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Picture yourself on a winter's evening in London. | 0:00:10 | 0:00:13 | |
You're trying to find your way to the nearest underground station, | 0:00:13 | 0:00:16 | |
the smog is swirling around and half the street names aren't on your map. | 0:00:16 | 0:00:20 | |
That's what it was like in the 1930s if you didn't know London well. | 0:00:20 | 0:00:24 | |
Then this came along, the A to Z Street Atlas of London. | 0:00:30 | 0:00:35 | |
Cheap, comprehensive, essential to urban survival. | 0:00:35 | 0:00:39 | |
Created in 1936 by a determined woman called Phyllis Pearsall, it transformed travel in the capital. | 0:00:39 | 0:00:46 | |
Since then, millions of copies have flown off the shelves. | 0:00:46 | 0:00:49 | |
Today I'll bet you can find one of these in every home and business in London. | 0:00:49 | 0:00:54 | |
How many appointments would I have missed but for this map? | 0:01:01 | 0:01:05 | |
It's been a real life-saver. | 0:01:05 | 0:01:07 | |
But what I want to know is who is it for? | 0:01:07 | 0:01:10 | |
Is it the ultimate street map, and why is it that some roads marked on it don't actually exist? | 0:01:10 | 0:01:16 | |
Say, that's a swell map! | 0:01:37 | 0:01:39 | |
For many people, Phyllis Pearsall's A to Z is the very definition of a map. | 0:01:47 | 0:01:54 | |
It's an extremely practical guide to London. | 0:01:54 | 0:01:57 | |
Every street is marked, the lettering is spread out to give an idea of the street's length, | 0:01:57 | 0:02:04 | |
there are house numbers, and all the major landmarks are clearly on display. | 0:02:04 | 0:02:09 | |
You simply can't go wrong. | 0:02:09 | 0:02:11 | |
Abbeville Road, SW4, the very first street name in the very first A to Z. | 0:02:20 | 0:02:26 | |
I'm going to make a journey the whole way from Clapham here | 0:02:26 | 0:02:30 | |
in south London to Upper Holloway in north London, to be precise, to 2H, | 0:02:30 | 0:02:34 | |
page 49, Zoffany Street, the very last name in Phyllis Pearsall's A to Z of 1936. | 0:02:34 | 0:02:41 | |
On the way I'm going to try and find out whether the A to Z is completely | 0:02:43 | 0:02:49 | |
accurate, if it's good design, and who gets the most out of it. | 0:02:49 | 0:02:56 | |
Phyllis Pearsall, Mrs P as her employees came to know her, | 0:03:00 | 0:03:05 | |
was born in Dulwich, south London, in 1906. | 0:03:05 | 0:03:09 | |
She grew up wanting to be a painter and she studied art history at the Sorbonne in Paris. | 0:03:09 | 0:03:16 | |
But it was when she returned to London in the mid-1930s that she spotted a | 0:03:16 | 0:03:20 | |
golden opportunity to transform her fellow Londoners' lives. | 0:03:20 | 0:03:25 | |
What Mrs P realised was that the available maps were basically, well, rubbish. | 0:03:27 | 0:03:32 | |
She found herself getting lost on the way to dinner parties. | 0:03:32 | 0:03:36 | |
The problem was that these maps were based on Ordnance Survey mapping from 1919. | 0:03:36 | 0:03:41 | |
The lettering was too small to read, not all the streets were mapped, and if you wanted number 17 | 0:03:42 | 0:03:49 | |
you'd no idea which end of the street to start. | 0:03:49 | 0:03:53 | |
And London was changing rapidly, so in 1935 Phyllis Pearsall decided to set things straight. | 0:03:53 | 0:04:00 | |
Her plan was simple. | 0:04:00 | 0:04:02 | |
From five in the morning until eleven at night | 0:04:02 | 0:04:06 | |
she would walk around London, noting down the names and positions of every one of the capital's streets. | 0:04:06 | 0:04:13 | |
In the process she found herself uncovering the very roots of London, | 0:04:13 | 0:04:19 | |
the oldest streets, evoking a past when London was very different. | 0:04:19 | 0:04:24 | |
History frozen in street names. | 0:04:24 | 0:04:27 | |
Nothing survives of rural London except memories held in a handful of street names. | 0:04:27 | 0:04:33 | |
Milk Street, Carter Lane, up there where carts once rolled, from Addle Hill, right here. "Addle" | 0:04:33 | 0:04:39 | |
comes from the Old English word "addler", meaning "stinking urine", or "eddle", meaning "liquid manure". | 0:04:39 | 0:04:46 | |
So Addle Hill was the hill of cow dung. | 0:04:46 | 0:04:48 | |
On the way to the Stock Exchange, watch your step. | 0:04:48 | 0:04:51 | |
It took her about a year of surveying to cover the 23,000 streets London then had. | 0:04:56 | 0:05:02 | |
In all, she walked over 3,000 miles, a monumental task. | 0:05:02 | 0:05:08 | |
So what on earth motivated her to do it? | 0:05:08 | 0:05:12 | |
It surely can't have been as simple as getting lost on the way to dinner parties. | 0:05:12 | 0:05:18 | |
Sarah Hartley is Mrs P's biographer. | 0:05:18 | 0:05:21 | |
She had an incredibly | 0:05:21 | 0:05:24 | |
challenging personal life. | 0:05:24 | 0:05:26 | |
She's just seen her mother die in Bedlam | 0:05:26 | 0:05:28 | |
in the most terrible circumstances. | 0:05:28 | 0:05:31 | |
Her father was actually a map maker himself. | 0:05:31 | 0:05:34 | |
He set up one of the biggest map-making companies in London, Geographia. | 0:05:34 | 0:05:37 | |
He'd walked out on the family. | 0:05:37 | 0:05:40 | |
He was a tyrant, he was a bully. | 0:05:40 | 0:05:42 | |
Despite his behaviour, Phyllis adored him and wanted to prove that she could impress him. | 0:05:42 | 0:05:50 | |
But she also had difficulties in her own marriage. | 0:05:50 | 0:05:54 | |
She'd walked out on her husband, a fellow artist, in Venice. | 0:05:54 | 0:05:57 | |
She'd come back to London, she was on her own in a bedsit, and she decided, "This is what I'm going to do." | 0:05:57 | 0:06:04 | |
"I'm going to take my father on at his own game." | 0:06:04 | 0:06:07 | |
How quickly did the business take off? | 0:06:07 | 0:06:10 | |
She went to WH Smith | 0:06:10 | 0:06:13 | |
and she waited to see the buyer for at least... | 0:06:13 | 0:06:18 | |
It was about five days she'd keep going back and forth. | 0:06:18 | 0:06:20 | |
And in the end the buyer said, "Who's this woman?" | 0:06:20 | 0:06:23 | |
"Who's this secretary that's haunting the place?" | 0:06:23 | 0:06:25 | |
And she went in to see him with this humble little book and said, "Well, it's my own work. | 0:06:25 | 0:06:30 | |
"I'm sorry about the bled edges. | 0:06:30 | 0:06:32 | |
"It's not as great as it could be." | 0:06:32 | 0:06:34 | |
I think he was so impressed he ordered 25 copies there and then. | 0:06:34 | 0:06:38 | |
She went back to her bedsit and took a wheelbarrow from the pub next door | 0:06:38 | 0:06:44 | |
and delivered her copies to WH Smith. | 0:06:44 | 0:06:47 | |
70 years on, the A to Z is Britain's bestselling atlas. | 0:06:53 | 0:06:58 | |
But how good IS it for getting around the complexities of the capital? | 0:06:58 | 0:07:03 | |
My journey is going to take me all over this great city. | 0:07:04 | 0:07:08 | |
Right now I'm on my way to London's Docklands, a place where the old | 0:07:08 | 0:07:13 | |
street names sit alongside dozens of brand-new ones. | 0:07:13 | 0:07:18 | |
This is Canary Wharf, one of the newest | 0:07:18 | 0:07:20 | |
areas of expanding London, a city which now covers 610 square miles. | 0:07:20 | 0:07:25 | |
When Mrs P set off each morning, her surveying kit was pretty basic. | 0:07:26 | 0:07:31 | |
I've got my apple, I've got my kicked-in map bag, so I'm ready to conduct my own Mrs P-style audit. | 0:07:31 | 0:07:39 | |
I'm going to check out a route from Canada Square | 0:07:41 | 0:07:45 | |
through the old docklands area to Billingsgate fish market and a place called Blackwall Basin, then down | 0:07:45 | 0:07:51 | |
Preston's Road and Manchester Road, and finally out to the River Thames. | 0:07:51 | 0:07:57 | |
The problem I've got is that this part of the city is a multilayered | 0:07:57 | 0:08:01 | |
and ever-changing labyrinth of tower blocks and cul-de-sacs. | 0:08:01 | 0:08:06 | |
London round here is much more massive than the A to Z suggests, | 0:08:08 | 0:08:13 | |
but so far so good in terms of street plan. | 0:08:13 | 0:08:17 | |
Now, if I look up as I walk along here I should see the edge of | 0:08:17 | 0:08:24 | |
the Millennium Dome. And there it is. | 0:08:24 | 0:08:27 | |
The one thing the A to Z can't map is volume, and cities are full of volume. | 0:08:29 | 0:08:34 | |
Just look around Canary Wharf. | 0:08:34 | 0:08:36 | |
These immensely tall buildings can't be shown on a map that's two-dimensional. | 0:08:36 | 0:08:41 | |
Down there, there's a road called East Road running along | 0:08:41 | 0:08:44 | |
above the water, but there's another walkway directly underneath it, and the lower walkway can't be shown. | 0:08:44 | 0:08:51 | |
All you can see is a single layer of the city. | 0:08:51 | 0:08:54 | |
So it is a limitation of a two-dimensional map like the A to Z. | 0:08:54 | 0:08:58 | |
Just coming out of Churchill Place, and according to the A to Z | 0:09:02 | 0:09:05 | |
I should be able to see Billingsgate fish market over on the left. There it is. | 0:09:05 | 0:09:10 | |
This roundabout ahead of me should be water, but I can't see it. | 0:09:12 | 0:09:16 | |
If the A to Z's right, Blackwall Basin should be over there. | 0:09:16 | 0:09:20 | |
These maps may not show you all the different levels of London... | 0:09:21 | 0:09:24 | |
..but what the A to Z can do is produce wonderful surprises, and this is one of them. | 0:09:24 | 0:09:29 | |
I'm only a couple of hundred metres from the tallest buildings in Canary Wharf, | 0:09:29 | 0:09:32 | |
and I've suddenly been confronted by a scene of utter tranquillity. | 0:09:32 | 0:09:36 | |
Over there is a row of beautiful painted houseboats, below me are the serene waters of Blackwall Basin, | 0:09:36 | 0:09:42 | |
behind it a rather grubby Millennium Dome, and over on the right here a lovely area of undeveloped land, | 0:09:42 | 0:09:48 | |
a green space that hasn't been covered in £1 million flats. | 0:09:48 | 0:09:53 | |
Now, I should be able to walk from here | 0:09:53 | 0:09:56 | |
eastwards down to the shores of the River Thames. | 0:09:56 | 0:09:59 | |
But I've got to get down here first. | 0:09:59 | 0:10:01 | |
Every night Mrs P took her sketches home to her flat in Horseferry Road | 0:10:07 | 0:10:12 | |
and hid them under her bed. | 0:10:12 | 0:10:15 | |
Then, when she'd finished one part of London, she sent | 0:10:15 | 0:10:18 | |
her notebooks to her father's most trusted draughtsman, Mr Fountain, | 0:10:18 | 0:10:24 | |
and he set about transforming them into maps. | 0:10:24 | 0:10:27 | |
As soon as I get round this corner I should be able to see | 0:10:30 | 0:10:34 | |
Preston Road dead ahead. That looks like it. | 0:10:34 | 0:10:38 | |
It's so adaptable, the A to Z. | 0:10:38 | 0:10:41 | |
The streets I've been walking along are new, built over what were once docks. | 0:10:41 | 0:10:47 | |
Preston's Road, though, is over a century old. | 0:10:47 | 0:10:50 | |
The A to Z makes it all look completely seamless. | 0:10:50 | 0:10:54 | |
Here's the roundabout on Preston's Road. | 0:10:54 | 0:10:57 | |
There's Marsh Wall, that's East Ferry Road, so this must be Manchester Road. | 0:10:57 | 0:11:03 | |
And it is. There's the sign. | 0:11:03 | 0:11:05 | |
Just up Manchester Road, on the left, must be Stewart Street. | 0:11:05 | 0:11:08 | |
Under Mrs P's direction, Mr Fountain broke with mapping tradition. | 0:11:10 | 0:11:15 | |
He widened each street and then spread the name along its entire length. | 0:11:15 | 0:11:20 | |
The A to Z revolutionised the image of the capital. | 0:11:20 | 0:11:23 | |
Streets - and street names - had never looked so clear. | 0:11:23 | 0:11:28 | |
Brilliant. I've been walking for half an hour, and the A to Z has led me the whole way | 0:11:28 | 0:11:33 | |
from the heart of Canary Wharf down to the banks of the River Thames. | 0:11:33 | 0:11:37 | |
Every street was in the right place and it was correctly named. | 0:11:37 | 0:11:41 | |
It's a remarkable testament to one visionary woman and an awful lot of legwork. | 0:11:41 | 0:11:46 | |
So, the A to Z won't generally get you lost. | 0:11:56 | 0:12:00 | |
But what sort of picture of London does it give? | 0:12:00 | 0:12:04 | |
Does it provide enough information? | 0:12:04 | 0:12:06 | |
Is it pleasing to look at? | 0:12:06 | 0:12:08 | |
Do people like using it? | 0:12:08 | 0:12:11 | |
It's a map entirely focused on streets, on how to get about. | 0:12:11 | 0:12:16 | |
The size of parks, whether an area is busy or peaceful, is there a pub on the corner? | 0:12:16 | 0:12:22 | |
It gives you none of those things. | 0:12:22 | 0:12:24 | |
So how good a design is it? | 0:12:24 | 0:12:26 | |
It's not a masterpiece of modern design | 0:12:28 | 0:12:30 | |
in that amazingly funky graphics, but it's a masterpiece in the more important way. | 0:12:30 | 0:12:35 | |
One of my definitions of good design is "the ordinary thing done extraordinarily well." | 0:12:35 | 0:12:40 | |
You buy this for London, Birmingham, Manchester, | 0:12:40 | 0:12:43 | |
it doesn't matter where, and you feel you possess the city. | 0:12:43 | 0:12:45 | |
There's a compulsion to own A to Zs, and people buy more than are functionally necessary. | 0:12:45 | 0:12:50 | |
You don't just have one A to Z, in my experience people have lots and lots and lots. | 0:12:50 | 0:12:54 | |
One of the great things about modern design is it made quality democratic. | 0:12:57 | 0:13:02 | |
And with the A to Z there's no way of distinguishing Hackney Marshes from Kensington Gardens. | 0:13:02 | 0:13:08 | |
And I love little details like this. | 0:13:08 | 0:13:09 | |
There's the arbitrary announcement of offices somewhere down here. | 0:13:09 | 0:13:13 | |
There are offices everywhere else, but they're not | 0:13:13 | 0:13:16 | |
indicated, but offices here. A bowling alley there. | 0:13:16 | 0:13:20 | |
When you get used to living with the A to Z, and any city dweller does, it's the way the roads dominate. | 0:13:23 | 0:13:29 | |
In fact, looking at the A to Z of London, the roads... | 0:13:29 | 0:13:32 | |
Jamaica Street is given far more prominence than the Tower of London. | 0:13:32 | 0:13:36 | |
It does suggest that movement is a human priority. | 0:13:36 | 0:13:41 | |
It's not about settlements, it's not about the analysis of districts, | 0:13:41 | 0:13:44 | |
it's about how parts of a huge, heaving metropolis are connected to each other by these roads. | 0:13:44 | 0:13:50 | |
And it's beautifully drawn - Blackwall Tunnel flyover here. | 0:13:50 | 0:13:54 | |
And it suggests a dynamism which, of course, is a bit of a deceit, | 0:13:54 | 0:13:58 | |
as those of us who have been stuck in the Blackwall Tunnel Approach know too many times. | 0:13:58 | 0:14:03 | |
But, you know, as I said, it's a work of art, because it presents an ideal view of the city, not a real one. | 0:14:03 | 0:14:08 | |
Question - if a cabbie doesn't know the street you've asked to be taken to, what does he do? | 0:14:15 | 0:14:21 | |
Answer - he takes a crafty look in the A to Z. | 0:14:21 | 0:14:24 | |
Hello. Dahomey Road, please. | 0:14:24 | 0:14:26 | |
The A to Z is the foundation of the Knowledge, the vast collection | 0:14:35 | 0:14:37 | |
of streets and routes, an area roughly equivalent to | 0:14:37 | 0:14:42 | |
a six-mile radius of Charing Cross, which all 21,000 London cab drivers have had to learn by heart. | 0:14:42 | 0:14:49 | |
Malcolm Linskey runs a leading Knowledge school in north London, | 0:14:53 | 0:14:57 | |
where new recruits fill their brains with hundreds of street names. | 0:14:57 | 0:15:01 | |
..leaving the right at Salamanca Street, right out of Embankment, | 0:15:01 | 0:15:04 | |
comply Lambeth Circus, leave by Lambeth Bridge, comply Millbank Circus, leave at Horseferry Road... | 0:15:04 | 0:15:08 | |
I'm very fond of the A to Z, primarily because you see what you get. | 0:15:08 | 0:15:12 | |
The street layout on it is as is on the street. Other maps are around. | 0:15:12 | 0:15:17 | |
They have their own virtues, but nothing as clear cut and as precise as the A to Z. | 0:15:17 | 0:15:22 | |
And how many streets are there within the six-mile radius? | 0:15:22 | 0:15:24 | |
I'm not sure whether anybody's actually counted them, but we estimate about 17,000. | 0:15:24 | 0:15:30 | |
..left Greycoat Place, right Artillery Row, Buckingham Gate, | 0:15:30 | 0:15:32 | |
left and comply Queen Victoria Memorial, leave by the Mall, left onto Marlborough Road... | 0:15:32 | 0:15:38 | |
Would you say cabbies have a different kind of brain, | 0:15:38 | 0:15:40 | |
a brain that can absorb all of this cartographic information? | 0:15:40 | 0:15:43 | |
There is a theory that there's a part of the brain called the | 0:15:43 | 0:15:46 | |
hippocampus and it actually expands to absorb all this information. | 0:15:46 | 0:15:51 | |
And apparently, with cab drivers, they tend to have a big hippocampus. | 0:15:51 | 0:15:55 | |
No-one's quite sure whether they start off with big hippocampuses | 0:15:55 | 0:15:58 | |
or it develops because of their Knowledge training. | 0:15:58 | 0:16:00 | |
..forward over Marlborough Street, left Stafford Street, right Dover Street, left Hay Hill, right | 0:16:00 | 0:16:04 | |
Berkeley Street, right Berkeley Square, leave by Davies Street... | 0:16:04 | 0:16:08 | |
There is a saying on the Knowledge - if you get into trouble | 0:16:08 | 0:16:10 | |
-using the backstreets, resort to your oranges and lemons. -What's that mean? | 0:16:10 | 0:16:14 | |
Well, if you look at the map you'll see that all the primary roads are coloured orange or lemon, | 0:16:14 | 0:16:19 | |
so in other words if you're in trouble with your Knowledge, the way out of jowl is to use the main roads, | 0:16:19 | 0:16:25 | |
which are colour-coded orange and lemon on this. | 0:16:25 | 0:16:27 | |
So it's part of the Knowledge lingo, if you like. | 0:16:27 | 0:16:30 | |
..right onto Park Street, forward into Portman Street, | 0:16:30 | 0:16:33 | |
forward Portman Square, forward Gloucester Place, bear left Park Road, right St John's Wood Circus, | 0:16:33 | 0:16:37 | |
leave by Wellington Road, forward Finchley Road... | 0:16:37 | 0:16:40 | |
Cabbies aren't the only ones concerned about getting | 0:16:44 | 0:16:47 | |
to exactly the right place with the minimum of delay. | 0:16:47 | 0:16:52 | |
The emergency services rely on the A to Z to get them through when they're responding to a 999 call. | 0:16:52 | 0:16:59 | |
Mrs P had an early reminder of the importance of diligent map making. | 0:16:59 | 0:17:03 | |
A doctor claimed that one of his patients had died | 0:17:03 | 0:17:06 | |
after he'd gone to the wrong address due to an error in the A to Z. | 0:17:06 | 0:17:09 | |
In fact, he'd just looked it up incorrectly, but the point went home with Mrs P, and thereafter | 0:17:09 | 0:17:13 | |
she impressed upon her staff that lives depended upon them. | 0:17:13 | 0:17:17 | |
How effective is the A to Z as a guide when you have to get | 0:17:25 | 0:17:29 | |
to your destination or call-out address as fast as possible? | 0:17:29 | 0:17:32 | |
-Does it work? -Very effective. | 0:17:32 | 0:17:34 | |
You can identify tiny roads. | 0:17:34 | 0:17:36 | |
A lot of blocks of flats are actually named on the A to Z, as well, which is quite handy. | 0:17:36 | 0:17:41 | |
What about the house numbers being in there too? Does that help, knowing which end of the...? | 0:17:41 | 0:17:45 | |
I use the house number. And also, when you get the job in the MDT, because the house numbers are | 0:17:45 | 0:17:49 | |
there, the triangle would actually be approximately where that number is. | 0:17:49 | 0:17:53 | |
But I always use the numbers, especially on a long road. | 0:17:53 | 0:17:56 | |
You don't want to be spending half an hour going up and down it. | 0:17:56 | 0:18:00 | |
-Amy, have you been drinking tonight, then? -Yeah. | 0:18:00 | 0:18:02 | |
Yeah? How much have you had, roughly? | 0:18:02 | 0:18:04 | |
'I think the A to Z's excellent.' | 0:18:04 | 0:18:06 | |
I've got one in my car and I use it all the time. | 0:18:06 | 0:18:09 | |
But no, it's a good mapping system. | 0:18:09 | 0:18:11 | |
So thanks to a combination of GPS and the A to Z, Amy is rushing off | 0:18:14 | 0:18:18 | |
to hospital within minutes of the 999 call being made. | 0:18:18 | 0:18:22 | |
Today a copy of the A to Z is as vital a piece of life-saving kit as a respirator or a shot of Adrenalin. | 0:18:23 | 0:18:30 | |
Unless, of course, you're a courier. | 0:18:36 | 0:18:38 | |
Alpha 44. | 0:18:38 | 0:18:40 | |
Alpha 44, go ahead. | 0:18:40 | 0:18:42 | |
Brand-new day, brand-new problem. | 0:18:42 | 0:18:45 | |
Couriers depend on the A to Z to deliver their packages, | 0:18:45 | 0:18:49 | |
so I'm wondering what happens when the address a courier wants goes missing. | 0:18:49 | 0:18:55 | |
It's 8.30 in the morning, and I'm on courier duty. | 0:18:55 | 0:18:58 | |
I've got my walkie-talkie, my A to Z and a very fetching cycling jersey! | 0:18:58 | 0:19:04 | |
All I've got to do now is collect my package. | 0:19:04 | 0:19:06 | |
Well I have my destination, Cassilis Road, E14. | 0:19:22 | 0:19:26 | |
Now I must look it up in the index of my A to Z, Cassilis Road. | 0:19:26 | 0:19:31 | |
We have a problem because the only Cassilis Road is in TW1, that's Twickenham, there's not | 0:19:31 | 0:19:37 | |
much point taking my package there so I'm off to E14, the Isle of Dogs, | 0:19:37 | 0:19:41 | |
and I'm going to have to use my navigational nous. | 0:19:41 | 0:19:45 | |
I'm in E14, so I'm in the right bit of London, but there's absolutely no sign of Cassilis Road, | 0:19:51 | 0:19:58 | |
so I'm going to have to do what people did before the A to Z was invented, which is to ask the way. | 0:19:58 | 0:20:03 | |
I'm trying to reach you with a package but you're not on the A to Z, can you tell me where you are? | 0:20:07 | 0:20:13 | |
Off Lightermans Road? | 0:20:15 | 0:20:18 | |
OK, thanks a lot. | 0:20:18 | 0:20:21 | |
Cheers, bye. | 0:20:21 | 0:20:23 | |
So it does exist. | 0:20:23 | 0:20:26 | |
It looks brand new, a new road, new buildings. | 0:20:26 | 0:20:29 | |
The A to Z have always relied on the public to keep them up to date with new roads. | 0:20:32 | 0:20:37 | |
In fact there was a time when they offered a small monetary reward. | 0:20:37 | 0:20:41 | |
Clearly Cassilis Road needs to be on the London map, | 0:20:42 | 0:20:45 | |
so I'm going to contact the A to Z to see if I can make that happen. | 0:20:45 | 0:20:51 | |
Might make a few quid. | 0:20:51 | 0:20:53 | |
Well I phoned the A to Z and while I wait for them to get here | 0:20:54 | 0:20:57 | |
I'm going to check out exactly where Cassilis Road goes. | 0:20:57 | 0:21:00 | |
Cassilis Road ends right here, no doubt about that, | 0:21:04 | 0:21:07 | |
but there's a paved road going on in this direction. | 0:21:07 | 0:21:10 | |
Question is, what's this called? | 0:21:10 | 0:21:13 | |
Broadway Walk. | 0:21:15 | 0:21:17 | |
Broadway Walk, in the A to Z. | 0:21:17 | 0:21:19 | |
There is a short stub of road running off Alpha Grove. | 0:21:19 | 0:21:23 | |
That's Alpha Grove just there. | 0:21:23 | 0:21:25 | |
The stub's in the right place but it's called | 0:21:25 | 0:21:28 | |
Bartlett Place. I could understand how Cassilis Road could have sprung from nowhere because there's been | 0:21:28 | 0:21:32 | |
so much development in this part of London over the last 25 years, but what on earth is going on here? | 0:21:32 | 0:21:38 | |
On the ground we've got Broadway Walk but on the map we've got Bartlett Place. Very puzzling. | 0:21:38 | 0:21:44 | |
A to Z team to the rescue. | 0:21:47 | 0:21:49 | |
And about time. | 0:21:49 | 0:21:52 | |
John Frankel is the managing director of Geographers' A to Z Map Company. | 0:21:57 | 0:22:02 | |
He has worked with them for 43 years. | 0:22:02 | 0:22:05 | |
Kieron Bartlett's only done 10, a youngster! | 0:22:05 | 0:22:08 | |
-The GPS unit up on the roof is plugged into the laptop here so if I bring the GPS in -... | 0:22:11 | 0:22:17 | |
That's a global positioning satellite. | 0:22:17 | 0:22:20 | |
That's right. | 0:22:20 | 0:22:21 | |
So this van's connected to satellite and it's going to plot the line of the road. | 0:22:21 | 0:22:25 | |
That's right. I've got green signals where the dots have kicked in here. | 0:22:25 | 0:22:28 | |
I was just turning into the beginning of Cassilis Road. | 0:22:28 | 0:22:30 | |
It's very exciting, we're about go into unmapped territory. | 0:22:30 | 0:22:33 | |
Your red dots will trace out the new line of Cassilis Road. | 0:22:33 | 0:22:37 | |
What I'm going to do now is draw a line over the top so when we take it back we know the route of the road. | 0:22:37 | 0:22:43 | |
-So you're tracing a very fine line on top of the red dots. -Yes. | 0:22:45 | 0:22:49 | |
That's just a guide that you can turn into a proper road pair of lines back at headquarters, is it? | 0:22:49 | 0:22:56 | |
-That's right. -We've got the raw data and I hope we can work out the mystery of Bartlett Place. | 0:22:56 | 0:23:03 | |
No mention, incidentally, of any payment for my efforts. | 0:23:03 | 0:23:07 | |
All that's required now is a trip to A to Z's Kent headquarters. | 0:23:07 | 0:23:12 | |
Mrs P moved the company to Borough Green in 1992. | 0:23:12 | 0:23:16 | |
She came to love the place so much she had her ashes buried there. | 0:23:16 | 0:23:20 | |
Was Mrs P a ruthless business woman or a kind auntie? | 0:23:22 | 0:23:26 | |
What was she like as a person to work with? | 0:23:26 | 0:23:29 | |
She saw herself in the sporting sense as the wicketkeeper. | 0:23:29 | 0:23:33 | |
If we ever needed her, she would always be there. | 0:23:33 | 0:23:36 | |
She was also a very kind person and cared very much about the people that worked with A to Z. | 0:23:36 | 0:23:42 | |
It's a trust company. | 0:23:42 | 0:23:43 | |
She was very concerned that on her death the company would be sold so in | 0:23:43 | 0:23:48 | |
1966 she actually gave the shares to the company and the trust was formed. | 0:23:48 | 0:23:53 | |
What would you have done if we hadn't told you that Cassilis Road existed? | 0:24:00 | 0:24:04 | |
-We would have found it. -Are you sure? | 0:24:04 | 0:24:07 | |
I'm sure because we visit the area. | 0:24:07 | 0:24:10 | |
So Mapman's helped you to update your map. | 0:24:10 | 0:24:13 | |
In this case, yes. | 0:24:13 | 0:24:14 | |
Are you trying to get the sides of the road to run parallel with our single red line? | 0:24:16 | 0:24:21 | |
Yes, because we need to put text inside the road so the road needs to be slightly | 0:24:21 | 0:24:27 | |
wider than the road that actually exists. | 0:24:27 | 0:24:29 | |
You're exaggerating the width of the road to fit the lettering. | 0:24:29 | 0:24:32 | |
Exactly. If I hit here, I'll make the edges of the roads. | 0:24:32 | 0:24:36 | |
Wow, there it is. | 0:24:36 | 0:24:38 | |
Now I need to put the text in, turn it on its side. | 0:24:44 | 0:24:47 | |
You haven't got much space to put the street names in, have you? | 0:24:47 | 0:24:50 | |
No. This is a particularly congested part of London. | 0:24:50 | 0:24:54 | |
When we put our text out we tend to put it | 0:24:54 | 0:24:56 | |
each letter at a time to make sure it's easy to read and it looks good. | 0:24:56 | 0:25:01 | |
-Quite painstaking, isn't it? -It takes a long time. | 0:25:01 | 0:25:03 | |
What are you going to do about Bartlett Place down the bottom there? | 0:25:03 | 0:25:06 | |
On the street itself it's called Broadway Walk. | 0:25:06 | 0:25:09 | |
Is that an error? | 0:25:11 | 0:25:13 | |
It was obviously an error on our behalf. | 0:25:13 | 0:25:15 | |
We used to show it as Bartlett Place. | 0:25:15 | 0:25:17 | |
-Why was that? -In this case, it's not an error. | 0:25:17 | 0:25:20 | |
It's one of our phantom names. | 0:25:20 | 0:25:22 | |
-A what name? -A phantom name. | 0:25:22 | 0:25:24 | |
-A phantom name? -A phantom name, yes. | 0:25:24 | 0:25:26 | |
These names are included on our mapping to protect our copyright. | 0:25:26 | 0:25:31 | |
So if you had found somebody who had mapped that part of the Isle of Dogs with a place | 0:25:31 | 0:25:34 | |
called Bartlett Place on there, you'd know they'd copied your map? | 0:25:34 | 0:25:38 | |
-Yes, cos it's unique to our mapping. -It's a trick feature? | 0:25:38 | 0:25:40 | |
In this case, the name is actually named after Kieron. | 0:25:40 | 0:25:45 | |
-Kieron Bartlett? -Yes. -You're cheeky. | 0:25:45 | 0:25:48 | |
You've named a road after yourself? | 0:25:48 | 0:25:52 | |
It wasn't actually me who put the road in. I didn't choose the name. | 0:25:52 | 0:25:56 | |
Nothing to do with you at all? | 0:25:56 | 0:25:58 | |
-No. -How many of these phantoms streets are there in London? | 0:25:58 | 0:26:01 | |
-Probably just over 100. -100?! | 0:26:01 | 0:26:03 | |
About 100. But we try to put them in areas where they don't actually interfere with people's navigation. | 0:26:03 | 0:26:08 | |
It interfered with my navigation. | 0:26:08 | 0:26:10 | |
I went through major grief trying to work out what was going on. | 0:26:10 | 0:26:13 | |
I was standing in front of Broadway Walk being told by you that it was Bartlett Place. | 0:26:13 | 0:26:18 | |
We can only apologise on this occasion! | 0:26:18 | 0:26:21 | |
Could be quite a new urban sport, pinning down phantom place names. | 0:26:23 | 0:26:27 | |
It's a big place, though. | 0:26:33 | 0:26:35 | |
-Is this it? -This will be the finished plot. | 0:26:43 | 0:26:47 | |
I can't believe this is the latest map of the Isle of Dogs. | 0:26:47 | 0:26:51 | |
This is the latest A-Z. | 0:26:51 | 0:26:53 | |
Mm, the smell of a new map. | 0:26:53 | 0:26:56 | |
That's brilliant. And here we have Cassilis Road. | 0:26:56 | 0:26:59 | |
So the blank space in E14 has been filled. | 0:26:59 | 0:27:04 | |
Cassilis Road is on the map and the phantom Bartlett Place is now the real Broadway Walk. | 0:27:04 | 0:27:10 | |
Last day, one last place to visit. | 0:27:16 | 0:27:20 | |
Zoffany Street, the final street, the ultimate Z. | 0:27:20 | 0:27:25 | |
Here it is - a charming little Victorian street built in 1887 | 0:27:25 | 0:27:31 | |
and named after an 18th-century Czech painter called Johann Zoffany. | 0:27:31 | 0:27:36 | |
Mrs P would have loved that. | 0:27:36 | 0:27:38 | |
Painting was always one of her great passions. | 0:27:38 | 0:27:40 | |
These days, there are A-Z maps of over 200 towns across the country. | 0:27:46 | 0:27:52 | |
But London remains the best seller. | 0:27:52 | 0:27:54 | |
In various formats, more than 200,000 are sold every year. | 0:27:54 | 0:28:00 | |
Other street maps are now available, but they all owe a debt to Mrs P's people's map. | 0:28:00 | 0:28:07 | |
By the time she died in 1996, London had 50,000 streets, twice the number | 0:28:07 | 0:28:13 | |
it had in 1936, and Phyllis Pearsall is celebrated as being the founder of the London street guide. | 0:28:13 | 0:28:21 | |
It has saved lives and it presents itself as a golden thread in and out of London's labyrinth. | 0:28:21 | 0:28:27 | |
Right now, for me today, it's got one last job to do - to lead me to 7D, page 48, home. | 0:28:27 | 0:28:35 | |
Subtitles by BBC Broadcast - 2005 | 0:28:36 | 0:28:38 | |
E-mail us at [email protected] | 0:28:38 | 0:28:41 |