Browse content similar to Completion Day - Part 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-What about this...brown thing? -Oh, leave that to me. | 0:00:30 | 0:00:33 | |
We're never going to get this all in, you know. | 0:00:33 | 0:00:36 | |
No, I mean the house. | 0:00:36 | 0:00:38 | |
It was a present. | 0:00:38 | 0:00:39 | |
Who the hell gave us that? | 0:00:39 | 0:00:40 | |
I'll put the kettle on. | 0:00:42 | 0:00:44 | |
If you haven't packed it! | 0:00:44 | 0:00:46 | |
That's no problem at all. | 0:00:50 | 0:00:53 | |
-Erm, I can be there around ten fifteen? -Thank you so much. | 0:00:53 | 0:00:57 | |
It's a pleasure, Mr Miller. I'll see you there. | 0:00:57 | 0:01:00 | |
She'll meet us there. | 0:01:03 | 0:01:05 | |
And what did the solicitors say? | 0:01:05 | 0:01:07 | |
Completion day tomorrow. | 0:01:07 | 0:01:09 | |
What did I say? It's a piece of cake. | 0:01:09 | 0:01:13 | |
Are you OK? Connie... | 0:01:13 | 0:01:17 | |
It's a lovely bungalow. | 0:01:17 | 0:01:19 | |
In a very nice area. South-facing garden. | 0:01:20 | 0:01:23 | |
It's only half as big as this. | 0:01:23 | 0:01:25 | |
That is why they call it downsizing. | 0:01:25 | 0:01:27 | |
Love, it...it's somewhere that you can manage. | 0:01:29 | 0:01:32 | |
-But are you sure you're going to be happy there? -It's not about me. | 0:01:32 | 0:01:35 | |
Of course it is, Paul. | 0:01:35 | 0:01:36 | |
We're doing this for you. | 0:01:36 | 0:01:37 | |
And that's what's worrying me! | 0:01:37 | 0:01:40 | |
-It'll be fine. -No. "Fine" is not good enough. | 0:01:40 | 0:01:42 | |
I'll have my office. And the garden's just right. It's wonderful. | 0:01:44 | 0:01:48 | |
It's like a whole new start. | 0:01:49 | 0:01:51 | |
For both of us. | 0:01:51 | 0:01:53 | |
Thank you. | 0:01:57 | 0:01:58 | |
Good morning, The Mill Health Centre. | 0:02:13 | 0:02:17 | |
Come on, just get on with it! | 0:02:17 | 0:02:19 | |
That is quite all right, Mrs Miller. | 0:02:19 | 0:02:21 | |
I, I will see who is free. | 0:02:21 | 0:02:23 | |
It's useless! | 0:02:24 | 0:02:26 | |
Text after text after text, all night long. | 0:02:26 | 0:02:28 | |
And now the other one's suspicious. So I just told her straight. | 0:02:28 | 0:02:31 | |
-Blew her out. -Really? | 0:02:31 | 0:02:32 | |
Well, sometimes you've got to take charge of your life, | 0:02:32 | 0:02:35 | |
you know what I mean? | 0:02:35 | 0:02:37 | |
You have to put your foot down, right? | 0:02:37 | 0:02:39 | |
Oh, Kevin, you're reporting to Heston today. | 0:02:39 | 0:02:42 | |
Oh, great. Well, I'll see you later. | 0:02:42 | 0:02:45 | |
-Oh, for pity's sake. Do I have to? -What? | 0:02:45 | 0:02:47 | |
It's just I'm not in the mood for inane, juvenile drivel. | 0:02:47 | 0:02:50 | |
Well, neither am I, Heston. His or yours. | 0:02:50 | 0:02:52 | |
Is everything all right? | 0:02:58 | 0:03:01 | |
I have got three reps coming in today. | 0:03:01 | 0:03:04 | |
Not one of them has confirmed. | 0:03:04 | 0:03:06 | |
Is that all? | 0:03:06 | 0:03:07 | |
No, it's Sally. | 0:03:10 | 0:03:12 | |
Ah! What now? | 0:03:12 | 0:03:14 | |
She's disappeared, Elaine, and... | 0:03:14 | 0:03:17 | |
Patrick's in the most dreadful state about it. | 0:03:17 | 0:03:20 | |
She's just run off into Cheshire, Lord knows where. | 0:03:20 | 0:03:23 | |
And taken Chloe with her! | 0:03:23 | 0:03:25 | |
I think something quite bright in here... | 0:03:36 | 0:03:38 | |
open it out a little. | 0:03:38 | 0:03:40 | |
Well, we need to measure this door, for the sofa. | 0:03:40 | 0:03:43 | |
What about these blinds? | 0:03:43 | 0:03:45 | |
Don't think so. Do you? | 0:03:45 | 0:03:46 | |
Well, we don't want to go too mad at first... | 0:03:46 | 0:03:48 | |
Well, we've got plenty to play with now. Thanks to Lenassa. | 0:03:48 | 0:03:52 | |
-Sorry? -We were just saying. We're really pleased. With everything. | 0:03:52 | 0:03:56 | |
-Thank you. -You're more than welcome. | 0:03:56 | 0:03:59 | |
You've been such a great help. | 0:03:59 | 0:04:02 | |
It's a pleasure. So, er, how's the packing going? | 0:04:02 | 0:04:05 | |
Nearly done. Well, we've got till the weekend, thank goodness. | 0:04:05 | 0:04:08 | |
Right, do you want to start thinking about these blinds? | 0:04:08 | 0:04:11 | |
I'm going to check the meter. | 0:04:11 | 0:04:13 | |
-Sorry. -It's OK. They're just through here. | 0:04:13 | 0:04:17 | |
We did take readings when they first moved out. | 0:04:17 | 0:04:19 | |
But obviously you'll need to contact the suppliers. | 0:04:19 | 0:04:22 | |
-Yes, of course. -Unless you were thinking of switching at all? | 0:04:22 | 0:04:25 | |
Paul? | 0:04:36 | 0:04:37 | |
Have you got a pen? | 0:04:39 | 0:04:41 | |
Paul? | 0:04:44 | 0:04:46 | |
Eh, sorry, no. | 0:04:46 | 0:04:48 | |
Don't you be climbing up that ladder. | 0:04:51 | 0:04:52 | |
You know how dizzy you get. | 0:04:52 | 0:04:54 | |
I think there's one in the kitchen. | 0:04:54 | 0:04:56 | |
So, do you really think that we have a case? | 0:05:17 | 0:05:19 | |
Well, no, obviously, I mean, you know, whatever the circumstances might be. | 0:05:21 | 0:05:26 | |
But as they stand at the moment? | 0:05:26 | 0:05:29 | |
Oh, that's great. | 0:05:29 | 0:05:31 | |
Thanks, Ranjit. I'll...I'll get in touch with you. | 0:05:32 | 0:05:36 | |
Bye. | 0:05:36 | 0:05:37 | |
I've just spoken to the solicitor, who says | 0:05:37 | 0:05:39 | |
that I can apply for access through the courts. | 0:05:39 | 0:05:42 | |
-Apparently it's been done before. -But after how long? | 0:05:42 | 0:05:45 | |
Well, does it matter? | 0:05:45 | 0:05:47 | |
I'm just not sure grandparents have that many rights. | 0:05:47 | 0:05:50 | |
And won't it wind Sally up even more? | 0:05:50 | 0:05:52 | |
Oh, come on, she's the one playing silly beggars. | 0:05:52 | 0:05:54 | |
-Morning. -What about Chloe? If anything goes wrong, | 0:05:54 | 0:05:57 | |
you could end up losing her altogether. | 0:05:57 | 0:06:00 | |
Haven't I already? | 0:06:01 | 0:06:03 | |
Of course, I've been coping with the Addison's for years. | 0:06:07 | 0:06:10 | |
Almost second nature now. | 0:06:10 | 0:06:12 | |
But it's really wearing me down at the moment. | 0:06:12 | 0:06:14 | |
Have you felt giddy at all? | 0:06:14 | 0:06:16 | |
All the time. | 0:06:16 | 0:06:17 | |
Don't know whether I'm coming or going. | 0:06:17 | 0:06:19 | |
Nauseous? | 0:06:19 | 0:06:20 | |
Every so often. And there's the stabbing pains in my abdomen. | 0:06:20 | 0:06:25 | |
For how long? | 0:06:26 | 0:06:28 | |
It feels like I'm going to have an attack. | 0:06:28 | 0:06:31 | |
The added stress can't be helping. | 0:06:31 | 0:06:33 | |
It hasn't been as bad as you'd think. | 0:06:33 | 0:06:35 | |
What? Moving house? | 0:06:35 | 0:06:36 | |
My husband's done most of the work, bless him. | 0:06:36 | 0:06:39 | |
Got it into his head that it's all getting too much for me. | 0:06:39 | 0:06:42 | |
So, all I've really had to do is pack. | 0:06:42 | 0:06:44 | |
Well, it's still an upheaval, though. | 0:06:44 | 0:06:46 | |
Well, yeah. | 0:06:46 | 0:06:47 | |
That house is the one decent thing I got out of my first marriage. | 0:06:47 | 0:06:51 | |
Which is probably why Paul's never really settled there. | 0:06:51 | 0:06:54 | |
But he's right, it's far more than we need. | 0:06:54 | 0:06:57 | |
-And we did get a really good offer. -Well, you were lucky there. | 0:06:57 | 0:07:00 | |
I know, it's funny. People always complain about estate agents. | 0:07:00 | 0:07:03 | |
But we couldn't be happier with ours. She's been marvellous. | 0:07:03 | 0:07:09 | |
OK, this is for more steroids. | 0:07:09 | 0:07:10 | |
Keep some with you at all times just in case of an attack. | 0:07:10 | 0:07:12 | |
And, I've updated your emergency card with our out-of-hours details. | 0:07:12 | 0:07:17 | |
Oh, and do me one favour, please, would you? | 0:07:17 | 0:07:20 | |
Try to take it easy. | 0:07:20 | 0:07:22 | |
You are going to wear that thing out. | 0:07:26 | 0:07:29 | |
-How's it going? -Better, now you're here. | 0:07:34 | 0:07:38 | |
Here's to tomorrow. | 0:07:40 | 0:07:42 | |
How much profit on the old place? | 0:07:44 | 0:07:48 | |
Two-hundred and thirty-four thousand, three hundred and fifty. | 0:07:48 | 0:07:52 | |
Well, I just need to get it out of the joint account. | 0:07:52 | 0:07:57 | |
Well, be careful. Bit by bit. Don't want to set any alarm bells off. | 0:07:57 | 0:08:01 | |
It wouldn't even occur to her to look. I do all the banking. | 0:08:01 | 0:08:04 | |
All I'm saying is a few extra days won't hurt, Mr Impatient! | 0:08:04 | 0:08:08 | |
Anyway, I haven't quite decided yet. | 0:08:08 | 0:08:11 | |
About what? | 0:08:11 | 0:08:12 | |
Putney. West Hampstead. End terrace. | 0:08:12 | 0:08:15 | |
-What do you think? -I don't care. As long as you're there. | 0:08:15 | 0:08:18 | |
Really? I've seen a nice little bedsit in Billesley. | 0:08:19 | 0:08:23 | |
Gas central heating. | 0:08:23 | 0:08:24 | |
Close to transport and shops. | 0:08:24 | 0:08:28 | |
I have to say, it was really hard today. | 0:08:29 | 0:08:31 | |
With her being so grateful, and everything. | 0:08:33 | 0:08:36 | |
She's really sweet, actually. | 0:08:36 | 0:08:38 | |
Which is why we need to get it over and done with. | 0:08:38 | 0:08:40 | |
For Connie's sake as much as ours. | 0:08:40 | 0:08:43 | |
Kind of funny, seeing you two together. | 0:08:43 | 0:08:47 | |
-Not for me, it's not. -I know. Because you still love her. | 0:08:47 | 0:08:50 | |
It's obvious. | 0:08:50 | 0:08:51 | |
Yeah. She's the best friend I ever had, in many ways. | 0:08:51 | 0:08:56 | |
But that's as far as it goes. | 0:08:58 | 0:08:59 | |
Still, it's going to be tough telling her, | 0:08:59 | 0:09:03 | |
when the time comes. | 0:09:03 | 0:09:04 | |
I know. I don't want to hurt her. | 0:09:04 | 0:09:09 | |
I don't want to hurt anyone. | 0:09:09 | 0:09:11 | |
But the only thing that really matters to me now is you. | 0:09:12 | 0:09:16 | |
I think she's the only Addison's patient we've ever had. | 0:09:27 | 0:09:30 | |
Bit of luck for me then. | 0:09:30 | 0:09:32 | |
But not for her. | 0:09:32 | 0:09:33 | |
So how would you describe it? The condition. | 0:09:35 | 0:09:39 | |
Insufficient adrenal steroid production. | 0:09:39 | 0:09:40 | |
Potentially fatal if it develops into adrenal crisis. | 0:09:40 | 0:09:43 | |
When was the last crisis? | 0:09:43 | 0:09:46 | |
Two years. Collapsed in the bathroom. Couldn't get to her meds. | 0:09:46 | 0:09:50 | |
Almost went into shutdown before her husband found her. | 0:09:50 | 0:09:52 | |
Book them in for a refresher course on emergency procedures. | 0:09:52 | 0:09:56 | |
Ah, Doctor Carter, erm, Mrs Bonnaire called. | 0:09:58 | 0:10:00 | |
She said she would pop in later. | 0:10:00 | 0:10:03 | |
-Right. -Fancy a swift one, then? | 0:10:03 | 0:10:06 | |
-What? -Drink? | 0:10:08 | 0:10:09 | |
Erm, no. Thank you. | 0:10:09 | 0:10:11 | |
PHONE RINGS | 0:10:23 | 0:10:25 | |
Paul, I... | 0:10:27 | 0:10:29 | |
We're fine. They cancelled. | 0:10:53 | 0:10:55 | |
Yay, it's just as well. I wouldn't want to celebrate alone. | 0:10:55 | 0:11:00 | |
Are you trying to get me the sack? | 0:11:00 | 0:11:01 | |
Who cares? You're going to be in Putney. | 0:11:01 | 0:11:04 | |
And, er, where are we going to drink it? | 0:11:06 | 0:11:09 | |
I know just the place. | 0:11:09 | 0:11:10 | |
The solicitor says | 0:11:15 | 0:11:16 | |
obviously the first thing we have to do is find her. | 0:11:16 | 0:11:19 | |
But are you sure he's got this right? | 0:11:19 | 0:11:21 | |
There's only one reason that she'd suddenly up sticks | 0:11:21 | 0:11:24 | |
-and move like that. -A man? | 0:11:24 | 0:11:26 | |
No. I think she's got a job. | 0:11:26 | 0:11:28 | |
Anyway, a relationship wouldn't just come out of the blue like that. | 0:11:28 | 0:11:32 | |
Some do. | 0:11:32 | 0:11:33 | |
What I need to do is call the Cheshire Education Authority | 0:11:34 | 0:11:38 | |
and see if they've appointed any new heads. | 0:11:38 | 0:11:40 | |
OK. And if not? | 0:11:40 | 0:11:42 | |
Police? | 0:11:44 | 0:11:46 | |
Bit drastic, isn't it, at this stage? | 0:11:46 | 0:11:48 | |
-All right, you tell me. -Sorry? | 0:11:48 | 0:11:50 | |
It's just that you knock everything I say. | 0:11:50 | 0:11:53 | |
Fine, I'll keep quiet. | 0:11:53 | 0:11:54 | |
Elaine, I just need some support here. | 0:11:54 | 0:11:57 | |
No, you're right, I'll shut up. | 0:11:57 | 0:11:59 | |
That's a shame, | 0:12:25 | 0:12:26 | |
we could've gone for a coffee together, or something. | 0:12:26 | 0:12:29 | |
Have you had a break today? | 0:12:29 | 0:12:30 | |
I've been rather busy. | 0:12:30 | 0:12:32 | |
I knew it. You're wearing yourself out, Heston! | 0:12:32 | 0:12:35 | |
I'm fine, thank you. | 0:12:35 | 0:12:38 | |
-Are you sure? -Yes. | 0:12:38 | 0:12:40 | |
Heston... | 0:12:42 | 0:12:43 | |
..I know I shouldn't have behaved like that. | 0:12:45 | 0:12:48 | |
And it won't happen again, I promise. | 0:12:48 | 0:12:51 | |
I, I did try, honestly, | 0:12:53 | 0:12:54 | |
with the breathing and the counting, and everything. | 0:12:54 | 0:12:59 | |
But it just got hold of me, again, I suppose. | 0:12:59 | 0:13:01 | |
-It certainly did. -And, well, I just over-reacted. As usual. | 0:13:01 | 0:13:07 | |
There you go again. Reaction implies an action from someone else. | 0:13:07 | 0:13:12 | |
-Namely, me. -No that's not what I meant. | 0:13:12 | 0:13:14 | |
And somehow the blame has to be shared between both. | 0:13:14 | 0:13:17 | |
I'm not blaming anyone. | 0:13:17 | 0:13:18 | |
-That is the underlying logic. -There is no underlying logic. | 0:13:18 | 0:13:21 | |
-There is. -That's what I'm trying to say. If you'd let me speak... | 0:13:21 | 0:13:25 | |
You see, this is precisely why I don't want to discuss this here. | 0:13:26 | 0:13:30 | |
I just want to explain, that's all. | 0:13:30 | 0:13:32 | |
And I don't have my suit of armour. | 0:13:32 | 0:13:34 | |
Sarcasm isn't going to get us anywhere. | 0:13:34 | 0:13:36 | |
Well, what is, Marina? Because I don't know any more. | 0:13:36 | 0:13:39 | |
-KNOCK ON DOOR -Yes? | 0:13:39 | 0:13:42 | |
This afternoon's list. | 0:13:42 | 0:13:43 | |
Paul? Are you here? | 0:13:54 | 0:13:59 | |
Is that Lenassa's car? | 0:14:00 | 0:14:01 | |
Paul? | 0:14:21 | 0:14:22 | |
Connie. | 0:14:33 | 0:14:35 | |
OK, just give us a second. | 0:14:35 | 0:14:40 | |
Just a moment. We can talk about this. Right... Put that down. | 0:14:40 | 0:14:44 | |
-Now you...put that down. -Aaaagh! | 0:14:44 | 0:14:48 | |
Come back! OK. | 0:14:55 | 0:14:58 | |
You need to calm down. | 0:14:58 | 0:15:00 | |
Take a few breaths and let's talk about this properly. | 0:15:00 | 0:15:04 | |
Connie?! Connie?! Please! Look, it's not what you think. | 0:15:04 | 0:15:09 | |
I can explain. | 0:15:09 | 0:15:11 | |
-I need my keys. -Where's she gone? -Where's my jacket? | 0:15:15 | 0:15:18 | |
In there! Look, what are you going to do? | 0:15:18 | 0:15:20 | |
How the hell should I know? | 0:15:20 | 0:15:22 | |
Honey, I'm sorry. I'm sorry. I'll deal with it, OK? | 0:15:24 | 0:15:28 | |
-How? -It'll be fine. | 0:15:28 | 0:15:31 | |
She must've got the keys from the office. | 0:15:31 | 0:15:35 | |
She could stop the transfer. | 0:15:35 | 0:15:37 | |
-It's too late, isn't it? -She could freeze the account. | 0:15:37 | 0:15:39 | |
-No, the bank'll be closing soon. -But she's got till the end of tomorrow. | 0:15:39 | 0:15:43 | |
-You've got to stop her. Stall her, or something. -I will. | 0:15:43 | 0:15:45 | |
Otherwise...everything is finished. It's over! | 0:15:45 | 0:15:50 | |
Not everything, surely? | 0:15:50 | 0:15:52 | |
Love, we knew we'd have to deal with this sometime. | 0:15:52 | 0:15:56 | |
Yes, when everything was sorted out. But this is terrible! | 0:15:56 | 0:15:59 | |
OK. Just let me worry about the money. | 0:15:59 | 0:16:02 | |
-I'm sorry. -No. No, it's my fault. It's not yours. | 0:16:02 | 0:16:07 | |
-I'll go and find her, OK? -OK. | 0:16:15 | 0:16:17 | |
And don't worry! | 0:16:19 | 0:16:21 | |
-Tell you what, you missed right out, down there. -In what way? | 0:16:58 | 0:17:01 | |
New barmaid. Fit or what? All over me, she was. | 0:17:01 | 0:17:04 | |
She'll just have to wait her turn. | 0:17:04 | 0:17:07 | |
-Blonde. All the bits. These massive... -Kevin... | 0:17:07 | 0:17:10 | |
..earrings. And that Egyptian-style make-up round the eyes? | 0:17:10 | 0:17:13 | |
Can you understand? I really don't care! | 0:17:13 | 0:17:16 | |
-Are you all right? -Yes. | 0:17:16 | 0:17:17 | |
It's just you've had a right cob on all day. | 0:17:17 | 0:17:20 | |
All week, come to that. What is it, then? | 0:17:20 | 0:17:25 | |
Women trouble? | 0:17:25 | 0:17:26 | |
Mind your own business. | 0:17:26 | 0:17:28 | |
I'm only asking... | 0:17:28 | 0:17:29 | |
Do you really think I'd share the intimate details | 0:17:29 | 0:17:32 | |
of my life with a Neanderthal nitwit like you? | 0:17:32 | 0:17:35 | |
Fine. It's your life, mate. | 0:17:35 | 0:17:36 | |
Yes, it is. | 0:17:36 | 0:17:37 | |
Yes, stop beating me up about it, then. | 0:17:37 | 0:17:40 | |
Connie? Connie! | 0:17:42 | 0:17:45 | |
What was that all about? | 0:18:01 | 0:18:02 | |
Hey? Nothing. Look, I'm just sick and tired | 0:18:02 | 0:18:05 | |
of you getting on my case all the time, that's all. | 0:18:05 | 0:18:08 | |
-Oh, come on. What's everyone saying? -About what? | 0:18:08 | 0:18:11 | |
Don't play the innocent with me. | 0:18:11 | 0:18:14 | |
I don't know, ask them! | 0:18:14 | 0:18:15 | |
But you're the one with the problem, mate, not me. | 0:18:15 | 0:18:18 | |
What problem would that be? | 0:18:18 | 0:18:19 | |
Not putting my foot down with women? Or blowing them out?! | 0:18:19 | 0:18:23 | |
-You what? -Not treating them like cattle? Or dirt? | 0:18:23 | 0:18:25 | |
Or trophies? | 0:18:25 | 0:18:27 | |
I treat them very well, thank you very much, | 0:18:27 | 0:18:29 | |
and that's why I get so many. | 0:18:29 | 0:18:30 | |
Yeah, not surprising, you think about them all day. | 0:18:30 | 0:18:32 | |
Chasing skirt like an adolescent caveman! | 0:18:32 | 0:18:34 | |
They're the ones who do the chasing, mate, not me. | 0:18:34 | 0:18:37 | |
-Oh, they do, do they? -Yeah. | 0:18:37 | 0:18:38 | |
I seem to remember someone called Lauren. | 0:18:38 | 0:18:41 | |
Not singing her name from the rooftops, are we? | 0:18:41 | 0:18:44 | |
Not exactly a "take charge" moment there! | 0:18:44 | 0:18:46 | |
The boot was on the other foot, as I recall. | 0:18:46 | 0:18:49 | |
You were well and truly blown out on that occasion. | 0:18:49 | 0:18:52 | |
Doctor Carter! | 0:18:52 | 0:18:54 | |
Excuse me. Sorry. | 0:19:13 | 0:19:15 | |
Can you help me? Please! | 0:19:23 | 0:19:25 | |
Phone this number. Doctor Tyler. | 0:19:33 | 0:19:35 | |
I can't breathe. | 0:19:37 | 0:19:40 | |
Get away from me! I can't breathe! | 0:19:40 | 0:19:43 | |
Please don't touch me! | 0:19:43 | 0:19:45 | |
I'm sorry, everyone. If you could just stand back. Thank you. | 0:19:45 | 0:19:48 | |
Now, there's no need to be alarmed. | 0:19:48 | 0:19:50 | |
This has happened before. I'm her husband. | 0:19:50 | 0:19:54 | |
Conn? Conn? Can you hear me? | 0:19:54 | 0:19:57 | |
Aaagh! | 0:19:57 | 0:19:59 | |
All right, darling, that's enough. Now, you need to calm down. | 0:19:59 | 0:20:02 | |
-Deep breaths. -Noooo! | 0:20:02 | 0:20:04 | |
I am trying to help you. | 0:20:04 | 0:20:05 | |
OK, erm, everything is going to be fine. | 0:20:08 | 0:20:12 | |
If... There's an emergency kit in her car. | 0:20:12 | 0:20:15 | |
If you could just, er, just... bear with me. | 0:20:15 | 0:20:18 | |
And don't let her move, please. Thank you. | 0:20:20 | 0:20:22 | |
Emergency. Connie Miller. | 0:20:27 | 0:20:29 | |
Kevin, I would like to apologise for what I said just now. | 0:20:29 | 0:20:32 | |
-Addison's crisis by the sound of it. -It was a little bit harsh. | 0:20:32 | 0:20:35 | |
I'll be there in five minutes. Mayburn Street. | 0:20:35 | 0:20:37 | |
You know, I thought that when you | 0:20:39 | 0:20:41 | |
and Marina got together that that would do you good. | 0:20:41 | 0:20:43 | |
You know, calm you down a bit, but... | 0:20:43 | 0:20:46 | |
Nope. | 0:20:46 | 0:20:48 | |
Always got to pick a fight, haven't you? | 0:20:48 | 0:20:51 | |
All right. Will you please just try and relax, will you? | 0:20:56 | 0:21:01 | |
There we are. | 0:21:01 | 0:21:03 | |
All right, there we are. All right, darling. | 0:21:03 | 0:21:07 | |
There, it's done. There we are, OK. | 0:21:10 | 0:21:13 | |
OK, if we can just give her some air, if you can. | 0:21:13 | 0:21:17 | |
That's it. Thank you very much. | 0:21:17 | 0:21:20 | |
She just needs to rest for a few minutes. | 0:21:20 | 0:21:23 | |
-Here's your card. -Ah. Thank you very much. I'll, I'll take... | 0:21:23 | 0:21:26 | |
I'll look after that. | 0:21:26 | 0:21:27 | |
-Are you OK? Is she OK? -Yes, she's fine. | 0:21:27 | 0:21:29 | |
We are going to have to get you to hospital. | 0:21:29 | 0:21:32 | |
No time to waste. Now, I'm going to have to lift you, love. | 0:21:32 | 0:21:35 | |
-All right? OK. -No... | 0:21:35 | 0:21:36 | |
-One, two, three! -Aaah! | 0:21:36 | 0:21:38 | |
OK, I'll bring the bag. | 0:21:38 | 0:21:40 | |
Love, it's for the best. There we are. | 0:21:40 | 0:21:43 | |
All right, if you could just let me through? | 0:21:43 | 0:21:45 | |
-Is she all right? -Yes, she's fine. | 0:21:45 | 0:21:47 | |
If you could just get that door for me? | 0:21:47 | 0:21:49 | |
-Yeah. -Thank you. All right, sweetie. | 0:21:49 | 0:21:52 | |
Just mind your head. All right. In we go. In we go. Mind your head, love. | 0:21:52 | 0:21:56 | |
There we are, that's it. | 0:21:56 | 0:21:59 | |
Sit still and be quiet! | 0:21:59 | 0:22:01 | |
You're going to be OK. You'll be fine. OK? | 0:22:02 | 0:22:05 | |
-Thank you so much. -That's OK. | 0:22:05 | 0:22:08 | |
-I'm so grateful. -All right. -I really am. | 0:22:08 | 0:22:10 | |
Mr Miller? | 0:22:10 | 0:22:12 | |
I'm Doctor Tyler. How is she? | 0:22:12 | 0:22:14 | |
-Much better, thank you. -Have you given her the hydrocortisone? | 0:22:14 | 0:22:17 | |
-Yeah. -OK, fine, I'll take a look. | 0:22:17 | 0:22:19 | |
No, there's really no need. We're going to go | 0:22:19 | 0:22:21 | |
-straight to the hospital now. -I'm here now. -I think it's for the best. | 0:22:21 | 0:22:24 | |
-Sorry? -Thank you, Doctor. | 0:22:24 | 0:22:25 | |
Connie? | 0:22:27 | 0:22:30 | |
Help me. | 0:22:30 | 0:22:31 | |
No, wait! Hang on a minute. Stop, will ya? | 0:22:31 | 0:22:34 | |
Well, they haven't appointed any new heads recently. | 0:22:36 | 0:22:39 | |
And all pending appointments are of course... | 0:22:39 | 0:22:41 | |
-Confidential. -Yeah. | 0:22:41 | 0:22:43 | |
Elaine, I'm really sorry about earlier. | 0:22:46 | 0:22:48 | |
Oh, don't be. Don't be. | 0:22:48 | 0:22:50 | |
No, you must be really worried. | 0:22:50 | 0:22:51 | |
I've got to do something. | 0:22:52 | 0:22:54 | |
Patrick and Sally are behaving like juveniles. | 0:22:54 | 0:22:58 | |
I mean, have they got any idea what all this must be doing to Chloe? | 0:22:58 | 0:23:02 | |
OK. Be honest with me. | 0:23:02 | 0:23:04 | |
Am I just being an old busybody and sticking my nose in where | 0:23:04 | 0:23:08 | |
I shouldn't? | 0:23:08 | 0:23:09 | |
No, you've every right. It's your family. | 0:23:09 | 0:23:12 | |
It's your granddaughter. | 0:23:12 | 0:23:15 | |
Trouble is, the more you push, the more she'll back away. | 0:23:15 | 0:23:18 | |
I could swing for that little... | 0:23:18 | 0:23:20 | |
And that doesn't help either! | 0:23:20 | 0:23:23 | |
Look, say you do find her. If she's so determined, | 0:23:23 | 0:23:26 | |
what's to stop her upping and leaving again, | 0:23:26 | 0:23:29 | |
even before it's gone to court? | 0:23:29 | 0:23:32 | |
-I think you've got to bide your time for a while. -Hard! | 0:23:32 | 0:23:37 | |
Wait till things have calmed down. She's got to see sense. | 0:23:37 | 0:23:40 | |
Chloe's bound to want to see her grandma. | 0:23:40 | 0:23:43 | |
Sorry. | 0:23:44 | 0:23:45 | |
Oh, no, it's OK. I know you're right. | 0:23:45 | 0:23:48 | |
Hold tight, now. Mind that box. | 0:23:51 | 0:23:54 | |
There. A nice lie down. | 0:23:54 | 0:23:57 | |
A little rest. That's all you need. | 0:23:58 | 0:24:00 | |
And we can talk about this in the morning. | 0:24:00 | 0:24:02 | |
I need to see the doctor. | 0:24:02 | 0:24:04 | |
-There's no need. -Keep away from me! -Connie, will you stop it! | 0:24:04 | 0:24:07 | |
Let's get this coat off. | 0:24:07 | 0:24:10 | |
These shoes. | 0:24:10 | 0:24:12 | |
Honestly. What a fuss. The amount of times we've been through this! | 0:24:13 | 0:24:17 | |
Now you're going to need a nightie. It's chilly. | 0:24:18 | 0:24:21 | |
Where have you hidden them? Where? | 0:24:25 | 0:24:29 | |
In the airing cupboard? | 0:24:29 | 0:24:30 | |
DIAL TONE | 0:24:37 | 0:24:40 | |
The Mill Health Centre. | 0:24:40 | 0:24:43 | |
Hello? Hello? | 0:24:43 | 0:24:45 | |
BEEP | 0:24:45 | 0:24:47 | |
I need the doctor. Now. | 0:24:47 | 0:24:49 | |
Please, Paul. Just help me. | 0:24:51 | 0:24:54 | |
It'll be all right. | 0:24:55 | 0:24:56 | |
KEY TURNS IN LOCK | 0:25:03 | 0:25:05 | |
Do you love me? | 0:25:17 | 0:25:19 | |
Even if it's something terrible? | 0:25:19 | 0:25:21 | |
Something that | 0:25:21 | 0:25:22 | |
we can never take back? | 0:25:22 | 0:25:23 | |
OK. What's going on? | 0:25:23 | 0:25:25 | |
Please, just answer me. | 0:25:25 | 0:25:27 | |
What is this film called? | 0:25:27 | 0:25:28 | |
Contact Room. | 0:25:28 | 0:25:29 | |
I think it's a thriller. | 0:25:29 | 0:25:30 | |
Would you mind ringing them for us? | 0:25:32 | 0:25:33 | |
Sorry? | 0:25:33 | 0:25:35 | |
You'd be doing us a big favour. | 0:25:35 | 0:25:36 | |
Of course. | 0:25:38 | 0:25:40 | |
Subtitles by Red Bee Media Ltd | 0:26:04 | 0:26:06 | |
E-mail [email protected] | 0:26:06 | 0:26:08 |