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This programme contains some strong language. | 0:00:00 | 0:00:03 | |
He died in exactly the same spot as his twin brother. | 0:00:04 | 0:00:08 | |
What is it? | 0:00:08 | 0:00:10 | |
Fate, karma? Destiny? | 0:00:10 | 0:00:13 | |
Fuckin' inconvenient is what it is. | 0:00:13 | 0:00:15 | |
Steve is such a sad loss. | 0:00:15 | 0:00:17 | |
Suppose we'd better get him harvested then. | 0:00:20 | 0:00:22 | |
You're not gonna sell his body parts? | 0:00:23 | 0:00:26 | |
It's what Steve would have wanted. | 0:00:27 | 0:00:29 | |
What? Being chopped up into his component parts? | 0:00:29 | 0:00:33 | |
Then sold to t'highest bidder, that's what he would have wanted? | 0:00:33 | 0:00:36 | |
It's what he told ME. | 0:00:36 | 0:00:38 | |
Come on. | 0:00:38 | 0:00:40 | |
No-one should die for nothing. | 0:00:40 | 0:00:42 | |
It's a bit of a disrespect, innit, blud? | 0:00:42 | 0:00:45 | |
Harvesting his arse. | 0:00:45 | 0:00:48 | |
About the only part of him we can't sell. | 0:00:48 | 0:00:50 | |
In fact, we'll leave his arse here, Morris. | 0:00:50 | 0:00:54 | |
A bit of a treat for you. | 0:00:54 | 0:00:56 | |
I know a guy who was born with no buttocks. | 0:00:56 | 0:01:00 | |
He might fancy it. | 0:01:00 | 0:01:01 | |
It's up to you, Morris. | 0:01:01 | 0:01:04 | |
First dibs on the arse. | 0:01:04 | 0:01:05 | |
No arse for me, thank you. | 0:01:05 | 0:01:08 | |
CH? | 0:01:09 | 0:01:10 | |
This is Steve we're talking about. | 0:01:14 | 0:01:16 | |
You can't just turn him into a selection of cold cuts. | 0:01:16 | 0:01:19 | |
-He was a mate. -I never liked him. | 0:01:19 | 0:01:21 | |
You liked him though. | 0:01:22 | 0:01:24 | |
He was...all right. I suppose. | 0:01:24 | 0:01:29 | |
Cartoon Head, you had a soft spot for Steve, didn't you? | 0:01:29 | 0:01:33 | |
Dr Persil? | 0:01:37 | 0:01:39 | |
Psycho Paul speaking. | 0:01:39 | 0:01:42 | |
The gang have just come into some merchandise. | 0:01:43 | 0:01:47 | |
Correct. | 0:01:49 | 0:01:51 | |
It's very fr-r-resh. | 0:01:51 | 0:01:54 | |
Mother. I wasn't expecting you. | 0:02:17 | 0:02:20 | |
-Thank you, Chen. -Oh, who's that, more guests? | 0:02:28 | 0:02:34 | |
It's like being Richard and Judy, ain't it, Keith? | 0:02:34 | 0:02:37 | |
Mmm-mmm. | 0:02:37 | 0:02:38 | |
-This is my mother, Mrs Low. -Good afternoon. | 0:02:38 | 0:02:43 | |
I really love old ladies. | 0:02:43 | 0:02:46 | |
Do you really? | 0:02:48 | 0:02:49 | |
-Ah, Nigel Havers(!) -All right, Moz? | 0:02:55 | 0:02:57 | |
I've got summat dead important to tell you. | 0:02:57 | 0:02:59 | |
The part of my brain that looks after "dead important" | 0:02:59 | 0:03:02 | |
is chock-a-block. Can you come back later? | 0:03:02 | 0:03:04 | |
Erm. OK. I'm on probation, so my time's my own. | 0:03:04 | 0:03:08 | |
Great. See you later. | 0:03:08 | 0:03:10 | |
Good afternoon. Would one of you gentlemen be Moz? | 0:03:10 | 0:03:13 | |
-I'm Colin. -That's irrelevant. | 0:03:13 | 0:03:15 | |
Not to me. | 0:03:15 | 0:03:17 | |
Dr Persil. Psycho Paul called me. | 0:03:17 | 0:03:20 | |
I believe you have some merch. | 0:03:20 | 0:03:22 | |
Oh, what kind of merch? | 0:03:22 | 0:03:24 | |
Are you dealing again? | 0:03:24 | 0:03:25 | |
Does Nicki know? Is there a price war? | 0:03:25 | 0:03:27 | |
Come back later. | 0:03:27 | 0:03:28 | |
-Will you tell me later? -No. Just go! | 0:03:28 | 0:03:31 | |
You got here quickly. | 0:03:35 | 0:03:36 | |
As luck would have it, I was in the area trying on some slacks. | 0:03:36 | 0:03:40 | |
Great. The sooner we can get him out of here the better. | 0:03:40 | 0:03:44 | |
Our Thursdays aren't normally like this. | 0:03:44 | 0:03:47 | |
See you later. | 0:03:50 | 0:03:52 | |
Dr Persil. | 0:03:54 | 0:03:56 | |
Psycho Paul, always a pleasure. Cartoon Head. You're looking well. | 0:03:57 | 0:04:01 | |
Xavier, what a smart hat. | 0:04:02 | 0:04:05 | |
Respec', blud. | 0:04:05 | 0:04:07 | |
Where's Steve? | 0:04:08 | 0:04:10 | |
Oh, I see. | 0:04:12 | 0:04:14 | |
HE CLEARS THROAT | 0:04:18 | 0:04:20 | |
Oh, that is fresh. | 0:04:22 | 0:04:25 | |
He only cashed his clogs in about 15 minutes ago. | 0:04:25 | 0:04:28 | |
Psycho Paul, I did ask you to keep the dead gentleman's temperature | 0:04:28 | 0:04:31 | |
as close to zero as possible. | 0:04:31 | 0:04:33 | |
We've got a window open. | 0:04:33 | 0:04:35 | |
It's a shame he's a mono-oculoid. | 0:04:35 | 0:04:37 | |
That operation was performed over a year ago | 0:04:37 | 0:04:40 | |
by Dr Paul and Nurse Cartoon Head there. | 0:04:40 | 0:04:42 | |
It was a punishment gouging. | 0:04:43 | 0:04:45 | |
We might still sell the other one. | 0:04:45 | 0:04:47 | |
People do occasionally buy singles. | 0:04:47 | 0:04:50 | |
We'll easily shift the kidneys and the liver, of course. | 0:04:50 | 0:04:53 | |
But his heart's another matter. | 0:04:53 | 0:04:55 | |
Once the heart stops beating, its value plummets. | 0:04:55 | 0:04:59 | |
I'll see what I can do. | 0:04:59 | 0:05:00 | |
Oh, that brain will fly off the shelf. | 0:05:00 | 0:05:03 | |
I've a client who loves brains, loves them. | 0:05:03 | 0:05:06 | |
-Is that German Barbara? -The very same. | 0:05:06 | 0:05:09 | |
Xavier, can you pop to my Citron Berlingo, and get the organ boxes? | 0:05:09 | 0:05:13 | |
Cartoon Head, would you mind taking the dead gentleman into the kitchen? | 0:05:13 | 0:05:17 | |
Eh? You're not going to do it here. | 0:05:17 | 0:05:20 | |
Oh, I'm afraid time is made of essence. | 0:05:20 | 0:05:22 | |
You won't make a mess of my kitchen, will you? | 0:05:22 | 0:05:24 | |
I don't want it like when that epileptic hosted Come Dine With Me. | 0:05:24 | 0:05:27 | |
Don't worry, sir, I've over 10 years of dismemberment under my belt. | 0:05:27 | 0:05:31 | |
Do you not have a conscience at all, about this? | 0:05:31 | 0:05:33 | |
Conscience is just another word for gay. | 0:05:33 | 0:05:37 | |
You can't just look at a person | 0:05:37 | 0:05:38 | |
purely in terms of their monetary value. | 0:05:38 | 0:05:41 | |
Of course not. I always remember when it comes to human beings | 0:05:41 | 0:05:45 | |
it's what's inside that's important. | 0:05:45 | 0:05:48 | |
-Hi. -Hiya, Till, come in. Coffee? | 0:05:55 | 0:05:59 | |
I'm not allowed to have coffee this week, | 0:05:59 | 0:06:01 | |
do you have any fresh caro root? | 0:06:01 | 0:06:03 | |
Probably not fresh. | 0:06:03 | 0:06:06 | |
Can I buy some weed? | 0:06:07 | 0:06:09 | |
Course. I've got skunk, white widow, Thai or pollen. | 0:06:09 | 0:06:13 | |
-Whichever's the best. -They're all the best. | 0:06:13 | 0:06:17 | |
Scalpel. | 0:06:22 | 0:06:24 | |
Right, we're in. | 0:06:32 | 0:06:33 | |
Let's get the goodies out. Carmalt-Ochsner forceps. | 0:06:33 | 0:06:38 | |
That's probably an egg whisk. | 0:06:43 | 0:06:46 | |
KNOCKING | 0:06:48 | 0:06:49 | |
All right, Moz? | 0:06:55 | 0:06:58 | |
Random and Knobkirk. What do you want? | 0:06:58 | 0:07:00 | |
Just been to score round Nicki's. | 0:07:01 | 0:07:03 | |
Thought we'd come and tell you the good news. | 0:07:03 | 0:07:06 | |
We've been nominated for a BRIT Award. | 0:07:06 | 0:07:09 | |
Imagine. | 0:07:09 | 0:07:10 | |
We don't have to imagine - it's a real reality. | 0:07:10 | 0:07:13 | |
Back To The Nose Cone's up for Album of the Year. | 0:07:13 | 0:07:16 | |
Well, I've just been awarded a Bifta. | 0:07:16 | 0:07:21 | |
So who are you up against? | 0:07:21 | 0:07:23 | |
Pete Doherty's spoken word album Am I Listening To Me? | 0:07:23 | 0:07:26 | |
He's reinvented himself as a sort of postmodern Stanley Unwin. | 0:07:26 | 0:07:31 | |
It was always going to happen. | 0:07:31 | 0:07:33 | |
Yeah. | 0:07:33 | 0:07:35 | |
-Who else? -Razorlight. | 0:07:35 | 0:07:37 | |
Fame-ing Myself Off. | 0:07:37 | 0:07:40 | |
-And...yeah, The Singing Nettles. -The Singing Nettles? | 0:07:40 | 0:07:43 | |
19-year-old twin sisters. They've got harpsichords and lisps. | 0:07:43 | 0:07:47 | |
They sing songs about... | 0:07:47 | 0:07:49 | |
HE LISPS ..forests and puppets. | 0:07:49 | 0:07:51 | |
That makes me so angry. | 0:07:51 | 0:07:53 | |
So have you got a speech prepared? | 0:07:55 | 0:07:57 | |
First off, I'm going to clear up | 0:07:57 | 0:07:59 | |
exactly how Silicone Valets is spelt. | 0:07:59 | 0:08:01 | |
Then I'm going to explain how I hatched out of a giant metal egg. | 0:08:01 | 0:08:04 | |
And that our songs aren't written - they're divined. | 0:08:04 | 0:08:07 | |
And therefore, by extension, | 0:08:07 | 0:08:10 | |
that makes me and, by...further extension, him divine. | 0:08:10 | 0:08:16 | |
Then I'm gonna levitate. | 0:08:16 | 0:08:18 | |
Sound. | 0:08:18 | 0:08:20 | |
I thought I might flash my arse. | 0:08:21 | 0:08:23 | |
Something for everyone. | 0:08:23 | 0:08:25 | |
Hey, with all this going on... | 0:08:27 | 0:08:30 | |
..you two must be minted. | 0:08:31 | 0:08:33 | |
Yeah, well, our action figures are selling REALLY well. | 0:08:34 | 0:08:38 | |
Especially the me one. | 0:08:38 | 0:08:41 | |
We're earning thousands off personal appearances. | 0:08:41 | 0:08:44 | |
Could you lend us 20? | 0:08:44 | 0:08:46 | |
20 quid's not a problem. | 0:08:49 | 0:08:51 | |
No, I mean, 20,000. | 0:08:51 | 0:08:53 | |
That's a problem. | 0:08:53 | 0:08:56 | |
Me dad's been kidnapped. The ransom demand's 30 thou. | 0:08:56 | 0:08:59 | |
Unfortunately, my homes and contents insurance don't cover it. | 0:08:59 | 0:09:03 | |
-But you've already got 10 grand? -Yeah. | 0:09:03 | 0:09:06 | |
Oh... You must be relieved, | 0:09:06 | 0:09:08 | |
knowing that you don't have to find that as well. | 0:09:08 | 0:09:10 | |
It's such a weight off my mind. | 0:09:10 | 0:09:14 | |
I bet it's one of those, "don't tell the cops or else" kidnappings, eh? | 0:09:14 | 0:09:17 | |
-Textbook. -I've got an idea. | 0:09:19 | 0:09:23 | |
Oh, great! What? | 0:09:23 | 0:09:24 | |
A song. | 0:09:24 | 0:09:26 | |
A song about a kidnapping that goes horribly wrong. | 0:09:26 | 0:09:31 | |
Bye, then, you big...nominees. | 0:09:33 | 0:09:36 | |
Good luck with getting your dad back. | 0:09:39 | 0:09:43 | |
Cheers, kiddo. Any chance of a toilet break? | 0:09:47 | 0:09:50 | |
I've something to show you. | 0:09:50 | 0:09:52 | |
See this knife? | 0:09:55 | 0:09:56 | |
I've been looking for a knife like this for a long time. | 0:09:56 | 0:10:00 | |
I kept thinking about all the things I could do with it. | 0:10:00 | 0:10:03 | |
And now...now I have the knife. | 0:10:03 | 0:10:07 | |
How much did you pay for that? | 0:10:07 | 0:10:09 | |
£8. | 0:10:10 | 0:10:11 | |
I could have got you it cheaper. | 0:10:11 | 0:10:13 | |
No. | 0:10:13 | 0:10:15 | |
I could have got you the same knife...£5. | 0:10:15 | 0:10:19 | |
Eight is still a good price. | 0:10:19 | 0:10:22 | |
No, you're throwing money away, kiddo. | 0:10:22 | 0:10:24 | |
Shut up! | 0:10:24 | 0:10:26 | |
I'm just saying, next time you want any knives, come to me first. | 0:10:26 | 0:10:29 | |
-Do you need a hedge trimmer? -No! | 0:10:32 | 0:10:35 | |
Charming(!) | 0:10:35 | 0:10:38 | |
Now listen. | 0:10:38 | 0:10:40 | |
How much for hedge trimmer? | 0:10:40 | 0:10:42 | |
It's a Privet Master - not rubbish. | 0:10:42 | 0:10:44 | |
The same model down B&Q would be... 45, 50 quid. | 0:10:44 | 0:10:48 | |
That would be fair price for Privet Master. | 0:10:48 | 0:10:52 | |
It's only been out the box once, and that was me taking it out | 0:10:52 | 0:10:55 | |
to see if it was in there. And then I put it back in. | 0:10:55 | 0:10:58 | |
A mate of mine might be coming into some testicles. | 0:10:59 | 0:11:03 | |
Well, keep me in the loop on that one, won't you? | 0:11:03 | 0:11:06 | |
Defo. | 0:11:06 | 0:11:07 | |
So what have you done with Steve? | 0:11:07 | 0:11:09 | |
I've got the dead gentleman's totality all boxed up, sir. | 0:11:09 | 0:11:12 | |
And now I'm off to market, as 'twere, | 0:11:12 | 0:11:14 | |
-with 100 grand's worth of merch. -100 grand? | 0:11:14 | 0:11:18 | |
Hang on, | 0:11:18 | 0:11:19 | |
are we splitting this five ways? | 0:11:19 | 0:11:21 | |
I thought you didn't want owt to do with this! | 0:11:21 | 0:11:23 | |
Yeah, but you did use my premises to prepare the goods. | 0:11:23 | 0:11:27 | |
And my 20 grand share could be the solution to all my ransom needs. | 0:11:27 | 0:11:32 | |
Come on, lads. | 0:11:32 | 0:11:33 | |
Great. | 0:11:37 | 0:11:38 | |
-When can I collect the cash? -In a couple of weeks. | 0:11:38 | 0:11:42 | |
I need it by midnight tomorrow in unmarked notes. | 0:11:42 | 0:11:45 | |
That's just not how black market organ trading works. | 0:11:45 | 0:11:48 | |
I hope you haven't left any remnants or offcuts behind. | 0:11:50 | 0:11:53 | |
Honestly, sir, you'd never know | 0:11:53 | 0:11:55 | |
a corpse had been eviscerated in your kitchen. | 0:11:55 | 0:11:57 | |
That's lovely to hear. | 0:11:57 | 0:11:59 | |
Gentlemen, have a super evening. | 0:12:01 | 0:12:04 | |
Come along, Xavier. | 0:12:05 | 0:12:07 | |
OK, look, I could let it go for 20. | 0:12:10 | 0:12:13 | |
20 still too high. | 0:12:13 | 0:12:15 | |
Come on, love, I'm cutting my own throat here. | 0:12:15 | 0:12:17 | |
That may not be necessary. | 0:12:17 | 0:12:20 | |
I tell you what, I'll throw in five bags of potting compost. | 0:12:20 | 0:12:23 | |
Not sure. | 0:12:24 | 0:12:25 | |
Why are we even having this conversation? | 0:12:25 | 0:12:28 | |
I need a hedge trimmer. | 0:12:28 | 0:12:31 | |
-You know this. -OK. | 0:12:31 | 0:12:34 | |
-Where's the fucking hedge trimmer? -Under the bed. | 0:12:34 | 0:12:37 | |
There. Happy? | 0:12:52 | 0:12:55 | |
Yes. | 0:12:55 | 0:12:56 | |
-But no need to swear, hm? -Sorry. | 0:12:56 | 0:13:00 | |
Right...we've got a plan, | 0:13:00 | 0:13:04 | |
we've got the willpower | 0:13:04 | 0:13:06 | |
and we've got the fire power. | 0:13:06 | 0:13:08 | |
Yeah, all right, Ferguson. What we haven't got is an address. | 0:13:08 | 0:13:12 | |
If we don't know where they're holding me dad, we can't rescue him. | 0:13:12 | 0:13:16 | |
It's one of them ergo things. | 0:13:16 | 0:13:17 | |
I don't know, blud, | 0:13:17 | 0:13:20 | |
we have got a lot of guns. | 0:13:20 | 0:13:23 | |
The amount of guns isn't an issue. | 0:13:23 | 0:13:26 | |
Unless we've got a map with a big X on it, we're buggered. | 0:13:26 | 0:13:29 | |
Thought you said he was in jeopardy. | 0:13:31 | 0:13:33 | |
Jeopardy isn't a place! | 0:13:35 | 0:13:37 | |
Isn't it near Marple? | 0:13:40 | 0:13:41 | |
-That's Bredbury. -Someone'll know where he is. | 0:13:43 | 0:13:47 | |
I've put some feelers out. | 0:13:47 | 0:13:50 | |
-What kind of feelers? -Got Barry Two-Mouths on the case. | 0:13:50 | 0:13:54 | |
-He owes me, does Barry. -What did you do? | 0:13:55 | 0:13:58 | |
Give him his second mouth? | 0:13:59 | 0:14:01 | |
Now, we need something to convince Moz that the Triad is 100% serious. | 0:14:06 | 0:14:11 | |
I could have you some business cards printed up. | 0:14:11 | 0:14:14 | |
Or...I could send him your ear. | 0:14:14 | 0:14:17 | |
What? | 0:14:19 | 0:14:20 | |
Give me that ear! | 0:14:34 | 0:14:36 | |
-No. -Give it back, you thieving get. | 0:14:36 | 0:14:39 | |
You are lucky I did not use hedge trimmer. | 0:14:39 | 0:14:42 | |
Now, who wants to listen to some Jedward? | 0:14:46 | 0:14:49 | |
Can you cut the other one off, please? | 0:14:49 | 0:14:52 | |
PHONE RINGS | 0:14:54 | 0:14:56 | |
'This is Tony Low.' | 0:15:01 | 0:15:03 | |
Yeah, I know. | 0:15:03 | 0:15:04 | |
I put you in my address book after you phoned last time. | 0:15:04 | 0:15:07 | |
Actually, I put "kidnappers", but, you know. | 0:15:07 | 0:15:12 | |
Maybe you think this is all an elaborate joke. | 0:15:12 | 0:15:14 | |
Kidnapping an old man is not elaborate. | 0:15:14 | 0:15:17 | |
Nor is it jocular. | 0:15:17 | 0:15:18 | |
-'Do you have the money?' -Don't you worry about the money. | 0:15:18 | 0:15:22 | |
Let me worry about the money. | 0:15:22 | 0:15:23 | |
Not that I am...worried about the money. | 0:15:23 | 0:15:27 | |
Don't you worry about that. | 0:15:27 | 0:15:28 | |
'Just so you know we are serious, we have left you a little something.' | 0:15:28 | 0:15:33 | |
What? | 0:15:33 | 0:15:35 | |
It is at your door... | 0:15:35 | 0:15:37 | |
-Is that me dad's? -'Of course it is! | 0:16:11 | 0:16:13 | |
'What sort of son would not recognise his own father's ears? | 0:16:13 | 0:16:16 | |
'We require £30,000 by midnight tomorrow. | 0:16:16 | 0:16:21 | |
'Don't do anything stupid. | 0:16:21 | 0:16:23 | |
'We are watching you.' | 0:16:23 | 0:16:24 | |
FOOTSTEPS | 0:16:26 | 0:16:30 | |
All right! Is now a good time? | 0:16:31 | 0:16:33 | |
What do you think(?) | 0:16:33 | 0:16:35 | |
Oh... | 0:16:35 | 0:16:37 | |
I'll come back later. | 0:16:37 | 0:16:40 | |
So you coming to the house-warming? | 0:16:50 | 0:16:52 | |
I can't, it's the same night I'm hosting my gallery group. | 0:16:52 | 0:16:55 | |
Gallery group? | 0:16:55 | 0:16:56 | |
It's like a book group, but we go to art exhibitions, | 0:16:56 | 0:16:59 | |
then get together and discuss it. | 0:16:59 | 0:17:01 | |
This month we saw Karen Everton's new sculptures. | 0:17:01 | 0:17:04 | |
She's constructed a 20-foot-high dog, | 0:17:04 | 0:17:07 | |
but she's done it by gluing together a lot of cats. | 0:17:07 | 0:17:10 | |
Genius. | 0:17:10 | 0:17:12 | |
Mm-hm. KNOCKING | 0:17:12 | 0:17:13 | |
Hi, hi. Nicki, this is Weems. | 0:17:18 | 0:17:21 | |
Weems does chauffeur-driven chauffeuring, don't you? | 0:17:21 | 0:17:23 | |
Yeah. It's a genuine pleasure to meet you. | 0:17:23 | 0:17:25 | |
Isn't he scrummy? | 0:17:25 | 0:17:26 | |
Yeah! Come in, Weems. | 0:17:26 | 0:17:29 | |
-It's Weims. -Weims. | 0:17:29 | 0:17:31 | |
Weems. | 0:17:31 | 0:17:32 | |
Hi, Brian. | 0:17:32 | 0:17:33 | |
-Oh, hi, hi. -Do you two know each other? | 0:17:33 | 0:17:36 | |
Yeah, he stopped by the store yesterday. | 0:17:36 | 0:17:38 | |
Look. | 0:17:38 | 0:17:40 | |
SHE GASPS | 0:17:40 | 0:17:42 | |
I think I want to be buried in this. | 0:17:42 | 0:17:44 | |
That is so spew. | 0:17:44 | 0:17:45 | |
It really goes with your eyes. | 0:17:47 | 0:17:48 | |
MOBILE RINGS Oh, excuse me. | 0:17:48 | 0:17:50 | |
Yes, Mr Williams? | 0:17:53 | 0:17:56 | |
No problem, sir. | 0:17:56 | 0:17:58 | |
I'll come and collect you right away. | 0:17:58 | 0:18:00 | |
It's a genuine pleasure, sir. | 0:18:00 | 0:18:03 | |
Got to go scoop up old bollock face. I'll see you later, Brian. | 0:18:03 | 0:18:06 | |
I'll meet you down the Funky Digestive, yeah? | 0:18:06 | 0:18:08 | |
Don't change out your uniform. | 0:18:08 | 0:18:10 | |
Nice to meet you. | 0:18:10 | 0:18:11 | |
Oh, bye, it's a genuine pleasure to meet you. | 0:18:11 | 0:18:14 | |
(He's cute!) | 0:18:14 | 0:18:16 | |
You should see his mode of conveyance. | 0:18:17 | 0:18:19 | |
Hmm... | 0:18:21 | 0:18:23 | |
So, what are we girls talking about then? | 0:18:23 | 0:18:26 | |
Tilly was just telling me about a giant dog made of cats. | 0:18:26 | 0:18:30 | |
-Oh, I saw that yesterday, I loved that. -I really loved that. | 0:18:30 | 0:18:33 | |
It reminded me of when she did that big glove made of hats. | 0:18:33 | 0:18:37 | |
I hated that. You should come to my gallery group. | 0:18:37 | 0:18:40 | |
-Oh, what is it? -It's like a soiree but with a purpose. | 0:18:40 | 0:18:43 | |
Oh, I was born to soiree. | 0:18:43 | 0:18:46 | |
-You can't, you're coming to my house-warming. -I can do both. | 0:18:46 | 0:18:49 | |
I've got two legs and that. | 0:18:49 | 0:18:50 | |
So, I hear you and Moz slept together. | 0:18:51 | 0:18:54 | |
What?! He told you? | 0:18:54 | 0:18:57 | |
Don't worry, he told me not to tell anybody. | 0:18:57 | 0:18:59 | |
Well you've just told me. | 0:18:59 | 0:19:01 | |
Well, yeah, I assumed you already knew. | 0:19:01 | 0:19:03 | |
Or was it Rohypnol, the love that dare not remember its name? | 0:19:03 | 0:19:07 | |
And what about Tilly? She didn't need to know! | 0:19:07 | 0:19:08 | |
No, I think I did. Listen, I am very discreet. | 0:19:08 | 0:19:12 | |
Could I write about this in my journal? | 0:19:12 | 0:19:14 | |
No! | 0:19:15 | 0:19:16 | |
Still warm. | 0:19:16 | 0:19:18 | |
So? | 0:19:18 | 0:19:20 | |
That means it's only just been removed. | 0:19:20 | 0:19:23 | |
-And it was done nearby. -Hey. | 0:19:23 | 0:19:27 | |
He might be being held over on Harold Street. | 0:19:27 | 0:19:30 | |
Very popular area with kidnappers. | 0:19:30 | 0:19:33 | |
Shit, what am I doing? | 0:19:33 | 0:19:35 | |
Should be packing this in some frozen peas. | 0:19:35 | 0:19:39 | |
Shouldn't you call an ambulance, blud? | 0:19:41 | 0:19:43 | |
What, for an ear?! | 0:19:43 | 0:19:45 | |
I think we should wait until we've got a dad | 0:19:45 | 0:19:48 | |
that we can Velcro it back on to. | 0:19:48 | 0:19:50 | |
Shit, there's no frozen peas! | 0:19:51 | 0:19:54 | |
We've got mushy peas. | 0:19:55 | 0:19:56 | |
Yeah, but I'm not quite convinced | 0:19:58 | 0:20:01 | |
about the life-preserving qualities of mushy peas! | 0:20:01 | 0:20:05 | |
What's these? | 0:20:08 | 0:20:10 | |
Onion rings, they'll do. | 0:20:12 | 0:20:14 | |
Earrings. | 0:20:17 | 0:20:18 | |
I hope Barry Two-Mouths can come up with summat | 0:20:21 | 0:20:23 | |
because I don't think I can scrape together another 20 thou. | 0:20:23 | 0:20:27 | |
It's a miracle I've got 10. | 0:20:27 | 0:20:29 | |
Shall we...go back next door? | 0:20:36 | 0:20:39 | |
Yeah, let the freezer compartment work its magic. | 0:20:39 | 0:20:43 | |
I understand that you're busy, Cartoon Head, | 0:20:50 | 0:20:53 | |
it's just that I'd really appreciate your help... | 0:20:53 | 0:20:56 | |
what with being in labour. | 0:20:56 | 0:20:59 | |
Pleeease! | 0:20:59 | 0:21:01 | |
I'm sorry to drag you away from your little friends, CH, | 0:21:04 | 0:21:06 | |
it's just that the contractions are really very close together now. Ah! | 0:21:06 | 0:21:10 | |
And I need you to clear the pondweed out of the birthing pool. | 0:21:10 | 0:21:14 | |
Oh, thanks, CH, I'll make it up to you. | 0:21:19 | 0:21:22 | |
SHE SHRIEKS AND GASPS | 0:21:25 | 0:21:27 | |
-Hiya. -All right? | 0:21:33 | 0:21:35 | |
Where've you been? You smell really strongly of scent. | 0:21:39 | 0:21:42 | |
Oh, erm, just raided this brothel in Cheetham Hill, | 0:21:42 | 0:21:47 | |
it was one of those really perfumey brothels. | 0:21:47 | 0:21:51 | |
Mmm? Sure you didn't try out any of the wares while you were there? | 0:21:51 | 0:21:55 | |
Give over! They were all angry Russian lasses. | 0:21:55 | 0:21:59 | |
Are you being faithful to me? | 0:22:01 | 0:22:03 | |
Eh? | 0:22:03 | 0:22:05 | |
Are you having an affair? | 0:22:05 | 0:22:07 | |
No. I'm not having an affair. | 0:22:13 | 0:22:16 | |
Good. | 0:22:17 | 0:22:19 | |
How about you? | 0:22:19 | 0:22:21 | |
Are you having an affair? | 0:22:21 | 0:22:23 | |
No. | 0:22:28 | 0:22:30 | |
I am not having an affair. | 0:22:30 | 0:22:32 | |
Good. | 0:22:32 | 0:22:35 | |
We should both be very happy then. | 0:22:35 | 0:22:36 | |
Well, I am sure we are. | 0:22:36 | 0:22:39 | |
All right, Rainbow. | 0:22:41 | 0:22:42 | |
Hiya, Moz, I was just passing so... I brought some meringues. | 0:22:42 | 0:22:48 | |
Rainbow. | 0:22:48 | 0:22:49 | |
Double P. | 0:22:50 | 0:22:52 | |
What you doing? | 0:22:59 | 0:23:01 | |
Going for a slash. | 0:23:03 | 0:23:06 | |
Think I'll come with. | 0:23:06 | 0:23:08 | |
I'll, er... | 0:23:14 | 0:23:17 | |
I'll be in t'kitchen. | 0:23:17 | 0:23:19 | |
Thanks for t'meringues. | 0:23:19 | 0:23:21 | |
HE URINATES | 0:23:23 | 0:23:27 | |
Mm-nm-hm-nm-nm-hm-hm... | 0:23:31 | 0:23:35 | |
PHONE RINGS | 0:23:41 | 0:23:44 | |
'What is it, Moz?' | 0:23:44 | 0:23:45 | |
Jenny, I really miss you. | 0:23:45 | 0:23:47 | |
'I'm busy!' | 0:23:47 | 0:23:50 | |
-Shit, my dad'll have some. -'What?' | 0:23:50 | 0:23:53 | |
Nowt. I just need some milk. | 0:23:53 | 0:23:56 | |
'Is that why you rung?!' | 0:23:56 | 0:23:58 | |
No, I rang to say I really miss you. | 0:23:58 | 0:24:00 | |
'You've already said that.' | 0:24:00 | 0:24:02 | |
Where are you? | 0:24:02 | 0:24:03 | |
'I'm with Carmel, down at Sex-A-Rama.' | 0:24:03 | 0:24:06 | |
Oh, you're not working there are you? | 0:24:06 | 0:24:08 | |
-'Yes!' -Oh, Jen! | 0:24:08 | 0:24:11 | |
'What? | 0:24:11 | 0:24:12 | |
'What is the big deal? | 0:24:12 | 0:24:13 | |
'It's only lap dancing.' | 0:24:13 | 0:24:15 | |
Yeah, but it can lead to stronger stuff. | 0:24:15 | 0:24:18 | |
Jen, I'm worried about you. | 0:24:18 | 0:24:20 | |
I want you here with me. | 0:24:20 | 0:24:22 | |
'Um, I've started thinking, | 0:24:23 | 0:24:25 | |
'maybe I should be spending all me time bringing up me baby.' | 0:24:25 | 0:24:29 | |
You can't say that! | 0:24:29 | 0:24:31 | |
Well, I mean... No, I suppose you can, but what about us? | 0:24:31 | 0:24:36 | |
Haven't missed anything, have I? | 0:24:40 | 0:24:42 | |
'The thing is, Moz, I don't think there is an "us" any more.' | 0:24:42 | 0:24:47 | |
Jenny, please don't say that. | 0:24:47 | 0:24:48 | |
'I need to go, I've got a client. | 0:24:48 | 0:24:51 | |
'Don't phone me back because I'm putting meself on vibrate. | 0:24:51 | 0:24:55 | |
'-You all right...?' | 0:24:55 | 0:24:56 | |
# In my heart I | 0:24:56 | 0:24:59 | |
# I know that I've lost you too | 0:24:59 | 0:25:03 | |
HE SOBS | 0:25:03 | 0:25:05 | |
# And when I touch you | 0:25:05 | 0:25:08 | |
# I feel so alone | 0:25:09 | 0:25:12 | |
# When I touch you | 0:25:13 | 0:25:16 | |
# I know something's gone | 0:25:17 | 0:25:21 | |
# Something has gone | 0:25:22 | 0:25:25 | |
# Something has gone | 0:25:26 | 0:25:29 | |
# Something has gone | 0:25:31 | 0:25:34 | |
# Something has go-o-oone | 0:25:36 | 0:25:41 | |
# Baby! | 0:25:41 | 0:25:44 | |
# Look at me and you will see, baby! | 0:25:44 | 0:25:48 | |
# Whoa, baby! | 0:25:49 | 0:25:52 | |
# Look at me and you will see | 0:25:52 | 0:25:54 | |
# I will change, believe in me | 0:25:54 | 0:25:56 | |
# I will change, believe in me | 0:25:56 | 0:25:59 | |
# Baby | 0:25:59 | 0:26:06 | |
# Oo-oo-oo-ooh, baby | 0:26:06 | 0:26:10 | |
# Whoa-oa-oa-oah... # | 0:26:16 | 0:26:19 | |
I'm going to have to get back down Sex-A-Rama. | 0:26:21 | 0:26:25 | |
# ...Baby | 0:26:25 | 0:26:29 | |
# Ba-a-a-aby! # | 0:26:34 | 0:26:38 | |
I don't want to sound overly dramatic, but... | 0:26:39 | 0:26:43 | |
..I feel like my world's been turned upside down. | 0:26:44 | 0:26:46 | |
And shaken from side to side, and liquidised. | 0:26:48 | 0:26:53 | |
Have a meringue. | 0:26:55 | 0:26:56 | |
It'll cheer you up. | 0:26:56 | 0:26:58 | |
All right. | 0:27:00 | 0:27:02 | |
Although I feel you may be placing too much faith | 0:27:02 | 0:27:05 | |
in what is essentially... sugar and egg white. | 0:27:05 | 0:27:09 | |
KNOCKING AT DOOR | 0:27:11 | 0:27:13 | |
Is now a good time? | 0:27:19 | 0:27:20 | |
For God's sake, Colin! What is it? | 0:27:20 | 0:27:23 | |
Jenny sent me to pick up her stuff cos she's moving out. | 0:27:23 | 0:27:26 | |
I'll come back later. | 0:27:38 | 0:27:39 | |
Well, you were right, it did cheer me up. | 0:27:47 | 0:27:50 | |
Know what frightens me most? | 0:27:52 | 0:27:54 | |
We are still no nearer to knowing where the Triad are holding him. | 0:27:54 | 0:27:58 | |
All right, kiddo? Argh! | 0:27:58 | 0:28:00 | |
What have I done? | 0:28:00 | 0:28:02 | |
Use your anger, Morris! | 0:28:02 | 0:28:06 | |
Now is last chance to say where £20,000 is. | 0:28:06 | 0:28:10 | |
Subtitles by Red Bee Media Ltd | 0:28:10 | 0:28:13 | |
E-mail [email protected] | 0:28:13 | 0:28:16 |