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Why would anyone want to hurt Lauren? | 0:00:27 | 0:00:29 | |
We don't know. | 0:00:29 | 0:00:31 | |
Do you want a drink or an aspirin or something? | 0:00:31 | 0:00:35 | |
-When did you last see her? -I'm not sure. | 0:00:35 | 0:00:38 | |
Where were you last Tuesday night? | 0:00:38 | 0:00:40 | |
I don't know. Sorry. | 0:00:40 | 0:00:43 | |
Try and remember. | 0:00:43 | 0:00:44 | |
Tuesday? | 0:00:46 | 0:00:47 | |
No, I do remember. | 0:00:49 | 0:00:51 | |
I finished work, | 0:00:51 | 0:00:53 | |
grabbed a takeaway. Had a few beers. | 0:00:53 | 0:00:55 | |
-OK. Anybody with you? -Afraid not. | 0:00:55 | 0:00:58 | |
Anywhere near Lauren's house? | 0:00:58 | 0:01:00 | |
Nope. | 0:01:00 | 0:01:01 | |
What takeaway? | 0:01:01 | 0:01:03 | |
-Chips. -Which chippy? | 0:01:03 | 0:01:06 | |
Sorry. I can't remember. | 0:01:07 | 0:01:09 | |
PHONE RINGS | 0:01:09 | 0:01:11 | |
-What's wrong? -Think I've lost my phone. -I don't need to tell you not to go anywhere, do I? | 0:01:17 | 0:01:23 | |
Sergeant Hollins. | 0:01:23 | 0:01:24 | |
Yeah, I'm on my way. | 0:01:24 | 0:01:27 | |
-So, chippy and then straight home, yeah? -That's right. Nowhere near Lauren's on Tuesday. | 0:01:28 | 0:01:33 | |
OK, mate. | 0:01:33 | 0:01:35 | |
Yes. I'm having four Weetabix, don't judge me. | 0:02:03 | 0:02:07 | |
What?! | 0:02:09 | 0:02:10 | |
That was Julia. | 0:02:10 | 0:02:12 | |
What does she want before 8 o'clock? | 0:02:12 | 0:02:14 | |
She wants me at The Campus and she's at The Mill already. | 0:02:14 | 0:02:17 | |
-I'm at The Campus! -Oh, I love you too(!) | 0:02:17 | 0:02:21 | |
She say why? | 0:02:21 | 0:02:22 | |
It'll be some Julia drama. | 0:02:22 | 0:02:23 | |
-Do you want some toast? -I've got to get back to work. | 0:02:23 | 0:02:26 | |
Why? Make your dad some toast. | 0:02:26 | 0:02:29 | |
Did Julia say anything? There's stuff happening. | 0:02:29 | 0:02:33 | |
What? With Julia and the police? | 0:02:33 | 0:02:36 | |
And Lauren. | 0:02:36 | 0:02:37 | |
What's that stupid cow done now? | 0:02:37 | 0:02:40 | |
I think you should sit down. | 0:02:40 | 0:02:42 | |
Mum, it's me. I need to... | 0:02:46 | 0:02:47 | |
'Your call cannot be taken at the moment, | 0:02:47 | 0:02:49 | |
'so please leave your message after the tone.' | 0:02:49 | 0:02:52 | |
Mum, it's me. I need to... | 0:02:54 | 0:02:56 | |
I just thought I'd call you and... | 0:02:59 | 0:03:02 | |
Anyway, I'll call you later. | 0:03:02 | 0:03:04 | |
-You what? -Murdered? As in dead? As in somebody killed her? Lauren? | 0:03:10 | 0:03:14 | |
-I really didn't like her but... -It's all right, it'll be OK. | 0:03:14 | 0:03:19 | |
She's been murdered? | 0:03:19 | 0:03:21 | |
I have to get back. | 0:03:21 | 0:03:22 | |
-You've got suspects? -It's early days yet. | 0:03:22 | 0:03:25 | |
-People we know don't get murdered. -Are you that sure it was her? I mean, it might not have been Lauren. | 0:03:25 | 0:03:30 | |
-Yeah, Julia and Mrs Tembe found her at home. -What?! | 0:03:30 | 0:03:35 | |
-She was murdered in her own home? -Yeah, and she might not be the killer's first victim. | 0:03:35 | 0:03:39 | |
You are going to your Aunty Ag's. Rob, call her. | 0:03:41 | 0:03:43 | |
-I can't, Mum, I've got a job. -You can and you will. She lives in the same town as you. | 0:03:43 | 0:03:48 | |
She does the same job as you! | 0:03:48 | 0:03:49 | |
-So? -Lauren's dead. She's laying on a slab waiting to be picked over by forensics. | 0:03:49 | 0:03:53 | |
-Your mother's right. And anyway, it'll help me. -How? | 0:03:53 | 0:03:57 | |
It's bound to make the nationals. | 0:03:57 | 0:03:59 | |
-Staying with your Aunty Ag will stop her charging down here trying to get in on the act. -Nationals? | 0:03:59 | 0:04:04 | |
Yeah, serial killers - makes good press. | 0:04:04 | 0:04:07 | |
You know that 80% of murder victims know their killer? | 0:04:07 | 0:04:11 | |
You're going... She's going to Yorkshire. | 0:04:11 | 0:04:15 | |
You can tell Tembe's back at the helm - | 0:04:30 | 0:04:33 | |
four types of tea bag and... | 0:04:33 | 0:04:36 | |
Oh, get in! Garibaldi biscuits. | 0:04:36 | 0:04:40 | |
It's like trying to wake the dead at the best of times. | 0:04:40 | 0:04:43 | |
-Add coming in early to the mix... -She's not a morning person? | 0:04:43 | 0:04:47 | |
I can hear you. Anyway, I'm just dog-tired, it's not a crime. | 0:04:47 | 0:04:51 | |
Guys, sorry, everyone. Julia's got something she needs to say to you. | 0:04:51 | 0:04:55 | |
Thanks, guys. The reason that I asked you all to come in early this morning... | 0:04:55 | 0:05:00 | |
All of us, but how did that little snurge Tyler manage to wriggle out of it? | 0:05:00 | 0:05:04 | |
-Sorry. -..is because I have something very bad to tell you. | 0:05:04 | 0:05:12 | |
Lauren is dead. | 0:05:12 | 0:05:13 | |
What?! | 0:05:15 | 0:05:16 | |
Yeah, she was killed. | 0:05:18 | 0:05:20 | |
Killed? What do you mean killed? | 0:05:20 | 0:05:21 | |
Murdered. The police seem to think it was about a week ago. | 0:05:21 | 0:05:25 | |
Murdered? Was she mugged? | 0:05:25 | 0:05:27 | |
No, she wasn't out. | 0:05:27 | 0:05:30 | |
-She was at home? -Yeah. Mrs Tembe and I went to see her to... -Oh, Julia. | 0:05:30 | 0:05:35 | |
Was it just murder? | 0:05:35 | 0:05:38 | |
-I think we need to know. -There's a lot we don't know. The forensics are incomplete. -No, but you saw her. | 0:05:38 | 0:05:43 | |
-Julia, if you found the body, you'd know if she'd been assaulted? -It's too early to say anything. | 0:05:43 | 0:05:48 | |
-Did she have clothes on? -Was she naked? -There's a lot we don't know. -You know that! | 0:05:48 | 0:05:52 | |
I'm sorry, but... | 0:05:52 | 0:05:54 | |
Perhaps we should have a moment to take this in, | 0:05:54 | 0:05:56 | |
remember Lauren. | 0:05:56 | 0:05:58 | |
Where's Kevin? | 0:06:06 | 0:06:08 | |
'I'm late, I'm late, for our very important date! | 0:06:09 | 0:06:12 | |
'Sorry! I know you're there. | 0:06:12 | 0:06:15 | |
'Ten minutes. | 0:06:15 | 0:06:16 | |
'No sulky puppy, OK?' | 0:06:16 | 0:06:19 | |
'To listen to the message again, press... | 0:06:19 | 0:06:21 | |
'I'm late, I'm late, for our very important date...' | 0:06:22 | 0:06:26 | |
Kevin is going to need our support. So, someone needs to keep an eye on him. Daniel? | 0:06:26 | 0:06:32 | |
-Hmm? -Well, you're his mentor. | 0:06:32 | 0:06:34 | |
-Oh, I don't know. -I'll give you his home number. He's lost his mobile. | 0:06:34 | 0:06:38 | |
Um, yes, of course. I'll call him. Yep. | 0:06:38 | 0:06:41 | |
Are you in the police? | 0:06:47 | 0:06:49 | |
-Yeah. Can I help you? -What's the tape about? | 0:06:50 | 0:06:53 | |
-Did you know the woman who lived here? -Lived? | 0:06:53 | 0:06:56 | |
And if you did, can I ask you a few questions? You are? | 0:06:56 | 0:06:59 | |
Miss Sahota. I live over there. You mean she's dead? | 0:06:59 | 0:07:03 | |
I hardly knew her, | 0:07:03 | 0:07:05 | |
-not my cup of tea to be honest. -Really? | 0:07:05 | 0:07:08 | |
Young, loud. You know the sort. I'm a flight attendant. | 0:07:08 | 0:07:11 | |
I don't need Spandau Ballet on max at midnight, you know what I mean? | 0:07:11 | 0:07:14 | |
How did she die? | 0:07:14 | 0:07:17 | |
Were you around last Tuesday night? | 0:07:17 | 0:07:19 | |
-And if you were, did you see her? -Yeah. | 0:07:19 | 0:07:21 | |
I'd just got back from Jo'berg. | 0:07:21 | 0:07:23 | |
-Anything unusual? -Not for her. | 0:07:23 | 0:07:25 | |
Noisy git of a bloke kicked off. | 0:07:25 | 0:07:27 | |
-Could you describe him to me? -Her type. Young, good looking, if you like that sort of thing. | 0:07:27 | 0:07:32 | |
Bit on the short side. | 0:07:32 | 0:07:34 | |
what he lacked for in inches, he made up for in labels. | 0:07:34 | 0:07:37 | |
Yeah, would you be able to recognise him if you saw him again? | 0:07:37 | 0:07:40 | |
It was coming on dark. | 0:07:40 | 0:07:42 | |
I could have a go at an e-fit. | 0:07:42 | 0:07:43 | |
I've always fancied doing an e-fit. | 0:07:43 | 0:07:46 | |
-Ethnicity? -Could have had a bit of a tint. | 0:07:46 | 0:07:48 | |
-Tint? -One of mine. | 0:07:48 | 0:07:51 | |
-Ah. -Or he could've been Greek or Middle Eastern, or just back off his holidays. | 0:07:51 | 0:07:56 | |
-Right, thank you, you've been very helpful. -Hey! I'll tell you something, though. | 0:07:56 | 0:08:00 | |
you should get her in the paper jumpsuit to take a look at that brick work. | 0:08:00 | 0:08:04 | |
Bit of the old Silent Witness. He got right leery when she wouldn't let him in. | 0:08:04 | 0:08:08 | |
punched the wall a corker, hurt himself. | 0:08:08 | 0:08:10 | |
Pillock. | 0:08:10 | 0:08:12 | |
Is this a murder scene? | 0:08:15 | 0:08:18 | |
O-M-G! | 0:08:18 | 0:08:20 | |
He killed her, didn't he?! | 0:08:22 | 0:08:23 | |
She in the fridge? Is it too early? | 0:08:30 | 0:08:34 | |
Any sign of her mobile? | 0:08:34 | 0:08:36 | |
No. Not yet. | 0:08:36 | 0:08:38 | |
I think until we prove otherwise, we work on the basis that this is the Scraper. | 0:08:38 | 0:08:43 | |
-It's a bit early to be drawing conclusions? -I'm not talking absolutes, | 0:08:44 | 0:08:48 | |
I'm just looking in the obvious direction until you give me something that makes me turn round. | 0:08:48 | 0:08:53 | |
PHONE RINGS | 0:08:53 | 0:08:55 | |
Driver. | 0:08:57 | 0:08:59 | |
Really? | 0:08:59 | 0:09:01 | |
Well, the game's afoot, Hollins. You know what to do. | 0:09:02 | 0:09:05 | |
Looks like we might have some new forensics, outside the house. | 0:09:05 | 0:09:08 | |
I'll need you back there. | 0:09:08 | 0:09:10 | |
Oh, keep me in the loop. | 0:09:12 | 0:09:14 | |
PHONE RINGS | 0:09:19 | 0:09:21 | |
-Hello. Hello, Mum? -'Hey, Kevin, no, it's Daniel. | 0:09:21 | 0:09:24 | |
Hi, look, I just wanted to call to say that we're all really sorry about Lauren, | 0:09:24 | 0:09:29 | |
you must be feeling down. | 0:09:29 | 0:09:32 | |
-Julia told you to call me. -No, mate, | 0:09:32 | 0:09:33 | |
it wasn't like that at all. I thought that you might want someone to talk to. | 0:09:33 | 0:09:37 | |
KNOCKING Someone's here. | 0:09:37 | 0:09:39 | |
He's got someone with him, someone at the door. | 0:09:39 | 0:09:41 | |
-OK, look, I'll let you go. -Oh, but I thought you wanted to talk. | 0:09:41 | 0:09:46 | |
Sergeant Hollins. | 0:09:46 | 0:09:48 | |
Do you mind if I come in? | 0:09:48 | 0:09:50 | |
Hold on a minute. I was sleeping. | 0:09:50 | 0:09:52 | |
-Then you need to wake up. -What? Why? What now? | 0:09:52 | 0:09:55 | |
-Kevin, is that the police? -Are you going to let me in? -Hang on. -What's happening? | 0:09:55 | 0:09:59 | |
-Will it take long? -I need to check | 0:09:59 | 0:10:01 | |
-on something you told me earlier. -I didn't tell you anything. | 0:10:01 | 0:10:04 | |
-You told me that you went nowhere near Lauren Porter's house on Tuesday night. -I didn't. | 0:10:04 | 0:10:09 | |
-Kevin. Kevin? -Well, in that case then we need to go down the station, talk about it further. | 0:10:09 | 0:10:14 | |
Don't make me arrest you, Kevin. | 0:10:14 | 0:10:16 | |
I've got to go. | 0:10:19 | 0:10:20 | |
-They're taking him in. -What, arresting him? | 0:10:24 | 0:10:27 | |
It didn't sound like that, but they don't do that straightaway. | 0:10:27 | 0:10:31 | |
At first, they act like you've got a choice. | 0:10:31 | 0:10:34 | |
Do they, Ronnie Kray? | 0:10:34 | 0:10:36 | |
-On the wall? -Just there. -OK. -Cheers. | 0:10:39 | 0:10:42 | |
I can't believe this is happening. | 0:10:48 | 0:10:50 | |
-Kevin, I mean. -Poor guy. | 0:10:50 | 0:10:53 | |
I'm glad I spoke to him. | 0:10:53 | 0:10:54 | |
Even though there RARELY is smoke without fire. | 0:10:54 | 0:10:57 | |
Not helping, Zara. We need to pull together on this, all right? | 0:10:57 | 0:11:01 | |
100%. We know Kevin's innocent. | 0:11:01 | 0:11:04 | |
Really? | 0:11:04 | 0:11:05 | |
-OK, OK. We know he's innocent. -Believe me, this has only just started. | 0:11:05 | 0:11:09 | |
-We're going to have nosey patients turning up to snoop. -We're on the same page, Julia. | 0:11:09 | 0:11:13 | |
Especially when the police come tomorrow to interview everyone. | 0:11:13 | 0:11:16 | |
The police are coming tomorrow? | 0:11:16 | 0:11:18 | |
Yeah, and I know what that lot are like when that decide you've done something. | 0:11:18 | 0:11:23 | |
I saw what that monster did, and that's not Kevin. | 0:11:23 | 0:11:29 | |
So no gossip. United front. OK? | 0:11:30 | 0:11:33 | |
So we're absolutely clear. | 0:11:39 | 0:11:41 | |
We want to ask you a few questions and you're welcome to have a solicitor. | 0:11:41 | 0:11:44 | |
-Can we just get on with this? -I'd like to ask you to describe your relationship with Lauren Porter. | 0:11:44 | 0:11:49 | |
I didn't have a relationship with her. | 0:11:49 | 0:11:51 | |
-Sexual intercourse? -No, thanks, not long had breakfast. | 0:11:51 | 0:11:54 | |
So you don't believe that having sexual intercourse with someone constitutes a relationship? | 0:11:54 | 0:11:59 | |
Listen, lots of ladies enjoy Kevin time. Doesn't mean I'm looking to marry them. | 0:11:59 | 0:12:03 | |
-Was Lauren one of the lucky recipients? -No. | 0:12:03 | 0:12:07 | |
So you never went to her house? | 0:12:07 | 0:12:09 | |
Forensics won't find any trace of "Kevin time" happening there? | 0:12:09 | 0:12:12 | |
We've worked together, we've hung out, my place, her place. | 0:12:12 | 0:12:15 | |
-But not last Tuesday night? -That's what I've told him. Twice. | 0:12:15 | 0:12:18 | |
And what if I was to tell you that we have a witness who puts someone fitting your description | 0:12:18 | 0:12:23 | |
outside Lauren's house the night she was killed? | 0:12:23 | 0:12:26 | |
I'd say it wasn't me and that they're wrong. | 0:12:26 | 0:12:28 | |
Oh, she's absolutely certain. | 0:12:28 | 0:12:30 | |
She's cabin crew, her life runs | 0:12:30 | 0:12:32 | |
to a timetable and she knows for sure what she saw on Tuesday night. | 0:12:32 | 0:12:35 | |
She didn't see me. | 0:12:35 | 0:12:37 | |
-Come on, Kevin. -Dr Tyler. -If you were there on Tuesday night, you're not doing yourself any favours. | 0:12:37 | 0:12:42 | |
Watch my lips. I wasn't there. | 0:12:42 | 0:12:44 | |
And I wouldn't be here if I was white and chinless either, would I? | 0:12:44 | 0:12:47 | |
Ooh. | 0:12:47 | 0:12:50 | |
I think I'll pretend he didn't just say that, shall I? | 0:12:50 | 0:12:53 | |
I'll tell you what, how about a DNA sample? | 0:12:53 | 0:12:57 | |
For elimination purposes. | 0:12:57 | 0:12:59 | |
I've told you I was at the house before, | 0:12:59 | 0:13:01 | |
My DNA'll be all over the place. | 0:13:01 | 0:13:03 | |
No problem. But I was not there Tuesday night. | 0:13:07 | 0:13:09 | |
So, you're definitely not the bloke | 0:13:11 | 0:13:14 | |
who was in such a fury he punched the wall on Tuesday night, | 0:13:14 | 0:13:18 | |
thoughtfully leaving all his DNA all over the brickwork? | 0:13:18 | 0:13:22 | |
So Dr "Kevin time" Tyler, shall we start again? | 0:13:25 | 0:13:29 | |
I'd like to ask you to describe your relationship with Lauren Porter. | 0:13:29 | 0:13:33 | |
They didn't leave it long before they brought him in. | 0:13:35 | 0:13:38 | |
-What time was that? -Nine. "Helping the police with their enquiries." | 0:13:38 | 0:13:41 | |
Well, we know what that means, don't we? | 0:13:41 | 0:13:43 | |
What does it mean exactly? | 0:13:45 | 0:13:47 | |
Oh, come on, Freya. Since when were you Kevin's advocate? | 0:13:47 | 0:13:51 | |
-Since when did you even like him? -Since, and shock, horror, take a breath, | 0:13:51 | 0:13:55 | |
-since the concept of innocent until proven guilty turns out not to be lost on me. -We're not saying that... | 0:13:55 | 0:14:01 | |
Yeah, Kevin is a decent bloke, underneath it all. You both know that. | 0:14:01 | 0:14:05 | |
-Yeah, whatever. -You've got to admit he has got a temper. | 0:14:05 | 0:14:08 | |
And he SO had the hots for Lauren. | 0:14:08 | 0:14:10 | |
And whoever murdered her, they didn't exactly bash the door down. She must've let them in. | 0:14:10 | 0:14:15 | |
Oh, right! I'm sorry, I forgot, cos all murderers always bash the door in. | 0:14:15 | 0:14:19 | |
Loads of us, we open the door and let someone in who might not be what they seem. | 0:14:19 | 0:14:24 | |
-Do we? -Has he really been taken to the police station? -Yeah. -Right. | 0:14:24 | 0:14:29 | |
Well, you'll have to cover for me. | 0:14:29 | 0:14:31 | |
I'm going to show him he's not on his own. | 0:14:34 | 0:14:36 | |
He needs support, I'm going to give it to him. | 0:14:36 | 0:14:39 | |
Good luck with that! | 0:14:39 | 0:14:41 | |
OK. So I got the days wrong. | 0:14:49 | 0:14:51 | |
I must have thought it was another night, sorry. | 0:14:51 | 0:14:54 | |
I must have been there on Tuesday. | 0:14:54 | 0:14:56 | |
We'll be able to prove you were. So, in this new spirit of openness, | 0:14:56 | 0:14:59 | |
would you like to re-evaluate your relationship with Lauren? | 0:14:59 | 0:15:03 | |
When you two hung out together, did you have sex? | 0:15:03 | 0:15:06 | |
I don't know, I can't re... | 0:15:06 | 0:15:09 | |
Yes. | 0:15:09 | 0:15:10 | |
How many different women do you have sex with in the space of say, a few months? Five? | 0:15:10 | 0:15:15 | |
-I don't know. -More? -I don't keep count. | 0:15:15 | 0:15:18 | |
Ever been to Maybrook, Dr Tyler? | 0:15:18 | 0:15:20 | |
-Few times. -On the 15th May? | 0:15:20 | 0:15:23 | |
Look, I don't know. I keep my life on my phone | 0:15:23 | 0:15:25 | |
-and I've lost the damn thing. -But you go to Maybrook a lot? | 0:15:25 | 0:15:28 | |
-Where were you on the 27th July? -Not a lot. I'm not sure. Why? | 0:15:28 | 0:15:32 | |
Do you recognise these women? | 0:15:32 | 0:15:34 | |
Not really. | 0:15:37 | 0:15:39 | |
It really would be better if you gave me proper answers. | 0:15:39 | 0:15:43 | |
From the news. But I've never met them. I've only seen their pictures. | 0:15:43 | 0:15:47 | |
-You can't seriously think I've got anything to do with the Scraper? -Oh, yes, I can. And I will. | 0:15:47 | 0:15:52 | |
Until you can tell me where you were on the nights of these two murders. | 0:15:52 | 0:15:57 | |
-Are you arresting me? -Not yet. | 0:15:57 | 0:15:59 | |
I need some air. | 0:15:59 | 0:16:01 | |
Don't go far. | 0:16:03 | 0:16:04 | |
Cherry's just told me Kevin's been taken in for questioning. | 0:16:12 | 0:16:16 | |
-It's outrageous. -I know. -What are we going to do? How can we show him he's got our support? | 0:16:16 | 0:16:21 | |
Well, Freya's gone down to the police station, hasn't she? | 0:16:21 | 0:16:24 | |
-Yes, I'm still holding. -Is that enough? -Sorry? No, no, no, short notice GP cover please. | 0:16:24 | 0:16:30 | |
Um, hang on, hang on. I'll call you back. | 0:16:31 | 0:16:34 | |
You're arranging for a locum? Isn't that a tad premature? | 0:16:34 | 0:16:37 | |
I'm the practice manager, Elaine. | 0:16:37 | 0:16:39 | |
-I have to have all the bases covered. -Really, Julia? | 0:16:39 | 0:16:42 | |
Really? | 0:16:42 | 0:16:44 | |
Why can't I see my friend if he hasn't been...? | 0:16:49 | 0:16:53 | |
Forget it. | 0:16:53 | 0:16:54 | |
Come here. | 0:16:55 | 0:16:56 | |
They think I... | 0:16:59 | 0:17:01 | |
Lauren, | 0:17:01 | 0:17:02 | |
and those other women. | 0:17:02 | 0:17:04 | |
What women? When? | 0:17:04 | 0:17:06 | |
I didn't... | 0:17:10 | 0:17:13 | |
I didn't even go into Lauren's. | 0:17:13 | 0:17:16 | |
You do believe me, don't you? | 0:17:16 | 0:17:18 | |
Of course I do, you fool. Why don't THEY believe you? | 0:17:18 | 0:17:21 | |
-I said I wasn't at Lauren's and I was. -Kevin! | 0:17:23 | 0:17:27 | |
There were other times, other dead women and I don't know where I was. | 0:17:27 | 0:17:31 | |
-Check your diary. -What diary? | 0:17:31 | 0:17:34 | |
-Where do you write down what you're doing? -It's all in my phone. | 0:17:34 | 0:17:37 | |
Where's your phone? | 0:17:37 | 0:17:38 | |
-Lost it. -When? -Last night. | 0:17:38 | 0:17:41 | |
OK. | 0:17:43 | 0:17:45 | |
We find your phone and we find out where you were when you weren't killing people. | 0:17:45 | 0:17:50 | |
It's simple. We find your phone. | 0:17:50 | 0:17:52 | |
I think they want to talk to me again. | 0:17:52 | 0:17:54 | |
Then I'll find it. Where were you last night? | 0:17:56 | 0:17:59 | |
Dunno. | 0:17:59 | 0:18:01 | |
Right, do you want me to slap you or do you want to start thinking? | 0:18:01 | 0:18:06 | |
-I went to the pub. -OK, did you have it then? | 0:18:06 | 0:18:10 | |
-And did you have it when you got home? -No, I went to another pub after that. | 0:18:10 | 0:18:13 | |
-Did you have it in THAT pub? -And then I went to a club. -Which club? | 0:18:13 | 0:18:17 | |
Which club, Kevin?! | 0:18:19 | 0:18:22 | |
Minky's. | 0:18:22 | 0:18:24 | |
Yeah. Sticky floor, whore ridden pit on Exeter Street? Brilliant. | 0:18:25 | 0:18:29 | |
But you had it there? | 0:18:29 | 0:18:32 | |
I took some pictures. | 0:18:32 | 0:18:34 | |
We said 11:30. | 0:18:57 | 0:18:59 | |
Still, nothing like a woman with big whammers standing on her head. | 0:18:59 | 0:19:04 | |
You do stand on your head? | 0:19:04 | 0:19:06 | |
Uh, no. | 0:19:06 | 0:19:08 | |
So, what's your speciality? | 0:19:08 | 0:19:09 | |
Well, it's not sexual acrobatics! | 0:19:09 | 0:19:13 | |
OK, don't waste my time. | 0:19:13 | 0:19:15 | |
Just get your kit off and show us what acrobatics you do do. | 0:19:15 | 0:19:18 | |
Oh, and mind, we don't do prickly and we don't do prima donna at Minky's. | 0:19:18 | 0:19:22 | |
-You get me? -I'm not here for a job. | 0:19:22 | 0:19:25 | |
-What then? -My friend, he was in here last night. | 0:19:25 | 0:19:29 | |
He lost his phone. I'm here to see if anyone handed it in? | 0:19:29 | 0:19:32 | |
What do you think this is? Sunday school? | 0:19:32 | 0:19:34 | |
You think we've got a lost property box full of pencil cases? | 0:19:34 | 0:19:37 | |
Look, this is important. I need that phone so I know where he was. | 0:19:37 | 0:19:42 | |
-Off you pop. -What? -I don't want no stalky girlfriend | 0:19:44 | 0:19:48 | |
or some mental ex snooping around after my punters. | 0:19:48 | 0:19:51 | |
-He needs my help! -You want to help him, love, you give him what you got. | 0:19:51 | 0:19:54 | |
That way he won't have to come round here perving and paying to look at it. | 0:19:54 | 0:19:58 | |
You get me? Now, get out. | 0:19:58 | 0:20:01 | |
All right, girls, I've got your numbers. I'll be in touch. | 0:20:01 | 0:20:04 | |
Do something for you? | 0:20:14 | 0:20:15 | |
-You don't get it, do you? -I think I do. Don't let me stop you. | 0:20:15 | 0:20:20 | |
-I was looking for you. -You shouldn't have bothered. | 0:20:20 | 0:20:23 | |
You need to put yourself not in Maybrook on those dates. | 0:20:23 | 0:20:26 | |
And you need to drop the bull and drop the bravado. | 0:20:26 | 0:20:29 | |
Why, because you're married to my admin support? | 0:20:29 | 0:20:33 | |
Look, I haven't got time for this. We open in an hour. | 0:20:50 | 0:20:53 | |
I'm sorry if it sounded as though I was judging you before. | 0:20:53 | 0:20:56 | |
-You were. -And I had no right to. -No, you really didn't. | 0:20:56 | 0:21:01 | |
It's just my friend, he's in so much trouble. | 0:21:01 | 0:21:04 | |
And I know he'll have been really drunk when he was in here and obnoxious. | 0:21:04 | 0:21:08 | |
Oh, he's sounding better and better. | 0:21:08 | 0:21:10 | |
Listen - dump him. Don't help him. | 0:21:10 | 0:21:13 | |
He's not my boyfriend. | 0:21:13 | 0:21:15 | |
And he needs my help. | 0:21:15 | 0:21:16 | |
Not my problem. | 0:21:16 | 0:21:18 | |
Well, can you at least get someone to put some lights on then so I can look around? Check under the seats? | 0:21:20 | 0:21:25 | |
The cleaners sweep for valuables. | 0:21:25 | 0:21:27 | |
Look, some cab driver's son'll have that phone and be Facebooking right now. | 0:21:27 | 0:21:31 | |
How do you know he even had it in here? | 0:21:31 | 0:21:33 | |
Because he remembers photographing some of your girls. | 0:21:33 | 0:21:35 | |
Yeah, I know! | 0:21:35 | 0:21:37 | |
And I said, I'm ashamed of him and I don't know how you lot... | 0:21:37 | 0:21:42 | |
You ladies put up with people like him. | 0:21:42 | 0:21:46 | |
Because we laugh at them and then we go home with all their money. | 0:21:46 | 0:21:49 | |
Listen! | 0:21:49 | 0:21:51 | |
Look, Kevin's been accused of something, something that he couldn't have done. | 0:21:53 | 0:21:57 | |
I need that phone to prove that he didn't do it. | 0:21:57 | 0:22:00 | |
He's not that bad. | 0:22:00 | 0:22:02 | |
Oh, he's a pig but not that much of a pig? | 0:22:02 | 0:22:06 | |
You'd feel sorry for him. | 0:22:06 | 0:22:08 | |
Really? You sure about that? | 0:22:08 | 0:22:11 | |
Cos it was my undercarriage that creep was trying to photograph. | 0:22:11 | 0:22:15 | |
Your mate is a perv and he cost me punter money. | 0:22:15 | 0:22:18 | |
And you expect me to come over all tart with a heart? | 0:22:18 | 0:22:21 | |
-I've got Tyler's DNA on fast-track. -Excellent. | 0:22:25 | 0:22:28 | |
As is the profile from the sample that I got from the scene this morning. | 0:22:28 | 0:22:32 | |
I've given you a four hour window for time of death. Now, you're going to love this. | 0:22:32 | 0:22:36 | |
I also managed to lift some prints | 0:22:36 | 0:22:38 | |
off beer bottles that puts Tyler at the house beforehand and over time. | 0:22:38 | 0:22:43 | |
-We had his prints? -Yeah, yeah, it was lucky. We got a result. It was some student high jinks. | 0:22:43 | 0:22:48 | |
It's the cocky ones I can't stand. | 0:22:48 | 0:22:50 | |
We get him for this, we get him for the others. | 0:22:50 | 0:22:52 | |
-But the Scraper stuff under wraps until I say. -Yeah, of course, yeah. | 0:22:52 | 0:22:56 | |
I like the way it's building - bit by bit, square by square. | 0:22:56 | 0:22:59 | |
-Yeah, it's good to start from the corners. There's nothing from the wine sample, though. -It's OK. | 0:22:59 | 0:23:05 | |
I can get the murdering little runt without that. | 0:23:05 | 0:23:07 | |
-So, you come up with anything yet? -Charge me or get out of my face. | 0:23:14 | 0:23:18 | |
Come on, Dr Tyler. I was only going to ask you to come and have another... | 0:23:18 | 0:23:21 | |
-I've got it! -Doesn't look like you're holding all the aces any more, does it, Inspector Driver? -Kevin. | 0:23:21 | 0:23:26 | |
-You'll be apologising to me before the day's out. -Kevin! | 0:23:26 | 0:23:30 | |
I can't get it to boot up. It got damp. | 0:23:30 | 0:23:32 | |
How did you get it damp? | 0:23:35 | 0:23:37 | |
-I didn't. -What happened to it, then? Where'd you find it? | 0:23:37 | 0:23:40 | |
YOU dropped it after you were tussling with a bouncer in the sex club. | 0:23:40 | 0:23:43 | |
After you photographed the cowgirl in the chaps with no knickers doing the splits. | 0:23:43 | 0:23:48 | |
Turns out there IS a lap dance etiquette. | 0:23:48 | 0:23:50 | |
Who'd have thought it(?) And by the way, YOU owe me 250 quid. | 0:23:50 | 0:23:54 | |
Your hand still hurt? | 0:23:57 | 0:23:59 | |
Let's cut the crap, shall we? | 0:23:59 | 0:24:03 | |
We can put you outside Lauren's house, Lauren still alive and you in a rage. | 0:24:03 | 0:24:07 | |
We know you had a turbulent sexual relationship and we know about your temper. | 0:24:07 | 0:24:11 | |
-You don't like it when people say no to you, do you, Kevin? -Now, the witness and the DNA... | 0:24:11 | 0:24:15 | |
-I didn't go in. I knew you'd fit me up. -What do you do with their fingers, Dr Tyler? | 0:24:15 | 0:24:19 | |
-I don't know what you're talking about. -Motive and opportunity. | 0:24:19 | 0:24:22 | |
I've got forensics, you've got no alibi, I've got enough. | 0:24:22 | 0:24:26 | |
And that's before I get the warrants to turn | 0:24:26 | 0:24:28 | |
the rest of your life inside out. | 0:24:28 | 0:24:30 | |
Kevin Tyler, I am arresting you for the murders of Lauren Porter, Cathleen Monroe and Shania Green. | 0:24:31 | 0:24:36 | |
-PHONE BEEPS -Wait! Just wait, wait, wait! | 0:24:36 | 0:24:38 | |
-July the what? -22nd. | 0:24:41 | 0:24:44 | |
Ha! I was on bloody call. | 0:24:46 | 0:24:49 | |
Is that verifiable? | 0:24:50 | 0:24:53 | |
-I'll check it out. -Oh, and would you look at that? | 0:24:53 | 0:24:55 | |
I was in Dubrovnik on May 15th. | 0:24:55 | 0:24:57 | |
Extended stag with my mate Mike... | 0:24:57 | 0:25:00 | |
the barrister. | 0:25:00 | 0:25:02 | |
Kevin's been released. Free to go. | 0:25:04 | 0:25:05 | |
No charges. | 0:25:05 | 0:25:07 | |
-How do you know? -Freya called. | 0:25:07 | 0:25:09 | |
So, Zara, you can stop being quite so deliciously scandalised. | 0:25:09 | 0:25:14 | |
Cherry, you can call Karen. | 0:25:14 | 0:25:16 | |
-Tell her the good news. -I'll call Kevin. | 0:25:16 | 0:25:19 | |
-Yeah, so will I. -And tell him what? You'll cancel the locum you arranged for whilst he's in prison(?) | 0:25:19 | 0:25:23 | |
-We needed it, Elaine. -All that's necessary for evil to triumph is for good men to do nothing. | 0:25:23 | 0:25:29 | |
Seriously? Edmund Burke? | 0:25:29 | 0:25:31 | |
Actually, you better keep that base covered, Julia. | 0:25:31 | 0:25:34 | |
Who knows who the police will haul in next? | 0:25:34 | 0:25:38 | |
I can confirm that as of 1300 hours today we are holding no suspects in the Lauren Porter murder. | 0:25:38 | 0:25:44 | |
Further statements will be given when there is more information to be brought before the public. | 0:25:44 | 0:25:48 | |
But for now, that's all. Thank you. | 0:25:48 | 0:25:51 | |
Freya, I'm sorry. | 0:25:54 | 0:25:59 | |
For what? | 0:25:59 | 0:26:00 | |
Before, in the toilets. | 0:26:00 | 0:26:03 | |
And? | 0:26:03 | 0:26:05 | |
And for being the type of bloke that gets drunk and goes to Minky's. | 0:26:05 | 0:26:09 | |
And? | 0:26:09 | 0:26:10 | |
For forcing me go to a cash point with a pole dancer? | 0:26:11 | 0:26:15 | |
I owe you. | 0:26:15 | 0:26:18 | |
More than money. Come here. | 0:26:18 | 0:26:22 | |
Sorry, I, er... | 0:26:30 | 0:26:32 | |
Marie? Marie, please it is you. | 0:26:32 | 0:26:34 | |
-Matt, are you OK? -Matt? | 0:26:34 | 0:26:37 | |
Matt, you need to slow your breathing right down, | 0:26:37 | 0:26:40 | |
you're hyperventilating. | 0:26:40 | 0:26:42 | |
What's happening? | 0:26:42 | 0:26:43 | |
How would it be if you came and stayed at my place? | 0:26:43 | 0:26:46 | |
Purely platonic. Unless, of course... | 0:26:46 | 0:26:50 | |
You really are something else. | 0:26:50 | 0:26:51 | |
Subtitles by Red Bee Media Ltd | 0:27:01 | 0:27:04 | |
E-mail [email protected] | 0:27:04 | 0:27:07 |