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Yep, just give us a call when you're leaving the motorway, I'll talk you back to the house. | 0:00:39 | 0:00:43 | |
All right, see you. | 0:00:43 | 0:00:44 | |
-Who's that? -Franklyn. | 0:00:45 | 0:00:48 | |
Oh, I'm looking forward to meeting him. | 0:00:48 | 0:00:50 | |
He's acting like it's Christmas over the stag night. | 0:00:50 | 0:00:53 | |
Am I going to get a look, or what? | 0:00:53 | 0:00:55 | |
-Promise me that you won't laugh. -As if! | 0:00:55 | 0:00:58 | |
It's, er...it's very, erm, it's retro. | 0:01:10 | 0:01:13 | |
SHE SIGHS | 0:01:13 | 0:01:14 | |
I'm never going to get it right, am I? | 0:01:14 | 0:01:17 | |
A bride's look is for ever. | 0:01:17 | 0:01:18 | |
I want to look timeless in our photos. | 0:01:18 | 0:01:20 | |
-You look perfect when you're not trying so hard. -SHE EXHALES | 0:01:20 | 0:01:24 | |
Maybe Mum'll have some ideas when I see her later. | 0:01:24 | 0:01:26 | |
When are you seeing her? | 0:01:26 | 0:01:28 | |
Tonight, I spoke to her at the salon | 0:01:28 | 0:01:31 | |
AND...we have decided that I'm going to move back home. | 0:01:31 | 0:01:36 | |
"We"? "Home"? | 0:01:37 | 0:01:39 | |
Yeah, just until the wedding day. | 0:01:39 | 0:01:41 | |
Can I help you, sir? | 0:01:48 | 0:01:49 | |
I want to speak to somebody about a racist incident at my home. | 0:01:49 | 0:01:53 | |
Right, OK, was it something that you've witnessed, | 0:01:53 | 0:01:56 | |
-or was it aimed at you? -Aimed at me. | 0:01:56 | 0:01:59 | |
They know where I live, there's a whole gang of them. | 0:01:59 | 0:02:01 | |
Right, I see. | 0:02:01 | 0:02:03 | |
They hang round on the streets and the park | 0:02:03 | 0:02:05 | |
by the Millennium Estate | 0:02:05 | 0:02:07 | |
but it comes to something when you find them in your own garden. | 0:02:07 | 0:02:10 | |
Hm, yeah. | 0:02:10 | 0:02:11 | |
Do you want to tell me exactly what's happened? | 0:02:11 | 0:02:13 | |
There was one today, he looked right in my kitchen window. | 0:02:13 | 0:02:16 | |
Right up to the glass at my face. | 0:02:16 | 0:02:19 | |
Right to my face! | 0:02:19 | 0:02:22 | |
So, this happened about 3pm today? | 0:02:22 | 0:02:24 | |
But they've been strutting up and down for a long time, | 0:02:24 | 0:02:26 | |
like goose-stepping! | 0:02:26 | 0:02:28 | |
You know, always taunting me. | 0:02:28 | 0:02:32 | |
Can I get a description? | 0:02:32 | 0:02:33 | |
Always in grey, like it's a uniform, | 0:02:33 | 0:02:35 | |
they think they can intimidate you. | 0:02:35 | 0:02:38 | |
And fat! | 0:02:38 | 0:02:39 | |
Beady little eyes, you wouldn't trust them. | 0:02:39 | 0:02:42 | |
What about colour of hair and height? | 0:02:42 | 0:02:44 | |
I suppose, about... | 0:02:44 | 0:02:46 | |
You know? | 0:02:49 | 0:02:51 | |
OK, let me get this straight... | 0:02:53 | 0:02:56 | |
there's a gang of them, in grey | 0:02:56 | 0:02:59 | |
-and they strut around with...beady eyes... -Hm-mm. | 0:02:59 | 0:03:01 | |
-..and they're about that big? -You know them? | 0:03:01 | 0:03:04 | |
Mr Ballard, are we talking about pigeons here? | 0:03:06 | 0:03:09 | |
They've been bothering me for a long while now, | 0:03:09 | 0:03:11 | |
scaring off the other birds I put food out for | 0:03:11 | 0:03:14 | |
but today they went too far. | 0:03:14 | 0:03:17 | |
Did they? | 0:03:17 | 0:03:18 | |
And what did they do today? | 0:03:18 | 0:03:19 | |
My hearing's not what it was, but I tell you this, | 0:03:19 | 0:03:23 | |
that pigeon came up on to my windowsill | 0:03:23 | 0:03:25 | |
and made racist remarks at me. | 0:03:25 | 0:03:28 | |
What are you going to do? | 0:03:28 | 0:03:30 | |
That does not look like your normal choice of lunch, Doctor Carter. | 0:03:39 | 0:03:42 | |
The shop didn't have much of a selection. | 0:03:42 | 0:03:45 | |
Perhaps a little salad to go with it, or some fruit? | 0:03:45 | 0:03:50 | |
Oh. | 0:03:52 | 0:03:55 | |
-Is everything all right? -I'm fine. | 0:03:57 | 0:04:00 | |
I will be, thanks. | 0:04:02 | 0:04:05 | |
Is it work making you feel like this, or the time of year? | 0:04:05 | 0:04:10 | |
I confess, I do not like February. | 0:04:10 | 0:04:13 | |
I am thankful it is the shortest month. | 0:04:13 | 0:04:15 | |
It does tend towards the grey. | 0:04:15 | 0:04:18 | |
Going home in the dark, to a quiet house. | 0:04:18 | 0:04:21 | |
It must seem very empty, now. | 0:04:21 | 0:04:24 | |
It's full of memories. | 0:04:24 | 0:04:26 | |
Perhaps a break in routine? | 0:04:26 | 0:04:29 | |
I mean, you could... | 0:04:29 | 0:04:31 | |
Well, I have... | 0:04:32 | 0:04:34 | |
Why don't you come to my house this evening. I have plenty of food | 0:04:36 | 0:04:40 | |
No that's...I've got.... | 0:04:40 | 0:04:41 | |
Maybe we can both try to forget it is February. | 0:04:41 | 0:04:46 | |
How can I refuse such an offer? I look forward to it, Mrs Tembe. | 0:04:47 | 0:04:51 | |
Good. | 0:04:52 | 0:04:54 | |
There, good! | 0:04:54 | 0:04:56 | |
Oh, can I help you? | 0:04:56 | 0:04:58 | |
Oh, let's get you in out the cold! | 0:05:02 | 0:05:06 | |
Oh, are those for me? | 0:05:06 | 0:05:07 | |
What are you after? | 0:05:07 | 0:05:09 | |
-Nice to see you again, Mrs Malone. -Ahem. -Paula. | 0:05:09 | 0:05:11 | |
-Hi, Dad! -Evening all. | 0:05:11 | 0:05:14 | |
Look at these, Mal, aren't they gorgeous? | 0:05:14 | 0:05:16 | |
-You making time with my bird? -THEY LAUGH | 0:05:16 | 0:05:19 | |
Welcome home, love. | 0:05:19 | 0:05:20 | |
Run Cherry's case upstairs and you can pop these in a vase. | 0:05:20 | 0:05:23 | |
Actually stick these in some water first, you can sort a vase later. | 0:05:23 | 0:05:27 | |
HE MUMBLES | 0:05:27 | 0:05:29 | |
-Oh, it's nice to have you home, love. -Oh! | 0:05:29 | 0:05:31 | |
...but it isn't actually illegal, is it, madam? | 0:05:32 | 0:05:35 | |
If you say that your neighbour isn't taking money for her "favours", | 0:05:35 | 0:05:37 | |
that means that she's not a prostitute, just... | 0:05:37 | 0:05:40 | |
well, just very, very friendly. | 0:05:40 | 0:05:44 | |
OK, thank you, thanks, bye-bye. | 0:05:44 | 0:05:46 | |
He came back and I was waiting for him! | 0:05:47 | 0:05:50 | |
-Right, so, this is...? -Now you can see what I've put up with. | 0:05:50 | 0:05:54 | |
What will you do? | 0:05:55 | 0:05:56 | |
Do? Yes, that is a good one. GARY! | 0:05:57 | 0:06:00 | |
You see, we can't really hold pigeons. | 0:06:00 | 0:06:02 | |
It's more of a job for the RSPCA. Would you...? | 0:06:02 | 0:06:04 | |
Talk alone won't stop them. | 0:06:04 | 0:06:07 | |
I want to speak to PC Miles. | 0:06:07 | 0:06:10 | |
Well, I'm afraid PC Miles is not on duty this evening. | 0:06:10 | 0:06:12 | |
He knows me, HE'LL know what to do. | 0:06:12 | 0:06:15 | |
Will he? Er... | 0:06:15 | 0:06:17 | |
Don't worry, cos we know what to do as well. | 0:06:17 | 0:06:19 | |
So, just, you know, we'll sort it. | 0:06:19 | 0:06:21 | |
Leave it with us. | 0:06:21 | 0:06:23 | |
Thanks. | 0:06:24 | 0:06:26 | |
DOORBELL RINGS | 0:06:30 | 0:06:33 | |
Sorry I'm late. | 0:06:33 | 0:06:35 | |
Well, not at all. I had no idea what time your meeting would end. | 0:06:35 | 0:06:39 | |
I came via my wine merchant. | 0:06:39 | 0:06:40 | |
You did not have to do that! | 0:06:40 | 0:06:42 | |
-New World, South African, little frisky! -Really? | 0:06:42 | 0:06:46 | |
I know you're not a great imbiber, | 0:06:46 | 0:06:48 | |
but this will go with any of your homeland delicacies. | 0:06:48 | 0:06:52 | |
Oh, you were expecting something traditional? Only... | 0:06:52 | 0:06:55 | |
Anything, anything will be fine. | 0:06:55 | 0:06:57 | |
Well, will it go well with chicken casserole and dumplings, | 0:06:59 | 0:07:03 | |
and treacle sponge pudding and custard? | 0:07:03 | 0:07:06 | |
The food of my childhood. You know the way to a man's heart. | 0:07:06 | 0:07:13 | |
-SHE LAUGHS -Oh, please, go through. | 0:07:09 | 0:07:13 | |
Oh, do you remember this holiday? | 0:07:19 | 0:07:22 | |
-You had a crush on that deckchair attendant. -CHERRY LAUGHS | 0:07:22 | 0:07:25 | |
-And the pink lilo you wanted? -Oh, yeah! It matched my cossie. | 0:07:25 | 0:07:28 | |
Oh, will you check the roast for us, love, it could use another baste. | 0:07:28 | 0:07:32 | |
-Ahead of you there, all done. -Who wants a refresher? | 0:07:32 | 0:07:35 | |
-Top up, Jimmi? -No, I'm fine, thanks. | 0:07:35 | 0:07:37 | |
I'm all right, thanks, Dad. | 0:07:37 | 0:07:38 | |
More "can apes" anyone? | 0:07:38 | 0:07:40 | |
Oh, well, when you bring the drinks back, love, no hurry. | 0:07:40 | 0:07:45 | |
Oh, look, this is a wedding album, isn't it? | 0:07:45 | 0:07:47 | |
Jimmi doesn't want to see that, you're not in any of those! | 0:07:47 | 0:07:50 | |
Yeah, but I want him to see you. | 0:07:50 | 0:07:51 | |
Oh, look, look, she just looked like me at that age, didn't she? | 0:07:51 | 0:07:55 | |
Ha, uncanny. | 0:07:55 | 0:07:57 | |
The curse of all daughters - ending up like their mothers! | 0:07:57 | 0:08:00 | |
THEY LAUGH | 0:08:00 | 0:08:02 | |
Brian, it's Rob. How are you, mate? | 0:08:03 | 0:08:07 | |
Yeah, no, fine. | 0:08:07 | 0:08:08 | |
Yeah, listen, I'm sorry to bother you at home | 0:08:08 | 0:08:10 | |
but I had someone in the station asking after you? Yeah. | 0:08:10 | 0:08:14 | |
Cedric Ballard? | 0:08:14 | 0:08:16 | |
Oh, yeah. | 0:08:16 | 0:08:18 | |
Because he's brought me in a racist pigeon for questioning. | 0:08:18 | 0:08:24 | |
No, I released it for lack of evidence! | 0:08:25 | 0:08:27 | |
HE LAUGHS | 0:08:27 | 0:08:29 | |
Oh, really? | 0:08:31 | 0:08:33 | |
When you say he usually doesn't go out after dark? | 0:08:34 | 0:08:40 | |
Oh, right. | 0:08:40 | 0:08:42 | |
OK, yeah, got it, yeah. | 0:08:42 | 0:08:43 | |
-Oh, you haven't! -Did you think I wouldn't? | 0:08:49 | 0:08:52 | |
Oh, I can't believe you've gone to all this trouble. | 0:08:52 | 0:08:55 | |
I am losing my little girl. | 0:08:55 | 0:08:57 | |
Besides, if you're not going to do the full works, why bother? | 0:08:57 | 0:09:00 | |
Oh, this is just the sort of dinner party ambience that my nan... | 0:09:00 | 0:09:03 | |
My mother. | 0:09:03 | 0:09:04 | |
Yeah, she thought this was like, the height of sophistication, | 0:09:04 | 0:09:07 | |
this kind of '70s bistro thing. | 0:09:07 | 0:09:10 | |
Take no notice, Jimmi, it's a bit of family nonsense | 0:09:10 | 0:09:13 | |
but, it did give us an excuse to get the best china out. | 0:09:13 | 0:09:15 | |
Who got the best china out and the table extension from the loft? | 0:09:15 | 0:09:18 | |
If a thing's worth doing... | 0:09:18 | 0:09:20 | |
"And only one captain to a ship," I know. | 0:09:20 | 0:09:22 | |
But you're doing it for me, aren't I worth it? | 0:09:22 | 0:09:25 | |
So, I enter with a syringe and he starts screaming blue murder. | 0:09:29 | 0:09:32 | |
Hiding it didn't make any difference. | 0:09:32 | 0:09:34 | |
-It was not the syringe he was afraid of? -No, my bow tie. | 0:09:34 | 0:09:38 | |
He hyperventilates, he runs straight into a plate glass window, | 0:09:38 | 0:09:42 | |
150 stitches, blames me. | 0:09:42 | 0:09:44 | |
What, for being properly dressed? | 0:09:44 | 0:09:45 | |
No, he said it aggravated his Mottephobia. | 0:09:45 | 0:09:49 | |
Fear of moths. | 0:09:49 | 0:09:50 | |
-SHE LAUGHS -Your bowtie looked, to him, like a moth? | 0:09:50 | 0:09:54 | |
Well, he better not come to Botswana, | 0:09:54 | 0:09:55 | |
we have moths much bigger than that. | 0:09:55 | 0:09:57 | |
He wanted to claim on my medical insurance. | 0:09:57 | 0:09:59 | |
Sometimes I wish I could take the Mikado option | 0:09:59 | 0:10:03 | |
and cut my way through patient waiting lists. | 0:10:03 | 0:10:06 | |
You would be for ever hitting your headdress on the doorframe. | 0:10:06 | 0:10:09 | |
Thank you. | 0:10:09 | 0:10:11 | |
Please! | 0:10:11 | 0:10:13 | |
Have you ever been to Japan? | 0:10:13 | 0:10:16 | |
I have always admired their tea ceremony. | 0:10:16 | 0:10:19 | |
-Really? -Oh, I am fascinated. | 0:10:19 | 0:10:21 | |
It is such a delicate ritual. | 0:10:21 | 0:10:24 | |
Every gesture is so precise, so graceful. | 0:10:24 | 0:10:28 | |
You know, one day we should promise ourselves - | 0:10:28 | 0:10:31 | |
tea in the shadow of Mount Fuji. | 0:10:31 | 0:10:33 | |
Kanpai! | 0:10:34 | 0:10:35 | |
Kanpai! | 0:10:35 | 0:10:37 | |
And here's to you bagging a doctor into the bargain. | 0:10:39 | 0:10:42 | |
-Mum! -Joke. | 0:10:42 | 0:10:44 | |
So, Jimmi, when are you planning on making partner at the Mill? | 0:10:45 | 0:10:48 | |
Mum! | 0:10:48 | 0:10:50 | |
Aside from anything else, | 0:10:50 | 0:10:51 | |
we've been focusing on the wedding for the last six months. | 0:10:51 | 0:10:54 | |
Yeah, besides I want everything to be perfect this time round, so... | 0:10:54 | 0:10:57 | |
This time? | 0:10:57 | 0:10:59 | |
What you've been hitched before? | 0:10:59 | 0:11:02 | |
Erm... | 0:11:02 | 0:11:03 | |
What I meant was, actually, | 0:11:03 | 0:11:05 | |
after all the stuff that had gone wrong at the engagement party. | 0:11:05 | 0:11:09 | |
That's not what, "this time," implies to me. | 0:11:09 | 0:11:12 | |
Jim... Jimmi's been married before, I told you that, didn't I? | 0:11:14 | 0:11:19 | |
-SHOUTS: -I've told you pigging kids before, clear off out! | 0:11:27 | 0:11:32 | |
Oh, evening, officer. | 0:11:32 | 0:11:34 | |
Evening, madam, sorry about that. Have you been having problems? | 0:11:34 | 0:11:37 | |
It used to be a respectable area. | 0:11:37 | 0:11:40 | |
Are you here about the bins? | 0:11:40 | 0:11:41 | |
Actually, no. | 0:11:42 | 0:11:44 | |
My neighbour... | 0:11:44 | 0:11:45 | |
If you leave the bins right by the kerb | 0:11:45 | 0:11:48 | |
then the binmen don't bother emptying them. It's their regulations. | 0:11:48 | 0:11:52 | |
-Yeah, I know. -Yeah, but the bins just keep piling up, it'll be rats next! | 0:11:52 | 0:11:56 | |
I've had Mr Smedley from our Neighbourhood Watch back me on this. | 0:11:56 | 0:12:00 | |
-Right... -Well, I say "Watch", | 0:12:00 | 0:12:02 | |
I mean, he's up and down here with a torch and Ping-Pong bat but... | 0:12:02 | 0:12:05 | |
-that's council cuts for you, isn't it? -It is. | 0:12:05 | 0:12:09 | |
Do you have much contact with Mr Ballard, Mrs...? | 0:12:09 | 0:12:13 | |
MISS Stockton. | 0:12:13 | 0:12:15 | |
Valerie. | 0:12:15 | 0:12:17 | |
He's a bit weird, like harmless, | 0:12:18 | 0:12:20 | |
but he watches from the window with binoculars. | 0:12:20 | 0:12:23 | |
Does he have any trouble with kids? | 0:12:23 | 0:12:25 | |
I couldn't say, really. | 0:12:25 | 0:12:27 | |
He keeps to himself, we all do round here. | 0:12:27 | 0:12:30 | |
Anyway, I must dash or me moussaka will get a skin on it. | 0:12:30 | 0:12:34 | |
There's enough for two. | 0:12:35 | 0:12:37 | |
Er...I've eaten, thanks. | 0:12:39 | 0:12:41 | |
-Shame. -Thanks. | 0:12:42 | 0:12:45 | |
An older woman? How much older..? | 0:12:50 | 0:12:53 | |
Erm...about 20 years. | 0:12:54 | 0:12:58 | |
I was a lot younger then, obviously, I know now that it was a mistake. | 0:12:58 | 0:13:02 | |
What is it they say about doctors? They get to bury their mistakes? | 0:13:02 | 0:13:06 | |
I know all about this, it wasn't a serious marriage. | 0:13:06 | 0:13:09 | |
I'm not sure I'd even call it a marriage. | 0:13:09 | 0:13:11 | |
It was more like an open relationship with added paperwork! | 0:13:11 | 0:13:14 | |
Yeah, it's in the past, it's got nothing to do with us, | 0:13:14 | 0:13:17 | |
or how we feel about each other. | 0:13:17 | 0:13:20 | |
Not sure I even really loved Amanda. | 0:13:20 | 0:13:23 | |
You didn't? | 0:13:23 | 0:13:24 | |
Not the way I did with Eva or... | 0:13:24 | 0:13:27 | |
Or...? | 0:13:27 | 0:13:28 | |
-Sorry, what? -Or...? | 0:13:32 | 0:13:34 | |
Sarah. | 0:13:37 | 0:13:39 | |
Who's Sarah? | 0:13:41 | 0:13:43 | |
So, you loved Sarah? | 0:13:43 | 0:13:44 | |
That was perfect. | 0:13:54 | 0:13:55 | |
Sometimes, the simplicity of a meal can make it all the more enjoyable, | 0:13:55 | 0:13:58 | |
the whole experience of sitting down to eat. | 0:13:58 | 0:14:01 | |
Breaking bread with a friend, talking without ceremony. | 0:14:01 | 0:14:07 | |
I absolutely agree. | 0:14:07 | 0:14:09 | |
Is something wrong? | 0:14:15 | 0:14:16 | |
Er...it reminded me of Marina. | 0:14:16 | 0:14:20 | |
Oh, I see. | 0:14:21 | 0:14:22 | |
Nothing she loved more than a meal that wasn't fussed over. | 0:14:22 | 0:14:26 | |
The end of a relationship can leave us with moments unfinished. | 0:14:27 | 0:14:32 | |
With Marina, I thought I'd come home. | 0:14:34 | 0:14:36 | |
To have something so strong and then to lose it... | 0:14:36 | 0:14:41 | |
I've never been...so connected to someone. | 0:14:41 | 0:14:45 | |
Doctor Carter, what happened? | 0:14:49 | 0:14:52 | |
Let me clear these up. | 0:14:57 | 0:14:58 | |
Take that for you, there we go. | 0:14:58 | 0:15:01 | |
-You're sorry? -Yes, I am. | 0:15:05 | 0:15:08 | |
I should have paid more attention to what you were telling me. | 0:15:08 | 0:15:11 | |
You thought I was, what? A timewaster? | 0:15:11 | 0:15:15 | |
A stupid old man? | 0:15:15 | 0:15:16 | |
No, neither. | 0:15:16 | 0:15:18 | |
I've spoken to PC Miles and he... | 0:15:19 | 0:15:21 | |
he told me about the fire, | 0:15:21 | 0:15:23 | |
he told me what happened to your daughter. | 0:15:23 | 0:15:25 | |
My Elizabeth? | 0:15:27 | 0:15:29 | |
-Would you like a cup of tea? -No, I'm fine. -It's no trouble. | 0:15:31 | 0:15:35 | |
It's OK. | 0:15:35 | 0:15:37 | |
-I thought about rice, you know. To see off the pigeons. -Why? | 0:15:37 | 0:15:42 | |
Make them puff up like balloons - they explode! | 0:15:42 | 0:15:46 | |
That's why you can't throw them at weddings any more. | 0:15:47 | 0:15:49 | |
Pigeons going BOOM outside the church! That'd show them. | 0:15:49 | 0:15:56 | |
People don't like explosions. | 0:15:56 | 0:15:58 | |
I got skin grafts after that night, | 0:16:03 | 0:16:06 | |
they were lighter in colour... | 0:16:06 | 0:16:08 | |
..like my own skin was trying to help me. | 0:16:11 | 0:16:14 | |
-Help you do what? -Be not so black. | 0:16:15 | 0:16:18 | |
-Did I make tea? -No, you didn't, but that's OK. That's fine. | 0:16:20 | 0:16:25 | |
If there's anything else that I can help you with? | 0:16:25 | 0:16:28 | |
"Go home"?! What's this? | 0:16:39 | 0:16:42 | |
One of the letters the pigeons leave on the tree. | 0:16:42 | 0:16:45 | |
They're carrier pigeons, didn't I tell you? | 0:16:46 | 0:16:49 | |
No, you didn't, not about this. | 0:16:49 | 0:16:53 | |
-Have you got any more? -A few. | 0:16:53 | 0:16:55 | |
After Amanda it was all rebound stuff. | 0:17:10 | 0:17:12 | |
I wanted to be in love with Sarah but it's not the same. | 0:17:12 | 0:17:15 | |
I have never loved anyone the way I've loved you, you must know that? | 0:17:15 | 0:17:18 | |
I know. | 0:17:18 | 0:17:20 | |
In tribute to the newest member of the Malone family. | 0:17:20 | 0:17:26 | |
Chicken. | 0:17:26 | 0:17:27 | |
-It looks great. -Everything OK in here? -Yes, fine. | 0:17:27 | 0:17:31 | |
We're just chatting. | 0:17:31 | 0:17:33 | |
So, this policewoman you were with, Eva, yes? | 0:17:33 | 0:17:38 | |
Cherry says she died? | 0:17:38 | 0:17:40 | |
-What? -It's classified. | 0:17:41 | 0:17:44 | |
Eh? | 0:17:44 | 0:17:46 | |
Eva was working undercover. | 0:17:46 | 0:17:48 | |
So, there's a lot of stuff that didn't get reported. | 0:17:48 | 0:17:50 | |
Such as? | 0:17:50 | 0:17:53 | |
If there's anything else needs airing, | 0:17:53 | 0:17:55 | |
better we hear it now before we all become one big happy family, | 0:17:55 | 0:17:58 | |
don't you think? | 0:17:58 | 0:18:00 | |
Did you talk to him about his bins? | 0:18:08 | 0:18:10 | |
Yeah, I did. | 0:18:13 | 0:18:14 | |
There used to be a time where you could hang your washing out in confidence, but now... | 0:18:14 | 0:18:19 | |
pigeons. Disgusting. | 0:18:19 | 0:18:21 | |
He mentioned pigeons. | 0:18:21 | 0:18:24 | |
I think he gets a bit confused sometimes. | 0:18:24 | 0:18:26 | |
Oh, don't get me wrong, he's a nice old man, but... | 0:18:26 | 0:18:29 | |
doesn't always think. | 0:18:29 | 0:18:30 | |
And the smell sometimes! | 0:18:30 | 0:18:33 | |
Still, you know what it's like with them. | 0:18:33 | 0:18:36 | |
"Them"? | 0:18:36 | 0:18:38 | |
Men, living alone... | 0:18:38 | 0:18:41 | |
don't always have standards. | 0:18:41 | 0:18:43 | |
Did you know that he had a daughter? | 0:18:43 | 0:18:45 | |
Yeah? Well, I've never seen her visit. | 0:18:45 | 0:18:47 | |
And you won't...because she burnt to death. | 0:18:47 | 0:18:51 | |
Somebody threw a petrol bomb through the window. | 0:18:51 | 0:18:54 | |
-Because she was a different colour. -Oh. | 0:18:54 | 0:18:57 | |
Mr Ballard went back in to try and try and save her. | 0:18:57 | 0:19:00 | |
Now he's scarred for life. | 0:19:00 | 0:19:02 | |
'And he thinks that he's surrounded by hatred.' | 0:19:03 | 0:19:05 | |
'Well, like I said, we keep to ourselves.' | 0:19:05 | 0:19:08 | |
So, you didn't write this then? | 0:19:08 | 0:19:10 | |
What is it? | 0:19:10 | 0:19:12 | |
Why would I write to somebody I live next door to? | 0:19:13 | 0:19:17 | |
And I won't find your fingerprints all over it? | 0:19:17 | 0:19:19 | |
He's a broken-hearted old man, Miss Stockton. | 0:19:19 | 0:19:23 | |
'I'm not a racist... | 0:19:23 | 0:19:25 | |
'but I don't like living by a pile of rubbish!' | 0:19:25 | 0:19:28 | |
'So why don't you be a good neighbour and help him...' | 0:19:28 | 0:19:32 | |
with his bins? | 0:19:32 | 0:19:34 | |
Then there won't be a bad smell round here any more. | 0:19:34 | 0:19:37 | |
And then I had to tell everyone that Eva was dead. | 0:19:41 | 0:19:43 | |
And when did you tell Cherry all this? | 0:19:43 | 0:19:46 | |
-Last August. -Is that why you split up last year? | 0:19:46 | 0:19:49 | |
Well, it did make things awkward between us for a while, obviously. | 0:19:49 | 0:19:52 | |
And all that time Cherry was in danger? | 0:19:52 | 0:19:54 | |
It's nothing the police could've have anticipated. | 0:19:54 | 0:19:57 | |
No, hang on, let me get this straight. You put our daughter at risk! | 0:19:57 | 0:20:01 | |
Held hostage by a psychotic thug in her own home?! | 0:20:01 | 0:20:03 | |
It wasn't Jimmi's fault. | 0:20:03 | 0:20:05 | |
I know how this looks. | 0:20:05 | 0:20:07 | |
Do you? | 0:20:07 | 0:20:08 | |
Didn't you think Cherry had a right to know what she was getting into? | 0:20:08 | 0:20:11 | |
If she'd known the facts... | 0:20:11 | 0:20:12 | |
I'd still be with Jimmi. | 0:20:12 | 0:20:14 | |
You don't have to be loyal to him. | 0:20:14 | 0:20:16 | |
That's an appalling deceit you put her through. | 0:20:16 | 0:20:18 | |
He didn't know that she was undercover at first. | 0:20:18 | 0:20:21 | |
-We've all got a past, look at me and Scott. -Another man who deceived you! | 0:20:21 | 0:20:24 | |
You wanted the truth. | 0:20:24 | 0:20:26 | |
So, hopefully, in time, you can see through all this and just see that he's a good man. | 0:20:26 | 0:20:31 | |
Look, I love Cherry. | 0:20:31 | 0:20:33 | |
My past has got nothing to do with my future with her. | 0:20:33 | 0:20:36 | |
I think the food could do with reheating. | 0:20:41 | 0:20:44 | |
Let me give you a hand. | 0:20:44 | 0:20:46 | |
No, thank you. | 0:20:46 | 0:20:47 | |
-No, no, no, I insist. -No, really. -No, really. | 0:20:47 | 0:20:50 | |
-Oh, if you insis... -Oh, no, it's all right, it'll come out, don't worry - | 0:20:50 | 0:20:53 | |
and the downstairs loo, it's just over there. | 0:20:53 | 0:20:56 | |
What was that about? | 0:21:03 | 0:21:05 | |
Cherry? | 0:21:06 | 0:21:07 | |
You find the right bird? When? | 0:21:09 | 0:21:12 | |
Just now. | 0:21:17 | 0:21:19 | |
I don't think you'll be getting any more letters. | 0:21:19 | 0:21:21 | |
-They always comes back, Sergeant. -No, I'm pretty convinced on this one. | 0:21:21 | 0:21:26 | |
I've had a word with your neighbour. She's going to help with your bins. | 0:21:26 | 0:21:29 | |
Help keep away vermin. | 0:21:29 | 0:21:31 | |
-Valerie Stockton? Help? -Mm-hmm. | 0:21:31 | 0:21:34 | |
Thank you. | 0:21:34 | 0:21:36 | |
You're welcome. Take care of yourself. | 0:21:36 | 0:21:38 | |
'Why leave it till now to tell us these things?' | 0:21:50 | 0:21:53 | |
-Because it's not important! -No? | 0:21:53 | 0:21:56 | |
-And I knew how you'd react. -You think? -Let's just keep calm. | 0:21:56 | 0:21:59 | |
Everything you've said points towards the idea you're marrying a man who... | 0:22:01 | 0:22:06 | |
hasn't always made the best decisions. | 0:22:06 | 0:22:08 | |
-So, what you're saying is I'm the latest in a long line of dodgy choices? -No. | 0:22:08 | 0:22:13 | |
Let's just keep calm. | 0:22:16 | 0:22:18 | |
Cherry, come on now, come on. | 0:22:20 | 0:22:22 | |
Come on, come on! COME ON! | 0:22:22 | 0:22:24 | |
-Well, then he did make the right dec... -'OPEN THE DOOR!' -What's that? | 0:22:24 | 0:22:27 | |
Could you get the...? COME ON! | 0:22:27 | 0:22:29 | |
'Please, Cherry, please, come on. It's been long enough!' | 0:22:29 | 0:22:33 | |
Now what? | 0:22:35 | 0:22:36 | |
That was delicious. | 0:22:40 | 0:22:41 | |
Good. | 0:22:42 | 0:22:43 | |
Now, I am sorry for speaking of this again, but... | 0:22:44 | 0:22:49 | |
No-one who saw you with Mrs Bonnaire | 0:22:49 | 0:22:51 | |
was in any doubt that she made you the happiest... | 0:22:51 | 0:22:54 | |
..man in England. | 0:22:54 | 0:22:55 | |
No-one is perfect. | 0:22:56 | 0:22:59 | |
Surely, to let one failing get in the way of happiness is, | 0:22:59 | 0:23:03 | |
is a problem worth defeating? | 0:23:03 | 0:23:05 | |
Well, perhaps... | 0:23:05 | 0:23:06 | |
Perhap...perhaps? | 0:23:06 | 0:23:08 | |
Did Winston Churchill say "perhaps" in his darkest hour? | 0:23:08 | 0:23:12 | |
If you only have one obstacle to overcome, is it not worth the fight? | 0:23:14 | 0:23:20 | |
It's not that kind of fight. | 0:23:22 | 0:23:24 | |
It's complicated. | 0:23:25 | 0:23:26 | |
If you are certain there is no-one else | 0:23:28 | 0:23:31 | |
that can make you feel like this, then you know what you have to do. | 0:23:31 | 0:23:36 | |
-Try lifting the door when you push it. -It's the lock. | 0:23:39 | 0:23:41 | |
-Dad, it's stuck fast. -I can't breathe! | 0:23:41 | 0:23:44 | |
-He's a bit of a panicky Pete, isn't he? -Jimmi? | 0:23:44 | 0:23:46 | |
-The bulb's gone, it's dark, get me out! -We're going to have to get something to prise it open with. | 0:23:46 | 0:23:49 | |
-He's not the luckiest of people, is he? -I'll get me toolbox. | 0:23:49 | 0:23:53 | |
Jimmi, deep breaths - in through the nose, out through the mouth. | 0:23:53 | 0:23:56 | |
What's wrong? | 0:23:56 | 0:23:57 | |
Claustrophobia and OCD. | 0:23:58 | 0:23:59 | |
His dad treated him badly when he was a kid, he locked him in a cupboard. | 0:23:59 | 0:24:02 | |
-Of course he did. Has he got any redeeming qualities? -Yes! | 0:24:02 | 0:24:06 | |
He's kind and he's caring. | 0:24:06 | 0:24:08 | |
But this! It's like all the baby birds and abandoned kittens | 0:24:08 | 0:24:12 | |
you brought home when you were little and who got saddled with the work. | 0:24:12 | 0:24:15 | |
-Jimmi, it's OK! -Are you REALLY prepared to take this on? | 0:24:15 | 0:24:18 | |
I mean, how can he look after you? What kind of father will he make? | 0:24:18 | 0:24:21 | |
Were Gran and Granddad like this when they met Dad the first time? | 0:24:21 | 0:24:24 | |
-It's not the same. -He was a punk rocker! | 0:24:24 | 0:24:26 | |
Did they try and talk you out of it? Did you listen to them? | 0:24:26 | 0:24:28 | |
You can't judge a book by its cover | 0:24:28 | 0:24:30 | |
and Jimmi's the exact opposite of your dad. | 0:24:30 | 0:24:32 | |
He looks all right, but... | 0:24:32 | 0:24:35 | |
Be realistic, Cherry, can't you see what your life will be like? | 0:24:35 | 0:24:39 | |
Now, are you sure that I cannot tempt you with more treacle pudding? | 0:24:43 | 0:24:47 | |
Oh, no, I am absolutely stuffed, I'd never want to leave. | 0:24:47 | 0:24:52 | |
Thanks again. | 0:24:52 | 0:24:54 | |
It was my pleasure. | 0:24:54 | 0:24:55 | |
The food was superb but, more importantly, | 0:24:55 | 0:24:58 | |
you rescued me from another evening of my own company. | 0:24:58 | 0:25:03 | |
Time for reflection is good for the soul | 0:25:03 | 0:25:07 | |
but making time to act on your thoughts is even better. | 0:25:07 | 0:25:13 | |
Chicken soup for the soul as well. | 0:25:13 | 0:25:15 | |
How can I repay you? | 0:25:15 | 0:25:17 | |
Just be happy, Doctor Carter... | 0:25:17 | 0:25:20 | |
and seize the day! | 0:25:20 | 0:25:21 | |
See you in the morning. | 0:25:22 | 0:25:24 | |
It's OK, Jimmi, we're nearly there. | 0:25:34 | 0:25:36 | |
That's it, it's OK, it's all over now. Can you get some water? | 0:25:36 | 0:25:41 | |
-Should we do something? -I think you've done enough tonight. | 0:25:41 | 0:25:45 | |
I've only spoken out of concern, Cherry. | 0:25:45 | 0:25:48 | |
What kind of mother would I be if I didn't try and stop you making a terrible mistake? | 0:25:48 | 0:25:52 | |
The supportive kind? | 0:25:52 | 0:25:54 | |
I'm sorry but if you're planning on going ahead with this wedding | 0:25:56 | 0:25:59 | |
I don't want any part of it. | 0:25:59 | 0:26:01 | |
There you go. | 0:26:01 | 0:26:03 | |
No, thank you, Malcolm. | 0:26:05 | 0:26:06 | |
-I think it's best if we just go, don't you? -Yeah, come on. | 0:26:06 | 0:26:09 | |
I'm not coming back. | 0:26:09 | 0:26:10 | |
-Why? -Because I know where I need to be. | 0:26:10 | 0:26:13 | |
If you're asking me to choose between you and Jimmi, then Jimmi wins every time. | 0:26:13 | 0:26:17 | |
What? Choose what? | 0:26:17 | 0:26:19 | |
And I'm still getting married. | 0:26:19 | 0:26:22 | |
It'll break my heart if you're not there... | 0:26:22 | 0:26:24 | |
but whether you are or you're not, the wedding's going ahead. | 0:26:24 | 0:26:29 | |
It's Franklyn. Bit less of the "oldest", Jimmi boy! | 0:26:38 | 0:26:41 | |
The entertainment! | 0:26:41 | 0:26:43 | |
THEY CHEER | 0:26:43 | 0:26:44 | |
-Strippers? -No, we're going to have some drinks and something to eat. | 0:26:46 | 0:26:49 | |
Can't have a drink to make it bearable, | 0:26:49 | 0:26:51 | |
I may be wearing proper shoes but I can't stand up in them | 0:26:51 | 0:26:53 | |
and if I take them off I can't get them on again! | 0:26:53 | 0:26:55 | |
And all these splendid men refuse to flirt with me because of my f... | 0:26:55 | 0:26:59 | |
SHE CHUCKLES | 0:26:59 | 0:27:00 | |
Subtitles by Red Bee Media Ltd | 0:27:21 | 0:27:24 |