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Morning! | 0:00:26 | 0:00:28 | |
We are cheery this morning(!) | 0:00:28 | 0:00:30 | |
I thought we were starting afresh today. | 0:00:30 | 0:00:32 | |
Putting it all behind us, looking to the future and all that. | 0:00:32 | 0:00:36 | |
I'm working up to it. | 0:00:36 | 0:00:37 | |
Well, today, I have the day out from behind the desk. | 0:00:37 | 0:00:42 | |
I am Karen Hollins, healthcare assistant. | 0:00:42 | 0:00:45 | |
A day of blood, sick and wee! | 0:00:45 | 0:00:48 | |
Sounds like my job. | 0:00:48 | 0:00:50 | |
Don't forget the phlegm! | 0:00:50 | 0:00:52 | |
And the boils and the pus, the lesions and the geriatric toenails! | 0:00:52 | 0:00:57 | |
Nothing defeats Super-Healthcare-Assistant! | 0:00:57 | 0:01:01 | |
MUSIC PLAYS IN CAR | 0:01:07 | 0:01:09 | |
DOORBELL RINGS | 0:01:21 | 0:01:23 | |
Mr Radley! | 0:01:29 | 0:01:31 | |
Eddie! It's Karen. | 0:01:31 | 0:01:32 | |
Karen, from The Mill. | 0:01:32 | 0:01:34 | |
I've come to take your blood pressure. | 0:01:34 | 0:01:36 | |
Only me! | 0:01:47 | 0:01:49 | |
Eddie? | 0:01:50 | 0:01:52 | |
Eddie, you've fallen asleep. | 0:01:52 | 0:01:54 | |
I let myself in. I hope that's OK? | 0:01:54 | 0:01:56 | |
Mr Radley? | 0:01:58 | 0:01:59 | |
Eddie? | 0:02:01 | 0:02:02 | |
Oh, my God! | 0:02:04 | 0:02:05 | |
Eddie. | 0:02:07 | 0:02:08 | |
LAUGHING | 0:02:09 | 0:02:11 | |
-What? -This is from Mrs Tembe. | 0:02:13 | 0:02:16 | |
"Dear Mrs Parsons, I saw this photograph and I thought of you." | 0:02:16 | 0:02:20 | |
Is that for me? | 0:02:20 | 0:02:21 | |
I don't think that's funny. | 0:02:23 | 0:02:25 | |
You know, before Mrs Tembe left, I was telling her about how much | 0:02:25 | 0:02:29 | |
I would love to see the Okavango Delta and all that amazing wildlife. | 0:02:29 | 0:02:33 | |
And she obviously saw this postcard and remembered what I said. | 0:02:33 | 0:02:36 | |
Is she a bit...strange? | 0:02:38 | 0:02:40 | |
Mrs Tembe? She's wonderful. I don't know how we'd manage without her. | 0:02:40 | 0:02:44 | |
-Well, we are managing, aren't we? -Well... | 0:02:44 | 0:02:46 | |
I was just thinking, if she doesn't come back... | 0:02:46 | 0:02:48 | |
-She is coming back. -Yes, but if she doesn't... | 0:02:48 | 0:02:50 | |
Then we'd need a new receptionist, wouldn't we? | 0:02:50 | 0:02:53 | |
No! | 0:03:08 | 0:03:10 | |
There's no battery! | 0:03:10 | 0:03:12 | |
Um... | 0:03:13 | 0:03:14 | |
Would you mind if I...? | 0:03:17 | 0:03:18 | |
PHONE RINGS | 0:03:20 | 0:03:22 | |
-Hello, Mill Health Centre. -'Hi, Lauren. It's Karen.' | 0:03:26 | 0:03:29 | |
Could I speak to Heston, please? | 0:03:29 | 0:03:31 | |
'Oh, he's not in yet.' | 0:03:31 | 0:03:34 | |
What? I need him! | 0:03:34 | 0:03:37 | |
I've got a dead body, and it's one of his, | 0:03:37 | 0:03:40 | |
and it's... It's sitting in there and it's cold. | 0:03:40 | 0:03:43 | |
-He's really cold... -All right, Karen. Now, where are you? | 0:03:45 | 0:03:48 | |
I'm in the hallway. | 0:03:48 | 0:03:50 | |
No, I mean which patient are you with? | 0:03:50 | 0:03:52 | |
I was only meant to take his blood pressure and now he's dead. | 0:03:52 | 0:03:56 | |
Right, so you're with Edward Radley. | 0:03:56 | 0:03:59 | |
'Fine, well, I'll send Heston over once he gets in.' | 0:03:59 | 0:04:01 | |
-Now, what about the rest of your appointments? -'I can't leave him.' | 0:04:01 | 0:04:05 | |
Shall I send Imogen over to sit with the body? | 0:04:05 | 0:04:07 | |
-What? -Well, she's not doing anything useful over here. | 0:04:07 | 0:04:11 | |
And then you can get on with your work. I think it's more efficient. | 0:04:11 | 0:04:14 | |
Efficiency has not got anything to do with it! | 0:04:14 | 0:04:17 | |
I'm not leaving, not until Heston gets here. | 0:04:17 | 0:04:20 | |
All right, then. | 0:04:20 | 0:04:21 | |
I'll rebook your appointments if you're sure you can cope. | 0:04:21 | 0:04:24 | |
Of course I can cope! | 0:04:24 | 0:04:26 | |
Will you just... | 0:04:26 | 0:04:28 | |
get Heston here as quick as you can, please. | 0:04:28 | 0:04:31 | |
All right. | 0:04:31 | 0:04:32 | |
-Everything OK? -Oh, yeah, fine. | 0:04:33 | 0:04:36 | |
I'm just sending Heston out on a house call once he gets in. | 0:04:36 | 0:04:39 | |
Heston's not in today. | 0:04:39 | 0:04:41 | |
-Oh. -It is in the book, look. | 0:04:42 | 0:04:45 | |
Heston on leave. | 0:04:45 | 0:04:47 | |
Jimmi on a course. Elaine at a funeral. | 0:04:47 | 0:04:49 | |
What do you think I should do? | 0:04:50 | 0:04:52 | |
I think that you need to assess, first of all, if the call is urgent. | 0:04:52 | 0:04:58 | |
I mean, is the patient stable? | 0:04:58 | 0:05:00 | |
Yeah. | 0:05:00 | 0:05:01 | |
Fine. Well, I think you'll find that Kevin's on call. | 0:05:01 | 0:05:04 | |
Stable? | 0:05:06 | 0:05:07 | |
Well, he's not going anywhere, is he? | 0:05:07 | 0:05:10 | |
Oh! Have you seen the dust on these shelves? | 0:05:10 | 0:05:13 | |
Who's Charlie? | 0:05:15 | 0:05:18 | |
Who's Charlie? | 0:05:20 | 0:05:22 | |
Is that your brother? Is that dominoes man? | 0:05:22 | 0:05:24 | |
'Letherbridge 5-8-6-5-2-9-4. | 0:05:35 | 0:05:38 | |
'Leave a message.' | 0:05:38 | 0:05:40 | |
Um... This is a message for Charlie Radley. | 0:05:40 | 0:05:44 | |
I think you must be Eddie Radley's brother. | 0:05:44 | 0:05:47 | |
He told me about you and your dominoes. | 0:05:47 | 0:05:50 | |
I found your number by the phone. | 0:05:50 | 0:05:52 | |
He's dead. | 0:05:55 | 0:05:57 | |
I'm... I'm sorry! | 0:05:57 | 0:05:58 | |
'Letherbridge 5-8-6-5-2-9-4. | 0:06:20 | 0:06:23 | |
'Leave a message.' | 0:06:23 | 0:06:26 | |
Mr Radley, this is Karen Hollins from The Mill Medical Centre. | 0:06:26 | 0:06:30 | |
I'm just ringing to apologise. | 0:06:30 | 0:06:31 | |
I'm really, really sorry for the message that I left. | 0:06:31 | 0:06:35 | |
I should never have left a message like that on your answer machine. | 0:06:35 | 0:06:39 | |
But, as I was saying, | 0:06:42 | 0:06:44 | |
he, your brother, | 0:06:44 | 0:06:46 | |
um...has passed away and gone to a better place, | 0:06:46 | 0:06:50 | |
and I don't think he suffered... | 0:06:50 | 0:06:52 | |
I don't think he did, anyway. | 0:06:53 | 0:06:56 | |
And it would be really good if you could come to his house, to... | 0:06:56 | 0:07:01 | |
Well, it would be good. Thank you. | 0:07:03 | 0:07:06 | |
Bye. Bye-bye... Bye-bye. | 0:07:07 | 0:07:10 | |
Oh, no. | 0:07:10 | 0:07:11 | |
I'm so sorry, | 0:07:16 | 0:07:18 | |
I'm really s...! | 0:07:20 | 0:07:22 | |
You should have spoken to him, you'd have made more sense. | 0:07:22 | 0:07:25 | |
DOORBELL RINGS | 0:07:27 | 0:07:28 | |
-Where's Heston? -At home, putting his classical CDs in alphabetical order, | 0:07:34 | 0:07:38 | |
where else? Where's the patient? | 0:07:38 | 0:07:40 | |
In the lounge. | 0:07:40 | 0:07:41 | |
Well? | 0:08:06 | 0:08:08 | |
-Who knows? -What? | 0:08:08 | 0:08:10 | |
He's an old man. And he died. | 0:08:10 | 0:08:13 | |
According to his notes, he had problems with his heart. | 0:08:13 | 0:08:17 | |
He saw Heston last week and Heston adjusted his drugs regime. | 0:08:17 | 0:08:20 | |
I was meant to follow up this morning and check his blood pressure. | 0:08:20 | 0:08:24 | |
He had a weak heart. What can I say? | 0:08:24 | 0:08:26 | |
He probably didn't suffer. A short, sharp pain, and... | 0:08:26 | 0:08:29 | |
Right. | 0:08:29 | 0:08:32 | |
So, what now? | 0:08:32 | 0:08:34 | |
That's it. I've officially established life extinct. | 0:08:34 | 0:08:37 | |
I'll write up these notes and Heston gets to sign the death certificate. | 0:08:37 | 0:08:41 | |
-You're not leaving? -He's not going to get any better if I stay. | 0:08:41 | 0:08:45 | |
But the next of kin's going to be here any minute! | 0:08:45 | 0:08:48 | |
I'm sure you'll cope. | 0:08:48 | 0:08:49 | |
Thank you very much for coming. | 0:09:00 | 0:09:02 | |
SHOOTING ON TV | 0:09:36 | 0:09:38 | |
Wow! Oh! | 0:09:38 | 0:09:40 | |
Where's the...? | 0:09:42 | 0:09:45 | |
Oh! | 0:09:46 | 0:09:48 | |
Hello. I'm Dr Cassidy. I was Patrick's GP. | 0:10:02 | 0:10:06 | |
So, you're the confessor. | 0:10:06 | 0:10:10 | |
It's Maggie, isn't it? | 0:10:10 | 0:10:12 | |
-He told you everything. -I think it helped, especially towards the end. | 0:10:12 | 0:10:17 | |
He said you disapproved, but you had to listen. | 0:10:17 | 0:10:20 | |
Does Jenny know? | 0:10:24 | 0:10:26 | |
Of course not. | 0:10:26 | 0:10:28 | |
Just you, me and him... | 0:10:28 | 0:10:31 | |
And he's not telling anyone. | 0:10:31 | 0:10:33 | |
Not now. | 0:10:33 | 0:10:36 | |
She doesn't need to know. | 0:10:36 | 0:10:37 | |
Quite right. | 0:10:37 | 0:10:39 | |
We mustn't hurt Jenny. | 0:10:39 | 0:10:42 | |
She doesn't deserve it. | 0:10:42 | 0:10:44 | |
She's been a good wife and mother. | 0:10:44 | 0:10:48 | |
Oh, you are good at disapproval. | 0:10:49 | 0:10:52 | |
I don't disapprove. | 0:10:52 | 0:10:53 | |
Of course you do. Who wouldn't? | 0:10:53 | 0:10:57 | |
Why are you here? | 0:10:57 | 0:10:59 | |
I just wanted to say goodbye. | 0:10:59 | 0:11:02 | |
Hiding behind gravestones, | 0:11:02 | 0:11:05 | |
and lurking in the bushes, getting caught. | 0:11:05 | 0:11:07 | |
You know, that's what it was all about for Patrick. | 0:11:07 | 0:11:10 | |
He would have loved this - | 0:11:10 | 0:11:11 | |
the grieving mistress and the disapproving doctor! | 0:11:11 | 0:11:14 | |
I'm sorry. | 0:11:15 | 0:11:17 | |
I'm sorry for your loss. | 0:11:19 | 0:11:21 | |
-Charlie. -Derek, actually. | 0:11:27 | 0:11:29 | |
Meals on Wheels. Shepherd's pie for Eddie Radley. | 0:11:29 | 0:11:32 | |
-Oh... -Don't tell me, he's in the bath. | 0:11:32 | 0:11:34 | |
No, he's dead. Well, he died. | 0:11:34 | 0:11:37 | |
Oh. Can I see? | 0:11:37 | 0:11:38 | |
No, you can't! | 0:11:38 | 0:11:39 | |
-What do you think you're doing? -I'm just having a look. | 0:11:42 | 0:11:45 | |
I've never seen a corpse before. | 0:11:47 | 0:11:48 | |
Not a real one. | 0:11:48 | 0:11:50 | |
It's very pale, isn't it? | 0:11:51 | 0:11:53 | |
His face is all weird. Has rigor mortis set in? | 0:11:55 | 0:11:57 | |
It's none of your business! | 0:11:57 | 0:12:00 | |
-Leave him alone! -He doesn't look right. | 0:12:00 | 0:12:04 | |
I think you should leave. | 0:12:04 | 0:12:06 | |
-Says who? -Says me. | 0:12:06 | 0:12:08 | |
-Why? What are you hiding? -I'm not hiding anything! | 0:12:08 | 0:12:12 | |
He was fine yesterday. | 0:12:12 | 0:12:13 | |
Yeah, well, he's not now. | 0:12:13 | 0:12:15 | |
So why don't you get out before I call the police. | 0:12:15 | 0:12:17 | |
Well, maybe you should. | 0:12:17 | 0:12:18 | |
It's a suspicious death, that's what this is. All right, I'm going. | 0:12:18 | 0:12:22 | |
Who are you, anyway? | 0:12:22 | 0:12:23 | |
What have you done to Eddie Radley?! | 0:12:25 | 0:12:27 | |
-Very impressive! -It was all getting a bit dusty. | 0:12:33 | 0:12:36 | |
-Yeah, I noticed that. -Afternoon, Julia, Lauren. | 0:12:36 | 0:12:40 | |
Isn't it your day off today? | 0:12:40 | 0:12:41 | |
It was, until the delightful Miss Porter sweet-talked me | 0:12:41 | 0:12:44 | |
into helping out this afternoon. | 0:12:44 | 0:12:46 | |
I thought he wouldn't mind if I asked him nicely. | 0:12:46 | 0:12:49 | |
Clearly not. | 0:12:51 | 0:12:52 | |
Sorry about this. | 0:12:57 | 0:12:58 | |
Do you think I should call him again? | 0:13:01 | 0:13:03 | |
He might not have got my messages. | 0:13:03 | 0:13:04 | |
I'm going to give him another half an hour. | 0:13:07 | 0:13:10 | |
TUMMY RUMBLES | 0:13:13 | 0:13:15 | |
Was that you or me?! | 0:13:15 | 0:13:18 | |
MICROWAVE BEEPS | 0:13:41 | 0:13:44 | |
Ah, is that my cottage pie? | 0:14:05 | 0:14:07 | |
It's shepherd's pie. | 0:14:10 | 0:14:11 | |
I never know the difference. | 0:14:11 | 0:14:14 | |
Lamb, not beef. Why aren't you dead? | 0:14:14 | 0:14:16 | |
Ah. You've met Charlie, then? | 0:14:16 | 0:14:19 | |
Charlie? | 0:14:19 | 0:14:21 | |
Yeah, I hope he didn't cause you any trouble. | 0:14:21 | 0:14:24 | |
I thought you might still be here. | 0:14:31 | 0:14:33 | |
How was the party? | 0:14:35 | 0:14:37 | |
Oh, some tears. A few smiles. | 0:14:38 | 0:14:40 | |
There were a lot of people. He had a lot of friends. | 0:14:40 | 0:14:43 | |
No-one knew him like me. | 0:14:43 | 0:14:46 | |
No. | 0:14:46 | 0:14:47 | |
Oh, I hate this! | 0:14:47 | 0:14:49 | |
Why am I crying? | 0:14:49 | 0:14:51 | |
Patrick was all about... | 0:14:53 | 0:14:56 | |
joy and... | 0:14:56 | 0:14:58 | |
happiness, | 0:14:58 | 0:14:59 | |
spontaneous living. | 0:14:59 | 0:15:02 | |
No cares, no ties, just the joy of stealing time together. | 0:15:03 | 0:15:08 | |
How can I be sorry I had ALL that? | 0:15:08 | 0:15:11 | |
When did you see him last? | 0:15:12 | 0:15:15 | |
April. The last weekend in April. | 0:15:15 | 0:15:18 | |
His relapse? | 0:15:18 | 0:15:19 | |
I was with him. | 0:15:20 | 0:15:22 | |
I called the ambulance. | 0:15:22 | 0:15:24 | |
And you didn't try to see him? | 0:15:24 | 0:15:25 | |
You don't understand. | 0:15:27 | 0:15:29 | |
When you're in a relationship with a married man, there are rules. | 0:15:29 | 0:15:33 | |
His wife and his family come first. | 0:15:33 | 0:15:36 | |
He won't say that. He doesn't need to. | 0:15:36 | 0:15:38 | |
You don't call him at home, unless you know he's alone. | 0:15:39 | 0:15:43 | |
You don't wear perfume. | 0:15:43 | 0:15:44 | |
You don't complain when he takes a shower before he leaves you. | 0:15:46 | 0:15:49 | |
Washes every trace of you from his body, | 0:15:51 | 0:15:54 | |
like dirt. | 0:15:54 | 0:15:55 | |
You learn to love his children. | 0:15:55 | 0:15:58 | |
I saw them today. | 0:15:58 | 0:15:59 | |
The first time I've seen them for real. | 0:16:01 | 0:16:03 | |
I've had their birthdays in my diary for six years! | 0:16:05 | 0:16:08 | |
And now? | 0:16:08 | 0:16:09 | |
And now he's dead. | 0:16:12 | 0:16:13 | |
And I'm still stuck on the outside. | 0:16:15 | 0:16:18 | |
Look at me! | 0:16:18 | 0:16:21 | |
He's dead and I'm still keeping his secret, | 0:16:21 | 0:16:25 | |
hiding from Jenny and the kids! | 0:16:25 | 0:16:27 | |
-But... -Oh, yeah. Here comes the disapproval. | 0:16:27 | 0:16:31 | |
If you had your time over...? | 0:16:33 | 0:16:35 | |
I wouldn't change a thing! | 0:16:43 | 0:16:45 | |
So, that's your brother? That's Charlie? | 0:16:56 | 0:16:59 | |
Yeah. Disreputable old bugger. | 0:16:59 | 0:17:02 | |
I'm surprised he's lasted this long. | 0:17:02 | 0:17:04 | |
Always comes round every Thursday night for dominoes, | 0:17:04 | 0:17:08 | |
a drop of rum and a video. | 0:17:08 | 0:17:10 | |
A bit of Abbott and Costello or The Three Stooges, you know. | 0:17:11 | 0:17:15 | |
Anyway, last night Charlie dropped off | 0:17:15 | 0:17:19 | |
halfway through Have Rocket, Will Travel, | 0:17:19 | 0:17:22 | |
and never woke up. | 0:17:22 | 0:17:25 | |
I'm so sorry. | 0:17:25 | 0:17:28 | |
Dodgy tickers, both of us, you know. | 0:17:29 | 0:17:32 | |
Just ask Dr Carter. | 0:17:32 | 0:17:33 | |
We had a fiver on who'd go first - | 0:17:35 | 0:17:38 | |
he won! | 0:17:38 | 0:17:40 | |
Anyway, there's nothing I could've done about it last night. | 0:17:40 | 0:17:44 | |
I was going to call an ambulance, but it wouldn't have done any good. | 0:17:44 | 0:17:48 | |
No point in wasting their time. | 0:17:48 | 0:17:50 | |
-So what did you do? -I went to bed. | 0:17:50 | 0:17:53 | |
You need your rest at my age. | 0:17:53 | 0:17:57 | |
First thing this morning, I went round every undertaker in the town. | 0:17:57 | 0:18:01 | |
Got the best deal. | 0:18:02 | 0:18:05 | |
Forgot about our appointment. | 0:18:05 | 0:18:07 | |
Well, you had a lot on your mind. | 0:18:07 | 0:18:10 | |
Still. I enjoy our little chats. | 0:18:10 | 0:18:13 | |
Actually, seeing as how you're here... | 0:18:13 | 0:18:16 | |
How can I help? | 0:18:16 | 0:18:18 | |
Well, the undertaker said I've got to get a doctor to see him, you know, | 0:18:18 | 0:18:23 | |
to get a certificate or something. | 0:18:23 | 0:18:25 | |
Don't worry about that, it's all sorted. | 0:18:25 | 0:18:27 | |
Eddie, the death certificate's got your name on it! | 0:18:29 | 0:18:33 | |
PHONE RINGS | 0:18:33 | 0:18:35 | |
-Mill Health Centre. -'Get Kevin. I need to speak to Kevin.' | 0:18:38 | 0:18:41 | |
-I can't. He's with Heston. -What?! | 0:18:41 | 0:18:43 | |
I thought you said he was out this afternoon? | 0:18:43 | 0:18:45 | |
Well, he was, but I persuaded him to come in. | 0:18:45 | 0:18:47 | |
Um... | 0:18:47 | 0:18:48 | |
DOORBELL RINGS | 0:18:48 | 0:18:50 | |
Break the door down if you have to. | 0:18:50 | 0:18:52 | |
Don't let Heston fill in the death certificate. It's really important. | 0:18:52 | 0:18:56 | |
That's her. Ask her what she's done to Eddie Radley. | 0:18:57 | 0:19:01 | |
Hello, love. | 0:19:04 | 0:19:05 | |
There's actually something you need to know. | 0:19:05 | 0:19:07 | |
Are you telling me that you and this woman are married to each other? | 0:19:07 | 0:19:10 | |
-Yep. -But she's the prime suspect. | 0:19:10 | 0:19:13 | |
You can't investigate your own wife! | 0:19:13 | 0:19:15 | |
You think my wife murdered this man? | 0:19:15 | 0:19:17 | |
Eddie Radley was alive and well yesterday. | 0:19:17 | 0:19:19 | |
He had fish pie, apple crumble and custard. | 0:19:19 | 0:19:21 | |
And the fish pie nearly killed me, | 0:19:21 | 0:19:25 | |
but not quite! | 0:19:25 | 0:19:27 | |
And you are? | 0:19:27 | 0:19:29 | |
This is Eddie. That's Charlie, his identical twin brother. | 0:19:29 | 0:19:33 | |
Identical twins? | 0:19:33 | 0:19:35 | |
Yeah. | 0:19:35 | 0:19:36 | |
But we've just responded to a report of suspicious circumstances | 0:19:36 | 0:19:40 | |
surrounding the death of Edward Radley. | 0:19:40 | 0:19:42 | |
That's me. | 0:19:42 | 0:19:44 | |
How do I know that? | 0:19:45 | 0:19:47 | |
He has a point. And it does say Edward Radley | 0:19:47 | 0:19:51 | |
on the death certificate. | 0:19:51 | 0:19:53 | |
What? | 0:19:53 | 0:19:54 | |
There might be a death certificate. | 0:19:54 | 0:19:56 | |
OK, can anybody formally identify | 0:19:56 | 0:19:59 | |
the deceased gentleman in the armchair? | 0:19:59 | 0:20:01 | |
If I say he's me, would it help? | 0:20:01 | 0:20:05 | |
No. | 0:20:05 | 0:20:07 | |
Oh, come on. You don't actually believe any of this, do you? | 0:20:07 | 0:20:09 | |
That is Eddie Radley, dead as a Dodo, and this is all a conspiracy! | 0:20:09 | 0:20:13 | |
We will get to the bottom of this, | 0:20:13 | 0:20:15 | |
-Mr Charlton. In the meantime... -Oh, you're in on it, as well, | 0:20:15 | 0:20:18 | |
-aren't you? You and her? And him. -Like I say, we will fully investigate... | 0:20:18 | 0:20:23 | |
I demand an investigation by a higher authority! | 0:20:23 | 0:20:26 | |
-Lauren, I'm not easily impressed, but... -Thanks, Julia. | 0:20:40 | 0:20:44 | |
If Mrs Tembe doesn't come back, well, who knows. | 0:20:44 | 0:20:48 | |
Come in. | 0:20:54 | 0:20:55 | |
This is Helen Waterman | 0:20:55 | 0:20:57 | |
from the coroner's office. She's very kindly agreed to join us today. | 0:20:57 | 0:21:00 | |
It's always good to get out of the office, | 0:21:00 | 0:21:03 | |
even on such a sorrowful occasion such as this. | 0:21:03 | 0:21:05 | |
This is my wife, Karen Hollins, who found the deceased this morning. | 0:21:05 | 0:21:09 | |
This is, I believe, to be Edward Radley. | 0:21:09 | 0:21:13 | |
This is Derek Charlton, who wants to ask a few questions. | 0:21:13 | 0:21:16 | |
Constable Hughes. | 0:21:16 | 0:21:18 | |
And this is, for the sake of argument, probably Charles Radley. | 0:21:18 | 0:21:22 | |
Thank you, Sergeant. My condolences to you, Mr Radley. | 0:21:22 | 0:21:25 | |
I'm sure we can sort this out very quickly. | 0:21:25 | 0:21:28 | |
But first, shall we just take a moment | 0:21:28 | 0:21:31 | |
to reflect on the solemnity of this occasion? | 0:21:31 | 0:21:34 | |
Karen? Oh, there you are! | 0:21:37 | 0:21:40 | |
What... What on...? | 0:21:40 | 0:21:43 | |
Helen! What are y...? | 0:21:43 | 0:21:44 | |
Eddie? | 0:21:47 | 0:21:49 | |
I am so sorry. | 0:21:49 | 0:21:50 | |
No great surprise, Dr Carter. | 0:21:50 | 0:21:53 | |
But still... | 0:21:53 | 0:21:55 | |
This is extraordinary. Yes, Rob. | 0:21:55 | 0:21:57 | |
Um... | 0:21:57 | 0:21:59 | |
Dr Heston Carter, GP. | 0:21:59 | 0:22:01 | |
Derek. | 0:22:01 | 0:22:02 | |
-This is Dr Tyler. -Hello. | 0:22:02 | 0:22:05 | |
-HE WHISPERS: -What is happening? | 0:22:05 | 0:22:07 | |
Just what I'm trying to find out, Heston. | 0:22:07 | 0:22:09 | |
Indeed. | 0:22:09 | 0:22:10 | |
Karen, shall we start with you? | 0:22:10 | 0:22:13 | |
-Karen? -Yes, ma'am. | 0:22:13 | 0:22:16 | |
-Just "Helen" will do. -Thank you. | 0:22:16 | 0:22:18 | |
KNOCKING | 0:22:18 | 0:22:20 | |
Perhaps you could wait over there. | 0:22:21 | 0:22:23 | |
We're a bit crowded in here. | 0:22:23 | 0:22:25 | |
It's Moe, Larry and Curly! | 0:22:32 | 0:22:35 | |
Charlie, you're going to be buried by The Three Stooges! | 0:22:35 | 0:22:39 | |
Karen? | 0:22:40 | 0:22:41 | |
Oh... Eddie's right. | 0:22:41 | 0:22:45 | |
This is ridiculous! | 0:22:45 | 0:22:46 | |
Helen, Charlie died last night. | 0:22:46 | 0:22:50 | |
He died a perfect death, a painless death in his brother's house, | 0:22:50 | 0:22:53 | |
-after a night of dominoes and daft videos. -And a drop of rum! | 0:22:53 | 0:22:57 | |
And a drop of medicinal rum. | 0:22:57 | 0:23:00 | |
He couldn't have planned it better. And that should have been that. | 0:23:00 | 0:23:04 | |
Eddie had everything under control. | 0:23:04 | 0:23:06 | |
He got a good night's sleep, he went out and booked the undertakers. | 0:23:06 | 0:23:10 | |
And then Super-Healthcare-Assistant came to the rescue, | 0:23:10 | 0:23:15 | |
and got the wrong end of the stick, and here we all are. | 0:23:15 | 0:23:18 | |
Derek, here, he thinks there's some dastardly plot, | 0:23:18 | 0:23:21 | |
the police get involved, the coroner's office. | 0:23:21 | 0:23:23 | |
Kevin got Heston to sign the wrong name on the death certificate... | 0:23:23 | 0:23:27 | |
-Hang on! -What's that? | 0:23:27 | 0:23:29 | |
It's in his pocket. | 0:23:29 | 0:23:31 | |
I was rather hoping we could gloss over that, | 0:23:32 | 0:23:34 | |
it's not a death certificate, | 0:23:34 | 0:23:35 | |
it's a medical certificate of cause of death, | 0:23:35 | 0:23:38 | |
it's quite different. | 0:23:38 | 0:23:39 | |
And besides, I had no reason to doubt my colleague's report | 0:23:39 | 0:23:43 | |
of poor Eddie's death. | 0:23:43 | 0:23:45 | |
He was! | 0:23:45 | 0:23:47 | |
It won't be long, Dr Carter. | 0:23:47 | 0:23:49 | |
Well, if you stick to the regime. | 0:23:49 | 0:23:51 | |
-Have you taken his blood pressure? -I've been a bit busy. | 0:23:51 | 0:23:54 | |
It's all lies! | 0:23:54 | 0:23:56 | |
I mean, | 0:23:56 | 0:23:58 | |
it can't be true! It's ridiculous, isn't it? | 0:23:58 | 0:24:01 | |
Can I see that certificate? | 0:24:01 | 0:24:03 | |
She identified the body. Not me. | 0:24:08 | 0:24:12 | |
Maybe we could tear it up and...write a new one. | 0:24:16 | 0:24:20 | |
Excellent idea. | 0:24:28 | 0:24:29 | |
And Heston, you'll issue a new MCCD? | 0:24:29 | 0:24:33 | |
-Oh, I assume so. -And void this one. | 0:24:33 | 0:24:35 | |
Indeed. | 0:24:35 | 0:24:37 | |
Well, I think we're done. | 0:24:37 | 0:24:40 | |
With your permission, Mr Radley, | 0:24:40 | 0:24:42 | |
I think we'll let these gentlemen do their work. | 0:24:42 | 0:24:45 | |
Actually, before you all go, I'd like to say something, | 0:24:45 | 0:24:50 | |
if that's all right. | 0:24:50 | 0:24:52 | |
I'd like to thank Karen, here, | 0:24:52 | 0:24:55 | |
for making a right pig's ear of everything! | 0:24:55 | 0:24:58 | |
I know she thinks she let Charlie and me down. | 0:24:58 | 0:25:02 | |
But...I know Charlie, | 0:25:02 | 0:25:04 | |
he's been sitting there all day | 0:25:04 | 0:25:08 | |
watching this woman digging herself an almighty big hole, | 0:25:08 | 0:25:13 | |
and he's loved every minute of it! | 0:25:13 | 0:25:16 | |
Well, he always did like a bit of comedy. | 0:25:16 | 0:25:19 | |
Anyway. Charlie and me had a bet. | 0:25:21 | 0:25:25 | |
He bet there'd be more people at his funeral than mine. | 0:25:25 | 0:25:29 | |
Now Charlie's gone and beat me to it. | 0:25:29 | 0:25:32 | |
I don't expect anyone'll turn up to mine. | 0:25:33 | 0:25:37 | |
I was relying on him! | 0:25:37 | 0:25:39 | |
But, if any of you fancy helping Charlie make his money, | 0:25:39 | 0:25:45 | |
there's a glass of rum in it for all you. | 0:25:45 | 0:25:47 | |
It's me. Can you talk? | 0:26:12 | 0:26:14 | |
OK, just listen. | 0:26:14 | 0:26:18 | |
We need rules. | 0:26:18 | 0:26:19 | |
Rule number one, | 0:26:19 | 0:26:21 | |
no evidence. | 0:26:21 | 0:26:23 | |
No letters, no e-mails, no phone messages. | 0:26:23 | 0:26:26 | |
Nothing to connect you to me. | 0:26:27 | 0:26:29 | |
I work at The Mill Health Centre. | 0:27:01 | 0:27:03 | |
I ought to get myself registered. | 0:27:03 | 0:27:05 | |
I might look you up. | 0:27:05 | 0:27:06 | |
-To us. -This feels wrong. | 0:27:06 | 0:27:09 | |
Who is he? | 0:27:09 | 0:27:10 | |
What is he doing in my house? | 0:27:10 | 0:27:12 | |
It's OK. | 0:27:12 | 0:27:13 | |
-I've got to get on. -OK. | 0:27:13 | 0:27:15 | |
Well, I will catch you later. | 0:27:15 | 0:27:18 | |
I've been exceptionally tolerant. | 0:27:18 | 0:27:20 | |
And how do you pay me back? You sneak around my house like a thief! | 0:27:20 | 0:27:23 | |
Subtitles by Red Bee Media Ltd | 0:27:40 | 0:27:43 | |
E-mail [email protected] | 0:27:43 | 0:27:45 |