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'Good morning.' | 0:00:29 | 0:00:30 | |
Morning. | 0:00:30 | 0:00:32 | |
'Oh, darling. | 0:00:32 | 0:00:33 | |
'When will you learn to hang your clothes up properly?' | 0:00:33 | 0:00:36 | |
I'm sorry. | 0:00:36 | 0:00:38 | |
It's so nice that you still keep an eye on me. | 0:00:44 | 0:00:48 | |
'Well, someone had to. | 0:00:48 | 0:00:50 | |
'I don't think you can be trusted on your own. | 0:00:50 | 0:00:53 | |
'How is the garden looking?' | 0:00:53 | 0:00:57 | |
Oh, it's going so well. | 0:00:57 | 0:00:59 | |
We've got crocuses, and snowdrops, and... | 0:00:59 | 0:01:03 | |
-CHAINSAW BUZZES -'What is that noise?' | 0:01:03 | 0:01:06 | |
It's him. He's cut down the laburnum tree. | 0:01:09 | 0:01:13 | |
'Oh, dear. He's such a dreadful man. | 0:01:13 | 0:01:17 | |
'But you mustn't upset yourself.' | 0:01:17 | 0:01:19 | |
It's so hard. When you see beautiful things being destroyed. | 0:01:19 | 0:01:24 | |
And you can put that there. | 0:01:25 | 0:01:27 | |
Actually, over here. | 0:01:34 | 0:01:36 | |
Yes, Your Majesty. | 0:01:36 | 0:01:40 | |
You don't half carry a lot of stuff. | 0:01:40 | 0:01:42 | |
I didn't know which media to use - ink, watercolour, charcoal, Polaroid. | 0:01:42 | 0:01:48 | |
Seems like a hell of a palaver for a blooming picture. | 0:01:48 | 0:01:52 | |
-Would you say that if I was a civil engineer or an architect? -No, maybe not. | 0:01:52 | 0:01:56 | |
So this is about my career choice then is it? | 0:01:56 | 0:01:58 | |
-Who said that? -You did. | 0:01:58 | 0:02:01 | |
You've always seen art as airy-fairy. | 0:02:01 | 0:02:04 | |
-Much less important than science or technology. -I worry. Not everyone can be Andy Warhol. | 0:02:04 | 0:02:08 | |
I'm not doing this cos I want to be famous. I'm doing it because this is who I am. | 0:02:08 | 0:02:12 | |
-Don't let me stop you. -I won't. -I'll pick you up at six. | 0:02:12 | 0:02:16 | |
Aw! | 0:02:21 | 0:02:23 | |
'Who is that girl? She's not from round here. | 0:02:32 | 0:02:36 | |
'Do something, Albert. Do something.' | 0:02:36 | 0:02:39 | |
Hello. Who's there? | 0:02:40 | 0:02:44 | |
Hello? | 0:02:46 | 0:02:48 | |
How's daddy's beautiful boy, his brave boy? | 0:02:48 | 0:02:52 | |
Don't boost his ego too much. He'll start turning into you. | 0:02:52 | 0:02:56 | |
Worse things he could be. | 0:02:56 | 0:02:58 | |
Daddy's perfect, precious little paragon. | 0:02:58 | 0:03:02 | |
You're starting to sound predictable. | 0:03:02 | 0:03:04 | |
-Who is the cleverest boy in the whole wide world? -Let me see, is it world chess champion Garry Kasparov? | 0:03:04 | 0:03:10 | |
Or theoretical physicist Stephen Hawking? | 0:03:10 | 0:03:12 | |
No, it's Joseph Granger Carmichael. | 0:03:12 | 0:03:16 | |
You amaze me. | 0:03:16 | 0:03:18 | |
I am going to ring my dad, | 0:03:18 | 0:03:20 | |
see if he has any insight into Joe's super-powers. | 0:03:20 | 0:03:24 | |
I'll leave you boys to bond. | 0:03:25 | 0:03:28 | |
Right, that's enough, I'm going to call the police. | 0:03:29 | 0:03:32 | |
No, don't do that. | 0:03:32 | 0:03:35 | |
Who are you? | 0:03:35 | 0:03:36 | |
Well, who are you? You don't live here. | 0:03:36 | 0:03:39 | |
I think I do, actually. My family are about to move in. | 0:03:39 | 0:03:42 | |
Of course. You must be Violet's niece. | 0:03:42 | 0:03:47 | |
I'm her great-great-niece. | 0:03:47 | 0:03:50 | |
Yes, I can certainly see the resemblance. | 0:03:50 | 0:03:53 | |
And you are? | 0:03:53 | 0:03:54 | |
Bilberry. Albert Bilberry. | 0:03:54 | 0:03:56 | |
I live just over the road, I like to keep an eye on this place. | 0:03:56 | 0:04:00 | |
Imogen. | 0:04:00 | 0:04:01 | |
-Sorry? -Imogen. | 0:04:01 | 0:04:03 | |
Millicent? What a lovely name. | 0:04:03 | 0:04:06 | |
Yes. It is. | 0:04:06 | 0:04:07 | |
And you're moving into a wonderful house, | 0:04:07 | 0:04:11 | |
with a marvellous garden, | 0:04:11 | 0:04:13 | |
but I expect you'll want to tear it all up. | 0:04:13 | 0:04:15 | |
-Put down some decking, or a patio, or a swimming pool. -No way. I love this garden. | 0:04:15 | 0:04:21 | |
I've just been sketching it, actually. | 0:04:21 | 0:04:24 | |
Oh, Millicent, you really do have an eye. | 0:04:31 | 0:04:34 | |
Thank you. It's for an art project. | 0:04:34 | 0:04:37 | |
The theme is actually Home Sweet Home, and as we're about to move in here... | 0:04:37 | 0:04:41 | |
My daughter's an artist. | 0:04:41 | 0:04:43 | |
Is she? Anyone I would have heard of? | 0:04:43 | 0:04:45 | |
-Emma Titchborne. -What sort of stuff does she do? | 0:04:45 | 0:04:48 | |
Oh, she does all sorts. Portraits, landscapes... | 0:04:48 | 0:04:52 | |
I think she's done a few of this house actually. | 0:04:52 | 0:04:55 | |
Really? | 0:04:55 | 0:04:56 | |
Yes, come over and see them. I've got quite a collection. | 0:04:56 | 0:05:01 | |
All right. | 0:05:01 | 0:05:03 | |
I'm off for a coffee. So can I... | 0:05:03 | 0:05:06 | |
Hello. | 0:05:08 | 0:05:09 | |
You said do some bonding. | 0:05:09 | 0:05:12 | |
They say skin-to-skin is the best way. | 0:05:12 | 0:05:15 | |
Don't let me stop you. | 0:05:15 | 0:05:17 | |
Although he is looking rather interested in your left nipple. | 0:05:17 | 0:05:21 | |
He's doing really well, isn't he? | 0:05:23 | 0:05:27 | |
And we seem to have recovered. | 0:05:27 | 0:05:29 | |
So maybe we can take him home tomorrow. | 0:05:30 | 0:05:33 | |
Zara, we've been through all of this. He's just not ready. | 0:05:35 | 0:05:40 | |
I, er, like the colours. | 0:05:45 | 0:05:48 | |
Mmm, yes. | 0:05:48 | 0:05:50 | |
Does she always do her work in just acrylic? | 0:05:50 | 0:05:54 | |
Goodness me, no, they take more than just a minute. | 0:05:54 | 0:05:57 | |
She sometimes spends half an hour to an hour on one of these paintings. | 0:05:57 | 0:06:02 | |
I know they're a bit old-fashioned, but she lives down in Cornwall, | 0:06:02 | 0:06:06 | |
and they sell like hot cakes in all the tourist shops. | 0:06:06 | 0:06:10 | |
I've always wanted to go to Cornwall. | 0:06:10 | 0:06:12 | |
You know loads of artists live there because of the light quality. | 0:06:12 | 0:06:15 | |
Emma sometimes says I should move down, but... | 0:06:15 | 0:06:19 | |
I love this place. | 0:06:19 | 0:06:21 | |
I lived here with my parents, and I moved back with my wife. | 0:06:21 | 0:06:26 | |
If I moved away, it would be like losing my life story. | 0:06:26 | 0:06:30 | |
Is that your wife? | 0:06:30 | 0:06:32 | |
Yeah. | 0:06:32 | 0:06:33 | |
Ann. | 0:06:35 | 0:06:37 | |
She passed away last year. | 0:06:37 | 0:06:39 | |
Oh, I'm sorry. | 0:06:39 | 0:06:41 | |
Oh, don't be. We had many happy years together. | 0:06:41 | 0:06:44 | |
And I do still hear her talking to me. | 0:06:44 | 0:06:48 | |
-Are you there, darling? -'Of course I'm here. Where else would I be?' | 0:06:48 | 0:06:53 | |
You don't think I'm mad, do you? | 0:06:53 | 0:06:55 | |
'Who's the mad one? Have you seen the state of her hair?' | 0:06:55 | 0:06:59 | |
I don't, actually. Loads of great artists heard voices. | 0:06:59 | 0:07:02 | |
And I always feel she's a part of this house. | 0:07:02 | 0:07:06 | |
It's a precious, peaceful place, and I look after it for her. | 0:07:06 | 0:07:11 | |
-We still have a couple of hives out in the garden. Would you like to see them? -Yeah. | 0:07:11 | 0:07:16 | |
Good. | 0:07:16 | 0:07:18 | |
CHAINSAW BUZZES | 0:07:18 | 0:07:20 | |
What's that noise? | 0:07:20 | 0:07:22 | |
That... | 0:07:22 | 0:07:23 | |
..is the enemy. | 0:07:25 | 0:07:27 | |
He'll be fine. We're both doctors. | 0:07:27 | 0:07:29 | |
Look at him, he's tiny. | 0:07:29 | 0:07:31 | |
He's a baby. He WILL get bigger. | 0:07:31 | 0:07:34 | |
And what if something goes wrong? | 0:07:34 | 0:07:37 | |
You are turning into such a new man. You're practically an old woman. | 0:07:37 | 0:07:40 | |
Because I care about the welfare of our child? | 0:07:40 | 0:07:43 | |
We'll just let Daddy COOL OFF for a bit, shall we? | 0:07:53 | 0:07:56 | |
-CHAINSAW BUZZES -Excuse me. | 0:07:57 | 0:08:00 | |
Excuse me! | 0:08:00 | 0:08:02 | |
-HE TURNS CHAINSAW OFF -Yes? | 0:08:02 | 0:08:04 | |
What are you doing? | 0:08:04 | 0:08:05 | |
What does it look like? | 0:08:05 | 0:08:07 | |
How can you cut down a living thing that's been there for 100 years? | 0:08:07 | 0:08:11 | |
Well, why don't you stick around and I will show you. | 0:08:11 | 0:08:14 | |
You're a barbarian. | 0:08:14 | 0:08:16 | |
Mr Bilberry, | 0:08:16 | 0:08:17 | |
I have told you a thousand times why the tree has to go. | 0:08:17 | 0:08:20 | |
And I've got full permission from the council. | 0:08:20 | 0:08:23 | |
Just cos you've got permission doesn't make it right. | 0:08:23 | 0:08:26 | |
Oh, look who it is - Swampy. | 0:08:26 | 0:08:28 | |
How can you cut down a tree he's seen since he was a boy? | 0:08:28 | 0:08:31 | |
Because it's MY house. I can do what I like. | 0:08:31 | 0:08:35 | |
But if you want to buy it, and turn it into a nature reserve, then go ahead make me an offer. | 0:08:35 | 0:08:40 | |
Don't worry, Millicent. | 0:08:40 | 0:08:42 | |
CHAINSAW BUZZES | 0:08:42 | 0:08:44 | |
I've tried and I've tried. There's nothing we can do. | 0:08:44 | 0:08:47 | |
Oh, Freya, I'm so glad you got my text. | 0:08:48 | 0:08:52 | |
What text? | 0:08:52 | 0:08:53 | |
You know, about not wearing anything too smart. | 0:08:53 | 0:08:56 | |
Oh, yeah, I got your text. I was going to wear something else | 0:08:56 | 0:08:59 | |
but then I thought I'd just put this old thing on. | 0:08:59 | 0:09:03 | |
Well, you look great. | 0:09:03 | 0:09:05 | |
Thanks. | 0:09:05 | 0:09:07 | |
So, come on, where we going? | 0:09:07 | 0:09:09 | |
A ceramic cafe. | 0:09:11 | 0:09:13 | |
A ceramic... A what? | 0:09:13 | 0:09:15 | |
What did he mean when he said he'd told you a thousand times why it had to go? | 0:09:16 | 0:09:21 | |
He said his wife was something with the council, | 0:09:21 | 0:09:24 | |
and he needed the space to get her wheels in. | 0:09:24 | 0:09:27 | |
Great(!) | 0:09:27 | 0:09:28 | |
Because she's a some big cheese with a four-by-four, | 0:09:28 | 0:09:31 | |
we've got to ruin the environment. | 0:09:31 | 0:09:33 | |
I feel so helpless. I wonder what Ann would say. | 0:09:34 | 0:09:40 | |
'Feed the bees.' | 0:09:40 | 0:09:42 | |
What?! | 0:09:42 | 0:09:43 | |
'Feed the bees.' | 0:09:43 | 0:09:46 | |
Oh, my word. I forgot. | 0:09:46 | 0:09:49 | |
What is it? | 0:09:50 | 0:09:51 | |
I must feed the bees. | 0:09:51 | 0:09:52 | |
They find it so hard to survive at this time of year. | 0:09:52 | 0:09:55 | |
Do you want some help? | 0:09:55 | 0:09:57 | |
Of course, I'll... | 0:09:57 | 0:10:00 | |
I'll find you a veil. | 0:10:00 | 0:10:01 | |
So what am I meant to do exactly? | 0:10:04 | 0:10:06 | |
It's very simple. You just paint a plate. | 0:10:06 | 0:10:10 | |
Any particular colour? | 0:10:10 | 0:10:13 | |
No, an actual painting. | 0:10:13 | 0:10:17 | |
Just let your creative spirit run free, yeah? | 0:10:18 | 0:10:22 | |
Well that's going to be a bit of a problem. | 0:10:22 | 0:10:25 | |
I'm not very creative on Fridays. | 0:10:25 | 0:10:27 | |
Tuesday's normally my muse day. Wednesday... | 0:10:27 | 0:10:32 | |
It's meant to be fun. I'm in a craft group too. | 0:10:32 | 0:10:36 | |
-OK. -Oi! It's just to, like, escape from the stresses of the day. | 0:10:36 | 0:10:41 | |
Just move your brush, and see where it takes you. | 0:10:43 | 0:10:47 | |
All right, you're on. | 0:10:49 | 0:10:51 | |
What are you doing?. | 0:10:55 | 0:10:56 | |
I'm not letting you see till it's finished. | 0:10:56 | 0:10:59 | |
That's a bit mean. | 0:10:59 | 0:11:01 | |
-I don't think Picasso had people poking their noses in. -Ah, OK. | 0:11:01 | 0:11:05 | |
Go, Pablo. | 0:11:05 | 0:11:07 | |
No, don't. Don't. | 0:11:21 | 0:11:24 | |
SHE LAUGHS | 0:11:24 | 0:11:27 | |
-Where is the beehive? -Follow me. | 0:11:27 | 0:11:30 | |
It's like a picture book. | 0:11:36 | 0:11:38 | |
Is it all right if I go and get my camera? | 0:11:38 | 0:11:41 | |
Of course. I feel sorry for young people nowadays. | 0:11:41 | 0:11:45 | |
They spend all their lives in front of one box or another. | 0:11:45 | 0:11:49 | |
But a beehive is a true box of delights. | 0:11:49 | 0:11:53 | |
Right, time's up. | 0:11:56 | 0:11:57 | |
Put your brush down. | 0:11:57 | 0:12:00 | |
You show me yours, I'll show mine. | 0:12:02 | 0:12:05 | |
Nn-nn. After you. | 0:12:05 | 0:12:07 | |
No, you go first. | 0:12:07 | 0:12:09 | |
You did that on your own? | 0:12:14 | 0:12:16 | |
I did. | 0:12:16 | 0:12:18 | |
It's like you've taken a photo and put it on there. | 0:12:18 | 0:12:21 | |
It's all mine. Right. Let's see yours, then. | 0:12:21 | 0:12:24 | |
No. I don't think that the world is ready for my masterpiece. | 0:12:25 | 0:12:29 | |
SHE LAUGHS: Come on. | 0:12:29 | 0:12:31 | |
OK. | 0:12:33 | 0:12:34 | |
Ta-da! | 0:12:36 | 0:12:38 | |
SHE LAUGHS | 0:12:38 | 0:12:39 | |
Who is that?! | 0:12:39 | 0:12:42 | |
It's meant to be you! | 0:12:42 | 0:12:44 | |
Aw, sorry. No, I can see the resemblance now. | 0:12:44 | 0:12:49 | |
A nose in the middle. An eye on either side. | 0:12:49 | 0:12:53 | |
I'm sorry. | 0:12:53 | 0:12:54 | |
Aw. No. | 0:12:54 | 0:12:56 | |
At least you had a go at it. | 0:12:56 | 0:12:59 | |
At this time of year, the queen should be laying her eggs, | 0:12:59 | 0:13:03 | |
but there's very little food around. | 0:13:03 | 0:13:05 | |
So we like to put down some sugar solution. | 0:13:05 | 0:13:09 | |
-Oh, that's very good. -It's just for reference. | 0:13:13 | 0:13:17 | |
Come a little closer, you can listen to the bees. | 0:13:17 | 0:13:20 | |
I can't hear anything. | 0:13:23 | 0:13:25 | |
You can always hear something. | 0:13:25 | 0:13:27 | |
In the summer, the hive seems to hum as they beat their wings | 0:13:27 | 0:13:31 | |
to provide air conditioning. | 0:13:31 | 0:13:33 | |
And this time of year, they're having a spring clean | 0:13:33 | 0:13:36 | |
and they fly forth with their droppings. | 0:13:36 | 0:13:39 | |
Good morning, ladies. And drones. | 0:13:40 | 0:13:44 | |
Where are they? | 0:13:48 | 0:13:51 | |
I don't know. | 0:13:51 | 0:13:52 | |
They're gone. They've all gone. | 0:13:53 | 0:13:59 | |
I read an article once about bees disappearing. | 0:14:10 | 0:14:14 | |
Some people blamed intensive agriculture and other people said it was mobile phone masts. | 0:14:14 | 0:14:20 | |
-Well, I know who I blame. -Who? | 0:14:20 | 0:14:23 | |
-That maniac next door. The tree murderer. -You don't think he actually...? | 0:14:23 | 0:14:26 | |
I don't think he came in and poisoned them. | 0:14:26 | 0:14:30 | |
But all he's ever done is cut down trees. | 0:14:30 | 0:14:33 | |
He's ripped out the heart of his own garden. | 0:14:33 | 0:14:37 | |
So the bees have nowhere to forage, | 0:14:37 | 0:14:39 | |
and they take their colony elsewhere. | 0:14:39 | 0:14:41 | |
Do you want a glass of water? | 0:14:43 | 0:14:45 | |
I want that man to go back where he came from. | 0:14:45 | 0:14:48 | |
He's a waste of space! | 0:14:48 | 0:14:50 | |
This used to be a very nice road, and he's destroying it. | 0:14:52 | 0:14:56 | |
Would you like to say that to my face? | 0:14:57 | 0:14:59 | |
-Nardee! -My baby! Oh, look at you. | 0:15:06 | 0:15:09 | |
Come on then, little one. | 0:15:23 | 0:15:25 | |
I'm not afraid of you. It's time someone stood up to you. | 0:15:29 | 0:15:33 | |
Mr Bilberry, I have tried to be a good neighbour. | 0:15:33 | 0:15:37 | |
Good neighbour?! You've done nothing but destroy the neighbourhood. | 0:15:37 | 0:15:41 | |
-Just like you destroy everything else. -What? | 0:15:41 | 0:15:45 | |
You bring women home at all hours of the day and night. | 0:15:45 | 0:15:49 | |
Heaven knows what your wife must think about it. | 0:15:49 | 0:15:52 | |
You're a completely immoral, work-shy layabout. | 0:15:52 | 0:15:56 | |
What do you mean "work-shy"? | 0:15:56 | 0:15:58 | |
You told me you didn't work. | 0:15:58 | 0:16:00 | |
You said your wife was something with the council, | 0:16:00 | 0:16:04 | |
and you were lived off her. | 0:16:04 | 0:16:06 | |
OK. Let me tell you again. | 0:16:06 | 0:16:09 | |
I did not say my wife was something with the council, | 0:16:09 | 0:16:14 | |
I said she was suffering with cancer. | 0:16:14 | 0:16:16 | |
Which is why I had to cut down that tree, to give her wheelchair access. | 0:16:16 | 0:16:21 | |
That's why I don't work because I'm looking after her. | 0:16:22 | 0:16:25 | |
And, yes, there are women visiting at all hours of the night. | 0:16:25 | 0:16:30 | |
They're Macmillan nurses. | 0:16:30 | 0:16:32 | |
'Oh, Albert. | 0:16:32 | 0:16:35 | |
'When will you ever learn to think first and speak later?' | 0:16:35 | 0:16:40 | |
I'm sorry. I'm so sorry. | 0:16:40 | 0:16:41 | |
What's the matter with him? | 0:16:45 | 0:16:46 | |
-I don't know -Help me, Millicent, help me. | 0:16:46 | 0:16:49 | |
You recovered from your little moment of madness? | 0:17:00 | 0:17:04 | |
There is no way that we can think about taking him home right now. | 0:17:04 | 0:17:08 | |
Joe is fine. He's getting stronger every day. | 0:17:08 | 0:17:13 | |
And what if something does go wrong do you want to be miles away from a dedicated baby unit? No. | 0:17:13 | 0:17:18 | |
We'll keep on bringing him in every day. | 0:17:20 | 0:17:24 | |
And he'll keep having checks and tests we'll cope. | 0:17:24 | 0:17:30 | |
-Have you got a phone on you? -I must have left it somewhere | 0:17:30 | 0:17:34 | |
He's probably got one. | 0:17:34 | 0:17:36 | |
-What's this? -It's a glucose meter. He's diabetic. | 0:17:38 | 0:17:41 | |
Well, what do we do? | 0:17:41 | 0:17:43 | |
He might have had a hypo which means he needs some sugar. | 0:17:43 | 0:17:46 | |
Don't worry, Mr Bilberry, you're going to be all right. | 0:17:50 | 0:17:54 | |
-What...? What's happening? -Everything's going to be fine. | 0:17:59 | 0:18:04 | |
For the past few days, I've... been trying to keep it together, | 0:18:05 | 0:18:10 | |
and I'm finding it so hard. | 0:18:10 | 0:18:13 | |
I had no idea. | 0:18:13 | 0:18:15 | |
Got to stop thinking how we nearly lost him. | 0:18:16 | 0:18:20 | |
But the point is we didn't. | 0:18:20 | 0:18:22 | |
We came really close though. | 0:18:22 | 0:18:24 | |
When I found out you'd gone into labour so early, | 0:18:25 | 0:18:29 | |
I thought that I might lose both of you. | 0:18:29 | 0:18:32 | |
Daniel, I'm fine. Joe is fine. | 0:18:32 | 0:18:36 | |
I wanted everything to be perfect, you know? | 0:18:41 | 0:18:45 | |
And then I came in... | 0:18:45 | 0:18:47 | |
..and I saw you lying there | 0:18:50 | 0:18:54 | |
I know. | 0:18:57 | 0:18:58 | |
And now I look at him and I think, what if he falls ill | 0:19:02 | 0:19:07 | |
and there's nothing I can do for him? | 0:19:07 | 0:19:10 | |
How was it for you? | 0:19:13 | 0:19:14 | |
THEY LAUGH | 0:19:14 | 0:19:16 | |
It was a real eye-opener actually. | 0:19:16 | 0:19:19 | |
Really? | 0:19:19 | 0:19:20 | |
Mmm. I didn't know there was quite so much talent | 0:19:20 | 0:19:25 | |
in these little fat fingers. | 0:19:25 | 0:19:27 | |
Well you know, if you fancy, you could always come around to mine. | 0:19:36 | 0:19:40 | |
I could make us some veggie lasagne, we could christen the plates. | 0:19:40 | 0:19:46 | |
I do fancy. | 0:19:46 | 0:19:48 | |
I would love to lick your face clean. | 0:19:48 | 0:19:51 | |
I mean, oh, I'm sorry. | 0:19:53 | 0:19:55 | |
I DO know how you feel. | 0:20:06 | 0:20:10 | |
Believe me, the image of Princess Bubblegum in a blood-spattered wedding dress | 0:20:10 | 0:20:15 | |
is going to stay with me forever. | 0:20:15 | 0:20:17 | |
But Joe's birth WAS perfect it was perfect because it was HIS birth. | 0:20:17 | 0:20:26 | |
The beginning of his story. | 0:20:26 | 0:20:29 | |
You really think he's ready to come home? | 0:20:29 | 0:20:31 | |
I don't know. | 0:20:31 | 0:20:32 | |
We'll have to see what the experts have to say. | 0:20:32 | 0:20:35 | |
But we can't keep him cocooned forever. | 0:20:36 | 0:20:39 | |
No, I suppose not. | 0:20:39 | 0:20:42 | |
He's fine. | 0:20:42 | 0:20:43 | |
Thank you. | 0:20:47 | 0:20:48 | |
He's OK now, Heston. Thank you. | 0:20:50 | 0:20:54 | |
OK, bye. | 0:20:54 | 0:20:55 | |
Oh, dear. | 0:20:57 | 0:20:58 | |
I'm sorry to cause you so much trouble, but I get so confused. | 0:20:59 | 0:21:03 | |
And because I can't always hear what people are saying... | 0:21:04 | 0:21:08 | |
I find myself losing my temper these days as well. | 0:21:08 | 0:21:11 | |
And it was such a shock to find the bees had gone. | 0:21:11 | 0:21:14 | |
Mr Bilberry, you don't keep bees any more. | 0:21:14 | 0:21:17 | |
What?! | 0:21:17 | 0:21:19 | |
You told me, when I moved in, you stopped keeping them | 0:21:19 | 0:21:23 | |
after your wife died. | 0:21:23 | 0:21:24 | |
Ah, yeah. Of course. | 0:21:26 | 0:21:29 | |
They swarmed. | 0:21:29 | 0:21:31 | |
And they all flew away. | 0:21:31 | 0:21:34 | |
Er...I have to get back to Eileen but I'll pop in later. | 0:21:34 | 0:21:39 | |
Thank you so much. | 0:21:39 | 0:21:42 | |
-Thanks. Bye. -Bye-bye. | 0:21:42 | 0:21:44 | |
What is going to become of me? | 0:21:47 | 0:21:49 | |
I seem to cause trouble wherever I go. | 0:21:49 | 0:21:52 | |
I'm sure he understands. | 0:21:52 | 0:21:54 | |
The problem is, I can't seem to cope without my queen. | 0:21:54 | 0:22:00 | |
See some people can survive without their partner, | 0:22:00 | 0:22:03 | |
but I'm like a bee. | 0:22:03 | 0:22:07 | |
I need guidance. | 0:22:07 | 0:22:09 | |
But you do have a daughter in Cornwall. | 0:22:09 | 0:22:12 | |
I'm sure she doesn't really want me. | 0:22:12 | 0:22:13 | |
But she sent you all those pictures of where she's living. | 0:22:13 | 0:22:16 | |
I'm sure that's a sign. | 0:22:16 | 0:22:18 | |
I couldn't leave this house | 0:22:21 | 0:22:25 | |
I couldn't leave my wife. | 0:22:25 | 0:22:27 | |
It's a house full of memories. | 0:22:27 | 0:22:30 | |
This is where I belong. | 0:22:32 | 0:22:34 | |
KNOCK AT DOOR | 0:22:34 | 0:22:36 | |
Who's that? | 0:22:36 | 0:22:37 | |
I'm sure that's just my dad. | 0:22:37 | 0:22:39 | |
Hi. Your mum said you'd be here. | 0:22:43 | 0:22:46 | |
Ah, you must be Mr Bilberry. | 0:22:50 | 0:22:52 | |
That's right. | 0:22:52 | 0:22:54 | |
Rob Hollins. | 0:22:54 | 0:22:56 | |
Such an honour to meet you. | 0:22:56 | 0:22:57 | |
You have a wonderful, kind, and talented daughter. | 0:22:57 | 0:23:02 | |
And don't I just know it? | 0:23:02 | 0:23:04 | |
I think you really should go now. I'll be fine. | 0:23:04 | 0:23:07 | |
-Are you sure? -Of course. | 0:23:07 | 0:23:10 | |
-I'll come and see you tomorrow. -Oh, thank you. | 0:23:10 | 0:23:14 | |
Goodbye, Millicent. | 0:23:14 | 0:23:17 | |
Bye. | 0:23:17 | 0:23:18 | |
Now then, madam, can I tempt you to anything else? | 0:23:25 | 0:23:29 | |
No, thank you, Nardee, I'm full up. | 0:23:29 | 0:23:31 | |
OK, well, in that case | 0:23:31 | 0:23:33 | |
there is a very special surprise for you up in your bedroom. | 0:23:33 | 0:23:37 | |
-Really? -You go up and I'll be up in a minute. | 0:23:37 | 0:23:40 | |
I'm just going to tidy up. | 0:23:40 | 0:23:42 | |
I thought you were going to photograph this place? | 0:23:49 | 0:23:52 | |
Yeah, but the theme is Home Sweet Home and what house is sweeter than a beehive? | 0:23:52 | 0:23:57 | |
-Dad? -Mmm? | 0:23:57 | 0:24:00 | |
Imagine if something happened to mum, but she carried on talking to you, | 0:24:00 | 0:24:04 | |
like, giving you instructions from the other side. | 0:24:04 | 0:24:08 | |
Yeah, I'm sure that death won't stop your mother talking. | 0:24:08 | 0:24:11 | |
Mr Bilberry's wife talks to him. | 0:24:11 | 0:24:14 | |
But I just don't understand | 0:24:14 | 0:24:16 | |
why would she tell him to go and feed the bees | 0:24:16 | 0:24:19 | |
if they flew off months ago? | 0:24:19 | 0:24:22 | |
That will remain one of life's great mysteries. | 0:24:24 | 0:24:28 | |
They're dead. | 0:24:30 | 0:24:33 | |
They're all dead. | 0:24:33 | 0:24:36 | |
'No darling. They flew away. | 0:24:36 | 0:24:39 | |
'When I said feed the bees, I meant feed yourself. | 0:24:40 | 0:24:45 | |
'My little worker bee needs his honey.' | 0:24:45 | 0:24:48 | |
You always look after me. | 0:24:50 | 0:24:52 | |
I miss you so much. | 0:24:53 | 0:24:55 | |
'I know. And I'll always be with you. | 0:24:55 | 0:24:59 | |
'But you need to listen to her.' | 0:24:59 | 0:25:03 | |
Who? | 0:25:03 | 0:25:04 | |
'The girl. She's right, you know. | 0:25:04 | 0:25:07 | |
'You need to follow the bees, and fly south to live with Emma.' | 0:25:07 | 0:25:12 | |
I... I couldn't leave our house. | 0:25:12 | 0:25:15 | |
'Of course you can. And I'll be with you.' | 0:25:15 | 0:25:21 | |
I love you. | 0:25:21 | 0:25:23 | |
'I love you too.' | 0:25:23 | 0:25:25 | |
BEES BUZZING | 0:25:25 | 0:25:27 | |
Chloe? | 0:25:30 | 0:25:32 | |
Sweetie, what are you up to? | 0:25:33 | 0:25:34 | |
I'm looking for my surprise. | 0:25:34 | 0:25:38 | |
It's here, sweetheart. It's that pussy cat. | 0:25:38 | 0:25:42 | |
Hey, what's the matter? | 0:25:43 | 0:25:46 | |
Please don't tell me you've grown out of them? | 0:25:46 | 0:25:50 | |
I'm so sorry, it's just that I haven't seen you for such a long time. | 0:25:50 | 0:25:54 | |
No. I thought my surprise was Daddy. | 0:25:54 | 0:25:56 | |
Oh, sweetie, I'm sorry. | 0:25:59 | 0:26:01 | |
I haven't seen him for weeks. | 0:26:01 | 0:26:03 | |
I know. | 0:26:03 | 0:26:05 | |
You know something? | 0:26:06 | 0:26:08 | |
Your daddy really loves you. | 0:26:09 | 0:26:11 | |
And no matter where he is, | 0:26:13 | 0:26:15 | |
he loves you very, very much. | 0:26:15 | 0:26:18 | |
Hmm? Yes. Come here. There's a good girl. | 0:26:18 | 0:26:25 | |
-Chloe did mention. -What? -That she's missing her dad | 0:26:31 | 0:26:35 | |
Bravo. Bravo! | 0:26:38 | 0:26:40 | |
I thought you were going to open the Sancerre? | 0:26:41 | 0:26:44 | |
Yes, but with the red meat, I thought... | 0:26:44 | 0:26:47 | |
I'm sorry, what has this got to do with your wife's first husband? | 0:26:47 | 0:26:51 | |
I know he's not real. | 0:26:51 | 0:26:53 | |
Subtitles by Red Bee Media Ltd | 0:27:02 | 0:27:06 |