Browse content similar to The Lost Boy. Check below for episodes and series from the same categories and more!
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Seth! I wasn't expecting an early morning visit. | 0:00:33 | 0:00:37 | |
This ain't early, Mr B, just haven't been to bed yet. | 0:00:37 | 0:00:40 | |
Have you been home at all? | 0:00:40 | 0:00:42 | |
Doesn't matter, it's not like I'm missed. | 0:00:42 | 0:00:45 | |
Well, stay and have some breakfast. | 0:00:45 | 0:00:47 | |
Come on, when was the last time you ate? | 0:00:49 | 0:00:52 | |
What about eggs on toast? Fuel for school. | 0:01:00 | 0:01:04 | |
Eggs, yeah, school, no. | 0:01:04 | 0:01:09 | |
Ah, now the War Poets, interesting choice. Read me a line. | 0:01:09 | 0:01:15 | |
"What passing bells for these who die as cattle." Yeah, I like it. | 0:01:15 | 0:01:22 | |
Good, and what do you think it means, Seth? | 0:01:22 | 0:01:25 | |
Nobody gives a monkey about soldiers? | 0:01:26 | 0:01:28 | |
Very candid. | 0:01:28 | 0:01:30 | |
Is there a tap running? | 0:01:30 | 0:01:32 | |
Oh, yeah. Is it all right if I have a bath? | 0:01:32 | 0:01:34 | |
I suppose so, but... | 0:01:34 | 0:01:36 | |
Just a minute, has the bath been running all this time? | 0:01:37 | 0:01:41 | |
Oh, Seth, not again. | 0:01:42 | 0:01:44 | |
Hey, Cherry, come on, we've got to go! | 0:02:07 | 0:02:09 | |
OK. I'm coming. You can start the engine. | 0:02:09 | 0:02:13 | |
-Seth, I'm not cross with you, but... -Meaning you are. | 0:02:18 | 0:02:23 | |
I just wish you'd ask me first before you... | 0:02:23 | 0:02:26 | |
"Come whenever you like", you said. | 0:02:26 | 0:02:29 | |
"Somewhere I could feel safe." You don't want me either. | 0:02:29 | 0:02:32 | |
That's simply not true, Seth. | 0:02:32 | 0:02:35 | |
PHONE RINGS | 0:02:35 | 0:02:37 | |
I just hate to see you wasting your life like this. | 0:02:37 | 0:02:41 | |
OK, you can't change your family. | 0:02:41 | 0:02:44 | |
We have to manage the cards we've been dealt, | 0:02:44 | 0:02:47 | |
but you have such promise, Seth... | 0:02:47 | 0:02:49 | |
'Jonathan, please say you haven't forgotten | 0:02:49 | 0:02:52 | |
'your book signing this morning. | 0:02:52 | 0:02:53 | |
'I hope the fact I'm speaking to your answer machine | 0:02:53 | 0:02:56 | |
'means you're there already.' | 0:02:56 | 0:02:58 | |
Well, that's very kind of you to say. I'm very flattered. | 0:03:09 | 0:03:13 | |
Sorry, any of you good people have a pen? | 0:03:16 | 0:03:20 | |
Please judge by thy works and not the man. | 0:03:20 | 0:03:23 | |
Thank you. | 0:03:24 | 0:03:25 | |
Mr Bennett, you probably don't remember me. | 0:03:25 | 0:03:29 | |
Howard Bellamy, Cardale Secondary, 1982. | 0:03:29 | 0:03:33 | |
Bellamy, the tall lad, of course I remember you... | 0:03:34 | 0:03:38 | |
What a lovely pleasure after all these years. | 0:03:38 | 0:03:41 | |
I saw you in the paper, I thought I'd swing by and say hello. | 0:03:41 | 0:03:44 | |
You were always a firm favourite at school. | 0:03:44 | 0:03:46 | |
Nice of you to take the trouble to say hello. | 0:03:46 | 0:03:48 | |
Here, a gift from me. | 0:03:50 | 0:03:53 | |
Thank you, you shouldn't have... | 0:04:01 | 0:04:04 | |
Hardly a star pupil. | 0:04:04 | 0:04:07 | |
Do you fancy a coffee afterwards? | 0:04:07 | 0:04:09 | |
If you don't mind waiting, that would be delightful. | 0:04:09 | 0:04:13 | |
My pleasure, Mr Bennett. | 0:04:13 | 0:04:14 | |
Oh, and I think it's time you call me Jonathan, don't you? | 0:04:14 | 0:04:18 | |
We left the classroom a long time ago. | 0:04:18 | 0:04:22 | |
Thank you. | 0:04:24 | 0:04:27 | |
Morning. | 0:04:29 | 0:04:30 | |
Airport parking fees! I could buy another plane ticket for this. | 0:04:30 | 0:04:35 | |
All right for some. | 0:04:35 | 0:04:36 | |
Are you all right? You haven't seemed yourself lately. | 0:04:36 | 0:04:39 | |
Yeah, I've been a bit under the weather but I'm better now. | 0:04:39 | 0:04:42 | |
Well, you should have a holiday as well. | 0:04:42 | 0:04:44 | |
Why don't the two of you get away? | 0:04:44 | 0:04:46 | |
-We haven't got anything planned. -Go on. Bit of late Autumn sun. | 0:04:46 | 0:04:49 | |
Many a baby's been conceived on holiday. | 0:04:49 | 0:04:52 | |
Really? | 0:04:52 | 0:04:54 | |
Parents are relaxed or drunk. | 0:04:54 | 0:04:57 | |
Jack, I know for a fact, was Tenerife. | 0:04:57 | 0:04:59 | |
Immie was Weston Super Mare. | 0:04:59 | 0:05:03 | |
That's what we'll do, then. | 0:05:03 | 0:05:04 | |
I think that went OK, don't you? | 0:05:11 | 0:05:14 | |
Jonathan, how did the signing go? | 0:05:17 | 0:05:19 | |
Very well, thank you. | 0:05:19 | 0:05:21 | |
I nearly made it, but as I've already got my copy... | 0:05:21 | 0:05:24 | |
Well, that's gratifying anyway. | 0:05:24 | 0:05:27 | |
I hope you were equipped today. | 0:05:27 | 0:05:30 | |
The last signing I went to, I had to give him my biro. | 0:05:30 | 0:05:34 | |
I don't recall that. | 0:05:34 | 0:05:35 | |
I promised to keep schtum. | 0:05:35 | 0:05:38 | |
Well, I clearly haven't learnt my lesson. | 0:05:38 | 0:05:40 | |
-Do you have your copy with you? -Of course, I wouldn't be without it. | 0:05:40 | 0:05:44 | |
Wonderful. Well, I'm very happy to sign it, if you like? | 0:05:44 | 0:05:48 | |
-No! -No...it's...fine. | 0:05:48 | 0:05:54 | |
-Who was that? -No idea. | 0:05:59 | 0:06:01 | |
But you've probably noticed I seem to have a fan base | 0:06:01 | 0:06:05 | |
of the mature-lady variety. | 0:06:05 | 0:06:08 | |
-I booked it. -Wow! There's no stopping you. Where? | 0:06:13 | 0:06:18 | |
Majorca. Don't mention it to Cherry - it's a surprise. | 0:06:18 | 0:06:20 | |
Oh, no, I promise. She's going to be dead chuffed. | 0:06:20 | 0:06:23 | |
I'm going to pop home on my house calls, get her passport number | 0:06:23 | 0:06:27 | |
for the ticket details, then I'll surprise her tonight. | 0:06:27 | 0:06:31 | |
Oh, it's going to work wonders. | 0:06:31 | 0:06:36 | |
You see, they're rather a rough, abusive family. | 0:06:36 | 0:06:39 | |
Heaven knows how they fetched up next door. | 0:06:39 | 0:06:42 | |
But Seth, the son, he's quite extraordinary. | 0:06:43 | 0:06:45 | |
In what way? | 0:06:45 | 0:06:47 | |
Well, the boy's virtually feral but he has great intelligence. | 0:06:47 | 0:06:51 | |
Course he's never in school so I took him under my wing. | 0:06:51 | 0:06:54 | |
Maybe that harks back to my teaching days... | 0:06:55 | 0:06:57 | |
There's always some poor lad with promise but no advantages. | 0:06:57 | 0:07:02 | |
So you're a mentor to him. | 0:07:02 | 0:07:04 | |
I lend Seth books and help him out... | 0:07:04 | 0:07:06 | |
You know, with the odd fiver and meal. | 0:07:06 | 0:07:11 | |
That's all very kind, Mr Bennett, | 0:07:11 | 0:07:13 | |
but if you don't mind me saying, you have to be careful. | 0:07:13 | 0:07:15 | |
This kind of charity can leave you open to abuse. | 0:07:15 | 0:07:18 | |
Maybe you're right there. | 0:07:18 | 0:07:20 | |
Seth does let himself into my flat whenever. | 0:07:20 | 0:07:24 | |
How? | 0:07:24 | 0:07:25 | |
I gave him a key. | 0:07:26 | 0:07:27 | |
It's taken its toll, if I'm honest. | 0:07:29 | 0:07:32 | |
I can't sleep, can't concentrate, even get the odd shakes. | 0:07:32 | 0:07:37 | |
Anyway, I really feel Seth's moving beyond my help. | 0:07:39 | 0:07:44 | |
Hi, Howard. It's my day off, that's why I'm here. | 0:07:46 | 0:07:50 | |
Well, I wouldn't expect you here during work time. | 0:07:50 | 0:07:52 | |
Member of staff. | 0:07:55 | 0:07:57 | |
I have a man who can sort out the locks for you. | 0:07:57 | 0:07:59 | |
If you can be home in half an hour, I'll make the call. | 0:07:59 | 0:08:02 | |
Good. Listen, why don't you pop by the surgery afterwards? | 0:08:02 | 0:08:05 | |
I'll organise an appointment with the doctor for you. | 0:08:05 | 0:08:08 | |
OK. | 0:08:08 | 0:08:10 | |
You always were a star pupil. | 0:08:12 | 0:08:15 | |
I'll see you later. | 0:08:15 | 0:08:16 | |
Shouldn't you be wearing a flower in your buttonhole, or is that the man? | 0:08:23 | 0:08:27 | |
Johnno, Captain Bellamy. Got a little locksmith job for you. | 0:08:30 | 0:08:34 | |
Seth, what do you think you're doing? | 0:08:37 | 0:08:38 | |
There's only rubbish to eat... | 0:08:38 | 0:08:41 | |
Stop that, please. Look at the mess you're making. Seth! | 0:08:41 | 0:08:44 | |
So what? | 0:08:44 | 0:08:46 | |
If you're hungry, simply ask, | 0:08:46 | 0:08:48 | |
but I'd rather you didn't intrude in my home. | 0:08:48 | 0:08:50 | |
It's OK if you're boring me with stupid poetry. | 0:08:50 | 0:08:54 | |
Anyway, you said open invite. You gave me a key. | 0:08:54 | 0:08:58 | |
Actually, I've been thinking about that and I'd like it back, please. | 0:08:59 | 0:09:02 | |
Or what? You'll chuck me out? | 0:09:02 | 0:09:05 | |
-DOORBELL RINGS -Stupid old git. | 0:09:05 | 0:09:07 | |
Right, we'll fix this once and for all. | 0:09:08 | 0:09:13 | |
You haven't left me any choice. | 0:09:13 | 0:09:15 | |
I was trying to be kind. | 0:09:15 | 0:09:18 | |
-Locksmith. -Ah, good, hello, yes, please come in. | 0:09:18 | 0:09:20 | |
Stupid old git, am I? | 0:09:22 | 0:09:24 | |
I warned you, Seth. Now you're for... | 0:09:24 | 0:09:27 | |
Hi | 0:09:37 | 0:09:38 | |
You all right? | 0:09:38 | 0:09:39 | |
-Didn't get lost finding this place? -No, why would I? | 0:09:43 | 0:09:45 | |
You've grown your hair - suits you. | 0:09:47 | 0:09:49 | |
I've brought some number crunching we need to go through. | 0:09:51 | 0:09:54 | |
I'd like another cappuccino please, | 0:09:54 | 0:09:56 | |
and he'll have an Americano with cold milk on the side. | 0:09:56 | 0:09:59 | |
No, make mine a latte, thanks. | 0:09:59 | 0:10:01 | |
Ah, good timing. | 0:10:06 | 0:10:08 | |
If you say so. | 0:10:08 | 0:10:09 | |
Are you OK? Did the locksmith come? | 0:10:09 | 0:10:11 | |
Oh, yes, that was done, thank you. | 0:10:11 | 0:10:13 | |
I've arranged for you to see Dr Reid. | 0:10:13 | 0:10:15 | |
-Hello. -I'm very grateful. | 0:10:15 | 0:10:18 | |
When Howard asked me if I could fit in THE Jonathan Bennett, | 0:10:18 | 0:10:20 | |
the local prize-winning poet... | 0:10:20 | 0:10:24 | |
Well, the pleasure's all mine. | 0:10:24 | 0:10:26 | |
Well, thank you. | 0:10:26 | 0:10:28 | |
I was young Bellamy's English teacher in an earlier life. | 0:10:28 | 0:10:31 | |
Howard, you are a dark horse. | 0:10:31 | 0:10:33 | |
I would have been shamelessly name dropping. | 0:10:33 | 0:10:36 | |
-You've guessed, I'm a fan. -I'm flattered. | 0:10:36 | 0:10:38 | |
Anyway, back to business. Shall we? | 0:10:38 | 0:10:41 | |
I didn't realise you were a poetry buff, Dr Reid. | 0:10:44 | 0:10:48 | |
Don't flatter yourself, "young Bellamy". | 0:10:48 | 0:10:51 | |
There's still a lot you don't know - yet. | 0:10:51 | 0:10:53 | |
So, this column here | 0:10:56 | 0:10:58 | |
has the expenditure for overall costs, then it's broke down here... | 0:10:58 | 0:11:02 | |
This other column shows what's been borrowed. | 0:11:02 | 0:11:06 | |
If you look at the time graph in here... | 0:11:06 | 0:11:09 | |
When you said, "We should go through all the costs..." | 0:11:09 | 0:11:12 | |
-Yeah? -I didn't think you meant like this. | 0:11:12 | 0:11:15 | |
Well, this way everyone knows where they stand - no surprises. | 0:11:15 | 0:11:21 | |
Anyway, by these calculations, | 0:11:23 | 0:11:25 | |
I reckon the amount I owe you comes to 8,000. | 0:11:25 | 0:11:27 | |
Oh, that much? | 0:11:27 | 0:11:29 | |
So, I figure, two grand I pay you now, the rest by instalments. | 0:11:29 | 0:11:32 | |
Thanks. It'll come in handy right now. | 0:11:32 | 0:11:36 | |
I'll sort the bank transfer, then. | 0:11:36 | 0:11:38 | |
-KNOCK ON DOOR -Come in. | 0:11:40 | 0:11:42 | |
-I'm done now. -Helpful? | 0:11:44 | 0:11:46 | |
Oh, most. Dr Reid was very kind. | 0:11:46 | 0:11:49 | |
She gave me something that should do the trick. | 0:11:49 | 0:11:51 | |
I hadn't realised how stressed I'd felt due to this frightful business. | 0:11:51 | 0:11:57 | |
I was wondering about that, to be honest. | 0:11:57 | 0:11:59 | |
More pragmatism, Bellamy, let's hear it. | 0:11:59 | 0:12:02 | |
I was wondering whether it may be a matter for the police. | 0:12:02 | 0:12:06 | |
Call the police on Seth? | 0:12:06 | 0:12:07 | |
You said yourself, the situation was getting out of hand. What if... | 0:12:07 | 0:12:11 | |
No, no, no! Absolutely not. | 0:12:11 | 0:12:13 | |
That's totally out of the question. He's been betrayed enough times. | 0:12:13 | 0:12:16 | |
No... Seth is just a lost boy. | 0:12:16 | 0:12:22 | |
He needs our compassion, not punishment. | 0:12:22 | 0:12:26 | |
Here are those stats you wanted. | 0:12:44 | 0:12:48 | |
Oh, Howard, cultivating your poetic side? | 0:12:48 | 0:12:52 | |
Thanks for seeing him. I know you had to squeeze him in. | 0:12:52 | 0:12:55 | |
All part of the service. Mind you, let's face it, | 0:12:55 | 0:12:58 | |
it's not exactly a hardship spending 15 minutes | 0:12:58 | 0:13:01 | |
of my day with an esteemed poet. | 0:13:01 | 0:13:03 | |
Esteemed poet or not, I can't understand why he gives | 0:13:04 | 0:13:07 | |
this boy the time of day when he should be involving the police. | 0:13:07 | 0:13:10 | |
Did he mention anything to you? | 0:13:10 | 0:13:12 | |
Mmm, he's clearly preoccupied by the boy. | 0:13:12 | 0:13:16 | |
It's funny, he sounds like he's reciting even when he's complaining. | 0:13:16 | 0:13:20 | |
There seems to be a lot of poetry about disenchanted youth, | 0:13:20 | 0:13:23 | |
seems like a recurring... | 0:13:23 | 0:13:25 | |
What? | 0:13:27 | 0:13:28 | |
There's actually a poem here called The Lost Boy. | 0:13:28 | 0:13:32 | |
Oh, yeah, so the presents... I've returned the last of them now. | 0:13:33 | 0:13:38 | |
Thanks, have you included the costs of postage? | 0:13:38 | 0:13:41 | |
Yes...in this column here. | 0:13:41 | 0:13:45 | |
Oh, and that's the fee we still need to pay for the caterers. | 0:13:45 | 0:13:48 | |
Wow, that much? | 0:13:48 | 0:13:49 | |
Yeah, we're liable for the whole amount. | 0:13:49 | 0:13:52 | |
There's a 48-hour cancellation clause. | 0:13:52 | 0:13:55 | |
I want him out! He's barricaded himself in my bathroom. | 0:14:01 | 0:14:05 | |
I can't get him out! | 0:14:05 | 0:14:07 | |
Jonathan? | 0:14:07 | 0:14:09 | |
Jonathan? | 0:14:09 | 0:14:10 | |
I thought you'd had the locks changed! | 0:14:10 | 0:14:12 | |
Seth. | 0:14:12 | 0:14:13 | |
-'Jonathan.' -Seth, what are you doing? -'Can you hear me? | 0:14:13 | 0:14:16 | |
'Jonathan?' | 0:14:16 | 0:14:17 | |
Seth. | 0:14:19 | 0:14:21 | |
Jonathan! | 0:14:21 | 0:14:22 | |
So, that's us sorted then. | 0:14:35 | 0:14:37 | |
OK. | 0:14:37 | 0:14:39 | |
Do you want to see where I work? It's not far. | 0:14:40 | 0:14:43 | |
No, thanks. I need to get back. | 0:14:43 | 0:14:45 | |
We should do this again. I mean, meet up, maybe to review everything. | 0:14:45 | 0:14:53 | |
Just text if there's a problem. | 0:14:53 | 0:14:55 | |
And I'll get that bank transfer sorted out pronto, OK? So that's it. | 0:14:55 | 0:15:02 | |
Shouldn't be any need for us to see each other again after this. | 0:15:02 | 0:15:05 | |
You were in the wine bar earlier. | 0:15:27 | 0:15:29 | |
You mean my awful meeting with Jonathan? | 0:15:29 | 0:15:31 | |
There was a problem... signing your book. | 0:15:31 | 0:15:35 | |
Yes. It was very embarrassing, actually. | 0:15:35 | 0:15:38 | |
I don't want to appear rude but...who are you exactly? | 0:15:38 | 0:15:42 | |
Sorry? | 0:15:42 | 0:15:43 | |
Are you following Jonathan? How did you know...? | 0:15:43 | 0:15:46 | |
No, I am not following him, for heaven's sake. I'm Isobel... | 0:15:46 | 0:15:49 | |
I'm his girlfriend, | 0:15:49 | 0:15:51 | |
we've been seeing each other for a few months now. | 0:15:51 | 0:15:54 | |
SHE PRESSES BUZZER | 0:15:54 | 0:15:57 | |
He led me to believe you were a fan. | 0:15:58 | 0:16:01 | |
No, that's...typical! | 0:16:01 | 0:16:03 | |
Karen, have you heard from Jimmi? He's not picking up his phone. | 0:16:24 | 0:16:26 | |
He's gone to try and find your passport. | 0:16:26 | 0:16:29 | |
He said he'd pop in home after house calls. | 0:16:31 | 0:16:34 | |
There's something not right here. He called me in a very bad way. | 0:16:48 | 0:16:51 | |
HE KNOCKS DOOR | 0:16:51 | 0:16:53 | |
Jonathan! Mr Bennett! | 0:16:53 | 0:16:56 | |
Bellamy, thank goodness! Seth's barricaded himself in my bathroom. | 0:16:58 | 0:17:03 | |
He refuses to come out. | 0:17:03 | 0:17:06 | |
Seth! | 0:17:06 | 0:17:08 | |
HE KNOCKS ON DOOR | 0:17:08 | 0:17:09 | |
Seth! I'm going to count to three then I'm calling the police. | 0:17:09 | 0:17:13 | |
One... | 0:17:14 | 0:17:15 | |
He was here. This dreadful mess is due to him, I told you. | 0:17:35 | 0:17:41 | |
The boy's like a powder keg... | 0:17:41 | 0:17:42 | |
he just explodes and leaves mayhem in his wake. | 0:17:42 | 0:17:46 | |
He has no grain of responsibility - he's rudderless. | 0:17:46 | 0:17:49 | |
A fatherless child... | 0:17:49 | 0:17:53 | |
"A fatherless child With no kith or kin | 0:17:53 | 0:17:55 | |
"A lost boy struggling to moor himself | 0:17:55 | 0:17:59 | |
"When land or island is illusory." | 0:17:59 | 0:18:01 | |
Why are you quoting from my poetry like that? | 0:18:01 | 0:18:05 | |
I've been reading it, | 0:18:05 | 0:18:07 | |
especially The Lost Boy. It sounds a lot like Seth. | 0:18:07 | 0:18:11 | |
Mr Bennett, I think you're imagining him. | 0:18:12 | 0:18:15 | |
Don't speak to me that way, you insolent boy! | 0:18:15 | 0:18:18 | |
I'm your teacher. | 0:18:18 | 0:18:19 | |
Seth is a hallucination. | 0:18:19 | 0:18:21 | |
How dare you insinuate... | 0:18:21 | 0:18:24 | |
Jonathan, it's perfectly understandable that your characters | 0:18:24 | 0:18:29 | |
are alive in your mind - that's what makes your poetry so vivid. | 0:18:29 | 0:18:34 | |
Good of you to say. | 0:18:34 | 0:18:35 | |
At least here's someone who understands my work. | 0:18:35 | 0:18:38 | |
I love your work - | 0:18:38 | 0:18:39 | |
that's what drew me to you in the first place. | 0:18:39 | 0:18:42 | |
But all this simply... doesn't make sense. | 0:18:42 | 0:18:47 | |
Your face is familiar. Weren't you at my signing this morning? | 0:18:47 | 0:18:51 | |
No...but I'm a regular, you could say. | 0:18:52 | 0:18:58 | |
I must apologise to you, finding me in this mess. | 0:18:59 | 0:19:04 | |
Hopefully this business with Seth... | 0:19:04 | 0:19:06 | |
How did Seth escape from the bathroom? | 0:19:06 | 0:19:08 | |
Must have been through the window, of course | 0:19:10 | 0:19:12 | |
There is no window. | 0:19:12 | 0:19:14 | |
Jimmi? | 0:19:19 | 0:19:20 | |
Jimmi? | 0:19:23 | 0:19:25 | |
Mr Bennett, I think it's best if you come back to the surgery with me. | 0:19:42 | 0:19:46 | |
We really do need to get you some help. | 0:19:46 | 0:19:48 | |
How often do I have to say, there is nothing wrong with me? | 0:19:48 | 0:19:52 | |
Jonathan, you're not all right. I've been so worried about you. | 0:19:52 | 0:19:57 | |
-I'm sorry, I don't think we've... -You see?! | 0:19:57 | 0:20:00 | |
You don't remember who I am from one minute to the next. | 0:20:00 | 0:20:04 | |
Just like this morning at the wine bar. | 0:20:04 | 0:20:06 | |
Are you sure? | 0:20:06 | 0:20:07 | |
I mean, I speak to so many people - my publishers, my readers... | 0:20:07 | 0:20:13 | |
Didn't you say you attended my readings? | 0:20:13 | 0:20:15 | |
Yes, but I was by your side. Look... See? | 0:20:15 | 0:20:22 | |
"To my darling Izzy, and many more memories - Jonathan." | 0:20:25 | 0:20:29 | |
Izzy. | 0:20:31 | 0:20:32 | |
I'm so sorry. | 0:20:34 | 0:20:36 | |
I just can't tell sometimes. It's all a blur. | 0:20:38 | 0:20:42 | |
Bellamy, am I going mad? | 0:20:44 | 0:20:46 | |
No, you wouldn't be able to write such brilliant poetry if you were. | 0:20:46 | 0:20:51 | |
You need to be assessed. | 0:20:51 | 0:20:53 | |
It's essential we get to the bottom of it | 0:20:53 | 0:20:55 | |
so you receive the correct treatment. | 0:20:55 | 0:20:57 | |
Ever the pragmatist. | 0:20:57 | 0:21:01 | |
Oh, dear, Izzy, I'm looking less of a catch. | 0:21:01 | 0:21:07 | |
Jonathan, I don't know if I can do this again. | 0:21:07 | 0:21:12 | |
I...nursed my parents for years and... | 0:21:12 | 0:21:17 | |
I just... | 0:21:17 | 0:21:19 | |
We've only been...a few months. | 0:21:20 | 0:21:23 | |
With a poet losing his marbles, better get out while you can. | 0:21:26 | 0:21:31 | |
Jonathan, I'm sorry for misjudging everything. | 0:21:31 | 0:21:40 | |
I better go, but please ring me any time. | 0:21:40 | 0:21:45 | |
Goodbye. | 0:21:47 | 0:21:48 | |
Well, Bellamy, that's the trouble with mature female fans... | 0:21:50 | 0:21:55 | |
They're a fickle bunch. | 0:21:57 | 0:21:59 | |
Jimmi, can we talk about this, please? | 0:22:05 | 0:22:07 | |
Can you just let me explain? | 0:22:07 | 0:22:08 | |
No need, I already know everything. | 0:22:08 | 0:22:10 | |
I know it must have been a shock finding the pill. | 0:22:12 | 0:22:14 | |
I know that I should have told you about it. | 0:22:14 | 0:22:16 | |
Cherry, I said, "I know everything." I know about you and Daniel. | 0:22:16 | 0:22:22 | |
I might have been able to overlook that, | 0:22:26 | 0:22:28 | |
despite the fact that it was my best mate, | 0:22:28 | 0:22:30 | |
despite the fact we haven't been married long. | 0:22:30 | 0:22:32 | |
In fact, I think that we're still technically newlyweds. | 0:22:32 | 0:22:35 | |
Not the best way to start a marriage, is it? | 0:22:35 | 0:22:38 | |
But, hey, nothing's perfect. | 0:22:38 | 0:22:40 | |
I might have been able to live with that one... | 0:22:41 | 0:22:43 | |
Not this. | 0:22:48 | 0:22:49 | |
Better take those. | 0:22:53 | 0:22:55 | |
Jimmi, can you just stop doing that for a minute, please? | 0:22:55 | 0:22:57 | |
Do you know the one thing that's the hardest thing to deal | 0:22:57 | 0:23:00 | |
with in all this crap? | 0:23:00 | 0:23:02 | |
It's the fact that for all this time you've been so deceptive. | 0:23:02 | 0:23:06 | |
Jimmi, I am so, so sorry. I wanted to tell you, | 0:23:08 | 0:23:13 | |
I really, really wanted to tell you, | 0:23:13 | 0:23:15 | |
I tried to tell you. | 0:23:15 | 0:23:17 | |
I've hated lying to you. | 0:23:17 | 0:23:18 | |
I've hated all of this pretending and trying to make it work... | 0:23:18 | 0:23:22 | |
It hasn't, has it? | 0:23:23 | 0:23:24 | |
I'll leave... | 0:23:31 | 0:23:34 | |
And I'll leave the Mill, too. | 0:23:36 | 0:23:38 | |
Yeah, you should. | 0:23:43 | 0:23:47 | |
This is a fine ending, eh, Bellamy, for your old teacher? | 0:23:53 | 0:23:58 | |
These tests you talk about, what did you say they were for? | 0:23:58 | 0:24:01 | |
I didn't, but it's best you talk them through with the doctor. | 0:24:01 | 0:24:04 | |
But if there is something wrong? | 0:24:04 | 0:24:06 | |
Then you cross that bridge when you come to it. | 0:24:06 | 0:24:08 | |
I'm finished as a poet. | 0:24:08 | 0:24:11 | |
You know, when I popped along to see you today, it wasn't just | 0:24:11 | 0:24:14 | |
because I was in the area, it was because I remembered you. | 0:24:14 | 0:24:19 | |
I may not have been the sharpest pebble in your class as far as | 0:24:19 | 0:24:22 | |
poetry was concerned, but I learnt something important... | 0:24:22 | 0:24:25 | |
To find your purpose and give it 100%. | 0:24:25 | 0:24:28 | |
And you learnt that from my class... | 0:24:28 | 0:24:32 | |
I learnt that from you. | 0:24:32 | 0:24:33 | |
And don't forget - this is for future generations. | 0:24:36 | 0:24:42 | |
What scares me is the thought of bearing this alone... | 0:24:42 | 0:24:46 | |
Life will be different. | 0:24:46 | 0:24:48 | |
Things will change but, as your poetry says, "Life goes on". | 0:24:48 | 0:24:54 | |
Human beings are made of stern stuff - isn't that the message? | 0:24:55 | 0:25:01 | |
You can keep the wedding presents. | 0:25:13 | 0:25:15 | |
-They were for both of us. -They're all yours. | 0:25:18 | 0:25:20 | |
Glad to see the back of them | 0:25:20 | 0:25:21 | |
How many times? | 0:25:24 | 0:25:25 | |
It was just once. | 0:25:28 | 0:25:30 | |
Do you love him? | 0:25:33 | 0:25:34 | |
Jimmi, no. | 0:25:35 | 0:25:36 | |
This was never about Daniel... | 0:25:38 | 0:25:40 | |
It was about me...it was about us. | 0:25:43 | 0:25:47 | |
Do you know what the most galling thing is in all of this? | 0:25:47 | 0:25:50 | |
You always professed to hate liars. | 0:25:50 | 0:25:53 | |
Cherry Malone, honest, faithful, true... | 0:25:53 | 0:25:56 | |
That's the line you like to spin about yourself. | 0:25:58 | 0:26:01 | |
Do you remember all the flak you gave me over Eva? | 0:26:01 | 0:26:03 | |
You're the biggest hypocrite. | 0:26:03 | 0:26:05 | |
Maybe we were just kidding ourselves all along, eh? | 0:26:08 | 0:26:13 | |
It was never really right between us, was it? | 0:26:13 | 0:26:15 | |
You look terrible. | 0:27:04 | 0:27:06 | |
Don't worry. I'm going to go straight to Howard. | 0:27:08 | 0:27:10 | |
The meeting with Ray came up last minute. | 0:27:10 | 0:27:12 | |
It was completely unavoidable. | 0:27:12 | 0:27:14 | |
Seems to be a lot of that nowadays. | 0:27:14 | 0:27:16 | |
I owe it to the partners to be professional. | 0:27:16 | 0:27:19 | |
It's simply not good business practice... | 0:27:19 | 0:27:21 | |
You and your bloomin' business! | 0:27:21 | 0:27:23 | |
I don't even want to stay here, the way this place is going. | 0:27:23 | 0:27:26 | |
Subtitles By Red Bee Media Ltd | 0:27:37 | 0:27:44 |