Browse content similar to High School Spy Movie. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I don't like to hurry you, maestro, | 0:00:18 | 0:00:20 | |
but we're due to meet Sydney in a few hours. | 0:00:20 | 0:00:23 | |
Do we have our new movie script? | 0:00:23 | 0:00:26 | |
Something will come. | 0:00:26 | 0:00:28 | |
It always does. | 0:00:28 | 0:00:30 | |
Hmm. That's what makes you a cinematic genius. | 0:00:30 | 0:00:33 | |
Hot, yeah? I'm telling you, it's the hottest script in town. | 0:00:33 | 0:00:37 | |
It's what everyone's after. | 0:00:37 | 0:00:39 | |
Original, daring, heartbreaking. We've hit the jackpot on this one. | 0:00:39 | 0:00:43 | |
-HE MOUTHS -What's that? | 0:00:43 | 0:00:45 | |
Gwyneth? I've got a bad signal here. I've got to go outside. | 0:00:45 | 0:00:49 | |
This is the script we need! | 0:00:56 | 0:00:59 | |
It's set in a school called St Hope's. | 0:00:59 | 0:01:02 | |
Arrange for us to shoot there! | 0:01:02 | 0:01:04 | |
Call Sydney Barber and tell her the script is on its way! | 0:01:04 | 0:01:09 | |
The bait has been taken. | 0:01:13 | 0:01:15 | |
Von Tripod is on his way to St Hope's to make a movie. | 0:01:15 | 0:01:17 | |
The 21st century faces a new kind of threat. | 0:01:21 | 0:01:24 | |
Old school spies have had their day, | 0:01:24 | 0:01:27 | |
and MI9 must create a new breed of skilled undercover agent. | 0:01:27 | 0:01:31 | |
Hidden in a place no villain would think to look. | 0:01:40 | 0:01:43 | |
Welcome to MI High. | 0:01:44 | 0:01:47 | |
CARRIE JOINS IN: Well, if you will leave 10 million hanging around... | 0:02:25 | 0:02:30 | |
Someone's a big Sydney Barbour fan. | 0:02:30 | 0:02:32 | |
Er...it's just research. | 0:02:32 | 0:02:35 | |
-SHE CLEARS THROAT -The complete Sydney Barbour box set? | 0:02:35 | 0:02:38 | |
OK, so she's one of my favourite actresses. | 0:02:38 | 0:02:41 | |
-It's no big deal. -It may help with the mission. | 0:02:41 | 0:02:44 | |
The director we're investigating, Lars Von Tripod, | 0:02:44 | 0:02:47 | |
-this is his film. -And she's been in, like, all of his films. | 0:02:47 | 0:02:51 | |
Isn't it time you told us why we're investigating him? | 0:02:51 | 0:02:53 | |
Every five years, prestigious national treasure is stolen. | 0:02:53 | 0:02:57 | |
The theft is always close to Von Tripod's movies. | 0:02:57 | 0:03:00 | |
Paintings, sculptures, ancient artefacts worth millions. All gone. | 0:03:00 | 0:03:05 | |
-The last robbery was five years ago. -Yes, so we're due another. | 0:03:05 | 0:03:08 | |
-Tomorrow. -But there's nothing in St Hope's worth stealing. -Ah! | 0:03:08 | 0:03:13 | |
Rose has been working on that. | 0:03:13 | 0:03:14 | |
I've found the perfect art treasure to tempt him. | 0:03:14 | 0:03:17 | |
The sceptre and sandals of King Canute, | 0:03:17 | 0:03:21 | |
-worth millions. -So how are we going to get them in St Hope's? | 0:03:21 | 0:03:24 | |
I may have some gadgets to help you there. | 0:03:24 | 0:03:27 | |
Inhale then speak. | 0:03:31 | 0:03:33 | |
FRANK'S VOICE: I'm not sure I like being a guinea pig. | 0:03:35 | 0:03:37 | |
Whoa, Frank, that's great! | 0:03:37 | 0:03:39 | |
A voice transforming inhaler. It uses sound wave software | 0:03:39 | 0:03:43 | |
and a helium-based gas combination. | 0:03:43 | 0:03:45 | |
A portable X-ray machine for revealing fakes. | 0:03:45 | 0:03:48 | |
-I call it the Sham Machine. -Can I borrow that? | 0:03:52 | 0:03:55 | |
-I want to see what happens when I point it at Davina. -No time. | 0:03:55 | 0:03:59 | |
We need to get Canute's sceptre to St Hope's before Von Tripod arrives. | 0:03:59 | 0:04:03 | |
-MRS KING'S VOICE: -I don't care! | 0:04:06 | 0:04:09 | |
The minister promised the sceptre would visit St Hope's. | 0:04:09 | 0:04:12 | |
He wants struggling schools to have priority. | 0:04:12 | 0:04:15 | |
And believe me, St Hope's is as struggling as it gets. | 0:04:15 | 0:04:18 | |
OK, how about this? | 0:04:19 | 0:04:22 | |
Either the exhibits are at St Hope's by the end of the day, | 0:04:22 | 0:04:25 | |
or I'll get the minister to review your budget. | 0:04:25 | 0:04:28 | |
Hmm. That's what I thought. | 0:04:29 | 0:04:31 | |
Mrs King! | 0:04:32 | 0:04:33 | |
What are you children doing here? | 0:04:36 | 0:04:38 | |
-MRS KING'S VOICE: -I was just... | 0:04:38 | 0:04:41 | |
Rose is coming down with something. SHE COUGHS | 0:04:42 | 0:04:46 | |
'Sydney, good news! We have our new film location.' | 0:04:52 | 0:04:56 | |
Oh, good! Is it that royal palace I suggested? | 0:04:56 | 0:04:59 | |
'Er, not quite.' | 0:04:59 | 0:05:01 | |
It's the strangest thing. A man from the government has delivered | 0:05:04 | 0:05:08 | |
two of the nation's greatest treasures for us to display! | 0:05:08 | 0:05:12 | |
It's a mystery why we do so well for these things. | 0:05:12 | 0:05:14 | |
We don't even apply for them. | 0:05:14 | 0:05:16 | |
I think word has got around about our high standard of teaching. | 0:05:16 | 0:05:20 | |
-We are go. -PHONE RINGS | 0:05:26 | 0:05:29 | |
-SHE LAUGHS -Oh, really! | 0:05:29 | 0:05:31 | |
St Hope's, Mrs King, deputy head teacher. | 0:05:31 | 0:05:34 | |
What? | 0:05:34 | 0:05:36 | |
No, you can't film here, it's a school. | 0:05:36 | 0:05:39 | |
I don't care if Lars Von Tripod is directing it. | 0:05:39 | 0:05:42 | |
Er, this is a place for learning. | 0:05:42 | 0:05:45 | |
Not some Hollywood movie back lot! | 0:05:45 | 0:05:47 | |
Mr Flatley, head master. We'd love to have you and your film crew. | 0:05:47 | 0:05:51 | |
What a marvellous opportunity for our children to experience | 0:05:51 | 0:05:55 | |
the magic of Hollywood. | 0:05:55 | 0:05:57 | |
Apart from statistics, what evidence is there that Von Tripod's the thief? | 0:05:59 | 0:06:03 | |
The only clue is a fragment of handwriting found at a crime scene. | 0:06:03 | 0:06:07 | |
Von Tripod's famous for never writing. | 0:06:07 | 0:06:10 | |
-So we've nothing to compare it to. -So we need a writing sample. | 0:06:10 | 0:06:13 | |
Easy enough once we've got parts in his spy film. | 0:06:13 | 0:06:16 | |
-We have to do acting? -I wrote that script specially. We play ourselves. | 0:06:16 | 0:06:21 | |
Even you can manage that. | 0:06:21 | 0:06:22 | |
-Thanks(!) -We also need to keep watch on the King Canute exhibit. | 0:06:22 | 0:06:26 | |
-It's just arrived. -I'll make sure they put it somewhere easy to steal. | 0:06:26 | 0:06:30 | |
Ah! St Hope's making history again. | 0:06:32 | 0:06:35 | |
And for once, it's for the right reasons. | 0:06:35 | 0:06:38 | |
Yes. What child won't be spellbound? | 0:06:38 | 0:06:42 | |
Those trainers are rank. | 0:06:42 | 0:06:44 | |
No support. Think of the Achilles problems! | 0:06:44 | 0:06:47 | |
That wand thing's rubbish as well. | 0:06:47 | 0:06:49 | |
It's called a sceptre. | 0:06:49 | 0:06:50 | |
I've seen better bling down the market. | 0:06:50 | 0:06:53 | |
Yes, and I bet your market bling isn't worth £3 million. | 0:06:53 | 0:06:57 | |
It's just as well we have such tight security. | 0:06:59 | 0:07:02 | |
HE YAWNS | 0:07:02 | 0:07:04 | |
-There's no way our thief will resist this. -Want to take first watch? | 0:07:05 | 0:07:09 | |
Er, no. I have to be there when Von Tripod arrives. | 0:07:09 | 0:07:13 | |
Von Tripod or Sydney Barbour? | 0:07:13 | 0:07:16 | |
Both. | 0:07:17 | 0:07:19 | |
Make sure you stay focussed. | 0:07:19 | 0:07:21 | |
Von Tripod must be a clever thief to remain undetected all this time. | 0:07:21 | 0:07:25 | |
-This entrance will have to go. -Yes, Mr Von Tripod. | 0:07:31 | 0:07:35 | |
-Kenneth Flatley, head master. -Mr Von Tripod doesn't shake hands. | 0:07:36 | 0:07:41 | |
Civilians will refrain from touching him, speaking to him, | 0:07:41 | 0:07:45 | |
-and looking him in the eye. -Right. -He will need a gofer. | 0:07:45 | 0:07:49 | |
Er, I'll have to check with the biology department. | 0:07:49 | 0:07:52 | |
-He might have to make do with a gerbil. -No. | 0:07:52 | 0:07:56 | |
A gofer. Someone to run errands. Go for this, go for that. | 0:07:56 | 0:08:00 | |
Oh, right! Then...then our Mr London is your man. | 0:08:00 | 0:08:04 | |
He'll be at your beck and call. | 0:08:04 | 0:08:06 | |
Mr Von Tripod will need 12 bottles of Peruvian spring water, | 0:08:06 | 0:08:11 | |
cooled to five degrees. | 0:08:11 | 0:08:15 | |
What do you think, Sydney, my muse? | 0:08:19 | 0:08:22 | |
Bleak, hopeless, depressing. | 0:08:22 | 0:08:26 | |
I know. | 0:08:26 | 0:08:27 | |
Isn't it perfect? | 0:08:27 | 0:08:30 | |
-What is that? -King Canute's sceptre and sandals. | 0:08:37 | 0:08:41 | |
National treasures, on display here at St Hope's! | 0:08:41 | 0:08:45 | |
It's quite an honour for us... | 0:08:45 | 0:08:47 | |
I'm not interested in antiques. | 0:08:47 | 0:08:50 | |
Shame. They're very fine. | 0:08:50 | 0:08:53 | |
And probably worth millions. | 0:08:53 | 0:08:56 | |
In that case, I want them in the movie. | 0:08:56 | 0:09:00 | |
Our heroine can steal them instead of the fake gold bullion. | 0:09:01 | 0:09:05 | |
-Looks like he took the bait. -Yeah, but who's that weird guy with him? | 0:09:05 | 0:09:09 | |
-He seemed even more interested. -His name's Cecil D Miller. | 0:09:09 | 0:09:14 | |
He works on all Von Tripod's movies. We need to keep track of him too. | 0:09:14 | 0:09:18 | |
Ahh! Sydney! | 0:09:18 | 0:09:20 | |
I will be using real people as actors alongside our stars. | 0:09:22 | 0:09:27 | |
The karate expert girl will be played by Sydney, of course. | 0:09:27 | 0:09:31 | |
But we'll audition your students to find the brainy girl spy | 0:09:31 | 0:09:36 | |
and the handsome heroic boy. | 0:09:36 | 0:09:40 | |
We should never have let you write the script. | 0:09:40 | 0:09:43 | |
Is anyone interested in auditioning? | 0:09:43 | 0:09:46 | |
STUDENTS CLAMOUR | 0:09:46 | 0:09:47 | |
Fine. Mind the hair! | 0:09:47 | 0:09:50 | |
Perfect. Rose and I will win the auditions to play ourselves, | 0:09:50 | 0:09:53 | |
and we'll have Von Tripod in our sights the whole time. | 0:09:53 | 0:09:57 | |
This is Agent Posy. I'm in position. | 0:09:57 | 0:10:00 | |
No, no, no. Useless, get out. | 0:10:00 | 0:10:02 | |
This film has nothing to say about real issues anyway! | 0:10:02 | 0:10:06 | |
-The name's Cole. Oscar Cole... -Next! | 0:10:10 | 0:10:13 | |
-Hang on. I haven't even started. -I said next! | 0:10:13 | 0:10:17 | |
-Get out! -Idiot! | 0:10:17 | 0:10:20 | |
Doesn't look clever enough. Next. | 0:10:22 | 0:10:26 | |
-Tell me this isn't happening. -We should get Carrie to audition. | 0:10:28 | 0:10:32 | |
She's watching the sceptre, she won't get here in time. | 0:10:32 | 0:10:35 | |
-Hope they're five degrees. -Like he's going to test them! | 0:10:35 | 0:10:38 | |
THERMOMETER BEEPS | 0:10:52 | 0:10:54 | |
THERMOMETER BUZZES | 0:10:55 | 0:10:57 | |
Seven degrees. | 0:10:58 | 0:10:59 | |
Oh...thanks. Stiff back. | 0:11:17 | 0:11:21 | |
Overdoing it in the gym, I think. | 0:11:21 | 0:11:23 | |
-I'm... -Sydney Barbour! I know, I'm a big fan. | 0:11:23 | 0:11:26 | |
You're brilliant, I've seen all your films! ..Sorry. | 0:11:26 | 0:11:29 | |
-How sad am I? -Oh, no, I should be embarrassed. | 0:11:29 | 0:11:33 | |
Dropping everything. Normally I have a PA, but she quit. | 0:11:33 | 0:11:37 | |
-Von Tripod threw a chair at her. -I don't suppose... | 0:11:37 | 0:11:41 | |
No, forget it. | 0:11:41 | 0:11:43 | |
You wouldn't help out, would you? Just for this shoot. | 0:11:43 | 0:11:45 | |
-Miss Barbour, that would be an honour. -Great! | 0:11:45 | 0:11:48 | |
Your first task is to stop calling me Miss Barbour. | 0:11:48 | 0:11:51 | |
It's Sydney. Find me in a bit, and I'll give you something to do. | 0:11:51 | 0:11:55 | |
We didn't get cast. It's a disaster, we've got no-one on the inside. | 0:12:01 | 0:12:05 | |
Er, yeah, we do. | 0:12:05 | 0:12:06 | |
-Meet Sydney Barbour's new PA. -Is that for the mission, | 0:12:06 | 0:12:10 | |
-or because you're an embarrassing stalker-type fan? -Er, both. | 0:12:10 | 0:12:14 | |
Who's playing you two in the film? | 0:12:14 | 0:12:16 | |
No! Tosca's the star. Posy's just some weird geek girl. | 0:12:16 | 0:12:21 | |
Great! | 0:12:21 | 0:12:22 | |
Pathetic! | 0:12:25 | 0:12:26 | |
It's clearly made of rubber. | 0:12:26 | 0:12:29 | |
No-one will believe this is real. | 0:12:29 | 0:12:31 | |
Er, actually, that was the real one. | 0:12:33 | 0:12:35 | |
We need a new stunt man. | 0:12:35 | 0:12:38 | |
Er, Mr Von Tripod's mineral water. | 0:12:38 | 0:12:42 | |
Five degrees exactly. | 0:12:42 | 0:12:43 | |
I'll take that. Now, get some umbrellas. | 0:12:43 | 0:12:47 | |
Each one needs to be a different colour. Mondays are blue. | 0:12:47 | 0:12:50 | |
See if you can get a handwriting sample from Von Tripod. | 0:12:55 | 0:12:58 | |
We'll test it against the fragments. | 0:12:58 | 0:13:00 | |
Sydney, you look fantastic! | 0:13:02 | 0:13:05 | |
How do you do it? | 0:13:05 | 0:13:07 | |
Healthy diet and strict exercise. | 0:13:07 | 0:13:10 | |
-My body is a temple. -A temple...I worship. | 0:13:10 | 0:13:14 | |
-Has Matt Damon arrived? -A slight change of plan... | 0:13:14 | 0:13:18 | |
Mr Von Tripod fired him for sitting on his chair. | 0:13:18 | 0:13:21 | |
We have a new Walter the Spymaster. | 0:13:21 | 0:13:24 | |
Yes, and that replacement is so much better. | 0:13:24 | 0:13:27 | |
Chiselled good looks, and the camera loves him. | 0:13:27 | 0:13:31 | |
Not sure the audience will! | 0:13:31 | 0:13:34 | |
Sydney? I don't suppose you could get me Lars Von Tripod's autograph? | 0:13:40 | 0:13:45 | |
-He's such an icon. -Oh, I don't know. | 0:13:45 | 0:13:48 | |
He does get rather difficult during filming. | 0:13:48 | 0:13:51 | |
Oh...I'll see what I can do. | 0:13:52 | 0:13:54 | |
Lars, darling! | 0:13:59 | 0:14:00 | |
Sign this immediately. | 0:14:03 | 0:14:04 | |
Sydney, I'm afraid I can't. | 0:14:04 | 0:14:07 | |
For me, Lars? It would mean a lot. | 0:14:07 | 0:14:10 | |
Of course. For you, anything. | 0:14:12 | 0:14:15 | |
Cecil always signs my autographs. | 0:14:16 | 0:14:19 | |
The maestro hurt his wrists directing an action movie years ago. | 0:14:19 | 0:14:22 | |
Is that man wearing green?! | 0:14:24 | 0:14:26 | |
It's bad luck! Get him off the set! | 0:14:26 | 0:14:30 | |
Um...why did Cecil sign it? | 0:14:33 | 0:14:36 | |
He always does. | 0:14:36 | 0:14:37 | |
Oh, don't look so disappointed. You can have mine too. | 0:14:37 | 0:14:40 | |
Might be worth something one day. | 0:14:41 | 0:14:44 | |
-This is my last film. -But you're too young to retire. | 0:14:44 | 0:14:47 | |
Oh, you're sweet. But that's the reality of being an actress. | 0:14:47 | 0:14:51 | |
Once you start showing your age, you're on the scrapheap. | 0:14:51 | 0:14:54 | |
Couldn't you... You know, I mean lots of people... | 0:14:54 | 0:14:58 | |
-Couldn't you have work done? -You're right, but it's not for me. | 0:14:58 | 0:15:04 | |
You become a professional fake. | 0:15:04 | 0:15:06 | |
No, I'll stay natural and unemployed. | 0:15:06 | 0:15:09 | |
Until then, there's always make-up, which is where I should be now. | 0:15:09 | 0:15:13 | |
We're meant to be working? | 0:15:17 | 0:15:18 | |
Tripod's autograph here for analysis. | 0:15:18 | 0:15:21 | |
-Well done. -Except he didn't sign it. | 0:15:21 | 0:15:24 | |
Cecil D Miller signs all his autographs. | 0:15:24 | 0:15:27 | |
-Now we have two suspects? -Let's not get ahead of ourselves. | 0:15:27 | 0:15:30 | |
-I need to check the writing in HQ. -Thanks for watching the sceptre. | 0:15:30 | 0:15:34 | |
-Keep an eye on Von Tripod and Cecil. -Rose? | 0:15:34 | 0:15:37 | |
Don't lose that note book. I want to keep Sydney's autograph. | 0:15:37 | 0:15:41 | |
Stalker. | 0:15:41 | 0:15:44 | |
Come on, team. | 0:15:49 | 0:15:51 | |
You're kids, you can run faster than me. | 0:15:51 | 0:15:54 | |
After him. | 0:15:54 | 0:15:56 | |
Come on, guys, let's get him. | 0:15:56 | 0:15:59 | |
Cut! | 0:16:07 | 0:16:08 | |
Why is her wearing that hat? | 0:16:08 | 0:16:11 | |
Scoop always wears his hat. | 0:16:11 | 0:16:14 | |
Can we have a break? We have been working for an hour! | 0:16:14 | 0:16:19 | |
Get used to it. The average shooting day is 13 hours long. | 0:16:19 | 0:16:23 | |
Yeah, that's not going to work for me. | 0:16:23 | 0:16:26 | |
I need at least 12 hours beauty sleep every night. | 0:16:26 | 0:16:29 | |
New chair for the maestro. | 0:16:29 | 0:16:31 | |
Why does he need a new chair? | 0:16:31 | 0:16:33 | |
Arrrrgh! | 0:16:33 | 0:16:35 | |
HE SCREAMS | 0:16:35 | 0:16:37 | |
Now, take five, everyone. I'll look after this. | 0:16:40 | 0:16:44 | |
Oscar-winning performance, but faster running next time. | 0:16:49 | 0:16:54 | |
Are you OK? | 0:17:03 | 0:17:04 | |
-I'm fine. -I love it when you do action scenes. | 0:17:04 | 0:17:07 | |
I know you did all your own stunts in Mission Just Possible. | 0:17:07 | 0:17:11 | |
That was nothing compared to Where Beagles Dare. | 0:17:11 | 0:17:14 | |
I was hanging off a ski lift. | 0:17:14 | 0:17:15 | |
Um, Where Beagles Dare? But you weren't in that, were you? | 0:17:15 | 0:17:19 | |
Would you be a sweetheart and get me a juice? | 0:17:19 | 0:17:22 | |
Sure. | 0:17:22 | 0:17:24 | |
Sydney's struggling with her action sequences. | 0:17:28 | 0:17:31 | |
-Yet she looks in such great shape. -Forget Sydney. | 0:17:31 | 0:17:34 | |
What's the sceptre doing here? I thought Frank was watching it. | 0:17:34 | 0:17:38 | |
He's probably busy with Tripod's demands. | 0:17:38 | 0:17:41 | |
Doesn't matter, we can see from here. | 0:17:41 | 0:17:43 | |
Carrie, will you help me go over my lines in my room for a bit? | 0:18:01 | 0:18:05 | |
Of course I will. | 0:18:09 | 0:18:10 | |
It's no good, I need my glasses. | 0:18:19 | 0:18:22 | |
Don't tell anyone I wear them. | 0:18:22 | 0:18:25 | |
My lips are sealed. | 0:18:25 | 0:18:27 | |
-That's a lovely necklace. -What? | 0:18:27 | 0:18:31 | |
Oh, yes, it's nice, isn't it? | 0:18:31 | 0:18:34 | |
-That's weird. It seems all Von Tripod's lead actresses wear it. -Yes. | 0:18:34 | 0:18:39 | |
Bit of a tradition. | 0:18:39 | 0:18:41 | |
Actually, I'm going back into make-up. I'm due on again soon. | 0:18:41 | 0:18:45 | |
I'll just wait here... | 0:18:48 | 0:18:52 | |
Tosca, I need to get back to HQ to run a sp...spectre sonic analysis... | 0:19:00 | 0:19:07 | |
And an NDA diagram. | 0:19:07 | 0:19:10 | |
I...um...and a DNA sample. | 0:19:10 | 0:19:13 | |
These lines are rubbish! No-one talks like this in real life. | 0:19:13 | 0:19:17 | |
No! You've got a green one! The maestro doesn't like green. | 0:19:20 | 0:19:24 | |
Unlucky! Get it off the set! | 0:19:24 | 0:19:27 | |
Don't worry, Frank, not everyone is cut out | 0:19:30 | 0:19:32 | |
for this high-pressure film world like Lars and I. | 0:19:32 | 0:19:36 | |
Mr Flatley, these reports need signing... Today! | 0:19:36 | 0:19:42 | |
But I'm about to do my close up. | 0:19:42 | 0:19:45 | |
What is this? | 0:19:47 | 0:19:48 | |
I asked for a spy base! This looks nothing like one! | 0:19:48 | 0:19:54 | |
New chair for the director! | 0:19:54 | 0:19:56 | |
What beautiful eyes, skin, teeth. | 0:20:03 | 0:20:07 | |
Yes, you have... You could play... Cleopatra. | 0:20:07 | 0:20:13 | |
I've got a proper job, thank you. | 0:20:13 | 0:20:15 | |
Not flouncing around with actors all day. | 0:20:15 | 0:20:17 | |
SHE SIGHS | 0:20:17 | 0:20:19 | |
HE CHUCKLES | 0:20:19 | 0:20:21 | |
Actors, to positions! | 0:20:21 | 0:20:23 | |
That's me, Oscar, this scene is very exciting. | 0:20:23 | 0:20:28 | |
I get to use my deodorant spray-gadget thingy. | 0:20:28 | 0:20:31 | |
Apparently, they built a real one. | 0:20:31 | 0:20:34 | |
Props! | 0:20:34 | 0:20:36 | |
-Careful. -That was my fault... | 0:20:37 | 0:20:39 | |
-It's a fake. -Give me that. | 0:20:41 | 0:20:42 | |
Of course it's a fake, Oscar. They wouldn't use the real one in a film. | 0:20:42 | 0:20:47 | |
The real one is still in the foyer. | 0:20:47 | 0:20:49 | |
Carrie, the real sceptre is in the case! | 0:21:17 | 0:21:22 | |
I'm on my way. | 0:21:22 | 0:21:23 | |
I'll be back in one moment. | 0:21:24 | 0:21:26 | |
Nothing, after all that! | 0:21:30 | 0:21:32 | |
Looks like Cecil and Von Tripod are in the clear. | 0:21:32 | 0:21:34 | |
No, we needn't test that. | 0:21:36 | 0:21:38 | |
Huh? Sydney? | 0:21:40 | 0:21:42 | |
You were watching the wrong sceptre! | 0:21:45 | 0:21:47 | |
Von Tripod and Cecil were both in plain sight. | 0:21:47 | 0:21:49 | |
-They couldn't have stolen it. -Alert the police, seal the area. | 0:21:49 | 0:21:53 | |
Give us a chance to find it first. | 0:21:53 | 0:21:55 | |
If this gets out, we're finished in MI9. | 0:21:55 | 0:21:57 | |
We haven't got a clue who stole it. | 0:21:57 | 0:22:00 | |
I don't care if it ain't what a spy wears, it's what I wear. | 0:22:00 | 0:22:03 | |
I never take it off. | 0:22:03 | 0:22:04 | |
-The necklace. -What? -I have a feeling Sydney's the thief. | 0:22:06 | 0:22:10 | |
She's not old enough. | 0:22:10 | 0:22:12 | |
She wasn't born when the first crime was committed. | 0:22:12 | 0:22:15 | |
It's like Scoop's hat. | 0:22:15 | 0:22:16 | |
Sydney changes her identity, | 0:22:16 | 0:22:18 | |
but can't throw away her favourite necklace. | 0:22:18 | 0:22:21 | |
Sydney, Judy Trench, Penny Harlow, all from Tripod's other muses. | 0:22:21 | 0:22:27 | |
I think somehow they're the same person. | 0:22:27 | 0:22:29 | |
If she is older than she looks, | 0:22:29 | 0:22:31 | |
it would explain why she can't run fast and her bad eyesight. | 0:22:31 | 0:22:35 | |
She said she was in Where Beagles Dare, it was made in the '70s. | 0:22:35 | 0:22:39 | |
It's flimsy evidence, at best. | 0:22:39 | 0:22:41 | |
You are not going to believe this. | 0:22:41 | 0:22:44 | |
Sydney Barbour's handwriting does not just match the fragments, | 0:22:44 | 0:22:47 | |
it matches the handwriting of all the lead actresses | 0:22:47 | 0:22:50 | |
-in Tripod's films. -That's not flimsy. | 0:22:50 | 0:22:52 | |
Agreed. We can figure out later how a 23 year old | 0:22:52 | 0:22:55 | |
is responsible for a 30-year crime wave. | 0:22:55 | 0:22:58 | |
Where is she now? | 0:22:58 | 0:22:59 | |
-In her dressing room. -Go. I'll check on Big Phil. | 0:22:59 | 0:23:02 | |
Sydney! We need to talk. | 0:23:06 | 0:23:08 | |
This is the scene where the spies | 0:23:13 | 0:23:16 | |
run through shot chasing the criminal. | 0:23:16 | 0:23:19 | |
Cut! Cut! Cut! | 0:23:21 | 0:23:24 | |
How can I create a masterpiece amid this... | 0:23:24 | 0:23:28 | |
madness! | 0:23:28 | 0:23:30 | |
Excellent, children, so you got parts as extras? | 0:23:38 | 0:23:43 | |
HE CHUCKLES | 0:23:43 | 0:23:44 | |
No, I am the spymaster. | 0:23:46 | 0:23:48 | |
SHE PANTS | 0:23:48 | 0:23:50 | |
Carrie, what is this? We should get back to the film. | 0:23:54 | 0:23:57 | |
We know you're the thief. | 0:23:57 | 0:23:59 | |
Don't be ridiculous, I'm a film star, I have everything I need. | 0:23:59 | 0:24:03 | |
We found handwriting samples linking you to the crime scene. | 0:24:03 | 0:24:07 | |
Who are you? | 0:24:07 | 0:24:08 | |
I really thought you were someone special. | 0:24:08 | 0:24:10 | |
Me, and millions of other fans. | 0:24:10 | 0:24:13 | |
I am. I was. I was lots of special people. | 0:24:13 | 0:24:18 | |
Judy Trench, Glenda Fairbrother, Penny Harlow, | 0:24:18 | 0:24:21 | |
Jane Hardyman, all stars, all me! | 0:24:21 | 0:24:24 | |
Now, out of my way. | 0:24:24 | 0:24:26 | |
This one's down to Carrie. | 0:24:27 | 0:24:29 | |
Can someone explain what's going on? | 0:24:31 | 0:24:33 | |
Simple. Every five years she retires. | 0:24:33 | 0:24:36 | |
Then she has plastic surgery, before returning as a different actress. | 0:24:36 | 0:24:40 | |
-Why the crimes? -Full body plastic surgery doesn't come cheap. | 0:24:40 | 0:24:45 | |
There are other parts you could have played for older ladies. | 0:24:45 | 0:24:48 | |
What? Miss Marple? I don't think so! | 0:24:48 | 0:24:51 | |
-How long has she been doing this? -Since 1970. | 0:24:51 | 0:24:55 | |
Oh, From Swindon With Love, my first Oscar nomination. | 0:24:55 | 0:24:59 | |
That makes you 70. | 0:24:59 | 0:25:01 | |
Ah, oh! | 0:25:07 | 0:25:08 | |
Agh! | 0:25:11 | 0:25:12 | |
-Too slow to stand a chance against Carrie. -It's incredible. | 0:25:15 | 0:25:19 | |
You want proof? Your sound machine gadget reveals the truth about fakes. | 0:25:19 | 0:25:24 | |
BEEPING | 0:25:24 | 0:25:26 | |
That's what I call a harsh light. | 0:25:27 | 0:25:29 | |
One day this will happen to you. | 0:25:29 | 0:25:33 | |
-Wrinkles, lines, saggy bits. -I intend to grow old gracefully. | 0:25:33 | 0:25:38 | |
Nice work, team. | 0:25:38 | 0:25:39 | |
I'll deal with Sydney, if you can return King Canute's knick-knacks? | 0:25:39 | 0:25:42 | |
Come on, you. | 0:25:44 | 0:25:46 | |
Sydney, where's my Sydney?! | 0:26:00 | 0:26:05 | |
I'm afraid Sydney has brought forward her retirement. | 0:26:05 | 0:26:09 | |
-She just quit. -What? But she... | 0:26:09 | 0:26:12 | |
But she was irreplaceable. | 0:26:13 | 0:26:15 | |
You have worked with her for five years. | 0:26:15 | 0:26:18 | |
You're right. | 0:26:20 | 0:26:22 | |
Time for a new muse. You! | 0:26:22 | 0:26:24 | |
You're interesting, how would you like to be a star? | 0:26:24 | 0:26:27 | |
No, I've seen what the film business does to people. | 0:26:27 | 0:26:30 | |
Your loss. | 0:26:30 | 0:26:32 | |
You, you shall be my muse. | 0:26:32 | 0:26:36 | |
We shall make movies from dawn till dusk. | 0:26:36 | 0:26:40 | |
We shall work every minute of the day, sweating over our art. | 0:26:40 | 0:26:44 | |
It'll be the hardest work you ever do, but... | 0:26:44 | 0:26:48 | |
Sorry, hard work, not my thing. | 0:26:48 | 0:26:51 | |
I plan to become a WAG instead. | 0:26:51 | 0:26:54 | |
What's the matter with these kids? | 0:26:54 | 0:26:56 | |
I'm offering celluloid immortality! | 0:26:56 | 0:27:00 | |
What kind of school is this? | 0:27:00 | 0:27:02 | |
A school for losers?! | 0:27:02 | 0:27:05 | |
FLATLEY GASPS | 0:27:05 | 0:27:06 | |
How dare you call my students losers. | 0:27:10 | 0:27:13 | |
Is this the face of a loser? | 0:27:13 | 0:27:17 | |
We may not have fancy things like decent exam passes, | 0:27:17 | 0:27:22 | |
but we have spirit, we have heart, and above all | 0:27:22 | 0:27:26 | |
we have a school full of winners. | 0:27:26 | 0:27:29 | |
Cecil, dismantle the set. | 0:27:33 | 0:27:38 | |
Mr Flatley, would you mind lending me a hand? | 0:27:38 | 0:27:42 | |
With pleasure. | 0:27:42 | 0:27:45 | |
What? I... | 0:27:45 | 0:27:47 | |
You'll never work in movies again! | 0:27:47 | 0:27:51 | |
Cheerio! | 0:27:55 | 0:27:56 | |
Next time you make a film, | 0:27:56 | 0:27:58 | |
try to come up with something | 0:27:58 | 0:28:00 | |
more believable that child spies. | 0:28:00 | 0:28:02 | |
Subtitles by Red Bee Media Ltd | 0:28:06 | 0:28:08 |