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SHOWER RUNS

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Em!

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I will take very good care of her, I promise, Mary.

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OK, bye.

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-Bye, bye, bye.

-Good morning. Are these mine?

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Oh, sorry.

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Morning all.

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Just to remind you both that I'm off this afternoon?

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I'm taking my goddaughter round the campus.

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She's up for the Ravenscroft Theatre Design Scholarship.

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Sounds impressive.

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She's only here for a few hours so I really want to make the

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absolute most of it by taking off an extra ten minutes, if that's OK?

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It's a very busy day, Karen.

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It's only ten minutes, and it's in a good cause.

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The future of British theatre design.

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Pretty please?

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Oh, all right. I am such a soft touch.

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-Yeah. But we love you for it. Don't we, Daniel?

-I wouldn't go that far.

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Bet she's still asleep.

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Hi, Tilly.

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It's Karen again.

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Just to remind you that we're taking Sasha round the university this afternoon.

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Meet you at the top of the steps, yes?

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Good morning. Sleep OK?

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Where are you going?

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Nowhere.

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I've sent Martha home so we can have the day to ourselves.

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And there's me thinking, "One look at me will transport him back to Tuscany, 1989."

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I'm so sorry.

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-I forgot, love.

-Don't be silly.

-Let me ring a florist.

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No. I have got the perfect anniversary gift for us both.

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It's the old recipe from the old Signora.

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Wow, carpaccio...

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..di tonno exactly. So that's lunch, if you fancy it?

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-Any itches?

-Shoulder.

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Bit lower.

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Bingo. Thanks, love

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All part of the service. Happy anniversary.

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Happy anniversary, you.

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ITALIAN MUSIC PLAYS

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Tell him I'll see him really soon.

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And I've got another session with Oliver today which is positive.

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Give me a call. Bye.

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Is that Zara?

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Zara's voicemail. I'm seeing Joe at the weekend.

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-Ah, I bet he's gorgeous now.

-Want to see him?

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-A proper little smiler.

-Yeah. I can't wait to see him.

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-Oh, here she is!

-Hello, Auntie Karen.

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Doctor Granger. This is my ever so talented goddaughter Sasha.

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-Hello.

-Me and her mum used to go to school together,

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best mates until she moved to the sticks. How're your mom and dad? Still keeping goats?

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-Karen says you're trying for a scholarship here.

-And she'll get it.

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I really hope so.

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So this is the next John Ravenscourt?

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Dr Carter, this is Sasha.

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Karen's been telling us all about your Egyptian masks.

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-I really need the toilet.

-Downstairs on the left.

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Was it me or is she a tad shy?

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Teenagers. She never used to be like that.

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-Out of her comfort zone, I expect. University will toughen her up.

-If she survives it.

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She'll be fine.

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SHE LAUGHS

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Look at those stilettos what was I thinking?

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I'm having to hang on to you.

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No, you just liked to hang on to me.

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Oh! Oh, well.

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She'll be here in a bit.

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Your mum said you wanted to see the university theatre, so we'll do that.

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-I don't know what's on at the minute.

-A Streetcar Named Desire.

-Oh, is it?

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Oh, it's voicemail. I'll try again.

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Anything else you want to see, just let me know and I'll sort it.

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Or I can ask myself.

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Course you can, that's why you're here.

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Hark at me, gassing on.

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Mum said you probably would.

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Oh... Come on, answer your phone.

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Ah, there's Tilly.

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Cheek!

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This is for you.

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This is the first year I wouldn't have got you roses.

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A card is fine.

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And it just so happens, here's one I bought earlier.

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Nice.

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"To Emma, love Sam."

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Short and sweet.

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Well, the card says it all.

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Yes, it does.

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Tilly!

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We said by the steps, didn't we?

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No, we said here. I've been waiting ages.

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Really? Anyway, this is Sasha.

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-Hello.

-All right?

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This is very kind of you.

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Immie said you may be able to show us the department,

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the workshop, the campus and..

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I'm really busy, Karen. I've only got half an hour.

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-You said an hour.

-You can show her round yourself. You've been here longer than me.

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I'm not a student, though, am I?

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Immie thought you might have some time for us.

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How is Immie? I bet she's busy too.

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-She is but...

-Is this your design, Tilly?

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Yeah and I made it.

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Wow. It's so in your face.

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Yeah?

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It's wicked. Are you going to sell them?

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Maybe I will.

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Well, since we're here I suppose this is Theatre and Design.

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We've got two floors.

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Coffee.

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Oh. There you go.

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Ooh, I've forgotten to put the champagne in the fridge.

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Tilly, would it be all right

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if we saw the sets for Streets Of Desire or whatever it's...?

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The theatre's over the other side.

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It's five minutes away. She's dying to see it.

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I read a review. "Moody and mesmerising", one said.

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You need special permission, which is impossible to get.

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Oh, is it?

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Surely you can sneak us in.

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It's a working theatre, Karen, they can't just let anyone in.

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But she's come all this way.

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Morning.

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Hi, Paul.

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Hi, Tina.

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Tilly.

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Are these for Streetcar?

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No, they're prototypes for the next production

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They're great. Although I would have used a foam core.

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I agree. Dr Paul Fox, visiting lecturer.

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I'm Karen Hollins...

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Oh, dear!

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Bull in a china shop!

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I'm Karen Hollins, I work at the Campus Surgery.

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You've got a bit of lipstick.

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Sorry. My wife.

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This is Sasha my goddaughter,

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she's here for the Ravenscourt Scholarship.

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She was asked to apply.

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Was she?

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You've certainly caught someone's eye.

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She's got some questions about the course.

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Excellent. Fire away.

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I had a list....somewhere

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If you could spare some time for a proper chat?

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Why not? Always glad to help young talent.

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I'm free after lunch.

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Why don't we go for a drink at the Union.

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I thought you were busy?

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No, of course not.

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I'm always happy to help new students.

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Besides, Karen's buying.

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OK. See you at half one.

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Thanks so much, Tilly.

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No problem. Meet you there.

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Paul Fox is like the megastar of theatre design, Auntie Karen.

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That was so nice of Tilly.

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Perhaps we should have some lunch first?

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Mum sent goat's cheese sandwiches.

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Maybe I should save my money for the bar.

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Apparently I'm buying.

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Ta-dah!

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You didn't drink your coffee.

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I couldn't reach it.

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I'm so sorry. How stupid of me.

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Anyway, this should cheer you up.

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Marks out of ten for the carpaccio?

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I think I may have put too much lemon juice in it.

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See what you think.

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Hang on.

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There you go.

0:11:310:11:33

OK, try this.

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No, I'm fine.

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Maybe I'll just have a drink first, I think.

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Right. OK.

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-Oh, OK. Hang on.

-For goodness sake!

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-Do you want a straw?

-No!

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Oh, for heaven's sake, Emma, just take it away.

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-But it's our anniversary.

-Please!

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It's a celebration.

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Why on earth would we be celebrating?

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Hmm?

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-So what d'you think of the university?

-The workshop was awesome.

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Jack says it's a really friendly place.

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I gather that not all universities are like that.

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It's so expensive.

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True, but...

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I think I'm only going to go if I get the scholarship.

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Does your mum know that?

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I just think that if I can get a job in the theatre,

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I can be learning things without having to pay out thousands.

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John Ravenscourt never went to uni.

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That's ironic. But how many theatre design jobs are there?

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We'd better make the most of this afternoon's chat with Paul Fox.

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Actually, about this afternoon...

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That was so nice of Tilly to organise, cos she's so busy.

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I mean, Paul Fox.

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People still talk about his multimedia exhibitions, even though they were years ago.

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I think she's more interested in him than the work. Him as a man.

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She's sharing her contacts, Auntie Karen, which is so generous.

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She'll be sharing something...

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I just wanted to say, be careful of Tilly.

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Sorry, love.

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My appetite's all over the place.

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And I'm not exactly the best company, am I?

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Look, I know you're feeling terrible

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and you probably think that nothing

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is worth anything anymore, but maybe...

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We should count our blessings?

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No. I wasn't going to say that.

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Maybe this will bring us closer together.

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We've got a second chance.

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What, so it was a good thing that this happened to me?!

0:14:040:14:07

No obviously not. Don't be stupid.

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There are no positives here, Emma.

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That was me.

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That was Sam Reid.

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That was your husband.

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God knows who this is, cos I don't.

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You are the man I married,

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the man I loved, the man I still love.

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Please, you need to stop fooling yourself.

0:14:410:14:44

Tilly.

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Strewth, look at you!

0:14:580:14:59

-You look amazing.

-I'm going out later so...

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Thanks again for organising this.

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Sure. Paul's great. He's so passionate.

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And he's good-looking. Shame he's married. Don't you think, Tilly?

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He's a free agent.

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Not with a wife, he's not.

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-Grow up, Karen.

-Hey, watch the attitude, you little madam.

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Auntie Karen, please?

0:15:170:15:19

Paul. Hi.

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Hey, hey, hey!

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Hello again.

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So...

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What does everyone want?

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Vodka and tonic for me.

0:15:380:15:39

You sit down. Make the most of Paul.

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I probably shouldn't tell you this, but our head of department's just been singing your praises.

0:15:410:15:47

You're Sasha Millican?

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-That's right.

-Egyptian masks?

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Wow, Sasha, they know your name.

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-What would you like to drink?

-I'll have another G&T, thanks.

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-Sasha?

-Orange juice, please.

-So what's on your list?

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Ah, well, the first thing is work placements.

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You won't know this, Sasha, cos you're still at school,

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but Paul's a respected artist in his own right.

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I've had my share of success.

0:16:100:16:12

I loved your article on surround video techniques.

0:16:120:16:15

His what?

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That was pretty controversial.

0:16:170:16:20

Tilly, come and give me a hand with the drinks.

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It's true. I thought it was quite interesting...

0:16:220:16:25

Hey I love your earring, is it new?!

0:16:250:16:28

-Yeah.

-Oh!

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I daren't ask.

0:16:370:16:39

Foxes? Squirrels? Wombles?

0:16:410:16:44

-They're rabbits.

-Oh, yeah, so they are.

-You've got one orange leg.

0:16:440:16:50

Is that part of the Tuscan look?

0:16:510:16:54

I ran out of fake tan. You weren't supposed to notice.

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I always notice.

0:17:030:17:05

I was a grumpy git before, Em.

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I'm not going to get any cheerier now.

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You were never grumpy.

0:17:160:17:18

Are there modules on lighting design?

0:17:250:17:28

That shirt is amazing, Paul.

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It really suits your physique.

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So does yours.

0:17:340:17:35

Sorry, I should have held off on the G&Ts, but my wife...

0:17:390:17:44

Your wife? You were saying about your wife?

0:17:460:17:49

I think she's...

0:17:510:17:54

Between you and me,

0:17:550:17:56

I think my wife Marianne is maybe having an affair.

0:17:560:18:01

Oh dear.

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I can't lose her. It's devastating.

0:18:030:18:06

Devastating, yes.

0:18:060:18:08

Paul, I was really hoping to see inside the theatre.

0:18:080:18:12

-You need permission, I'm afraid.

-Told you.

0:18:120:18:14

Paul, have you and Marianne, was it? Have you got kids?

0:18:150:18:19

Oh, yeah, five and three.

0:18:190:18:24

Awh.

0:18:240:18:27

They're great.

0:18:270:18:28

-So, she was asking...?

-Yes, sorry, what were you asking?

-I was...

0:18:280:18:32

Is it silk-based? It feels great.

0:18:320:18:36

-Oops. I am so sorry.

-Karen! For goodness sake I'm soaked!

0:18:370:18:41

I'll just help her out.

0:18:410:18:45

Paul. The lighting design modules?

0:18:470:18:50

Yeah, we look at visual composition, relationship with performance...

0:18:500:18:57

What's going on with you, sweetheart?

0:19:000:19:02

Immie says that you are always all about the work and you were great.

0:19:020:19:08

-That's a lie.

-One of the best in college.

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Maybe there. But out there we're average.

0:19:110:19:15

Not rubbish, but not great either.

0:19:150:19:18

It's actually quite hard being average.

0:19:190:19:22

Immie's at the Slade, I'd say she's managing.

0:19:220:19:26

I'm managing.

0:19:260:19:28

What, like this? Throwing yourself at a lecturer twice your age?

0:19:280:19:32

Yes. Like this.

0:19:320:19:34

They've gone. You did that on purpose.

0:19:420:19:46

Ring Sasha, find out where they are.

0:19:460:19:48

I'm not taking orders from you.

0:19:480:19:49

I get it. You haven't got Paul's number yet, have you?

0:19:510:19:54

Sorry.

0:19:590:20:00

Wow!

0:20:030:20:04

I can't show you the lighting, unfortunately,

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but it really emphasises the harshness of the play.

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I've got goose bumps.

0:20:140:20:15

Have you?

0:20:150:20:17

It's great seeing a young artist so engaged with other people's work.

0:20:170:20:22

Thank you so much for showing me.

0:20:220:20:24

Can I see the other props? Are they backstage?

0:20:250:20:29

That's right. After you.

0:20:290:20:31

After our last session, I was trying to think about the initial triggers.

0:20:400:20:44

Mmm-hmm. And?

0:20:450:20:48

How could I be jealous? I love my son, I honestly do.

0:20:480:20:52

So?

0:20:530:20:55

But I was. Not of him himself.

0:20:550:20:58

But of how he became the absolute centre of Zara's life.

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Where I used to be.

0:21:050:21:07

That's pathetic, isn't it?

0:21:090:21:10

What do you mean by "the centre of her life"?

0:21:120:21:15

That she loved him unconditionally.

0:21:190:21:22

There was no room for anyone else.

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For you?

0:21:250:21:27

That's what I thought, initially. But then I realised she's never loved me that way.

0:21:270:21:32

I love her unconditionally.

0:21:340:21:36

Zara has got a lot of barriers up.

0:21:380:21:40

I've never been able to get through them all.

0:21:400:21:43

And Joe?

0:21:450:21:46

He broke through them just like that.

0:21:460:21:50

I'm not sure where the working lights are.

0:21:510:21:54

It totally captures the despair of the play.

0:21:540:21:56

The images look amazing.

0:21:580:21:59

So do you.

0:22:010:22:02

I know I shouldn't, but I'm going to help you get on this course.

0:22:050:22:10

Cos we could do some fantastic work together.

0:22:100:22:14

Sorry?

0:22:140:22:15

Don't be.

0:22:160:22:18

I'm sorry. I don't know what came over me.

0:22:260:22:30

That was totally unprofessional, I should never have kissed you back.

0:22:300:22:36

I apologise profusely.

0:22:360:22:38

She's that way.

0:22:410:22:44

She's been let down by people all her life including by me.

0:22:450:22:49

No wonder she's wary. Self preservation.

0:22:520:22:55

As is maternal instinct.

0:22:570:22:59

Yeah.

0:23:030:23:04

As I said, she took me by surprise.

0:23:110:23:13

She's 17.

0:23:130:23:14

I should've read the signals better. I wasn't expecting her to...

0:23:140:23:17

Sorry, but you kissed me!

0:23:170:23:19

This is so lame.

0:23:190:23:21

I'm a happily married man.

0:23:210:23:22

Happily married. You're a dirty...

0:23:220:23:24

I open up the theatre out of the goodness of my heart...

0:23:240:23:27

Nothing to do with the four gin and tonics.

0:23:270:23:29

..for the benefit of a potential student and this is what happens.

0:23:290:23:34

-Now if you don't mind...

-Why are you lying?

0:23:350:23:38

-Lying?!

-Yeah.

0:23:380:23:40

I think your young friend needs to grow up

0:23:400:23:42

a little before she applies here.

0:23:420:23:44

-What?

-We're looking for talent, yes,

0:23:440:23:46

but equally crucial is the maturity to use that talent.

0:23:460:23:51

Don't you think, Tilly?

0:23:510:23:53

Maturity is crucial.

0:23:540:23:57

Hang on, you're going to make her pay for your seedy little mistake?

0:23:570:24:00

It's about maturity, Karen, weren't you listening?

0:24:000:24:03

John Ravenscourt was younger than me when he started his career.

0:24:030:24:06

This scholarship's about raw talent.

0:24:060:24:08

I'm afraid to say,

0:24:080:24:10

creative success is as much about your personality as your talent.

0:24:100:24:14

Tough but true.

0:24:140:24:16

-Sorry, hon, but he's right.

-Walk with me to the office.

0:24:160:24:22

Sweetheart, are you OK? Yes?

0:24:250:24:28

Oh!

0:24:280:24:30

He needs her to love him unconditionally.

0:24:330:24:36

I get that, every child needs that.

0:24:360:24:39

Everybody wants to be loved as much as they love others.

0:24:390:24:43

But even when I've done my best to be trustworthy and a good partner,

0:24:430:24:47

if she could just have a little bit more faith in me.

0:24:470:24:50

Maybe I should talk to her about couples therapy again.

0:24:500:24:53

What do you think?

0:24:530:24:54

Daniel, for now we need to focus on your issues.

0:24:540:24:59

It's more important we understand how you got to where you did...

0:25:000:25:04

..with Joe.

0:25:050:25:06

I'm going to report him for this, don't you worry.

0:25:100:25:13

I am so sorry.

0:25:130:25:15

What are you doing?

0:25:170:25:19

"Pick me up urgently. My office."

0:25:190:25:22

Who are you sending that to?

0:25:220:25:25

Um Marianne, wasn't it?

0:25:250:25:26

His wife?

0:25:260:25:28

Message sent.

0:25:300:25:31

That'll sort him out.

0:25:310:25:34

You don't have to worry about me,

0:25:340:25:36

Auntie Karen, I can look after myself.

0:25:360:25:38

I can see that.

0:25:380:25:40

This hasn't put you off university, has it?

0:25:440:25:47

I have had an awesome day, thanks.

0:25:470:25:51

I'm definitely going to go to university, scholarship or not.

0:25:510:25:54

I'm dead chuffed. And your mum will be really happy,

0:25:540:25:59

which makes me happy.

0:25:590:26:01

Can you imagine her face

0:26:010:26:03

when I tell her a middle-aged lecturer kissed me?

0:26:030:26:05

You might want more from life.

0:26:080:26:11

What more could I want?

0:26:110:26:12

You've been there for me every day since I was 16 years old.

0:26:140:26:18

I couldn't have done any of it without you.

0:26:180:26:20

I'd have never become a doctor.

0:26:200:26:23

You worked hard. You earned it.

0:26:230:26:25

Sam, the happiest days of my life are when I'm with you.

0:26:250:26:30

How many couples can say that, that they're happy?

0:26:320:26:36

Not many.

0:26:380:26:39

We like each other.

0:26:410:26:43

No, we love each other.

0:26:460:26:47

We managed before, we'll manage now.

0:26:520:26:57

And Isabella's pregnant!

0:27:070:27:09

Ah. Who's Isabella, have I met her?

0:27:090:27:12

-Is she hot?

-She's a pig.

0:27:120:27:14

Scientific studies have proven

0:27:170:27:19

that my treatment will reduce the risk of cancer by up to 50%.

0:27:190:27:24

There's a fox so keep an eye on the chickens.

0:27:240:27:26

-And the septic tank'll need emptying.

-What?!

0:27:260:27:29

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