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Ten kids, terrified of singing in public. | 0:00:02 | 0:00:04 | |
Hey, don't cry. | 0:00:04 | 0:00:06 | |
What's happening? | 0:00:06 | 0:00:07 | |
-I don't want to do it. -Two soloists. Chris and Oli. | 0:00:07 | 0:00:10 | |
They must undergo tough performance challenges... | 0:00:10 | 0:00:14 | |
-You must be extra nervous. -I'm still shaking. | 0:00:14 | 0:00:18 | |
..to face their ultimate fear - | 0:00:18 | 0:00:20 | |
singing to a crowd of 40,000 people. | 0:00:21 | 0:00:24 | |
There's enough people there to eat you alive. | 0:00:24 | 0:00:28 | |
I can't explain how I feel. I'm really scared. | 0:00:28 | 0:00:31 | |
Could you do it? This is The Big Performance. | 0:00:31 | 0:00:35 | |
Last time the Big Performance bus visited one of the UK's top resorts. | 0:00:58 | 0:01:04 | |
The trainee singers took on a show tunes number. | 0:01:04 | 0:01:08 | |
-But embarrassment... -I don't think singing is the done thing for boys. | 0:01:08 | 0:01:15 | |
-Oh, I can't do it. -..and fear threaten to ruin their performance. | 0:01:15 | 0:01:21 | |
It's a difficult song. They've got to work hard. | 0:01:21 | 0:01:25 | |
If they're worrying, they will never get there. | 0:01:25 | 0:01:28 | |
And one... | 0:01:28 | 0:01:29 | |
How will they fare today, when they attempt a country classic? | 0:01:29 | 0:01:34 | |
I'm not doing it. | 0:01:34 | 0:01:35 | |
Who knew that country was going to be such a test? | 0:01:36 | 0:01:39 | |
I'm not doing it. | 0:01:39 | 0:01:42 | |
If he pulls out now, he'll regret it for the rest of his life. | 0:01:42 | 0:01:46 | |
Will the star of Outnumbered keep them on track? | 0:01:46 | 0:01:48 | |
I've got ten of the least convincing cowboys you've ever seen. | 0:01:48 | 0:01:53 | |
-Hi. -I know him. -He's cool. | 0:01:53 | 0:01:55 | |
Oli, it is going to be fine but I need you to give it a go. | 0:01:55 | 0:01:59 | |
Today The Big Performance tour bus is heading east | 0:02:04 | 0:02:08 | |
to Oli and Chris's neck of the woods, the New Forest in Hampshire, | 0:02:08 | 0:02:12 | |
with wild horses, acres of space and a ranch. | 0:02:12 | 0:02:16 | |
It's the perfect space for ten singing lone rangers. | 0:02:16 | 0:02:19 | |
It's a very different kind of music. | 0:02:19 | 0:02:22 | |
It's country music. | 0:02:22 | 0:02:25 | |
We're going to have two soloists this time. | 0:02:25 | 0:02:28 | |
-Chris... -No! -..and Oli. | 0:02:28 | 0:02:31 | |
-No. -No! | 0:02:31 | 0:02:33 | |
My favourite music is definitely rap. | 0:02:33 | 0:02:36 | |
I will sing anywhere my sisters can't hear me. | 0:02:36 | 0:02:39 | |
I definitely don't like Justin Bieber. | 0:02:39 | 0:02:41 | |
I like all types of music. | 0:02:41 | 0:02:44 | |
I can sing to anyone as long as I've got my eyes shut. | 0:02:44 | 0:02:47 | |
And I don't get what all the fuss is with Lady Gaga. | 0:02:47 | 0:02:50 | |
-Do you like country music? -No. -No. -Hate country music. -Yeah. -Yeah | 0:02:50 | 0:02:54 | |
Country music, popular since 1960, | 0:02:56 | 0:02:59 | |
sells millions of albums every year. | 0:02:59 | 0:03:01 | |
Grammy Award winner, Taylor Swift, is 19. | 0:03:01 | 0:03:04 | |
Her recent album went platinum in 14 countries. | 0:03:04 | 0:03:08 | |
And she's already the biggest selling digital artist of all time. | 0:03:08 | 0:03:12 | |
Dolly Parton's my favourite and Billy Ray Cyrus. | 0:03:12 | 0:03:15 | |
So far we've had all girls singing the solos. | 0:03:15 | 0:03:18 | |
It's time for the boys to step up. | 0:03:18 | 0:03:20 | |
No... I don't want to sing on my own. | 0:03:20 | 0:03:22 | |
That's probably the hardest thing. | 0:03:23 | 0:03:25 | |
Getting over the fact that everyone's watching me | 0:03:25 | 0:03:28 | |
and listening to me. | 0:03:28 | 0:03:29 | |
# I'm riding solo I'm riding solo, I'm riding solo... # | 0:03:32 | 0:03:36 | |
Gareth has picked the perfect location | 0:03:36 | 0:03:38 | |
to get the group tuned in to country music. | 0:03:38 | 0:03:41 | |
I brought you out into the middle of absolute nowhere | 0:03:41 | 0:03:45 | |
because country music started with people out in the wilderness, | 0:03:45 | 0:03:49 | |
under the stars, singing to themselves | 0:03:49 | 0:03:52 | |
about their feelings and emotions. | 0:03:52 | 0:03:54 | |
I have got you out here to get in touch | 0:03:54 | 0:03:56 | |
with the spirit of country music. | 0:03:56 | 0:03:59 | |
-Oh! -Wow! | 0:03:59 | 0:04:00 | |
Get yourself a hat. | 0:04:00 | 0:04:01 | |
We're going to be singing a song that's incredibly popular. | 0:04:01 | 0:04:05 | |
It has been covered by everyone form Elvis to LeAnnn Rimes. | 0:04:05 | 0:04:08 | |
The song is called Your Cheating Heart. | 0:04:08 | 0:04:11 | |
-Never heard of it. -Never heard of it? | 0:04:11 | 0:04:13 | |
Great song. It's really good. You'll love it. It's a classic. | 0:04:13 | 0:04:16 | |
# Your cheatin' heart | 0:04:16 | 0:04:20 | |
# Will make you weep | 0:04:20 | 0:04:25 | |
# You'll cry and cry | 0:04:25 | 0:04:29 | |
# And try to sleep... # | 0:04:29 | 0:04:32 | |
What do you think? Good song? Oli? | 0:04:32 | 0:04:35 | |
-I don't like it. -It will take you a couple more listens | 0:04:35 | 0:04:38 | |
before you like it, but it's a great song. | 0:04:38 | 0:04:40 | |
Ready, two, three and one... | 0:04:40 | 0:04:42 | |
-ALL: -# Your cheating heart | 0:04:42 | 0:04:45 | |
# Your che-e-ating heart...# | 0:04:45 | 0:04:47 | |
Try that. Three and go. | 0:04:47 | 0:04:48 | |
# Your che-e-ating heart... # | 0:04:48 | 0:04:51 | |
Yeah, so you go, # Che-e-ating, che-e-ating... # | 0:04:51 | 0:04:55 | |
# Will make you weep. # | 0:04:55 | 0:04:58 | |
Why don't Oli and Chris both have a go at singing that? | 0:04:58 | 0:05:01 | |
One, two, three and go. | 0:05:01 | 0:05:04 | |
# Your cheating heart... # | 0:05:04 | 0:05:07 | |
Both of you. # Will make you weep... # | 0:05:07 | 0:05:10 | |
-I'm not doing it. -Ready? | 0:05:10 | 0:05:11 | |
# You cry and cry | 0:05:11 | 0:05:16 | |
-# And try to sleep... # -No. | 0:05:16 | 0:05:19 | |
Oli, what's happened? | 0:05:19 | 0:05:20 | |
-I don't want to do it. -You don't want to do it? | 0:05:20 | 0:05:23 | |
-I hate the song too much. -You hate the song too much? | 0:05:23 | 0:05:27 | |
OK, I'm sorry that you don't like country, | 0:05:27 | 0:05:29 | |
but we're here to try new things. | 0:05:29 | 0:05:32 | |
-Katie, were you scared when you did your solo? -Very. | 0:05:32 | 0:05:35 | |
-Did you do it? -Yes. | 0:05:35 | 0:05:36 | |
Oli, it is going to be fine, but I NEED you to give it a go. | 0:05:36 | 0:05:39 | |
-Is this a complete refusal? -Pretty much. | 0:05:42 | 0:05:44 | |
Why don't you take some time out, go and have a think about it | 0:05:44 | 0:05:48 | |
and I will teach the next bit of the song. | 0:05:48 | 0:05:50 | |
Let's learn the next bit of the song. | 0:05:50 | 0:05:52 | |
Yee-ha! | 0:05:52 | 0:05:54 | |
This is a real turning point for Oli. | 0:05:54 | 0:05:58 | |
OK, three and one... | 0:05:58 | 0:06:00 | |
Can he get over his embarrassment of singing in public | 0:06:00 | 0:06:03 | |
and embrace the country music solo? | 0:06:03 | 0:06:05 | |
Or will he give up all together? | 0:06:05 | 0:06:07 | |
I'm not doing it. | 0:06:11 | 0:06:12 | |
Everyone else has shown courage | 0:06:12 | 0:06:15 | |
in the face of a really, really scary thing. | 0:06:15 | 0:06:17 | |
And he hasn't. I'm really sad for him cos if he pulls out now, | 0:06:17 | 0:06:21 | |
he'll regret it for the rest of his life. | 0:06:21 | 0:06:23 | |
I really believe that. | 0:06:23 | 0:06:25 | |
With Oli's future on The Big Performance hanging by a thread, | 0:06:25 | 0:06:28 | |
it's left to Chris to take on the track later on today. | 0:06:28 | 0:06:32 | |
You're going to be performing in front of New Forest locals. | 0:06:34 | 0:06:38 | |
So far, they've sung in front of each other... | 0:06:39 | 0:06:41 | |
SHE SINGS | 0:06:41 | 0:06:43 | |
# Can you feel it... # | 0:06:43 | 0:06:45 | |
..Gareth's old school choir | 0:06:45 | 0:06:48 | |
and professional entertainers. | 0:06:48 | 0:06:50 | |
# If I only had a heart... # | 0:06:50 | 0:06:52 | |
The stakes just got tougher. They must face the general public. | 0:06:52 | 0:06:57 | |
This is your first proper, public performance. | 0:06:57 | 0:07:00 | |
-And you're doing the solo, Chris. -So is Oli. | 0:07:00 | 0:07:04 | |
Oli will be doing it. I'll go and talk to him now. | 0:07:04 | 0:07:06 | |
I feel that it might spoil, like, my solo | 0:07:06 | 0:07:10 | |
if he doesn't do it as well | 0:07:10 | 0:07:11 | |
cos we're both doing different verses, but on the same song. | 0:07:11 | 0:07:15 | |
I'm really worried about Oli. | 0:07:15 | 0:07:18 | |
He's just refusing to sing. This is a singing experience. | 0:07:18 | 0:07:21 | |
He said he wanted to improve his confidence by singing. | 0:07:21 | 0:07:24 | |
And now he won't sing. | 0:07:24 | 0:07:25 | |
Oli, an only child, loves football, tennis, rugby, you name it - | 0:07:27 | 0:07:31 | |
anything sporty. | 0:07:31 | 0:07:32 | |
But his guilty pleasure is singing. | 0:07:32 | 0:07:35 | |
I can sing in front of anyone | 0:07:35 | 0:07:36 | |
when I've got my eyes closed and headphones on. | 0:07:36 | 0:07:39 | |
So I can't hear my own voice or see anything. | 0:07:39 | 0:07:41 | |
Last week, he had difficulty singing show tunes. | 0:07:41 | 0:07:45 | |
'It's all about confidence, at the moment, I don't have much of that.' | 0:07:46 | 0:07:49 | |
I don't think singing is, like, the done thing for boys. | 0:07:49 | 0:07:54 | |
The thought of doing a country music solo later on today | 0:07:54 | 0:07:58 | |
has pushed him to the brink. | 0:07:58 | 0:08:00 | |
If you walk away, I'll obviously be really sad. | 0:08:00 | 0:08:03 | |
I'll be sad for you cos it'll be an opportunity lost. | 0:08:03 | 0:08:07 | |
But no-one is making you do it. | 0:08:07 | 0:08:09 | |
I want you to think really hard about it. | 0:08:09 | 0:08:11 | |
If Oli stayed and tried with us, | 0:08:11 | 0:08:14 | |
he'd probably be able to do the solo. | 0:08:14 | 0:08:17 | |
Giving it a try is the most you can do. | 0:08:17 | 0:08:19 | |
I don't think Oli's really got that yet. | 0:08:19 | 0:08:22 | |
It's decision time for Oli. | 0:08:22 | 0:08:24 | |
Can he overcome his fears and face the music? | 0:08:24 | 0:08:27 | |
Everything was just | 0:08:27 | 0:08:29 | |
swirling around and I couldn't concentrate. I walked out. | 0:08:29 | 0:08:32 | |
Oli! | 0:08:32 | 0:08:34 | |
Good to see you. How are you doing? | 0:08:36 | 0:08:39 | |
-Not very well. -Not very well. OK. | 0:08:39 | 0:08:43 | |
I'm going to level with you. | 0:08:43 | 0:08:44 | |
I think you've got one of the better voices in the group. | 0:08:44 | 0:08:48 | |
It's very pure, you're bang in tune, you've got a good musical mind. | 0:08:48 | 0:08:52 | |
You're going to get this right if you go for it. | 0:08:52 | 0:08:55 | |
-Do you think you can do it? -Dunno... | 0:08:55 | 0:08:57 | |
I reckon you can. I really do. Let's give it a go. | 0:08:57 | 0:09:00 | |
# Your che-e-ating heart | 0:09:00 | 0:09:03 | |
# Will pine some day | 0:09:03 | 0:09:07 | |
# And crave the love | 0:09:07 | 0:09:11 | |
# You threw away. # | 0:09:11 | 0:09:14 | |
You did a really nice thing where you opened the sound up. | 0:09:14 | 0:09:17 | |
I think it was, # Your cheating he-a-a-art... # | 0:09:17 | 0:09:21 | |
And you let us really hear your voice. | 0:09:21 | 0:09:23 | |
Could you go, | 0:09:23 | 0:09:24 | |
# Your che-e-ating hea-a-a-a-art... # | 0:09:24 | 0:09:28 | |
# Your che-e-ating hea-a-a-a-art | 0:09:28 | 0:09:31 | |
# Will pine some day | 0:09:31 | 0:09:34 | |
# And crave the lo-o-o-ove | 0:09:35 | 0:09:39 | |
# You threw away. # | 0:09:39 | 0:09:42 | |
Yeah. | 0:09:42 | 0:09:44 | |
How are you feeling now? | 0:09:44 | 0:09:46 | |
-Really? -Mm-hmm. -I think that was really good. | 0:09:49 | 0:09:51 | |
It was so critical. I thought he was going to leave. | 0:09:51 | 0:09:54 | |
I thought he was going to walk away and never come back. | 0:09:54 | 0:09:57 | |
And that, for me, is a big breakthrough. | 0:09:57 | 0:09:59 | |
Oli now wants to do it. | 0:09:59 | 0:10:01 | |
I did OK, so I feel so much better now. | 0:10:01 | 0:10:05 | |
I think we hit rock bottom and the only way is up. | 0:10:05 | 0:10:08 | |
I still hate country music, and I still dislike the song, | 0:10:08 | 0:10:11 | |
but Gareth says it brings out a lot of my voice. | 0:10:11 | 0:10:15 | |
So far everything Gareth says has been right. | 0:10:15 | 0:10:19 | |
I'll just have to trust him. | 0:10:19 | 0:10:21 | |
Later on today, Gareth will be rating Oli's chances | 0:10:21 | 0:10:24 | |
as the Proms In The Park soloist. | 0:10:24 | 0:10:26 | |
High, medium or low. Will he rise to the challenge? | 0:10:26 | 0:10:30 | |
It's time for Gareth to focus his attention | 0:10:30 | 0:10:33 | |
on today's other soloist, Chris. | 0:10:33 | 0:10:36 | |
Chris loves fishing, fishing and more fishing. | 0:10:37 | 0:10:40 | |
Mainly because he's away from his sisters, he's outnumbered. | 0:10:40 | 0:10:44 | |
They tease him about absolutely everything, | 0:10:44 | 0:10:47 | |
but especially his singing. | 0:10:47 | 0:10:49 | |
I normally tell Chris his singing's rubbish. | 0:10:49 | 0:10:51 | |
We need to find a way to make this song work for you. | 0:10:51 | 0:10:55 | |
Stand up. | 0:10:55 | 0:10:56 | |
I want you to shout at me using those words. | 0:10:57 | 0:11:00 | |
Your cheating heart... Really have a go at me. | 0:11:00 | 0:11:03 | |
-Use different kinds of expression. -Should I shout | 0:11:03 | 0:11:06 | |
-like I'm shouting at my little sister? -Exactly. | 0:11:06 | 0:11:09 | |
Perfect. | 0:11:09 | 0:11:10 | |
Your cheating heart, will make you weep! | 0:11:10 | 0:11:13 | |
You'll cry and cry and try to sleep, but sleep won't come. | 0:11:13 | 0:11:16 | |
How can we use that when we're singing? | 0:11:16 | 0:11:18 | |
HIGH-PITCHED: # Your cheating heart. # | 0:11:18 | 0:11:22 | |
Sing it like you mean it? | 0:11:22 | 0:11:24 | |
Chris has always struggled with his lack of confidence. | 0:11:24 | 0:11:27 | |
It's just people judge me for what I can and can't do. | 0:11:27 | 0:11:30 | |
I can't do a lot of things. I get bullied a lot, yeah. | 0:11:30 | 0:11:33 | |
But I just want to prove I can actually do something. | 0:11:33 | 0:11:38 | |
If Chris can start believing in himself, | 0:11:38 | 0:11:40 | |
he may be able to find his voice. | 0:11:40 | 0:11:42 | |
Sing it like you mean it. | 0:11:42 | 0:11:44 | |
# But sleep won't come | 0:11:44 | 0:11:47 | |
# The whole night through | 0:11:47 | 0:11:51 | |
# Your cheating heart | 0:11:51 | 0:11:54 | |
# Will tell on you... # | 0:11:54 | 0:11:57 | |
Great. Can you do that and be that expressive in your eyes | 0:11:57 | 0:12:01 | |
when we do the performance? | 0:12:01 | 0:12:02 | |
I'll try. I'll give it my best shot. | 0:12:04 | 0:12:06 | |
Good. Well done. Really, really good session. | 0:12:06 | 0:12:09 | |
I really liked when Chris started to shout | 0:12:09 | 0:12:12 | |
and be more expressive. I've not really seen that in his singing. | 0:12:12 | 0:12:15 | |
I know that it's there in his personality, | 0:12:15 | 0:12:18 | |
but he hasn't had the confidence to put it into the song. | 0:12:18 | 0:12:21 | |
The best that just happened is that I actually got to shout at Gareth. | 0:12:21 | 0:12:25 | |
Your cheating heart will tell on you! | 0:12:25 | 0:12:27 | |
I feel really confident now, | 0:12:27 | 0:12:30 | |
but I hope it doesn't change for the performance later on. | 0:12:30 | 0:12:34 | |
Will his chances of becoming the Proms In The Park soloist be high, | 0:12:35 | 0:12:39 | |
medium, or low? | 0:12:39 | 0:12:41 | |
Later, the group will perform LeAnn Rimes' version | 0:12:44 | 0:12:48 | |
of Your Cheating Heart to their first public audience. | 0:12:48 | 0:12:51 | |
To get them into the music, the tour bus's next stop | 0:12:51 | 0:12:55 | |
has everything a country star could wish for. | 0:12:55 | 0:12:58 | |
Plus there's a celebrity guest waiting in the wings. | 0:12:58 | 0:13:01 | |
As you know, this week we're doing country music. | 0:13:02 | 0:13:06 | |
I think it's important that you get into the feeling | 0:13:06 | 0:13:10 | |
of what it is to be cowgirl or a cowboy. | 0:13:10 | 0:13:13 | |
Yee-ha! | 0:13:13 | 0:13:15 | |
Yes! | 0:13:15 | 0:13:16 | |
A cowboy is nothing without his lasso. | 0:13:16 | 0:13:18 | |
So mastering this art should get them into the part. | 0:13:18 | 0:13:22 | |
LAUGHTER Um, yee-ha! | 0:13:22 | 0:13:24 | |
Yee-ha! | 0:13:24 | 0:13:25 | |
-Yee-ha! -Yee-ha! | 0:13:26 | 0:13:29 | |
Really going for it. | 0:13:29 | 0:13:30 | |
SHOUTS: Yee-ha! | 0:13:30 | 0:13:31 | |
And away it goes. | 0:13:31 | 0:13:32 | |
It doesn't matter that we didn't get the bull, | 0:13:35 | 0:13:38 | |
but what matters for singing is that we get the attitude. | 0:13:38 | 0:13:41 | |
I didn't really see cowboys. | 0:13:41 | 0:13:43 | |
So, I'm going to go and get someone who'll help you | 0:13:43 | 0:13:47 | |
get into the spirit of cowboy cos he's a really good actor. | 0:13:47 | 0:13:51 | |
This person has been in an award-winning comedy. | 0:13:53 | 0:13:58 | |
He's not that much older than you. | 0:13:58 | 0:14:01 | |
He's an absolutely brilliant actor. I'll get him. | 0:14:01 | 0:14:04 | |
-Tyger. -Hi-yo. -Hello. | 0:14:04 | 0:14:06 | |
I've got ten of the least convincing cowboys you've ever seen. | 0:14:06 | 0:14:12 | |
Star of hit TV show Outnumbered, | 0:14:12 | 0:14:14 | |
Tyger Drew-Honey has been acting since the age of seven. | 0:14:14 | 0:14:18 | |
I will do anything to get them on their way. | 0:14:18 | 0:14:20 | |
-Good, let's go and meet them. -Lovely. | 0:14:20 | 0:14:22 | |
Hi, everyone. | 0:14:22 | 0:14:24 | |
I know him, he's called Tyger Drew-Honey, | 0:14:24 | 0:14:26 | |
he's off Outnumbered, he plays Jake, he's cool. | 0:14:26 | 0:14:29 | |
OK, well one of the most important things about performing | 0:14:29 | 0:14:32 | |
is getting into character, because if you're not in your character | 0:14:32 | 0:14:35 | |
things can seem flat and uninteresting. | 0:14:35 | 0:14:37 | |
How can we help everyone get into character as a cowboy? | 0:14:37 | 0:14:40 | |
Well, for our little exercise today | 0:14:40 | 0:14:42 | |
we're going to be doing some role-plays. | 0:14:42 | 0:14:44 | |
You've all got the same characters. | 0:14:44 | 0:14:46 | |
Armed with props and some stock country characters | 0:14:46 | 0:14:49 | |
our singers have to act out a typical cowboy movie scene. | 0:14:49 | 0:14:53 | |
There's sheriff's, cowgirls, bandits and even a damsel in distress. | 0:14:53 | 0:14:57 | |
Your story isn't quite as important as the characters, | 0:14:59 | 0:15:02 | |
because if you don't have the character, | 0:15:02 | 0:15:04 | |
if you're not convincing then there isn't a story. | 0:15:04 | 0:15:07 | |
Imagine if you had been given a box of frogs, how you'd react. | 0:15:07 | 0:15:10 | |
-I would laugh. -I would scream. -Well scream. | 0:15:10 | 0:15:13 | |
Really, you can't pretend to be in character, you have to actually be. | 0:15:13 | 0:15:17 | |
How do you get into character? | 0:15:18 | 0:15:20 | |
I just sit down for a second and prepare myself, | 0:15:21 | 0:15:23 | |
just imagine how you'd walk and talk and interact with things. | 0:15:23 | 0:15:27 | |
'Think what a particular character might be.' | 0:15:27 | 0:15:29 | |
What sort of environment he'd be in, what sort of mood he'd be in. | 0:15:29 | 0:15:33 | |
Tired, old, think of all those things, take them into account. | 0:15:33 | 0:15:37 | |
And then you can get a really good, | 0:15:37 | 0:15:39 | |
accurate idea of what to do, how to move, things like that. | 0:15:39 | 0:15:43 | |
Oli is a massive Outnumbered fan. | 0:15:43 | 0:15:45 | |
Can his idol, Tyger, help him get into his role as a country soloist. | 0:15:45 | 0:15:50 | |
In your mind what would you say is a brilliant soloist? | 0:15:50 | 0:15:55 | |
He has no fear and his voice is really clear and really loud. | 0:15:55 | 0:16:00 | |
So it can be heard from a long way away. | 0:16:00 | 0:16:02 | |
You need to put yourself in this brilliant soloist's shoes. | 0:16:02 | 0:16:06 | |
You need to have no fear, be positive, | 0:16:06 | 0:16:08 | |
make sure your voice is loud and clear. | 0:16:08 | 0:16:10 | |
Be that person that you just described to me. | 0:16:10 | 0:16:13 | |
No! Please, I have two starving kids at home. | 0:16:13 | 0:16:16 | |
You were a really desperate, dithery criminal, | 0:16:17 | 0:16:20 | |
which I thought was good. Really funny. | 0:16:20 | 0:16:22 | |
When you're singing it is like putting on a character. | 0:16:22 | 0:16:25 | |
It doesn't always have to be you on stage. | 0:16:25 | 0:16:29 | |
Really fantastic to meet you and really inspiring as well. | 0:16:29 | 0:16:33 | |
Thank you very much, that's really good. | 0:16:33 | 0:16:35 | |
Tyger told us to like act like a character and think of it | 0:16:35 | 0:16:40 | |
so you won't get like nervous or shy to do it. | 0:16:40 | 0:16:43 | |
You can be a different kind of person | 0:16:43 | 0:16:46 | |
to who you are normally when you're singing. | 0:16:46 | 0:16:49 | |
If you were singing country for example, | 0:16:49 | 0:16:51 | |
just imagine yourself as a cowboy, like "hey, I'm Bob." | 0:16:51 | 0:16:55 | |
The tune goes, it's like | 0:17:00 | 0:17:01 | |
# Your cheating heart... # | 0:17:01 | 0:17:03 | |
While the rest of the team rehearse, it's challenge time for Chris. | 0:17:03 | 0:17:07 | |
Gareth needs to see | 0:17:07 | 0:17:08 | |
that he's starting to believe in himself as a singer. | 0:17:08 | 0:17:11 | |
Chris, it's time for your solo challenge. | 0:17:13 | 0:17:16 | |
I want you to sing in front of your sisters and four of their friends. | 0:17:16 | 0:17:20 | |
No. | 0:17:20 | 0:17:21 | |
Do you think you can do it? | 0:17:21 | 0:17:22 | |
My sisters are going to take the mickey out of me. | 0:17:22 | 0:17:25 | |
They might, but I think they'll be encouraging, | 0:17:25 | 0:17:28 | |
because you're going to be brilliant. | 0:17:28 | 0:17:30 | |
Come on, let's go. | 0:17:30 | 0:17:32 | |
Singing to his sisters is a big deal for Chris. | 0:17:32 | 0:17:35 | |
As Gareth discovered at the first audition. | 0:17:35 | 0:17:37 | |
-I actually want to prove my sisters wrong. -Why what do they say? | 0:17:37 | 0:17:42 | |
-They say, "You're rubbish." -Really? -"You can't do that, | 0:17:42 | 0:17:46 | |
"you can't do this." | 0:17:46 | 0:17:47 | |
It might not be that bad because... | 0:17:47 | 0:17:49 | |
her four friends are my four friends and they might not take the mickey. | 0:17:49 | 0:17:55 | |
But I know my sisters will. | 0:17:55 | 0:17:56 | |
If Chris can pull this off he will hopefully find the courage | 0:17:56 | 0:18:01 | |
to sing in front of the group's largest audience yet. | 0:18:01 | 0:18:05 | |
There he is. | 0:18:09 | 0:18:10 | |
# You're ch... # Erh! | 0:18:16 | 0:18:19 | |
# Ahhhh | 0:18:20 | 0:18:21 | |
# Will make you weep | 0:18:21 | 0:18:24 | |
# You will cry and cry | 0:18:24 | 0:18:29 | |
# And try to sleep | 0:18:29 | 0:18:33 | |
# The time will come | 0:18:34 | 0:18:38 | |
# When you'll be blue | 0:18:38 | 0:18:40 | |
# Your cheating heart | 0:18:40 | 0:18:45 | |
# Will tell on you. # | 0:18:45 | 0:18:47 | |
APPLAUSE | 0:18:50 | 0:18:51 | |
Chris, I'm not even going to ask the audience, I'm going to ask you | 0:18:53 | 0:18:57 | |
did you sing or did you speak? | 0:18:57 | 0:18:59 | |
-I spoke. -You spoke. | 0:18:59 | 0:19:00 | |
Gareth wants to show Chris that he really can sing, | 0:19:00 | 0:19:04 | |
if he just believes it himself. | 0:19:04 | 0:19:06 | |
-# You're... # -Yeah? | 0:19:07 | 0:19:09 | |
And... | 0:19:09 | 0:19:10 | |
# You'll cry and cry | 0:19:10 | 0:19:13 | |
# And try to sleep. # | 0:19:13 | 0:19:15 | |
You see, he can do it. | 0:19:15 | 0:19:17 | |
I'm happy they clapped but I don't know if they meant it. | 0:19:19 | 0:19:25 | |
I think he sounded a lot better than I thought. | 0:19:25 | 0:19:28 | |
I think he's really brave. | 0:19:28 | 0:19:30 | |
I wouldn't be able to do this. | 0:19:30 | 0:19:32 | |
There's good news and bad news. | 0:19:32 | 0:19:34 | |
The good news is he got through it and didn't fall apart. | 0:19:34 | 0:19:37 | |
The bad news is it wasn't the best performance. | 0:19:37 | 0:19:40 | |
He'll be beating himself up now. I need time to get him up to scratch. | 0:19:40 | 0:19:44 | |
One down, another soloist to go. | 0:19:51 | 0:19:53 | |
Can Oli let go of his fears and sing in front of an audience? | 0:19:53 | 0:19:57 | |
His toughest yet is closer to home than he realises. | 0:19:57 | 0:20:00 | |
OK, Oli, you know where we are. | 0:20:01 | 0:20:03 | |
We're outside your house. Who do you think's inside? | 0:20:03 | 0:20:06 | |
-I don't know, but I'm terrified. -It's your parents. | 0:20:06 | 0:20:09 | |
If you can do this then you can do the performance later. | 0:20:09 | 0:20:12 | |
-OK. -Shall we give it a go? Come on, let's face your fears. | 0:20:12 | 0:20:15 | |
He's quite self-conscious, will do anything to avoid the limelight. | 0:20:17 | 0:20:21 | |
So this is the one that is hardest for him. | 0:20:21 | 0:20:23 | |
I'll always want to do them, like proud, whenever I do something. | 0:20:23 | 0:20:28 | |
And I'm worried about slip-ups. | 0:20:28 | 0:20:30 | |
Can Oli prove he really has turned a corner? | 0:20:30 | 0:20:35 | |
# You'll cry and cry | 0:20:36 | 0:20:40 | |
# And try to sleep | 0:20:40 | 0:20:44 | |
# But sleep won't come | 0:20:44 | 0:20:47 | |
# The whole night through | 0:20:49 | 0:20:52 | |
# Your cheating heart | 0:20:53 | 0:20:57 | |
# Would tell on you | 0:20:57 | 0:20:59 | |
BOTH: # When tears come down | 0:20:59 | 0:21:05 | |
# Like falling rain | 0:21:05 | 0:21:08 | |
# You'll toss around | 0:21:08 | 0:21:13 | |
# And call my name | 0:21:13 | 0:21:17 | |
# Your cheating heart | 0:21:17 | 0:21:21 | |
# Will tell on you. # | 0:21:21 | 0:21:25 | |
Really fantastic, yeah. | 0:21:32 | 0:21:35 | |
Yeah, he's really great to stand up there and do that. | 0:21:35 | 0:21:38 | |
I would find it so hard. | 0:21:38 | 0:21:40 | |
Didn't show you didn't like the song, you sang it with heart. | 0:21:40 | 0:21:43 | |
You passed your solo challenge, round of applause I think. | 0:21:43 | 0:21:47 | |
It means a lot to me that my parents think I'm a good singer. | 0:21:48 | 0:21:51 | |
I've always been nervous to sing to them. | 0:21:51 | 0:21:53 | |
I don't say this very often but I am proud of him anyway, | 0:21:53 | 0:21:56 | |
to see him there singing in front of us was terrific, yeah. | 0:21:56 | 0:22:00 | |
We now know that Oli can actually do it, he can sing. | 0:22:00 | 0:22:03 | |
It's a really good sound, he makes. | 0:22:03 | 0:22:05 | |
Now he just needs to forget about all the worries | 0:22:05 | 0:22:07 | |
and stand up and look like he enjoys it. | 0:22:07 | 0:22:09 | |
Put on a character of somebody confident. | 0:22:09 | 0:22:12 | |
To put on a successful country performance | 0:22:14 | 0:22:17 | |
the group needs to get into character. | 0:22:17 | 0:22:19 | |
But how do the celebs do it? | 0:22:19 | 0:22:21 | |
I've got to find something in my own life, I've experienced, | 0:22:21 | 0:22:24 | |
that I can latch onto in the song. | 0:22:24 | 0:22:26 | |
And then feed off of that all of the time. | 0:22:26 | 0:22:28 | |
It's kind of sort of method acting, for an actor. | 0:22:28 | 0:22:32 | |
When playing a character I think it's important you think about | 0:22:33 | 0:22:37 | |
the way that character stands, the way they hold themselves. | 0:22:37 | 0:22:41 | |
The way they portray themselves. | 0:22:41 | 0:22:44 | |
And that sets you up perfectly for your performance. | 0:22:44 | 0:22:48 | |
For some people, if the character's strong enough | 0:22:48 | 0:22:51 | |
and they know it well enough they can snap into it. | 0:22:51 | 0:22:53 | |
So there isn't any preparation process. | 0:22:53 | 0:22:56 | |
Whatever type of singer you're going to be, soul, country, pop, | 0:22:56 | 0:22:59 | |
it's important you know the styles you're playing. | 0:22:59 | 0:23:02 | |
And really get your head space into that sound. | 0:23:02 | 0:23:07 | |
It's showtime. | 0:23:15 | 0:23:16 | |
And the spotlight falls on Chris and Oli. | 0:23:16 | 0:23:19 | |
They've made it through their solo challenges, | 0:23:20 | 0:23:23 | |
but this is the largest audience they've ever sung to. | 0:23:23 | 0:23:25 | |
Can they keep their cool? | 0:23:25 | 0:23:28 | |
Yeah, I'm feeling nervous. | 0:23:31 | 0:23:33 | |
There's kids and adults there. | 0:23:35 | 0:23:37 | |
Our age just waiting to see us. | 0:23:37 | 0:23:39 | |
In the end this is my only solo opportunity, so I've got to take it. | 0:23:39 | 0:23:44 | |
Um, and give it my best. | 0:23:44 | 0:23:45 | |
Everyone is scared and nervous, but we're still going to do it. | 0:23:45 | 0:23:49 | |
I'm particularly nervous about this | 0:23:49 | 0:23:51 | |
because this is their biggest audience to date. | 0:23:51 | 0:23:53 | |
Oli I think should do a good job, but I'm really worried about Chris. | 0:23:53 | 0:23:57 | |
Because he really was very nervous in his performance challenge. | 0:23:57 | 0:24:01 | |
I don't know how it's going to go. | 0:24:01 | 0:24:03 | |
Give it as much as you can. | 0:24:06 | 0:24:07 | |
OK? Agreed? | 0:24:07 | 0:24:09 | |
Come on, let's do this, let's go. | 0:24:09 | 0:24:11 | |
APPLAUSE | 0:24:13 | 0:24:14 | |
There's nothing more Gareth can do. | 0:24:14 | 0:24:16 | |
It's up to Oli and Chris to prove they're real contenders | 0:24:17 | 0:24:21 | |
for the Proms In The Park solo spot. | 0:24:21 | 0:24:23 | |
PIANO | 0:24:25 | 0:24:26 | |
# Your cheating heart | 0:24:31 | 0:24:34 | |
# Will try... # Erh. | 0:24:34 | 0:24:36 | |
# You'll cry and cry | 0:24:39 | 0:24:42 | |
# And try to sleep | 0:24:42 | 0:24:46 | |
# But sleep won't come | 0:24:46 | 0:24:50 | |
# The whole night through | 0:24:50 | 0:24:54 | |
# Your cheating heart | 0:24:54 | 0:24:59 | |
# Will tell on you | 0:24:59 | 0:25:01 | |
# When tears come down | 0:25:02 | 0:25:05 | |
# Like falling rain | 0:25:05 | 0:25:09 | |
# You'll toss around | 0:25:09 | 0:25:14 | |
# And call my name | 0:25:14 | 0:25:18 | |
# You'll walk the floor | 0:25:18 | 0:25:21 | |
# The way I do | 0:25:21 | 0:25:25 | |
# Your cheating heart | 0:25:26 | 0:25:30 | |
# Will tell on you. # | 0:25:30 | 0:25:33 | |
APPLAUSE | 0:25:33 | 0:25:35 | |
WHISTLES | 0:25:37 | 0:25:39 | |
Who knew that country was going to be such a test? | 0:25:39 | 0:25:41 | |
I really enjoyed it, I think I did pretty well in it. | 0:25:44 | 0:25:46 | |
I didn't like it that much but I'm glad I did it. | 0:25:46 | 0:25:50 | |
This is my first public audience and I think it went OK. | 0:25:50 | 0:25:54 | |
# Those troubles I'm facing | 0:25:54 | 0:25:57 | |
# The chances I'm taking | 0:25:57 | 0:25:59 | |
# Sometimes might knock me down but | 0:25:59 | 0:26:03 | |
# No, I'm not breaking. # | 0:26:03 | 0:26:06 | |
Some of them struggled with it as a style of music. | 0:26:06 | 0:26:08 | |
But I think it's done them good. | 0:26:08 | 0:26:10 | |
In seven weeks Gareth's singers will perform to a 40,000 strong crowd | 0:26:10 | 0:26:15 | |
at Proms In The Park. | 0:26:15 | 0:26:16 | |
One of them will be picked as the soloist. | 0:26:16 | 0:26:18 | |
Based on today's performance, I think Chris has got a low chance | 0:26:18 | 0:26:22 | |
of being the soloist for the big performance. | 0:26:22 | 0:26:25 | |
But Oli's got a much better chance, I think he's got a very good voice, | 0:26:25 | 0:26:28 | |
doesn't struggle so much with the pitch, as Chris. | 0:26:28 | 0:26:31 | |
I think Oli's got a high chance. | 0:26:31 | 0:26:33 | |
But with seven weeks to go until the big performance, | 0:26:33 | 0:26:36 | |
there's still time for things to change | 0:26:36 | 0:26:38 | |
before Gareth makes his final decision. | 0:26:38 | 0:26:41 | |
Next time on The Big Performance. | 0:26:48 | 0:26:51 | |
The group go back to DJ school. | 0:26:51 | 0:26:53 | |
# I've got the power. # | 0:26:53 | 0:26:55 | |
Howard's solo has a powerful effect on his audience. | 0:26:55 | 0:26:59 | |
-It moved me to tears, I have to say. -Oh, tears! | 0:26:59 | 0:27:02 | |
-Tears of the good sort. -Very, very good. | 0:27:02 | 0:27:05 | |
And the group singing is put to the test | 0:27:05 | 0:27:07 | |
when they perform to their most important audience yet. | 0:27:07 | 0:27:10 | |
The man from The Proms has expectations, he wants a good show. | 0:27:10 | 0:27:14 | |
So I really hope that they just... get it right. | 0:27:14 | 0:27:17 |