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Hi I'm Katie B and this is Hit The Stage, | 0:00:02 | 0:00:05 | |
and I'm going to be taking a group of budding musicians | 0:00:05 | 0:00:07 | |
and giving them the chance to perform on the biggest stages | 0:00:07 | 0:00:10 | |
we can find. | 0:00:10 | 0:00:11 | |
Budding DJs go from playing their mum and dad's parties | 0:00:16 | 0:00:18 | |
to rocking the decks at major festivals. | 0:00:18 | 0:00:21 | |
Singers from singing hymns in church to performing to sell-out crowds. | 0:00:22 | 0:00:26 | |
And songwriters from sharing their songs with no-one | 0:00:26 | 0:00:29 | |
to playing to an audience of thousands. | 0:00:29 | 0:00:33 | |
Are you ready to Hit The Stage? We are! | 0:00:33 | 0:00:36 | |
# I keep on moving with the lights on | 0:00:41 | 0:00:44 | |
# The lights on | 0:00:44 | 0:00:46 | |
# So come on play me just one more... # | 0:00:46 | 0:00:47 | |
I've been lucky enough to make a life out of doing something | 0:00:47 | 0:00:50 | |
that I love - singing and performing. | 0:00:50 | 0:00:53 | |
You may even know some of my hit singles. | 0:00:53 | 0:00:55 | |
And now I'm in Londonderry, Northern Ireland. | 0:00:59 | 0:01:02 | |
Why am I here? Well, it's simple. | 0:01:02 | 0:01:04 | |
This year the city is the UK's first ever City Of Culture, | 0:01:04 | 0:01:07 | |
which means there's loads of massive music events happening | 0:01:07 | 0:01:11 | |
all year round and I'm going to help some local kids to Hit The Stage. | 0:01:11 | 0:01:15 | |
I won't be doing it alone - I've got two local musicians to help me out | 0:01:19 | 0:01:23 | |
when I'm not around. Glenn, who loves hitting the stage himself | 0:01:23 | 0:01:27 | |
when he's rocking out with his band... | 0:01:27 | 0:01:29 | |
The spark of creativity they have really reignites the spark | 0:01:29 | 0:01:32 | |
that you have, so I'm really looking forward to the eight months, | 0:01:32 | 0:01:35 | |
and seeing where this is going to go. | 0:01:35 | 0:01:36 | |
D Major... | 0:01:36 | 0:01:38 | |
And Jenny, who likes to take things a bit more slowly | 0:01:38 | 0:01:40 | |
when she's teaching students how to play the harp or sing. | 0:01:40 | 0:01:44 | |
It's really inspiring to think that these kids really have | 0:01:44 | 0:01:47 | |
so much potential, so I'm really, really excited to see | 0:01:47 | 0:01:49 | |
what they're going to come up with. | 0:01:49 | 0:01:51 | |
Last time on Hit The Stage, | 0:01:51 | 0:01:53 | |
we saw Micaela go from singing songs in church | 0:01:53 | 0:01:55 | |
to performing on a massive stage in front of thousands. | 0:01:55 | 0:01:59 | |
We found out that Eibhin loves to sing, | 0:02:00 | 0:02:02 | |
but needs to work on his preparation a bit more. | 0:02:02 | 0:02:05 | |
Hiya! | 0:02:06 | 0:02:09 | |
And I told singer-songwriter Hannah she's been booked | 0:02:09 | 0:02:12 | |
to play a massive outdoor stage at a CBBC festival. | 0:02:12 | 0:02:15 | |
She has all the confidence in the world | 0:02:17 | 0:02:20 | |
when she plays other people's songs, | 0:02:20 | 0:02:21 | |
but when it comes to the brilliant songs that she's written herself, | 0:02:21 | 0:02:25 | |
it's a different story. | 0:02:25 | 0:02:26 | |
I always think to play me own song, you know, it's a bit of a risk, | 0:02:26 | 0:02:29 | |
it's always a bit of a risk, like, are they going to like it? | 0:02:29 | 0:02:33 | |
Are they going to, you know, are they going to hate it? | 0:02:33 | 0:02:36 | |
Hannah has a fabulous talent, and in preparation for her Leeds concert, | 0:02:36 | 0:02:40 | |
I want to convince her that she really belongs in the big time. | 0:02:40 | 0:02:44 | |
One of the headline events of City of Culture is Radio 1's Big Weekend, | 0:02:44 | 0:02:48 | |
and I'm sending her to soak up the atmosphere and meet Woody, | 0:02:48 | 0:02:51 | |
who is the drummer in one of her favourite bands, Bastille. | 0:02:51 | 0:02:55 | |
I actually do a cover of one of your songs as well, | 0:02:56 | 0:02:59 | |
-I do a cover of Pompeii. -Nice, so can I please hear your cover? | 0:02:59 | 0:03:02 | |
-OK. -If that's all right, yeah? | 0:03:03 | 0:03:04 | |
-OK. OK, yes. -Let's hear it then. | 0:03:04 | 0:03:06 | |
# I was left in my own devices... # | 0:03:07 | 0:03:15 | |
I never thought that, like, I would be sitting here playing Pompeii | 0:03:15 | 0:03:19 | |
with, you know, one of the guys that wrote the song. | 0:03:19 | 0:03:23 | |
While Hannah is rubbing shoulders with her favourite pop stars, | 0:03:26 | 0:03:29 | |
guess who else she bumps into? | 0:03:29 | 0:03:31 | |
Yeah, me! | 0:03:31 | 0:03:33 | |
So how are you feeling that you're going to be performing | 0:03:33 | 0:03:35 | |
on a big stage outside like this at Radio 1? | 0:03:35 | 0:03:38 | |
No words. Like, I'm just... | 0:03:38 | 0:03:41 | |
Like... Even just being here today, it's like... | 0:03:41 | 0:03:45 | |
Like, to think that I'm going to be doing something like that is just... | 0:03:45 | 0:03:51 | |
mental. | 0:03:51 | 0:03:53 | |
Hannah seems to be flying on her musical journey, | 0:03:53 | 0:03:56 | |
but it looks like Eibhin is struggling to get off the ground | 0:03:56 | 0:03:59 | |
with his. | 0:03:59 | 0:04:00 | |
I've organised for Eibhin to perform | 0:04:00 | 0:04:02 | |
at a major City of Culture concert with Irish music legend Phil Coulter | 0:04:02 | 0:04:07 | |
and Damian McGinty from Glee. | 0:04:07 | 0:04:09 | |
Phil is known as Derry's Simon Cowell, and he's just as tough... | 0:04:09 | 0:04:14 | |
-There's no free rides in my gig. -OK. | 0:04:14 | 0:04:16 | |
If it's not good enough, you're not on. | 0:04:16 | 0:04:17 | |
# Oh, it takes every kind of people... # | 0:04:17 | 0:04:20 | |
Eibhin sometimes struggles to remember his words... | 0:04:20 | 0:04:23 | |
# Life's about, yeah... # | 0:04:23 | 0:04:26 | |
..and that doesn't go down well with Phil. | 0:04:26 | 0:04:28 | |
Did I hear that on a previous airing that you forgot your words? | 0:04:28 | 0:04:31 | |
-Yeah. -That, at the level we're talking about, | 0:04:31 | 0:04:34 | |
-the level that you want to aspire to... -Mm-hm. | 0:04:34 | 0:04:36 | |
..that is unforgivable. | 0:04:36 | 0:04:40 | |
With only three weeks to go before hitting the stage | 0:04:40 | 0:04:43 | |
in front of 2,000 people, I think he needs all the support he can get. | 0:04:43 | 0:04:48 | |
I think the reason why he keeps forgetting his words | 0:04:48 | 0:04:50 | |
is that he's not really feeling what they mean, | 0:04:50 | 0:04:52 | |
so I've arranged for the city's top theatre director | 0:04:52 | 0:04:55 | |
to give him a crash course in performance. | 0:04:55 | 0:04:58 | |
# Running on the river tonight | 0:04:58 | 0:05:02 | |
# With... | 0:05:02 | 0:05:04 | |
# Will history divide us... | 0:05:04 | 0:05:09 | |
# ..all alighting | 0:05:12 | 0:05:14 | |
# And the stars are written... # | 0:05:14 | 0:05:17 | |
OK, stop, stop. | 0:05:17 | 0:05:18 | |
I've worked with singers before and I've come up with this problem | 0:05:18 | 0:05:22 | |
because what happens is you get so focused on trying to make | 0:05:22 | 0:05:25 | |
-a lovely sound... -Mm-hm. -..I don't think you've really realised yet | 0:05:25 | 0:05:28 | |
that you're actually telling us a story. | 0:05:28 | 0:05:31 | |
You've come out there as if you were going to be shot, | 0:05:31 | 0:05:34 | |
whereas you're coming out to tell us | 0:05:34 | 0:05:36 | |
that there's a new future for all of us. | 0:05:36 | 0:05:39 | |
The song Bright Brand New Day that Eibhin is singing | 0:05:40 | 0:05:43 | |
has been written especially for Derry's City of Culture year | 0:05:43 | 0:05:46 | |
by top songwriter Phil, and it has a very special meaning. | 0:05:46 | 0:05:49 | |
# There's a fresh breeze blowing through the city tonight... # | 0:05:50 | 0:05:56 | |
Its hard believe now, but for 30 years Northern Ireland | 0:05:56 | 0:05:59 | |
was torn apart by a period of violence called the Troubles, | 0:05:59 | 0:06:03 | |
in which people from two different sides fought each other. | 0:06:03 | 0:06:05 | |
Hundreds of people from this city were killed by bombs and bullets, | 0:06:05 | 0:06:09 | |
but thankfully that's in the past, and Phil Coulter's song | 0:06:09 | 0:06:12 | |
has a powerful message of a brand-new future. | 0:06:12 | 0:06:16 | |
Just trust yourself. | 0:06:16 | 0:06:18 | |
You're afraid to do it cos you think you're going to look silly, | 0:06:18 | 0:06:20 | |
-isn't that it? -And I know I'm going to look silly. | 0:06:20 | 0:06:23 | |
Your voice is great, your voice will be brilliant, but you're... | 0:06:23 | 0:06:26 | |
You're mixing up all the words as well. Like, Phil Coulter will | 0:06:26 | 0:06:29 | |
-not let you... -Rip me apart. -He won't let you on stage. | 0:06:29 | 0:06:33 | |
-Do you want to do this? -Yeah. -Do you? -Yeah. | 0:06:33 | 0:06:36 | |
I don't think you do. | 0:06:36 | 0:06:38 | |
The way you're acting at the minute, | 0:06:38 | 0:06:40 | |
I don't even know if you want to be a singer. | 0:06:40 | 0:06:42 | |
No, but seriously, I mean, it's like... | 0:06:42 | 0:06:44 | |
It's like everything is so painful for you. | 0:06:44 | 0:06:46 | |
Everything is painful for me. | 0:06:46 | 0:06:47 | |
-It shouldn't be. -Do you think she's right or is she completely wrong? | 0:06:47 | 0:06:51 | |
She is right, aye. | 0:06:51 | 0:06:52 | |
Can you find a phrase, three words that you like the sound of? | 0:06:52 | 0:06:57 | |
-The chorus. The... -Say the chorus to me. | 0:06:57 | 0:07:01 | |
There's a bright brand new day, come and step out of the darkness | 0:07:02 | 0:07:06 | |
and into the light. | 0:07:06 | 0:07:07 | |
-Say that to me and mean it. -Aaah! | 0:07:07 | 0:07:10 | |
If that's all we get out of today, you convince me | 0:07:12 | 0:07:15 | |
that something is going to change. | 0:07:15 | 0:07:17 | |
But I don't think anything's going to change. | 0:07:17 | 0:07:19 | |
It's the same, it's not a new day, it's the same day. | 0:07:19 | 0:07:22 | |
-Is tomorrow the same day... -Yes! | 0:07:22 | 0:07:25 | |
-..as to day? -Basically. | 0:07:25 | 0:07:27 | |
What makes it the same? | 0:07:27 | 0:07:29 | |
Well, you wake up, go to school, go to bed, that... | 0:07:29 | 0:07:32 | |
If Eibhin can't get to grips with this song, | 0:07:32 | 0:07:35 | |
he won't be allowed to sing at the concert. | 0:07:35 | 0:07:37 | |
It's tough, but that's what it takes | 0:07:37 | 0:07:39 | |
if you want to perform on the biggest stages. | 0:07:39 | 0:07:41 | |
Across town, another of our Hit the Stage group | 0:07:46 | 0:07:49 | |
is about to start his musical adventure. | 0:07:49 | 0:07:51 | |
Conal, come on, there's a match in the Brandywell. Come on, look... | 0:07:51 | 0:07:54 | |
Wait till you see what I got you... | 0:07:54 | 0:07:56 | |
Look at that. For the Candy Stripe. | 0:07:56 | 0:07:59 | |
13-year-old Conal loves his football. | 0:07:59 | 0:08:01 | |
Him and his grandad Tommy never miss a game | 0:08:01 | 0:08:04 | |
when Derry City are playing at home. | 0:08:04 | 0:08:06 | |
Not content to just cheer the team on, Conal's musical skills | 0:08:14 | 0:08:17 | |
are relied upon to bang the drum of support. | 0:08:17 | 0:08:20 | |
This kid has rhythm, | 0:08:20 | 0:08:21 | |
which is more than can be said for the team, unfortunately. | 0:08:21 | 0:08:26 | |
But drums aren't Conal's main instrument. | 0:08:26 | 0:08:28 | |
He's big into his Irish traditional music | 0:08:28 | 0:08:30 | |
and he's been playing the fiddle, what I would call a violin, | 0:08:30 | 0:08:33 | |
since the age of seven. | 0:08:33 | 0:08:35 | |
Irish traditional music is a big part of life here in Derry, | 0:08:36 | 0:08:40 | |
and Conal plays all over the city at small events | 0:08:40 | 0:08:43 | |
and when he practises at home | 0:08:43 | 0:08:45 | |
he's always guaranteed one dedicated superfan. | 0:08:45 | 0:08:48 | |
That dog's dancing! | 0:08:51 | 0:08:53 | |
So I'm just on my way to see Conal now. | 0:09:05 | 0:09:08 | |
I'm really intrigued by his fiddle playing | 0:09:08 | 0:09:10 | |
and his traditional Irish roots, | 0:09:10 | 0:09:11 | |
so hopefully I'll get to hear some more. | 0:09:11 | 0:09:14 | |
-Hello. -Hello, Conal! -Heyyy! -How's it going? | 0:09:21 | 0:09:24 | |
When I said I wanted to hear him play, | 0:09:31 | 0:09:33 | |
I wasn't quite expecting this reception. | 0:09:33 | 0:09:35 | |
That was brilliant. Thank you so much. | 0:09:44 | 0:09:46 | |
-That was a bit of a fun. -What's that piece called? Has it got a name? | 0:09:46 | 0:09:49 | |
-Er, the music? -Yeah. -Harvest Song. | 0:09:49 | 0:09:52 | |
-Not like the stuff you're doing. -Yeah. | 0:09:52 | 0:09:55 | |
It was Conal's grandad Tommy who first spotted his sense of rhythm | 0:10:00 | 0:10:03 | |
and introduced him to the fiddle when he was only seven. | 0:10:03 | 0:10:07 | |
So how did you first get into playing the fiddle? | 0:10:07 | 0:10:10 | |
Well, I was at my granddad's house | 0:10:10 | 0:10:13 | |
and I was watching the TV. | 0:10:13 | 0:10:15 | |
There was music on and I started tapping me foot, | 0:10:15 | 0:10:18 | |
so then he got me a fiddle. | 0:10:18 | 0:10:21 | |
-What, there and then? -Aye. -Ah, cool. | 0:10:21 | 0:10:24 | |
Ever since then I was playing the fiddle. | 0:10:24 | 0:10:26 | |
So now I've met Conal I have definitely got a bit of a vibe | 0:10:28 | 0:10:31 | |
for his Irish roots. | 0:10:31 | 0:10:33 | |
I've had his sisters doing Irish dancing in the living room, | 0:10:33 | 0:10:37 | |
so I'm really going to have to find something with a traditional vibe | 0:10:37 | 0:10:41 | |
in the city this year for him perform at. | 0:10:41 | 0:10:43 | |
This is the live room. | 0:10:50 | 0:10:52 | |
Conal's journey might just be starting, but Hannah is gearing up | 0:10:52 | 0:10:55 | |
for her biggest stage yet - CBBC's Live in Leeds festival. | 0:10:55 | 0:11:00 | |
In preparation for her big performance she's hard at work | 0:11:01 | 0:11:04 | |
in the studio with Glenn. | 0:11:04 | 0:11:06 | |
He's a pro at recording all the best local bands, | 0:11:06 | 0:11:08 | |
and Hannah's trying out a new song that she wants to play at the event. | 0:11:08 | 0:11:12 | |
# Cos I don't know who you are any more... # | 0:11:12 | 0:11:17 | |
I knew that by sending Hannah to Leeds to perform on a bigger stage | 0:11:17 | 0:11:20 | |
she would have to up her game, and she has. | 0:11:20 | 0:11:23 | |
That new song sounds great. | 0:11:23 | 0:11:25 | |
I'm so excited for her. | 0:11:25 | 0:11:26 | |
-Do you feel good? -I feel great. -Cool. | 0:11:34 | 0:11:37 | |
Eibhin has just two weeks to go to make the song Phil Coulter | 0:11:43 | 0:11:46 | |
gave him to learn his own. | 0:11:46 | 0:11:48 | |
But he is still struggling with it. | 0:11:48 | 0:11:50 | |
# ..brand new day that's coming... # | 0:11:50 | 0:11:54 | |
Especially getting the words right. | 0:11:56 | 0:12:00 | |
I'm here to help... | 0:12:00 | 0:12:02 | |
Ice cream! | 0:12:02 | 0:12:04 | |
How you feeling? | 0:12:04 | 0:12:05 | |
-Oh, yeah, terrified. Completely, really. -Terrified? | 0:12:05 | 0:12:08 | |
-It's going to be awful. -Oh, why are you saying that for? | 0:12:08 | 0:12:11 | |
I'm going to mess up my lines or something... Oh, God! | 0:12:11 | 0:12:15 | |
No, you won't, you won't. | 0:12:15 | 0:12:17 | |
Oh, gosh, this looks... | 0:12:17 | 0:12:22 | |
If I need to learn a song I'll put the song on my phone | 0:12:24 | 0:12:28 | |
or on my MP3 and I'll just keep playing it over and over again. | 0:12:28 | 0:12:32 | |
Are you're not sick of it by the end of it? | 0:12:32 | 0:12:34 | |
The feeling of going on stage under-prepared is like torture. | 0:12:34 | 0:12:38 | |
It's like the most horrible feeling that you can give to yourself. | 0:12:38 | 0:12:42 | |
So I just think, "Ah, I don't want that feeling," | 0:12:42 | 0:12:45 | |
I want to be able to go on stage, be confident, have fun, enjoy it, | 0:12:45 | 0:12:48 | |
you know, really think about like performing it, | 0:12:48 | 0:12:52 | |
and think about the emotion rather than thinking about | 0:12:52 | 0:12:54 | |
-the technical words and the notes, you know. -Uh-huh. | 0:12:54 | 0:12:56 | |
Eibhin has such a beautiful voice. | 0:12:56 | 0:12:59 | |
I really hope that he can crack Phil's song in time. | 0:12:59 | 0:13:02 | |
There's the stage, Hannah. | 0:13:06 | 0:13:07 | |
Hannah's cracked her song and has made it to Leeds for her big gig. | 0:13:07 | 0:13:11 | |
Before the gates open to let the crowds in, | 0:13:17 | 0:13:19 | |
Hannah has to sound check to make sure everything is working properly. | 0:13:19 | 0:13:23 | |
# Hold on to what you have | 0:13:25 | 0:13:27 | |
# Start dreaming something better | 0:13:27 | 0:13:29 | |
# Dreaming something better | 0:13:29 | 0:13:31 | |
# Dreaming something better... # | 0:13:31 | 0:13:33 | |
And it looks like she's picked up a couple of new fans. | 0:13:33 | 0:13:36 | |
Second on... I'm second on! I'm second on! | 0:13:36 | 0:13:39 | |
-Hi, Hannah. -Hi! -How you doing? | 0:13:39 | 0:13:41 | |
-Dom! -We do huggles, do we? Hey, look at this. How are you, Hannah? | 0:13:41 | 0:13:44 | |
I-I love, I loved Da Bungalow. I watched it every morning. | 0:13:44 | 0:13:47 | |
-Did you really? -How are you? -Hi! -Lovely to meet you. | 0:13:47 | 0:13:50 | |
Oh, my love. Cuddles. | 0:13:50 | 0:13:51 | |
She watched the Bungalow every morning when she was little. | 0:13:51 | 0:13:54 | |
-Watched it every single morning. -And now look at you headlining this gig! | 0:13:54 | 0:13:57 | |
We're your comperes now, we're working for you. | 0:13:57 | 0:14:01 | |
We're introducing you. | 0:14:01 | 0:14:02 | |
This is so crazy. I used to love you so much. | 0:14:02 | 0:14:04 | |
I've just been to your sound check, your rehearsal, sounded nice. | 0:14:04 | 0:14:07 | |
Your voice is absolutely beautiful. | 0:14:07 | 0:14:08 | |
If I had known you were here | 0:14:08 | 0:14:10 | |
I would've brought me Da Bungalow annual. | 0:14:10 | 0:14:12 | |
To sign? We'll have to sign your guitar. We'll deface it. | 0:14:12 | 0:14:15 | |
-She's not so keen on that idea. -No. | 0:14:15 | 0:14:18 | |
-We'll leave you to rehearse. -Good luck. | 0:14:18 | 0:14:20 | |
OK. OK. I'll see you later. Bye. | 0:14:20 | 0:14:22 | |
Aaah! | 0:14:23 | 0:14:25 | |
The pop star might just be starting to relax and enjoy the atmosphere, | 0:14:32 | 0:14:36 | |
but her mum is really feeling the pressure. | 0:14:36 | 0:14:39 | |
I'm sick as a dog. I'm so nervous I'm going to throw up... | 0:14:39 | 0:14:43 | |
..and I'm not coping very well with it. | 0:14:45 | 0:14:47 | |
With the gates open and crowds streaming into the venue | 0:14:49 | 0:14:52 | |
it's time for Hannah to Hit The Stage. | 0:14:52 | 0:14:54 | |
Oh, my God. | 0:14:58 | 0:15:00 | |
I never thought I'd get to here, where I am, ever, | 0:15:00 | 0:15:03 | |
ever and I'm really nervous now, so don't talk to me. | 0:15:03 | 0:15:07 | |
Make a big Leeds noise and a big welcome for Hannah! | 0:15:07 | 0:15:11 | |
CROWD CHEERS | 0:15:11 | 0:15:12 | |
Hi, everybody. Having a good time? | 0:15:15 | 0:15:18 | |
# I feel sorry for the girl that came before | 0:15:19 | 0:15:24 | |
# Cos I don't know who you are any more | 0:15:24 | 0:15:30 | |
# So here we are | 0:15:30 | 0:15:33 | |
# Just me and my guitar | 0:15:33 | 0:15:36 | |
# Like a lone park ranger | 0:15:36 | 0:15:39 | |
# Writing a song for a stranger | 0:15:39 | 0:15:42 | |
# People told us they made a mistake | 0:15:47 | 0:15:52 | |
# And at the time I just didn't listen | 0:15:53 | 0:15:57 | |
# But it did something | 0:15:58 | 0:16:00 | |
# Changed you | 0:16:00 | 0:16:01 | |
# I felt it | 0:16:01 | 0:16:02 | |
# More powerful than any song ever written | 0:16:03 | 0:16:08 | |
# And I'm sorry for wasting your time | 0:16:09 | 0:16:13 | |
# But in a way you'll always be mine | 0:16:14 | 0:16:18 | |
# So here we are | 0:16:20 | 0:16:22 | |
# Just me and my guitar | 0:16:22 | 0:16:25 | |
# Like a lone park ranger | 0:16:25 | 0:16:28 | |
# Writing a song for a stranger. # | 0:16:28 | 0:16:32 | |
Thank you! | 0:16:32 | 0:16:33 | |
-Class! You sounded amazing. -Thank you! | 0:16:46 | 0:16:49 | |
I never thought I'd get to where I am now. | 0:16:49 | 0:16:52 | |
I always thought I was just going to be bedroom Hannah. | 0:16:52 | 0:16:55 | |
I have always wanted to play on a stage like this, | 0:16:55 | 0:16:59 | |
this is something that only somebody my age can dream about. | 0:16:59 | 0:17:04 | |
It's an amazing feeling. | 0:17:04 | 0:17:05 | |
Hit The Stage isn't just about individual performances. | 0:17:14 | 0:17:17 | |
Our entire group of 13 are all performing something together. | 0:17:17 | 0:17:22 | |
I've chosen the song Chasing Cars from local band Snow Patrol, | 0:17:22 | 0:17:25 | |
but when it was announced it didn't go down so well. | 0:17:25 | 0:17:27 | |
It only does playing when someone gets put out the X Factor. | 0:17:27 | 0:17:32 | |
Everybody keeps saying | 0:17:32 | 0:17:33 | |
that they sort of hear it all the time, it's played out. | 0:17:33 | 0:17:35 | |
So I think I'll have to do something radical to get the ball rolling... | 0:17:35 | 0:17:39 | |
for real. | 0:17:39 | 0:17:40 | |
OK, guys, is it nice and warm in there? | 0:17:42 | 0:17:44 | |
Oh, my God! | 0:17:54 | 0:17:56 | |
I wanted the group to relax and have some fun, | 0:17:57 | 0:17:59 | |
and I think they're really starting to get into the swing of things. | 0:17:59 | 0:18:03 | |
Three, two, one! | 0:18:03 | 0:18:05 | |
Why don't we just get them to practise? | 0:18:07 | 0:18:10 | |
I can't believe Glenn and Jenny have been roped in to this too. | 0:18:10 | 0:18:13 | |
Three! Two! One! | 0:18:13 | 0:18:16 | |
After all their fun it's time for a little bit of work, | 0:18:21 | 0:18:24 | |
but not too much. | 0:18:24 | 0:18:25 | |
I'm hoping this next exercise will start to make them think | 0:18:28 | 0:18:31 | |
more creatively about the track I've chosen. | 0:18:31 | 0:18:33 | |
OK, guys. Now we're going to try and workshop our ideas. | 0:18:34 | 0:18:38 | |
We're all going to get paint, we're all going to grab a colour each | 0:18:38 | 0:18:41 | |
and that's going to be kind of like your part. | 0:18:41 | 0:18:43 | |
So this is a big blank canvas. This is the start of the song, | 0:18:43 | 0:18:46 | |
and way down there is the end of the song. | 0:18:46 | 0:18:48 | |
So every person has a colour | 0:18:48 | 0:18:50 | |
and the more colours we have the more people there are, | 0:18:50 | 0:18:52 | |
and if there's only one colour | 0:18:52 | 0:18:53 | |
there will be only one thing playing. | 0:18:53 | 0:18:55 | |
SONG: "Express Yourself" | 0:18:55 | 0:18:56 | |
Do you think the piano should come in here, then? | 0:18:58 | 0:19:00 | |
I could make the beats along with the piano. | 0:19:01 | 0:19:04 | |
Well, do you want to try and maybe put on some colour? | 0:19:04 | 0:19:08 | |
At the end, do you think we should all come in together, | 0:19:08 | 0:19:10 | |
and have that really big... | 0:19:10 | 0:19:12 | |
That really big finish? | 0:19:12 | 0:19:13 | |
I think it really unlocked everybody's kind of creative side. | 0:19:15 | 0:19:18 | |
And made everybody think about each other. | 0:19:18 | 0:19:21 | |
And want to express themselves more. | 0:19:21 | 0:19:23 | |
JENNY: They've really bonded well together today and the graffiti | 0:19:23 | 0:19:25 | |
was a great way to start, but I think we need to take all this now | 0:19:25 | 0:19:28 | |
and go back to the practise rooms and get concrete plans. | 0:19:28 | 0:19:32 | |
The group have definitely made their mark. | 0:19:32 | 0:19:34 | |
Let's hope this can inspire them in the practise room. | 0:19:34 | 0:19:37 | |
The time has come for Eibhin to find out | 0:19:42 | 0:19:44 | |
if all his hard work has paid off. | 0:19:44 | 0:19:46 | |
Phil Coulter wants to listen to his voice one more time | 0:19:46 | 0:19:49 | |
before deciding if he's done enough to earn a place on stage | 0:19:49 | 0:19:52 | |
alongside Damien McGinty at tonight's concert. | 0:19:52 | 0:19:55 | |
Well, the ball's in his court. | 0:19:58 | 0:19:59 | |
I just need to gauge how seriously he's taking it | 0:19:59 | 0:20:01 | |
cos if he's not taking it seriously, | 0:20:01 | 0:20:03 | |
well, then he needs to adjust his attitude. | 0:20:03 | 0:20:06 | |
How you doing, Eibhin? | 0:20:06 | 0:20:07 | |
This is it. Either he'll get the biggest gig of his life, | 0:20:07 | 0:20:09 | |
or all his hard work will have come to nothing. | 0:20:09 | 0:20:12 | |
-Want to try it then? -Sure. | 0:20:12 | 0:20:14 | |
When he started playing the songs, the music, | 0:20:18 | 0:20:21 | |
I kept sort of thinking, "OK, you have to get this first note." | 0:20:21 | 0:20:25 | |
# The... # I'm so sorry. | 0:20:25 | 0:20:27 | |
I'm really terrified. | 0:20:27 | 0:20:28 | |
'Then I missed the first note. | 0:20:28 | 0:20:31 | |
'So everything playing through your head is, | 0:20:31 | 0:20:33 | |
"Oh, my God, I messed everything up, | 0:20:33 | 0:20:34 | |
"four weeks of preparation for nothing. Dear God, dear God!' | 0:20:34 | 0:20:37 | |
# Though our memories will still... # | 0:20:37 | 0:20:38 | |
-The memories. -Oh, sorry. | 0:20:38 | 0:20:40 | |
# Though the memories will still... # | 0:20:40 | 0:20:41 | |
'Messed up a few of the words, like added an it or an and, | 0:20:41 | 0:20:44 | |
'and nothing really major. | 0:20:44 | 0:20:46 | |
'I sort of can put that down to the nerves.' | 0:20:46 | 0:20:48 | |
# It's a bright | 0:20:48 | 0:20:49 | |
# Brand new day. # | 0:20:49 | 0:20:53 | |
Yeah. OK. | 0:20:53 | 0:20:56 | |
I think you've done enough work now to convince me | 0:20:56 | 0:20:58 | |
that I should give you a shot. | 0:20:58 | 0:20:59 | |
-All right? -Mm-hm. -OK. Good boy. -Thanks. | 0:21:01 | 0:21:03 | |
Well done. | 0:21:03 | 0:21:04 | |
-Well? -I got it! | 0:21:06 | 0:21:08 | |
I'm delighted for Eibhin. It just goes to show how hard work | 0:21:12 | 0:21:15 | |
can really pay off, but for Conal | 0:21:15 | 0:21:18 | |
the hard work is just about to start. | 0:21:18 | 0:21:20 | |
I've got a message from Katy B. | 0:21:21 | 0:21:23 | |
In just three weeks' time, | 0:21:23 | 0:21:25 | |
City Of Culture will host the biggest Irish Traditional Music | 0:21:25 | 0:21:29 | |
festival in the world - The Fleadh. | 0:21:29 | 0:21:31 | |
Over 400,000 people are due to pack out Derry's venues | 0:21:31 | 0:21:36 | |
and I've arranged for Conal to play with the headline act. | 0:21:36 | 0:21:39 | |
No pressure there, then! | 0:21:39 | 0:21:41 | |
Cara Dillon is a wonderful Irish artist, | 0:21:41 | 0:21:44 | |
and she wants you to join her, and her band | 0:21:44 | 0:21:47 | |
for their big show on the last night of the festival. | 0:21:47 | 0:21:50 | |
Now this might be totally different to anything else you've ever done, | 0:21:50 | 0:21:53 | |
and it's going to take a lot of hard work and a lot of practise | 0:21:53 | 0:21:56 | |
to be ready in time and be focused, but I am more than sure that you are | 0:21:56 | 0:22:01 | |
capable of doing this. | 0:22:01 | 0:22:03 | |
-Are you up for the challenge, then, yeah? -Aye, definitely. | 0:22:03 | 0:22:07 | |
It's going to be quite a quick turn around. He hasn't got that long | 0:22:08 | 0:22:11 | |
to learn it. It's going to be serious hard graft for him, | 0:22:11 | 0:22:13 | |
a lot of practise. | 0:22:13 | 0:22:15 | |
Practising can be really tough - I should know. | 0:22:15 | 0:22:18 | |
So if you're struggling to keep going, here are some top tips. | 0:22:18 | 0:22:22 | |
Dad always told me that practise makes perfect and I think that's | 0:22:24 | 0:22:28 | |
probably the best advice I was actually given. | 0:22:28 | 0:22:31 | |
And I think it does. | 0:22:31 | 0:22:32 | |
John Mayer actually once said as well that he used to lock himself | 0:22:32 | 0:22:35 | |
in his bedroom and just play guitar for hours and hours. | 0:22:35 | 0:22:38 | |
I practise quite a lot, | 0:22:38 | 0:22:39 | |
but I didn't ever see it as practise. | 0:22:39 | 0:22:41 | |
Being a teenager, you know, like, | 0:22:41 | 0:22:42 | |
you want to rebel against what people are saying. | 0:22:42 | 0:22:44 | |
Like, if someone's going, "Make sure you practise," | 0:22:44 | 0:22:47 | |
and it just kind of makes you | 0:22:47 | 0:22:48 | |
not really want to do it in a way. | 0:22:48 | 0:22:50 | |
You'll play cos you love it, | 0:22:50 | 0:22:51 | |
not cos you see it as a chore or something you have to do. | 0:22:51 | 0:22:55 | |
It's just cos you really enjoy it, and it's good for the soul as well. | 0:22:55 | 0:22:58 | |
It's just a few hours before doors open for tonight's major | 0:23:14 | 0:23:17 | |
City Of Culture concert featuring Phil Coulter, Damien McGinty | 0:23:17 | 0:23:21 | |
and Eibhin... Yay! | 0:23:21 | 0:23:23 | |
It's all got very real all of a sudden. | 0:23:26 | 0:23:29 | |
-Eibhin? -Yeah. | 0:23:29 | 0:23:31 | |
You're going to do the second half of the second chorus... | 0:23:33 | 0:23:38 | |
Phil is trusting Eibhin with a solo part | 0:23:38 | 0:23:41 | |
on the two most important lines of the most important song. | 0:23:41 | 0:23:45 | |
He really has to get this right. | 0:23:45 | 0:23:47 | |
# There's a bright brand new day... # | 0:23:47 | 0:23:51 | |
And during the sound check, someone is having trouble with their lines, | 0:23:51 | 0:23:55 | |
and guess what, it's not Eibhin! | 0:23:55 | 0:23:57 | |
-Stand here in the light. -Stand here in the light. | 0:23:57 | 0:24:00 | |
Next! | 0:24:00 | 0:24:01 | |
Want to try it again with the right words this time? | 0:24:01 | 0:24:04 | |
Stand here in the light, it's a bright band new day... | 0:24:04 | 0:24:07 | |
May our... Our voices will all unite. | 0:24:07 | 0:24:09 | |
May our voices all... | 0:24:09 | 0:24:10 | |
No, not may. Our voices will all unite. | 0:24:10 | 0:24:13 | |
Our voices will all unite. | 0:24:13 | 0:24:14 | |
But mixing up his words doesn't throw Damian. | 0:24:14 | 0:24:16 | |
I hope Eibhin is taking note. | 0:24:16 | 0:24:17 | |
It's a massive crowd and Eibhin's parents are there for support. | 0:24:24 | 0:24:28 | |
Ladies and gentlemen, welcome home Phil Coulter. | 0:24:30 | 0:24:34 | |
As Phil begins his concert, | 0:24:34 | 0:24:36 | |
Eibhin is backstage with Damian getting some last minute advice | 0:24:36 | 0:24:40 | |
So, enjoy it, because as Phil says to me when I was 14, | 0:24:40 | 0:24:43 | |
it goes by in a heartbeat, and you might not believe it now | 0:24:43 | 0:24:45 | |
when you're sitting there very scared before you go on stage, | 0:24:45 | 0:24:48 | |
but trust me when you're finished and you're walking off | 0:24:48 | 0:24:50 | |
and the people are going crazy, you'll wake up tomorrow morning, | 0:24:50 | 0:24:53 | |
and you'll think to yourself, "Dang, did that really happen?" | 0:24:53 | 0:24:56 | |
Have a good time, man, you've worked for it. | 0:24:56 | 0:24:58 | |
I think the future of Derry is in the hands of the young kids. | 0:24:58 | 0:25:01 | |
and so I'm going to invite first of all Damian McGinty. | 0:25:01 | 0:25:04 | |
And a young 14-year-old kid | 0:25:08 | 0:25:12 | |
called Eibhin. A promising lad. Give him a shot. | 0:25:12 | 0:25:15 | |
CROWD CHEERS | 0:25:15 | 0:25:18 | |
# Well the planets are all aligning | 0:25:25 | 0:25:27 | |
# And the future is brightly shining | 0:25:27 | 0:25:30 | |
# For Derry our time has come at last | 0:25:30 | 0:25:35 | |
# There's a bright brand new day that's coming | 0:25:35 | 0:25:42 | |
# Step out of the darkness | 0:25:42 | 0:25:45 | |
# And stand here in the light | 0:25:45 | 0:25:48 | |
# There's a bright new day that's coming | 0:25:48 | 0:25:54 | |
# Our voices will all unite | 0:25:54 | 0:26:00 | |
# Sing it out | 0:26:00 | 0:26:01 | |
# Sing it clear | 0:26:01 | 0:26:03 | |
# Sing me a song the world can hear | 0:26:03 | 0:26:08 | |
# It's a bright, brand new day | 0:26:08 | 0:26:14 | |
ALL: # Our voices will all unite | 0:26:21 | 0:26:26 | |
# Sing it out, sing it clear | 0:26:26 | 0:26:29 | |
# Sing it so the world can hear | 0:26:29 | 0:26:33 | |
# It's a bright, brand new day. # | 0:26:38 | 0:26:46 | |
Wow! It's a standing ovation! Go Eibhin! | 0:26:56 | 0:26:59 | |
Oh, brilliant! Absolutely brilliant! | 0:26:59 | 0:27:02 | |
You could hear his first two words he was a wee bit nervous, | 0:27:14 | 0:27:16 | |
and then when the crowd started getting along, | 0:27:16 | 0:27:19 | |
he was like "Oh, God, what's going on here?" | 0:27:19 | 0:27:20 | |
and then he blew everybody away. It's unbelievable. | 0:27:20 | 0:27:23 | |
-Was it good? -Oh, you delivered, yeah. | 0:27:23 | 0:27:24 | |
That's a good start. You are the age that Damian was | 0:27:24 | 0:27:27 | |
when I heard him first, you know. | 0:27:27 | 0:27:29 | |
That's the significance of that | 0:27:29 | 0:27:30 | |
and it's like kind of handing the torch to a new generation | 0:27:30 | 0:27:33 | |
because, like, I'll be long gone when you're up and doing, | 0:27:33 | 0:27:36 | |
when you live up to your potential. Anyway, well done. | 0:27:36 | 0:27:39 | |
-Cheers for that. -God bless. Thanks a lot. Take care. | 0:27:39 | 0:27:43 | |
Next time on Hit the Stage | 0:27:43 | 0:27:44 | |
singer Chloe gets to rock out with a band. | 0:27:44 | 0:27:47 | |
Pianist Darrel impresses me with his skills. | 0:27:50 | 0:27:53 | |
What you talking about, they're not too good? That's amazing. | 0:27:53 | 0:27:55 | |
And Conal prepares for the performance of a lifetime. | 0:27:55 | 0:27:58 | |
Your hands get sweaty, and your fingers are slipping. | 0:27:58 | 0:28:02 | |
Subtitles by Red Bee Media Ltd | 0:28:07 | 0:28:10 |