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This information had better be good, Madame Elvira. | 0:00:19 | 0:00:24 | |
You know the routine. | 0:00:24 | 0:00:26 | |
First you must cross my palm with silver, darling. | 0:00:26 | 0:00:30 | |
Drop the act, Elvira. I'm not one of your gullible punters. | 0:00:30 | 0:00:34 | |
What have you heard? | 0:00:34 | 0:00:35 | |
Thank you, darling. You are familiar with the Crystal Of St Helena? | 0:00:41 | 0:00:48 | |
Of course. | 0:00:48 | 0:00:49 | |
So, it appears, is The Grand Master. | 0:00:49 | 0:00:53 | |
Go on. | 0:00:53 | 0:00:55 | |
He has great interest in this crystal and is very close | 0:00:55 | 0:00:59 | |
to discovering its location. | 0:00:59 | 0:01:01 | |
Ha-ha-ha! That crystal was lost over 2,000 years ago. | 0:01:01 | 0:01:04 | |
The Grand Master has no chance. | 0:01:04 | 0:01:06 | |
You're wasting my time. | 0:01:06 | 0:01:09 | |
No, no, he has put together a crack team, | 0:01:09 | 0:01:11 | |
the best in the business, apparently. | 0:01:11 | 0:01:13 | |
He believes they will find it by the end of today. | 0:01:13 | 0:01:17 | |
And once they have found it, The Grand Master plans to use | 0:01:17 | 0:01:23 | |
the crystal to power a weapon - | 0:01:23 | 0:01:25 | |
a weapon of ferocity never before seen. | 0:01:25 | 0:01:31 | |
Where did you get this information? | 0:01:31 | 0:01:33 | |
An American who goes by the name of Hal McMasters. | 0:01:33 | 0:01:39 | |
McMasters. Yes, I know him - a weapons expert kicked out of the CIA. | 0:01:39 | 0:01:43 | |
And now working for The Grand Master | 0:01:43 | 0:01:47 | |
building his super gun. | 0:01:47 | 0:01:52 | |
Stark, this is a code red. I need a list of every available MI9 agent. | 0:01:56 | 0:02:01 | |
Oh, there must be some others? | 0:02:05 | 0:02:07 | |
Tell me there's some others. | 0:02:07 | 0:02:08 | |
Hm-hm! I had no idea fortune-telling | 0:02:10 | 0:02:15 | |
could be so lucrative, Flopsy! Hm-hm! | 0:02:15 | 0:02:21 | |
Hm-hm-ha-ha-ha! | 0:02:21 | 0:02:25 | |
'The 21st century faces a new kind of threat. | 0:02:25 | 0:02:28 | |
'Old school spies have had their day | 0:02:28 | 0:02:32 | |
'and MI9 must create a new breed of skilled undercover agent...' | 0:02:32 | 0:02:35 | |
'..hidden in a place no villain will think to look.' | 0:02:45 | 0:02:47 | |
Welcome to MI High. | 0:02:49 | 0:02:51 | |
The Grand Master is very close to building a super-weapon | 0:02:51 | 0:02:58 | |
with a power the world has never seen. | 0:02:58 | 0:03:00 | |
You're not my first choice for such a mission, but needs must. | 0:03:00 | 0:03:03 | |
Nice to be appreciated(!) | 0:03:03 | 0:03:04 | |
You said "close to", so he can still be stopped? | 0:03:04 | 0:03:07 | |
Yes, as he's missing one vital component. Allow me to introduce you | 0:03:07 | 0:03:11 | |
to the renowned archaeologist Vincent Argyle - | 0:03:11 | 0:03:13 | |
another so-called teenage expert. | 0:03:13 | 0:03:16 | |
Please call me Vinnie. Vincent is so baroque. | 0:03:16 | 0:03:19 | |
Very good. I've read your book. | 0:03:19 | 0:03:22 | |
The one on the collapse of the Byzantine culture. | 0:03:22 | 0:03:26 | |
Fascinating read. | 0:03:26 | 0:03:27 | |
If you don't mind(!) International emergency, remember. | 0:03:27 | 0:03:30 | |
This is the missing component we must get to before The Grand Master. | 0:03:30 | 0:03:34 | |
An artist's impression based on every fact we know about it. | 0:03:34 | 0:03:36 | |
Known as the Crystal Of St Helena, | 0:03:36 | 0:03:38 | |
it was stolen from the Temple of Artemis in 26 BC by this man - | 0:03:38 | 0:03:42 | |
Marcus Pessimist. Roman general by day, thief by night, | 0:03:42 | 0:03:46 | |
he plundered everywhere he went, stockpiling silver, gold, | 0:03:46 | 0:03:49 | |
diamonds, anything of value. | 0:03:49 | 0:03:51 | |
Thanks for the history lesson, but how's this going to help us | 0:03:51 | 0:03:54 | |
find the crystal before The Grand Master? | 0:03:54 | 0:03:56 | |
Please be patient. | 0:03:56 | 0:03:57 | |
Pessimist got wind that the Senate were onto him | 0:03:57 | 0:04:01 | |
so he did a runner, taking with him all his riches and, we suspect, | 0:04:01 | 0:04:04 | |
the crystal. | 0:04:04 | 0:04:06 | |
Complete and ready for action, sir. | 0:04:11 | 0:04:15 | |
Place the crystal into this cavity and you can create enough power | 0:04:15 | 0:04:20 | |
to make an entire city disappear. | 0:04:20 | 0:04:21 | |
Music to my ears. | 0:04:21 | 0:04:23 | |
Without the crystal this machine is inoperative - | 0:04:23 | 0:04:26 | |
about as useful as a chocolate teapot. | 0:04:26 | 0:04:28 | |
Yes, I get your gist. I can see why the CIA fired you. | 0:04:28 | 0:04:33 | |
Such negativity! | 0:04:33 | 0:04:35 | |
-What's so amazing about the crystal anyway? -It is believed | 0:04:35 | 0:04:39 | |
to be made from pure tritemorite. | 0:04:39 | 0:04:42 | |
What exactly is tritemorite? | 0:04:42 | 0:04:44 | |
Well, apart from being extremely rare, tritemorite is an element | 0:04:44 | 0:04:48 | |
100 times more powerful than plutonium. | 0:04:48 | 0:04:50 | |
it makes the nuclear bomb look like a cap gun. | 0:04:50 | 0:04:53 | |
I wish I hadn't asked. | 0:04:53 | 0:04:54 | |
My source tells me that The Grand Master has despatched a crack team | 0:04:54 | 0:04:58 | |
to locate it and bring it to him. | 0:04:58 | 0:04:59 | |
OSCAR: Do we have any intel on this team? | 0:04:59 | 0:05:01 | |
None, except that they have been very highly trained. | 0:05:01 | 0:05:04 | |
Pessimist kept a diary. It's exhibited in the National Museum. | 0:05:04 | 0:05:09 | |
I suggest we start there. | 0:05:09 | 0:05:10 | |
-Isn't that where we're going for a field trip next week? -The trip's | 0:05:10 | 0:05:15 | |
been brought forward. The coach is leaving in five minutes. | 0:05:15 | 0:05:17 | |
Take this. I call her MAUD - multi application utility device. | 0:05:17 | 0:05:20 | |
Whoa! Is this a laser? | 0:05:20 | 0:05:23 | |
Yes, it can cut through tungsten carbide in a matter of seconds. | 0:05:23 | 0:05:26 | |
This is an infra-red atomiser, | 0:05:26 | 0:05:28 | |
and here is a miniaturised version | 0:05:28 | 0:05:30 | |
-of our old friend the SHOW machine. -Nice. | 0:05:30 | 0:05:32 | |
I've arranged mobile back up. Shout when you need it. | 0:05:32 | 0:05:35 | |
And be extra vigilant. You must get to that crystal | 0:05:35 | 0:05:37 | |
before the SKUL agents. | 0:05:37 | 0:05:39 | |
All right, boys and girls. This way. Follow me. | 0:05:44 | 0:05:48 | |
Right, now gather round because today | 0:05:48 | 0:05:54 | |
we're going to be shown some items of great historical importance... | 0:05:54 | 0:05:58 | |
..Most of which are irreplaceable so do not touch. | 0:05:58 | 0:06:04 | |
In fact, don't even breathe over anything. | 0:06:04 | 0:06:06 | |
Am I understood? | 0:06:06 | 0:06:08 | |
Uh! | 0:06:10 | 0:06:11 | |
You of all people should heed my words, Timothy. | 0:06:11 | 0:06:15 | |
One foot out of place and you will be history...if you get my gist. | 0:06:15 | 0:06:20 | |
Yes, Mrs King. | 0:06:20 | 0:06:21 | |
As well as decorative, they also had a practical use | 0:06:21 | 0:06:25 | |
as an early wall insulation. | 0:06:25 | 0:06:27 | |
Davina! | 0:06:27 | 0:06:29 | |
Sorry, Miss. | 0:06:29 | 0:06:31 | |
Arguably the most famous example is the Bayeux Tapestry... | 0:06:31 | 0:06:35 | |
..though in fact the Bayeux isn't a tapestry at all... | 0:06:39 | 0:06:42 | |
but is an embroidered cloth. | 0:06:42 | 0:06:43 | |
The art of tapestry weaving, or as Le Corbusier once aptly called them, | 0:06:45 | 0:06:49 | |
nomadic murals, has been practised since at least the third century BC. | 0:06:49 | 0:06:55 | |
This one here documents the hunting of a wild deer - a feast for a week. | 0:06:55 | 0:07:01 | |
That is so barbaric. The Earth provides plenty of food | 0:07:01 | 0:07:04 | |
without having to resort to murder. | 0:07:04 | 0:07:06 | |
And if you all turn around, over here is the diary of Marcus Pessimist. | 0:07:06 | 0:07:11 | |
Ah, it's a caribou. | 0:07:14 | 0:07:17 | |
I beg your pardon. | 0:07:18 | 0:07:21 | |
The tapestry. It's not a deer, it's a caribou, which, | 0:07:21 | 0:07:25 | |
as the caribou is native to North America, | 0:07:25 | 0:07:27 | |
suggests that the tapestry is a fake. | 0:07:27 | 0:07:30 | |
There is nothing fake in my museum. | 0:07:31 | 0:07:35 | |
Then I must be mistaken. Please forgive me. | 0:07:35 | 0:07:39 | |
And if I can redirect your attention | 0:07:39 | 0:07:40 | |
back...to the diary of Marcus Pessimist. | 0:07:40 | 0:07:45 | |
And if you all follow me... | 0:07:47 | 0:07:50 | |
OSCAR: It would help if I knew what we were looking for. | 0:07:52 | 0:07:55 | |
-Thanks for your help there. -You're welcome. Anything in the diary | 0:07:55 | 0:07:58 | |
to point us in the direction of the crystal? | 0:07:58 | 0:08:00 | |
"As my health wanes, my wealth grows. | 0:08:00 | 0:08:03 | |
"I've secreted away my fortune. Its location will be with me always, | 0:08:03 | 0:08:08 | |
-"viewed, but never seen." -Viewed, but never seen. | 0:08:08 | 0:08:11 | |
-But with him always. -A grave is viewed. | 0:08:11 | 0:08:13 | |
-Could he have had it buried with him? -Hardly. | 0:08:13 | 0:08:15 | |
Please, I'm trying to concentrate. | 0:08:15 | 0:08:17 | |
The location of the treasure will be with him always. | 0:08:17 | 0:08:20 | |
Viewed, but never seen. | 0:08:20 | 0:08:22 | |
That suggests a map of some kind concealed under something. | 0:08:22 | 0:08:26 | |
With him always. Some kind of image of Pessimist maybe? | 0:08:26 | 0:08:32 | |
BOTH: His portrait! | 0:08:32 | 0:08:33 | |
-It's being exhibited here, I'm sure of it. -The portrait room. | 0:08:33 | 0:08:37 | |
May I enquire, sir, as to whether you identified your first target? | 0:08:40 | 0:08:44 | |
There are so many to choose from. | 0:08:44 | 0:08:46 | |
Once we have the crystal, the whole world will be at my mercy. | 0:08:46 | 0:08:52 | |
Look closely on that stone there. | 0:08:52 | 0:08:54 | |
You'll be able to see the skeleton of a one-million-year-old crustacean. | 0:08:54 | 0:08:59 | |
It would have to be a very crushed Alsatian to fit on there. | 0:09:02 | 0:09:06 | |
The clue to the location is beneath the paint. | 0:09:10 | 0:09:12 | |
We'll need to remove that top layer. The painting will be ruined. | 0:09:12 | 0:09:16 | |
No need. | 0:09:16 | 0:09:17 | |
-And that is? -SHOW machine. | 0:09:17 | 0:09:19 | |
Like a mini X-ray machine. It exposes whatever's beneath the surface. | 0:09:19 | 0:09:23 | |
Wow! How do I get one of those? | 0:09:23 | 0:09:25 | |
By joining MI9. | 0:09:25 | 0:09:26 | |
I might just do that. | 0:09:26 | 0:09:29 | |
Oscar, can you smell gooseberries? | 0:09:29 | 0:09:33 | |
-Oh, no, that'll be us. -Hm. | 0:09:33 | 0:09:36 | |
Go back. | 0:09:46 | 0:09:48 | |
There. | 0:09:48 | 0:09:49 | |
It looks like some sort of monument. | 0:09:49 | 0:09:52 | |
It is. It's Blacklock Monument. | 0:09:52 | 0:09:56 | |
-Is it close? -Very. | 0:09:56 | 0:09:58 | |
Frank, we could use that mobile back up now. | 0:09:58 | 0:10:01 | |
Hello. | 0:10:07 | 0:10:09 | |
Hm. | 0:10:13 | 0:10:14 | |
Stop! | 0:10:16 | 0:10:18 | |
No, no, no! No, it's not what it looks like. | 0:10:19 | 0:10:22 | |
I wasn't going to take it. I was just putting it back up. | 0:10:22 | 0:10:24 | |
Oh, yeah, yeah(!) Likely story. | 0:10:24 | 0:10:26 | |
I know an international art thief when I see one. | 0:10:26 | 0:10:30 | |
No, no. Come on, it's my final warning. | 0:10:31 | 0:10:34 | |
Oh! | 0:10:34 | 0:10:35 | |
Oi! Come back here! | 0:10:36 | 0:10:38 | |
No uniform for me? | 0:10:41 | 0:10:42 | |
Sorry, they don't make one in tweed(!) | 0:10:42 | 0:10:44 | |
-I suppose I do look a little... -Dweeby? | 0:10:47 | 0:10:49 | |
Right. | 0:10:50 | 0:10:52 | |
This chap is Hitraticus, the enigmatic leader of the fiercest army | 0:10:57 | 0:11:02 | |
-in history. -He's so smooth. | 0:11:02 | 0:11:05 | |
Don't touch. That piece is priceless. | 0:11:05 | 0:11:09 | |
Hitraticus honed... | 0:11:10 | 0:11:13 | |
Don't tell me - Mrs King's thrown a wobbly about me going AWOL, | 0:11:13 | 0:11:16 | |
now I'm toast. | 0:11:16 | 0:11:17 | |
No, she hadn't noticed you'd gone. | 0:11:17 | 0:11:20 | |
Really? | 0:11:20 | 0:11:22 | |
Wicked. Ha-ha! My luck is turning. | 0:11:22 | 0:11:27 | |
..During this time. | 0:11:27 | 0:11:30 | |
As I was saying, Hitraticus's reputation on the battlefield | 0:11:35 | 0:11:41 | |
is an impressive one. According to legend, | 0:11:41 | 0:11:43 | |
he once slew a unit of two dozen imperial guards single-handedly. | 0:11:43 | 0:11:47 | |
So much so that a bounty of 10,000 denarii, which is about | 0:11:50 | 0:11:57 | |
quarter of a million pounds in today's terms... And onwards. | 0:11:57 | 0:12:01 | |
I seem to have mislaid my pointer. | 0:12:13 | 0:12:16 | |
The clue must be here somewhere. | 0:12:19 | 0:12:21 | |
We just have to find it. | 0:12:21 | 0:12:22 | |
Oh, well, I can see why you were snapped up by MI9(!) | 0:12:22 | 0:12:25 | |
-The point I was trying to make... -Yap, yap! Let's get on with it. | 0:12:25 | 0:12:28 | |
We're running out of time. | 0:12:28 | 0:12:30 | |
He's a bit full of himself, isn't he? | 0:12:30 | 0:12:32 | |
It's his passion, Oscar. Don't take it so personally. | 0:12:32 | 0:12:36 | |
Hey, Vinnie, wait up! | 0:12:36 | 0:12:37 | |
Hey, let's go and find that clue before them, yeah? | 0:12:38 | 0:12:41 | |
Yeah. Let's do that. | 0:12:41 | 0:12:43 | |
You're young to be an archaeologist. | 0:12:43 | 0:12:45 | |
You're young to be a spy. | 0:12:45 | 0:12:47 | |
Touche. I've always loved archaeology. | 0:12:47 | 0:12:50 | |
Studying the way people used to live | 0:12:50 | 0:12:52 | |
in the past can tell us so much about... | 0:12:52 | 0:12:54 | |
..how we became who we are today. | 0:12:54 | 0:12:56 | |
Exactly. | 0:12:56 | 0:12:57 | |
Hey! We win! Take a look at this. | 0:12:57 | 0:13:01 | |
-Look. -An inscription. | 0:13:03 | 0:13:05 | |
Though it doesn't make any sense. | 0:13:05 | 0:13:07 | |
A 13 and a 7. Any ideas what that could mean? | 0:13:08 | 0:13:11 | |
-They're both prime numbers? -One unlucky and one lucky? | 0:13:11 | 0:13:14 | |
No, it's much simpler than that. It's a date. Oscar, look up | 0:13:14 | 0:13:17 | |
Pessimist's diary entry from the 13th of July. | 0:13:17 | 0:13:19 | |
"Loose leafs are like loose tongues. | 0:13:19 | 0:13:21 | |
"They reveal the best kept secrets." | 0:13:21 | 0:13:23 | |
-So we're looking for a plant of some kind. -No, not leaves, Cassie, leafs. | 0:13:23 | 0:13:29 | |
It's Carrie. | 0:13:29 | 0:13:31 | |
He's talking about a leaf from a book. | 0:13:31 | 0:13:33 | |
-A page. -Correct. But what book? | 0:13:33 | 0:13:36 | |
Well, these fell out of the diary in the museum. | 0:13:36 | 0:13:39 | |
It's a cipher sheet. | 0:13:44 | 0:13:45 | |
In Pessimist's time, this was all the vogue. | 0:13:45 | 0:13:48 | |
A code that was invisible. | 0:13:48 | 0:13:50 | |
Just holes, but put these holes in the right place | 0:13:50 | 0:13:52 | |
and there you have your answer. Basic, but brilliant. | 0:13:52 | 0:13:56 | |
-The inscription. -Ah-ha-ha! | 0:13:56 | 0:13:58 | |
S-W-E-E-N-S. | 0:13:59 | 0:14:02 | |
-Sweens. -No. They're compass points. South, west, east, etcetera. | 0:14:02 | 0:14:07 | |
That's what I said - sweens. | 0:14:07 | 0:14:09 | |
There's a sundial at the centre of the stone. | 0:14:09 | 0:14:12 | |
I'll do it. | 0:14:14 | 0:14:15 | |
I think Pessimist enjoyed setting this trail. | 0:14:15 | 0:14:19 | |
I know. It's like he's playing a game with us from beyond the grave. | 0:14:19 | 0:14:22 | |
-I love these kind of games! -Isn't it brilliant? -Fab! | 0:14:22 | 0:14:25 | |
E... N... | 0:14:25 | 0:14:28 | |
Sweens! | 0:14:33 | 0:14:34 | |
RUMBLING | 0:14:34 | 0:14:37 | |
-Ugh! -It's just spiders. | 0:14:51 | 0:14:53 | |
Come on. Let's go. | 0:14:53 | 0:14:56 | |
He's keen. | 0:14:58 | 0:14:59 | |
RUMBLING | 0:14:59 | 0:15:02 | |
Great(!) | 0:15:02 | 0:15:04 | |
I guess we're going this way. | 0:15:05 | 0:15:07 | |
Our team are getting closer to the crystal, Flopsy. | 0:15:11 | 0:15:14 | |
Time to choose our first target. | 0:15:14 | 0:15:19 | |
-Dead end. -Or another puzzle. | 0:15:28 | 0:15:33 | |
Is it just me or is there something about him that doesn't quite fit? | 0:15:35 | 0:15:40 | |
No. I just think he's, well... self obsessed. That's all. | 0:15:40 | 0:15:46 | |
Hey, guys, give him a break, OK? He's helping us, isn't he? | 0:15:46 | 0:15:49 | |
-RINGING -Oh, no. Frank! | 0:15:55 | 0:15:57 | |
The Grand Master's just revealed his first target. | 0:15:57 | 0:16:01 | |
Big Ben. He's going to vaporise Big Ben. | 0:16:01 | 0:16:04 | |
Oscar, Carrie, Rose, do you read? | 0:16:04 | 0:16:06 | |
STATIC | 0:16:06 | 0:16:07 | |
HQ to field. Please respond. | 0:16:07 | 0:16:09 | |
-They must be in a black spot. -The entire nation will be a black spot | 0:16:09 | 0:16:12 | |
if we don't stop The Grand Master getting that crystal! | 0:16:12 | 0:16:15 | |
They are doing the best they can. | 0:16:15 | 0:16:17 | |
I'll check the GPS, see if we can get a fix. | 0:16:17 | 0:16:19 | |
MOBILE RINGS | 0:16:23 | 0:16:27 | |
I told you never to use this number unless it was an emergency. | 0:16:27 | 0:16:30 | |
What? | 0:16:31 | 0:16:33 | |
-Are you sure? -Madame Elvira - she's one of your informants, isn't she? | 0:16:34 | 0:16:37 | |
She was found tied and gagged in her tent. | 0:16:37 | 0:16:40 | |
Someone even dressed up in her clothes and pretended to be her. | 0:16:40 | 0:16:45 | |
It was a man too. | 0:16:45 | 0:16:47 | |
Who would fall for that? | 0:16:47 | 0:16:48 | |
Hey, I think I've found something. | 0:16:57 | 0:16:59 | |
"Exeunt." It's another world for exit. It's Latin. | 0:17:02 | 0:17:06 | |
It's solid. We're going to have to cut through it. | 0:17:06 | 0:17:08 | |
Cover your eyes. | 0:17:10 | 0:17:12 | |
Done. | 0:17:16 | 0:17:17 | |
Well, one of us is going to have to put our hand in there. | 0:17:22 | 0:17:26 | |
-I'll do it. -No, you're just an advisor. I'll do it. | 0:17:26 | 0:17:31 | |
Agh! | 0:17:35 | 0:17:36 | |
Oscar! | 0:17:36 | 0:17:38 | |
Couldn't resist! | 0:17:38 | 0:17:40 | |
AGH! | 0:17:40 | 0:17:42 | |
You won't fool us twice, Oscar. | 0:17:42 | 0:17:43 | |
-I don't think he's joking this time. -Something's got my wrist. | 0:17:43 | 0:17:46 | |
It's a Roman snare. Oscar, the more you resist, | 0:17:46 | 0:17:48 | |
the more it will pull you in. | 0:17:48 | 0:17:49 | |
Try to relax. | 0:17:49 | 0:17:51 | |
That's kind of hard right now. | 0:17:51 | 0:17:52 | |
-MAUD, where is it? -It's in his pocket. | 0:17:52 | 0:17:55 | |
Which one's the cutter? | 0:17:55 | 0:17:56 | |
Hurry, quickly, he's suffocating! | 0:17:56 | 0:17:59 | |
BUZZING | 0:17:59 | 0:18:01 | |
OSCAR GASPS | 0:18:02 | 0:18:05 | |
This Marcus Pessimist is really starting to annoy me. | 0:18:09 | 0:18:12 | |
What can you feel? | 0:18:12 | 0:18:14 | |
Just a small hole. | 0:18:14 | 0:18:17 | |
How big is the hole? | 0:18:17 | 0:18:19 | |
About so big. | 0:18:19 | 0:18:20 | |
It's a key. | 0:18:22 | 0:18:23 | |
RUMBLING | 0:18:35 | 0:18:36 | |
Look. | 0:18:46 | 0:18:47 | |
Tritemorite. We've just made one | 0:18:52 | 0:18:54 | |
of the greatest scientific discoveries | 0:18:54 | 0:18:56 | |
in the history of mankind. | 0:18:56 | 0:18:58 | |
And possibly the most destructive. | 0:18:58 | 0:19:00 | |
Can I hold it? | 0:19:00 | 0:19:01 | |
No, I'll take it. | 0:19:01 | 0:19:03 | |
Now, how are we going to get out of here? | 0:19:03 | 0:19:05 | |
My guess is we climb that. | 0:19:05 | 0:19:10 | |
How deep underground are we? It seems to go on for ever. | 0:19:10 | 0:19:13 | |
I'll go first. | 0:19:14 | 0:19:16 | |
-It could be booby trapped. -Let's go. | 0:19:16 | 0:19:19 | |
MOBILE RINGS | 0:19:22 | 0:19:23 | |
You have it. Excellent work. | 0:19:26 | 0:19:30 | |
I'll be right over. What's your location? | 0:19:30 | 0:19:34 | |
I'm not sure. I've activated the tracker. | 0:19:34 | 0:19:38 | |
You should find us. | 0:19:38 | 0:19:39 | |
Who are you talking to? | 0:19:39 | 0:19:41 | |
I've been dreading this moment, as inevitable as it was. | 0:19:45 | 0:19:47 | |
What do you mean? | 0:19:47 | 0:19:49 | |
The team that The Grand Master sent to fetch the crystal... | 0:19:49 | 0:19:52 | |
That's us, Rose. | 0:19:52 | 0:19:55 | |
You're working for The Grand Master? | 0:19:55 | 0:19:57 | |
Yeah! Sorry(!) | 0:19:57 | 0:20:00 | |
Move. | 0:20:02 | 0:20:04 | |
Frank. | 0:20:09 | 0:20:10 | |
I think I may have made a bit of a booboo. | 0:20:10 | 0:20:14 | |
None of us are perfect. | 0:20:14 | 0:20:16 | |
A big booboo actually. | 0:20:16 | 0:20:18 | |
It was Madame Elvira that gave me the tip off... | 0:20:18 | 0:20:21 | |
Go on. | 0:20:23 | 0:20:24 | |
..or who I thought was Madame Elvira. | 0:20:24 | 0:20:26 | |
It's not good, Frank. | 0:20:26 | 0:20:28 | |
The man impersonating her was The Grand Master. | 0:20:29 | 0:20:32 | |
But why would he tip you off about looking for the crystal? | 0:20:32 | 0:20:35 | |
He'd know you'd send a team of agents... | 0:20:35 | 0:20:37 | |
He used you. He's using MI9. | 0:20:38 | 0:20:42 | |
It's a trap and I've sent my team straight into it. | 0:20:42 | 0:20:45 | |
Oscar, Carrie, Rose, do you read? | 0:20:45 | 0:20:47 | |
Come on. We've got to find them. | 0:20:48 | 0:20:51 | |
How did they fight in that? It must weigh a ton. | 0:21:01 | 0:21:04 | |
-What this needs is a chunky black belt - break up the silver. -Hm. | 0:21:04 | 0:21:09 | |
-Huh! -Agghhh! | 0:21:09 | 0:21:11 | |
Ha-ha! Whoa... | 0:21:16 | 0:21:19 | |
Help! | 0:21:23 | 0:21:24 | |
Help, I'm stuck! | 0:21:26 | 0:21:28 | |
We're back in the museum. | 0:21:28 | 0:21:30 | |
-I'll call Frank. -That's not a good idea! | 0:21:32 | 0:21:35 | |
If you're wondering, this is the prototype of The Grand Master's | 0:21:39 | 0:21:44 | |
super-weapon. The amount of tritemorite that powers this | 0:21:44 | 0:21:47 | |
is the size of a pin head. | 0:21:47 | 0:21:48 | |
It could vaporise the three of you in the blink of an eye! | 0:21:48 | 0:21:52 | |
Think what the big gun will do! | 0:21:52 | 0:21:55 | |
How can you live with yourself? | 0:21:55 | 0:21:57 | |
Sometimes you have to do terrible things | 0:21:57 | 0:21:59 | |
in order to achieve your ends. | 0:21:59 | 0:22:01 | |
-Now, give me the crystal. -Don't. | 0:22:01 | 0:22:03 | |
I really don't want to harm you, any of you, but I will if I have to. | 0:22:03 | 0:22:08 | |
Now hand it over. | 0:22:08 | 0:22:09 | |
If the Grand Master builds that super-weapon, | 0:22:09 | 0:22:12 | |
there could be hundreds of thousands of victims - | 0:22:12 | 0:22:14 | |
-innocent people, every one of them. -I will use this if you force me to. | 0:22:14 | 0:22:20 | |
Let him. My life is nothing | 0:22:20 | 0:22:22 | |
compared to the devastation the Grand Master's super-weapon will create. | 0:22:22 | 0:22:27 | |
I knew there was a reason I didn't like you. | 0:22:30 | 0:22:32 | |
You're a traitor. | 0:22:33 | 0:22:35 | |
Sticks and stones! | 0:22:35 | 0:22:37 | |
Don't make me do it. | 0:22:37 | 0:22:39 | |
He's not worth it, Oscar. | 0:22:39 | 0:22:42 | |
It's more beautiful than I ever imagined. | 0:22:44 | 0:22:47 | |
The crystal AND the MI9 agents. Vinnie, you've surpassed yourself. | 0:22:50 | 0:22:56 | |
That's far enough, Grand Master. | 0:22:56 | 0:22:59 | |
-Vinnie, I don't understand. -These three, you can have, no charge, | 0:22:59 | 0:23:04 | |
but this little beauty I'm keeping for myself. | 0:23:04 | 0:23:08 | |
YOU are double-crossing ME? | 0:23:08 | 0:23:11 | |
Don't act so surprised. You trained me. | 0:23:11 | 0:23:13 | |
What will you do with it? Without the weapon, it's worthless. | 0:23:13 | 0:23:17 | |
Do you think I'm an idiot? | 0:23:17 | 0:23:18 | |
This is tritemorite - the rarest element on our planet | 0:23:18 | 0:23:24 | |
and a thousand times more valuable than diamonds. | 0:23:24 | 0:23:27 | |
Now, if you wouldn't mind... | 0:23:27 | 0:23:30 | |
Goodbye, Rose. | 0:23:37 | 0:23:38 | |
I'll never forget you. | 0:23:39 | 0:23:41 | |
Ditto. | 0:23:41 | 0:23:43 | |
CRACK! | 0:23:48 | 0:23:49 | |
DOOR SHUTS | 0:23:49 | 0:23:51 | |
I wish he'd stop doing that. | 0:23:51 | 0:23:53 | |
Come on. We need to find Vinnie. | 0:23:53 | 0:23:56 | |
Split up. He can't have got far. | 0:24:01 | 0:24:03 | |
The Grand Master - we lost him in the museum. | 0:24:05 | 0:24:07 | |
Give it up, Vinnie. | 0:24:39 | 0:24:41 | |
Oh, Rose, why couldn't you just leave it? | 0:24:41 | 0:24:45 | |
It's my job. | 0:24:45 | 0:24:47 | |
Don't even think about it. | 0:24:47 | 0:24:49 | |
-Join me. -What? | 0:24:51 | 0:24:54 | |
You and me, we make a great team, Rose. | 0:24:54 | 0:24:57 | |
Your brilliance and my...guile. We're premier league, Rose. | 0:24:57 | 0:25:02 | |
Don't you dare compare me with you. You're a liar and a traitor. | 0:25:02 | 0:25:07 | |
I did what I had to do and believe me when I say I hated deceiving you. | 0:25:07 | 0:25:12 | |
But money's more important, is it? | 0:25:12 | 0:25:14 | |
Oh, not at all. It's simply a means to an end. | 0:25:14 | 0:25:17 | |
There are so many wonderful things out there, Rose, | 0:25:17 | 0:25:20 | |
still to be discovered - Noah's Ark, the lost city of Atlantis, | 0:25:20 | 0:25:26 | |
-the Holy Grail. -The lost world of Lemuria too, I suppose? -Yes. | 0:25:26 | 0:25:31 | |
Lemuria - hidden miles beneath the Pacific Ocean. | 0:25:31 | 0:25:33 | |
It could blow the lid off evolutionary thinking, | 0:25:33 | 0:25:36 | |
but it takes money, lots of it, | 0:25:36 | 0:25:39 | |
if these artefacts and places are to be found. | 0:25:39 | 0:25:42 | |
That's why I did this. | 0:25:42 | 0:25:44 | |
You and me together, we have the brainpower and the skill | 0:25:45 | 0:25:50 | |
to be the greatest explorers that ever lived. | 0:25:50 | 0:25:54 | |
We've already proved that by finding the crystal. | 0:25:54 | 0:25:57 | |
Think what else we could achieve, Rose. | 0:25:57 | 0:26:01 | |
-But that'll make me as bad as you. -I'm not bad. | 0:26:03 | 0:26:07 | |
Impassioned, yes. | 0:26:07 | 0:26:10 | |
Driven by my love of archaeology, guilty as charged, but not bad. | 0:26:10 | 0:26:16 | |
Surely you can see that. | 0:26:16 | 0:26:17 | |
Then do the right thing. You helped find the crystal. | 0:26:17 | 0:26:21 | |
As a civilian, you might get a reward, enough for your expeditions. | 0:26:21 | 0:26:24 | |
You know that would never happen, Rose, but what could | 0:26:24 | 0:26:28 | |
is you and me could walk out of here now | 0:26:28 | 0:26:33 | |
and start the greatest adventure ever. | 0:26:33 | 0:26:37 | |
Come on, Rose. | 0:26:38 | 0:26:39 | |
What do you say? | 0:26:42 | 0:26:44 | |
Anything? | 0:26:53 | 0:26:54 | |
Well, where's Rose? | 0:26:55 | 0:26:57 | |
I've tried her communicator, her mobile - nothing. | 0:26:57 | 0:27:01 | |
Have you any idea what you've thrown away? | 0:27:05 | 0:27:08 | |
Somebody take him away, please. | 0:27:09 | 0:27:11 | |
Where's the crystal? | 0:27:13 | 0:27:15 | |
Lock this away. | 0:27:17 | 0:27:19 | |
Rose, are you OK? | 0:27:19 | 0:27:21 | |
Yeah, I'm fine - a little wiser, maybe. | 0:27:22 | 0:27:26 | |
..12, 13, 14... | 0:27:32 | 0:27:35 | |
-Oh, dear, we're four short. -Oh, for goodness' sake! | 0:27:35 | 0:27:39 | |
Where are Rose, Carrie, Oscar and Timothy? | 0:27:39 | 0:27:42 | |
TOGETHER: Here, sir! | 0:27:42 | 0:27:44 | |
LAUGHTER | 0:27:44 | 0:27:45 | |
You'd better have a very good excuse for this. | 0:27:48 | 0:27:51 |