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KNOCK ON DOOR Are you decent? | 0:00:35 | 0:00:39 | |
Graham? | 0:00:39 | 0:00:40 | |
Not quite. | 0:00:43 | 0:00:44 | |
Come in, Mother. | 0:00:47 | 0:00:49 | |
I hereby call to order the first official meeting of The Bucket List Club. | 0:00:51 | 0:00:56 | |
Life drawing. Hurrah! | 0:00:56 | 0:00:58 | |
An evening of staring at men's danglies. | 0:00:58 | 0:01:02 | |
Female models, tonight. We're reproducing Raphael's Three Graces. | 0:01:02 | 0:01:06 | |
The most I've painted is a fingernail. I can't draw that!. | 0:01:06 | 0:01:10 | |
It's a bit of a tall order. | 0:01:10 | 0:01:13 | |
Still. Er...we'll have a go. | 0:01:14 | 0:01:18 | |
-What's the worst that can happen? -We make complete fools of ourselves and get ridiculed in public. | 0:01:18 | 0:01:24 | |
This is item one on the bucket list. Are we going to falter at the first hurdle? | 0:01:24 | 0:01:28 | |
We have to strike while the iron's hot, not analyse everything to death. | 0:01:28 | 0:01:34 | |
Unite in this together. Like... | 0:01:34 | 0:01:37 | |
-like The Three Musketeers, -The Three Stooges(!) | 0:01:37 | 0:01:40 | |
All for one and one for all. Moments like this only come once. We have to grasp them | 0:01:40 | 0:01:45 | |
or they vanish forever. Seize the day. | 0:01:45 | 0:01:49 | |
Carpe diem. In fact, I think that should be our motto. | 0:01:49 | 0:01:52 | |
Carpe diem. | 0:01:52 | 0:01:54 | |
-Carpe diem. -Carpe diem. | 0:01:55 | 0:01:58 | |
This used to be a quality newspaper. | 0:02:03 | 0:02:07 | |
Daily News?! | 0:02:07 | 0:02:09 | |
Daily Sleaze, more like. | 0:02:09 | 0:02:11 | |
I've a good mind to cancel my subscription. | 0:02:11 | 0:02:15 | |
Morning, Mother. | 0:02:15 | 0:02:17 | |
Bowels? | 0:02:21 | 0:02:22 | |
All present and correct. | 0:02:24 | 0:02:26 | |
Ears? | 0:02:31 | 0:02:32 | |
Can't have you seeing the nurse with dirty ears. | 0:02:35 | 0:02:38 | |
Wear your jacket. Then afterwards... | 0:02:39 | 0:02:44 | |
What day is it? | 0:02:44 | 0:02:46 | |
-Wednesday. -Meaning? | 0:02:48 | 0:02:51 | |
I get to choose. | 0:02:51 | 0:02:53 | |
-Good, well, I think that's everything. -PHONE RINGS | 0:02:59 | 0:03:02 | |
Sorry, I forgot to switch it off. | 0:03:02 | 0:03:05 | |
It's all right. We're done here. | 0:03:05 | 0:03:07 | |
Don't mind me. | 0:03:07 | 0:03:09 | |
-Hi. -Hi, it's Eva. | 0:03:11 | 0:03:13 | |
-'Hi.' -Can you talk? | 0:03:13 | 0:03:16 | |
-Er, yeah. -'Still on for tonight?' -Yeah. | 0:03:16 | 0:03:19 | |
7:30, Icon bar? | 0:03:21 | 0:03:22 | |
'For old times sake?' | 0:03:22 | 0:03:24 | |
Er, yeah, sounds good. | 0:03:24 | 0:03:26 | |
Great. Oh, and, Jimmi? | 0:03:26 | 0:03:27 | |
-Yeah. -It's been three years but I hope your conversation skills have come back by then. | 0:03:27 | 0:03:32 | |
-I'll see you later. -Bye then. -'Bye.' | 0:03:32 | 0:03:36 | |
Right... | 0:03:39 | 0:03:41 | |
Let's get this lot started. | 0:03:43 | 0:03:44 | |
-What do you do for a living? -I'm...needed at home. -Angina. | 0:03:54 | 0:03:59 | |
I'm a martyr to it. And he's always been on the sickly side. | 0:03:59 | 0:04:03 | |
-What is it I say, Graham? -We look after each other. | 0:04:03 | 0:04:07 | |
And we do every Tuesday in the charity shop. For the cripples. | 0:04:07 | 0:04:12 | |
They aren't called that any more. | 0:04:12 | 0:04:13 | |
I don't see why not. It was always good enough for them before. | 0:04:13 | 0:04:18 | |
Ahem. Just your bloods to do. | 0:04:18 | 0:04:22 | |
Did you remember to bring your urine sample? | 0:04:22 | 0:04:25 | |
First tinkle of the day. | 0:04:25 | 0:04:27 | |
7:15 this morning. | 0:04:27 | 0:04:30 | |
Oh! It must be in the car. | 0:04:30 | 0:04:34 | |
I won't be a minute. | 0:04:34 | 0:04:35 | |
Behave yourself while I'm gone. | 0:04:41 | 0:04:43 | |
-Mothers. -You seem...very close. | 0:04:46 | 0:04:51 | |
My father died before I was born, so it's just the two of us. | 0:04:51 | 0:04:55 | |
Want to have a look? | 0:04:57 | 0:04:59 | |
I'm not being dirty-minded. | 0:05:02 | 0:05:04 | |
It's only a few pencil strokes, and yet they seem so alive. | 0:05:08 | 0:05:12 | |
Do you draw? | 0:05:14 | 0:05:15 | |
Oh, no...not really. | 0:05:15 | 0:05:18 | |
I copy pictures from postcards. This is art. | 0:05:18 | 0:05:22 | |
Copying pictures sounds like art in my book. | 0:05:22 | 0:05:26 | |
Artists paint what they see. I only paint what someone else has seen. | 0:05:26 | 0:05:30 | |
Mainly cottages. | 0:05:30 | 0:05:33 | |
And kittens. Mother's very fond of kittens. | 0:05:33 | 0:05:36 | |
You should come. It's tonight, and it's open to everyone. | 0:05:37 | 0:05:40 | |
It's out of the question. | 0:05:40 | 0:05:43 | |
Thank you. | 0:05:54 | 0:05:56 | |
I know what you're going to say. | 0:05:56 | 0:05:58 | |
Let me get this straight. Eva's back | 0:05:58 | 0:06:01 | |
and you're giving Jimmi permission to choose between the two of you?! | 0:06:01 | 0:06:06 | |
You think I'm mad. | 0:06:06 | 0:06:08 | |
I think you should go out there and fight for your man. | 0:06:08 | 0:06:11 | |
Not hand him over gift-wrapped. | 0:06:11 | 0:06:13 | |
-I've thought it through. -Was that in a blonde moment? | 0:06:13 | 0:06:17 | |
I need to know, Julia. I need to know if I'm second best. | 0:06:17 | 0:06:20 | |
And this is the only way to do it. | 0:06:20 | 0:06:22 | |
I've never been to an art class. | 0:06:27 | 0:06:29 | |
Mother said it was a girl's subject so I did woodwork instead. | 0:06:29 | 0:06:33 | |
My mum made me do home ec. | 0:06:33 | 0:06:35 | |
I'm saying, I don't know one end of a paintbrush from the other. | 0:06:35 | 0:06:39 | |
But I'm going. | 0:06:39 | 0:06:41 | |
It's impossible. | 0:06:41 | 0:06:43 | |
It's an opportunity. | 0:06:43 | 0:06:46 | |
Don't analyse it. | 0:06:46 | 0:06:47 | |
Just do it. Seize the moment before it vanishes forever. | 0:06:47 | 0:06:51 | |
She'd never approve. | 0:06:55 | 0:06:56 | |
Mothers don't always know best. | 0:06:57 | 0:06:59 | |
You've got to spread your wings, fly the nest. | 0:06:59 | 0:07:02 | |
-I wouldn't know anyone. -You know me. | 0:07:03 | 0:07:07 | |
I don't know about you, but I'm thinking it looks a bit cloudy. | 0:07:07 | 0:07:11 | |
How about a nice walk in the park? | 0:07:34 | 0:07:37 | |
We can feed the ducks and walk off some of those biscuits. | 0:07:37 | 0:07:42 | |
I'd like to go to an art gallery. | 0:07:42 | 0:07:45 | |
What do you want to do that for? Seatbelt. | 0:07:45 | 0:07:48 | |
Stuck in on a lovely day, looking at a load of pictures. | 0:07:48 | 0:07:53 | |
Art. Not pictures. It's my turn to choose. | 0:07:53 | 0:07:58 | |
And I want to go to an art gallery. | 0:07:58 | 0:08:01 | |
My! Someone's Mr Feisty today. | 0:08:01 | 0:08:05 | |
All that sugar, I shouldn't wonder. | 0:08:06 | 0:08:10 | |
SHARP KNOCK | 0:08:15 | 0:08:16 | |
Are you sure you know what you're doing? | 0:08:22 | 0:08:24 | |
Eva's here for the Harcourt debrief. | 0:08:25 | 0:08:27 | |
A fiancee back from the dead. How romantic(!) | 0:08:29 | 0:08:32 | |
-I guess being with Cherry seems very tame after all that. -Julia... | 0:08:32 | 0:08:35 | |
Honestly, Jimmi, I've got to say this to you. | 0:08:35 | 0:08:38 | |
-I think over the last year I've never seen you look so relaxed and happy in your own skin. -Julia... | 0:08:38 | 0:08:44 | |
-I know you'll say I should mind my own business... -Julia! | 0:08:44 | 0:08:47 | |
You should mind your own business. | 0:08:47 | 0:08:49 | |
But I forgive you, because you're right. | 0:08:51 | 0:08:54 | |
Good. I'm glad to hear it. | 0:08:56 | 0:08:59 | |
I'm doing this for Cherry. Going through the motions, otherwise she won't be convinced. | 0:08:59 | 0:09:03 | |
-And that's all? -It's closure. Trust me. Nothing's going to happen. | 0:09:04 | 0:09:08 | |
I need to find a ladies. | 0:09:35 | 0:09:38 | |
Do you need to spend a penny, Graham? LAUGHTER | 0:09:40 | 0:09:43 | |
No. | 0:09:43 | 0:09:44 | |
Can I go to the gift shop? | 0:09:47 | 0:09:49 | |
Thank you. | 0:10:00 | 0:10:02 | |
Don't spend it all at once. | 0:10:02 | 0:10:04 | |
CLASSICAL MUSIC PLAYS THROUGH EARPHONES | 0:10:32 | 0:10:35 | |
KNOCK ON DOOR | 0:10:38 | 0:10:40 | |
KNOCK ON DOOR | 0:10:42 | 0:10:44 | |
KNOCK ON DOOR | 0:10:47 | 0:10:49 | |
KNOCK ON DOOR Graham? | 0:10:51 | 0:10:53 | |
-Cutting it fine, ladies! -Er, the Three Graces? | 0:11:00 | 0:11:04 | |
-That was the original intention. -Is something the matter? | 0:11:05 | 0:11:10 | |
I specified early 30s. | 0:11:10 | 0:11:12 | |
Either there's been a crossed wire or the years have been unusually harsh. | 0:11:12 | 0:11:18 | |
We weren't aware the class had an age limit. | 0:11:18 | 0:11:21 | |
-I'm doing the Three Graces, not growing older gracefully. -Is this a joke? | 0:11:21 | 0:11:27 | |
Not unless it's a parody. | 0:11:27 | 0:11:29 | |
Or...irony. | 0:11:32 | 0:11:34 | |
Yes! | 0:11:36 | 0:11:37 | |
Yes. Your maturity would add freshness and piquancy. | 0:11:37 | 0:11:43 | |
-Along a theme of decay. -Does anyone know what he's talking about? | 0:11:43 | 0:11:47 | |
It's brilliant. If I say so myself. | 0:11:47 | 0:11:50 | |
So... | 0:11:54 | 0:11:55 | |
Clothes? | 0:11:57 | 0:11:58 | |
The sooner you get them off, the sooner we can work through the pose. | 0:11:58 | 0:12:03 | |
Dirty boy! | 0:12:04 | 0:12:07 | |
I'm just drawing. | 0:12:07 | 0:12:09 | |
Drooling. Over naked women. | 0:12:09 | 0:12:12 | |
-It's art. -It's pornography! | 0:12:12 | 0:12:15 | |
As good as. | 0:12:15 | 0:12:17 | |
And she's no more than a two-bit strumpet. | 0:12:17 | 0:12:21 | |
Flashing her bits and bobs to some bloke with a brush. | 0:12:21 | 0:12:25 | |
I've only done an arm. | 0:12:25 | 0:12:27 | |
Saving the best till last, eh? | 0:12:27 | 0:12:30 | |
I'll show you what I think of this. | 0:12:30 | 0:12:33 | |
And there'll be no more visits to art galleries | 0:12:40 | 0:12:42 | |
if this is the kind of ideas you'll be getting. | 0:12:42 | 0:12:45 | |
I haven't done anything wrong. | 0:12:46 | 0:12:49 | |
What was that? | 0:12:49 | 0:12:51 | |
Nothing. | 0:12:51 | 0:12:53 | |
I'm going round to Viv's for a cup of tea and a calm down. | 0:12:53 | 0:12:57 | |
You, young man, can use the time to reflect on what you've done | 0:12:57 | 0:13:01 | |
and write me a letter of apology. | 0:13:01 | 0:13:04 | |
Did you hear me, Graham? | 0:13:05 | 0:13:07 | |
Yes. | 0:13:07 | 0:13:09 | |
-You set this up. -I did no such thing! -No, course she didn't. | 0:13:27 | 0:13:31 | |
-Did you? -No! | 0:13:31 | 0:13:33 | |
But I think this could be karma. | 0:13:33 | 0:13:35 | |
I mean, we could look back on this and be proud we did it. | 0:13:35 | 0:13:39 | |
-Proud of standing in a room full of strangers wearing an apple? -I say yes. | 0:13:39 | 0:13:44 | |
All for one, one for all. What about it? Are you with me? | 0:13:44 | 0:13:48 | |
-Hi. -Hey. | 0:14:00 | 0:14:02 | |
Sorry. | 0:14:05 | 0:14:07 | |
We'd be immortalised. | 0:14:15 | 0:14:17 | |
"Art cannot exist without naked beauty displayed." William Blake. | 0:14:17 | 0:14:23 | |
How true. | 0:14:23 | 0:14:24 | |
THAT'S naked beauty. We are three middle aged women with wobbly bits. Karen Hollins. | 0:14:24 | 0:14:30 | |
Think of yourselves as nude. | 0:14:30 | 0:14:34 | |
-Not naked. -There's a difference? -There's no shame in nudity. | 0:14:34 | 0:14:38 | |
Whilst a naked body is exposed and vulnerable and embarrassed, | 0:14:38 | 0:14:43 | |
the nude isn't hunched or defensive, | 0:14:43 | 0:14:48 | |
but proud, confident | 0:14:48 | 0:14:51 | |
-and wonderfully free. -I think it's very tasteful. | 0:14:51 | 0:14:56 | |
Excuse me. You're saying that we wouldn't actually be showing anything? | 0:14:57 | 0:15:04 | |
To veil your loins. | 0:15:07 | 0:15:09 | |
A veil is cover. That's about as concealing as cling film. | 0:15:09 | 0:15:16 | |
Hi. Oh, hello, Graham. | 0:15:18 | 0:15:21 | |
I'm taking your advice. Seizing the moment. | 0:15:23 | 0:15:25 | |
Wise words. | 0:15:25 | 0:15:28 | |
It's my first time. | 0:15:30 | 0:15:32 | |
The class is cancelled due to shortage of life models. | 0:15:32 | 0:15:36 | |
Oh, I see. That's a pity. | 0:15:36 | 0:15:39 | |
Never mind. There's always next week. | 0:15:40 | 0:15:42 | |
-Maybe not. -Well, no... | 0:15:42 | 0:15:47 | |
You can't falter at the first hurdle. | 0:15:47 | 0:15:50 | |
-I think it wasn't meant to be. Thanks anyway. -No, wait... | 0:15:50 | 0:15:54 | |
OK, I'll do it. | 0:15:57 | 0:15:59 | |
On condition I'm that one. | 0:15:59 | 0:16:01 | |
I'm not showing my lady garden off to the public. | 0:16:01 | 0:16:05 | |
Especially as the lawn hasn't been mown in weeks. | 0:16:05 | 0:16:09 | |
This is weird. | 0:16:12 | 0:16:14 | |
-What have you been up to the last three years? -Oh, you know... | 0:16:14 | 0:16:18 | |
Debrief, safe house, | 0:16:18 | 0:16:20 | |
new identity, new life in Canada. | 0:16:20 | 0:16:23 | |
All the usual stuff. What about you? | 0:16:23 | 0:16:26 | |
Same job. Same house. Same life. | 0:16:28 | 0:16:31 | |
Well, not quite. | 0:16:31 | 0:16:33 | |
-How did you meet her? -Er, at work. She's the practice nurse. | 0:16:35 | 0:16:39 | |
Oh! Doctors and nurses. | 0:16:39 | 0:16:42 | |
You landed on your feet there. She's a stunner. | 0:16:42 | 0:16:45 | |
Cherry's not just a pretty face, she's... | 0:16:45 | 0:16:48 | |
You know... You'd like her. | 0:16:48 | 0:16:52 | |
-Just remind me again why we're doing this. -For posterity. | 0:17:06 | 0:17:10 | |
And for Graham. | 0:17:10 | 0:17:12 | |
Take your seats and we'll begin. | 0:17:13 | 0:17:16 | |
If you're ready. | 0:17:17 | 0:17:19 | |
Now or never. On my count. One...two...three. | 0:17:20 | 0:17:25 | |
-Karen! -OK! | 0:17:27 | 0:17:30 | |
How's he doing? | 0:17:43 | 0:17:44 | |
Just sitting. | 0:17:46 | 0:17:48 | |
-Just sitting? -Mmm. | 0:17:48 | 0:17:50 | |
Thinking about it. | 0:17:51 | 0:17:53 | |
He better do more than think or I'm going to wring his ruddy neck. | 0:17:53 | 0:17:57 | |
He's picking up the charcoal. He's drawing. | 0:18:00 | 0:18:03 | |
He's doing that measuring thing, you know, with his pencil? | 0:18:06 | 0:18:09 | |
Like he knows what he's doing. | 0:18:09 | 0:18:11 | |
See, it could be worse. | 0:18:11 | 0:18:14 | |
Uh-oh! | 0:18:16 | 0:18:18 | |
Mum! | 0:18:24 | 0:18:26 | |
Oh! Karen! | 0:18:30 | 0:18:32 | |
Hello, Mrs Hollins. | 0:18:32 | 0:18:34 | |
Now, Graham! Come on. Nobody likes a sulker. | 0:18:41 | 0:18:47 | |
Anyone feeling liberated? | 0:19:06 | 0:19:09 | |
Like a piece of meat on a butcher's slab. | 0:19:09 | 0:19:14 | |
It could be worse. | 0:19:14 | 0:19:16 | |
Oh, speak for yourself. My daughter's sat ten feet away drawing my naked butt-cheeks! | 0:19:16 | 0:19:20 | |
There are no straight lines in the human body. | 0:19:20 | 0:19:24 | |
Everything curves. | 0:19:24 | 0:19:26 | |
Embrace the curvaceousness. | 0:19:26 | 0:19:28 | |
Who's he calling curvaceous? | 0:19:28 | 0:19:30 | |
Drawing is about light and shade. | 0:19:30 | 0:19:34 | |
Young skin is firm and smooth. | 0:19:34 | 0:19:37 | |
Old skin has more tonal variations, subtle textual shifts. | 0:19:37 | 0:19:44 | |
Old skin? Old skin?! | 0:19:44 | 0:19:47 | |
So, what did you call yourself for the last three years? | 0:19:49 | 0:19:52 | |
-Cos I'm assuming it wasn't Eva. -Guess. | 0:19:52 | 0:19:55 | |
-Kate? -No. -Gemma? | 0:19:56 | 0:20:00 | |
Tell you what. I'll bet you dinner you can't get it in ten goes. | 0:20:01 | 0:20:04 | |
That sounds like a game. Nicky? | 0:20:04 | 0:20:07 | |
Nope. | 0:20:07 | 0:20:08 | |
-Diana. -Now you're not even trying. | 0:20:09 | 0:20:12 | |
Try to see the negative shapes. | 0:20:19 | 0:20:22 | |
There... | 0:20:22 | 0:20:24 | |
where the thighs make a triangle with the droop of the buttocks. | 0:20:24 | 0:20:28 | |
I'm not standing here listening to this. | 0:20:30 | 0:20:32 | |
-Yes, you are. You're the only thing that's preserving our modesty. -He said my backside was droopy. | 0:20:32 | 0:20:38 | |
I expect he'd say the same about mine if it was visible. | 0:20:38 | 0:20:41 | |
This flow is marvellous. | 0:20:41 | 0:20:43 | |
You're a natural. | 0:20:43 | 0:20:44 | |
-Graham's a natural. -Bully for him(!) | 0:20:46 | 0:20:48 | |
And what do you call this?! | 0:20:54 | 0:20:58 | |
-Juliet? -Give us a break. | 0:20:58 | 0:21:02 | |
-Madam? -Oh, er, you go. I can't decide. | 0:21:03 | 0:21:07 | |
Er, she'll have Caesar salad with no anchovies, | 0:21:08 | 0:21:12 | |
the lamb cutlet, pink, chunky chips and a side order of spinach, please. | 0:21:12 | 0:21:16 | |
And he'll have the prawns, the steak with peppercorn sauce, rare, | 0:21:18 | 0:21:24 | |
and new potatoes and peas. | 0:21:24 | 0:21:26 | |
-You haven't changed. -Neither have you. | 0:21:28 | 0:21:31 | |
Filthy! | 0:21:32 | 0:21:34 | |
Gawping at a load of naked floozies. | 0:21:34 | 0:21:37 | |
I'm not! I wanted to draw from life. | 0:21:37 | 0:21:39 | |
You wanted to ogle women. Shame on you. | 0:21:39 | 0:21:43 | |
-Leering at strippers! -Do you mind?! | 0:21:43 | 0:21:46 | |
These are profess... | 0:21:46 | 0:21:49 | |
These are life models. | 0:21:49 | 0:21:51 | |
Same difference. | 0:21:51 | 0:21:53 | |
Flashing their bits and bobs for a few quid. | 0:21:53 | 0:21:57 | |
Dropping their drawers for a few quid more, I shouldn't wonder. | 0:21:57 | 0:22:02 | |
-Mother, please... -Madam. | 0:22:02 | 0:22:03 | |
This is art. | 0:22:03 | 0:22:06 | |
It's titillation. | 0:22:06 | 0:22:07 | |
And you should be ashamed of yourselves. | 0:22:09 | 0:22:13 | |
Especially at your age. | 0:22:13 | 0:22:14 | |
-I've had enough of this... -You're coming home with me, young man! | 0:22:14 | 0:22:18 | |
Right, now hang on a minute, lady! | 0:22:19 | 0:22:22 | |
Karen! Arms, arms! | 0:22:22 | 0:22:24 | |
Yes, you. Mary Whitehouse. | 0:22:24 | 0:22:28 | |
For the record, | 0:22:29 | 0:22:30 | |
we are not naked. We are nude. And proud of it, because this is art | 0:22:30 | 0:22:36 | |
and every naked body is a thing of beauty. | 0:22:36 | 0:22:41 | |
Although, I imagine we can make an exception in your case. | 0:22:41 | 0:22:44 | |
How dare you! | 0:22:44 | 0:22:47 | |
What's art without nudity? | 0:22:47 | 0:22:51 | |
A load of landscapes and fruit bowls. | 0:22:51 | 0:22:53 | |
There'd be no Venus de Milo... | 0:22:53 | 0:22:56 | |
-or...? -Michelangelo's David. | 0:22:56 | 0:22:58 | |
Michael's Angelo David. | 0:22:58 | 0:22:59 | |
The walls of the Louvre would be bare. | 0:22:59 | 0:23:01 | |
The Pope would have to get the decorators in. | 0:23:01 | 0:23:03 | |
So, you can take your outrage | 0:23:03 | 0:23:06 | |
and your prehistoric ideas and shove them where the sun don't shine, | 0:23:06 | 0:23:11 | |
you nasty, narrow-minded old bat! | 0:23:11 | 0:23:14 | |
Come on, we're leaving! | 0:23:16 | 0:23:18 | |
Girls, kimonos, now. | 0:23:18 | 0:23:20 | |
Graham! | 0:23:20 | 0:23:23 | |
You've got one go left. Looks like dinner's going to be on you. | 0:23:25 | 0:23:28 | |
I wouldn't count on it. My tenth and final guess... | 0:23:28 | 0:23:34 | |
Maggie. | 0:23:34 | 0:23:35 | |
How did you know? | 0:23:37 | 0:23:38 | |
Because when your little brother was born, you cried for a week | 0:23:38 | 0:23:42 | |
cos you wanted a baby sister called Maggie. | 0:23:42 | 0:23:46 | |
-Well remembered. -I haven't forgotten anything. | 0:23:46 | 0:23:49 | |
I always said you'd make a good detective. | 0:23:49 | 0:23:52 | |
Maybe if you'd made a better one, we wouldn't have ended up in this mess. | 0:23:52 | 0:23:55 | |
That's a bit harsh. | 0:23:56 | 0:23:59 | |
Is it? Because you got a new life, a new house, a new everything. | 0:23:59 | 0:24:04 | |
While I got to sit behind and mourn a woman who wasn't dead. | 0:24:04 | 0:24:07 | |
It hasn't been exactly plain sailing for me. | 0:24:07 | 0:24:10 | |
-Yeah, well, you signed up for it. I was just collateral damage. -You're really angry, aren't you? | 0:24:10 | 0:24:15 | |
Yes. I am angry because you put yourself at risk in the first place. | 0:24:15 | 0:24:19 | |
-Then you put mine and Cherry's life at risk. -I never meant that... | 0:24:19 | 0:24:23 | |
Because you got to ride off into the sunset and I didn't. I had to stay here, living a lie. | 0:24:23 | 0:24:27 | |
-You didn't even fight to take me with you. -Jimmi, I... | 0:24:27 | 0:24:31 | |
You know that wasn't possible. | 0:24:31 | 0:24:33 | |
So you said. | 0:24:34 | 0:24:35 | |
You know what? Have dinner on me. We should do it again. | 0:24:35 | 0:24:38 | |
It was great to catch up. Maybe in three years' time? | 0:24:38 | 0:24:41 | |
Did you have to embarrass me like that? | 0:24:45 | 0:24:47 | |
You're embarrassed? | 0:24:47 | 0:24:49 | |
I'm the one who's raised a nasty little pervert for a son. | 0:24:49 | 0:24:53 | |
I'm not a pervert, I'm an artist! | 0:24:53 | 0:24:56 | |
Sketching a few postcards doesn't make you an artist, | 0:24:56 | 0:24:59 | |
and if that's what you call art, | 0:24:59 | 0:25:01 | |
then it's a good thing you're never going back! | 0:25:01 | 0:25:04 | |
'I'm 46. You can't tell me what to do any more.' | 0:25:04 | 0:25:08 | |
'Don't be silly, Graham!' | 0:25:08 | 0:25:11 | |
-Mother knows best. -No, she doesn't. | 0:25:11 | 0:25:14 | |
You know nothing about art. | 0:25:14 | 0:25:16 | |
'But the teacher in there does, and he says I've a natural talent.' | 0:25:16 | 0:25:19 | |
'So, you're wrong, Mother,' | 0:25:19 | 0:25:21 | |
because I am an artist! | 0:25:21 | 0:25:24 | |
You are a wicked boy! | 0:25:24 | 0:25:26 | |
No, I'm not. | 0:25:26 | 0:25:29 | |
I'm going to go back in there. | 0:25:29 | 0:25:32 | |
And I'm going to finish the class. | 0:25:32 | 0:25:34 | |
And I'm coming back next week! | 0:25:34 | 0:25:36 | |
'Graham! You get yourself back here! | 0:25:36 | 0:25:41 | |
'Graham!' | 0:25:41 | 0:25:42 | |
APPLAUSE | 0:25:43 | 0:25:47 | |
Come on then. Might as well finish what we started. | 0:25:49 | 0:25:52 | |
-God bless the bucket list. Doesn't this feel amazing? -Don't push it. | 0:25:52 | 0:25:57 | |
-She's not choosing the next one. -I've always fancied belly-dancing. | 0:25:57 | 0:26:01 | |
Neither are you. I was thinking more along the lines of basket-weaving. | 0:26:01 | 0:26:07 | |
Jimmi! Jimmi! Don't you dare walk out on me! | 0:26:10 | 0:26:13 | |
How does it feel? | 0:26:13 | 0:26:15 | |
Is that what this is about? I explained why. | 0:26:15 | 0:26:19 | |
You loved me too much to take me. Or you didn't love me enough in the first place? | 0:26:19 | 0:26:23 | |
You're wrong, Jimmi. | 0:26:24 | 0:26:26 | |
Will you listen to me? | 0:26:26 | 0:26:28 | |
It was the hardest decision I've ever had to make. | 0:26:28 | 0:26:32 | |
And there's not a day goes by that I don't regret it. | 0:26:32 | 0:26:35 | |
I'll see you tomorrow at the debrief. | 0:26:53 | 0:26:55 | |
You are the only man for me. | 0:27:03 | 0:27:05 | |
-Maybe I just want a little bit of interest. -But you said... | 0:27:05 | 0:27:09 | |
A little bit of effort! | 0:27:09 | 0:27:10 | |
Give me Mortadella and liver sausage any day. | 0:27:10 | 0:27:14 | |
He's so pushing and possessive. | 0:27:14 | 0:27:17 | |
Julia told me that you saw Eva last night. | 0:27:17 | 0:27:19 | |
-Who are you? -I'm Rita. Reggie's wife. | 0:27:19 | 0:27:23 | |
-Hi. Eva. -Pleased to meet you at last. | 0:27:23 | 0:27:25 | |
Subtitles by Red Bee Media Ltd | 0:27:28 | 0:27:31 | |
E-mail [email protected] | 0:27:31 | 0:27:34 |