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-Stop being a baby! -I just don't want my photo on the net | 0:00:02 | 0:00:04 | |
where everyone can see it. | 0:00:04 | 0:00:06 | |
I'm trying to help you, Oscar. | 0:00:06 | 0:00:07 | |
You can't go through life with this terminal lack of confidence. | 0:00:07 | 0:00:10 | |
Yeah? Watch me! | 0:00:10 | 0:00:13 | |
All right...fine, no photo. | 0:00:13 | 0:00:16 | |
But you're only hurting yourself. | 0:00:16 | 0:00:18 | |
Avril! | 0:00:21 | 0:00:23 | |
Get off, Oscar! | 0:00:23 | 0:00:24 | |
Oscar! Here, now! | 0:00:24 | 0:00:26 | |
Oscar! I see no reason why you and Avril shouldn't be able | 0:00:30 | 0:00:35 | |
to complete your blog in a calm manner. | 0:00:35 | 0:00:38 | |
No-one else is making a fuss about having to do one. | 0:00:38 | 0:00:41 | |
Now, back to work, and I don't want to see any more bad behaviour. | 0:00:41 | 0:00:46 | |
Got him. | 0:01:00 | 0:01:02 | |
The 21st century faces a new kind of threat. | 0:01:03 | 0:01:06 | |
Old-school spies have had their day, | 0:01:06 | 0:01:09 | |
and MI9 must create a new breed of skilled undercover agent - | 0:01:09 | 0:01:14 | |
Hidden in a place no villain will think to look. | 0:01:22 | 0:01:25 | |
Welcome to MI High. | 0:01:26 | 0:01:28 | |
I've wiped all evidence of the photo. | 0:01:32 | 0:01:34 | |
Even if someone downloaded it, they can't trace it. | 0:01:34 | 0:01:37 | |
Oscar, don't you think it's about time you told us what's going on? | 0:01:37 | 0:01:41 | |
I'm officially in hiding under MI9 protection, remember? | 0:01:41 | 0:01:44 | |
They had to change my identity and everything. | 0:01:44 | 0:01:47 | |
Kind of important not to have my picture | 0:01:47 | 0:01:49 | |
-all over the net. -Why are you in hiding? | 0:01:49 | 0:01:51 | |
You know I can't talk about that. | 0:01:51 | 0:01:53 | |
Yes, but why do I have to do a blog? | 0:01:53 | 0:01:56 | |
Why are you making such a fuss? It was all in my teachers' newsletter. | 0:01:56 | 0:02:02 | |
-I'm assuming you read it. -Erm...yes, yes, of course I...read it. | 0:02:02 | 0:02:06 | |
Then stop complaining! | 0:02:06 | 0:02:08 | |
Honestly, it's almost as if you don't know how to do one. | 0:02:08 | 0:02:13 | |
Don't know how to do one! You are funny, Mrs King! Brilliant! | 0:02:13 | 0:02:18 | |
Good. Then there isn't a problem. | 0:02:18 | 0:02:21 | |
No. | 0:02:21 | 0:02:22 | |
Agent X... | 0:02:24 | 0:02:26 | |
Good of you to take my call. | 0:02:26 | 0:02:28 | |
I must say, I have been a great admirer of your work for some time. | 0:02:28 | 0:02:34 | |
Your ability to commit so many terrible crimes | 0:02:34 | 0:02:38 | |
without leaving a single witness is... | 0:02:38 | 0:02:40 | |
an example to us all. | 0:02:40 | 0:02:42 | |
Flattery is irrelevant. State your business. | 0:02:42 | 0:02:46 | |
Yes... Of course. | 0:02:46 | 0:02:48 | |
I wish to hire your services. | 0:02:49 | 0:02:52 | |
There is something I have been after for a very long time. | 0:02:52 | 0:02:57 | |
That is a well cool website. | 0:02:57 | 0:03:01 | |
Yeah, it's like wicked-pedia! | 0:03:01 | 0:03:04 | |
Do it properly. | 0:03:06 | 0:03:08 | |
I'm impressed! | 0:03:12 | 0:03:14 | |
My mum makes me keep a blog, she says it's good practice | 0:03:14 | 0:03:17 | |
for when I'm a famous gymnast and have to stay in touch with my fans. | 0:03:17 | 0:03:21 | |
She's got it all planned. | 0:03:21 | 0:03:23 | |
Everyone, take a look at Carrie's site. | 0:03:23 | 0:03:26 | |
It's got just the right balance of graphics and text. | 0:03:26 | 0:03:29 | |
It's exactly what I want you all to be aiming for. | 0:03:29 | 0:03:33 | |
BUZZING | 0:03:33 | 0:03:34 | |
Well done, Carrie... Oh. | 0:03:36 | 0:03:39 | |
ALARM | 0:03:46 | 0:03:49 | |
I reckon he's in hiding from a scary ex-girlfriend. | 0:04:04 | 0:04:07 | |
Oscar, did you break a super villain's super heart? | 0:04:07 | 0:04:10 | |
-Going on holiday, Frank? -Not me, you - SKUL saw the picture. | 0:04:12 | 0:04:16 | |
They've hired a freelancer called Agent X to track you down. | 0:04:16 | 0:04:20 | |
For your safety and everyone else's, we need to move you - permanently. | 0:04:20 | 0:04:24 | |
-What? -It can't be that serious! | 0:04:24 | 0:04:26 | |
Agent X has never failed a mission. | 0:04:26 | 0:04:28 | |
No-one's ever even seen him. | 0:04:28 | 0:04:30 | |
MI9 special forces cornered him once - | 0:04:30 | 0:04:32 | |
this was the scene three minutes later. | 0:04:32 | 0:04:36 | |
GROANING What happened? | 0:04:36 | 0:04:39 | |
Not one of these agents could identify their assailant. | 0:04:40 | 0:04:43 | |
-He's that good. -Why are SKUL going to so much trouble to find Oscar? | 0:04:43 | 0:04:47 | |
-I'm afraid that's classified. -Even if Agent X is after Oscar, | 0:04:47 | 0:04:50 | |
he'll never find him. I wiped the web link. | 0:04:50 | 0:04:53 | |
And Oscar had his identity changed. | 0:04:53 | 0:04:54 | |
I ran simulations. | 0:04:55 | 0:04:57 | |
There's a high probability of a trail existing for X to follow. | 0:04:57 | 0:05:00 | |
Evidence at Oscar's old home | 0:05:00 | 0:05:02 | |
leading to the MI9 Safe House he was taken to | 0:05:02 | 0:05:04 | |
-after the incident. -What incident? -Classified. | 0:05:04 | 0:05:07 | |
From the Safe House of the MI9 training camp Oscar studied at | 0:05:07 | 0:05:10 | |
and from there to here. | 0:05:10 | 0:05:11 | |
Even if that trail exists, it would take X months to find all the links. | 0:05:11 | 0:05:16 | |
My computer says X will be at Saint Hope's in four hours. | 0:05:16 | 0:05:20 | |
There is another way of looking at this. | 0:05:20 | 0:05:22 | |
We've got four hours to catch this Agent X! | 0:05:22 | 0:05:25 | |
It's an unacceptable risk, I will not put Oscar into that danger. | 0:05:25 | 0:05:29 | |
-Hang on, isn't it my job to be put into danger? -I'm sorry, Oscar, I... | 0:05:29 | 0:05:33 | |
I don't want to be on the run forever. | 0:05:33 | 0:05:35 | |
You've got four hours. After that, Oscar disappears. | 0:05:38 | 0:05:42 | |
OK, so where do we start looking? | 0:05:42 | 0:05:44 | |
Oscar's old home. X will go there first. | 0:05:44 | 0:05:47 | |
-Got any gadgets to help us? -Well, I wasn't expecting to need any, | 0:05:47 | 0:05:50 | |
but I do have a couple of things that might come in handy. | 0:05:50 | 0:05:53 | |
What-ho, Frank! | 0:05:56 | 0:05:57 | |
MI9 materials have a secret identity stamp. | 0:05:57 | 0:06:00 | |
It's only visible through one of those. | 0:06:00 | 0:06:02 | |
They'll help you find and destroy evidence that might help X. | 0:06:06 | 0:06:09 | |
You might also find a use for this. | 0:06:09 | 0:06:12 | |
ELECTRONIC THRUM | 0:06:12 | 0:06:14 | |
Hey, you broke my suitcase! | 0:06:14 | 0:06:15 | |
I didn't break it - pimped it. | 0:06:15 | 0:06:18 | |
I redesigned the handle. | 0:06:18 | 0:06:20 | |
Flick the switch - anything metal it touches becomes a magnet. | 0:06:20 | 0:06:24 | |
-Cool. -Now, get going. | 0:06:24 | 0:06:27 | |
The clock is ticking. | 0:06:27 | 0:06:30 | |
How's it going, Mr Flatley? | 0:06:42 | 0:06:44 | |
Nearly done, just dotting the Ts and crossing the Is. | 0:06:44 | 0:06:47 | |
I mean, crossing the Is and...you know. | 0:06:49 | 0:06:52 | |
Well, keep up the good work. | 0:06:52 | 0:06:54 | |
"Lesson one. How to switch your computer on." | 0:07:07 | 0:07:12 | |
Nice house...I guess. | 0:07:17 | 0:07:20 | |
-When were you last here? -Two years, three weeks and four days, | 0:07:20 | 0:07:24 | |
but who's counting? | 0:07:24 | 0:07:25 | |
It looks like the house was sealed after some sort of fire. Oscar? | 0:07:40 | 0:07:44 | |
I'm not supposed to say anything. | 0:07:44 | 0:07:46 | |
Oscar! Where's your mum? | 0:07:48 | 0:07:50 | |
How can we help you if we don't know what's going on? | 0:07:53 | 0:07:56 | |
-SKUL took her. -What?! -She was one of MI9's top agents. | 0:07:57 | 0:08:02 | |
SKUL attacked the house and took her away. | 0:08:02 | 0:08:06 | |
She fought for ages, but there were too many of them. | 0:08:06 | 0:08:09 | |
I saw it all. | 0:08:09 | 0:08:10 | |
So...where is she now? | 0:08:12 | 0:08:13 | |
Still being questioned in some SKUL prison, probably. | 0:08:13 | 0:08:17 | |
She'll never talk. She's the best. | 0:08:17 | 0:08:20 | |
-Nice! -Oh, come on, we've all had some dodgy haircuts. | 0:08:29 | 0:08:33 | |
No, I mean nice as in nice place to hide some MI9 stuff. | 0:08:33 | 0:08:37 | |
That's the address of the nearest MI9 Safe House, | 0:08:39 | 0:08:42 | |
the one that I was taken to. | 0:08:42 | 0:08:43 | |
So there really is a trail. | 0:08:43 | 0:08:45 | |
CREAKING | 0:08:45 | 0:08:47 | |
We're not alone. | 0:08:48 | 0:08:50 | |
Agent X. | 0:08:52 | 0:08:54 | |
-He's after Oscar! -Uh-oh. | 0:09:04 | 0:09:06 | |
We've got to stop him. | 0:09:09 | 0:09:10 | |
The bigger they are, the harder... | 0:09:13 | 0:09:16 | |
Ow! I think I've broke my hand. | 0:09:16 | 0:09:20 | |
He must have some kind of metal exoskeleton. | 0:09:22 | 0:09:24 | |
Oscar, use the luggage handle. | 0:09:24 | 0:09:27 | |
ELECTRONIC THRUM | 0:09:31 | 0:09:33 | |
Duck. | 0:09:34 | 0:09:35 | |
We did it. We beat him. | 0:09:47 | 0:09:50 | |
So much for ex Agent X. | 0:09:50 | 0:09:52 | |
I can't believe it's over. | 0:09:52 | 0:09:53 | |
I thought he'd be much harder to beat than that. | 0:09:53 | 0:09:56 | |
DRONING | 0:09:56 | 0:09:57 | |
Someone's sent him a message. | 0:09:59 | 0:10:01 | |
"Safehouse details received. Well done." | 0:10:01 | 0:10:04 | |
It's signed Agent X. | 0:10:04 | 0:10:07 | |
Oscar! Oscar, slow down! | 0:10:10 | 0:10:13 | |
-We need to plan our next step. -There's no time. | 0:10:13 | 0:10:16 | |
He knows the Safe House address. | 0:10:16 | 0:10:18 | |
-Benedict's in danger. -Who's Benedict? | 0:10:18 | 0:10:20 | |
He's the agent in charge of the Safe House. | 0:10:20 | 0:10:23 | |
I was there for two years. | 0:10:23 | 0:10:25 | |
He's like family and you might have noticed | 0:10:25 | 0:10:27 | |
I don't have a lot of that left. | 0:10:27 | 0:10:29 | |
OK, we need to act fast, but X is already ahead of us. | 0:10:29 | 0:10:33 | |
We've got to start using our brains. You two go to the Safe House, | 0:10:33 | 0:10:36 | |
I'll go back to HQ and check the records of your mum's last mission. | 0:10:36 | 0:10:39 | |
If we can find out why SKUL took her, | 0:10:39 | 0:10:41 | |
maybe we can find out what they want you for. | 0:10:41 | 0:10:44 | |
It's better if we stick together. There's nothing in those files. | 0:10:44 | 0:10:47 | |
Oscar, we don't have time to argue. | 0:10:47 | 0:10:49 | |
Benedict, remember? You two go to the Safe House, I'll go to HQ. | 0:10:49 | 0:10:54 | |
Come on. | 0:10:56 | 0:10:57 | |
Oh, dear. | 0:11:03 | 0:11:04 | |
That's very good, Avril! | 0:11:09 | 0:11:12 | |
Erm... | 0:11:12 | 0:11:14 | |
Could I have a word with you in my office? | 0:11:14 | 0:11:16 | |
This is the last place I'd expect to find a Safe House. | 0:11:23 | 0:11:26 | |
I think that's kind of the point. | 0:11:26 | 0:11:28 | |
-Benedict? -He's not here. | 0:11:28 | 0:11:31 | |
The Safe Room. | 0:11:31 | 0:11:32 | |
No sign. | 0:11:44 | 0:11:46 | |
Just do as you're told. | 0:11:46 | 0:11:48 | |
Yes, but the webcam isn't working. | 0:11:48 | 0:11:51 | |
-Yeah? Then why are you on telly? -Oh! | 0:11:51 | 0:11:53 | |
Oh, erm... Oh, erm, er... | 0:11:53 | 0:11:57 | |
Good evening, this is Kenneth Flatley. | 0:11:57 | 0:12:01 | |
Here is the news. | 0:12:01 | 0:12:03 | |
I'll just adjust the... | 0:12:05 | 0:12:06 | |
-Don't touch that! -Oh. | 0:12:06 | 0:12:10 | |
I don't know why I bother. You can do it on your own. | 0:12:10 | 0:12:13 | |
No, Avril, I... | 0:12:13 | 0:12:14 | |
Oh, no... | 0:12:15 | 0:12:17 | |
Frank, all Oscar's mum's files are classified, I need your clearance. | 0:12:23 | 0:12:27 | |
I can't help you. It's better for Oscar | 0:12:27 | 0:12:29 | |
if what's on those files stays secret. | 0:12:29 | 0:12:31 | |
This information could help us save him, | 0:12:31 | 0:12:33 | |
so tell me, Frank, what's more important, | 0:12:33 | 0:12:36 | |
Oscar's feelings or his life? | 0:12:36 | 0:12:37 | |
I'm warning you, Rose, | 0:12:39 | 0:12:41 | |
you might not like what you find. | 0:12:41 | 0:12:44 | |
Maybe X hasn't been here yet. | 0:12:44 | 0:12:47 | |
-Then where's Benedict? -Day off? | 0:12:47 | 0:12:49 | |
GROANING | 0:12:49 | 0:12:52 | |
Benedict! | 0:12:55 | 0:12:56 | |
I didn't even see him - too fast. | 0:12:57 | 0:12:59 | |
-So sorry, old chap. -Forget it. The importance thing is you're OK. | 0:12:59 | 0:13:02 | |
You don't understand. | 0:13:02 | 0:13:05 | |
I kept the letters you wrote from the training camp. | 0:13:05 | 0:13:07 | |
Agent X must have taken them. He knows where the camp is. | 0:13:07 | 0:13:10 | |
He's got the next step in the trail. We've got to move. | 0:13:10 | 0:13:14 | |
-What about Benedict? -Don't worry about me, old boy. | 0:13:14 | 0:13:16 | |
Feeling better already. | 0:13:16 | 0:13:18 | |
All right, let's get to the training centre. | 0:13:18 | 0:13:21 | |
Goodness me! That looks marvellous. | 0:13:28 | 0:13:33 | |
Are you two sitting at the right computer? | 0:13:33 | 0:13:35 | |
Yes, we are, and it's all our own work. | 0:13:35 | 0:13:39 | |
We know all about computers. | 0:13:39 | 0:13:41 | |
For example, did you know that this is not a real mouse? | 0:13:41 | 0:13:46 | |
-I'm impressed! -Ahem. | 0:13:46 | 0:13:48 | |
They didn't do any of it. They got cousin Della here to do the work | 0:13:48 | 0:13:51 | |
then left her wandering around the corridors. | 0:13:51 | 0:13:54 | |
Yeah, all right, but we did the difficult stuff. | 0:13:54 | 0:13:57 | |
Yeah, we looked good for the photo. | 0:13:57 | 0:14:00 | |
Do you know how much effort goes into looking this good? | 0:14:00 | 0:14:04 | |
Probably not. | 0:14:05 | 0:14:07 | |
Yes, well, I want to see you all in my office right away. | 0:14:07 | 0:14:10 | |
We'll see if we can't get to the bottom of this. Off you go. | 0:14:10 | 0:14:13 | |
So, er...Della, how would you like to create a blog for me? | 0:14:17 | 0:14:24 | |
Good. | 0:14:25 | 0:14:26 | |
This can't be right. | 0:14:27 | 0:14:29 | |
Oscar lied to us. | 0:14:30 | 0:14:32 | |
Rest easy, agents. This training facility is totally secure | 0:14:39 | 0:14:44 | |
and I, Hector Swayne, am personally equipped to deal with any attacker. | 0:14:44 | 0:14:48 | |
Biological implants that let me flood my system with animal genes. | 0:14:50 | 0:14:53 | |
If I'm fighting someone fast, cheetah genes make me faster. | 0:14:53 | 0:14:56 | |
Strong? Gorilla genes make me stronger. | 0:14:56 | 0:15:00 | |
-Believe me, I'm a match for Agent X. -Is it OK if we take a look around, | 0:15:00 | 0:15:04 | |
-just to be on the safe side? -Be my guest. | 0:15:04 | 0:15:07 | |
-So, I found out what Oscar's mum's final mission was... -Rose. | 0:15:13 | 0:15:16 | |
-..to infiltrate MI9. -Huh? | 0:15:16 | 0:15:18 | |
Turns out his mum wasn't being kidnapped by SKUL agents after all. | 0:15:18 | 0:15:22 | |
She was a SKUL agent. His mum stole a chip | 0:15:22 | 0:15:24 | |
containing the details of MI9's entire security network. | 0:15:24 | 0:15:27 | |
The big fight at the house? It was between his mum and MI9 agents | 0:15:27 | 0:15:30 | |
trying to arrest her. | 0:15:30 | 0:15:31 | |
SKUL aren't trying to kill him. They're trying to take him home. | 0:15:31 | 0:15:35 | |
Just because my mum was with SKUL, doesn't mean I am. | 0:15:35 | 0:15:37 | |
-Er, guys... -Why did you lie to us? -I think you should see this. | 0:15:37 | 0:15:41 | |
You didn't think the small fact that your mum was working for the enemy | 0:15:41 | 0:15:44 | |
-might have been important? -Listen! | 0:15:44 | 0:15:46 | |
-What? -The Hector Swayne we met is about 100 years too young. | 0:15:46 | 0:15:49 | |
-X. -Come on! | 0:15:52 | 0:15:54 | |
Oh well, it was worth a shot. | 0:15:58 | 0:16:01 | |
-We're taking you down. -I wouldn't be so sure about that. | 0:16:01 | 0:16:04 | |
I might have lied about who I am but I didn't lie about what I am. | 0:16:04 | 0:16:07 | |
12 per cent gorilla for strength. | 0:16:08 | 0:16:11 | |
16 per cent wasp for manoeuvrability and speed. | 0:16:13 | 0:16:17 | |
-Where did he go? -He's over there! | 0:16:18 | 0:16:21 | |
He's moving too fast! | 0:16:23 | 0:16:25 | |
Strange, I thought you'd be more of a challenge. | 0:16:26 | 0:16:29 | |
Still, I am very good. | 0:16:29 | 0:16:32 | |
-You really are. -Huh? | 0:16:32 | 0:16:34 | |
I'm sorry, Oscar, but he's easily the best I've ever had to fight. | 0:16:34 | 0:16:37 | |
-You think so? The best? -Oh, come on? No, I'm with Rose, Oscar. | 0:16:37 | 0:16:41 | |
-He's really great. -I am, aren't I? | 0:16:41 | 0:16:44 | |
Definitely. I mean, enhanced agents like you - totally the future. | 0:16:44 | 0:16:48 | |
Yeah, and the technology that gives you those powers must be awesome. | 0:16:48 | 0:16:52 | |
-Well... -I don't suppose... | 0:16:52 | 0:16:55 | |
-no, forget it. -What? | 0:16:55 | 0:16:57 | |
Well, it would be a real honour to take a closer look at it. | 0:16:57 | 0:17:02 | |
Why not? You're not going anywhere. | 0:17:02 | 0:17:04 | |
So how do you bump up, say, the gorilla quotient? | 0:17:06 | 0:17:09 | |
Well, what you do is, you set to gorilla | 0:17:09 | 0:17:12 | |
and then you press this little slider here which then goes... | 0:17:12 | 0:17:15 | |
What are you doing? 100 per cent gorilla? | 0:17:15 | 0:17:18 | |
HE GRUNTS | 0:17:18 | 0:17:20 | |
Oh, OK. It was a plan. | 0:17:25 | 0:17:28 | |
We got lucky, Oscar. While you were lying to us, | 0:17:33 | 0:17:35 | |
Agent X nearly found St Hope's. Why did you do it? | 0:17:35 | 0:17:39 | |
How would you like everyone to know your mum was a traitor? | 0:17:39 | 0:17:42 | |
Have everyone watching you to see if you turned out the same way? | 0:17:42 | 0:17:45 | |
-Guys, guess what? -Oh no. | 0:17:45 | 0:17:49 | |
That must have been Agent X. | 0:17:49 | 0:17:51 | |
He just received a message. | 0:17:51 | 0:17:53 | |
It's a response to something he must have sent earlier. | 0:17:53 | 0:17:56 | |
It just says, "Received - Signed, X". | 0:17:56 | 0:17:59 | |
What was the message he sent? | 0:17:59 | 0:18:01 | |
Two words. "St Hope's". | 0:18:02 | 0:18:05 | |
-Yes? -X has the school's location. | 0:18:08 | 0:18:11 | |
We're on our way. | 0:18:11 | 0:18:13 | |
ALARM SOUNDS | 0:18:17 | 0:18:19 | |
Mr London. | 0:18:22 | 0:18:24 | |
Are you sure about this sewage leak? | 0:18:24 | 0:18:27 | |
I can't smell anything. | 0:18:27 | 0:18:29 | |
Of course you can't. It's an odourless sewage leak. | 0:18:29 | 0:18:32 | |
What you're not smelling right now... | 0:18:32 | 0:18:34 | |
Well, that's the leak. | 0:18:37 | 0:18:39 | |
Oh, right, well that explains it. | 0:18:39 | 0:18:42 | |
-I suppose. -Hurry along. | 0:18:42 | 0:18:45 | |
Frank, I haven't seen Oscar. | 0:18:45 | 0:18:48 | |
-He might still be in school. -Don't you worry about Oscar. | 0:18:48 | 0:18:51 | |
I'll see he doesn't come to any harm. | 0:18:51 | 0:18:52 | |
I've got movement sensors linked to the screens. | 0:18:57 | 0:18:59 | |
Now that the school's empty, if anything moves, we'll know, | 0:18:59 | 0:19:02 | |
but it would have been safer if you hadn't come back. | 0:19:02 | 0:19:05 | |
I want to help. It's because of me everyone's in danger. | 0:19:05 | 0:19:08 | |
Sector 12. Flatley's office. | 0:19:10 | 0:19:13 | |
-I'll go get them out. -No, Oscar. | 0:19:18 | 0:19:20 | |
It's safer if you stay here. | 0:19:20 | 0:19:22 | |
Carrie, you go. | 0:19:22 | 0:19:24 | |
-Right. -No, hang on. | 0:19:24 | 0:19:26 | |
All I'm gonna do is tell them there's a leak | 0:19:26 | 0:19:28 | |
and make sure they leave. | 0:19:28 | 0:19:29 | |
It's not dangerous and you can see it all on the screen. | 0:19:29 | 0:19:32 | |
Please, I need to do something. | 0:19:32 | 0:19:34 | |
Oscar, I know how you feel. It's better if I do this. | 0:19:34 | 0:19:37 | |
You know how I feel? | 0:19:37 | 0:19:39 | |
The worst thing your mum's ever done | 0:19:39 | 0:19:41 | |
is try to help you become a famous gymnast. | 0:19:41 | 0:19:43 | |
My mum is an evil traitor. | 0:19:43 | 0:19:46 | |
I saw her defeat six MI9 agents with her bare hands. | 0:19:46 | 0:19:49 | |
At one point, she grabbed my hand so hard | 0:19:49 | 0:19:53 | |
I thought she was going to attack me too. | 0:19:53 | 0:19:55 | |
So tell me, Carrie, do you really know how I feel? | 0:19:55 | 0:19:59 | |
-No. -Oscar. | 0:19:59 | 0:20:00 | |
None of you have got a clue. | 0:20:00 | 0:20:02 | |
I'm gonna go move Flatley and the others. Any objections? | 0:20:02 | 0:20:06 | |
Right. | 0:20:08 | 0:20:09 | |
Extraordinary. Who would have believed a ten-year-old girl | 0:20:14 | 0:20:17 | |
would know so much more than me? | 0:20:17 | 0:20:21 | |
There's been a sewage leak. The school's being evacuated. | 0:20:21 | 0:20:25 | |
Evacuation? | 0:20:25 | 0:20:26 | |
Right, Oscar, you're in charge here. | 0:20:26 | 0:20:30 | |
I'd better go and help with the organisation. | 0:20:30 | 0:20:33 | |
-It's coming from the computer room. -We'll go and check it out. | 0:20:41 | 0:20:45 | |
Oscar, we might be out of time. Head for the art room. | 0:20:45 | 0:20:48 | |
The windows are inaccessible and it's got a reinforced door. | 0:20:48 | 0:20:52 | |
Once you bolt it from the inside, | 0:20:52 | 0:20:54 | |
no one will be able to get in. You'll be safe. | 0:20:54 | 0:20:56 | |
OK, guys, change of plan. | 0:20:56 | 0:21:00 | |
No sign of an intruder. I don't get it. | 0:21:09 | 0:21:11 | |
This is wedged in the window. | 0:21:11 | 0:21:12 | |
If it was fluttering in the draught, it could have set the alarm off. | 0:21:12 | 0:21:16 | |
-I don't like this. -I know what you mean. | 0:21:16 | 0:21:18 | |
X has been ahead of us at every stage. | 0:21:18 | 0:21:20 | |
What's taking him so long to get here? | 0:21:20 | 0:21:22 | |
I can't help feeling I'm going to end up | 0:21:22 | 0:21:24 | |
-like one of those agents he knocked out in the playground. -Yeah. | 0:21:24 | 0:21:27 | |
You know, maybe we should take another look at that CCTV footage. | 0:21:27 | 0:21:31 | |
I think we might have missed something. | 0:21:33 | 0:21:35 | |
There, what's that? | 0:21:36 | 0:21:39 | |
-Oh no. -What? | 0:21:41 | 0:21:44 | |
I just hope I'm wrong. Where's the footage from Flatley's office? | 0:21:44 | 0:21:47 | |
No way! Della is Agent X. | 0:21:51 | 0:21:55 | |
And I handed Oscar right to her. | 0:21:55 | 0:21:57 | |
Della, you scared the life out of me. | 0:22:05 | 0:22:08 | |
-You should really stay in the art room. -I was scared. | 0:22:08 | 0:22:12 | |
I thought Donovan and Davina were looking after you? | 0:22:12 | 0:22:15 | |
Like I could trust them to do something. | 0:22:15 | 0:22:18 | |
OK, I'll take you back to the art room and stay with you. | 0:22:18 | 0:22:21 | |
Thanks, Oscar. | 0:22:21 | 0:22:23 | |
OK, OK. | 0:22:24 | 0:22:26 | |
Come on, let's go. | 0:22:26 | 0:22:28 | |
Oscar, come in. Come in, Oscar. Oscar, come in. | 0:22:30 | 0:22:33 | |
Davina? Donovan? | 0:22:41 | 0:22:43 | |
Della, I don't want to worry you, but we could be in danger. | 0:22:45 | 0:22:51 | |
Oh, Oscar, haven't you got it yet? | 0:22:52 | 0:22:56 | |
We're not in danger. | 0:22:56 | 0:22:58 | |
You are! | 0:22:58 | 0:23:00 | |
I don't care if you are Agent X. I'm not hitting a little girl. | 0:23:07 | 0:23:11 | |
Whatever. | 0:23:11 | 0:23:12 | |
Argh! | 0:23:14 | 0:23:16 | |
What happened to you? | 0:23:28 | 0:23:29 | |
What happened? His cousin happened! | 0:23:29 | 0:23:33 | |
-My cousin? I thought she was your cousin? -Unbelievable. | 0:23:33 | 0:23:36 | |
She must be your cousin. | 0:23:36 | 0:23:38 | |
She's got your stupid face. | 0:23:38 | 0:23:40 | |
-Your stupid face. -Your stupid face. | 0:23:40 | 0:23:43 | |
Your stupid face. | 0:23:43 | 0:23:45 | |
Your stupid face. | 0:23:45 | 0:23:47 | |
-Bolted. Oscar! -Oscar! | 0:23:53 | 0:23:55 | |
-Oscar! -Oscar! | 0:23:56 | 0:23:57 | |
I guess it's nice to know that my mum cares enough to send the best. | 0:23:57 | 0:24:02 | |
Your mum? | 0:24:02 | 0:24:03 | |
She hired you to kidnap me, right? | 0:24:03 | 0:24:06 | |
Less talking, more fighting. | 0:24:06 | 0:24:10 | |
We're nearly done. | 0:24:10 | 0:24:12 | |
CREAK | 0:24:15 | 0:24:16 | |
Wait, can't we talk about this? I mean, what are you, ten? | 0:24:20 | 0:24:25 | |
Wouldn't you rather be watching telly? | 0:24:25 | 0:24:28 | |
What's your favourite TV programme? | 0:24:30 | 0:24:32 | |
What's your favourite toy? | 0:24:33 | 0:24:35 | |
You do have toys? | 0:24:39 | 0:24:41 | |
Really? | 0:24:43 | 0:24:44 | |
It's too quiet. | 0:24:50 | 0:24:51 | |
DOOR HANDLE CLICKS | 0:24:51 | 0:24:53 | |
Where's Oscar? | 0:24:57 | 0:24:58 | |
What did you do to him? | 0:24:58 | 0:25:00 | |
Chill out, girls. I'm fine. | 0:25:00 | 0:25:03 | |
And this is my new friend, Sally. | 0:25:03 | 0:25:05 | |
Hi. | 0:25:05 | 0:25:07 | |
Oscar, she's Agent X. | 0:25:07 | 0:25:09 | |
Yeah, I figured that out when she started hitting me. | 0:25:09 | 0:25:12 | |
Anyway, we've had a chat and Sally doesn't want to be Agent X any more. | 0:25:12 | 0:25:17 | |
We are going to be friends instead and get some toys. | 0:25:17 | 0:25:21 | |
Apparently, I wasn't the only one whose childhood was messed up | 0:25:21 | 0:25:24 | |
by a special agent parent who betrayed them. | 0:25:24 | 0:25:27 | |
Sure she's not going to change her mind and try to kidnap you again? | 0:25:27 | 0:25:32 | |
I wasn't trying to kidnap Oscar. | 0:25:32 | 0:25:34 | |
You weren't? What was your mission? | 0:25:34 | 0:25:37 | |
Information retrieval. They hired me to get that. | 0:25:37 | 0:25:40 | |
-My mole? -Stupid. | 0:25:40 | 0:25:44 | |
It's not a mole. It's a microchip. | 0:25:44 | 0:25:47 | |
Oscar, Rose and I have been talking | 0:25:51 | 0:25:53 | |
and, as far as we are concerned, we are your family now. | 0:25:53 | 0:25:56 | |
So it doesn't matter what your mum did. | 0:25:56 | 0:25:58 | |
I have news for you on that front. The microchip in your mole | 0:25:58 | 0:26:01 | |
contains the MI9 files we thought your mum had stolen. | 0:26:01 | 0:26:04 | |
She must have implanted it when she grabbed my hand. | 0:26:04 | 0:26:07 | |
But why didn't she say anything? | 0:26:07 | 0:26:10 | |
She was being watched. She wanted SKUL to think | 0:26:10 | 0:26:12 | |
she was working for them, but she didn't want them to get the files. | 0:26:12 | 0:26:15 | |
-So she wasn't a traitor? -There's a message for you on the chip. | 0:26:15 | 0:26:18 | |
I think you should see it. | 0:26:18 | 0:26:20 | |
-What's going to happen to Agent X? -Well, she's decided to join MI9. | 0:26:20 | 0:26:24 | |
She's going to make an incredible agent. | 0:26:24 | 0:26:26 | |
at least she will if we can ever get her away from all those new toys! | 0:26:26 | 0:26:30 | |
Oscar, my darling, | 0:26:38 | 0:26:41 | |
I have to go away. | 0:26:41 | 0:26:43 | |
I am so sorry it has to be this way. | 0:26:43 | 0:26:45 | |
There is so much I want to tell you, to teach you. | 0:26:45 | 0:26:50 | |
There's so much that I want us to do together, | 0:26:50 | 0:26:52 | |
-but I'm out of time. -Open up! MI9! | 0:26:52 | 0:26:55 | |
Oh, they're coming for me. | 0:26:56 | 0:26:59 | |
I only hope that one day you'll understand what I'm about to do. | 0:26:59 | 0:27:03 | |
Oscar, if you never see me again, | 0:27:03 | 0:27:08 | |
know this much for sure. I love you. | 0:27:08 | 0:27:11 | |
You said X never fails. | 0:27:22 | 0:27:25 | |
I still want those files from your son's microchip. | 0:27:25 | 0:27:28 | |
Don't upset yourself, Grand Master. | 0:27:28 | 0:27:31 | |
We will have other opportunities. | 0:27:31 | 0:27:35 | |
We'll just have to bide our time, Flopsy. | 0:27:35 | 0:27:40 | |
I'm impressed, Mr Flatley. I thought a blog might be beyond you. | 0:27:40 | 0:27:45 | |
Ah, blogs are simple really. | 0:27:45 | 0:27:46 | |
Certainly for a computer wizard like myself. | 0:27:46 | 0:27:50 | |
I think you might be the perfect person to run the school's website. | 0:27:50 | 0:27:55 | |
I'll e-mail you the details. It won't take you more than a week or so. | 0:27:55 | 0:28:02 | |
Website?! | 0:28:02 | 0:28:04 | |
Has anyone seen Della? | 0:28:04 | 0:28:07 |