Browse content similar to The Kiss. Check below for episodes and series from the same categories and more!
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Hey, your hair's looking great today, Lily. | 0:00:02 | 0:00:03 | |
Oh, thanks, Jas. What a nice thing to say. | 0:00:03 | 0:00:05 | |
Warning! Error detected! | 0:00:05 | 0:00:07 | |
Lily's hair looks exactly the same as always. | 0:00:07 | 0:00:10 | |
Ever since Ollie sold his body to science and became a robot, | 0:00:10 | 0:00:13 | |
he's been even more pedantic. | 0:00:13 | 0:00:15 | |
Yeah. And also better looking! | 0:00:15 | 0:00:16 | |
Anyone for popcorn? Three flavours - haddock and crab, pea and gravel... | 0:00:18 | 0:00:24 | |
mud and carpet! | 0:00:24 | 0:00:25 | |
-Mmm, yummy! -Delicious! | 0:00:25 | 0:00:26 | |
Anyway, Lily, I have to ask - how are things going with Matt? | 0:00:29 | 0:00:31 | |
-Really well, thanks. -Warning! Warning! | 0:00:31 | 0:00:34 | |
Boredom threshold reached! Switching off... | 0:00:34 | 0:00:37 | |
ELECTRONIC FIZZLING | 0:00:37 | 0:00:38 | |
I like Matt more and more every day. | 0:00:41 | 0:00:43 | |
He's lovely. And whatever happens, | 0:00:43 | 0:00:45 | |
I'll always be glad to call him my boyfriend. | 0:00:45 | 0:00:47 | |
Aw, cute! | 0:00:47 | 0:00:48 | |
-DOORBELL RINGS -That'll be him now. | 0:00:48 | 0:00:50 | |
Hi, Lily. | 0:00:54 | 0:00:55 | |
Matt! What have you done?! | 0:00:55 | 0:00:57 | |
I am now...Mattbot. | 0:00:57 | 0:00:59 | |
I donated my body to science to help discover what makes someone | 0:00:59 | 0:01:03 | |
really cool. And they gave me £1,000. | 0:01:03 | 0:01:06 | |
Result! | 0:01:06 | 0:01:08 | |
SHE SCREAMS | 0:01:08 | 0:01:09 | |
MUSIC STOPS, SCREAMING CONTINUES | 0:01:09 | 0:01:11 | |
What? Don't you like the popcorn? | 0:01:11 | 0:01:13 | |
Oh, eh, it's all right. | 0:01:13 | 0:01:15 | |
-What flavour is it? -Haddock and crab. | 0:01:15 | 0:01:18 | |
Noooooooo! | 0:01:18 | 0:01:21 | |
Mmm, fishy! | 0:01:21 | 0:01:22 | |
I can't believe it's finally here. | 0:01:55 | 0:01:57 | |
Journeys To The Deep. | 0:01:57 | 0:01:58 | |
I've been waiting for this ever since Journeys To The Stars. | 0:01:58 | 0:02:01 | |
-BOTH: -Exemplary. | 0:02:01 | 0:02:03 | |
OK, so the next batch is caramel... | 0:02:03 | 0:02:05 | |
-Yum! -..and liver. | 0:02:05 | 0:02:06 | |
Ugh. | 0:02:06 | 0:02:07 | |
-Sit down, Jas. -OK. | 0:02:07 | 0:02:10 | |
I just need to sort out Lily and Matt's relationship. | 0:02:10 | 0:02:12 | |
-What, now? -Can I point out that this evening is supposed to be dedicated | 0:02:12 | 0:02:16 | |
to the wonders of science, | 0:02:16 | 0:02:18 | |
-not... -HE SHIVERS | 0:02:18 | 0:02:20 | |
..relationships. | 0:02:20 | 0:02:21 | |
It won't be that long. Have some popcorn. | 0:02:21 | 0:02:23 | |
I am not eating that. Your hand's been in there. | 0:02:23 | 0:02:26 | |
That could be harbouring a billion bacteria. | 0:02:26 | 0:02:29 | |
Things are going very well with me and Matt, thanks for asking, Jas. | 0:02:29 | 0:02:32 | |
In fact, I've got big news. | 0:02:32 | 0:02:34 | |
I can now eat in his presence without choking! | 0:02:35 | 0:02:38 | |
-Shush! -Anyway, I have to ask the big question - | 0:02:38 | 0:02:42 | |
what was your first kiss like? | 0:02:42 | 0:02:43 | |
Right, that's it! Ollie does not talk about kissing. | 0:02:43 | 0:02:48 | |
I'll watch this on catch-up. | 0:02:48 | 0:02:50 | |
There hasn't been any kiss! | 0:02:50 | 0:02:53 | |
So you're still not really going out, then? | 0:02:53 | 0:02:55 | |
Well, I'm 60% sure we definitely... | 0:02:55 | 0:02:59 | |
-might be. -Why do you think that? -The no-choking thing. | 0:02:59 | 0:03:02 | |
Still not really going out, are we? | 0:03:05 | 0:03:07 | |
-Probably not. -Martha? | 0:03:07 | 0:03:09 | |
Even I know you're not and I'm not even listening! | 0:03:09 | 0:03:11 | |
Then it's clear what I've got to do. | 0:03:11 | 0:03:13 | |
Stop talking? Go to another room? | 0:03:13 | 0:03:15 | |
I've got to kiss Matt! | 0:03:15 | 0:03:16 | |
Even when the deep sea submersible | 0:03:24 | 0:03:25 | |
stumbled across a rare breed of sea cucumber, | 0:03:25 | 0:03:27 | |
they still kept talking. | 0:03:27 | 0:03:29 | |
It's sickening to see science treated with such contempt. | 0:03:29 | 0:03:32 | |
OUT OF TUNE PLAYING OF TIN WHISTLES | 0:03:32 | 0:03:33 | |
It's not even like they were talking | 0:03:33 | 0:03:35 | |
about anything interesting, just all about kissing. | 0:03:35 | 0:03:37 | |
A truly disgusting habit. Just imagine the germ transfer rate. | 0:03:37 | 0:03:41 | |
I won't even let my mum kiss me! | 0:03:41 | 0:03:44 | |
I made this especially. | 0:03:44 | 0:03:46 | |
It's not often you hear Mozart played on the tin whistle. | 0:03:50 | 0:03:54 | |
There may be a reason for that, | 0:03:54 | 0:03:56 | |
but thank you nevertheless to the Witty Whistlers. | 0:03:56 | 0:03:59 | |
Now, today I want to talk about comfort zones. | 0:04:05 | 0:04:09 | |
We all like to feel comfortable. | 0:04:09 | 0:04:11 | |
I presume that's why Miss Jackson always wears a tracksuit. | 0:04:11 | 0:04:15 | |
Someone needs to tell her that Miss Jackson's the PE teacher. | 0:04:15 | 0:04:18 | |
But, sometimes, playing it safe can mean you limit yourselves, | 0:04:18 | 0:04:23 | |
because when you step outside your comfort zone, | 0:04:23 | 0:04:27 | |
amazing, life-changing things can happen. | 0:04:27 | 0:04:30 | |
Isn't that right, Mr Malone? | 0:04:30 | 0:04:32 | |
Now, stepping outside your comfort zone... | 0:04:35 | 0:04:38 | |
Did you hear what she said? | 0:04:38 | 0:04:39 | |
When she starts talking, I recite the periodic table in my head. | 0:04:39 | 0:04:42 | |
If we want to be truly great, | 0:04:42 | 0:04:44 | |
we have to step out of our comfort zone, Ollie, | 0:04:44 | 0:04:45 | |
and our science project is the place to start. | 0:04:45 | 0:04:49 | |
Great idea. How about instead of typing up our results | 0:04:49 | 0:04:52 | |
in Times New Roman, we go crazy and do it in... | 0:04:52 | 0:04:55 | |
Helvetica instead?! | 0:04:55 | 0:04:57 | |
I was thinking of an even bigger challenge. | 0:04:57 | 0:04:59 | |
I refuse to do it in Comic Sans. | 0:04:59 | 0:05:01 | |
Germs! We could research the transfer of germs | 0:05:01 | 0:05:04 | |
from various contaminated sources onto a human subject. | 0:05:04 | 0:05:07 | |
And where are we going to find someone insane enough | 0:05:07 | 0:05:10 | |
to act as that subject? | 0:05:10 | 0:05:12 | |
-Absolutely not! -Germs are your kryptonite, Ollie! | 0:05:14 | 0:05:17 | |
This is a chance for you to step out of your comfort zone | 0:05:17 | 0:05:19 | |
and challenge yourself. | 0:05:19 | 0:05:21 | |
I really think Mrs Griggs' speech was a sign! | 0:05:21 | 0:05:23 | |
No, THIS is a sign! | 0:05:23 | 0:05:25 | |
And it most definitely says no to germs. | 0:05:25 | 0:05:30 | |
Very well. Obviously you're happy | 0:05:30 | 0:05:32 | |
with us becoming merely mediocre scientists | 0:05:32 | 0:05:35 | |
and not the first people to win three Nobel Prizes. | 0:05:35 | 0:05:38 | |
Gah! | 0:05:40 | 0:05:41 | |
All right, then. I'm in. | 0:05:41 | 0:05:44 | |
Works every time. | 0:05:45 | 0:05:46 | |
Do you want to be my partner for the science project? | 0:05:52 | 0:05:54 | |
I thought we could do, | 0:05:54 | 0:05:55 | |
"Can science explain why my hair always acts weird | 0:05:55 | 0:05:58 | |
"when I'm late for school?" | 0:05:58 | 0:05:59 | |
I can't. I'm going to ask Matt to be my partner. | 0:05:59 | 0:06:01 | |
-Fun! -Fun?! Fun?! | 0:06:01 | 0:06:04 | |
This is NOT about fun! | 0:06:04 | 0:06:06 | |
This is about my future happiness, | 0:06:06 | 0:06:08 | |
my self-esteem and my entire sense of wellbeing. | 0:06:08 | 0:06:11 | |
Wow, you really want to get an A on this project. | 0:06:13 | 0:06:16 | |
I don't care about the project! | 0:06:16 | 0:06:18 | |
Well, that's not true, | 0:06:18 | 0:06:20 | |
but I also care about being Matt's girlfriend, | 0:06:20 | 0:06:23 | |
and if we're partners, it gives us more time alone. | 0:06:23 | 0:06:25 | |
For the kiss! Great plan, Lily. | 0:06:25 | 0:06:28 | |
Isn't it?! It's a great plan! Great! | 0:06:28 | 0:06:31 | |
OK, Lily, you need to breathe out... | 0:06:31 | 0:06:34 | |
and in... | 0:06:34 | 0:06:35 | |
and in again. | 0:06:35 | 0:06:37 | |
There he is! You can ask him now, but don't forget to keep breathing. | 0:06:37 | 0:06:40 | |
That's really important. | 0:06:40 | 0:06:42 | |
Wait! People who are going to kiss always eat mints. | 0:06:44 | 0:06:47 | |
Eugh. | 0:06:51 | 0:06:53 | |
Breathe and eat mints. | 0:07:04 | 0:07:06 | |
Breathe and eat mints. | 0:07:07 | 0:07:08 | |
-Matt! -Oh, hey, Lily. | 0:07:10 | 0:07:12 | |
SHE CHOKES | 0:07:17 | 0:07:19 | |
Are you OK? | 0:07:19 | 0:07:20 | |
SHE GULPS | 0:07:20 | 0:07:22 | |
Yep! I'm good. | 0:07:22 | 0:07:24 | |
Erm, I was just wondering if you | 0:07:24 | 0:07:26 | |
wanted to do a science project together. | 0:07:26 | 0:07:29 | |
I was thinking about doing the history of heart transplants. | 0:07:29 | 0:07:31 | |
We could do something really good if we put our lips together. | 0:07:31 | 0:07:34 | |
Heads! Heads together. | 0:07:34 | 0:07:37 | |
Yeah, I'd love to put our heads together. | 0:07:37 | 0:07:39 | |
-Really? -Yeah, of course. | 0:07:39 | 0:07:40 | |
You're, like, the cleverest person I know. | 0:07:40 | 0:07:43 | |
-So, come to mine at half four? -Done. -Great! | 0:07:46 | 0:07:49 | |
(Yes!) | 0:07:50 | 0:07:51 | |
The surgeon begins by performing a median sternotomy. | 0:07:59 | 0:08:02 | |
He opens the pericardium and the great vessels are dissected. | 0:08:02 | 0:08:06 | |
Wow! This shows the whole process of a heart transplant | 0:08:06 | 0:08:09 | |
from beginning to end. | 0:08:09 | 0:08:11 | |
You can sit a bit closer, if you like. | 0:08:11 | 0:08:13 | |
-To look at the pictures, I mean. -No, I'm fine, thanks. | 0:08:13 | 0:08:16 | |
Oh, right. | 0:08:16 | 0:08:17 | |
The detail in this is so amazing. | 0:08:19 | 0:08:21 | |
It's almost like you're there while they're transplanting the heart. | 0:08:21 | 0:08:25 | |
-Yeah. -The patient is attached to the cardiopulmonary bypass. | 0:08:25 | 0:08:30 | |
A portion of the left atrium is... | 0:08:30 | 0:08:31 | |
MUSIC PLAYS THROUGH HEADPHONES | 0:08:31 | 0:08:33 | |
Matt! | 0:08:33 | 0:08:35 | |
-Sorry? -You don't want to miss this. | 0:08:35 | 0:08:37 | |
It's the cardiopulmonary bypass! | 0:08:37 | 0:08:40 | |
Cardiopulmonary! | 0:08:40 | 0:08:41 | |
I thought they were definitely going | 0:08:41 | 0:08:43 | |
to transect the cardiopulmonary vein, | 0:08:43 | 0:08:45 | |
but no, look, it says the aorta. | 0:08:45 | 0:08:47 | |
Yeah... | 0:08:47 | 0:08:48 | |
Listen, I'm a bit tired. I think I'm going to go. | 0:08:48 | 0:08:51 | |
But wait, erm... | 0:08:52 | 0:08:55 | |
I fancy a mint. Do you want a mint? How about we take a break? | 0:08:55 | 0:08:59 | |
Sit close together and... | 0:08:59 | 0:09:01 | |
-eat mints? -No, I'm OK. | 0:09:01 | 0:09:04 | |
See you tomorrow. | 0:09:04 | 0:09:05 | |
OK, so I will eat a spoonful of yoghurt | 0:09:13 | 0:09:15 | |
and then you will eat a spoonful. | 0:09:15 | 0:09:16 | |
OK. Think I can do that. | 0:09:16 | 0:09:19 | |
-With the same spoon. -You fiend. | 0:09:19 | 0:09:21 | |
I did it! I did it! | 0:09:47 | 0:09:49 | |
I left my comfort zone. | 0:09:49 | 0:09:51 | |
-Mission accomplished. -Excellent! | 0:09:51 | 0:09:54 | |
But, for phase two, we're going to need | 0:09:54 | 0:09:56 | |
some more contamination sources. | 0:09:56 | 0:09:58 | |
And I know just the place to get them. | 0:09:58 | 0:10:02 | |
-Are you OK? -Yep, I'm absolutely fine. | 0:10:02 | 0:10:06 | |
Cos you've been really quiet ever since you asked | 0:10:06 | 0:10:08 | |
if you could look under my bed this morning. | 0:10:08 | 0:10:10 | |
Please! I'm still having flashbacks. | 0:10:10 | 0:10:12 | |
At last! How did it go with Matt? | 0:10:12 | 0:10:14 | |
I was so excited to find out. | 0:10:14 | 0:10:16 | |
I even left without having my breakfast. | 0:10:16 | 0:10:18 | |
So I brought it with me. | 0:10:18 | 0:10:20 | |
It didn't go that well. | 0:10:24 | 0:10:25 | |
I think I talked about medical procedures just a tiny bit too much. | 0:10:25 | 0:10:29 | |
Lily, you're meant to be trying to get him to kiss you. | 0:10:29 | 0:10:32 | |
I know! But heart transplants are just really, really interesting. | 0:10:32 | 0:10:37 | |
You have to focus harder. If you want to achieve anything, | 0:10:37 | 0:10:41 | |
you need to be totally dedicated to the task in front... | 0:10:41 | 0:10:43 | |
Ooh, nice scrunchie! | 0:10:43 | 0:10:45 | |
Mr Malone! | 0:10:51 | 0:10:52 | |
I must congratulate you on the great work coming out of your form. | 0:10:54 | 0:10:58 | |
Ollie certainly seems to be out of his comfort zone. | 0:10:58 | 0:11:00 | |
He's not the only one. Anyway, must get on with this marking. | 0:11:02 | 0:11:06 | |
I do hope he'll overcome his fear of germs. | 0:11:06 | 0:11:09 | |
I mean, imagine having to go through life | 0:11:09 | 0:11:11 | |
never being able to get close to people. | 0:11:11 | 0:11:14 | |
After all, what would we be without the warmth of human touch? | 0:11:14 | 0:11:18 | |
Erm, not sure. | 0:11:18 | 0:11:20 | |
Going to go and find out... | 0:11:20 | 0:11:22 | |
right now. | 0:11:22 | 0:11:24 | |
What even is it? | 0:11:26 | 0:11:28 | |
-Jas' hairbrush. -Where's the brush? | 0:11:28 | 0:11:30 | |
Somewhere in the middle. | 0:11:32 | 0:11:34 | |
Now, I want you to bury your face in it for five seconds. | 0:11:34 | 0:11:36 | |
No. No, please! | 0:11:36 | 0:11:39 | |
-You have to leave your comfort zone. -I'll do anything else. | 0:11:39 | 0:11:43 | |
Anything! I'll... | 0:11:43 | 0:11:44 | |
-I'll lick money! -Nobel Prize, Ollie. | 0:11:44 | 0:11:47 | |
If I don't make it out alive, donate my body to science. | 0:11:51 | 0:11:55 | |
HE INHALES AND EXHALES DEEPLY | 0:11:57 | 0:11:59 | |
Whatever you do, don't open your mouth. | 0:12:04 | 0:12:06 | |
What was that? | 0:12:06 | 0:12:07 | |
Nothing. | 0:12:08 | 0:12:10 | |
I think we should definitely include this cross-section | 0:12:10 | 0:12:13 | |
of a coronary artery showing signs of calcium deposits, because... | 0:12:13 | 0:12:16 | |
You have to focus harder! | 0:12:17 | 0:12:19 | |
Anyway, enough about that. | 0:12:22 | 0:12:24 | |
So... | 0:12:25 | 0:12:27 | |
do you know what a heterotopic heart transplant is? | 0:12:27 | 0:12:31 | |
Doesn't everybody? | 0:12:32 | 0:12:33 | |
It's when the recipient's heart and the donor's heart | 0:12:33 | 0:12:36 | |
are connected, so it's like two hearts become one. | 0:12:36 | 0:12:39 | |
I think I've got a photo somewhere. | 0:12:39 | 0:12:41 | |
-THROUGH HEADPHONES: -'Welcome back to Football Triumphs, | 0:12:45 | 0:12:47 | |
'the best goals scored this week...' | 0:12:47 | 0:12:49 | |
Mr Malone, can I talk to you, please? | 0:12:54 | 0:12:56 | |
I can't change your mark on the last test, Matt. | 0:12:56 | 0:12:59 | |
For outline the causes of World War I, | 0:12:59 | 0:13:01 | |
you put, "Some dude got shot." | 0:13:01 | 0:13:03 | |
Yeah, Archdude Ferdinand. | 0:13:03 | 0:13:04 | |
Duke. ArchDUKE. | 0:13:04 | 0:13:07 | |
Anyway, it's not about that. | 0:13:07 | 0:13:09 | |
It's sort of awkward... There's a situation, and I just feel like... | 0:13:09 | 0:13:13 | |
-You feel like you're trapped? -Right, and... | 0:13:13 | 0:13:16 | |
You can't see a way out. | 0:13:16 | 0:13:18 | |
And it keeps getting worse and worse and worse. | 0:13:18 | 0:13:21 | |
-That's it, and... -Every time you look around, there she is. | 0:13:21 | 0:13:24 | |
And she's doing that thing with her eye. | 0:13:24 | 0:13:26 | |
What? Whose eye? | 0:13:26 | 0:13:27 | |
And you don't know what to do. You know you've got to do something. | 0:13:27 | 0:13:30 | |
Goodness knows, you've got to do something! | 0:13:30 | 0:13:33 | |
So what you're saying is I should face it like a man? | 0:13:33 | 0:13:36 | |
What? No! | 0:13:36 | 0:13:38 | |
No. If there's a dangerous bull right in front of you, | 0:13:38 | 0:13:41 | |
you don't try and stare it down. | 0:13:41 | 0:13:42 | |
You run. You run and you keep on running. | 0:13:42 | 0:13:46 | |
HE SIGHS | 0:13:47 | 0:13:49 | |
OK. Kissing tips. | 0:13:50 | 0:13:52 | |
One - get him alone. It's the only way. | 0:13:52 | 0:13:55 | |
Tip two - compliments. | 0:13:55 | 0:13:57 | |
If you want someone to kiss you, you have to compliment them. | 0:13:57 | 0:14:00 | |
About what, though? | 0:14:00 | 0:14:01 | |
I've run out of things to say about his hair. | 0:14:01 | 0:14:03 | |
Choose something else. Anything. | 0:14:03 | 0:14:05 | |
Tip three - get really close to him. | 0:14:05 | 0:14:08 | |
-How close? -Up to you. | 0:14:08 | 0:14:10 | |
I'd say between five to eight millimetres. | 0:14:10 | 0:14:12 | |
That's close. | 0:14:12 | 0:14:14 | |
Four - look at his eyes, and then his mouth, and repeat. | 0:14:14 | 0:14:18 | |
There you are, Lils. Can I have a quick word? | 0:14:21 | 0:14:24 | |
Alone. | 0:14:24 | 0:14:25 | |
Sure. | 0:14:28 | 0:14:29 | |
By the way, Matt, I like your... | 0:14:32 | 0:14:34 | |
..laces. | 0:14:37 | 0:14:39 | |
-Do you? -Yeah, they're really... | 0:14:40 | 0:14:43 | |
..lacey. | 0:14:44 | 0:14:45 | |
So, not only do we have all the data we need for our project, | 0:14:49 | 0:14:53 | |
but I'm also cured of my germ phobia. Look. | 0:14:53 | 0:14:56 | |
If I'd seen you wash your hands, I'd high-five you. | 0:14:59 | 0:15:01 | |
Maybe not totally cured then. | 0:15:01 | 0:15:04 | |
Martha, I've done everything you asked. | 0:15:04 | 0:15:07 | |
And I only cried twice. | 0:15:07 | 0:15:08 | |
However, there is still one final germ frontier | 0:15:08 | 0:15:11 | |
you haven't broken, Ollie. | 0:15:11 | 0:15:14 | |
-Kissing. -Are you mad? | 0:15:14 | 0:15:16 | |
The potential for germ transference is astronomical. | 0:15:16 | 0:15:19 | |
I'd be dicing with death! | 0:15:19 | 0:15:21 | |
Which is, of course, what all the truly great scientists do. | 0:15:21 | 0:15:24 | |
-What do you mean? -Self-experimentation. | 0:15:24 | 0:15:27 | |
In 1885, Daniel Alcides Carrion | 0:15:27 | 0:15:29 | |
attempted to inoculate himself with blood from an infected wart. | 0:15:29 | 0:15:33 | |
Yes - and then he died. | 0:15:33 | 0:15:35 | |
But they named the disease after him, | 0:15:35 | 0:15:37 | |
and thus he achieved scientific greatness. | 0:15:37 | 0:15:39 | |
OK, I'll kiss someone. | 0:15:40 | 0:15:42 | |
But only if it's the cleanest, most germ-free person we know. | 0:15:42 | 0:15:46 | |
-SIMULTANEOUS: -That's me. -That's you. | 0:15:50 | 0:15:52 | |
Ow! | 0:15:58 | 0:15:59 | |
-After you. -Thank you. | 0:16:04 | 0:16:06 | |
-That's better. -Yeah, definitely. | 0:16:14 | 0:16:17 | |
-You all right? -I'm very all right. | 0:16:21 | 0:16:24 | |
It's nice to finally be alone. | 0:16:24 | 0:16:26 | |
Look, Lily, I, er... | 0:16:26 | 0:16:29 | |
This is slightly embarrassing. | 0:16:29 | 0:16:31 | |
It doesn't have to be embarrassing. | 0:16:31 | 0:16:32 | |
-Just go with your heart. -OK, well... | 0:16:32 | 0:16:35 | |
Basically... | 0:16:36 | 0:16:38 | |
Well, what I'm trying to say is you should never stare at a bull. | 0:16:38 | 0:16:43 | |
-Do you know what I mean? -Totally. | 0:16:43 | 0:16:45 | |
So, sorry, but I can't be your science partner any more. | 0:16:45 | 0:16:49 | |
What? Why? | 0:16:50 | 0:16:52 | |
Is it because of the jokes? | 0:16:52 | 0:16:53 | |
Like when I said, "I can see your heart's not really in this"? | 0:16:53 | 0:16:56 | |
And, "You really AORTA concentrate!" | 0:16:56 | 0:16:59 | |
No, it's not that. I'm just... | 0:16:59 | 0:17:01 | |
not into it. Sorry. | 0:17:01 | 0:17:04 | |
So it was all in vain. | 0:17:05 | 0:17:07 | |
Ha-ha! "In VEIN!" | 0:17:09 | 0:17:11 | |
Matt! | 0:17:11 | 0:17:12 | |
When I see something I like, Mr Malone, I have to have it. | 0:17:21 | 0:17:25 | |
-Sorry? -Bean casserole. | 0:17:25 | 0:17:27 | |
I always choose it when it's on. | 0:17:27 | 0:17:30 | |
-Yeah, good. -Can I grab you, please? | 0:17:30 | 0:17:33 | |
Sorry, what?! | 0:17:33 | 0:17:34 | |
For a chat. | 0:17:34 | 0:17:36 | |
I'd love to, but I'm really busy at the moment. | 0:17:36 | 0:17:39 | |
Well, nonsense, we can chat while you have your lunch. | 0:17:39 | 0:17:41 | |
Because, er... With... | 0:17:43 | 0:17:45 | |
-There was something... -Sorry, I... | 0:17:45 | 0:17:47 | |
Hmm, hungrier than I thought. | 0:17:53 | 0:17:56 | |
See you later. | 0:17:56 | 0:17:57 | |
-But you did all the right things. -Well, I obviously didn't. | 0:18:00 | 0:18:04 | |
I can't believe I blew my chance to kiss him. | 0:18:04 | 0:18:07 | |
-Maybe you haven't. -What? | 0:18:07 | 0:18:09 | |
Oh, no, Jas, this is not the time for one of your | 0:18:09 | 0:18:12 | |
brilliant / not so brilliant at all plans, promise? | 0:18:12 | 0:18:16 | |
I absolutely, definitely, 100% promise. | 0:18:16 | 0:18:20 | |
Why does that worry me? | 0:18:20 | 0:18:21 | |
Oh, Mr Malone, Mrs Griggs wants to see you in her office. | 0:18:33 | 0:18:35 | |
Hold on, Jas, please, | 0:18:35 | 0:18:37 | |
she wants to see ME in her office, as in just me? | 0:18:37 | 0:18:41 | |
-Alone? -I guess so. | 0:18:41 | 0:18:43 | |
-Now, I need to go. -Wait, wait - what else did she say? | 0:18:43 | 0:18:45 | |
Now, this is very important, so think carefully. | 0:18:45 | 0:18:48 | |
She said, "Please ask Mr Malone to see me in my office." | 0:18:48 | 0:18:51 | |
Then she asked if I wanted to be in her new maraca band. | 0:18:51 | 0:18:54 | |
But I don't think those two things were connected. | 0:18:54 | 0:18:56 | |
Now, I've really got to go. | 0:18:56 | 0:18:58 | |
Not in there, that's the boys'! | 0:18:59 | 0:19:01 | |
Sorry, emergency! | 0:19:01 | 0:19:02 | |
Must've had the bean casserole. | 0:19:04 | 0:19:06 | |
Look, I know this might not be the best time, but, well, | 0:19:13 | 0:19:17 | |
at least you're sitting down. It's about Lily. | 0:19:17 | 0:19:20 | |
You must know how much she likes you, and so if you like her too, | 0:19:20 | 0:19:24 | |
you should kiss her. Today. Like, soon. | 0:19:24 | 0:19:28 | |
Like, really soon. | 0:19:28 | 0:19:29 | |
You don't have to say anything, | 0:19:30 | 0:19:32 | |
but if you agree, just knock on the door. | 0:19:32 | 0:19:35 | |
KNOCK ON DOOR | 0:19:35 | 0:19:36 | |
OK, great. | 0:19:36 | 0:19:38 | |
Thanks for listening. Bye! | 0:19:38 | 0:19:40 | |
TOILET FLUSHES | 0:19:40 | 0:19:42 | |
You all right, mate? | 0:19:49 | 0:19:50 | |
Question 58. | 0:19:51 | 0:19:53 | |
Have you noticed any of the following | 0:19:53 | 0:19:55 | |
on your body in the last two days? | 0:19:55 | 0:19:57 | |
One - pus-filled spots. | 0:19:57 | 0:19:59 | |
Two - unexplained rashes. | 0:19:59 | 0:20:01 | |
Three - open sores. | 0:20:01 | 0:20:04 | |
-No. -Right. | 0:20:04 | 0:20:06 | |
Now, on to family history. | 0:20:06 | 0:20:08 | |
Ah! At last. | 0:20:15 | 0:20:18 | |
I've been desperate for you to get here, Mr Malone. | 0:20:18 | 0:20:20 | |
Well, I really can't stay. I've got a thing with... | 0:20:20 | 0:20:24 | |
-the thing. -Sounds intriguing. | 0:20:24 | 0:20:26 | |
Right, well, let's get straight down to it. | 0:20:26 | 0:20:29 | |
Let's go over by the window. | 0:20:29 | 0:20:31 | |
We'll be able to see what we're doing a bit better. | 0:20:31 | 0:20:33 | |
And so will everyone else! | 0:20:33 | 0:20:35 | |
Now, if I tilt my head back, you should be able to... | 0:20:35 | 0:20:38 | |
No! No, I can't, I'm married. | 0:20:38 | 0:20:39 | |
I mean, well, I'm not married. | 0:20:39 | 0:20:41 | |
Not yet. But I will be at some stage. | 0:20:41 | 0:20:43 | |
Maybe. Anyway, just... | 0:20:43 | 0:20:44 | |
No, I don't want to, and you can't make me. | 0:20:44 | 0:20:47 | |
Well, calm down, Mr Malone, of course I can't make you. | 0:20:47 | 0:20:49 | |
Well, if you don't want to do it, I'll ask Mrs Rennison. | 0:20:49 | 0:20:53 | |
Mrs Rennison?! | 0:20:53 | 0:20:54 | |
To help me with my contact lenses. | 0:20:54 | 0:20:57 | |
They're new and I can't quite get them in right. | 0:20:57 | 0:21:00 | |
They're making me squint and blink terribly. | 0:21:00 | 0:21:02 | |
(Ah, I see. I see.) | 0:21:02 | 0:21:05 | |
Why, what did you think I meant? | 0:21:05 | 0:21:07 | |
Um... | 0:21:07 | 0:21:09 | |
nothing. No, no, just... What you said. | 0:21:09 | 0:21:12 | |
Sorry. I just, I just... | 0:21:13 | 0:21:15 | |
Need to not be... | 0:21:15 | 0:21:16 | |
here! | 0:21:16 | 0:21:17 | |
Easy...mistake to... | 0:21:17 | 0:21:19 | |
Hi, Matt! How did the thing go? | 0:21:23 | 0:21:25 | |
Really well. I think styling my hair slightly to the right | 0:21:25 | 0:21:28 | |
instead of slightly to the left is really working for me. | 0:21:28 | 0:21:31 | |
Not that thing. The "thing" thing. | 0:21:31 | 0:21:33 | |
Jas, I know being a bit, you know, weird, is your thing, | 0:21:37 | 0:21:41 | |
but I really have no idea what you're talking about. | 0:21:41 | 0:21:44 | |
Really? But... | 0:21:44 | 0:21:46 | |
-in the toilet, didn't you hear me? -Oh, I always have my earphones in. | 0:21:46 | 0:21:49 | |
But then... | 0:21:50 | 0:21:52 | |
who knocked? | 0:21:52 | 0:21:53 | |
Uh-oh! | 0:21:55 | 0:21:57 | |
Thank you for agreeing to help me, Lily. | 0:22:00 | 0:22:02 | |
It's OK. | 0:22:02 | 0:22:04 | |
Some people think the digestive cycle of the earthworm | 0:22:04 | 0:22:07 | |
is not an interesting topic to do a science project on. | 0:22:07 | 0:22:10 | |
I suppose they are sort of fascinating. | 0:22:10 | 0:22:13 | |
This is what I've been waiting for, Lily. | 0:22:13 | 0:22:16 | |
Someone who understands me. | 0:22:16 | 0:22:17 | |
And my worms. | 0:22:18 | 0:22:20 | |
Lily, I... | 0:22:23 | 0:22:25 | |
LILY WINCES | 0:22:27 | 0:22:28 | |
Nothing! | 0:22:36 | 0:22:38 | |
-Eugh! -OK, so we both have a signal we'll use | 0:22:40 | 0:22:43 | |
if we want to stop the kiss at any stage. | 0:22:43 | 0:22:45 | |
Yes. | 0:22:45 | 0:22:46 | |
I'll wave this Albert Einstein bobblehead. | 0:22:46 | 0:22:49 | |
What will you do? | 0:22:49 | 0:22:50 | |
HE BLASTS AIR HORN | 0:22:52 | 0:22:54 | |
That should work. | 0:22:54 | 0:22:55 | |
OK. So I'll time three seconds on the stopwatch. | 0:22:57 | 0:23:00 | |
Agreed. | 0:23:00 | 0:23:01 | |
Bucket standing by in case of vomiting - check. | 0:23:03 | 0:23:07 | |
-And now we commence kissing? -No. Now... | 0:23:08 | 0:23:11 | |
we rinse. | 0:23:11 | 0:23:13 | |
THEY GURGLE | 0:23:18 | 0:23:20 | |
And finally... | 0:23:25 | 0:23:26 | |
HE EXHALES | 0:23:32 | 0:23:33 | |
-Ready? -Ready. | 0:23:35 | 0:23:37 | |
STOPWATCH TICKS | 0:23:42 | 0:23:43 | |
I'm still alive! I don't have to donate my body to science after all! | 0:23:49 | 0:23:56 | |
That's good, Ollie. I'm not sure science would have wanted it anyway. | 0:23:56 | 0:24:00 | |
I don't even know what happened. | 0:24:02 | 0:24:04 | |
I mean, what was Rufus thinking? | 0:24:04 | 0:24:07 | |
I know. Really weird. | 0:24:07 | 0:24:09 | |
This is so awful. | 0:24:09 | 0:24:11 | |
The boy I want to kiss me won't kiss me, | 0:24:11 | 0:24:14 | |
and the boy I don't want to kiss me wants to kiss me. | 0:24:14 | 0:24:16 | |
And I think I swallowed a worm. | 0:24:16 | 0:24:18 | |
I'm just going to give up on this whole thing. | 0:24:18 | 0:24:21 | |
So, we can confirm that kissing transfers more germs | 0:24:25 | 0:24:27 | |
than licking a toilet seat. | 0:24:27 | 0:24:30 | |
It's also infinitely less pleasant. | 0:24:30 | 0:24:34 | |
Any other data to report, Martha? | 0:24:34 | 0:24:35 | |
During the kiss, both subjects reported an unusual feeling | 0:24:35 | 0:24:39 | |
in the stomach, which was likened to... | 0:24:39 | 0:24:41 | |
-BOTH: -..butterflies. | 0:24:43 | 0:24:44 | |
The really evil types of butterflies. | 0:24:46 | 0:24:50 | |
Yes. So, in conclusion, kissing is not to be recommended, | 0:24:50 | 0:24:53 | |
-and neither of us will ever be doing it again. -Ever. | 0:24:53 | 0:24:56 | |
APPLAUSE | 0:24:56 | 0:24:58 | |
Next is Lily, who is going to be talking to us about... | 0:25:00 | 0:25:03 | |
I don't want to do this in front of Matt. | 0:25:05 | 0:25:07 | |
It's going to be weird. | 0:25:07 | 0:25:08 | |
-It'll be fine. -..heart transplants. | 0:25:08 | 0:25:11 | |
See? Weird. | 0:25:13 | 0:25:15 | |
Hood down, please, Matt. | 0:25:15 | 0:25:17 | |
You don't want to miss any of Lily's talk. | 0:25:17 | 0:25:19 | |
This presentation is about the miracle of heart transplants. | 0:25:21 | 0:25:25 | |
-Here's a picture of the operation. -Please can I go to the toilet? | 0:25:25 | 0:25:28 | |
Matthew Furnish, I'm sure you and your bladder | 0:25:28 | 0:25:30 | |
can wait until after Lily has finished. | 0:25:30 | 0:25:33 | |
Here, the diseased heart is completely exposed | 0:25:33 | 0:25:35 | |
in the chest cavity. Here's a close-up. | 0:25:35 | 0:25:37 | |
You can tell that the blood is oxygenated, because it's bright red. | 0:25:38 | 0:25:42 | |
PUPILS GASP | 0:25:42 | 0:25:44 | |
Give him some room! | 0:25:45 | 0:25:46 | |
-Who's a first aider? -Lily is! | 0:25:46 | 0:25:48 | |
-She did a course. -Go on, then. | 0:25:48 | 0:25:51 | |
-Well, I mainly did slings. -You're the expert here, do something! | 0:25:51 | 0:25:55 | |
HE GRUNTS | 0:26:02 | 0:26:03 | |
Hey, Lils. Glad you're here. | 0:26:03 | 0:26:06 | |
Hey, no worries. | 0:26:06 | 0:26:08 | |
Isn't this amazing? | 0:26:12 | 0:26:15 | |
-What? -I just had my first kiss with Matt. | 0:26:15 | 0:26:17 | |
-I don't think that that was... -It's totally amazing! | 0:26:18 | 0:26:21 | |
Right, Martha? | 0:26:21 | 0:26:23 | |
Yeah. Totally. | 0:26:23 | 0:26:25 | |
So, Matt confessed he's scared of blood, | 0:26:31 | 0:26:34 | |
but he didn't want me to think he was a wimp, so he kept it a secret. | 0:26:34 | 0:26:38 | |
That's why he was so weird whenever we were working on the project. | 0:26:38 | 0:26:40 | |
-Isn't that adorable? -That he was so determined to uphold | 0:26:40 | 0:26:45 | |
outdated and sexist ideas of masculinity that he lied to you? | 0:26:45 | 0:26:48 | |
-Not really. -Well, I'm just glad we finally kissed. | 0:26:48 | 0:26:53 | |
Now I can stop worrying about it. | 0:26:53 | 0:26:54 | |
And now we can stop talking about it. | 0:26:54 | 0:26:57 | |
What are we going to talk about? | 0:26:57 | 0:26:58 | |
-Why don't we watch Journeys To The Deep again? -Yeah. | 0:26:58 | 0:27:01 | |
Apparently they find a crab so big it could probably eat us all whole. | 0:27:01 | 0:27:05 | |
Talking of eating, who wants popcorn? | 0:27:05 | 0:27:07 | |
-MARTHA AND LILY: -No! | 0:27:07 | 0:27:08 | |
-Oh! -Oh! How are the, eh, contact lenses? | 0:27:11 | 0:27:14 | |
Oh, I took them out. | 0:27:14 | 0:27:15 | |
They were making me terribly uncomfortable. | 0:27:15 | 0:27:18 | |
HE SIGHS | 0:27:23 | 0:27:24 |