Browse content similar to Teacher. Check below for episodes and series from the same categories and more!
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Hello. How are you? | 0:00:02 | 0:00:03 | |
I can't hear you and I'm not interested. | 0:00:03 | 0:00:05 | |
No, I am. | 0:00:05 | 0:00:07 | |
I'm not. So back to me. | 0:00:07 | 0:00:09 | |
Now, previously in my life... | 0:00:09 | 0:00:11 | |
I proved that living alone can be genuine fun. | 0:00:11 | 0:00:14 | |
CLASSICAL MUSIC PLAYS | 0:00:14 | 0:00:17 | |
APPLAUSE | 0:00:30 | 0:00:32 | |
I really embarrassed myself in front of Gary. | 0:00:32 | 0:00:34 | |
-Yeah. As long as you fill it with good sausage meat. -Ooh, naughty! | 0:00:34 | 0:00:38 | |
SHE FARTS | 0:00:38 | 0:00:41 | |
I know. And what else? oh, yes. My mother showed me her holiday photos. | 0:00:42 | 0:00:47 | |
Around the headland there was another lovely beach... | 0:00:47 | 0:00:49 | |
Was the whole island nudist? | 0:00:49 | 0:00:53 | |
Oh, that's a good one of your father. | 0:00:53 | 0:00:56 | |
Stop zooming in! | 0:00:59 | 0:01:01 | |
You never recover from something like that. | 0:01:01 | 0:01:04 | |
Quickly, on with the show... | 0:01:04 | 0:01:06 | |
Right, taster number four. | 0:01:16 | 0:01:17 | |
Maybe you'll enjoy this one. Gratinee de Saint Jacques... | 0:01:17 | 0:01:20 | |
I love having a chef friend. | 0:01:20 | 0:01:22 | |
-Because you appreciate fine food? -It's more that it's free food. | 0:01:22 | 0:01:25 | |
Free food! | 0:01:25 | 0:01:26 | |
That's it. You clearly don't appreciate my work, | 0:01:26 | 0:01:29 | |
I go to all this effort, all you can say about it is it's free. | 0:01:29 | 0:01:32 | |
I've never been more aroused. | 0:01:34 | 0:01:37 | |
Off putting. They're doing that kissing but not kissing thing. | 0:01:41 | 0:01:44 | |
Either do or don't! | 0:01:44 | 0:01:46 | |
-That's Chris and Alison, they're lovely. -It's a bit much. | 0:01:46 | 0:01:48 | |
Now, Gary, now that was delicious. | 0:01:48 | 0:01:52 | |
Thank you, Chris. It's a new menu I'm working on. | 0:01:52 | 0:01:54 | |
We thought so, didn't we, Mr Papa Bear? | 0:01:54 | 0:01:57 | |
Yes, we did, my wet nosed cub. | 0:01:57 | 0:01:59 | |
BOTH: Such a good chef. | 0:02:02 | 0:02:04 | |
BOTH: Said it at the same time! | 0:02:04 | 0:02:06 | |
BOTH: And said that at the same time. | 0:02:06 | 0:02:08 | |
Oh, lovely(!) | 0:02:08 | 0:02:10 | |
Yes, sorry this is my friend Miranda. | 0:02:10 | 0:02:13 | |
Hello, lovely. | 0:02:13 | 0:02:14 | |
-Puddings? -Puddings. -Puddings. -Puddings. | 0:02:16 | 0:02:19 | |
Puddings, my wet nosed cub. | 0:02:19 | 0:02:21 | |
Stop it. Actually, it's a really sweet story. | 0:02:21 | 0:02:23 | |
They were friends at university, | 0:02:23 | 0:02:25 | |
and they said they'd get married if they were still single at 40. | 0:02:25 | 0:02:28 | |
She was his safety wife? People actually do that? | 0:02:28 | 0:02:31 | |
They don't look 40. | 0:02:31 | 0:02:32 | |
They're not. He took her off to Paris last year and proposed. | 0:02:32 | 0:02:35 | |
-Do you have a safety wife? -No. | 0:02:35 | 0:02:37 | |
-Why, are you offering? -Yes, please, very much so, thanks for asking, | 0:02:37 | 0:02:41 | |
thank you please very much please. | 0:02:41 | 0:02:43 | |
OK. All right. So what age would we set the date at? | 0:02:45 | 0:02:48 | |
-55? -35? | 0:02:50 | 0:02:53 | |
55, I meant 55. 55? | 0:02:53 | 0:02:55 | |
35? That's next year. You're meant to allow time to meet Mr Right first. | 0:02:55 | 0:02:59 | |
No. Exactly. Of course, | 0:02:59 | 0:03:01 | |
absolutely cos we don't want this. This would not be ideal. Grim. | 0:03:01 | 0:03:05 | |
Yuckety yuck at you. You make me feel bleugh. | 0:03:05 | 0:03:07 | |
So...yeah. Just to be safe, I know it's 21 years hence, | 0:03:07 | 0:03:13 | |
but should I book a venue? | 0:03:13 | 0:03:15 | |
Oh, sorry. | 0:03:15 | 0:03:17 | |
55 is insulting. | 0:03:17 | 0:03:18 | |
Well, as I say, it works so you allow time to meet the one. | 0:03:18 | 0:03:21 | |
But if something happens before you're 55 then you don't ignore it. | 0:03:21 | 0:03:25 | |
If there's a "moment", | 0:03:25 | 0:03:27 | |
-then clearly the rules are you go to Paris and get engaged. -A moment. | 0:03:27 | 0:03:30 | |
Deal with this Miranda. Elegance. | 0:03:30 | 0:03:34 | |
Stevie, Stevie, Stevie, Stevie, Stevie, Stevie, Stevie, Stevie... | 0:03:40 | 0:03:44 | |
I'm busy! I've got to leave early to talk to my builders. | 0:03:44 | 0:03:47 | |
Yeah, but I've got news. | 0:03:47 | 0:03:49 | |
Anyway, this is a night school prospectus. | 0:03:49 | 0:03:51 | |
Yes. I'm doing a French course and I'll tell you pour quoi... | 0:03:51 | 0:03:55 | |
so we can start to go international, sales wise... | 0:03:55 | 0:03:57 | |
Two things to say, firstly... | 0:03:57 | 0:03:59 | |
SHE YAWNS | 0:03:59 | 0:04:00 | |
and, secondly, needy, | 0:04:02 | 0:04:03 | |
high maintenance friend with news - Bonjour! | 0:04:03 | 0:04:06 | |
Gather please. Right. | 0:04:06 | 0:04:08 | |
Gary has asked me to be his safety wife. | 0:04:08 | 0:04:10 | |
But, he said, obviously, if something happens before | 0:04:10 | 0:04:13 | |
then we wouldn't ignore it. If there was a moment. | 0:04:13 | 0:04:15 | |
He's considering there might be a moment between us, Stevie. | 0:04:15 | 0:04:19 | |
I've got to create a moment and do some woo-ing. | 0:04:19 | 0:04:21 | |
It's harder to say than you imagine, that. | 0:04:21 | 0:04:24 | |
-Woo-ing. -Woo-ing. | 0:04:24 | 0:04:25 | |
Getting away from the point... | 0:04:25 | 0:04:27 | |
I need to create a romantic, spontaneous moment | 0:04:27 | 0:04:30 | |
so Gary sees me in a "sexual" light. | 0:04:30 | 0:04:35 | |
Sorry how is Gary ever going to see YOU in a... | 0:04:36 | 0:04:40 | |
No, no, what I mean is, you're... | 0:04:40 | 0:04:43 | |
No, you're just not very, you know, you know. | 0:04:43 | 0:04:47 | |
No, what I mean is, you know, you don't have... No, what you're, | 0:04:47 | 0:04:53 | |
what you're not... you're not like me. | 0:04:53 | 0:04:56 | |
You're just, you're just very British aren't you? I mean say "sex". | 0:04:56 | 0:05:00 | |
(Sex.) | 0:05:00 | 0:05:03 | |
You know I don't like to say it. I prefer the term "shenanigans". | 0:05:03 | 0:05:08 | |
Sounds nicer. And you're British! | 0:05:08 | 0:05:10 | |
British in nationality, yeah, | 0:05:10 | 0:05:12 | |
but when it comes to the language of love, I'm practically Spanish. | 0:05:12 | 0:05:16 | |
Just a look in my eye and pheromones are released. Ahem. | 0:05:16 | 0:05:19 | |
Ahem. | 0:05:27 | 0:05:28 | |
Only me, darling. Hi, Stevie, how are you? | 0:05:35 | 0:05:38 | |
-OK. Although... -Just a turn of phrase. | 0:05:38 | 0:05:40 | |
Can I leave this with you? | 0:05:40 | 0:05:42 | |
Your old diaries. Which I have to say, make very interesting reading. | 0:05:42 | 0:05:45 | |
-You read them?! -Of course. Like Anne Frank but more depressing. | 0:05:45 | 0:05:51 | |
-Can't they stay at home? | 0:05:51 | 0:05:52 | |
No. We've cleared out your room | 0:05:52 | 0:05:54 | |
because we've extended the bathroom and we're fitting a jacuzzi. | 0:05:54 | 0:05:57 | |
Must dash - the Evening News'll be out. | 0:05:57 | 0:05:59 | |
We're looking at the personals to find you someone | 0:05:59 | 0:06:02 | |
and I don't want your father to start without me. | 0:06:02 | 0:06:04 | |
He only circles white people | 0:06:04 | 0:06:06 | |
and I've told him, when it comes to finding you a husband, | 0:06:06 | 0:06:09 | |
we can't afford to be (racist.) | 0:06:09 | 0:06:12 | |
We will consider a (black) man. | 0:06:14 | 0:06:18 | |
You can say "black". It's fine. | 0:06:19 | 0:06:21 | |
Are you sure it's not (racist?) | 0:06:21 | 0:06:23 | |
No. | 0:06:23 | 0:06:24 | |
Oh, well then I do love a BLACK man! | 0:06:24 | 0:06:28 | |
Such fun! | 0:06:29 | 0:06:31 | |
That mouthing words thing's a real middle class tick. | 0:06:31 | 0:06:35 | |
At least she was doing it properly this time. | 0:06:35 | 0:06:37 | |
She gets confused and does it the wrong way round. | 0:06:37 | 0:06:40 | |
The other day she said, | 0:06:40 | 0:06:41 | |
"You know those two women (next door)? LESBIANS." | 0:06:41 | 0:06:44 | |
Exactly. Stevie always underestimates me. | 0:06:46 | 0:06:49 | |
I knew I could do romance. | 0:06:49 | 0:06:51 | |
-# Summer lovin' had me a blast... # -Ooh, it's our song! | 0:06:52 | 0:06:56 | |
# Summer lovin' happened so fast... # | 0:06:56 | 0:07:00 | |
# I met a girl crazy for me... # | 0:07:00 | 0:07:03 | |
# I met a guy cute as can be | 0:07:03 | 0:07:08 | |
# Summer days driftin' away to uh-oh, those summer nights | 0:07:08 | 0:07:13 | |
# Well-ah, well-ah, well-ah | 0:07:13 | 0:07:15 | |
# Uh! Tell me more, tell me more | 0:07:15 | 0:07:17 | |
# Like did he have a car? # | 0:07:17 | 0:07:20 | |
This is not a hoover being a man! | 0:07:20 | 0:07:22 | |
-Stevie! -Miranda, I've got subsidence. | 0:07:23 | 0:07:26 | |
Please can I stay with you? Thanks. | 0:07:26 | 0:07:28 | |
I've got a Gary plan. | 0:07:29 | 0:07:31 | |
-Come in! -Thank you. | 0:07:31 | 0:07:32 | |
Although, I was thinking maybe I shouldn't bother. | 0:07:32 | 0:07:35 | |
I don't even know if I want a relationship. | 0:07:35 | 0:07:37 | |
Somebody knowing everything about me. | 0:07:37 | 0:07:39 | |
I mean, do I really want somebody knowing | 0:07:39 | 0:07:41 | |
that sometimes I dress up as the Queen and record her speech | 0:07:41 | 0:07:45 | |
and I watch it back to see what it would be like if I was the Queen. | 0:07:45 | 0:07:50 | |
-Do you actually do that? -No. | 0:07:50 | 0:07:51 | |
MOUTHS SILENTLY | 0:07:52 | 0:07:54 | |
You can stay, but please don't take over my life. | 0:07:54 | 0:07:57 | |
You'll hardly notice me! | 0:07:57 | 0:07:59 | |
Especially if Gary's here... | 0:07:59 | 0:08:00 | |
-OK, your plan? -Why don't you come with me to my French course? Yes? | 0:08:00 | 0:08:04 | |
FRENCH ACCENT: Passionate, sophisticated language, mon cherie. | 0:08:04 | 0:08:07 | |
-Are you saying I'm unsophisticated? -Bottom. | 0:08:07 | 0:08:10 | |
SHE GIGGLES | 0:08:10 | 0:08:11 | |
Bottom! | 0:08:14 | 0:08:15 | |
Remembering my school days isn't going to help me feel passionate. | 0:08:17 | 0:08:21 | |
Apparently the teacher is cute. | 0:08:24 | 0:08:27 | |
Although if he is he's mine. SAUCY LAUGH | 0:08:27 | 0:08:29 | |
-Come on, you need a bit of chic to get you in the romantic zone. -OK. | 0:08:29 | 0:08:34 | |
I refer you to the last time you attempted something in this field. | 0:08:34 | 0:08:38 | |
MUSIC: "Wannabe" by Spice Girls | 0:08:38 | 0:08:41 | |
-Hi there. -Oh! | 0:08:41 | 0:08:43 | |
Hi. | 0:08:43 | 0:08:45 | |
So... | 0:08:45 | 0:08:46 | |
So... | 0:08:46 | 0:08:47 | |
Do you want kids? | 0:08:47 | 0:08:48 | |
You liked school, this is freaking me out. | 0:08:54 | 0:08:57 | |
"Don't run in the corridor, pull your skirt down." | 0:08:57 | 0:09:00 | |
What is this? | 0:09:00 | 0:09:02 | |
-This is God's way of telling me not to bother. -Just relax. | 0:09:02 | 0:09:06 | |
And always "could do better" from the French teacher | 0:09:06 | 0:09:09 | |
who thought a leather jacket made him cool. | 0:09:09 | 0:09:12 | |
Oh, wow, he's LOVELY. | 0:09:12 | 0:09:15 | |
Cute smile. | 0:09:15 | 0:09:18 | |
-Oh, it's him! -He will be mine. | 0:09:18 | 0:09:20 | |
-That's Mr Clayton, my old French teacher. -No way! | 0:09:20 | 0:09:23 | |
Way. Really way. Very much way. | 0:09:23 | 0:09:27 | |
It's really cringey seeing a teacher after 20 years. | 0:09:27 | 0:09:30 | |
It's feelings of fear, embarrassment... | 0:09:30 | 0:09:33 | |
Primarily embarrassment. | 0:09:33 | 0:09:35 | |
Right, I'm going to go before he can see me. | 0:09:36 | 0:09:38 | |
I'm stuck in the chair. | 0:09:41 | 0:09:44 | |
-Stevie, I'm stuck in the chair. -He's about to start. | 0:09:44 | 0:09:47 | |
Bonjour la classe. | 0:09:47 | 0:09:49 | |
Qu'est ce que ce'st passez? | 0:09:55 | 0:09:56 | |
Pardon, monsieur. Je suis dans le... | 0:09:56 | 0:10:00 | |
-FRENCH ACCENT: -..Wrong room. | 0:10:00 | 0:10:02 | |
Miranda? | 0:10:03 | 0:10:04 | |
Ce ne pas me, zut alors! | 0:10:04 | 0:10:08 | |
Je suis...on me way oot! | 0:10:08 | 0:10:12 | |
Sounded Scottish?! | 0:10:12 | 0:10:14 | |
It is you. | 0:10:14 | 0:10:15 | |
Back for more? French was never your metier, I seem to remember. | 0:10:15 | 0:10:19 | |
No, no, but German has become my bag... | 0:10:19 | 0:10:23 | |
Mein...bag. | 0:10:23 | 0:10:26 | |
Oh, yeah, I've done pretty well with my life. | 0:10:27 | 0:10:30 | |
Yes, I use the German for my fashion business. | 0:10:30 | 0:10:33 | |
So, I think you'll find I COULDN'T do better. | 0:10:33 | 0:10:36 | |
If I did better... | 0:10:38 | 0:10:39 | |
I'd be God. | 0:10:39 | 0:10:42 | |
Good evening to you. | 0:10:42 | 0:10:43 | |
Do you need help with the chair issue? | 0:10:43 | 0:10:46 | |
The chair issue? | 0:10:48 | 0:10:50 | |
There isn't a chair issue. | 0:10:50 | 0:10:52 | |
This is part of my Autumn range. Practical fashion. It looks good... | 0:10:52 | 0:10:57 | |
Sure thing. Want some of that! | 0:10:57 | 0:11:01 | |
But it's practical. | 0:11:01 | 0:11:02 | |
You can sit down whenever and wherever you so need to do. | 0:11:02 | 0:11:06 | |
This has been one of life's true pleasures. Good evening. Bonsoir. | 0:11:06 | 0:11:10 | |
Mortifying. I need to get it off. Feeling claustrophobic. | 0:11:15 | 0:11:19 | |
Afternoon. | 0:11:26 | 0:11:27 | |
Right. Just need to pull myself off. | 0:11:29 | 0:11:33 | |
Don't. | 0:11:33 | 0:11:34 | |
Oh... And, released. God. | 0:11:37 | 0:11:40 | |
Urgh, school corridors - freaky. | 0:11:41 | 0:11:44 | |
Why weren't we allowed to run in them, actually? | 0:11:44 | 0:11:47 | |
I can't believe I thought evening classes would help me get romantic. | 0:11:56 | 0:12:02 | |
TANGO MUSIC PLAYS | 0:12:03 | 0:12:06 | |
Hello. | 0:12:11 | 0:12:13 | |
MUSIC: "Money For Nothing" by Dire Straits | 0:12:16 | 0:12:20 | |
Gary? | 0:12:23 | 0:12:25 | |
-Yep! Hi. -Hi. | 0:12:27 | 0:12:28 | |
Listen, I wanted to say sorry about the whole food thing earlier. | 0:12:28 | 0:12:32 | |
And to make it up to you... | 0:12:32 | 0:12:34 | |
how about a tango class tomorrow night? | 0:12:34 | 0:12:38 | |
-Oh, I adore Tango. -Well, you go Clive. | 0:12:38 | 0:12:40 | |
No, the offer wasn't for Clive. | 0:12:40 | 0:12:42 | |
I was regional under-12 champion. | 0:12:42 | 0:12:43 | |
-You'll go top of the class with Clive. -I don't want to! | 0:12:43 | 0:12:46 | |
-My speciality is cape work. -Clive should definitely be your partner. -I don't want Clive to be my partner! | 0:12:46 | 0:12:50 | |
If you don't stop talking about Tango, | 0:13:01 | 0:13:03 | |
I'll strangle you with this tablecloth! | 0:13:03 | 0:13:05 | |
So, Gary, will you come? | 0:13:05 | 0:13:07 | |
What about Clive? | 0:13:07 | 0:13:09 | |
No, thanks, I hate Tango. I always have. I despise it. It's abhorrent, | 0:13:09 | 0:13:12 | |
it's a perversion of all that is good and natural in this world. | 0:13:12 | 0:13:16 | |
-I hate it, DIRTY, DIRTY, DIRTY! -That's enough! | 0:13:16 | 0:13:18 | |
So, Gary? | 0:13:22 | 0:13:24 | |
Yeah, sure. Why not? I'm up for a challenge. | 0:13:25 | 0:13:27 | |
# You are beautiful No matter what they say | 0:13:36 | 0:13:40 | |
# Words can't bring me down, yeah | 0:13:40 | 0:13:45 | |
# You are beautiful in every single way. | 0:13:45 | 0:13:49 | |
# So don't you bring me down today. # | 0:13:49 | 0:13:53 | |
-SHE GASPS -Mr Clayton in pants! | 0:13:53 | 0:13:57 | |
Oh, gosh, I am so sorry, sir. | 0:13:57 | 0:13:59 | |
-Hey, come on now, call me Keith. -Keith. | 0:13:59 | 0:14:02 | |
SHE SNIGGERS | 0:14:02 | 0:14:05 | |
Teachers having first names was always funny! | 0:14:05 | 0:14:09 | |
I really am very, very sorry. | 0:14:09 | 0:14:12 | |
Don't worry. I was just about to have a shower. | 0:14:12 | 0:14:15 | |
Stevie! Urgh! | 0:14:18 | 0:14:20 | |
Urgh. Urgh. | 0:14:20 | 0:14:22 | |
I can't be... Urgh! | 0:14:22 | 0:14:23 | |
I can't believe... | 0:14:23 | 0:14:25 | |
-"Oh, you'll hardly notice me." -I couldn't help it. | 0:14:25 | 0:14:28 | |
He took me to a fantastic restaurant and I tell you, | 0:14:28 | 0:14:31 | |
an older man knows foreplay. | 0:14:31 | 0:14:33 | |
Urgh! La, la, la, la! | 0:14:33 | 0:14:35 | |
Oh, sorry. We got a little bit carried away on the sofa. | 0:14:38 | 0:14:41 | |
ARGH! | 0:14:41 | 0:14:43 | |
Oh, and on the chair. | 0:14:45 | 0:14:47 | |
Ooh! God! | 0:14:47 | 0:14:49 | |
Is there anywhere I'm safe? | 0:14:49 | 0:14:51 | |
-Oh, not there. -Ooh! | 0:14:51 | 0:14:52 | |
What's that?! | 0:14:52 | 0:14:54 | |
People have sex, stop being so middle class about it. | 0:14:54 | 0:14:58 | |
Stevie, that was my old French teacher! | 0:14:58 | 0:15:01 | |
He's seen me in gym knickers. | 0:15:01 | 0:15:02 | |
I don't want someone in my home that's seen me in gym knickers. | 0:15:02 | 0:15:05 | |
I don't want anyone thinking about me in gym knickers. | 0:15:05 | 0:15:08 | |
Oh, you disgust me. | 0:15:09 | 0:15:11 | |
Please say you're not seeing him again. | 0:15:11 | 0:15:13 | |
-You're always saying you want me to have more fun. -Not that much fun! | 0:15:13 | 0:15:17 | |
I'm going to open the shop. | 0:15:19 | 0:15:21 | |
Urgh. | 0:15:21 | 0:15:23 | |
I blame boarding school entirely | 0:15:24 | 0:15:26 | |
for not being able to cope with the (sex) department. | 0:15:26 | 0:15:29 | |
Sorry, what is this... Urgh! | 0:15:29 | 0:15:32 | |
We just weren't taught the birds and the bees properly. | 0:15:32 | 0:15:35 | |
All we had was a weird video in Biology about conception. | 0:15:35 | 0:15:39 | |
We saw this heart-shaped swimming pool, | 0:15:39 | 0:15:41 | |
in the middle of which was a li-lo, | 0:15:41 | 0:15:43 | |
with a woman lying on it looking erotic - she was the ovum. | 0:15:43 | 0:15:47 | |
On the outside were a whole mass of men in speedos and swimming caps. | 0:15:47 | 0:15:51 | |
They were the sperm. | 0:15:51 | 0:15:53 | |
We heard a starting gun. The sperm dived in. | 0:15:53 | 0:15:56 | |
One of them ended up on the li-lo and embraced the woman. | 0:15:56 | 0:15:59 | |
The biology teacher then switches it off, | 0:15:59 | 0:16:01 | |
"Right, that's that." "That's what?!" | 0:16:01 | 0:16:03 | |
There was no finer details. What was that? | 0:16:03 | 0:16:06 | |
One girl in my house, Bruschetta McQuorcodale - real name... | 0:16:06 | 0:16:10 | |
She still won't go swimming for fear of getting pregnant. | 0:16:12 | 0:16:15 | |
Right, now I can, I can do this. I can get romantic. | 0:16:16 | 0:16:20 | |
I can do it for all boarding school girls up and down the nation. | 0:16:20 | 0:16:25 | |
I...am an erotic ovum. Ha-ha. | 0:16:25 | 0:16:30 | |
Ooh! | 0:16:30 | 0:16:31 | |
Just leaving, au revoir. Or should I say, "Ich werde sie bald sehen." | 0:16:31 | 0:16:36 | |
Ja. | 0:16:38 | 0:16:40 | |
Could do better! Ha, ha! | 0:16:40 | 0:16:43 | |
Ha, ha! | 0:16:43 | 0:16:44 | |
Woo-ing, woo-ing. | 0:16:47 | 0:16:49 | |
Woo-ing. Woo-ing. Woo-ing. | 0:16:49 | 0:16:51 | |
Stevie, hi. Do you notice anything different about me? | 0:16:51 | 0:16:55 | |
I've just bought some boots for the Tango class tonight. | 0:16:57 | 0:17:00 | |
I now feel have the walk of a true woman. | 0:17:00 | 0:17:03 | |
Do I look romantically available? | 0:17:03 | 0:17:06 | |
If camp is available then, yeah. | 0:17:06 | 0:17:09 | |
Sorry, how is this camp? | 0:17:09 | 0:17:12 | |
Customer. Customer. Hello. | 0:17:14 | 0:17:16 | |
Hi. These are fun, aren't they? | 0:17:16 | 0:17:19 | |
Going to a fancy dress? | 0:17:19 | 0:17:21 | |
Why don't you try one of these? | 0:17:21 | 0:17:22 | |
Real hair! | 0:17:30 | 0:17:32 | |
Buongiorno. | 0:17:32 | 0:17:36 | |
-What's up with you? -Nothing at all. | 0:17:36 | 0:17:37 | |
The Jacuzzi was finished yesterday. We've hardly been out of it. | 0:17:37 | 0:17:41 | |
As your father says, "Bubbles hide a multitude of sins, | 0:17:41 | 0:17:45 | |
"and suggest a multitude of others." | 0:17:45 | 0:17:48 | |
Unacceptable information. | 0:17:48 | 0:17:49 | |
I was a bit concerned because the plumber that installed it was... | 0:17:49 | 0:17:54 | |
..(a woman.) | 0:17:56 | 0:17:58 | |
So? | 0:17:58 | 0:17:59 | |
I know they can plumb just as well, but it's not right. | 0:17:59 | 0:18:02 | |
-A woman knowing... -SHE MOUTHS SILENTLY | 0:18:02 | 0:18:05 | |
No, you see all I'm seeing is... | 0:18:05 | 0:18:07 | |
SHE MOUTHS SILENTLY | 0:18:07 | 0:18:09 | |
The ins and outs of a loo! | 0:18:09 | 0:18:12 | |
All right! | 0:18:12 | 0:18:13 | |
Oh! What (enormous) WIG HAIR. | 0:18:13 | 0:18:17 | |
The wrong way round! | 0:18:17 | 0:18:19 | |
Well, right, I must be, what I call...heading off. | 0:18:21 | 0:18:24 | |
It's heading off. Not just what you call heading off... | 0:18:24 | 0:18:27 | |
You father has ordered a mid-afternoon jacuzzi session... | 0:18:27 | 0:18:31 | |
Ooh! Eh? | 0:18:31 | 0:18:32 | |
Urgh. | 0:18:32 | 0:18:34 | |
No, she's not going to put me off. | 0:18:34 | 0:18:36 | |
Tonight, "Adios, uptight Miranda." | 0:18:36 | 0:18:38 | |
She will be swept aside for a feisty Argentinean damsel. | 0:18:38 | 0:18:43 | |
I am going to create the romantic moment. | 0:18:43 | 0:18:46 | |
For tonight is the night when "dos become uno". | 0:18:46 | 0:18:51 | |
Bonne chance. | 0:18:51 | 0:18:52 | |
Ja. | 0:18:52 | 0:18:54 | |
TANGO MUSIC PLAYS | 0:18:54 | 0:18:56 | |
That's right, keep as close as you can. | 0:18:58 | 0:19:02 | |
Mmm! You two are very good together. | 0:19:02 | 0:19:06 | |
'Miranda...' | 0:19:17 | 0:19:18 | |
Customer! | 0:19:18 | 0:19:19 | |
SHE SCREAMS | 0:19:19 | 0:19:20 | |
I am so sorry. Let me help you up. | 0:19:24 | 0:19:26 | |
No, please, please don't touch me again. | 0:19:26 | 0:19:28 | |
I wish it was the first time I'd heard that. | 0:19:28 | 0:19:31 | |
Fantastico! Muy sensual! | 0:19:35 | 0:19:39 | |
You, it's a bit camp. | 0:19:40 | 0:19:42 | |
-Can't believe that Chris and Alison are here as well. -No talking! | 0:19:45 | 0:19:48 | |
-Sorry. -We're teaching our bodies, every sinew to talk. | 0:19:48 | 0:19:52 | |
Wow, she's amazing. | 0:19:52 | 0:19:54 | |
Stop! Stop! | 0:19:54 | 0:19:57 | |
Que bailar como un hipopotamo! | 0:19:57 | 0:19:59 | |
You will not learn when you dance with her. Chris... | 0:20:01 | 0:20:04 | |
-You...are a natural. -Really? -Do you mind? | 0:20:06 | 0:20:09 | |
-Well, I do a bit. -Silence! | 0:20:09 | 0:20:12 | |
Musica. | 0:20:13 | 0:20:14 | |
Aren't you the lucky one, eh, Miranda? | 0:20:17 | 0:20:19 | |
Phwoar. | 0:20:19 | 0:20:21 | |
-What is she like?! -A nightmare! | 0:20:21 | 0:20:23 | |
Miranda, what are you doing? | 0:20:29 | 0:20:30 | |
What's that saying? "It takes three to tango." | 0:20:30 | 0:20:34 | |
Carry on. Nothing to see here. | 0:20:44 | 0:20:47 | |
That was great! | 0:20:48 | 0:20:50 | |
Ooh, yes. Yes, that was great. Yeah. | 0:20:50 | 0:20:52 | |
-So you're going to advanced next week? -Well, might as well. | 0:20:52 | 0:20:55 | |
-You don't mind do you? -No! Why would I mind? | 0:20:55 | 0:21:00 | |
Of course I don't mind. | 0:21:00 | 0:21:02 | |
Nothing springs to mind about minding at all, no! | 0:21:02 | 0:21:05 | |
You're not actually going to eat that kebab are you? | 0:21:05 | 0:21:08 | |
No, I bought it just to chuck in a bin(!) | 0:21:08 | 0:21:10 | |
I'm unashamed to admit that, for me, this is the dog's bollocks. | 0:21:10 | 0:21:14 | |
It probably literally is. You should put it in the bin. | 0:21:14 | 0:21:17 | |
-No! -Come on, Miranda, it's disgusting. | 0:21:17 | 0:21:19 | |
-I like it. You're such a food snob. -Just put it in the bin. -No! | 0:21:19 | 0:21:22 | |
-Come on put it in the bin. Miranda, just put it... -I want to EAT IT. | 0:21:22 | 0:21:26 | |
I'd take this over some of your fancy dishes. | 0:21:26 | 0:21:31 | |
I really thought you understood my work. | 0:21:31 | 0:21:34 | |
I give up, it's completely pointless. | 0:21:34 | 0:21:37 | |
Aroused again. | 0:21:37 | 0:21:38 | |
-SHE GASPS -He's coming back! | 0:21:39 | 0:21:41 | |
Maybe he's felt the arousal too. This could be a moment. | 0:21:41 | 0:21:44 | |
Right, I'm not apologising. I'm still angry. | 0:21:44 | 0:21:47 | |
-Yes. -I've had a thought. -Yes! | 0:21:47 | 0:21:49 | |
Tomorrow night, I'm going to give you a proper... | 0:21:49 | 0:21:51 | |
Take me! | 0:21:51 | 0:21:53 | |
Cooking lesson. What? | 0:21:54 | 0:21:57 | |
# Take...me...on. | 0:21:57 | 0:22:00 | |
# Take on me | 0:22:00 | 0:22:01 | |
# I'll be there, | 0:22:01 | 0:22:03 | |
# Ooh, ooh-ooh, oooh! # | 0:22:03 | 0:22:07 | |
Just some A-ha. | 0:22:08 | 0:22:11 | |
Sorry, did you say cooking lesson? Excellent. | 0:22:11 | 0:22:14 | |
-No, that sounds great, great. -Good, good. Well, enjoy your kebab. | 0:22:14 | 0:22:17 | |
I will. | 0:22:17 | 0:22:20 | |
Ohhh. That's a chilli. | 0:22:20 | 0:22:21 | |
-Oooh. -Ha, ha(!) | 0:22:21 | 0:22:23 | |
Very hot. No, I still like it. | 0:22:23 | 0:22:26 | |
Hot! Hot! Hot! | 0:22:33 | 0:22:35 | |
# Both a little scared Neither one prepared | 0:22:35 | 0:22:41 | |
# Beauty and the beast. # | 0:22:41 | 0:22:46 | |
So, how was it? | 0:22:48 | 0:22:50 | |
I got tango-ed out of a dance class by a frightening dance teacher, | 0:22:50 | 0:22:54 | |
had an argument with Gary, found him sexy, | 0:22:54 | 0:22:56 | |
thought there was going to be moment, | 0:22:56 | 0:22:58 | |
got offered a cooking lesson. It's all your fault, Stevie. | 0:22:58 | 0:23:01 | |
I tried to create a romantic moment, I keep ending up in lessons. | 0:23:01 | 0:23:05 | |
This will be the third in two days | 0:23:05 | 0:23:06 | |
and you know I hate being reminded of school. | 0:23:06 | 0:23:09 | |
No! No, this could be good. | 0:23:11 | 0:23:15 | |
You think he's sexy when he's angry. | 0:23:15 | 0:23:17 | |
Yeah. Well, a cooking lesson... angry chef... | 0:23:17 | 0:23:22 | |
Anger becomes sexual chemistry, like in the films. | 0:23:22 | 0:23:24 | |
Perhaps it wasn't a moment cos I wasn't angry too! | 0:23:24 | 0:23:27 | |
Exactly! Furious chef, angry pupil, food everywhere. | 0:23:27 | 0:23:31 | |
Fiery, very filmic, | 0:23:31 | 0:23:32 | |
where we can do nothing but rip each others clothes off. | 0:23:32 | 0:23:35 | |
Ohhh. | 0:23:35 | 0:23:37 | |
The trouble is, you can't handle the world of shenanigans. | 0:23:54 | 0:23:58 | |
No, no, no. That girl's still very much gone. | 0:23:59 | 0:24:02 | |
I'm still an Argentinian whore. | 0:24:02 | 0:24:04 | |
Well... | 0:24:04 | 0:24:05 | |
not a whore, but (sexual). You know, a couple of notches down from whore. | 0:24:05 | 0:24:10 | |
Pre-doing it for money. | 0:24:10 | 0:24:12 | |
Ah! Oh! Here he is. He's here! | 0:24:13 | 0:24:17 | |
There he is. And you've both been...again. | 0:24:17 | 0:24:20 | |
And that's fine. That's fine, yeah. | 0:24:20 | 0:24:22 | |
It's just (sex). (Sex). Sex. Sex! SEX! There! | 0:24:22 | 0:24:25 | |
You see, I said it. It's fine. | 0:24:25 | 0:24:27 | |
We all do it, don't we? Well, some of us try. | 0:24:27 | 0:24:29 | |
But it doesn't matter! No. It's all just willies and front bottoms. | 0:24:29 | 0:24:35 | |
We all have them. | 0:24:35 | 0:24:36 | |
One of them. Not many people are blessed with having both, I imagine. | 0:24:36 | 0:24:40 | |
I mean, what's weird about a man pushing his Michael Phelps | 0:24:40 | 0:24:44 | |
to reach her li-lo? | 0:24:44 | 0:24:45 | |
Right, better head off. Au chante, la belle dame du soir. | 0:24:46 | 0:24:51 | |
Peut-etre la prochaine fois une disco locale. | 0:24:51 | 0:24:54 | |
THEY LAUGH | 0:24:54 | 0:24:56 | |
MIRANDA LAUGHS HYSTERICALLY | 0:24:56 | 0:24:59 | |
I'm fine with this. Oh, it's lovely. | 0:24:59 | 0:25:02 | |
Oh, that's a bit much! | 0:25:02 | 0:25:04 | |
Put her down, please. | 0:25:04 | 0:25:05 | |
Put her down and off you pop. | 0:25:05 | 0:25:07 | |
Thank you. You disgust me. | 0:25:07 | 0:25:10 | |
So if you can make a ratatouille you've got a delicious basic | 0:25:12 | 0:25:15 | |
you can use with pasta, rice, add meat... | 0:25:15 | 0:25:17 | |
-Try and get the chunks the same size. -You bollocking bastard! | 0:25:17 | 0:25:21 | |
Now you going to get all Ramsay on my ass? | 0:25:24 | 0:25:27 | |
Yeah, you know that's not my style. | 0:25:27 | 0:25:29 | |
OK. So now you've made the fresh tomato sauce. | 0:25:29 | 0:25:32 | |
Now to stop it drying out I'm just going to add some tinned tomato. | 0:25:32 | 0:25:35 | |
Why didn't you just do this in the first place? I prefer these anyway. | 0:25:35 | 0:25:39 | |
-Prefer tinned? To a fresh sauce? -(This'll work. Bring on the moment.) | 0:25:39 | 0:25:43 | |
Tinned to your sauces. | 0:25:43 | 0:25:46 | |
I find them a bit stodgy that's all. | 0:25:46 | 0:25:48 | |
You've done nothing but insult my cooking recently. | 0:25:50 | 0:25:53 | |
-Are you trying to wind me up? -No! I just prefer these, that's all. | 0:25:53 | 0:25:56 | |
You're acting like a wife who won't tell her husband why she's angry. | 0:25:56 | 0:26:00 | |
I wouldn't know would I? Safety wife aged 55. | 0:26:00 | 0:26:02 | |
Most people set their safety marriages at 40. At the latest. | 0:26:02 | 0:26:05 | |
Because most people have the idea when they're 20, | 0:26:05 | 0:26:08 | |
-not when they're single in their mid-30's. -34 is not mid-30's. | 0:26:08 | 0:26:11 | |
It's late 20's! | 0:26:11 | 0:26:13 | |
You're acting as if you're six. You're excitable, then you're angry. | 0:26:13 | 0:26:17 | |
It's the new me. I'm being impulsive, a lover of life, a lover. | 0:26:17 | 0:26:20 | |
New tastes, new experiences... | 0:26:20 | 0:26:22 | |
Ooh, urgh! Garlic... | 0:26:22 | 0:26:24 | |
It's not funny. | 0:26:26 | 0:26:27 | |
I'm being erotic. Puncture my li-lo. | 0:26:27 | 0:26:30 | |
For Bruschetta. | 0:26:33 | 0:26:35 | |
-You want some bruschetta? -No! | 0:26:35 | 0:26:37 | |
You idiot! | 0:26:37 | 0:26:40 | |
You did that deliberately! | 0:26:40 | 0:26:42 | |
I thought mine was empty. Oh... | 0:26:42 | 0:26:44 | |
This is the moment, but it's so not the moment. | 0:26:52 | 0:26:54 | |
The films are wrong. You're just angry and covered in sauce! | 0:26:54 | 0:26:57 | |
-You're such a child. -You're a child. | 0:26:57 | 0:26:59 | |
You're a child! | 0:26:59 | 0:27:01 | |
# And after all that's been said and done | 0:27:01 | 0:27:08 | |
# You're just the part of me I can't let go | 0:27:08 | 0:27:16 | |
# After all that we've been through | 0:27:16 | 0:27:21 | |
# I will make it up to you | 0:27:21 | 0:27:23 | |
# I promise you. # | 0:27:25 | 0:27:28 | |
Has any one seen my pants? | 0:27:32 | 0:27:35 | |
Right! That's it! Come on. | 0:27:35 | 0:27:38 | |
Ooh! | 0:27:38 | 0:27:40 | |
Mr Clayton. Don't move before tying the gown a little safer. | 0:27:40 | 0:27:44 | |
-SHE GASPS -Saw it! | 0:27:44 | 0:27:46 | |
Could do better. | 0:27:48 | 0:27:49 | |
-Miranda, darling, can I stay? The Jacuzzi's flooded. -That's it. | 0:27:51 | 0:27:56 | |
Everybody in. | 0:27:56 | 0:27:58 | |
MUSIC: "My Baby Just Cares For Me" by Nine Simone. | 0:27:58 | 0:28:01 | |
# My baby just cares for me | 0:28:01 | 0:28:04 | |
# My baby don't care for cars and races | 0:28:08 | 0:28:15 | |
# My baby don't care for... # | 0:28:15 | 0:28:20 | |
Ahh! | 0:28:20 | 0:28:21 | |
# High tone places. # | 0:28:21 | 0:28:23 | |
Subtitles by Red Bee Media Ltd | 0:29:00 | 0:29:03 | |
E-mail [email protected] | 0:29:03 | 0:29:06 |