Browse content similar to No Secret So Close. Check below for episodes and series from the same categories and more!
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MUSIC: "White Winter Hymnal" by Fleet Foxes | 0:00:25 | 0:00:29 | |
-Thanks for your help. -Thank you. -Take care. | 0:00:41 | 0:00:44 | |
No disasters so far? | 0:00:44 | 0:00:46 | |
Why would there be? | 0:00:46 | 0:00:48 | |
Well, without Zara snapping at your heels. | 0:00:48 | 0:00:50 | |
-I don't need stabilisers, thank you! -Ooh! | 0:00:50 | 0:00:53 | |
Dr Tyler, erm, Julia just rang, she needs you over at the Mill pronto. | 0:00:53 | 0:00:57 | |
-What have I done now? -There speaks a guilty conscience. | 0:00:57 | 0:01:01 | |
-No. I'm busy. -Oh, I think Freya can manage. | 0:01:01 | 0:01:04 | |
Yeah, of course I can. You go and see Julia. Violet Gray? | 0:01:04 | 0:01:10 | |
-After you. -Go on, Doctor Tyler. Chop chop. | 0:01:10 | 0:01:13 | |
HUMS TO HERSELF | 0:01:19 | 0:01:23 | |
Soap dish, bathroom? Used to keep earrings in it, so bedroom. | 0:01:23 | 0:01:31 | |
Hmm! HUMMING CONTINUES | 0:01:31 | 0:01:34 | |
'She's turned packing into an art form.' | 0:01:39 | 0:01:42 | |
Every object's colour coded or labelled. It's organisation heaven. | 0:01:42 | 0:01:46 | |
Ha! I'm surprised you're not over there making sure the boxes have hospital corners. | 0:01:46 | 0:01:50 | |
-She won't let me, she says it'll take too long if I help. -OK, so... | 0:01:50 | 0:01:54 | |
I'm going to go round and read my meter at 1400 hours, | 0:01:54 | 0:01:58 | |
my removal van leaves 15 minutes later, ETA your place 1500 hours, | 0:01:58 | 0:02:02 | |
during which time I'll give my tenant the new key, | 0:02:02 | 0:02:05 | |
-you move OUT at 1430. -Are you sure Zara's going to be OK with this? | 0:02:05 | 0:02:11 | |
Yeah, trust me. | 0:02:11 | 0:02:13 | |
I have added Mr Brown to your house calls. | 0:02:13 | 0:02:16 | |
-OK, thanks, I'll be along in a sec. ..See you on the front line. -Yes. | 0:02:16 | 0:02:21 | |
-What's this? -Details for my move. -That's what your phone's for, mate. -Just the man I'm looking for. | 0:02:22 | 0:02:27 | |
-I didn't do it. -Julia wants you to take a sexual health awareness stand to the student union. -Oh! | 0:02:27 | 0:02:32 | |
-An important part of student health. -They're going home for Christmas! | 0:02:32 | 0:02:36 | |
All the more reason to educate them | 0:02:36 | 0:02:38 | |
-before they're... -Oops! -Been on the sherry? | 0:02:38 | 0:02:40 | |
Festivities started early? Joke! Though, you do look a bit peaky. | 0:02:40 | 0:02:45 | |
I haven't eaten yet! | 0:02:45 | 0:02:46 | |
-I'm fine. -Glad to hear it. | 0:02:46 | 0:02:49 | |
Yes? | 0:02:52 | 0:02:54 | |
-How about we do a deal? -What do you mean? | 0:02:59 | 0:03:02 | |
If I tell Freya Julia wants her to do this stall and you back me up... | 0:03:02 | 0:03:05 | |
-Mmhm? -..I'll set up your phone so you synchronise everything. | 0:03:05 | 0:03:09 | |
That way nothing can go wrong. | 0:03:09 | 0:03:11 | |
I've taught you well. | 0:03:12 | 0:03:15 | |
Nice! | 0:03:15 | 0:03:17 | |
PANICKED BREATHING | 0:03:25 | 0:03:27 | |
SHE SIGHS | 0:03:33 | 0:03:35 | |
Oh, hello, er, I'd like to make an appointment, please. | 0:03:49 | 0:03:53 | |
Elaine Cassidy. | 0:03:53 | 0:03:55 | |
Today?! I wasn't expecting... | 0:03:58 | 0:04:02 | |
No, no, that's good. KNOCK ON DOOR | 0:04:02 | 0:04:04 | |
Come in! | 0:04:04 | 0:04:06 | |
-Could I have a word? -One minute. No, that's fine, I'll be there. | 0:04:06 | 0:04:11 | |
Thank you. | 0:04:11 | 0:04:12 | |
-Sorry, I didn't mean to interrupt. -It's OK. | 0:04:12 | 0:04:15 | |
Could you give me some advice on, erm, anger management? | 0:04:15 | 0:04:21 | |
-Is someone winding you up? -It's not me, it's for a patient. | 0:04:21 | 0:04:24 | |
Could we do it later? | 0:04:24 | 0:04:26 | |
-I've got loads to do and now I've got an appointment to go to. -Sure, yeah. | 0:04:26 | 0:04:30 | |
-See you later. -OK. | 0:04:30 | 0:04:32 | |
# Frosty the snowman... # < DOOR OPENS | 0:04:38 | 0:04:41 | |
SHE HUMS TO HERSELF | 0:04:41 | 0:04:43 | |
Ah, good thinking! I've packed the kettle. | 0:04:47 | 0:04:51 | |
-Aren't you supposed to be at work? -House calls. | 0:04:51 | 0:04:54 | |
This is a house. | 0:04:54 | 0:04:56 | |
Hmm! I can't believe how long all this packing stuff takes. | 0:04:56 | 0:05:00 | |
-Yeah, well, if you'd let me help you. -If I don't pack myself, | 0:05:00 | 0:05:02 | |
I won't remember where I put it and won't find it at the other end. | 0:05:02 | 0:05:06 | |
Well, no-one remembers everything. | 0:05:06 | 0:05:09 | |
-If I pack a box, I remember exactly what's gone in each box. -If you say so. | 0:05:09 | 0:05:13 | |
Try me. | 0:05:13 | 0:05:16 | |
That one? | 0:05:20 | 0:05:22 | |
12 forks, 12 knives, soup spoons. | 0:05:22 | 0:05:25 | |
-That one over there? -DVDs. -Ah, yeah, but what DVDs? | 0:05:27 | 0:05:30 | |
In alphabetical order... | 0:05:30 | 0:05:33 | |
Bridget Jones: Edge of Reason, Love Actually, | 0:05:33 | 0:05:36 | |
My Best Friend's Wedding, My Big Fat Greek Wedding, | 0:05:36 | 0:05:39 | |
Notting Hill, Sleepless in Seattle, There's Something About Mary... | 0:05:39 | 0:05:42 | |
OK, I believe you! Maybe I should patent you! | 0:05:42 | 0:05:45 | |
Let me get on or we'll never get there. | 0:05:45 | 0:05:47 | |
-I can't believe how smooth it's going. -Ssh! Don't jinx it! | 0:05:47 | 0:05:51 | |
Hmm! | 0:05:51 | 0:05:54 | |
SHE HUMS "Frosty the Snowman" | 0:05:54 | 0:05:57 | |
-Is that it? -For now. But they're like buses, there'll be ten along in a minute. | 0:06:00 | 0:06:05 | |
-Better get a coffee now, then. Do you want one? -Oh, no, ta. | 0:06:05 | 0:06:08 | |
Julia wants you to take this over to the union | 0:06:08 | 0:06:11 | |
and man a sexual awareness stall, or should I say "woman" a sexual awareness stall? | 0:06:11 | 0:06:17 | |
-And you expect me to fall for that? -She thought a women's touch will be better. | 0:06:17 | 0:06:21 | |
No, what happened is she asked you, you didn't want to do it, | 0:06:21 | 0:06:25 | |
you know Zara's not here today, so you thought you could shimmy it along to me. | 0:06:25 | 0:06:29 | |
You can ask Julia if you want, but she's in a bad mood, but if you feel the need. | 0:06:29 | 0:06:33 | |
-Ooh, Julia's moods are legend! -Come on, she asked him, it's obvious. | 0:06:33 | 0:06:38 | |
-Ask Daniel, he was a witness. -Little boys aren't going to stick together? | 0:06:38 | 0:06:42 | |
-It makes sense that Julia would prefer a woman's touch. -I don't think she liked my jokes. | 0:06:42 | 0:06:46 | |
What's worse than lobsters on your piano? | 0:06:46 | 0:06:49 | |
Crabs on your organ! | 0:06:51 | 0:06:53 | |
Must be a boy's joke. | 0:06:57 | 0:06:59 | |
Yeah, I think Julia's got a point. | 0:06:59 | 0:07:01 | |
This is definitely not a job for little boys. | 0:07:01 | 0:07:06 | |
MOBILE PHONE RINGS | 0:07:55 | 0:07:58 | |
Hello? | 0:08:00 | 0:08:02 | |
What?! | 0:08:04 | 0:08:05 | |
Are you serious?! | 0:08:07 | 0:08:09 | |
Oh! It's all right, I'm a doctor. | 0:08:13 | 0:08:16 | |
Thanks for helping! | 0:08:20 | 0:08:22 | |
-Good to see you again. -I'm sorry I haven't kept my regular appointments. | 0:08:25 | 0:08:29 | |
Theoretically, it's a good sign. | 0:08:29 | 0:08:32 | |
-Theoretically? -If clients genuinely don't feel the need to see me, | 0:08:32 | 0:08:36 | |
that suggests they're coping. | 0:08:36 | 0:08:38 | |
Exactly! Well, since my holiday, I've felt so much better. | 0:08:38 | 0:08:42 | |
So you said. | 0:08:42 | 0:08:43 | |
-Managing to keep off the sleeping tablets? -Yes. | 0:08:44 | 0:08:48 | |
-And how are you doing at work? -Really well. | 0:08:48 | 0:08:51 | |
Good. So I assume you're here to draw our sessions to a halt? | 0:08:53 | 0:08:57 | |
Am I? | 0:08:58 | 0:09:00 | |
Well, you're off the tablets, you're coping with work, you don't need me. | 0:09:00 | 0:09:05 | |
-But.. -And even if none of the above was true, | 0:09:05 | 0:09:09 | |
then the lack of honesty that would imply | 0:09:09 | 0:09:12 | |
suggests it isn't working anyway. | 0:09:12 | 0:09:15 | |
-Right. -So, either way, | 0:09:18 | 0:09:21 | |
I don't think we should carry on, do you, | 0:09:21 | 0:09:25 | |
at least for a while. | 0:09:25 | 0:09:27 | |
'Hi, this is Cherry, leave a message. Bye!' | 0:09:34 | 0:09:37 | |
Cherry, when you get this, phone me, it's urgent. | 0:09:38 | 0:09:42 | |
Well, goodbye, then. | 0:09:44 | 0:09:48 | |
Thanks for coming. | 0:09:48 | 0:09:50 | |
I'll be in touch. | 0:09:50 | 0:09:53 | |
Fine, but not too soon. | 0:09:53 | 0:09:55 | |
Erm, when therapy is finished, it's a good idea to give it time | 0:09:55 | 0:09:59 | |
to be sure a dependency hasn't developed. | 0:09:59 | 0:10:02 | |
But... | 0:10:02 | 0:10:04 | |
But? | 0:10:04 | 0:10:05 | |
Thanks. | 0:10:07 | 0:10:09 | |
No problem. | 0:10:09 | 0:10:11 | |
-How long should I leave it? -It's your call. | 0:10:11 | 0:10:16 | |
Right. | 0:10:18 | 0:10:19 | |
Hiya. | 0:10:42 | 0:10:44 | |
Erm, do you want something? | 0:10:46 | 0:10:47 | |
It, it's OK. You don't have to be embarrassed. | 0:10:47 | 0:10:51 | |
Erm, if you don't want to talk to me here, | 0:10:51 | 0:10:53 | |
you could book an appointment at the campus surgery. I'm a doctor. | 0:10:53 | 0:10:58 | |
-Doctor Foster. -Are you OK? -Can you smell something? | 0:10:58 | 0:11:02 | |
-Like what? -A fox. | 0:11:02 | 0:11:05 | |
No. | 0:11:05 | 0:11:06 | |
I see them here sometimes, playing, the cubs like biting each other. | 0:11:06 | 0:11:11 | |
I don't think they're likely to come in here. | 0:11:11 | 0:11:14 | |
They have a really pungent smell. | 0:11:14 | 0:11:17 | |
OK, why don't we sit down for a minute? Yeah? | 0:11:17 | 0:11:20 | |
Come on. Just take a seat. | 0:11:20 | 0:11:23 | |
There you go. | 0:11:24 | 0:11:26 | |
I'll just take... OK, OK. | 0:11:29 | 0:11:32 | |
I'm just going to take a look at you, all right? | 0:11:32 | 0:11:35 | |
Yeah, that's a really good idea. We can paint the shells gold. | 0:11:38 | 0:11:41 | |
Ah, no, sorry, Mum, I don't like sugared almonds, they're predictable. | 0:11:41 | 0:11:45 | |
Why does SHE want to come? | 0:11:47 | 0:11:49 | |
I've only met her once. I'm sure she doesn't like me. | 0:11:49 | 0:11:52 | |
Well, that's everything. | 0:11:52 | 0:11:55 | |
I can't believe that this is actually happening. | 0:11:55 | 0:11:58 | |
Yeah, you can come round when we've moved in properly. | 0:11:58 | 0:12:00 | |
You'll love the garden. | 0:12:00 | 0:12:02 | |
How about you just tell me your name? | 0:12:03 | 0:12:06 | |
Are you a student here? | 0:12:07 | 0:12:09 | |
Is there anyone that I can ring for you? | 0:12:11 | 0:12:15 | |
Have you got a mo...? | 0:12:15 | 0:12:17 | |
Listen, darling, I just want to help you. | 0:12:20 | 0:12:23 | |
I don't know how it got in. | 0:12:23 | 0:12:25 | |
But it was moving around chasing, chasing its tail. | 0:12:25 | 0:12:29 | |
OK. | 0:12:29 | 0:12:31 | |
I really think that we need to get you to the surgery. | 0:12:31 | 0:12:36 | |
It's OK. | 0:12:36 | 0:12:38 | |
I'm just going to help you. | 0:12:38 | 0:12:40 | |
Dr Foster went to Gloucester, | 0:12:40 | 0:12:43 | |
stepped in a puddle right up to his middle. | 0:12:43 | 0:12:45 | |
Ssh. | 0:12:45 | 0:12:48 | |
All right, let's try standing up. OK? It's all right. | 0:12:48 | 0:12:54 | |
Come on. That's it. | 0:12:54 | 0:12:57 | |
Come on, darling. | 0:12:57 | 0:13:00 | |
Take it easy. | 0:13:00 | 0:13:03 | |
If the drape man doesn't get back to me soon, I'll cancel and go somewhere else. | 0:13:03 | 0:13:07 | |
He can always... | 0:13:07 | 0:13:08 | |
Where's the van? | 0:13:08 | 0:13:09 | |
It's gone. | 0:13:09 | 0:13:11 | |
Well, we better catch them. | 0:13:11 | 0:13:12 | |
-What? -We better get over there. | 0:13:12 | 0:13:14 | |
Er, Mum, I'll call you back. OK, speak to you later. | 0:13:14 | 0:13:17 | |
-We need to catch the van. -Why? | 0:13:17 | 0:13:18 | |
They've had to postpone things. | 0:13:18 | 0:13:21 | |
Postpone? I, I, I, I don't understand. | 0:13:21 | 0:13:23 | |
-The vendors, they can't sell us their house just yet. -They can. We've bought it, it's our house. | 0:13:23 | 0:13:27 | |
We don't actually buy until we exchange the contracts. | 0:13:27 | 0:13:30 | |
But we agreed the date. | 0:13:30 | 0:13:32 | |
The wife has been rushed into hospital, they were moving to the US. | 0:13:32 | 0:13:35 | |
He's not going to have nowhere to live over Christmas. They won't exchange. | 0:13:35 | 0:13:39 | |
-But... -I'm sorry, we're moving in January. -You jinxed it. | 0:13:39 | 0:13:43 | |
His wife is seriously ill, I didn't have anything to do with that. | 0:13:43 | 0:13:46 | |
-What are we going to do? All our stuff! -Daniel! Daniel's stuff. | 0:13:46 | 0:13:50 | |
He's going to be here soon, I'd better let him know. | 0:13:50 | 0:13:53 | |
-I can't believe this is happening. -Why is everyone always on their phone?! | 0:13:53 | 0:13:56 | |
Daniel and Zara's stuff is going to be arrive soon, | 0:13:56 | 0:13:59 | |
so I'm going to have to stop them. | 0:13:59 | 0:14:01 | |
You stay here, don't go anywhere. | 0:14:01 | 0:14:03 | |
Where exactly am I going to go? | 0:14:03 | 0:14:05 | |
I'm sorry. We'll sort it. At least we've got a roof over our heads. | 0:14:05 | 0:14:09 | |
Not long now. You're doing really well. | 0:14:13 | 0:14:16 | |
Do you want to tell me your name? | 0:14:18 | 0:14:19 | |
Look, at least let me take your bag for you. | 0:14:21 | 0:14:25 | |
It's OK! | 0:14:25 | 0:14:26 | |
What have you done? | 0:14:37 | 0:14:38 | |
I'll have to ask Doctor Carter. | 0:14:41 | 0:14:43 | |
If Heston could cover afternoon surgery, | 0:14:43 | 0:14:45 | |
I can't leave here until I've handed the key over. | 0:14:45 | 0:14:48 | |
OK. Thanks. | 0:14:48 | 0:14:51 | |
Cheers, guys. | 0:14:51 | 0:14:52 | |
To the second. | 0:14:53 | 0:14:55 | |
OK, now he's officially late. | 0:14:58 | 0:15:00 | |
Come on. | 0:15:08 | 0:15:10 | |
-Oh, hello, Crystal. -D'you know her? | 0:15:14 | 0:15:17 | |
-Yeah, she's a patient. -Um, can you look after her, then, please? Don't let her out of your sight. | 0:15:17 | 0:15:24 | |
OK. ..It's all right, love. Come on, this way. | 0:15:24 | 0:15:27 | |
We'll go in here. | 0:15:27 | 0:15:29 | |
What's going on? | 0:15:29 | 0:15:31 | |
We need to call the police now. | 0:15:33 | 0:15:35 | |
What's in the bag? | 0:15:43 | 0:15:45 | |
You don't want to know, um... | 0:15:45 | 0:15:48 | |
-Gav, it's a... -Hey, hey, it's OK. | 0:15:48 | 0:15:51 | |
Pull up her notes. | 0:15:53 | 0:15:54 | |
Oh, my... | 0:16:02 | 0:16:03 | |
And you took this off Crystal? | 0:16:08 | 0:16:10 | |
I think we need to call the police. | 0:16:14 | 0:16:16 | |
Let's see if we can find out what happened here first. | 0:16:16 | 0:16:19 | |
-I would have thought that was obvious. -It might not be. | 0:16:19 | 0:16:22 | |
What could be clearer than a dead baby? | 0:16:22 | 0:16:25 | |
-We don't even know whose baby it is. -Oh, yeah we do. | 0:16:25 | 0:16:29 | |
Crystal last came in here six months ago | 0:16:29 | 0:16:31 | |
asking for the morning-after pill. I'm phoning the police. | 0:16:31 | 0:16:34 | |
Erm, she's, er, bleeding. | 0:16:34 | 0:16:36 | |
Would now be a good time to talk about what I was talking about? | 0:16:41 | 0:16:45 | |
-When I said it was a patient, I meant... -Not now, Heston! | 0:16:45 | 0:16:48 | |
I just need to do something. | 0:16:48 | 0:16:50 | |
-Yeah, I'll come back later. -Good idea. | 0:16:50 | 0:16:53 | |
Dr Granger is busy with his move and will not be back for afternoon surgery. | 0:16:53 | 0:16:58 | |
There are patients out there that need attention! | 0:16:58 | 0:17:01 | |
Why did he not book his afternoon off, like Doctor Clay? | 0:17:01 | 0:17:04 | |
-I have booked this afternoon off so I can get my paperwork done. -OK, OK. | 0:17:04 | 0:17:09 | |
You get on with your paperwork and, Mrs Tembe, | 0:17:09 | 0:17:11 | |
let's see what imaginative ailments present themselves this afternoon. | 0:17:11 | 0:17:15 | |
It's all right, you're all right. Crystal's such a lovey name. | 0:17:24 | 0:17:29 | |
-Crystal Henshaw. -Henshaw, that's right, I remember. | 0:17:29 | 0:17:32 | |
Er, OK, Crystal, the bleeding has stopped, | 0:17:33 | 0:17:36 | |
there's nothing more we can do for you until we get you to the hospital. | 0:17:36 | 0:17:40 | |
-Have you called an ambulance? -Yeah, it's on its way. | 0:17:40 | 0:17:43 | |
As you know, you delivered a baby. | 0:17:43 | 0:17:45 | |
-Crystal? -Oh, a miscarriage, was it? | 0:17:46 | 0:17:50 | |
No. | 0:17:50 | 0:17:52 | |
Was it last night? | 0:17:52 | 0:17:54 | |
Do you remember having the baby last night, Crystal? | 0:17:54 | 0:17:58 | |
I remember my room, the smell of foxes. | 0:17:58 | 0:18:01 | |
She keeps talking about foxes, has she taken something? | 0:18:01 | 0:18:05 | |
Gnawing and gnawing. | 0:18:05 | 0:18:07 | |
Did you know you were pregnant? | 0:18:09 | 0:18:11 | |
I couldn't make it stop, it was hurting me. | 0:18:11 | 0:18:15 | |
Oh, so you knew you were in labour? | 0:18:15 | 0:18:17 | |
Foxes bite, they nip and bite, all the time, nip and bite. | 0:18:17 | 0:18:21 | |
The sooner you face up to this, the sooner we can help you. | 0:18:21 | 0:18:25 | |
Aren't you being a bit harsh? | 0:18:25 | 0:18:28 | |
We found a knife. | 0:18:28 | 0:18:30 | |
The baby's... | 0:18:31 | 0:18:33 | |
FLEET FOXES: # I was following the | 0:18:33 | 0:18:35 | |
# I was following the I was following the | 0:18:35 | 0:18:39 | |
# I was following the... # HE SIGHS | 0:18:39 | 0:18:42 | |
OK, then, little one... | 0:18:42 | 0:18:44 | |
Erm, the ambulance's on its way, | 0:18:45 | 0:18:48 | |
and the police said they'll meet us at the hospital. | 0:18:48 | 0:18:51 | |
It's a boy. | 0:18:51 | 0:18:54 | |
-Why did she kill him?! -I don't think she did. | 0:18:54 | 0:18:58 | |
But the, the knife? | 0:18:58 | 0:19:00 | |
Probably just to cut the cord. There were no wound marks. | 0:19:00 | 0:19:04 | |
Post mortem will tell us for sure, but... | 0:19:04 | 0:19:06 | |
it's most likely this little one died | 0:19:06 | 0:19:09 | |
-cos the cord got caught round its neck. -But then, why hide the baby? | 0:19:09 | 0:19:13 | |
You've heard of puerperal psychosis? | 0:19:13 | 0:19:16 | |
It can be triggered by a trauma. | 0:19:16 | 0:19:19 | |
What could be more traumatic than delivering your own dead baby? | 0:19:19 | 0:19:23 | |
So much for prenatal care. | 0:19:23 | 0:19:27 | |
Maybe she didn't know she was pregnant. | 0:19:27 | 0:19:29 | |
She came in for the morning-after pill. I think she had a good idea. | 0:19:29 | 0:19:32 | |
Maybe she thought it worked or she's been in serious denial. I mean... | 0:19:32 | 0:19:38 | |
How do you cope with something like this? | 0:19:38 | 0:19:41 | |
-What are you doing? -We're wasting time. | 0:19:45 | 0:19:49 | |
-Anyone we can call? A friend we can get in touch with? -Friend? | 0:19:52 | 0:19:57 | |
Was anyone with you last night? Like the baby's father? | 0:19:57 | 0:20:02 | |
-Father? -Oh, sweetheart, were you on your own? | 0:20:02 | 0:20:06 | |
One minute, she makes no sense at all, then the next, she comes back to Earth. | 0:20:10 | 0:20:14 | |
Hiya. Erm... | 0:20:16 | 0:20:18 | |
..it's a boy. I thought, I thought you might want to hold him. | 0:20:21 | 0:20:26 | |
-Is this a good idea? -Just give it a minute. | 0:20:26 | 0:20:30 | |
I'm not going to make you do anything that you don't want to do. | 0:20:30 | 0:20:34 | |
I just thought that you might like to hold him. | 0:20:34 | 0:20:38 | |
Him? | 0:20:38 | 0:20:40 | |
It's a little boy. | 0:20:40 | 0:20:42 | |
I thought... | 0:20:44 | 0:20:46 | |
I thought it might help you talk about...what happened last night? | 0:20:46 | 0:20:52 | |
You, you must've been in a lot of pain. | 0:20:52 | 0:20:54 | |
Noise, I remember the noise outside, er, the pain. | 0:20:56 | 0:21:02 | |
It must've been really frightening. | 0:21:02 | 0:21:04 | |
I could hear things in my head, making my stomach hurt. | 0:21:04 | 0:21:08 | |
There's a noise outside, people laughing, I couldn't sleep, | 0:21:08 | 0:21:14 | |
the smell of foxes, the pain. | 0:21:14 | 0:21:17 | |
And after the pain? | 0:21:19 | 0:21:20 | |
-After? -Yeah. | 0:21:20 | 0:21:22 | |
When it stopped hurting, do you remember that? | 0:21:22 | 0:21:26 | |
Do you remember what happened then? | 0:21:26 | 0:21:29 | |
There was this thing, a tiny little cub, hardly big enough... | 0:21:31 | 0:21:36 | |
It didn't make sense, but I wanted to keep it. | 0:21:38 | 0:21:42 | |
But not here. | 0:21:44 | 0:21:47 | |
I have to take you somewhere safe. | 0:21:47 | 0:21:51 | |
No-one must take you away, I have to keep you safe. | 0:21:51 | 0:21:55 | |
It's OK. | 0:21:56 | 0:21:59 | |
You just hold him and say goodbye, OK? | 0:21:59 | 0:22:02 | |
There is absolutely nothing that you could have done. | 0:22:02 | 0:22:06 | |
SHE SOBS | 0:22:06 | 0:22:10 | |
-I just jumped to conclusions. -You still looked after her. | 0:22:28 | 0:22:32 | |
-Did what needed doing. -Yeah, but I shouldn't have judged her. | 0:22:32 | 0:22:36 | |
-It must've been a shock. -She was exhibiting all the classic symptoms, | 0:22:37 | 0:22:42 | |
and I just go and jump off the deep end again. | 0:22:42 | 0:22:45 | |
-Easily done. -No... You spotted it straight away. | 0:22:45 | 0:22:49 | |
It was easier for me. You'd been on the front line, | 0:22:49 | 0:22:52 | |
looking after a distressed woman and then finding the baby. | 0:22:52 | 0:22:56 | |
Zara is going to roast me alive. | 0:22:56 | 0:22:58 | |
She only needs to know the facts, that you did a good job. | 0:23:01 | 0:23:06 | |
You are going soft. | 0:23:08 | 0:23:09 | |
Come on, the police are expecting us. | 0:23:15 | 0:23:18 | |
I'd forgotten about them. | 0:23:18 | 0:23:20 | |
-I'll drive. -Oh, I'm perfectly capable of driv... | 0:23:20 | 0:23:23 | |
Thank you. | 0:23:26 | 0:23:27 | |
Thank you. OK. | 0:23:31 | 0:23:34 | |
You should be at your house. What's going on? | 0:23:38 | 0:23:40 | |
-Get the key back. -What? -You can't let Zara's house. | 0:23:40 | 0:23:43 | |
It's a done deal. Would you calm down and tell me what's wrong? | 0:23:43 | 0:23:47 | |
-Stop stressing me out and tell me what's going on. -We can't buy our house. | 0:23:47 | 0:23:52 | |
My stuff is arriving at your house now. | 0:23:52 | 0:23:54 | |
-The sale's fallen through, you have to stay here. -I can't stay here. -Our vendor's pulled out. -What? Why? | 0:23:54 | 0:23:59 | |
-This isn't real, this is not happening! -Er, it's real! | 0:23:59 | 0:24:03 | |
OK, what we going to do about it? | 0:24:03 | 0:24:06 | |
HE SIGHS | 0:24:07 | 0:24:10 | |
OK, fine! You can stay with us for Christmas. | 0:24:10 | 0:24:14 | |
-With you? -No-one should be homeless at Christmas. | 0:24:14 | 0:24:17 | |
But you're the one with a tenant moved in, aren't you? | 0:24:17 | 0:24:20 | |
-You're the one with no house? -Since when? -Ha... | 0:24:20 | 0:24:22 | |
Since you sold us your house. | 0:24:22 | 0:24:24 | |
We haven't moved out yet, so we haven't completed. | 0:24:24 | 0:24:27 | |
-That's splitting hairs. -Call it what you want. At this moment, it's still my house. | 0:24:27 | 0:24:31 | |
-A man's word must count for something. -So do squatter's rights! -You're not serious? | 0:24:31 | 0:24:36 | |
-Possession is nine tenths of the law. -I've got a pregnant girlfriend! | 0:24:36 | 0:24:40 | |
-I've got a seriously neurotic girlfriend who won't take to being homelessness. -Hang on! | 0:24:40 | 0:24:44 | |
So you're telling me, with Christmas coming and a pregnant girlfriend, | 0:24:44 | 0:24:48 | |
-there's no room at the inn? -No, no, no, no, no! I'm not saying that. | 0:24:48 | 0:24:52 | |
All I'm saying is that, technically, | 0:24:52 | 0:24:54 | |
you'll be staying with us, it's just the other way round. | 0:24:54 | 0:24:58 | |
-Sometimes, you are a pedantic old... -MOBILE PHONE RINGS | 0:24:58 | 0:25:01 | |
Oh, Cherry! I am so dead! | 0:25:01 | 0:25:04 | |
How am I going to tell Zara we're spending Christmas with Pollyanna? | 0:25:07 | 0:25:10 | |
You think Cherry will enjoy opening her presents with The Grinch peering over her? | 0:25:10 | 0:25:15 | |
-Oh, boy! -At least there'll be lots of alcohol. | 0:25:15 | 0:25:18 | |
-Yeah, Zara can't drink. -Well, we can. | 0:25:18 | 0:25:21 | |
Oh, dear. Cherry talks more when she's drunk. | 0:25:21 | 0:25:25 | |
Christmas dinner's going to be tough. | 0:25:25 | 0:25:28 | |
Zara will be ready to carve Cherry up by then. | 0:25:28 | 0:25:30 | |
Maybe we should never leave them alone, ever. | 0:25:30 | 0:25:32 | |
-It's going to be hell. -Yep. | 0:25:32 | 0:25:35 | |
Ready to face the music? | 0:25:35 | 0:25:38 | |
MUSIC: "Fairytale of New York" by The Pogues and Kirsty Maccoll | 0:25:38 | 0:25:42 | |
-Another pint? -Yes, please. -Yeah, another pint. | 0:25:42 | 0:25:46 | |
As any doctor worth his salt will tell you... | 0:25:46 | 0:25:48 | |
Mrs Tembe! | 0:25:48 | 0:25:50 | |
Mrs Tembe! | 0:25:50 | 0:25:53 | |
-Oh, my goodness! Is she dead?! -Pulse is slow and steady. | 0:25:56 | 0:26:01 | |
Call an ambulance. Elaine? | 0:26:01 | 0:26:04 | |
Elaine. | 0:26:04 | 0:26:07 | |
Elaine, can you hear me? | 0:26:07 | 0:26:10 | |
Ambulance, please. | 0:26:10 | 0:26:11 | |
Elaine? | 0:26:11 | 0:26:13 | |
Oh, my God! Simmsy! | 0:26:17 | 0:26:20 | |
Now I understand what it is that attracted Kate to the TA. | 0:26:20 | 0:26:23 | |
We did get a bit drunk in the mess last night. | 0:26:23 | 0:26:26 | |
Oh, I remember those. | 0:26:26 | 0:26:28 | |
I told everyone to wear white blouses and you're wearing red! | 0:26:28 | 0:26:31 | |
Just think of me as a festive bauble. | 0:26:31 | 0:26:34 | |
I enjoy discipline, but I prefer dispensing it. | 0:26:34 | 0:26:38 | |
Subtitles by Red Bee Media Ltd | 0:26:55 | 0:26:58 | |
E-mail [email protected] | 0:26:58 | 0:27:01 |