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SHOWER RUNS | 0:00:43 | 0:00:45 | |
Em! | 0:01:00 | 0:01:02 | |
I will take very good care of her, I promise, Mary. | 0:01:08 | 0:01:13 | |
OK, bye. | 0:01:13 | 0:01:16 | |
-Bye, bye, bye. -Good morning. Are these mine? | 0:01:16 | 0:01:18 | |
Oh, sorry. | 0:01:19 | 0:01:20 | |
Morning all. | 0:01:22 | 0:01:24 | |
Just to remind you both that I'm off this afternoon? | 0:01:24 | 0:01:28 | |
I'm taking my goddaughter round the campus. | 0:01:28 | 0:01:30 | |
She's up for the Ravenscroft Theatre Design Scholarship. | 0:01:30 | 0:01:34 | |
Sounds impressive. | 0:01:34 | 0:01:36 | |
She's only here for a few hours so I really want to make the | 0:01:36 | 0:01:40 | |
absolute most of it by taking off an extra ten minutes, if that's OK? | 0:01:40 | 0:01:44 | |
It's a very busy day, Karen. | 0:01:44 | 0:01:46 | |
It's only ten minutes, and it's in a good cause. | 0:01:46 | 0:01:48 | |
The future of British theatre design. | 0:01:48 | 0:01:50 | |
Pretty please? | 0:01:50 | 0:01:52 | |
Oh, all right. I am such a soft touch. | 0:01:52 | 0:01:55 | |
-Yeah. But we love you for it. Don't we, Daniel? -I wouldn't go that far. | 0:01:55 | 0:01:58 | |
Bet she's still asleep. | 0:02:01 | 0:02:02 | |
Hi, Tilly. | 0:02:06 | 0:02:08 | |
It's Karen again. | 0:02:08 | 0:02:09 | |
Just to remind you that we're taking Sasha round the university this afternoon. | 0:02:09 | 0:02:13 | |
Meet you at the top of the steps, yes? | 0:02:13 | 0:02:16 | |
Good morning. Sleep OK? | 0:02:21 | 0:02:23 | |
Where are you going? | 0:02:27 | 0:02:28 | |
Nowhere. | 0:02:28 | 0:02:29 | |
I've sent Martha home so we can have the day to ourselves. | 0:02:30 | 0:02:33 | |
And there's me thinking, "One look at me will transport him back to Tuscany, 1989." | 0:02:35 | 0:02:40 | |
I'm so sorry. | 0:02:40 | 0:02:42 | |
-I forgot, love. -Don't be silly. -Let me ring a florist. | 0:02:42 | 0:02:46 | |
No. I have got the perfect anniversary gift for us both. | 0:02:46 | 0:02:50 | |
It's the old recipe from the old Signora. | 0:02:52 | 0:02:54 | |
Wow, carpaccio... | 0:02:54 | 0:02:56 | |
..di tonno exactly. So that's lunch, if you fancy it? | 0:02:56 | 0:03:00 | |
-Any itches? -Shoulder. | 0:03:03 | 0:03:04 | |
Bit lower. | 0:03:07 | 0:03:08 | |
Bingo. Thanks, love | 0:03:11 | 0:03:13 | |
All part of the service. Happy anniversary. | 0:03:13 | 0:03:17 | |
Happy anniversary, you. | 0:03:17 | 0:03:19 | |
ITALIAN MUSIC PLAYS | 0:03:26 | 0:03:29 | |
Tell him I'll see him really soon. | 0:03:35 | 0:03:37 | |
And I've got another session with Oliver today which is positive. | 0:03:37 | 0:03:40 | |
Give me a call. Bye. | 0:03:40 | 0:03:42 | |
Is that Zara? | 0:03:42 | 0:03:45 | |
Zara's voicemail. I'm seeing Joe at the weekend. | 0:03:45 | 0:03:48 | |
-Ah, I bet he's gorgeous now. -Want to see him? | 0:03:48 | 0:03:51 | |
-A proper little smiler. -Yeah. I can't wait to see him. | 0:03:51 | 0:03:56 | |
-Oh, here she is! -Hello, Auntie Karen. | 0:03:56 | 0:04:01 | |
Doctor Granger. This is my ever so talented goddaughter Sasha. | 0:04:01 | 0:04:05 | |
-Hello. -Me and her mum used to go to school together, | 0:04:05 | 0:04:08 | |
best mates until she moved to the sticks. How're your mom and dad? Still keeping goats? | 0:04:08 | 0:04:12 | |
-Karen says you're trying for a scholarship here. -And she'll get it. | 0:04:12 | 0:04:15 | |
I really hope so. | 0:04:15 | 0:04:17 | |
So this is the next John Ravenscourt? | 0:04:18 | 0:04:20 | |
Dr Carter, this is Sasha. | 0:04:21 | 0:04:23 | |
Karen's been telling us all about your Egyptian masks. | 0:04:23 | 0:04:27 | |
-I really need the toilet. -Downstairs on the left. | 0:04:28 | 0:04:31 | |
Was it me or is she a tad shy? | 0:04:34 | 0:04:36 | |
Teenagers. She never used to be like that. | 0:04:36 | 0:04:38 | |
-Out of her comfort zone, I expect. University will toughen her up. -If she survives it. | 0:04:38 | 0:04:43 | |
She'll be fine. | 0:04:43 | 0:04:44 | |
SHE LAUGHS | 0:04:49 | 0:04:51 | |
Look at those stilettos what was I thinking? | 0:04:51 | 0:04:55 | |
I'm having to hang on to you. | 0:04:55 | 0:04:57 | |
No, you just liked to hang on to me. | 0:04:57 | 0:05:00 | |
Oh! Oh, well. | 0:05:06 | 0:05:09 | |
She'll be here in a bit. | 0:05:09 | 0:05:12 | |
Your mum said you wanted to see the university theatre, so we'll do that. | 0:05:12 | 0:05:16 | |
-I don't know what's on at the minute. -A Streetcar Named Desire. -Oh, is it? | 0:05:16 | 0:05:19 | |
Oh, it's voicemail. I'll try again. | 0:05:21 | 0:05:23 | |
Anything else you want to see, just let me know and I'll sort it. | 0:05:23 | 0:05:26 | |
Or I can ask myself. | 0:05:26 | 0:05:28 | |
Course you can, that's why you're here. | 0:05:28 | 0:05:31 | |
Hark at me, gassing on. | 0:05:31 | 0:05:32 | |
Mum said you probably would. | 0:05:32 | 0:05:34 | |
Oh... Come on, answer your phone. | 0:05:35 | 0:05:39 | |
Ah, there's Tilly. | 0:05:39 | 0:05:41 | |
Cheek! | 0:05:42 | 0:05:43 | |
This is for you. | 0:05:46 | 0:05:47 | |
This is the first year I wouldn't have got you roses. | 0:06:04 | 0:06:07 | |
A card is fine. | 0:06:07 | 0:06:10 | |
And it just so happens, here's one I bought earlier. | 0:06:10 | 0:06:13 | |
Nice. | 0:06:21 | 0:06:22 | |
"To Emma, love Sam." | 0:06:43 | 0:06:46 | |
Short and sweet. | 0:06:47 | 0:06:48 | |
Well, the card says it all. | 0:06:50 | 0:06:52 | |
Yes, it does. | 0:06:55 | 0:06:56 | |
Tilly! | 0:07:03 | 0:07:04 | |
We said by the steps, didn't we? | 0:07:05 | 0:07:07 | |
No, we said here. I've been waiting ages. | 0:07:07 | 0:07:10 | |
Really? Anyway, this is Sasha. | 0:07:10 | 0:07:13 | |
-Hello. -All right? | 0:07:13 | 0:07:15 | |
This is very kind of you. | 0:07:15 | 0:07:16 | |
Immie said you may be able to show us the department, | 0:07:16 | 0:07:19 | |
the workshop, the campus and.. | 0:07:19 | 0:07:21 | |
I'm really busy, Karen. I've only got half an hour. | 0:07:21 | 0:07:24 | |
-You said an hour. -You can show her round yourself. You've been here longer than me. | 0:07:24 | 0:07:28 | |
I'm not a student, though, am I? | 0:07:28 | 0:07:31 | |
Immie thought you might have some time for us. | 0:07:31 | 0:07:33 | |
How is Immie? I bet she's busy too. | 0:07:33 | 0:07:37 | |
-She is but... -Is this your design, Tilly? | 0:07:37 | 0:07:39 | |
Yeah and I made it. | 0:07:39 | 0:07:42 | |
Wow. It's so in your face. | 0:07:42 | 0:07:45 | |
Yeah? | 0:07:45 | 0:07:46 | |
It's wicked. Are you going to sell them? | 0:07:46 | 0:07:49 | |
Maybe I will. | 0:07:49 | 0:07:51 | |
Well, since we're here I suppose this is Theatre and Design. | 0:07:51 | 0:07:54 | |
We've got two floors. | 0:07:54 | 0:07:56 | |
Coffee. | 0:08:10 | 0:08:12 | |
Oh. There you go. | 0:08:12 | 0:08:14 | |
Ooh, I've forgotten to put the champagne in the fridge. | 0:08:14 | 0:08:17 | |
Tilly, would it be all right | 0:08:23 | 0:08:25 | |
if we saw the sets for Streets Of Desire or whatever it's...? | 0:08:25 | 0:08:28 | |
The theatre's over the other side. | 0:08:28 | 0:08:29 | |
It's five minutes away. She's dying to see it. | 0:08:29 | 0:08:32 | |
I read a review. "Moody and mesmerising", one said. | 0:08:32 | 0:08:35 | |
You need special permission, which is impossible to get. | 0:08:35 | 0:08:38 | |
Oh, is it? | 0:08:38 | 0:08:39 | |
Surely you can sneak us in. | 0:08:39 | 0:08:41 | |
It's a working theatre, Karen, they can't just let anyone in. | 0:08:41 | 0:08:44 | |
But she's come all this way. | 0:08:44 | 0:08:46 | |
Morning. | 0:08:46 | 0:08:47 | |
Hi, Paul. | 0:08:47 | 0:08:49 | |
Hi, Tina. | 0:08:49 | 0:08:50 | |
Tilly. | 0:08:50 | 0:08:52 | |
Are these for Streetcar? | 0:08:52 | 0:08:54 | |
No, they're prototypes for the next production | 0:08:54 | 0:08:56 | |
They're great. Although I would have used a foam core. | 0:08:56 | 0:09:01 | |
I agree. Dr Paul Fox, visiting lecturer. | 0:09:02 | 0:09:06 | |
I'm Karen Hollins... | 0:09:08 | 0:09:09 | |
Oh, dear! | 0:09:09 | 0:09:10 | |
Bull in a china shop! | 0:09:11 | 0:09:13 | |
I'm Karen Hollins, I work at the Campus Surgery. | 0:09:13 | 0:09:15 | |
You've got a bit of lipstick. | 0:09:16 | 0:09:18 | |
Sorry. My wife. | 0:09:20 | 0:09:21 | |
This is Sasha my goddaughter, | 0:09:23 | 0:09:25 | |
she's here for the Ravenscourt Scholarship. | 0:09:25 | 0:09:28 | |
She was asked to apply. | 0:09:28 | 0:09:29 | |
Was she? | 0:09:29 | 0:09:30 | |
You've certainly caught someone's eye. | 0:09:30 | 0:09:33 | |
She's got some questions about the course. | 0:09:33 | 0:09:36 | |
Excellent. Fire away. | 0:09:36 | 0:09:38 | |
I had a list....somewhere | 0:09:38 | 0:09:41 | |
If you could spare some time for a proper chat? | 0:09:42 | 0:09:46 | |
Why not? Always glad to help young talent. | 0:09:46 | 0:09:49 | |
I'm free after lunch. | 0:09:49 | 0:09:51 | |
Why don't we go for a drink at the Union. | 0:09:51 | 0:09:54 | |
I thought you were busy? | 0:09:54 | 0:09:56 | |
No, of course not. | 0:09:56 | 0:09:58 | |
I'm always happy to help new students. | 0:09:58 | 0:10:01 | |
Besides, Karen's buying. | 0:10:01 | 0:10:03 | |
OK. See you at half one. | 0:10:03 | 0:10:05 | |
Thanks so much, Tilly. | 0:10:07 | 0:10:09 | |
No problem. Meet you there. | 0:10:09 | 0:10:11 | |
Paul Fox is like the megastar of theatre design, Auntie Karen. | 0:10:13 | 0:10:17 | |
That was so nice of Tilly. | 0:10:17 | 0:10:19 | |
Perhaps we should have some lunch first? | 0:10:19 | 0:10:22 | |
Mum sent goat's cheese sandwiches. | 0:10:22 | 0:10:25 | |
Maybe I should save my money for the bar. | 0:10:25 | 0:10:28 | |
Apparently I'm buying. | 0:10:28 | 0:10:30 | |
Ta-dah! | 0:11:02 | 0:11:04 | |
You didn't drink your coffee. | 0:11:05 | 0:11:07 | |
I couldn't reach it. | 0:11:07 | 0:11:08 | |
I'm so sorry. How stupid of me. | 0:11:08 | 0:11:11 | |
Anyway, this should cheer you up. | 0:11:11 | 0:11:14 | |
Marks out of ten for the carpaccio? | 0:11:17 | 0:11:20 | |
I think I may have put too much lemon juice in it. | 0:11:20 | 0:11:22 | |
See what you think. | 0:11:22 | 0:11:24 | |
Hang on. | 0:11:27 | 0:11:29 | |
There you go. | 0:11:31 | 0:11:33 | |
OK, try this. | 0:11:33 | 0:11:36 | |
No, I'm fine. | 0:11:37 | 0:11:39 | |
Maybe I'll just have a drink first, I think. | 0:11:44 | 0:11:46 | |
Right. OK. | 0:11:46 | 0:11:48 | |
-Oh, OK. Hang on. -For goodness sake! | 0:11:57 | 0:12:01 | |
-Do you want a straw? -No! | 0:12:01 | 0:12:02 | |
Oh, for heaven's sake, Emma, just take it away. | 0:12:04 | 0:12:07 | |
-But it's our anniversary. -Please! | 0:12:10 | 0:12:13 | |
It's a celebration. | 0:12:14 | 0:12:15 | |
Why on earth would we be celebrating? | 0:12:16 | 0:12:20 | |
Hmm? | 0:12:20 | 0:12:21 | |
-So what d'you think of the university? -The workshop was awesome. | 0:12:26 | 0:12:30 | |
Jack says it's a really friendly place. | 0:12:30 | 0:12:32 | |
I gather that not all universities are like that. | 0:12:32 | 0:12:34 | |
It's so expensive. | 0:12:34 | 0:12:36 | |
True, but... | 0:12:36 | 0:12:37 | |
I think I'm only going to go if I get the scholarship. | 0:12:37 | 0:12:39 | |
Does your mum know that? | 0:12:39 | 0:12:41 | |
I just think that if I can get a job in the theatre, | 0:12:41 | 0:12:43 | |
I can be learning things without having to pay out thousands. | 0:12:43 | 0:12:47 | |
John Ravenscourt never went to uni. | 0:12:47 | 0:12:50 | |
That's ironic. But how many theatre design jobs are there? | 0:12:50 | 0:12:53 | |
We'd better make the most of this afternoon's chat with Paul Fox. | 0:12:55 | 0:13:00 | |
Actually, about this afternoon... | 0:13:00 | 0:13:02 | |
That was so nice of Tilly to organise, cos she's so busy. | 0:13:02 | 0:13:06 | |
I mean, Paul Fox. | 0:13:06 | 0:13:08 | |
People still talk about his multimedia exhibitions, even though they were years ago. | 0:13:08 | 0:13:12 | |
I think she's more interested in him than the work. Him as a man. | 0:13:12 | 0:13:17 | |
She's sharing her contacts, Auntie Karen, which is so generous. | 0:13:18 | 0:13:22 | |
She'll be sharing something... | 0:13:22 | 0:13:24 | |
I just wanted to say, be careful of Tilly. | 0:13:24 | 0:13:27 | |
Sorry, love. | 0:13:29 | 0:13:31 | |
My appetite's all over the place. | 0:13:33 | 0:13:37 | |
And I'm not exactly the best company, am I? | 0:13:37 | 0:13:39 | |
Look, I know you're feeling terrible | 0:13:41 | 0:13:45 | |
and you probably think that nothing | 0:13:45 | 0:13:48 | |
is worth anything anymore, but maybe... | 0:13:48 | 0:13:51 | |
We should count our blessings? | 0:13:51 | 0:13:53 | |
No. I wasn't going to say that. | 0:13:53 | 0:13:55 | |
Maybe this will bring us closer together. | 0:13:55 | 0:13:59 | |
We've got a second chance. | 0:14:01 | 0:14:02 | |
What, so it was a good thing that this happened to me?! | 0:14:04 | 0:14:07 | |
No obviously not. Don't be stupid. | 0:14:07 | 0:14:09 | |
There are no positives here, Emma. | 0:14:11 | 0:14:13 | |
That was me. | 0:14:20 | 0:14:23 | |
That was Sam Reid. | 0:14:24 | 0:14:25 | |
That was your husband. | 0:14:25 | 0:14:27 | |
God knows who this is, cos I don't. | 0:14:29 | 0:14:32 | |
You are the man I married, | 0:14:33 | 0:14:35 | |
the man I loved, the man I still love. | 0:14:35 | 0:14:39 | |
Please, you need to stop fooling yourself. | 0:14:41 | 0:14:44 | |
Tilly. | 0:14:56 | 0:14:58 | |
Strewth, look at you! | 0:14:58 | 0:14:59 | |
-You look amazing. -I'm going out later so... | 0:14:59 | 0:15:01 | |
Thanks again for organising this. | 0:15:01 | 0:15:03 | |
Sure. Paul's great. He's so passionate. | 0:15:03 | 0:15:08 | |
And he's good-looking. Shame he's married. Don't you think, Tilly? | 0:15:08 | 0:15:11 | |
He's a free agent. | 0:15:11 | 0:15:12 | |
Not with a wife, he's not. | 0:15:12 | 0:15:14 | |
-Grow up, Karen. -Hey, watch the attitude, you little madam. | 0:15:14 | 0:15:17 | |
Auntie Karen, please? | 0:15:17 | 0:15:19 | |
Paul. Hi. | 0:15:25 | 0:15:26 | |
Hey, hey, hey! | 0:15:26 | 0:15:28 | |
Hello again. | 0:15:28 | 0:15:29 | |
So... | 0:15:34 | 0:15:36 | |
What does everyone want? | 0:15:36 | 0:15:38 | |
Vodka and tonic for me. | 0:15:38 | 0:15:39 | |
You sit down. Make the most of Paul. | 0:15:39 | 0:15:41 | |
I probably shouldn't tell you this, but our head of department's just been singing your praises. | 0:15:41 | 0:15:47 | |
You're Sasha Millican? | 0:15:47 | 0:15:48 | |
-That's right. -Egyptian masks? | 0:15:48 | 0:15:50 | |
Wow, Sasha, they know your name. | 0:15:50 | 0:15:53 | |
-What would you like to drink? -I'll have another G&T, thanks. | 0:15:53 | 0:15:56 | |
-Sasha? -Orange juice, please. -So what's on your list? | 0:15:56 | 0:16:00 | |
Ah, well, the first thing is work placements. | 0:16:00 | 0:16:03 | |
You won't know this, Sasha, cos you're still at school, | 0:16:03 | 0:16:07 | |
but Paul's a respected artist in his own right. | 0:16:07 | 0:16:10 | |
I've had my share of success. | 0:16:10 | 0:16:12 | |
I loved your article on surround video techniques. | 0:16:12 | 0:16:15 | |
His what? | 0:16:15 | 0:16:17 | |
That was pretty controversial. | 0:16:17 | 0:16:20 | |
Tilly, come and give me a hand with the drinks. | 0:16:20 | 0:16:22 | |
It's true. I thought it was quite interesting... | 0:16:22 | 0:16:25 | |
Hey I love your earring, is it new?! | 0:16:25 | 0:16:28 | |
-Yeah. -Oh! | 0:16:28 | 0:16:29 | |
I daren't ask. | 0:16:37 | 0:16:39 | |
Foxes? Squirrels? Wombles? | 0:16:41 | 0:16:44 | |
-They're rabbits. -Oh, yeah, so they are. -You've got one orange leg. | 0:16:44 | 0:16:50 | |
Is that part of the Tuscan look? | 0:16:51 | 0:16:54 | |
I ran out of fake tan. You weren't supposed to notice. | 0:16:54 | 0:16:59 | |
I always notice. | 0:17:03 | 0:17:05 | |
I was a grumpy git before, Em. | 0:17:09 | 0:17:10 | |
I'm not going to get any cheerier now. | 0:17:10 | 0:17:13 | |
You were never grumpy. | 0:17:16 | 0:17:18 | |
Are there modules on lighting design? | 0:17:25 | 0:17:28 | |
That shirt is amazing, Paul. | 0:17:28 | 0:17:31 | |
It really suits your physique. | 0:17:31 | 0:17:33 | |
So does yours. | 0:17:34 | 0:17:35 | |
Sorry, I should have held off on the G&Ts, but my wife... | 0:17:39 | 0:17:44 | |
Your wife? You were saying about your wife? | 0:17:46 | 0:17:49 | |
I think she's... | 0:17:51 | 0:17:54 | |
Between you and me, | 0:17:55 | 0:17:56 | |
I think my wife Marianne is maybe having an affair. | 0:17:56 | 0:18:01 | |
Oh dear. | 0:18:01 | 0:18:03 | |
I can't lose her. It's devastating. | 0:18:03 | 0:18:06 | |
Devastating, yes. | 0:18:06 | 0:18:08 | |
Paul, I was really hoping to see inside the theatre. | 0:18:08 | 0:18:12 | |
-You need permission, I'm afraid. -Told you. | 0:18:12 | 0:18:14 | |
Paul, have you and Marianne, was it? Have you got kids? | 0:18:15 | 0:18:19 | |
Oh, yeah, five and three. | 0:18:19 | 0:18:24 | |
Awh. | 0:18:24 | 0:18:27 | |
They're great. | 0:18:27 | 0:18:28 | |
-So, she was asking...? -Yes, sorry, what were you asking? -I was... | 0:18:28 | 0:18:32 | |
Is it silk-based? It feels great. | 0:18:32 | 0:18:36 | |
-Oops. I am so sorry. -Karen! For goodness sake I'm soaked! | 0:18:37 | 0:18:41 | |
I'll just help her out. | 0:18:41 | 0:18:45 | |
Paul. The lighting design modules? | 0:18:47 | 0:18:50 | |
Yeah, we look at visual composition, relationship with performance... | 0:18:50 | 0:18:57 | |
What's going on with you, sweetheart? | 0:19:00 | 0:19:02 | |
Immie says that you are always all about the work and you were great. | 0:19:02 | 0:19:08 | |
-That's a lie. -One of the best in college. | 0:19:08 | 0:19:10 | |
Maybe there. But out there we're average. | 0:19:11 | 0:19:15 | |
Not rubbish, but not great either. | 0:19:15 | 0:19:18 | |
It's actually quite hard being average. | 0:19:19 | 0:19:22 | |
Immie's at the Slade, I'd say she's managing. | 0:19:22 | 0:19:26 | |
I'm managing. | 0:19:26 | 0:19:28 | |
What, like this? Throwing yourself at a lecturer twice your age? | 0:19:28 | 0:19:32 | |
Yes. Like this. | 0:19:32 | 0:19:34 | |
They've gone. You did that on purpose. | 0:19:42 | 0:19:46 | |
Ring Sasha, find out where they are. | 0:19:46 | 0:19:48 | |
I'm not taking orders from you. | 0:19:48 | 0:19:49 | |
I get it. You haven't got Paul's number yet, have you? | 0:19:51 | 0:19:54 | |
Sorry. | 0:19:59 | 0:20:00 | |
Wow! | 0:20:03 | 0:20:04 | |
I can't show you the lighting, unfortunately, | 0:20:06 | 0:20:09 | |
but it really emphasises the harshness of the play. | 0:20:09 | 0:20:12 | |
I've got goose bumps. | 0:20:14 | 0:20:15 | |
Have you? | 0:20:15 | 0:20:17 | |
It's great seeing a young artist so engaged with other people's work. | 0:20:17 | 0:20:22 | |
Thank you so much for showing me. | 0:20:22 | 0:20:24 | |
Can I see the other props? Are they backstage? | 0:20:25 | 0:20:29 | |
That's right. After you. | 0:20:29 | 0:20:31 | |
After our last session, I was trying to think about the initial triggers. | 0:20:40 | 0:20:44 | |
Mmm-hmm. And? | 0:20:45 | 0:20:48 | |
How could I be jealous? I love my son, I honestly do. | 0:20:48 | 0:20:52 | |
So? | 0:20:53 | 0:20:55 | |
But I was. Not of him himself. | 0:20:55 | 0:20:58 | |
But of how he became the absolute centre of Zara's life. | 0:20:59 | 0:21:04 | |
Where I used to be. | 0:21:05 | 0:21:07 | |
That's pathetic, isn't it? | 0:21:09 | 0:21:10 | |
What do you mean by "the centre of her life"? | 0:21:12 | 0:21:15 | |
That she loved him unconditionally. | 0:21:19 | 0:21:22 | |
There was no room for anyone else. | 0:21:22 | 0:21:24 | |
For you? | 0:21:25 | 0:21:27 | |
That's what I thought, initially. But then I realised she's never loved me that way. | 0:21:27 | 0:21:32 | |
I love her unconditionally. | 0:21:34 | 0:21:36 | |
Zara has got a lot of barriers up. | 0:21:38 | 0:21:40 | |
I've never been able to get through them all. | 0:21:40 | 0:21:43 | |
And Joe? | 0:21:45 | 0:21:46 | |
He broke through them just like that. | 0:21:46 | 0:21:50 | |
I'm not sure where the working lights are. | 0:21:51 | 0:21:54 | |
It totally captures the despair of the play. | 0:21:54 | 0:21:56 | |
The images look amazing. | 0:21:58 | 0:21:59 | |
So do you. | 0:22:01 | 0:22:02 | |
I know I shouldn't, but I'm going to help you get on this course. | 0:22:05 | 0:22:10 | |
Cos we could do some fantastic work together. | 0:22:10 | 0:22:14 | |
Sorry? | 0:22:14 | 0:22:15 | |
Don't be. | 0:22:16 | 0:22:18 | |
I'm sorry. I don't know what came over me. | 0:22:26 | 0:22:30 | |
That was totally unprofessional, I should never have kissed you back. | 0:22:30 | 0:22:36 | |
I apologise profusely. | 0:22:36 | 0:22:38 | |
She's that way. | 0:22:41 | 0:22:44 | |
She's been let down by people all her life including by me. | 0:22:45 | 0:22:49 | |
No wonder she's wary. Self preservation. | 0:22:52 | 0:22:55 | |
As is maternal instinct. | 0:22:57 | 0:22:59 | |
Yeah. | 0:23:03 | 0:23:04 | |
As I said, she took me by surprise. | 0:23:11 | 0:23:13 | |
She's 17. | 0:23:13 | 0:23:14 | |
I should've read the signals better. I wasn't expecting her to... | 0:23:14 | 0:23:17 | |
Sorry, but you kissed me! | 0:23:17 | 0:23:19 | |
This is so lame. | 0:23:19 | 0:23:21 | |
I'm a happily married man. | 0:23:21 | 0:23:22 | |
Happily married. You're a dirty... | 0:23:22 | 0:23:24 | |
I open up the theatre out of the goodness of my heart... | 0:23:24 | 0:23:27 | |
Nothing to do with the four gin and tonics. | 0:23:27 | 0:23:29 | |
..for the benefit of a potential student and this is what happens. | 0:23:29 | 0:23:34 | |
-Now if you don't mind... -Why are you lying? | 0:23:35 | 0:23:38 | |
-Lying?! -Yeah. | 0:23:38 | 0:23:40 | |
I think your young friend needs to grow up | 0:23:40 | 0:23:42 | |
a little before she applies here. | 0:23:42 | 0:23:44 | |
-What? -We're looking for talent, yes, | 0:23:44 | 0:23:46 | |
but equally crucial is the maturity to use that talent. | 0:23:46 | 0:23:51 | |
Don't you think, Tilly? | 0:23:51 | 0:23:53 | |
Maturity is crucial. | 0:23:54 | 0:23:57 | |
Hang on, you're going to make her pay for your seedy little mistake? | 0:23:57 | 0:24:00 | |
It's about maturity, Karen, weren't you listening? | 0:24:00 | 0:24:03 | |
John Ravenscourt was younger than me when he started his career. | 0:24:03 | 0:24:06 | |
This scholarship's about raw talent. | 0:24:06 | 0:24:08 | |
I'm afraid to say, | 0:24:08 | 0:24:10 | |
creative success is as much about your personality as your talent. | 0:24:10 | 0:24:14 | |
Tough but true. | 0:24:14 | 0:24:16 | |
-Sorry, hon, but he's right. -Walk with me to the office. | 0:24:16 | 0:24:22 | |
Sweetheart, are you OK? Yes? | 0:24:25 | 0:24:28 | |
Oh! | 0:24:28 | 0:24:30 | |
He needs her to love him unconditionally. | 0:24:33 | 0:24:36 | |
I get that, every child needs that. | 0:24:36 | 0:24:39 | |
Everybody wants to be loved as much as they love others. | 0:24:39 | 0:24:43 | |
But even when I've done my best to be trustworthy and a good partner, | 0:24:43 | 0:24:47 | |
if she could just have a little bit more faith in me. | 0:24:47 | 0:24:50 | |
Maybe I should talk to her about couples therapy again. | 0:24:50 | 0:24:53 | |
What do you think? | 0:24:53 | 0:24:54 | |
Daniel, for now we need to focus on your issues. | 0:24:54 | 0:24:59 | |
It's more important we understand how you got to where you did... | 0:25:00 | 0:25:04 | |
..with Joe. | 0:25:05 | 0:25:06 | |
I'm going to report him for this, don't you worry. | 0:25:10 | 0:25:13 | |
I am so sorry. | 0:25:13 | 0:25:15 | |
What are you doing? | 0:25:17 | 0:25:19 | |
"Pick me up urgently. My office." | 0:25:19 | 0:25:22 | |
Who are you sending that to? | 0:25:22 | 0:25:25 | |
Um Marianne, wasn't it? | 0:25:25 | 0:25:26 | |
His wife? | 0:25:26 | 0:25:28 | |
Message sent. | 0:25:30 | 0:25:31 | |
That'll sort him out. | 0:25:31 | 0:25:34 | |
You don't have to worry about me, | 0:25:34 | 0:25:36 | |
Auntie Karen, I can look after myself. | 0:25:36 | 0:25:38 | |
I can see that. | 0:25:38 | 0:25:40 | |
This hasn't put you off university, has it? | 0:25:44 | 0:25:47 | |
I have had an awesome day, thanks. | 0:25:47 | 0:25:51 | |
I'm definitely going to go to university, scholarship or not. | 0:25:51 | 0:25:54 | |
I'm dead chuffed. And your mum will be really happy, | 0:25:54 | 0:25:59 | |
which makes me happy. | 0:25:59 | 0:26:01 | |
Can you imagine her face | 0:26:01 | 0:26:03 | |
when I tell her a middle-aged lecturer kissed me? | 0:26:03 | 0:26:05 | |
You might want more from life. | 0:26:08 | 0:26:11 | |
What more could I want? | 0:26:11 | 0:26:12 | |
You've been there for me every day since I was 16 years old. | 0:26:14 | 0:26:18 | |
I couldn't have done any of it without you. | 0:26:18 | 0:26:20 | |
I'd have never become a doctor. | 0:26:20 | 0:26:23 | |
You worked hard. You earned it. | 0:26:23 | 0:26:25 | |
Sam, the happiest days of my life are when I'm with you. | 0:26:25 | 0:26:30 | |
How many couples can say that, that they're happy? | 0:26:32 | 0:26:36 | |
Not many. | 0:26:38 | 0:26:39 | |
We like each other. | 0:26:41 | 0:26:43 | |
No, we love each other. | 0:26:46 | 0:26:47 | |
We managed before, we'll manage now. | 0:26:52 | 0:26:57 | |
And Isabella's pregnant! | 0:27:07 | 0:27:09 | |
Ah. Who's Isabella, have I met her? | 0:27:09 | 0:27:12 | |
-Is she hot? -She's a pig. | 0:27:12 | 0:27:14 | |
Scientific studies have proven | 0:27:17 | 0:27:19 | |
that my treatment will reduce the risk of cancer by up to 50%. | 0:27:19 | 0:27:24 | |
There's a fox so keep an eye on the chickens. | 0:27:24 | 0:27:26 | |
-And the septic tank'll need emptying. -What?! | 0:27:26 | 0:27:29 | |
Subtitles by Red Bee Media Ltd | 0:27:37 | 0:27:40 |