The Roy Trap ROY


The Roy Trap

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Transcript


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'This is the story of Roy O'Brien.

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'He lives in an ordinary house, on an ordinary street.

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'The only trouble is, he doesn't LOOK very ordinary.

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'All Roy really wants is to fit in.

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'But it's very hard to stay out of trouble

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'when you're a cartoon!'

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Ro-o-oy!

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Ro-o-oy!

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Roy!

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ROY!

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He-he!

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'It's a peaceful night in Sandyford,

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'but it's anything but rosy in the O'Brien household.'

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RAISED VOICES ARGUE

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Ma and Da have been arguing for...

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..eight nights now...

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..and I think it's all because of me.

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I got in a bit of trouble recently in school,

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but I don't think that was my fault.

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My homework?

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Aw, I think I left it in Mr Lucey's class.

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Well, what are you waiting for, Roy?

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GO AND GET IT!

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Way ahead of you, sir.

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BANG! CRASH!

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-SLAP!

-Ah!

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LAUGHTER

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ALARM RINGS

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RO-OOOY!

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Why did you set it off, son?

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Was there an exam you were trying to get out of?

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It was an accident!

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Bill, this isn't funny.

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Every time I get called up to this school

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because of one of Roy's escapades, I have to get time off work.

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Which is a good thing.

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Bill, will you be serious?

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We... We will see you now.

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Once again, your cartoon antics have got you in trouble.

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-ASSISTANT: Take a seat.

-Derek.

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Mr O'Brien.

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Excuse us.

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SHOUTING

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Ever since that day,

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Ma and Da have been heading out in the evenings

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and when they come back,

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-after me and Becky have gone to bed...

-I never asked to...

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..the fighting starts.

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-I was never in trouble with the police, not me.

-But watch this.

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-I'm a good girl...

-Sh!

-..I am!

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Ah, yeah, no, no, no.

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I was just saying, Maura, that that article is brilliant.

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-You should read that when I'm finished.

-Upside down.

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How are you, son, you all right?

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What's going on?

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-Wha-wha-what do you mean, what's going on?

-Are you arguing?

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-What arguing?

-We're not arguing.

-No!

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-Never!

-No!

-Now go on up to bed.

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Becky, can we talk?

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Becky! Can we talk?

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What is it?

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Can you not hear them fighting?

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Who?

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Our parents, of course.

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What are you talking about? You must be hearing things.

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Is she right?

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Am I hearing things?

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POP MUSIC PLAYS THROUGH EARPHONES

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MUM SHOUTS: No, I don't want no gold and no diamonds!

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Please let there be something wrong with my hearing.

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OK, guys.

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Go.

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CRUNCHING

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Eating a crisp.

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What flavour crisp?

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Cheese and onion.

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Correct.

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THUMP

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Bouncing a basketball.

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Correct.

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BOOMING

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-Niall banging on the bodhran!

-Excellent!

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FAINT TAP

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A pin dropping!

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That's amazing!

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There's definitely nothing wrong with your hearing, Roy.

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Why would Becky say that?

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MR HAMMOND: What's going on?!

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What's with all this bodhran banging?!

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Off to class with the lot of you!

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Roy, a word, please.

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Yes, sir.

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How...

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are your parents doing, Roy?

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My parents?

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I'm afraid...

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it just isn't working.

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What?

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Honestly?

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I think it's your father's fault.

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Sir?!

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All right, it won't be long before everyone in town

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will be talking about them.

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That's what happens with these things, Roy.

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Thunderstorms result from the rapid upward movement of warm, moist air.

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Now, some younger children can be afraid of thunder.

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THUNDER RUMBLES AND CRASHES

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HE YELPS

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Sorry, sir, that was me.

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That's OK, Roy.

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Just, er, caught me unawares, there.

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Doofus, sitting near a radiator.

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Thunderstorms happen in warm, moist air masses.

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Oh, very, very good, Deco, yep.

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Wouldn't there also be lightning?

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-LIGHTNING CRASHES

-Ai, oh! Oh!

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Oh, ho, ho!

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Ah...

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That wasn't quite part of my teacher trai...

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LIGHTNING SPARKS AND CLASS GASPS

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Er...

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Th-th-th...

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Well, that's as good a place as any to stop for the day.

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I'll...

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..see you tomorrow. Nng-ng-ng.

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BUZZING AND SPARKING You OK, Roy?

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Abby, can I talk to you?

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Sure.

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In private.

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Roy, I can't help you if you don't tell me what your problem is.

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Is it about your breath?

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No! What's wrong with my breath!

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It smells like cheese and onion crisps.

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HE BREATHES AND SNIFFS

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Yeah, you're right!

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Mmm...

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crisps.

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No, it's not about my breath.

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Well, why are you asking me?

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It's about my parents.

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Why?

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-Do you think your parents are splitting up?

-Don't say that!

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They've been fighting a lot.

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Ah, sorry, Roy.

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But that doesn't mean anything, right?

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I dunno.

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Have they started acting weird?

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No more than usual.

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Well, just beware if a "family meeting" is ever called.

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It's almost always bad news.

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I see.

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My parents argued for years.

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Yours aren't like that, are they?

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No,

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but they have been arguing for nine nights now.

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Nine nights!

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That's nothing. I'm sure it will be OK.

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Thanks, Abby.

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HEATED CONVERSATION

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Ah, hi, Ma. Hi, Da. Come on in.

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-Hiya, Da.

-Hello, love.

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They're in here. Look who's come to babysit, lads.

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-Hello, kids.

-Hi, kids.

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BECKY: Hi, Grandad, hi, Granny.

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-How are you, folks?

-Ooh!

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-Da, what are you wearing?

-What?

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-I think you look very swish.

-Thank you, Rose.

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-I was going for swanky but that will do.

-What?

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'Have they started acting weird?'

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Where are you going? A fancy restaurant?

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With him? Not likely.

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BECKY: What are you doing? MUM: Never you mind.

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DAD: We'll be back by eight o'clock.

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And we are going to have that family meeting then.

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- Oh, yeah, see you later. - Bye!

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'And beware if a family meeting is ever called.

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'It's almost always bad news.'

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We need to talk.

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Running around.

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-Not a care in the world.

-Yeah.

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You say it.

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No. You say it.

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They're hiding something!

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And that something is that they're going to separate!

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-There could be another explanation.

-Like what?

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There is no other explanation!

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You spend your life being wrong about things.

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Please don't be right about this!

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You agree?!

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-Oh, no!

-HIS TEETH CHATTER

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Why do couples fight?

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-I don't know, lots of reasons.

-Think!

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Sometimes, when people start going out,

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it's all fun and then after a week it gets really dull and boring.

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PING!

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That's it!

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Maybe they've just forgotten why they fell in love.

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OK.

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We just have to remind them

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and then everything's going to be OK.

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Easy peasy. Let's do this!

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DO IT AGAIN!

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We'll will keep doing it until you get it right.

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My dear, you...

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My dear, you sound like a drowning sewer rat,

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strangling the English language, with all your flat Ts and...and...

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-Er, what's the line?

-Oh, for goodness' sake!

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No, no, no, no!

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We open tomorrow night!

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You don't even know your lines, man!

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Well, you know what, there's just so many of them!

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Look, this-this just isn't working.

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-Bill. Bill, Bill, Bill, Bill, Bill, Bill...

-Yes, Derek.

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I have a new part for your unique talents.

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What is it?

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It's...a tree.

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Now, it's not just any ordinary tree.

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It's a horse chestnut tree.

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Well, listen, if it's a horse chestnut... I'm not play a tree!

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Well, it's either that or nothing

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because I'm not having ruining my play with your wooden acting.

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-Well, if that's the choice, Derek, I quit!

-Fine!

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-Maura, come on.

-No!

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-Without Bill, there's no play.

-Thank you.

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-Not necessarily.

-Well, who will play Henry Higgins?

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I will.

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I WILL!

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ALL: You?!

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SMOKE ALARM BEEPS

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-Oh, no!

-Roy, you told me you did home ec!

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I never said I was any good at it!

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Ma and Da will be home soon!

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Help!

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-Ah, there you are.

-What's going on here?

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-Your children have planned a very special evening.

-Enjoy!

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Aw, thanks, love. Thanks for looking after them, Da.

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-Not at all, love.

-Thanks, Petey.

-Good luck, son.

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- God bless, see you son. - Aw, Bill, look!

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The menu from "Get Stuffed", where we got engaged.

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Awwww.

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You guys...

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Table for two?

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- Oh, merci beaucoup. - Thanks son, good man.

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- Aww! - That's great.

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We know what's been going on recently.

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You do?

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Yeah, Da, you're not very good at keeping it a secret.

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Well, I guess this means we can cancel our family meeting.

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We were going to come clean tonight but there's no need.

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We're not going through with it. It's in the past.

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Allow me.

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Roy... ALL: Roy!

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Sorry!

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Come on, before you do any more damage.

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The food will be right up.

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- Lovely, thanks. - Thank you.

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I'm still going to do it. The play.

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And what about some loyalty towards your husband?

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- Stop it, it's just a bit of fun. - Not to me it's not!

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You didn't want to be in the play in the first place.

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Now you've had your wish, Bill.

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MUFFLED RAISED VOICES

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CLANG!

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Roy, you eejit!

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They're fighting again! Listen!

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It's the story of our lives, Bill.

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THEY ARGUE

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I'm sorry that I got involved in it at all!

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You know what, Bill? You and me both!

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-Yeah, well then there's two of us in it.

-Oh, is there?

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For once in your life, there's two of us in it.

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I'm glad. I'm very glad.

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Get stuffed, Bill.

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So much for a romantic evening.

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Maybe it will be OK in the morning.

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Could happen.

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Da?

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Morning, son.

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Did you sleep down here?

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Ah, your Ma was snoring again.

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No, I was not, Roy.

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Aw, stop fighting!

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-Where are you going?

-School!

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Aw, Roy...

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He's right, you know.

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Look, if you want to go and do the play,

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you go and do it, OK? I may have overreacted.

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Aw, thanks.

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It would be a waste after all my hard work.

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And you're very good up there, by the way.

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Thanks.

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Come on.

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Oh, where are we going?

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-I've made you a tree costume.

-I'm not going to be a tree.

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-I told you.

-OK.

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-What about a bush?

-Go on, you go on and do your practising.

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-Or a grassy stump?

-Go!

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Bye-bye!

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You OK, Roy?

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-It got worse.

-Your parents fighting?

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I didn't tell Becky, but I saw my ma here yesterday.

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Maybe it's my fault.

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Stop that right now!

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When my parents split up, my sister and I blamed ourselves,

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but we shouldn't have. It's never, ever the kids' fault.

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Even if you're a cartoon boy?

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Even if you're a cartoon boy.

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My parents were unhappy for years before they split up.

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Now things are much better and they get on very well together.

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That's good.

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So...why did your parents split up?

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This stays between us, right?

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Absolutely.

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My mum fell in love with someone else.

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Really?

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What if the reason my parents are fighting

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is because my ma fell in love with someone else?

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'How...are your parents doing, Roy?'

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-You think your mum and Hammond are...

-Roy!

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How is your mother?

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I'm going to buy her some flowers and I was just wondering

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if you knew what her favourites were.

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WOOSH!

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THEY SNORT AND GUFFAW

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Time for some homework.

0:15:580:16:00

I've already done it!

0:16:000:16:02

Well, then, I'll give you some more!

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Er, sir.

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Yes, son?

0:16:110:16:13

Can I go to the toilet, sir?

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"May I go to the toilet, Dad?"

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May I go to the toilet, Dad?

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LAUGHTER

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KIDS CHANT: Daddy's boy, daddy's boy!

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See you later, daddy's boy.

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What am I going to do?!

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You're going to have to talk to your parents about this.

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Ah, Roy. The flowers?

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Agghhhh!

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What's up with him?

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I hope you're happy with yourself!

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Wha..?!

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What?!

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Hammond?! This is getting worse and worse.

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We have to talk to them.

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You go and text me what happens.

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-Come on!

-I don't want to, Roy!

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If I hear them say it then it means it's true!

0:17:050:17:08

Hey, guys.

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We need to talk.

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Yeah, later, love, I have to go and get ready.

0:17:120:17:14

-Off to see Mr Hammond?

-Yeah, what's wrong with that?

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-And you're OK with this, Dad?

-Hmm?

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Ah, well, I mean, I was upset at first,

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but now I've got used to it, you know?

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What's going on, Roy?!

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Ma, I don't want you to go.

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Can we just go back to the way things were before this happened?

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What's got into you, son?

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I don't want you to marry Hammond.

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THEY CHUCKLE

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"Marry Hammond"?

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What on Earth gave you that idea?

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Just give me another chance and I promise I'll be

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the best cartoon ever and I won't get into any trouble.

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Me neither. I won't borrow your make-up

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and I won't delete your programmes from the digital box!

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We'll be on our best behaviour, if you promise not to break up.

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Look, you have nothing to worry... Hang on a second!

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-You've been deleting my programmes off the digital box!?

-Bill!

0:17:560:17:59

What on Earth gave you the idea that we were going to break up?

0:17:590:18:03

You've been fighting ever since that time you were called into school.

0:18:030:18:07

Yeah! Don't deny it.

0:18:070:18:08

Me and Roy hear you when we go to bed.

0:18:080:18:10

We weren't fighting. We were rehearsing.

0:18:100:18:13

-For the play that's on tonight!

-We thought you knew!

0:18:130:18:17

-You mean you're not splitting up?

-Never!

-Never ever!

0:18:170:18:21

-And you two monkeys are perfect just the way you are.

-Right, come on.

0:18:210:18:25

Bring it in.

0:18:250:18:27

Family hug. Come on, son.

0:18:270:18:29

-Here you go, come on, Becky.

-Just one.

0:18:290:18:31

There you go, that's it.

0:18:310:18:33

Wait, why does Hammo want to buy you flowers?

0:18:350:18:37

It's a tradition for a director

0:18:370:18:39

to buy his leading lady flowers on opening night.

0:18:390:18:42

Which reminds me, I better get going.

0:18:420:18:45

-Do you want me to help you get ready?

-Yeah, thanks, love.

0:18:450:18:48

-Shouldn't you be getting ready too, Da?

-Hmm?

0:18:480:18:51

-Oh, no, I'm not in it any more, son. No, no, I quit.

-Why?

0:18:510:18:55

-Er, creative differences.

-Oh, so who's the leading man?

0:18:550:19:00

-Mr Hammond.

-I see.

0:19:000:19:02

Mr Hammond! Aw, grand(!)

0:19:020:19:05

I thought this was a romantic play with kissing and all.

0:19:050:19:08

It is. Why?

0:19:080:19:09

So you mean Ma is going to be kissing Hammo on stage?

0:19:090:19:12

Well, she won't be kissing him for real, she's only going to be acting.

0:19:120:19:15

In front of everyone?

0:19:150:19:16

Da! We can't let this happen! I'll never live it down!

0:19:160:19:19

You're overreacting, son.

0:19:190:19:21

But what if Hammond is using it as a chance to steal Ma away from you.

0:19:210:19:24

She'd never choose him over me...

0:19:240:19:27

-Would she?

-We have to act and act fast.

0:19:270:19:30

Right, what are we going to do?

0:19:300:19:33

Act!

0:19:330:19:34

I'm going to turn you into the best actor the world's ever seen!

0:19:340:19:38

In a couple of hours?

0:19:380:19:39

Or at least good enough to take the stage tonight.

0:19:390:19:41

Happy!

0:19:440:19:45

I've got it! I got the golden ticket!

0:19:450:19:48

Mean.

0:19:480:19:49

You are a toy! You are an action figure!

0:19:490:19:52

Confused!

0:19:520:19:53

Oh, I think that's too big to be a spaceship.

0:19:530:19:56

Er, devious!

0:19:570:19:59

-MENACING VOICE:

-Oh, my precious!

0:19:590:20:01

Scared.

0:20:010:20:02

-HIGH VOICE:

-I don't think we're in Kansas any more.

0:20:020:20:05

Great! I think you're ready.

0:20:050:20:07

Brilliant.

0:20:070:20:09

That's great, thanks for that, son. Listen, one small thing,

0:20:090:20:12

I probably should have mentioned it earlier, but, er...

0:20:120:20:15

I don't know my lines.

0:20:150:20:16

All right, there you go! That's a load off my mind.

0:20:160:20:19

You what?!

0:20:190:20:20

-Why didn't you say something?!

-Well, I just did.

0:20:200:20:23

-Earlier!

-I forgot.

-You forgot?!

0:20:230:20:26

Right. Leave it with me.

0:20:270:20:29

I'll think of something...

0:20:290:20:31

You forgot...

0:20:310:20:32

PING!

0:20:320:20:34

I've got an idea.

0:20:340:20:35

I'll meet you at the school at 19:00 hours.

0:20:350:20:38

Brilliant. See you at 9.

0:20:380:20:40

-7pm.

-Hmm? Yeah, 7, OK.

0:20:400:20:43

ROY GULPS

0:20:430:20:46

Welcome to Operation Stop Hammo From Kissing My Ma

0:20:460:20:50

or...

0:20:500:20:52

OSHFKMM for short.

0:20:520:20:53

OSHFKMM?

0:20:530:20:55

Catchy.

0:20:550:20:57

The plan is so simple.

0:20:580:21:01

It's foolproof.

0:21:010:21:03

Step one - Tara and Abby,

0:21:030:21:05

lock Mr Hammond in his office until the play is over.

0:21:050:21:08

-BOTH: What?!

-Why do we get the hard job?

0:21:080:21:11

That's all right, we can do it. Come on, Abby.

0:21:110:21:14

Did you bring it?

0:21:170:21:19

Microphone.

0:21:210:21:24

Earpiece.

0:21:240:21:25

Enter!

0:21:270:21:30

Hi, sir.

0:21:300:21:31

Hi, Mr Hammond!

0:21:310:21:33

I'm very busy right now, girls. What is it?

0:21:330:21:36

Are you nervous about the play tonight?

0:21:360:21:38

Nervous?

0:21:380:21:40

Well, a few butterflies are good for one, I suppose.

0:21:400:21:43

HE SNORTS

0:21:430:21:45

Do you do any vocal exercises?

0:21:450:21:47

Why, I hadn't really got around to them yet.

0:21:470:21:49

I like, er,

0:21:510:21:52

a few old tongue-twisters myself.

0:21:520:21:54

Tongue-twisters?

0:21:540:21:56

Yes, you know,

0:21:560:21:57

she sells sea shells on the sh-eashore

0:21:570:21:59

but seashells sheshells-sheshells are sea shells no more.

0:21:590:22:03

-Or another good one might be, erm...

-SHE SNEEZES

0:22:030:22:06

Bless you!

0:22:060:22:07

Peter Piper picked a peck of pickled peppers.

0:22:070:22:11

Peter Piper picked a pippa pickle-pick-p-pepper.

0:22:110:22:13

Years of practice.

0:22:130:22:15

-Well, good luck, Mr Hammond.

-Break a leg!

0:22:150:22:17

Ah...

0:22:170:22:19

Thank you, girls!

0:22:190:22:21

How nice.

0:22:230:22:24

Good job.

0:22:310:22:33

Thanks for all your help, everyone.

0:22:330:22:35

Especially you.

0:22:350:22:36

To think all of this could have been avoided

0:22:360:22:39

if you looked at the notice board once in a while.

0:22:390:22:42

That's true.

0:22:420:22:43

DOOR HANDLE RATTLES

0:22:430:22:44

Is anybody there! I've been locked in!

0:22:440:22:47

Guys, you know what to do.

0:22:470:22:49

Roger that, Squiggles.

0:22:490:22:52

Roger.

0:22:520:22:53

Do you think Squiggles is the best code name?

0:22:530:22:55

There's no time for that, the play is about to start.

0:22:550:22:58

Come on!

0:22:580:23:00

Hello, how are you?

0:23:120:23:14

There's a lot of people out there.

0:23:170:23:20

Maybe Hammond should do this.

0:23:200:23:22

I just spoke to Hammo, he wants you to do it.

0:23:220:23:24

Right.

0:23:240:23:26

And how's this thing going to work?

0:23:260:23:28

You put the earpiece in your ear

0:23:280:23:29

and then I prompt you the lines throughout the play.

0:23:290:23:32

Genius!

0:23:320:23:34

Bill? What are you doing backstage?

0:23:340:23:36

Hammond gave me a second chance.

0:23:360:23:39

Aw, that's great, love! Where is Hammond?

0:23:390:23:42

Aw...you two up to something?

0:23:440:23:46

I don't know what you're talking about.

0:23:460:23:48

-SHOUTING:

-That works great!

0:23:480:23:50

-What works great?

-Hmm?

0:23:500:23:53

Your, er, your costume works great.

0:23:530:23:56

IN COCKNEY ACCENT: Ah, well, thank you, sir.

0:23:560:23:58

Where is Hammond?

0:23:580:24:00

He's watching the play with the audience.

0:24:000:24:02

Directors like to do that.

0:24:020:24:04

Right. Come on.

0:24:040:24:07

Hi.

0:24:110:24:12

-Ow!

-Sorry.

0:24:140:24:15

That was my foot!

0:24:150:24:17

Ow!

0:24:170:24:18

-That was my other foot!

-Sorry.

0:24:180:24:20

Pickering, I wager

0:24:470:24:49

I can get her to pass for a duchess at the ambassador's garden party.

0:24:490:24:53

Pickering, I wager

0:24:530:24:55

I can get her to pass as a duchess at the ambassador's garden party.

0:24:550:24:59

By Jove, I do believe I'll take that wager, Higgins.

0:24:590:25:02

Oh, you're a terrible man, you are, making fun of a poor girl!

0:25:020:25:08

ROY SPEAKS INTO DAD'S EARPIECE

0:25:110:25:13

Confound it, if you don't... If you don't like this,

0:25:130:25:16

then it's back to the streets with you!

0:25:160:25:18

SHE SHRIEKS

0:25:180:25:20

He's trying to find his key, will I tell Roy?

0:25:360:25:40

I mean, Squiggles?

0:25:400:25:42

He said not to disturb him, unless it's an emergency.

0:25:420:25:45

You did it old boy! You actually did it!

0:25:550:25:58

HE PANTS

0:26:030:26:06

Aw!

0:26:070:26:09

Code blue! Code blue!

0:26:130:26:15

Oh, no! Code blue!

0:26:150:26:16

Oh, no! Code blue!

0:26:160:26:18

LOUDLY: Oh, Professor Higgins!

0:26:180:26:20

ASIDE: Bill, what are you talking about?

0:26:200:26:22

-Stop him!

-Stop him!

0:26:220:26:25

Argh!

0:26:250:26:26

AUDIENCE GASPS

0:26:280:26:29

BANGING AND CRASHING

0:26:290:26:33

-AUDIENCE GASPS

-I'm so sorry!

0:26:360:26:38

Get off me, O'Brien!

0:26:380:26:40

What's going on?!

0:26:400:26:42

Give me a chance! I can explain!

0:26:420:26:44

Give me a chance! I can explain!

0:26:440:26:46

I just wanted to have a chance to make everything all right.

0:26:460:26:49

Oh, what are you talking about?

0:26:490:26:52

-What is this? QUIETLY:

-It was Roy's idea.

0:26:520:26:54

I'm sorry, sir. I didn't want my ma to kiss you.

0:26:540:26:58

I just wanted to see her kiss my da.

0:26:580:27:01

That way I'll know everything's OK with them.

0:27:010:27:03

You'll always be my leading man.

0:27:050:27:09

You're in so much trouble O'Br...

0:27:090:27:11

AUDIENCE CHEERS

0:27:110:27:15

Sir?

0:27:150:27:16

-Not now!

-Come on, Mr Hammond! Come on!

0:27:160:27:19

Your audience awaits you.

0:27:190:27:20

Our wonderful director...

0:27:200:27:22

AUDIENCE CHEERS

0:27:220:27:24

..Mr Derek Hammond!

0:27:240:27:27

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