |
# There's nowhere to hide | 0:28:03 | 0:28:08 | |
# Don't make me close one more door | 0:28:08 | 0:28:14 | |
# I don't want to hurt any more | 0:28:14 | 0:28:18 | |
# Stay in my arms if you dare | 0:28:18 | 0:28:22 | |
# Or must I imagine you there? | 0:28:22 | 0:28:27 | |
# Don't walk away from me | 0:28:27 | 0:28:30 | |
# I have nothing, nothing, nothing | 0:28:32 | 0:28:38 | |
# If I don't have you | 0:28:38 | 0:28:44 | |
# Ooh | 0:28:45 | 0:28:48 | |
# If I don't have you. # | 0:28:50 | 0:28:56 | |
Thank you! | 0:28:56 | 0:28:57 | |
-Hey, Becky, well done! -Thank you! | 0:28:59 | 0:29:02 | |
-How did your first time on the stage feel? -I liked it, it was cool! | 0:29:02 | 0:29:06 | |
-Ah, I thought it was amazing, well done! -Thank you. | 0:29:06 | 0:29:09 | |
What Becky did in terms of changing the song | 0:29:11 | 0:29:14 | |
and making it sound different - so impressive. | 0:29:14 | 0:29:18 | |
It's quite nerve-racking but it was really exciting, | 0:29:18 | 0:29:22 | |
it was really a good time. | 0:29:22 | 0:29:24 | |
So next up is Lily! | 0:29:24 | 0:29:26 | |
It's Lily's fourth sing-off. Will this be her winning moment? | 0:29:28 | 0:29:31 | |
# I won't hold it back again, this passion inside | 0:29:33 | 0:29:37 | |
# I can't run from myself There's nowhere to hide | 0:29:37 | 0:29:44 | |
# Well, don't make me close one more door | 0:29:44 | 0:29:50 | |
# I don't want to hurt any more | 0:29:50 | 0:29:52 | |
# Stay in my arms if you dare | 0:29:52 | 0:29:58 | |
# Or must I imagine you there? | 0:29:58 | 0:30:03 | |
# Don't walk away from me | 0:30:03 | 0:30:07 | |
# I have nothing, nothing, nothing | 0:30:08 | 0:30:14 | |
# If I don't have you... | 0:30:14 | 0:30:21 | |
# You, if I don't have you... # | 0:30:21 | 0:30:35 | |
Thank you. | 0:30:35 | 0:30:37 | |
Lily, that was amazing, that was note perfect. Well done, Lily! | 0:30:39 | 0:30:44 | |
Thank you. | 0:30:44 | 0:30:45 | |
I think Lily gave a fantastic performance, | 0:30:47 | 0:30:49 | |
and all the things that we talked about in the rehearsal, | 0:30:49 | 0:30:52 | |
she remembered, which is a good thing. | 0:30:52 | 0:30:53 | |
I'm so, so, happy with how it went. | 0:30:53 | 0:30:56 | |
I think it went the best I've ever sung it | 0:30:56 | 0:30:59 | |
and I'm really, really happy with it. | 0:30:59 | 0:31:01 | |
Last up, we've got Lola. | 0:31:01 | 0:31:03 | |
This was one of Lola's least favourite songs, | 0:31:04 | 0:31:06 | |
but she needs to really step up now to win over the mums. | 0:31:06 | 0:31:10 | |
# Share my life Take me for what I am | 0:31:18 | 0:31:25 | |
# Cos I'll never change all my colours for you | 0:31:27 | 0:31:35 | |
# I don't really need to look very much further | 0:31:37 | 0:31:42 | |
# I don't want to have to go where you don't follow | 0:31:42 | 0:31:47 | |
# I won't hold it back again, this passion inside | 0:31:47 | 0:31:51 | |
# I can't run from myself There's nowhere to hide | 0:31:51 | 0:31:58 | |
# So don't make me close one more door | 0:31:58 | 0:32:03 | |
# I don't want to hurt any more | 0:32:03 | 0:32:08 | |
# Stay in my arms if you dare | 0:32:08 | 0:32:13 | |
# Or must I imagine you there? | 0:32:13 | 0:32:18 | |
# Please don't walk away from me, no | 0:32:18 | 0:32:23 | |
# Cos I have nothing, nothing I have nothing | 0:32:23 | 0:32:28 | |
# If I don't have you. # | 0:32:30 | 0:32:36 | |
I love the fact that you put your all into it and you give | 0:32:43 | 0:32:46 | |
-so much emotion to the people that are watching, well done. -Thank you. | 0:32:46 | 0:32:50 | |
She is already sounding better than some of those artists that | 0:32:51 | 0:32:55 | |
I've worked for. In terms of making a song sound different | 0:32:55 | 0:32:58 | |
and taking you on a journey with it, she's really good at that. | 0:32:58 | 0:33:02 | |
It was really hard up against Lily | 0:33:02 | 0:33:03 | |
and obviously Becky because they have really big voices. | 0:33:03 | 0:33:06 | |
I was really nervous, but I think | 0:33:06 | 0:33:08 | |
I did an all-right job, and the mums seemed to like it. | 0:33:08 | 0:33:11 | |
Another great sing-off, guys. | 0:33:11 | 0:33:14 | |
I wouldn't want to be in your shoes right now. It's time to vote. | 0:33:14 | 0:33:17 | |
This was a really good sing-off this time. | 0:33:19 | 0:33:22 | |
I was so nervous and to be perfectly honest, | 0:33:22 | 0:33:25 | |
I didn't really think any of them would pull it off like they did | 0:33:25 | 0:33:29 | |
but I'm so proud of them, they all smashed it. | 0:33:29 | 0:33:31 | |
Every single performance was absolutely amazing today, guys, | 0:33:31 | 0:33:34 | |
you really did yourselves proud. | 0:33:34 | 0:33:36 | |
But obviously there can only be one winner of the sing-off, | 0:33:36 | 0:33:39 | |
and today the person with the most votes is... | 0:33:39 | 0:33:42 | |
Lily. | 0:33:48 | 0:33:50 | |
I thought Lily's performance was amazing, she was note perfect, | 0:33:54 | 0:33:58 | |
you know, she hit the big notes and they were really, really good. | 0:33:58 | 0:34:02 | |
It's tough, it's hard to be a performer | 0:34:02 | 0:34:04 | |
and go on stage every night and deliver your best. | 0:34:04 | 0:34:07 | |
And maybe some of them will decide to not do that, | 0:34:07 | 0:34:10 | |
maybe they'll decide to do something else in the industry. | 0:34:10 | 0:34:13 | |
But they've certainly had a taste of what it's going to be like. | 0:34:13 | 0:34:17 | |
Next time... | 0:34:17 | 0:34:19 | |
This is your final chance to compete for the sing-off. | 0:34:19 | 0:34:22 | |
Uh, I'm really nervous, I feel sick, this is horrible! | 0:34:22 | 0:34:25 | |
-Swinging around, there's nobody even on them! -I can't do it! | 0:34:25 | 0:34:30 | |
-A lot of people are shocked when they hear me sing. -In a good way? | 0:34:30 | 0:34:34 | |
In a good way! Yeah, in a good way! | 0:34:34 | 0:34:36 | |
# I don't want to have to go where you don't follow | 0:34:37 | 0:34:41 | |
# I don't hold it back again, this passion inside | 0:34:41 | 0:34:46 | |
# I can't run from myself There's nowhere to hide... | 0:34:46 | 0:34:53 | |
Now, wait. | 0:34:53 | 0:34:54 |