Browse content similar to The Mole. Check below for episodes and series from the same categories and more!
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RADIO GIVES FOOTBALL SCORES | 0:00:02 | 0:00:05 | |
The 21st century faces a new kind of threat. | 0:00:42 | 0:00:45 | |
Old-school spies have had their day and MI9 must create a new breed of | 0:00:45 | 0:00:50 | |
skilled undercover agent. | 0:00:50 | 0:00:52 | |
Hidden in a place no villain will think to look. | 0:01:02 | 0:01:04 | |
Welcome to MI High. | 0:01:05 | 0:01:08 | |
Sir, how come Mrs King's moving into your office? | 0:01:13 | 0:01:16 | |
Will she be Headmistress? | 0:01:16 | 0:01:18 | |
Certainly not! If she thinks she can just barge in here, | 0:01:18 | 0:01:21 | |
she's got another thing... | 0:01:21 | 0:01:23 | |
FOLK MUSIC PLAYS | 0:01:23 | 0:01:25 | |
Mrs King! | 0:01:25 | 0:01:26 | |
-Would you like a hand with those? -Yes. | 0:01:26 | 0:01:29 | |
And the reason I'm barging in is because my office is far too small. | 0:01:29 | 0:01:36 | |
On my desk with those, please, Oscar. | 0:01:36 | 0:01:40 | |
Sorry, your desk? | 0:01:40 | 0:01:43 | |
We can't work on the same desk. | 0:01:43 | 0:01:46 | |
I got you a new one. | 0:01:46 | 0:01:48 | |
That thing? | 0:01:48 | 0:01:51 | |
Ah, the school's exam results. | 0:01:51 | 0:01:54 | |
We all know whose fault they are. | 0:01:56 | 0:01:58 | |
Right, I'm off to get the rest of my things. | 0:02:05 | 0:02:08 | |
I'm really not very happy about all this. | 0:02:08 | 0:02:10 | |
No, wait! | 0:02:14 | 0:02:15 | |
I can't get out! | 0:02:16 | 0:02:18 | |
Right, bank raids. Very exciting. | 0:02:59 | 0:03:01 | |
Well, bad. But exciting. | 0:03:01 | 0:03:03 | |
Every one of these is a bank raided in the last week. | 0:03:03 | 0:03:07 | |
At each one all that was found was a blocked-off tunnel entrance. | 0:03:07 | 0:03:10 | |
Looks like the work of the Mole. | 0:03:10 | 0:03:13 | |
A few years ago he tunnelled into high-security vaults. Stole loads | 0:03:13 | 0:03:17 | |
-of really cool stuff. -So we go catch this Mole guy. Simps. | 0:03:17 | 0:03:21 | |
For the last two years, the Mole's been imprisoned to MI9. Good call. | 0:03:21 | 0:03:25 | |
The bank raids can't be him. | 0:03:25 | 0:03:27 | |
Carrie, Oscar, I want you to figure out where the new mystery tunneller | 0:03:27 | 0:03:31 | |
will strike next. | 0:03:31 | 0:03:34 | |
Mini tasers disguised as memory sticks. | 0:03:34 | 0:03:37 | |
Cool. Why memory sticks? | 0:03:37 | 0:03:40 | |
Because they give out a zapping you won't forget! | 0:03:40 | 0:03:43 | |
Nice one. You got me my hair gel? | 0:03:43 | 0:03:48 | |
Don't tell me. Melts through metal? | 0:03:48 | 0:03:50 | |
Actually, it's just plain hair gel. | 0:03:50 | 0:03:53 | |
What am I doing? | 0:03:53 | 0:03:54 | |
Ah, this is the really exciting bit. | 0:03:54 | 0:03:57 | |
Officer Gupta, meet the notorious Mole. | 0:04:05 | 0:04:09 | |
If anyone knows who's been tunnelling into these banks, | 0:04:12 | 0:04:15 | |
he does. | 0:04:15 | 0:04:16 | |
Relax. The floor's galvanised resin, tunnel-proof. | 0:04:19 | 0:04:22 | |
But why me? Can't you talk to him? | 0:04:22 | 0:04:25 | |
I tried. He wouldn't say a word. | 0:04:25 | 0:04:27 | |
The Mole is clever. We needed someone just as intelligent. | 0:04:27 | 0:04:31 | |
Remember, Gupta, the Mole is not to be trusted. | 0:04:31 | 0:04:35 | |
Good luck. | 0:04:35 | 0:04:37 | |
No, please, don't be scared. | 0:04:41 | 0:04:45 | |
And put that light out. I can't stand bright places. | 0:04:45 | 0:04:50 | |
No. You prefer tunnels. | 0:04:50 | 0:04:53 | |
You know where you are in a tunnel. | 0:04:53 | 0:04:55 | |
-Underground? -I made some of the best tunnels in the business. | 0:04:55 | 0:05:00 | |
A one-man moley miracle, they called me. | 0:05:00 | 0:05:06 | |
Yeah. And look where it got you, in a cage eating through a straw. | 0:05:06 | 0:05:10 | |
SIPS IN A SINISTER MANNER | 0:05:10 | 0:05:13 | |
That's because if they gave me a spoon, | 0:05:13 | 0:05:15 | |
I could have tunnelled my way out. | 0:05:15 | 0:05:17 | |
-Yeah, right. -Oh, really? | 0:05:17 | 0:05:20 | |
So how have I single-handedly escaped prison six times? | 0:05:20 | 0:05:26 | |
Not so clever now, are you? | 0:05:26 | 0:05:29 | |
Now, who can tell me why people fail exams? | 0:05:31 | 0:05:37 | |
Donovan? | 0:05:37 | 0:05:39 | |
Err... Is the answer B? | 0:05:39 | 0:05:41 | |
Stupidity, that is one reason. | 0:05:41 | 0:05:45 | |
But most people fail | 0:05:45 | 0:05:48 | |
because of fear. | 0:05:48 | 0:05:50 | |
So, I thought we could discuss some of the other fears you may have | 0:05:50 | 0:05:56 | |
in a sort of "fighting the fear" workshop. | 0:05:56 | 0:05:59 | |
OK. | 0:05:59 | 0:06:01 | |
So, Timothy, you first. | 0:06:01 | 0:06:05 | |
What might you be afraid of? | 0:06:05 | 0:06:07 | |
Are you kidding? | 0:06:07 | 0:06:10 | |
People are afraid of me. | 0:06:10 | 0:06:13 | |
-RAPS: -Yo, yo, yo. | 0:06:13 | 0:06:16 | |
# The Scoop. The Scoop | 0:06:16 | 0:06:20 | |
# Because I'm a Super Scooper. # | 0:06:20 | 0:06:22 | |
Super Scooper? Isn't that what you pick up dog mess with? | 0:06:22 | 0:06:25 | |
LAUGHTER | 0:06:25 | 0:06:27 | |
So, what about you, Oscar? | 0:06:30 | 0:06:33 | |
Come on. You've got to be afraid of something. | 0:06:34 | 0:06:38 | |
Yeah, that I'm sitting next to you in every lesson. | 0:06:38 | 0:06:42 | |
It seems Oscar's not talking, as usual. | 0:06:42 | 0:06:45 | |
So. What about you, Davina? | 0:06:45 | 0:06:50 | |
Um.. | 0:06:50 | 0:06:51 | |
-I'm scared I'll never get on Big Brother. -And corduroy. | 0:06:51 | 0:06:55 | |
We can't stand corduroy. | 0:06:55 | 0:06:57 | |
-And folk music. -And nose hair. | 0:06:57 | 0:07:00 | |
It's MY office, Frank. Mine. | 0:07:01 | 0:07:04 | |
I've had enough of her bossing me around. | 0:07:04 | 0:07:08 | |
What am I going to do? | 0:07:08 | 0:07:10 | |
Stand up to her, boss. Show no fear. | 0:07:10 | 0:07:13 | |
Right. | 0:07:13 | 0:07:15 | |
MOBILE RINGS | 0:07:15 | 0:07:18 | |
-Hello? -Frank, it's bad news. | 0:07:19 | 0:07:22 | |
There's been another bank raid. | 0:07:22 | 0:07:24 | |
The Phantom Tunneller strikes again. | 0:07:24 | 0:07:27 | |
If we can just figure out which bank they're going to strike next. | 0:07:27 | 0:07:31 | |
I'm trying to find a pattern. | 0:07:31 | 0:07:32 | |
-Maybe Rose'll come through. -You can't always rely on Rose, | 0:07:35 | 0:07:38 | |
-especially whilst you're still on trial. -On trial?! | 0:07:38 | 0:07:42 | |
MI9 keep an eye on all new recruits, just in case they...slip up. | 0:07:42 | 0:07:47 | |
You mean, we could go back to being normal schoolkids? | 0:07:47 | 0:07:50 | |
You mean we could get chucked out? | 0:07:50 | 0:07:52 | |
Just a formality. I've got something that might help. | 0:07:52 | 0:07:56 | |
My Data Optimising Theoriser, or DOT for short. | 0:07:56 | 0:08:01 | |
I've loaded all data about the bank raids. | 0:08:01 | 0:08:04 | |
It might be able to figure out a pattern. | 0:08:04 | 0:08:06 | |
WHIRS | 0:08:06 | 0:08:08 | |
Although it is a work-in-progress. | 0:08:08 | 0:08:10 | |
-Well, what does it say? -"The bank that will be | 0:08:12 | 0:08:15 | |
"raided next is... is... | 0:08:15 | 0:08:19 | |
"Hmm, tricky one. | 0:08:20 | 0:08:24 | |
"How the bleep should I know?" | 0:08:24 | 0:08:26 | |
It's got a cup-holder. | 0:08:37 | 0:08:41 | |
'The Mole strikes back. | 0:08:43 | 0:08:45 | |
'The return of the Mole'? But I haven't done anything. | 0:08:47 | 0:08:51 | |
I know. The papers don't think you're the Mole. | 0:08:51 | 0:08:54 | |
'MI9 have the wrong man.' | 0:08:56 | 0:08:59 | |
They think that two years ago, MI9 jailed the wrong person, you. | 0:08:59 | 0:09:04 | |
And the real Mole is still out there, doing the bank raids. | 0:09:04 | 0:09:07 | |
But I'm the real Mole! I never did boring old bank raids. | 0:09:07 | 0:09:13 | |
I stole top-secret cars from MI9. | 0:09:13 | 0:09:18 | |
I was magnificent. | 0:09:18 | 0:09:20 | |
Yes, and now maybe someone's trying to be just as famous. | 0:09:20 | 0:09:24 | |
The crimes could be the work of a copycat Mole. | 0:09:24 | 0:09:27 | |
A copycat? Why didn't I think of that? | 0:09:27 | 0:09:30 | |
CHEESY MUSIC PLAYS | 0:09:30 | 0:09:33 | |
Good evening and welcome to Criminal Masterminds. | 0:09:33 | 0:09:38 | |
This week's guest is Luke Withers! | 0:09:41 | 0:09:45 | |
Luke, a pleasure to have you here. | 0:09:45 | 0:09:50 | |
No, really. The pleasure's all mine. | 0:09:50 | 0:09:53 | |
Who am I kidding? | 0:09:53 | 0:09:54 | |
-It's all yours. -LAUGHTER TRACK | 0:09:54 | 0:09:57 | |
Now, look. | 0:09:57 | 0:09:59 | |
You're here because you know the identity of the infamous Mole. | 0:09:59 | 0:10:03 | |
The man behind the most audacious crimes in history. | 0:10:03 | 0:10:07 | |
So tell us, | 0:10:07 | 0:10:09 | |
who is the Mole? | 0:10:09 | 0:10:10 | |
Well, brace yourselves. | 0:10:12 | 0:10:14 | |
It's me. No! | 0:10:14 | 0:10:17 | |
Yes. Never would have guessed. | 0:10:17 | 0:10:20 | |
So tell me. How did you manage to tunnel into these amazing places? | 0:10:20 | 0:10:24 | |
Well, let me introduce | 0:10:26 | 0:10:29 | |
the Mole Machine. | 0:10:29 | 0:10:31 | |
-Come on. Come on. -No, no! No, no... | 0:10:38 | 0:10:42 | |
You've got to face your fears, Donovan. | 0:10:45 | 0:10:47 | |
Forget they're corduroy. Think, "They're just trousers." | 0:10:47 | 0:10:52 | |
But it's like a forest. | 0:10:52 | 0:10:53 | |
A forest of corduroy. | 0:10:53 | 0:10:56 | |
Trousers, Donovan, trousers. | 0:10:56 | 0:10:59 | |
You're obviously afraid of something. Just tell me. | 0:11:01 | 0:11:04 | |
Or else I'll hang around with you every hour of every day every week. | 0:11:04 | 0:11:11 | |
OK. All right. I'm not... | 0:11:11 | 0:11:15 | |
I'm not a big fan of the dark. | 0:11:17 | 0:11:19 | |
-You're scared of the dark! -Avril! | 0:11:19 | 0:11:21 | |
I did it! Yes! | 0:11:26 | 0:11:29 | |
Trousers? Losers, more like. | 0:11:29 | 0:11:31 | |
-I didn't know you were teaching folk music. -No! | 0:11:36 | 0:11:40 | |
No! I can't take it. Make it stop. | 0:11:40 | 0:11:44 | |
Yes, well, it is an acquired taste. | 0:11:45 | 0:11:50 | |
As am I, in fact. | 0:11:50 | 0:11:52 | |
Which is why I don't think we should share an office. | 0:11:52 | 0:11:55 | |
I'm sure I can cope with your weird little habits. | 0:11:55 | 0:11:59 | |
No, what I'm trying to say is, I want you out. I'm not scared of you. | 0:11:59 | 0:12:05 | |
Now, really, Mr Flatley. Everybody's scared of something. | 0:12:05 | 0:12:10 | |
Well, not me. | 0:12:10 | 0:12:12 | |
I don't have any fears of whatso... | 0:12:12 | 0:12:14 | |
Moles! | 0:12:16 | 0:12:17 | |
I can't stand moles! | 0:12:20 | 0:12:22 | |
Do you think that one robs banks? | 0:12:23 | 0:12:25 | |
I want you out of my office by 3 o'clock. Do you hear me? | 0:12:25 | 0:12:29 | |
Another one. That's over 20 banks tunnelled into by one person. | 0:12:39 | 0:12:42 | |
A serial bank robber. | 0:12:42 | 0:12:44 | |
They must have a pattern. | 0:12:44 | 0:12:47 | |
But if we can't work it out, I'll have to tell MI9 we're not up to it. | 0:12:47 | 0:12:50 | |
No way. Not while we're on trial. | 0:12:50 | 0:12:53 | |
We're gonna crack it. We have to. | 0:12:53 | 0:12:55 | |
-Oscar, I hate to admit it, but maybe this is too much even for us. -Wait. | 0:12:57 | 0:13:02 | |
DOT. | 0:13:02 | 0:13:03 | |
DOT. | 0:13:05 | 0:13:06 | |
What's he doing? | 0:13:08 | 0:13:10 | |
I spy with my little eye something beginning with M. | 0:13:10 | 0:13:17 | |
-Mole. -And guess where he's gonna strike next. | 0:13:21 | 0:13:23 | |
-It's a bank not far from here. -So we get a SWAT team, go to the bank. | 0:13:26 | 0:13:30 | |
You want me to order a huge, unbelievably expensive SWAT team | 0:13:30 | 0:13:33 | |
over a dot-to-dot? | 0:13:33 | 0:13:35 | |
If we're gonna get fired, might as well do it in style. | 0:13:35 | 0:13:38 | |
Let me get this straight. | 0:13:40 | 0:13:41 | |
The Mole is going to tunnel into this one last bank? | 0:13:41 | 0:13:46 | |
And then what? | 0:13:46 | 0:13:48 | |
I'll be the most famous criminal in the history of... | 0:13:48 | 0:13:51 | |
I'm late! Don't worry, Mole fans. | 0:13:53 | 0:13:58 | |
I'm going to record every second. | 0:13:58 | 0:14:00 | |
I am now in the Mole Machine plotting a course straight down | 0:14:07 | 0:14:12 | |
for 20 metres, by which point I will start tunnelling, | 0:14:12 | 0:14:15 | |
and laughing, | 0:14:15 | 0:14:17 | |
all the way to the bank. Ha-ha! | 0:14:17 | 0:14:21 | |
We'd better have the right bank, Oscar. | 0:14:40 | 0:14:42 | |
Of course we do. In every bank he's raided, | 0:14:42 | 0:14:44 | |
the Mole has tunnelled up through the floor of the vault. | 0:14:44 | 0:14:47 | |
All we have to do is wait. | 0:14:47 | 0:14:50 | |
I am a mole and I live in a hole. I am a mole and I live in a hole. | 0:14:52 | 0:14:58 | |
I am a mole and I live in a... Argh! | 0:14:58 | 0:15:01 | |
Weird. | 0:15:08 | 0:15:09 | |
This is not one of mine. | 0:15:13 | 0:15:15 | |
I'm lost. | 0:15:15 | 0:15:17 | |
This is now totally freaky, Mole fans. | 0:15:19 | 0:15:22 | |
I'm now in someone else's tunnel. | 0:15:22 | 0:15:24 | |
Some sort of control panel. | 0:15:27 | 0:15:29 | |
'You are here.' | 0:15:33 | 0:15:35 | |
'Tunnel network linking all underground MI9 bases.' MI9! | 0:15:39 | 0:15:46 | |
Mole fans, you are not going to believe what I've found. | 0:15:48 | 0:15:54 | |
Imagine the headlines. Wait till I tell the papers. | 0:15:54 | 0:15:57 | |
The nearest MI9 base is... | 0:15:57 | 0:15:59 | |
..right near St Hope School. Weird. | 0:16:01 | 0:16:05 | |
Setting a new course, Mole fans. | 0:16:10 | 0:16:14 | |
Back to school! | 0:16:14 | 0:16:16 | |
If we don't find that Mole, we are so out of MI9. | 0:16:30 | 0:16:33 | |
Frank. | 0:16:40 | 0:16:41 | |
I understand. | 0:16:41 | 0:16:44 | |
You and Carrie head back to HQ and we'll see you there later. | 0:16:45 | 0:16:50 | |
I take it the Mole didn't show. | 0:16:50 | 0:16:53 | |
Hello! This blithering bank robber isn't the real Mole, I am. | 0:16:53 | 0:16:58 | |
-It's OK. We know you are. -Don't trust him, Rose. | 0:16:58 | 0:17:02 | |
So. A whole SWAT team for nothing? | 0:17:02 | 0:17:06 | |
Maybe Carrie and Oscar aren't cut out for spy work after all. | 0:17:06 | 0:17:10 | |
What? They're great. You should have seen them on the last mission. | 0:17:10 | 0:17:13 | |
(Frank, what on earth were you playing at...) | 0:17:15 | 0:17:17 | |
Um, actually, I do know somebody who might be doing these bank raids. | 0:17:17 | 0:17:25 | |
I probably have a point? | 0:17:25 | 0:17:27 | |
-Really? Who? -I'll tell you on one condition. | 0:17:27 | 0:17:33 | |
-I knew it. -I just want to go underground one more time. | 0:17:33 | 0:17:37 | |
The musty aroma of soily... | 0:17:37 | 0:17:42 | |
Hey, some people like the beach. | 0:17:42 | 0:17:45 | |
All that sand in your whatsits. Ugh! | 0:17:45 | 0:17:47 | |
If I get you somewhere underground, | 0:17:47 | 0:17:50 | |
-you promise to help my friends? -Mole's honour. | 0:17:50 | 0:17:52 | |
There is one place I could take you, if they let me. | 0:17:54 | 0:18:00 | |
I should never have let you talk me into this. | 0:18:00 | 0:18:02 | |
You do know he's escaped from prison five times. | 0:18:02 | 0:18:05 | |
-Six times, actually. -Flatley! | 0:18:05 | 0:18:08 | |
Ah, Frank. | 0:18:10 | 0:18:12 | |
-There you are. -All right, boss? | 0:18:12 | 0:18:15 | |
No, I'm not all right. | 0:18:15 | 0:18:17 | |
-The mole, Frank. The mole. -You've seen the Mole? | 0:18:17 | 0:18:21 | |
Horrible furry little thing. | 0:18:23 | 0:18:26 | |
Can't you get rid of it? | 0:18:26 | 0:18:28 | |
Talking of getting rid, you got her out your office yet? | 0:18:28 | 0:18:31 | |
Is there a problem? | 0:18:31 | 0:18:33 | |
Um. That depends on whether you have vacated my office or not. | 0:18:33 | 0:18:37 | |
I'll leave you to it. | 0:18:37 | 0:18:39 | |
You weren't seriously asking me to move again? | 0:18:39 | 0:18:42 | |
I've got enough to do turning this feeble excuse of a school into... | 0:18:42 | 0:18:46 | |
Mrs King. This may not be the best school in the world | 0:18:46 | 0:18:50 | |
but it is my school and if you intend to stay on | 0:18:50 | 0:18:53 | |
as deputy headmistress, I suggest you get used to it. | 0:18:53 | 0:18:56 | |
Now, I believe you have an office to vacate. | 0:18:56 | 0:19:01 | |
Now according to the map, | 0:19:11 | 0:19:13 | |
there should be an underground MI9 base somewhere round here. | 0:19:13 | 0:19:18 | |
I'm going to head topside, look for signs. | 0:19:18 | 0:19:20 | |
LOUD CRASHING SOUND | 0:19:31 | 0:19:34 | |
No sign of an MI9 base. | 0:19:41 | 0:19:43 | |
Just a grotty old school. | 0:19:43 | 0:19:45 | |
Must be under here somewhere. | 0:19:45 | 0:19:46 | |
Mm! | 0:19:51 | 0:19:52 | |
I love the smell of soil in the morning. It's like... | 0:19:52 | 0:19:58 | |
It's largely decaying vegetable matter. | 0:19:58 | 0:20:00 | |
FRANK CLEARS HIS THROAT | 0:20:00 | 0:20:02 | |
So who is doing all these bank raids | 0:20:04 | 0:20:06 | |
and how did you escape from prison all those times? | 0:20:06 | 0:20:09 | |
I told you. | 0:20:09 | 0:20:11 | |
Spoons. | 0:20:11 | 0:20:13 | |
Oh, all right. | 0:20:13 | 0:20:15 | |
I had a tunnelling pod. | 0:20:15 | 0:20:17 | |
A Mole Machine. | 0:20:17 | 0:20:19 | |
That's how I did all those amazing crimes. | 0:20:19 | 0:20:22 | |
But in prison you can't have used the machine to escape them. | 0:20:22 | 0:20:25 | |
Unless the one-man miracle wasn't one man after all. | 0:20:25 | 0:20:31 | |
A sidekick. | 0:20:31 | 0:20:33 | |
We had a deal, remember. | 0:20:33 | 0:20:35 | |
His name's Luke Withers. | 0:20:36 | 0:20:38 | |
He helped me build the Mole Machine, until they built that cage. | 0:20:38 | 0:20:43 | |
And with you stuck in jail, | 0:20:43 | 0:20:44 | |
he decided to carry out the bank raids on his own. | 0:20:44 | 0:20:47 | |
Pretending to be me, the cheeky little... | 0:20:47 | 0:20:50 | |
I've found him. | 0:20:50 | 0:20:55 | |
There's nothing like an address. | 0:20:55 | 0:20:58 | |
He never told me where he lived. | 0:20:58 | 0:21:00 | |
Great. How's that going to help Oscar and Carrie catch him? | 0:21:00 | 0:21:04 | |
Mole! A giant mole! | 0:21:09 | 0:21:11 | |
Sir, are you all right? | 0:21:14 | 0:21:16 | |
No! | 0:21:16 | 0:21:18 | |
No, it can't be. | 0:21:18 | 0:21:21 | |
The same as the ones found in the bank. | 0:21:21 | 0:21:23 | |
What would a bank robber be doing here? | 0:21:23 | 0:21:26 | |
Frank, it's me. | 0:21:26 | 0:21:29 | |
This is so weird. | 0:21:29 | 0:21:31 | |
-It must be Luke Withers using a Mole Machine. -We'll explain later. | 0:21:32 | 0:21:36 | |
But if Withers is at school, he must be looking for HQ. | 0:21:36 | 0:21:39 | |
Carrie, Oscar, you've got to stop him somehow, and quick. | 0:21:39 | 0:21:44 | |
Finally, we get to go down a tunnel and whoop this guy. | 0:21:44 | 0:21:47 | |
Hang on. He's probably blocked it off like he always does. | 0:21:47 | 0:21:52 | |
Maybe if he's looking for us he hasn't had time... | 0:21:52 | 0:21:55 | |
Oh, it's because of the whole scared of the dark thing. | 0:21:57 | 0:22:00 | |
I'm not scared. Just... | 0:22:00 | 0:22:04 | |
Look, we're on trial and I could mess it up for both of us. | 0:22:04 | 0:22:07 | |
Here, standard-issue glow sticks. And... | 0:22:07 | 0:22:11 | |
..power torch. | 0:22:13 | 0:22:15 | |
Plus I'll be with you the whole of the time. | 0:22:15 | 0:22:18 | |
-Trust me. -Let's do it. | 0:22:18 | 0:22:22 | |
Maybe this wasn't such a good idea. | 0:22:28 | 0:22:30 | |
And let them chuck us out of MI9? | 0:22:30 | 0:22:33 | |
Come on. | 0:22:33 | 0:22:35 | |
Let's try this way. | 0:22:35 | 0:22:37 | |
It's got to be here somewhere. | 0:22:39 | 0:22:42 | |
Although I am kind of going round in circles. | 0:22:45 | 0:22:47 | |
BOOMING | 0:22:51 | 0:22:52 | |
Wait. | 0:22:52 | 0:22:54 | |
What was that? | 0:22:54 | 0:22:56 | |
Relax, it's probably just a man-eating tunnel beast. | 0:22:56 | 0:23:01 | |
Don't muck about. | 0:23:01 | 0:23:03 | |
You know I don't like it down here. | 0:23:03 | 0:23:05 | |
Yeah and I told you there's nothing to worry about. | 0:23:05 | 0:23:09 | |
Except that, maybe. | 0:23:12 | 0:23:14 | |
Where is this stupid base? | 0:23:14 | 0:23:17 | |
Hey? | 0:23:19 | 0:23:20 | |
People. | 0:23:20 | 0:23:22 | |
This must be the MI9 base. | 0:23:23 | 0:23:26 | |
Rose, we've found the Mole Machine. What do we do? | 0:23:26 | 0:23:30 | |
What do you think? Leg it. Come on. | 0:23:30 | 0:23:32 | |
Right, you two, prepare to be Moled over. | 0:23:32 | 0:23:36 | |
-Come on! -Carrie? | 0:23:39 | 0:23:41 | |
You've got to tell us how to stop that machine. | 0:23:43 | 0:23:46 | |
If you let me out of these. | 0:23:46 | 0:23:48 | |
Wait. I don't trust him. | 0:23:50 | 0:23:52 | |
Nice try, but we're not that desperate. | 0:23:52 | 0:23:54 | |
Come on. Come on! Nearly there. | 0:24:02 | 0:24:04 | |
Come on! | 0:24:04 | 0:24:06 | |
Keep going. Faster. | 0:24:06 | 0:24:08 | |
You two are right in my sights now. Come on! | 0:24:08 | 0:24:12 | |
They're growing on me. | 0:24:19 | 0:24:21 | |
-Very bling. -Frank, he won't try anything. I know it. | 0:24:21 | 0:24:25 | |
You seriously want to trust him? | 0:24:25 | 0:24:28 | |
OK. But only if you tell us how to stop that thing. | 0:24:30 | 0:24:32 | |
The outer shells are highly conductive metal. | 0:24:32 | 0:24:35 | |
If your friends can put enough electricity through it, | 0:24:35 | 0:24:38 | |
it might short-circuit the controls. | 0:24:38 | 0:24:41 | |
Guys, take the covers off your memory sticks | 0:24:45 | 0:24:47 | |
and connect the yellow wires. | 0:24:47 | 0:24:50 | |
-It's a dead end. -We're trapped. | 0:24:50 | 0:24:53 | |
-Oscar, focus. Where's the memory stick? -Careful. | 0:24:53 | 0:24:57 | |
We need to combine the codes. | 0:24:57 | 0:24:58 | |
How are we going to get it onto the Mole Machine? | 0:24:58 | 0:25:01 | |
I've got an idea. | 0:25:01 | 0:25:03 | |
Hold this. | 0:25:03 | 0:25:05 | |
What are you doing? | 0:25:06 | 0:25:09 | |
Ugh! Get it away from me. Gross. | 0:25:11 | 0:25:13 | |
Put the memory sticks in, quick. | 0:25:13 | 0:25:16 | |
-Hair gel? -It's to help it stick. | 0:25:20 | 0:25:23 | |
Oscar! | 0:25:23 | 0:25:25 | |
Come on. Faster. Come on! | 0:25:26 | 0:25:29 | |
The controls! | 0:25:41 | 0:25:42 | |
Never fear, Mole fans. The Mole will return. | 0:25:57 | 0:26:00 | |
And when he does... | 0:26:00 | 0:26:02 | |
Oh, no. I forgot to put the batteries in. | 0:26:05 | 0:26:08 | |
Oh, no. | 0:26:11 | 0:26:12 | |
-That's how to catch a mole. -Excuse me, I'm the Mole, thank you. | 0:26:16 | 0:26:20 | |
No, WE were the Mole. | 0:26:20 | 0:26:22 | |
We were a team, remember. | 0:26:22 | 0:26:24 | |
Then you can be a team again in jail. | 0:26:24 | 0:26:26 | |
He always got the headlines, bragging how he worked alone. | 0:26:26 | 0:26:29 | |
That's no excuse to rob banks. | 0:26:29 | 0:26:31 | |
Wait. Where's the Mole? | 0:26:31 | 0:26:34 | |
I knew he couldn't be trusted. | 0:26:34 | 0:26:36 | |
COUGHING AND SPLUTTERING | 0:26:52 | 0:26:54 | |
I was only pretending to trust him so he'd help catch Withers. | 0:26:54 | 0:26:58 | |
You've got so much to learn about me. | 0:26:58 | 0:27:00 | |
Check it out, corduroy shoes, corduroy trousers, corduroy hat. | 0:27:06 | 0:27:10 | |
-FOLK MUSIC PLAYS -Shh, I'm trying to listen. | 0:27:10 | 0:27:12 | |
So all the underground HQs in Britain are connected by tunnels? | 0:27:16 | 0:27:20 | |
MI9 are full of surprises. Half the fun of being a spy. | 0:27:20 | 0:27:23 | |
Which you two certainly are. | 0:27:23 | 0:27:25 | |
The boss says you're no longer on trial | 0:27:25 | 0:27:27 | |
-and that you make an impressive team. -Unlike some people. | 0:27:27 | 0:27:31 | |
But you told me I had to move out. | 0:27:31 | 0:27:34 | |
Yes, but you can't go. | 0:27:34 | 0:27:36 | |
I need you to stay and protect me. | 0:27:36 | 0:27:39 | |
Oh, all right. | 0:27:39 | 0:27:43 | |
Now you sit there. | 0:27:43 | 0:27:44 | |
I'll keep an eye out for these... | 0:27:44 | 0:27:48 | |
giant moles. | 0:27:48 | 0:27:49 | |
Not that I'm scared of them or anything. | 0:27:51 | 0:27:54 | |
-Or you. -No, no. Of course not. | 0:27:54 | 0:27:59 | |
Subtitles by Red Bee Media Ltd | 0:27:59 | 0:28:01 | |
E-mail [email protected] | 0:28:01 | 0:28:05 |