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We love to be beside the sea. | 0:00:06 | 0:00:09 | |
It's where we're free to express ourselves, | 0:00:09 | 0:00:15 | |
and it's shaped our lives through thousands of years of trade, | 0:00:15 | 0:00:20 | |
migration and war. | 0:00:20 | 0:00:21 | |
But it's the mix of people in Britain | 0:00:23 | 0:00:26 | |
that really connects us to the wider world. | 0:00:26 | 0:00:29 | |
From Beachy Head to Brighton, the chalk cliffs form a barrier | 0:01:06 | 0:01:10 | |
with only a few natural breaks. | 0:01:10 | 0:01:12 | |
One chink in this coastal armour is at Rottingdean. | 0:01:16 | 0:01:20 | |
It's been an obvious temptation to invaders and marauders for centuries, | 0:01:24 | 0:01:29 | |
but Mark Horton has been drawn here by Rottingdean's hidden treasures. | 0:01:29 | 0:01:34 | |
For me one of the best things about the coast | 0:01:35 | 0:01:40 | |
is the way low tide reveals lost secrets of the sea. | 0:01:40 | 0:01:45 | |
I'm looking for clues to a mad piece of Victorian engineering. | 0:01:45 | 0:01:50 | |
An electric railway that ran under the sea. | 0:01:52 | 0:01:56 | |
It was built by engineer Magnus Volk in 1896. | 0:01:57 | 0:02:02 | |
He wanted to create an electric railway | 0:02:02 | 0:02:05 | |
that could run along the beach, even at high tide. | 0:02:05 | 0:02:09 | |
Quite how he did it | 0:02:11 | 0:02:13 | |
would only become clear to me once the tide has gone out. | 0:02:13 | 0:02:17 | |
So I've time to look into why he would want to build it here | 0:02:19 | 0:02:23 | |
in the first place. | 0:02:23 | 0:02:26 | |
Volk, the son of a German emigre, | 0:02:26 | 0:02:29 | |
wasn't the first person with foreign connections | 0:02:29 | 0:02:33 | |
to influence the town. | 0:02:33 | 0:02:35 | |
By the Saxon pond, next to a Norman church, | 0:02:37 | 0:02:41 | |
the connections go even further. | 0:02:41 | 0:02:44 | |
Sue, Glenda and Catherine from the local Preservation Society | 0:02:45 | 0:02:50 | |
want me to see the former home | 0:02:50 | 0:02:52 | |
of a celebrated son of the British Empire | 0:02:52 | 0:02:55 | |
who put Rottingdean in the public eye. | 0:02:55 | 0:03:00 | |
I look like a rubbernecking tourist! | 0:03:00 | 0:03:03 | |
-So who's house is that? -Rudyard Kipling's. | 0:03:03 | 0:03:05 | |
-Did they really bring ladders to look inside? -No, no. | 0:03:05 | 0:03:08 | |
One of the local pubs ran a double-decker horse-drawn omnibus | 0:03:08 | 0:03:11 | |
for the tourists, and they came round, | 0:03:11 | 0:03:14 | |
parked outside the wall, the tourists rushed to the top deck | 0:03:14 | 0:03:18 | |
and looked over the wall at Kipling, and this is where he was standing. | 0:03:18 | 0:03:21 | |
Kipling arrived in 1897, already a household name. | 0:03:21 | 0:03:27 | |
His most famous work, The Jungle Book, | 0:03:27 | 0:03:30 | |
had been published three years before. | 0:03:30 | 0:03:33 | |
And did Kipling living here, did it make a more famous place? | 0:03:33 | 0:03:37 | |
Absolutely, he brought all his famous friends, artistic friends, | 0:03:37 | 0:03:41 | |
and suddenly tourism started, | 0:03:41 | 0:03:43 | |
people wanted to see them, so they flocked here. | 0:03:43 | 0:03:46 | |
Rottingdean, popular with day-trippers, | 0:03:47 | 0:03:50 | |
now had celebrity status, a boon for Volk and his electric railway. | 0:03:50 | 0:03:56 | |
And now, exposed by the tide, is what I've come to see. | 0:04:03 | 0:04:08 | |
Ian Gledhill has written a history of Volk's eccentric railway. | 0:04:10 | 0:04:14 | |
Ian, this is completely mad! | 0:04:14 | 0:04:16 | |
It is unbelievable that there should be a railway along the beach. | 0:04:16 | 0:04:20 | |
The track ran on these concrete blocks, this is one set of tracks | 0:04:20 | 0:04:23 | |
and there was another set further over. | 0:04:23 | 0:04:26 | |
Hang on. | 0:04:26 | 0:04:27 | |
-You can see its line running along here. -Yes, four rails, | 0:04:29 | 0:04:32 | |
two rails on here, and two over there, 18 feet between the two, | 0:04:32 | 0:04:35 | |
it had the widest track gauge of any railway ever built. | 0:04:35 | 0:04:38 | |
It stretched for three miles towards Brighton. | 0:04:38 | 0:04:42 | |
The track was underwater at high tide, | 0:04:42 | 0:04:45 | |
so what sort of train could run on it? | 0:04:45 | 0:04:47 | |
This is a model made by Magnus Volk in 1893. | 0:04:47 | 0:04:51 | |
The final one looked somewhat different from that, | 0:04:51 | 0:04:54 | |
but that was his first idea of it. | 0:04:54 | 0:04:56 | |
Isn't that wonderful? It must have been an extraordinary sight. | 0:04:56 | 0:05:01 | |
It was absolutely enormous. | 0:05:01 | 0:05:04 | |
It stood on legs 24ft high, the deck was 50ft long, | 0:05:04 | 0:05:07 | |
on the top was a cabin that could carry 30 passengers in comfort | 0:05:07 | 0:05:11 | |
with stained-glass windows, chandeliers. | 0:05:11 | 0:05:14 | |
Can I just ask the simple question? | 0:05:14 | 0:05:17 | |
-It operated by electricity. -Yes. | 0:05:17 | 0:05:19 | |
It's going underwater. How did it work? | 0:05:19 | 0:05:22 | |
Well, there was an overhead wire mounted on posts alongside the track, | 0:05:22 | 0:05:26 | |
the current came through the motor and the return was through the rail, | 0:05:26 | 0:05:30 | |
so that meant at high tide, it was through the sea itself, | 0:05:30 | 0:05:33 | |
but there wasn't a Health & Safety Executive in those days. | 0:05:33 | 0:05:36 | |
I don't know what they'd have said if he'd proposed it now. | 0:05:36 | 0:05:39 | |
And this is the only footage of Volk's creation, the Daddy Longlegs, | 0:05:39 | 0:05:47 | |
as it came to be known, at high tide. | 0:05:47 | 0:05:50 | |
But the Daddy Longlegs was created as an extension | 0:05:52 | 0:05:57 | |
to a railway Volk was already operating in Brighton. | 0:05:57 | 0:06:02 | |
This is him on the footplate on its opening day. | 0:06:02 | 0:06:06 | |
Over 125 years later, | 0:06:07 | 0:06:09 | |
it's still running along the seafront in Brighton. | 0:06:09 | 0:06:14 | |
I'm curious to know about Volk the man. | 0:06:16 | 0:06:18 | |
His granddaughter, Jill Cross, remembers him from the 1920s. | 0:06:20 | 0:06:24 | |
He was a very inventive person. | 0:06:26 | 0:06:28 | |
His house was the first one in Brighton to be lit with electricity. | 0:06:28 | 0:06:34 | |
Also he was an honorary radiographer | 0:06:34 | 0:06:39 | |
at the Children's Hospital. | 0:06:39 | 0:06:41 | |
As a teenager, Jill used to visit her grandfather | 0:06:41 | 0:06:45 | |
at his workshop, which is still being used by the railway today. | 0:06:45 | 0:06:49 | |
Such a small door. | 0:06:49 | 0:06:51 | |
Well, he wasn't very big himself. | 0:06:51 | 0:06:54 | |
About 80 years since I came here last. | 0:06:54 | 0:06:58 | |
What was this space used for? | 0:07:01 | 0:07:03 | |
They had the dynamos here | 0:07:03 | 0:07:06 | |
to power the electric railway. | 0:07:06 | 0:07:08 | |
Nearly there. | 0:07:10 | 0:07:11 | |
So, Jill, do you almost expect to see your grandfather there? | 0:07:11 | 0:07:15 | |
Yes, sitting at his desk, and keeping an eye on things out there, | 0:07:15 | 0:07:20 | |
watching the trains go up and down. | 0:07:20 | 0:07:22 | |
That's wonderful. | 0:07:22 | 0:07:24 | |
You can see why he chose this spot for his office. | 0:07:24 | 0:07:27 | |
Oh, yes, to see what's going on. | 0:07:27 | 0:07:29 | |
That's good. | 0:07:29 | 0:07:30 | |
So Volk's original railway is still here, but what happened to his Daddy Longlegs? | 0:07:30 | 0:07:36 | |
MAN: There was the most appalling storm in 1896. | 0:07:36 | 0:07:41 | |
Daddy Longlegs fell over and was totally destroyed, | 0:07:41 | 0:07:44 | |
and it had only run for six days. | 0:07:44 | 0:07:47 | |
Imagine the frustration Magnus Volk must have felt! | 0:07:47 | 0:07:50 | |
But he re-built it, and it ran for another four years after that. | 0:07:50 | 0:07:53 | |
That must have cost investors a huge sum of money? | 0:07:53 | 0:07:56 | |
It was probably half a million pounds in modern terms to re-build it, | 0:07:56 | 0:08:00 | |
and it never made money after that, which was one of the reasons why it didn't last. | 0:08:00 | 0:08:04 | |
In the end, Volk had to abandon the Daddy Longlegs, | 0:08:07 | 0:08:12 | |
because he couldn't afford to move the tracks to make way | 0:08:12 | 0:08:16 | |
for new coastal defences. | 0:08:16 | 0:08:18 | |
His electrifying attempts to conquer the waves were claimed by the sea. | 0:08:19 | 0:08:25 | |
Subtitles by Red Bee Media Ltd | 0:08:29 | 0:08:32 | |
E-mail [email protected] | 0:08:32 | 0:08:35 |