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'This is the story of Roy O'Brien. | 0:00:04 | 0:00:06 | |
'He lives in an ordinary house on an ordinary street. | 0:00:06 | 0:00:09 | |
'The only trouble is, he doesn't look very ordinary. | 0:00:09 | 0:00:13 | |
'All Roy really wants is to fit in, but it's very hard to | 0:00:13 | 0:00:16 | |
'stay out of trouble when you're a cartoon.' | 0:00:16 | 0:00:19 | |
Roy! | 0:00:19 | 0:00:22 | |
Ah! | 0:00:22 | 0:00:24 | |
Roy! | 0:00:24 | 0:00:25 | |
Roy! | 0:00:27 | 0:00:29 | |
Roy! | 0:00:36 | 0:00:38 | |
Ha-ha! | 0:00:38 | 0:00:39 | |
'It's a usual morning at the O'Brien household... | 0:00:40 | 0:00:43 | |
'Well, as usual as things can be.' | 0:00:43 | 0:00:46 | |
Roy, come on. We trust you to wake yourself up | 0:00:46 | 0:00:48 | |
and you're already running late, five minutes ago. | 0:00:48 | 0:00:51 | |
OK, start the car running! | 0:00:51 | 0:00:55 | |
Whoa! | 0:00:57 | 0:01:00 | |
Is getting ready on the stairs really worth | 0:01:02 | 0:01:04 | |
the extra few minutes in bed? | 0:01:04 | 0:01:05 | |
You're just jealous that you didn't think of it first. | 0:01:05 | 0:01:08 | |
That's a fair point. Do you want a hand getting in the car? | 0:01:08 | 0:01:12 | |
Don't worry about it, love. | 0:01:12 | 0:01:13 | |
I'm sure we can find a better photo to replace it with. | 0:01:13 | 0:01:16 | |
I wouldn't count on it. | 0:01:16 | 0:01:18 | |
Come on, you. | 0:01:18 | 0:01:19 | |
ROY WHIMPERS | 0:01:19 | 0:01:22 | |
Family album... never been our strong point. | 0:01:22 | 0:01:25 | |
At least we're consistent, though. | 0:01:30 | 0:01:32 | |
When people ask me why we don't have many up, | 0:01:32 | 0:01:35 | |
I always say they got destroyed when the basement was flooded. | 0:01:35 | 0:01:39 | |
And...they tend not to notice we don't have a basement. | 0:01:40 | 0:01:45 | |
Listen, Roy, | 0:01:49 | 0:01:51 | |
you're going to have to start acting a bit more carefully | 0:01:51 | 0:01:53 | |
-around the house. -What do you mean? | 0:01:53 | 0:01:55 | |
Well, let's just say that your current level is hurricane. | 0:01:55 | 0:01:58 | |
All right? I'm going to need you to | 0:01:58 | 0:02:00 | |
downgrade it slightly to a tropical storm. | 0:02:00 | 0:02:02 | |
You want me to be like a tropical storm? | 0:02:02 | 0:02:04 | |
No, that, no... that's not what I'm saying. | 0:02:04 | 0:02:06 | |
What I'm saying is you're going to | 0:02:06 | 0:02:07 | |
have to start acting more responsibly. | 0:02:07 | 0:02:09 | |
What? I'm super-responsible. | 0:02:09 | 0:02:12 | |
Oh, yeah. | 0:02:12 | 0:02:13 | |
Ugh! | 0:02:13 | 0:02:14 | |
One Ballyfermot. Two Ballyfermot. | 0:02:17 | 0:02:19 | |
Three Ballyfermot. Four Ballyfermot. Five Ballyfermot. | 0:02:19 | 0:02:22 | |
That doesn't prove anything. | 0:02:22 | 0:02:24 | |
Well, in fairness to him, I normally get to 11 Ballyfermots. | 0:02:24 | 0:02:28 | |
-CHILDREN CHATTER -OK, OK, settle down, settle down. | 0:02:30 | 0:02:33 | |
Now, today isn't going to be your average experiment. | 0:02:33 | 0:02:36 | |
In fact, some might go so far as to call it an EGGS-per... | 0:02:36 | 0:02:41 | |
Yes, Mr Lucey's right, this is no ordinary experiment. Now... | 0:02:41 | 0:02:45 | |
the class is going to be divided into pairs | 0:02:45 | 0:02:48 | |
and each given the job of looking after one of these for a week. | 0:02:48 | 0:02:51 | |
Ha! | 0:02:51 | 0:02:52 | |
But, Miss, they're a bunch of eggs?! | 0:02:54 | 0:02:56 | |
So at the end of the seven days, | 0:02:56 | 0:02:59 | |
the best parenting duo is going to be given a special prize. | 0:02:59 | 0:03:02 | |
And, Niall, before you even ask... | 0:03:02 | 0:03:04 | |
Yes, it is an actual prize, donated by The Southside People Newspaper. | 0:03:04 | 0:03:09 | |
Now, Mr Lucey, I believe that you were dividing up the... | 0:03:09 | 0:03:12 | |
EGGS-periment! | 0:03:12 | 0:03:15 | |
Paul, I think it's just the list, there, when you're ready. The list. | 0:03:18 | 0:03:22 | |
The list, yeah, OK. So... | 0:03:22 | 0:03:23 | |
Gravity, we meet again, my old friend. | 0:03:25 | 0:03:28 | |
ELASTIC STRETCHES | 0:03:32 | 0:03:34 | |
-Sorry. -It's all right. -It's one of those... | 0:03:34 | 0:03:38 | |
I was up all night...doing it. | 0:03:38 | 0:03:41 | |
PAPER RUSTLES | 0:03:41 | 0:03:44 | |
Sir, is this the list? | 0:03:48 | 0:03:51 | |
Oh...yes. Thank you, Roy. | 0:03:53 | 0:03:58 | |
The list. | 0:03:58 | 0:04:00 | |
Now, lovely. OK, so, the partners are... | 0:04:00 | 0:04:04 | |
Do us a favour there, love, will you? | 0:04:10 | 0:04:12 | |
Keep next Saturday free, won't you? | 0:04:12 | 0:04:13 | |
Why? What you got planned? | 0:04:13 | 0:04:15 | |
That's for you to know and me to find out. | 0:04:15 | 0:04:18 | |
I'm guessing he meant that the other way around. | 0:04:20 | 0:04:24 | |
And the final three pairs are... Abby with Deco. Roy with Tara. | 0:04:24 | 0:04:30 | |
And last but not least... Niall and Sean. | 0:04:30 | 0:04:33 | |
Erm, Ms Jervis, I think that's actually... | 0:04:34 | 0:04:37 | |
Some of the most progressive thinking | 0:04:37 | 0:04:38 | |
I have ever seen at this school. | 0:04:38 | 0:04:40 | |
If only other teachers followed your lead. | 0:04:40 | 0:04:43 | |
Well...that's why I did it. | 0:04:43 | 0:04:45 | |
I mean, it's not every day you get to do an EGGS-per... | 0:04:45 | 0:04:48 | |
We heard the joke the first time. ROY LAUGHS | 0:04:48 | 0:04:51 | |
Yeah, laugh it up. We're not embarrassed. | 0:04:51 | 0:04:53 | |
Heads, you're mother, tails, I'm father. | 0:04:54 | 0:04:57 | |
Tara, you are happy we're together, aren't you? | 0:05:00 | 0:05:03 | |
Well, sure... It's just, sometimes you can be a little irresponsible. | 0:05:03 | 0:05:10 | |
You want me to be more like a tropical storm too? | 0:05:11 | 0:05:14 | |
Sure, yeah... Look, I'm going away this weekend with my family. | 0:05:14 | 0:05:19 | |
Why don't you look after the egg? You can prove me wrong. | 0:05:19 | 0:05:23 | |
Really? So you do trust me to look after him? | 0:05:23 | 0:05:26 | |
Well, seeing as I don't really have a choice, yeah, why not? | 0:05:26 | 0:05:30 | |
You won't regret this! | 0:05:31 | 0:05:33 | |
One Lionel Messi. Two Lionel Messi. | 0:05:36 | 0:05:38 | |
Three Lionel Messi. Four... | 0:05:38 | 0:05:39 | |
This still doesn't prove anything. | 0:05:39 | 0:05:41 | |
SHE SIGHS | 0:05:42 | 0:05:44 | |
So, er, how long are you going to keep it for? | 0:05:46 | 0:05:50 | |
Just a week. It's going to be a piece of cake. | 0:05:50 | 0:05:53 | |
Ah, Roy! | 0:05:53 | 0:05:54 | |
What? He was minding my seat for me. | 0:05:54 | 0:05:57 | |
Ma, when Roy breaks his egg tonight, can we use it to make pancakes? | 0:05:57 | 0:06:01 | |
Becky! Roy, how come they gave you such a dirty egg? | 0:06:01 | 0:06:04 | |
Oh, no, that's just because | 0:06:05 | 0:06:07 | |
me and Niall were playing catch with it on the way home. | 0:06:07 | 0:06:10 | |
What? | 0:06:13 | 0:06:15 | |
What? | 0:06:16 | 0:06:18 | |
You guys don't think I'm going to break him as well, do you? | 0:06:18 | 0:06:22 | |
Erm...Bill? | 0:06:22 | 0:06:25 | |
Listen to your mother. | 0:06:26 | 0:06:28 | |
Ugh! UGH! | 0:06:31 | 0:06:35 | |
-UGH! -DOOR SLAMS | 0:06:35 | 0:06:37 | |
So just to confirm, that was a yes on pancakes later, was it? | 0:06:39 | 0:06:43 | |
Ma, when Roy breaks his egg tonight, can we use it to make pancakes? | 0:06:45 | 0:06:48 | |
I'm going to need you to downgrade it slightly to a tropical storm. | 0:06:48 | 0:06:51 | |
Sometimes you can be a little... irresponsible. | 0:06:51 | 0:06:56 | |
We'll show them just how responsible we can be, Roy Junior. | 0:06:56 | 0:06:59 | |
We'll show them all. | 0:06:59 | 0:07:01 | |
LOUD CLASSICAL MUSIC PLAYS | 0:07:10 | 0:07:12 | |
Ah! What in the name...? | 0:07:12 | 0:07:13 | |
-We're up! We're up! -Ah! | 0:07:15 | 0:07:18 | |
ROY! | 0:07:18 | 0:07:19 | |
Maura! | 0:07:22 | 0:07:23 | |
Roy, can you please just turn that off?! | 0:07:25 | 0:07:27 | |
Shh. Can you keep your voice down, please? | 0:07:27 | 0:07:30 | |
What are you doing? | 0:07:30 | 0:07:33 | |
Playing classical music to Roy Junior. | 0:07:33 | 0:07:35 | |
Roy Junior? | 0:07:35 | 0:07:36 | |
Yeah, it's supposed to be good for his development. | 0:07:36 | 0:07:39 | |
Why, does deafening him boost his other senses? | 0:07:39 | 0:07:43 | |
It's five in the morning... | 0:07:43 | 0:07:45 | |
Look, from now on, why don't you use these instead? | 0:07:45 | 0:07:48 | |
We'll think about it. | 0:07:49 | 0:07:51 | |
Are you really sure we should be encouraging this? | 0:07:51 | 0:07:54 | |
Yeah, I think it's good. It shows he can handle responsibility. | 0:07:54 | 0:07:57 | |
-Roy, if you plug them in, it works better. -Come on. | 0:07:57 | 0:08:01 | |
Aw, yeah. Thanks, Ma! | 0:08:01 | 0:08:03 | |
No problem. | 0:08:03 | 0:08:04 | |
THUD! | 0:08:21 | 0:08:22 | |
CLATTER! | 0:08:29 | 0:08:32 | |
-Roy, what is the meaning...? -Shh. | 0:08:41 | 0:08:43 | |
-Roy, where is...? -Don't. | 0:08:44 | 0:08:45 | |
Roy, do you know how the...? What? | 0:08:45 | 0:08:49 | |
How... Do you know how proud of you the both of us are? | 0:08:49 | 0:08:52 | |
That you're taking such an interest in this experiment. | 0:08:52 | 0:08:57 | |
Hey, you haven't forgotten | 0:08:57 | 0:08:59 | |
about Operation Portrait later on, have you? | 0:08:59 | 0:09:01 | |
Of course I haven't. Now can you go? | 0:09:01 | 0:09:04 | |
-I was just getting him settled down again. -All right. | 0:09:04 | 0:09:06 | |
Now... | 0:09:11 | 0:09:13 | |
'Unknown to Maura, Operation Portrait is the imaginative name given | 0:09:14 | 0:09:18 | |
'to a plan that Bill has been hatching for the last few days.' | 0:09:18 | 0:09:21 | |
Becky, you look...nice. | 0:09:21 | 0:09:25 | |
Happy anniversary, love. | 0:09:25 | 0:09:27 | |
Er, it's not our anniversary. | 0:09:27 | 0:09:29 | |
No. No, I knew that... but here's a present for you anyway. | 0:09:29 | 0:09:34 | |
Oh, thank you. | 0:09:34 | 0:09:36 | |
-An hour in a photography studio? -Yep. You see, now you'll be able to | 0:09:38 | 0:09:41 | |
have that family portrait you always wanted. | 0:09:41 | 0:09:44 | |
At least, one you'd be able to hang up in the hall, | 0:09:44 | 0:09:46 | |
without being embarrassed. | 0:09:46 | 0:09:47 | |
-Becky's even been practising her smiles. Show her, Becks. -Oh. | 0:09:47 | 0:09:50 | |
-Oh, wow...lovely. -Yeah. Knockout. | 0:09:51 | 0:09:54 | |
But what about, you know who? | 0:09:54 | 0:09:56 | |
Roy! | 0:09:56 | 0:09:58 | |
Aw! | 0:10:00 | 0:10:02 | |
Oh, you are the best husband ever. | 0:10:02 | 0:10:05 | |
Well, you're not wrong, you know. | 0:10:05 | 0:10:07 | |
Now, go on and put your glad rags on, go on. | 0:10:07 | 0:10:09 | |
-You're welcome. -Ha-ha! | 0:10:09 | 0:10:12 | |
Does his bow-tie look straight to you? | 0:10:12 | 0:10:14 | |
Oh, right, he's coming as well, is he? | 0:10:15 | 0:10:18 | |
Well, duh, it's a family portrait. | 0:10:18 | 0:10:20 | |
Now, just to, er, warn you, we're not, er... | 0:10:20 | 0:10:23 | |
we're not the most traditional-looking family unit. | 0:10:23 | 0:10:27 | |
It's OK, er, her smile's a bit weird but, er... | 0:10:27 | 0:10:30 | |
you'll be fine. | 0:10:30 | 0:10:32 | |
No, no, er... I wasn't talking about her... | 0:10:32 | 0:10:34 | |
Da, you left Roy Junior in the car. | 0:10:34 | 0:10:37 | |
Ha, yes, I was referring to the cartoon boy wheeling in an egg. | 0:10:37 | 0:10:42 | |
OK. OK, O'Brien family, let's get into formation. | 0:10:42 | 0:10:47 | |
Make sure you get a shot of his good side, now. | 0:10:48 | 0:10:50 | |
OK, we'll go on three. One, two, three. | 0:10:50 | 0:10:54 | |
OK, I've done my weekend shift with Beyonce. It's your turn. | 0:10:56 | 0:11:00 | |
BOY LAUGHS | 0:11:00 | 0:11:03 | |
What are you doing? | 0:11:08 | 0:11:10 | |
This is definitely going to get us that prize. | 0:11:10 | 0:11:13 | |
But it's bright pink. | 0:11:13 | 0:11:14 | |
I've a dark pink one if it suits better. | 0:11:14 | 0:11:18 | |
This isn't funny, OK? | 0:11:18 | 0:11:20 | |
Ah, O'Leary, Mother has the exact same handbag. | 0:11:20 | 0:11:23 | |
Yeah... | 0:11:23 | 0:11:25 | |
Deco! | 0:11:25 | 0:11:26 | |
OK, it's your turn to mind it. | 0:11:29 | 0:11:31 | |
My family's been laughing at me all weekend. | 0:11:31 | 0:11:33 | |
Why haven't we given it a name yet? | 0:11:34 | 0:11:36 | |
-We have. It's called The Egg. -Catchy. | 0:11:36 | 0:11:39 | |
-Hey, just rise above it, will you? -Why would I care what people think? | 0:11:39 | 0:11:42 | |
So the egg made it through the weekend? | 0:11:42 | 0:11:45 | |
Er, yeah, kept me up most of last night too. | 0:11:45 | 0:11:48 | |
HE YAWNS | 0:11:48 | 0:11:50 | |
Right, well, where is he? | 0:11:50 | 0:11:53 | |
I was supposed to bring him? | 0:11:53 | 0:11:55 | |
See, this is what I was talking about, Roy. | 0:11:55 | 0:11:57 | |
Bring him in tomorrow. | 0:11:57 | 0:11:59 | |
CHILDREN LAUGH | 0:11:59 | 0:12:01 | |
Aw, it's not fair to move you. | 0:12:08 | 0:12:11 | |
I mean, we're only just getting to know each other, right? | 0:12:11 | 0:12:15 | |
Yeah, that's exactly what I thought too. | 0:12:15 | 0:12:18 | |
Ha, come on. | 0:12:18 | 0:12:20 | |
NOSTALGIC MUSIC PLAYS | 0:12:21 | 0:12:23 | |
SIZZLING | 0:13:02 | 0:13:05 | |
Ma! | 0:13:09 | 0:13:10 | |
How could you do that in front of him?? | 0:13:10 | 0:13:12 | |
It's fine, love. | 0:13:12 | 0:13:14 | |
-Roy, are you OK? -EGGSHELL CRACKS | 0:13:14 | 0:13:17 | |
Am I OK? Am I OK?! | 0:13:17 | 0:13:20 | |
Look at him, he's a nervous wreck. | 0:13:20 | 0:13:22 | |
Roy, he's an egg, there's nothing wrong with him - | 0:13:22 | 0:13:25 | |
it's you we should be worried about. | 0:13:25 | 0:13:27 | |
I don't know, Ma, | 0:13:27 | 0:13:29 | |
looks like the first stages of post-traumatic stress disorder. | 0:13:29 | 0:13:32 | |
SHE SIGHS | 0:13:32 | 0:13:34 | |
After I look up what that means, we're taking you straight to court! | 0:13:34 | 0:13:38 | |
Yeah. | 0:13:38 | 0:13:40 | |
Thanks, Becky. | 0:13:40 | 0:13:42 | |
Sorry, I couldn't help it. | 0:13:42 | 0:13:43 | |
'Roy, unable to book time with the nurse, | 0:13:45 | 0:13:47 | |
'has decided to seek help elsewhere.' | 0:13:47 | 0:13:50 | |
Oh, come on, there must be something you can give him! | 0:13:50 | 0:13:53 | |
Bit of salt might do the trick? | 0:13:53 | 0:13:55 | |
SHE LAUGHS | 0:13:55 | 0:13:57 | |
Ah, come on, this is serious, people! | 0:13:57 | 0:13:59 | |
Everything OK with the egg, Roy? | 0:14:01 | 0:14:03 | |
Erm...yeah, of course it is. | 0:14:03 | 0:14:06 | |
Oh, silly me. | 0:14:06 | 0:14:09 | |
I must have forgot him again. | 0:14:09 | 0:14:11 | |
I have to run away now. | 0:14:11 | 0:14:13 | |
OK, just take deep breaths. | 0:14:19 | 0:14:22 | |
Tara, what are you doing here? | 0:14:24 | 0:14:26 | |
I'm taking the egg, Roy. Look at you, you're cracking up. | 0:14:27 | 0:14:31 | |
This stress isn't good for you. | 0:14:31 | 0:14:33 | |
I'm not stressed, it's called being responsible. | 0:14:33 | 0:14:36 | |
And you can't take him away from me. | 0:14:36 | 0:14:38 | |
He's in a delicate way at the moment. | 0:14:38 | 0:14:40 | |
You're the one in a delicate way. | 0:14:40 | 0:14:42 | |
And besides, what do you actually think will happen | 0:14:42 | 0:14:45 | |
when I take him? | 0:14:45 | 0:14:46 | |
OMINOUS MUSIC PLAYS | 0:14:48 | 0:14:51 | |
Ha-ha-ha-ha! | 0:14:51 | 0:14:52 | |
WHISK WHIRRS | 0:14:52 | 0:14:54 | |
You really think I'd do that? | 0:14:56 | 0:14:57 | |
No. | 0:14:57 | 0:14:59 | |
I'm taking him, Roy. | 0:15:00 | 0:15:01 | |
No...oh, no, no, wait! | 0:15:03 | 0:15:05 | |
I've a better idea. Why don't we let HIM decide? | 0:15:07 | 0:15:10 | |
Let's both call him, and the one he goes to | 0:15:10 | 0:15:12 | |
gets to keep him. Come here... come on. Come here, Roy Junior. | 0:15:12 | 0:15:17 | |
Ha-ha, I knew you wouldn't let me down. | 0:15:17 | 0:15:20 | |
ROY! | 0:15:28 | 0:15:29 | |
So, while we're all really proud of Roy's commitment to the | 0:15:31 | 0:15:34 | |
experiment, we all agreed it might be best for everyone | 0:15:34 | 0:15:37 | |
if he spent the night at Niall's. | 0:15:37 | 0:15:39 | |
That means she kicked him out. | 0:15:39 | 0:15:41 | |
But thankfully, Becky here has volunteered to babysit. | 0:15:41 | 0:15:44 | |
She forced me to. | 0:15:44 | 0:15:45 | |
PHONE RINGS | 0:15:45 | 0:15:47 | |
No, Roy, I'm not getting him to say hi again. | 0:15:50 | 0:15:53 | |
Stop calling me. | 0:15:53 | 0:15:55 | |
In fairness, he did offer you babysitting money. | 0:15:57 | 0:16:00 | |
ANOTHER PHONE RINGS | 0:16:00 | 0:16:02 | |
Roy... | 0:16:03 | 0:16:05 | |
Three sweets and a hair bobbin, | 0:16:05 | 0:16:07 | |
which I'm pretty sure was mine anyway. | 0:16:07 | 0:16:09 | |
-I'm thrilled. -Er, that means she's not thrilled. | 0:16:09 | 0:16:12 | |
A THIRD PHONE RINGS | 0:16:12 | 0:16:14 | |
Hey, Niall, can I borrow your house phone? | 0:16:18 | 0:16:21 | |
Don't tell me you're checking up on that egg again. | 0:16:21 | 0:16:24 | |
We've barely even seen you since he came along. | 0:16:24 | 0:16:26 | |
What? No! It's just...I want to ring my dad for the football scores. | 0:16:26 | 0:16:32 | |
OK. | 0:16:33 | 0:16:34 | |
PHONE RINGS | 0:16:44 | 0:16:46 | |
-Hello? -'Hey, Becky, it's me, I think we got cut off there.' | 0:16:48 | 0:16:53 | |
Listen, when you're putting Roy Junior to bed, | 0:16:53 | 0:16:56 | |
make sure he's warm enough. | 0:16:56 | 0:16:58 | |
Sure thing, Roy. | 0:16:58 | 0:17:01 | |
He's all tucked in now. | 0:17:01 | 0:17:04 | |
Good night, Niall. | 0:17:09 | 0:17:12 | |
Night. | 0:17:12 | 0:17:13 | |
Good night, Roy Junior. | 0:17:16 | 0:17:17 | |
HE HUMS | 0:17:21 | 0:17:23 | |
EGG SIZZLES | 0:17:48 | 0:17:50 | |
'After a night away, Roy is eager to reunite with his beloved egg.' | 0:18:05 | 0:18:10 | |
Good morning, Roy Junior... | 0:18:10 | 0:18:12 | |
BECKY! | 0:18:15 | 0:18:18 | |
What? Where's Roy Junior? | 0:18:23 | 0:18:25 | |
Are you blind? He's just... | 0:18:25 | 0:18:27 | |
Becky, where's Roy Junior? | 0:18:29 | 0:18:31 | |
I don't know, I left him there last night. | 0:18:31 | 0:18:34 | |
So you're saying he's...missing. | 0:18:34 | 0:18:36 | |
EGGSHELL CRACKS | 0:18:36 | 0:18:39 | |
Roy, just calm down. It's not that bad, OK? | 0:18:39 | 0:18:43 | |
I'm coming for you, Roy Junior! | 0:18:43 | 0:18:45 | |
Everything all right? | 0:18:45 | 0:18:47 | |
All right? | 0:18:52 | 0:18:53 | |
Nope. Nope. | 0:19:05 | 0:19:07 | |
Nope. Nope. | 0:19:07 | 0:19:09 | |
-Er...he's about this big, and... -CHICKENS CLUCK | 0:19:14 | 0:19:18 | |
Hey, I'm talking to you! | 0:19:18 | 0:19:20 | |
Ugh... | 0:19:21 | 0:19:22 | |
DOORBELL RINGS | 0:19:35 | 0:19:37 | |
I understand you're looking to report a missing person. | 0:19:42 | 0:19:45 | |
Can you describe the person to me? | 0:19:45 | 0:19:48 | |
Erm...OK. | 0:19:49 | 0:19:52 | |
Well, he's small... | 0:19:52 | 0:19:56 | |
brown...oval, he is... | 0:19:56 | 0:19:59 | |
Yeah. | 0:20:03 | 0:20:04 | |
No. | 0:20:07 | 0:20:08 | |
No. | 0:20:11 | 0:20:12 | |
No. | 0:20:17 | 0:20:18 | |
That's him! | 0:20:20 | 0:20:22 | |
That's him! Yeah. | 0:20:22 | 0:20:24 | |
We'll see what we can do. | 0:20:27 | 0:20:29 | |
Thanks, guys. I'll see you out. | 0:20:29 | 0:20:32 | |
Well, well, you're never going to guess who I found! | 0:20:47 | 0:20:51 | |
-Da... -What? | 0:20:54 | 0:20:56 | |
That isn't him. | 0:20:56 | 0:20:58 | |
What? Yeah, yes, it is. Yeah, it is. | 0:20:58 | 0:21:01 | |
Look at all that painstaking detail around the eye. | 0:21:01 | 0:21:04 | |
Oh, it's useless. I'm never going to find him. | 0:21:04 | 0:21:06 | |
-All right, Roy. All right. It's... -WATER RUSHES | 0:21:06 | 0:21:09 | |
..time that I told you a little something about Roy Junior. | 0:21:09 | 0:21:12 | |
He...he may have been involved in a snack-related accident. | 0:21:12 | 0:21:17 | |
-HE GASPS -Roy Junior. | 0:21:18 | 0:21:20 | |
Look, when do you have to bring him back? | 0:21:23 | 0:21:25 | |
-Tomorrow. -Right, well, I'll go and get some Sellotape. | 0:21:25 | 0:21:29 | |
There's no point, he's already broken. | 0:21:29 | 0:21:31 | |
-Not for him. For you. -ROY WHIMPERS | 0:21:31 | 0:21:34 | |
Sellotape. | 0:21:34 | 0:21:35 | |
'And so, a petrified Roy brings his egg | 0:21:38 | 0:21:42 | |
'to the fateful day of the experiment.' | 0:21:42 | 0:21:45 | |
I particularly love this one. Amazing work on the egg, you two. | 0:21:48 | 0:21:51 | |
Yeah...I just think that he's teached us, | 0:21:51 | 0:21:55 | |
as much as we've teached him. | 0:21:55 | 0:21:57 | |
OK. So, next we have Roy and Tara... | 0:21:57 | 0:22:02 | |
-..rather, just Roy. -HEARTBEAT THUMPS | 0:22:02 | 0:22:04 | |
Roy, your egg? | 0:22:04 | 0:22:06 | |
Eh...yeah, sure. | 0:22:06 | 0:22:09 | |
Erm... | 0:22:09 | 0:22:11 | |
Roy, what's going on? | 0:22:15 | 0:22:17 | |
Eh, it's just, you know...erm... | 0:22:17 | 0:22:22 | |
He's cracking up. | 0:22:22 | 0:22:24 | |
He's going to blow, sir. | 0:22:24 | 0:22:25 | |
-Students, duck and cover! -THEY SCREAM | 0:22:25 | 0:22:28 | |
Hi, sorry I'm late. | 0:22:30 | 0:22:33 | |
Here's Roy Junior. | 0:22:33 | 0:22:35 | |
-Are we safe to come out? -I think so. | 0:22:35 | 0:22:38 | |
Oh, wow...perfect condition. Congratulations, yous two. | 0:22:38 | 0:22:44 | |
Are you all right, Roy? | 0:22:44 | 0:22:46 | |
-Yeah. Ha-ha! -EGGSHELL CRACKS | 0:22:46 | 0:22:48 | |
Sorry, I hated seeing how stressed you were getting, | 0:22:48 | 0:22:51 | |
so I switched eggs when I was over earlier in the week... | 0:22:51 | 0:22:54 | |
I didn't make things worse, did I? | 0:22:54 | 0:22:57 | |
Ah, sure, it was hardly any hassle anyway. | 0:22:57 | 0:23:00 | |
Well, we seem to be doing a lot better than anyone else. | 0:23:00 | 0:23:03 | |
Yeah. Ha-ha! | 0:23:03 | 0:23:05 | |
So, you're telling me that only two eggs came through the experiment? | 0:23:05 | 0:23:08 | |
Niall and Sean, what happened to yours? | 0:23:08 | 0:23:11 | |
Er...we must have left it at home. | 0:23:11 | 0:23:15 | |
Oh, right. So we come to the prizes. | 0:23:15 | 0:23:20 | |
The runners-up are... HE IMITATES A TRUMPET | 0:23:21 | 0:23:25 | |
Declan and Abby. Whoo! | 0:23:25 | 0:23:28 | |
Right, Mr Lucey, their prizes, if you please. | 0:23:29 | 0:23:32 | |
"EGG-cellence in EGGS-perimation"? | 0:23:36 | 0:23:39 | |
EGG-cellence in EGGS-perimentation, yes. | 0:23:39 | 0:23:41 | |
-I'll print one off for you tomorrow, Declan. -No, you're grand. | 0:23:41 | 0:23:44 | |
And because of their clear level of care and worry, which only a real | 0:23:44 | 0:23:49 | |
parent could show, our special first prize goes to... | 0:23:49 | 0:23:54 | |
Tara and Roy. Whoo! | 0:23:54 | 0:23:57 | |
-TANNOY: -Roy O'Brien! Come to my office, at once. | 0:23:57 | 0:23:59 | |
So, O'Brien... Care to explain this? | 0:24:01 | 0:24:05 | |
Right... | 0:24:12 | 0:24:14 | |
Well, I guess our new special prize-winners are Deco and Abby. | 0:24:14 | 0:24:17 | |
-Give it! -No! -I did all the hard work! -Now, hang on, calm down. | 0:24:17 | 0:24:21 | |
-Stop it! -EGG CRACKS | 0:24:21 | 0:24:23 | |
O'Leary! | 0:24:25 | 0:24:26 | |
Come on, sir. I didn't even mean it that time. | 0:24:26 | 0:24:29 | |
No, no. Now, hang on. Marks are docked | 0:24:29 | 0:24:31 | |
for throwing your children at authority figures, Declan. | 0:24:31 | 0:24:34 | |
Don't, don't! This is not finished, O'Leary. | 0:24:34 | 0:24:38 | |
I'll see you back in here later. | 0:24:38 | 0:24:39 | |
Wait! Wait! Why am I the one getting in trouble?! | 0:24:41 | 0:24:44 | |
They didn't even bring in their egg. | 0:24:44 | 0:24:46 | |
Oh, yeah? So what do you call... THIS? | 0:24:46 | 0:24:50 | |
Oh! Oh, would you believe it? | 0:24:50 | 0:24:52 | |
The only two to succeed are the two boys. | 0:24:52 | 0:24:55 | |
And I couldn't think of more fitting winners of our special prize. | 0:24:55 | 0:24:58 | |
So what's our prize? | 0:24:58 | 0:24:59 | |
Your photo is going to run on the front cover of the Southside People. | 0:24:59 | 0:25:03 | |
Isn't that great? | 0:25:03 | 0:25:04 | |
CAMERA CLICKS | 0:25:04 | 0:25:07 | |
We need to find every single copy of that paper. | 0:25:07 | 0:25:09 | |
'As the class comes to an end, so does the experiment.' | 0:25:09 | 0:25:12 | |
Roy, I'll be needing him back now. | 0:25:12 | 0:25:16 | |
Really? But...but, I... | 0:25:18 | 0:25:22 | |
Roy, you've given him a great start | 0:25:24 | 0:25:27 | |
but it's time to let him go. | 0:25:27 | 0:25:29 | |
Yeah, I know... | 0:25:29 | 0:25:31 | |
Well, I guess this is goodbye, Roy Junior. | 0:25:32 | 0:25:36 | |
Stay away from frying pans...and my da. | 0:25:37 | 0:25:41 | |
And don't feel like you can't visit... | 0:25:41 | 0:25:43 | |
Roy? | 0:25:44 | 0:25:46 | |
Bye-bye. | 0:25:48 | 0:25:50 | |
Well done. That must have been hard. | 0:25:56 | 0:25:59 | |
Ah, come on, Tara, it's just an egg. | 0:25:59 | 0:26:01 | |
Oh, hey, wait up, guys. | 0:26:01 | 0:26:03 | |
I haven't slagged you about your photo yet. | 0:26:03 | 0:26:06 | |
'And so life returns to normal in the O'Brien house. | 0:26:06 | 0:26:09 | |
'Well, normal apart from one small difference.' | 0:26:09 | 0:26:12 | |
Ha! Look at this. | 0:26:12 | 0:26:14 | |
-Believe me, I've had enough of that egg to do us for... -No, no. | 0:26:14 | 0:26:17 | |
-No, look. -Aw... | 0:26:17 | 0:26:19 | |
He must have got a new photo. | 0:26:19 | 0:26:22 | |
That is sweet. | 0:26:22 | 0:26:24 | |
Well, looks like eggs are back on the menu. Oh, yes! | 0:26:24 | 0:26:28 | |
You know, that was very good of you to do that for your mam. | 0:26:31 | 0:26:33 | |
You know, I never realised just how much work goes into being a parent. | 0:26:33 | 0:26:38 | |
-HE LAUGHS -Yeah, well, in fairness, son, | 0:26:38 | 0:26:40 | |
I probably make it look an awful lot easier than it is. | 0:26:40 | 0:26:43 | |
Da, was I as much hassle as Roy Junior? | 0:26:43 | 0:26:46 | |
Well, if we compare Roy Junior to, let's say, a tropical storm... | 0:26:47 | 0:26:52 | |
I'm like a hurricane? | 0:26:52 | 0:26:54 | |
In monsoon season. | 0:26:54 | 0:26:56 | |
But you know what? | 0:26:56 | 0:26:57 | |
You're probably just about worth it. | 0:26:58 | 0:27:00 | |
Thanks, Da. | 0:27:01 | 0:27:03 | |
And in fairness, you're a lot more responsible than I was at your age. | 0:27:03 | 0:27:08 | |
Just out of curiosity, what did you do with that other picture? | 0:27:10 | 0:27:13 | |
Oh, I threw it out. It was just a silly experiment. | 0:27:13 | 0:27:17 | |
Oh, right. Roy, well, you could have fooled us, son. | 0:27:17 | 0:27:21 | |
Anyway, night, Roy. | 0:27:22 | 0:27:24 | |
Night, Da. | 0:27:24 | 0:27:25 | |
-Da? -Yeah. | 0:27:27 | 0:27:29 | |
This is my room. | 0:27:29 | 0:27:31 | |
Oh, yeah. No, I knew that, I knew that. | 0:27:31 | 0:27:33 | |
Good night, Roy Junior. | 0:27:42 | 0:27:43 |