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AGONISED SCREAMS | 0:00:31 | 0:00:33 | |
Did you hear where it came from? | 0:00:37 | 0:00:39 | |
I am almost certain it was someone in the drawing room, madam. | 0:00:39 | 0:00:43 | |
SHE SQUEALS | 0:00:43 | 0:00:45 | |
-Is he..? -He's dead, apparently. | 0:00:49 | 0:00:52 | |
So, what was the cause? | 0:00:52 | 0:00:54 | |
Now, how would I know that? I'm just a lowly butler. | 0:00:54 | 0:00:58 | |
Marcus - oh, no! | 0:01:00 | 0:01:02 | |
Which one of you did it? | 0:01:07 | 0:01:09 | |
I could have been at home, feet up, glass of wine, | 0:01:09 | 0:01:12 | |
but no, thank you Heston for promising that this would be fun. | 0:01:12 | 0:01:15 | |
Who could have murdered poor Marcus? | 0:01:15 | 0:01:18 | |
Thank God! He was really getting on my nerves. | 0:01:20 | 0:01:23 | |
Who knew he was coming back from Egypt tonight? | 0:01:25 | 0:01:29 | |
Which one of you could have done such a vile thing? | 0:01:29 | 0:01:33 | |
I, Mrs Hench, could not be responsible. As your loyal | 0:01:33 | 0:01:38 | |
cook for many year's standing, | 0:01:38 | 0:01:40 | |
I was in the...kitchen preparing dinner for your guests. | 0:01:40 | 0:01:46 | |
The Reverend Rushton knows I am telling the truth. | 0:01:47 | 0:01:52 | |
Yes. I came to see Mrs Hench on a personal matter. | 0:01:52 | 0:01:56 | |
And you, Mrs Fyffe-Ridley? | 0:01:58 | 0:02:00 | |
Is that how you pronounce it? | 0:02:00 | 0:02:03 | |
I didn't know, it's got three "Fs" in it. | 0:02:03 | 0:02:07 | |
Sorry. I was dressing for dinner...upstairs. | 0:02:07 | 0:02:12 | |
Professor Bunsen saw me. | 0:02:12 | 0:02:14 | |
I did. I was dressing too and saw Mrs Fyffe-Ridley in the corridor. | 0:02:14 | 0:02:18 | |
Frobisher? | 0:02:19 | 0:02:21 | |
Oh, I was in the dining room, | 0:02:25 | 0:02:27 | |
decanting the claret for this evening. | 0:02:27 | 0:02:30 | |
SHE MUTTERS: Milady. | 0:02:32 | 0:02:34 | |
What? | 0:02:34 | 0:02:35 | |
-(Milady). -Oh, sorry. | 0:02:37 | 0:02:40 | |
Milady. | 0:02:40 | 0:02:41 | |
And you?! | 0:02:43 | 0:02:44 | |
Vulnavia Rhodes, my brother's fiancee, | 0:02:44 | 0:02:48 | |
you have the most to gain from his death. | 0:02:48 | 0:02:51 | |
-Do I? -Hadn't he already changed his will in your favour? | 0:02:52 | 0:02:56 | |
I promise you this - you'll never get your hands on the family jewels. | 0:02:56 | 0:03:01 | |
And you, Captain Lennox, who served so gallantly alongside | 0:03:03 | 0:03:08 | |
my dear, dead brother, where were you, his comrade-in-arms? | 0:03:08 | 0:03:15 | |
I was upstairs...with Miss Rhodes. | 0:03:16 | 0:03:19 | |
-Doing what? -Precious little in this dress! | 0:03:21 | 0:03:24 | |
"It seems, Georgina, you didn't know your brother | 0:03:36 | 0:03:40 | |
"as well as you thought you did. | 0:03:40 | 0:03:42 | |
"For example, were you aware of his opium addiction?" | 0:03:42 | 0:03:45 | |
-Opium? Ah! -"And where did he get his drugs? | 0:03:45 | 0:03:49 | |
"Look suspiciously at Professor Bunsen." | 0:03:49 | 0:03:52 | |
That's a stage direction. | 0:03:52 | 0:03:53 | |
Can't you get into it a bit more? | 0:03:53 | 0:03:55 | |
It took me half an hour to get into this dress, | 0:03:55 | 0:03:58 | |
that's about as much getting into it as I'm prepared to do this evening. | 0:03:58 | 0:04:01 | |
Why do you have to spoil things? | 0:04:01 | 0:04:03 | |
Well, then, clearly there are dark secrets | 0:04:03 | 0:04:06 | |
that even I am not party to - | 0:04:06 | 0:04:08 | |
though I refute utterly this slander against my brother. | 0:04:08 | 0:04:12 | |
< Perhaps Miss Rhodes drove him to drugs? | 0:04:12 | 0:04:17 | |
There might be clues to the truth all over my ancestral home. | 0:04:17 | 0:04:21 | |
Who found the body? | 0:04:21 | 0:04:23 | |
Ah, well, that explains it - the butler did it. | 0:04:23 | 0:04:26 | |
OK, you're looking for clues throughout the mansion. | 0:04:26 | 0:04:29 | |
Ask each other questions, | 0:04:29 | 0:04:31 | |
and remember, there is a murderer amongst us. | 0:04:31 | 0:04:35 | |
Might be more than one before the evening's out. | 0:04:36 | 0:04:40 | |
Frobisher, you might want to check the upper west wing. | 0:04:40 | 0:04:45 | |
Perhaps we should consider pairing for this evening, Mrs Tembe? | 0:04:45 | 0:04:49 | |
Not Tembe. Mrs Hench, who cannot be certain that the Reverend | 0:04:49 | 0:04:54 | |
is not capable of murdering one of his flock. | 0:04:54 | 0:04:58 | |
He is still a man of God. > | 0:04:58 | 0:05:00 | |
And the devil comes in many different disguises. | 0:05:00 | 0:05:03 | |
You do look temptingly angelic in your costume. | 0:05:03 | 0:05:07 | |
SHE CHUCKLES | 0:05:07 | 0:05:08 | |
Are we supposed to be pooling our resources? | 0:05:08 | 0:05:13 | |
Because this whole opium thing puts you squarely in the crosshairs, by the looks of it. | 0:05:13 | 0:05:17 | |
You may think that, I couldn't possibly comment. | 0:05:17 | 0:05:20 | |
I am curious how you lost your eye, Captain? | 0:05:20 | 0:05:23 | |
Tubruk? Dunkirk? Monte Casino? | 0:05:23 | 0:05:25 | |
No, Paris. Madame Fifi's Knocking Shop. Rogue champagne cork. | 0:05:25 | 0:05:29 | |
Didn't see the blighter coming. | 0:05:29 | 0:05:31 | |
I am curious to know what you are doing here? | 0:05:31 | 0:05:35 | |
You are not a member of the Mill staff? | 0:05:35 | 0:05:38 | |
We'll, no, but I am a friend of Karen's. | 0:05:38 | 0:05:41 | |
She and Rob thought I'd enjoy myself, didn't you? | 0:05:41 | 0:05:44 | |
That was very thoughtful of her. | 0:05:44 | 0:05:46 | |
Mrs Fyffe-Ridley, shall we search for clues together? | 0:05:46 | 0:05:50 | |
-A potential suspect. -Really? | 0:05:53 | 0:05:56 | |
Excuse me. | 0:05:56 | 0:05:58 | |
Why don't we search Marcus's bedroom? | 0:06:01 | 0:06:04 | |
Hi, Julie, how's Joe doing? | 0:06:06 | 0:06:08 | |
Oh, for goodness sakes! | 0:06:08 | 0:06:10 | |
You know the rules. Everyone else has handed theirs in. | 0:06:17 | 0:06:22 | |
Ridiculous, treating us like children! | 0:06:22 | 0:06:24 | |
Hold your horses, Miss Rhodes. | 0:06:27 | 0:06:29 | |
I went out of my way to arrange this. Everyone else is game. | 0:06:29 | 0:06:33 | |
I don't think hubby's on board, either. | 0:06:33 | 0:06:35 | |
They promised a thrill-packed evening. | 0:06:35 | 0:06:37 | |
It's their first time organising one, so I got a good deal. | 0:06:37 | 0:06:40 | |
Not only is this a cheap thrill, | 0:06:40 | 0:06:42 | |
but we're guinea pigs into the bargain? WAY to get my enthusiasm. | 0:06:42 | 0:06:45 | |
Why are you even here? | 0:06:45 | 0:06:47 | |
I came on sufferance - Emma bailed, clever woman. | 0:06:47 | 0:06:50 | |
-Heston begged me to step in. -Well, now you're here... | 0:06:50 | 0:06:53 | |
He wants Howard and me to play nicely together. | 0:06:53 | 0:06:55 | |
I'm sure you've had your ear against enough doors | 0:06:55 | 0:06:57 | |
-to know exactly what's going on. -I resent that. -Why? | 0:06:57 | 0:07:00 | |
That skill puts you in pole position to win. | 0:07:00 | 0:07:03 | |
Lots of lovely prize money for Karen. | 0:07:03 | 0:07:05 | |
-There's no prize. -What?! -It's about having fun - if you know how. | 0:07:05 | 0:07:09 | |
If you help me with the solution, we could all go home. | 0:07:19 | 0:07:25 | |
Save you lying there all night. Twenty quid? | 0:07:27 | 0:07:31 | |
At least give me a hint. | 0:07:33 | 0:07:34 | |
My babysitter charges double after ten. | 0:07:34 | 0:07:38 | |
Something Marcus brought back from his travels? | 0:07:49 | 0:07:53 | |
Sorry? | 0:07:53 | 0:07:55 | |
You were with him in Egypt, weren't you, Captain Lennox? | 0:07:55 | 0:07:58 | |
"Yes. Yes, that's where we met, and we became friends." | 0:08:02 | 0:08:06 | |
You bonded, so to speak? | 0:08:06 | 0:08:08 | |
Yes, I suppose. | 0:08:08 | 0:08:10 | |
Well, I think tonight is a chance for a bit of bonding, | 0:08:10 | 0:08:13 | |
or team building, as you like to put it. | 0:08:13 | 0:08:15 | |
Sorry, are you being "you" or the professor? | 0:08:15 | 0:08:21 | |
-Me, Heston. -Right, great idea. | 0:08:21 | 0:08:23 | |
That will give us chance to bolster each other - | 0:08:23 | 0:08:26 | |
find ways to strengthen the team. | 0:08:26 | 0:08:28 | |
It's not quite necessary with you and me. | 0:08:28 | 0:08:31 | |
Whereas, you and Zara, a chance for something more sympatique? | 0:08:31 | 0:08:35 | |
Yes, I didn't even know she was going to be here. Where's Emma? | 0:08:35 | 0:08:37 | |
She pulled out at the last moment. | 0:08:37 | 0:08:39 | |
But Zara replacing her was quite opportune. | 0:08:39 | 0:08:44 | |
In fact, I think she's already getting into it. | 0:08:44 | 0:08:48 | |
It was under everyone's nose's in the drawing room. | 0:08:53 | 0:08:56 | |
Good find! Only, we don't know that he was stabbed. | 0:08:56 | 0:08:59 | |
It could be a red herring, part of the game perhaps? | 0:08:59 | 0:09:03 | |
-How should I know? What do you want? Blood? -That's it? | 0:09:03 | 0:09:06 | |
You're going to coast your way through the evening? | 0:09:06 | 0:09:08 | |
It's the only way you'd have a chance of winning. | 0:09:08 | 0:09:11 | |
So I see, the only way I'd succeed is by you taking a back seat? | 0:09:11 | 0:09:14 | |
-But if you pool resources? -I gave you the dagger. | 0:09:14 | 0:09:17 | |
Imagine what you could achieve if you work together. | 0:09:17 | 0:09:20 | |
You both bring something quite unique. | 0:09:20 | 0:09:22 | |
I think it's more a case of what some people lack than they have. | 0:09:22 | 0:09:26 | |
If you think there's something that I lack that's so vital, | 0:09:26 | 0:09:29 | |
then please just say it? | 0:09:29 | 0:09:31 | |
OK, I don't believe you have Julia's skills or intuition. | 0:09:31 | 0:09:34 | |
-I think that's most unfair. -Where are your people skills? | 0:09:34 | 0:09:36 | |
-Where's your sense of leadership and team building? -I play to win. | 0:09:36 | 0:09:40 | |
Nothing should get in the way of that. | 0:09:42 | 0:09:44 | |
Least of all you. | 0:09:44 | 0:09:46 | |
That could have gone better. | 0:09:52 | 0:09:54 | |
Where do you start with someone like that? | 0:09:54 | 0:09:56 | |
KNOCK ON THE DOOR | 0:09:56 | 0:09:57 | |
FRONT DOOR OPENS | 0:09:57 | 0:09:59 | |
The plot thickens. | 0:09:59 | 0:10:01 | |
Another lamb to the slaughter? | 0:10:03 | 0:10:05 | |
Sorry? Are you the owner? | 0:10:05 | 0:10:06 | |
What's going on? | 0:10:08 | 0:10:09 | |
Murder most foul in the drawing room, Officer, | 0:10:09 | 0:10:12 | |
-but we're on the case. -I'm not police, I'm a prison warden. | 0:10:12 | 0:10:16 | |
Why is everybody here? Who are you? | 0:10:16 | 0:10:18 | |
I'm Officer Marsden. I came to check you're OK. | 0:10:18 | 0:10:21 | |
A prisoner I was helping move to a secure unit has escaped, | 0:10:21 | 0:10:25 | |
and might be in the area. | 0:10:25 | 0:10:27 | |
Serious? ..Alan?! | 0:10:27 | 0:10:29 | |
What happened? | 0:10:29 | 0:10:31 | |
He overpowered my colleague, attacked me, | 0:10:31 | 0:10:33 | |
and took off in our van - he'll be seeking shelter for the night. | 0:10:33 | 0:10:36 | |
And this is the only place for miles. | 0:10:36 | 0:10:39 | |
-Where did this happen? -Not far. | 0:10:39 | 0:10:41 | |
The police are on their way but I came ahead to warn you. | 0:10:41 | 0:10:44 | |
-Almost convinced us. -Sorry? | 0:10:44 | 0:10:46 | |
It's not exactly an Oscar-winning performance. | 0:10:46 | 0:10:49 | |
I'm afraid to say, this isn't part of the entertainment. | 0:10:49 | 0:10:51 | |
I'm Alan Fenwick. This is my wife, Billie. | 0:10:51 | 0:10:54 | |
We're running a murder mystery evening here. | 0:10:54 | 0:10:56 | |
I see. Sort of. | 0:10:56 | 0:10:59 | |
Well, until the police get here... | 0:10:59 | 0:11:01 | |
They're already here, my husband's a sergeant. | 0:11:01 | 0:11:03 | |
Are you? | 0:11:05 | 0:11:06 | |
Yeah, I am. Who were you moving? | 0:11:06 | 0:11:09 | |
A man named Donald Rycart. | 0:11:09 | 0:11:12 | |
Donald Rycart. I see. | 0:11:12 | 0:11:16 | |
Do you know him? Rob! | 0:11:16 | 0:11:19 | |
Are we in any danger? | 0:11:19 | 0:11:21 | |
-I'm sure we'll be fine. -Safety in numbers. | 0:11:21 | 0:11:23 | |
Excuse me for saying, but neither of you sound confident. | 0:11:23 | 0:11:28 | |
If he took your van, surely he'll want to get as far away as possible? | 0:11:28 | 0:11:31 | |
I found that in a ditch a few hundred yards from here. | 0:11:31 | 0:11:34 | |
It's hard to drive in cuffs. | 0:11:34 | 0:11:35 | |
Will one of you tell us who he is? | 0:11:35 | 0:11:38 | |
They've a right to know. | 0:11:38 | 0:11:39 | |
-OK. -He's a mentally unstable man jailed for a number of attacks. | 0:11:41 | 0:11:46 | |
He likes to gain entrance to properties and hide. | 0:11:46 | 0:11:50 | |
-And wait. -And then what? Rob? -When did he escape? | 0:11:50 | 0:11:55 | |
About an hour ago. Long enough to find a way in. | 0:11:55 | 0:11:58 | |
Why don't we get everybody into the drawing room? | 0:12:01 | 0:12:04 | |
I told you this place was a bad idea. | 0:12:12 | 0:12:14 | |
Yeah, because of the risk of escaped prisoners? What about Nigel? | 0:12:14 | 0:12:18 | |
-Who's Nigel? -He's the third member of our team. | 0:12:18 | 0:12:20 | |
He's been setting up clues. | 0:12:20 | 0:12:22 | |
-And looking after your phones and keys. -Why? | 0:12:22 | 0:12:25 | |
So no-one could cheat - you know, search online for info. | 0:12:25 | 0:12:28 | |
-I'd better go warn him. -I'll come with you. -Yes, thanks. | 0:12:28 | 0:12:32 | |
-Not without me you're not. -Don't be daft. | 0:12:32 | 0:12:33 | |
Karen, you come with me to find the phones. | 0:12:33 | 0:12:36 | |
Please tell me that's a prop. | 0:12:42 | 0:12:43 | |
-I'm afraid not. -The window was open. | 0:12:43 | 0:12:45 | |
The phones and the car keys are gone and there's no sign of Nigel. | 0:12:45 | 0:12:48 | |
-We have to assume that Rycart is here. -Oh, no. | 0:12:48 | 0:12:52 | |
OK, love, you go with Alan, or Marcus, or whatever your name is, | 0:12:52 | 0:12:55 | |
let everyone know what's happened. Me and you will check upstairs. | 0:12:55 | 0:12:59 | |
No arguments, we need to go about things very carefully, no heroics. | 0:12:59 | 0:13:04 | |
Because if he's left this behind, | 0:13:04 | 0:13:06 | |
it stands to reason, he's got a better weapon. | 0:13:06 | 0:13:09 | |
Come on - we should get everyone organised. | 0:13:11 | 0:13:14 | |
So we're completely cut off? | 0:13:17 | 0:13:20 | |
Until the police get here. | 0:13:20 | 0:13:22 | |
No. We do not have to accept this situation. | 0:13:22 | 0:13:25 | |
What do you propose? | 0:13:25 | 0:13:27 | |
Well, I could get one of the cars started. | 0:13:27 | 0:13:30 | |
I suggest yours, Mr Bellamy. | 0:13:30 | 0:13:31 | |
You're going to what - hotwire my car? | 0:13:31 | 0:13:34 | |
It is the biggest, it can carry the most people. | 0:13:34 | 0:13:37 | |
Now that's a valuable member of staff. | 0:13:37 | 0:13:39 | |
You actually know how to do that? | 0:13:39 | 0:13:42 | |
Yes, of course. Do I have your permission? | 0:13:42 | 0:13:46 | |
-I'll go with you. -No, I'll go. | 0:13:46 | 0:13:50 | |
Oh, thank you, Reverend. | 0:13:50 | 0:13:52 | |
You'll find the torch in the glove box...if you can get in. | 0:13:52 | 0:13:56 | |
Oh, there will be no ifs. | 0:13:56 | 0:13:57 | |
Meanwhile, let's try and secure as many rooms as we can. | 0:14:08 | 0:14:11 | |
-That's what Rob's doing upstairs. -Why don't you go and help? | 0:14:11 | 0:14:13 | |
Come on. | 0:14:13 | 0:14:15 | |
Heston, why don't you and Marsden take the rooms downstairs? | 0:14:15 | 0:14:19 | |
That leaves us with the second floor, if you can bear my company. | 0:14:21 | 0:14:26 | |
Fine. | 0:14:26 | 0:14:27 | |
Really? | 0:14:27 | 0:14:29 | |
Assuming you've got SAS training or whatever, | 0:14:29 | 0:14:32 | |
I suppose you're the best man for the job. | 0:14:32 | 0:14:35 | |
And there we go. | 0:14:44 | 0:14:46 | |
How did you do that? | 0:14:46 | 0:14:47 | |
I thought you were going to use this somehow. | 0:14:47 | 0:14:50 | |
That is for our defence. | 0:14:50 | 0:14:53 | |
I have had some experience of these matters. | 0:14:53 | 0:14:56 | |
You are a remarkable woman, Mrs Tembe. | 0:14:59 | 0:15:02 | |
I'm not without exposure to crime myself. | 0:15:03 | 0:15:06 | |
I once confronted some men trying to steal from my last church. | 0:15:08 | 0:15:12 | |
My parishioners called me Go Get 'Em Gordon for a while. | 0:15:12 | 0:15:17 | |
All a bit embarrassing, really. | 0:15:17 | 0:15:18 | |
We could make an invincible pair, though. | 0:15:21 | 0:15:23 | |
Let that man come creeping if he dares. | 0:15:23 | 0:15:26 | |
Oh! I nearly gave myself a heart attack! | 0:15:30 | 0:15:34 | |
It's OK, it's only a prop. Nigel must have been here. | 0:15:35 | 0:15:38 | |
I wish he still was. What if we don't find him? | 0:15:38 | 0:15:42 | |
What if we do? | 0:15:43 | 0:15:45 | |
This Rycart, is he always...? | 0:15:51 | 0:15:53 | |
You mean what kind of psycho is he? | 0:15:53 | 0:15:55 | |
-Possibly. -It's what most people think, isn't it? | 0:15:55 | 0:15:57 | |
Lock them away, so we don't have to deal with them. | 0:15:57 | 0:16:00 | |
Do you want me to look at that? I am a doctor. | 0:16:00 | 0:16:02 | |
No. It's fine, thanks. | 0:16:02 | 0:16:05 | |
Good grief. | 0:16:09 | 0:16:10 | |
It's a revolver. | 0:16:13 | 0:16:14 | |
It's a dummy from tonight's game. | 0:16:14 | 0:16:17 | |
Pity, could have been useful. | 0:16:17 | 0:16:20 | |
Karen? | 0:16:24 | 0:16:26 | |
Karen? Are you in there? | 0:16:29 | 0:16:31 | |
We heard a scream. | 0:16:31 | 0:16:33 | |
-It was only me. -Why is this door locked? | 0:16:33 | 0:16:35 | |
-It isn't. -Is that the armour room? | 0:16:35 | 0:16:38 | |
-Yes. -Brilliant(!) | 0:16:38 | 0:16:41 | |
What did she say? Why is that brilliant? | 0:16:41 | 0:16:44 | |
Nigel was meant to rig a couple of the doors to get stuck. | 0:16:44 | 0:16:47 | |
We were going for creepy and mysterious. | 0:16:47 | 0:16:49 | |
Well, you certainly did that! | 0:16:49 | 0:16:51 | |
If they've been rigged to be stuck, they'll just have to be unrigged. | 0:16:51 | 0:16:55 | |
Don't worry about that, just put some welly behind it. | 0:16:55 | 0:16:57 | |
That is the problem with modern cars. | 0:16:57 | 0:17:00 | |
If you cannot bypass the immobiliser, | 0:17:00 | 0:17:02 | |
all your effort will be for nothing. | 0:17:02 | 0:17:05 | |
-Can you do it? -We will know if that red light stops blinking. | 0:17:05 | 0:17:10 | |
The torch, Reverend? | 0:17:17 | 0:17:19 | |
Sorry. | 0:17:21 | 0:17:22 | |
Thank you. | 0:17:22 | 0:17:23 | |
I do admire you, you know. | 0:17:25 | 0:17:27 | |
Hotwiring a car is not an admirable skill, just a useful one. | 0:17:28 | 0:17:33 | |
No, what I meant was... | 0:17:33 | 0:17:35 | |
..I'd really like to see more of you. | 0:17:37 | 0:17:39 | |
I saw movement over there. | 0:17:43 | 0:17:44 | |
Where? | 0:17:47 | 0:17:48 | |
I can't see anything. | 0:17:50 | 0:17:52 | |
I am sure we are being watched. | 0:17:52 | 0:17:54 | |
Perhaps we should go back. | 0:17:54 | 0:17:58 | |
Or perhaps the hunter should become the hunted. | 0:17:59 | 0:18:05 | |
Mrs Tembe! | 0:18:07 | 0:18:08 | |
Mrs Tembe! | 0:18:15 | 0:18:17 | |
I wonder if this Rycart had a military background. | 0:18:24 | 0:18:28 | |
What makes you say that? | 0:18:28 | 0:18:29 | |
The way he works - infiltrate enemy lines, prepare an ambush. | 0:18:29 | 0:18:34 | |
I know where you're coming from. | 0:18:34 | 0:18:36 | |
But I don't think this guy would have made the grade. | 0:18:36 | 0:18:38 | |
Why not? | 0:18:38 | 0:18:39 | |
Well, there are psychometric and intelligence tests. | 0:18:39 | 0:18:42 | |
And there's more to it | 0:18:42 | 0:18:43 | |
than just asking somebody why you want to serve, | 0:18:43 | 0:18:46 | |
or turning down someone who says, "Because I want to shoot someone". | 0:18:46 | 0:18:49 | |
(I thought I saw movement.) | 0:19:01 | 0:19:03 | |
What's through there? | 0:19:07 | 0:19:09 | |
I do not know. Help me up. | 0:19:09 | 0:19:11 | |
Reverend Clement, I do not think it is appropriate | 0:19:22 | 0:19:25 | |
for you to place your hand there. | 0:19:25 | 0:19:27 | |
I don't want you to fall. | 0:19:27 | 0:19:28 | |
I will not fall! | 0:19:28 | 0:19:30 | |
-Mrs Tembe! -Mr Bellamy, what are you doing sneaking around? | 0:19:41 | 0:19:44 | |
I could have seriously concussed you. | 0:19:44 | 0:19:46 | |
We thought you were the psycho. | 0:19:46 | 0:19:48 | |
DRESS RIPS | 0:19:48 | 0:19:49 | |
Oh! That is it. | 0:19:49 | 0:19:51 | |
I wonder how Mrs Tembe's getting on. | 0:19:51 | 0:19:53 | |
She really shouldn't have gone off like that. | 0:19:53 | 0:19:55 | |
At least she wasn't on her own. | 0:19:55 | 0:19:57 | |
You really should let me check that cut. | 0:19:57 | 0:19:59 | |
I told you, no! | 0:19:59 | 0:20:01 | |
Thanks. It's just a graze. | 0:20:02 | 0:20:05 | |
I'll just go and see... | 0:20:08 | 0:20:09 | |
Sit down. | 0:20:09 | 0:20:10 | |
DOOR CREAKS | 0:20:23 | 0:20:24 | |
DRESS CATCHES ON DOOR | 0:20:27 | 0:20:28 | |
No! | 0:20:28 | 0:20:29 | |
Stand back. | 0:20:39 | 0:20:40 | |
Oh, finally! Thank you. Never mind the nutter, let's just go. | 0:20:40 | 0:20:46 | |
Anyone seen Zara? | 0:20:46 | 0:20:48 | |
She tore her dress, probably gone to change somewhere. | 0:20:48 | 0:20:50 | |
That'll cost. These are all hired. | 0:20:50 | 0:20:53 | |
Yeah, cos that's a priority. | 0:20:53 | 0:20:55 | |
She was changing next to Heston, wasn't she? | 0:20:55 | 0:20:57 | |
I tried there, no sign. | 0:20:57 | 0:20:59 | |
Right. You, take Karen and your wife downstairs. | 0:20:59 | 0:21:01 | |
Howard, shall me and you have a look round? | 0:21:01 | 0:21:03 | |
There might be another door stuck somewhere with an irate Zara in it. | 0:21:03 | 0:21:07 | |
-Please be careful. -I will. | 0:21:07 | 0:21:08 | |
Any luck with the car? | 0:21:13 | 0:21:15 | |
Mr Bellamy has a very tricky immobiliser. | 0:21:15 | 0:21:17 | |
We got interrupted. Mrs Tembe saw someone creeping round, and... | 0:21:17 | 0:21:21 | |
-Where did they come from? -Outside. | 0:21:21 | 0:21:23 | |
I think he's been here some time. | 0:21:23 | 0:21:26 | |
Rob and Howard are fetching Zara. | 0:21:26 | 0:21:28 | |
I think we just scarper, even if it's on foot. | 0:21:28 | 0:21:31 | |
-What about Nigel? -Do we assume the worst? | 0:21:31 | 0:21:34 | |
The police will be here soon. We sit tight. | 0:21:34 | 0:21:36 | |
-I disagree. -I shall go back to the car and try again. | 0:21:36 | 0:21:40 | |
-We're safer here. -Like Nigel? | 0:21:40 | 0:21:42 | |
Where are you going? | 0:21:42 | 0:21:43 | |
To look for our friend. | 0:21:43 | 0:21:44 | |
Wait. | 0:21:44 | 0:21:46 | |
It's you. | 0:21:46 | 0:21:47 | |
-I knew there was something. -What? -That uniform's too big, | 0:21:47 | 0:21:51 | |
the trousers are too long and the jumper's too big. | 0:21:51 | 0:21:53 | |
You took it off the real prison officer, didn't you? | 0:21:53 | 0:21:56 | |
-He's been keeping me here. -You are the prisoner? | 0:21:56 | 0:21:59 | |
No, you've got it all wrong. | 0:21:59 | 0:22:01 | |
Where did he go? | 0:22:05 | 0:22:07 | |
BOTH SCREAM | 0:22:32 | 0:22:33 | |
Dr Carmichael! | 0:22:33 | 0:22:34 | |
Get off me, you lunatic! I've lost my dress! | 0:22:34 | 0:22:37 | |
Here, put this around you. | 0:22:40 | 0:22:43 | |
Keep her away from me! | 0:23:05 | 0:23:07 | |
You cannot get away! | 0:23:07 | 0:23:09 | |
I'm not the prisoner! | 0:23:11 | 0:23:12 | |
You cannot deceive us. | 0:23:12 | 0:23:15 | |
-OK, playtime's over. -But I have caught the prisoner. | 0:23:15 | 0:23:17 | |
-No, you haven't, you've just caught a very scared thespian. -What? | 0:23:17 | 0:23:21 | |
It's a wind-up, all part of the evening. | 0:23:21 | 0:23:24 | |
-Listen to him! -So there is no maniac? | 0:23:24 | 0:23:27 | |
I guess that depends on your point of view. | 0:23:27 | 0:23:30 | |
Hang on, I booked a classic murder mystery evening. | 0:23:30 | 0:23:33 | |
We came up with this idea for an extreme murder mystery. | 0:23:33 | 0:23:37 | |
We wanted to offer something unique, | 0:23:37 | 0:23:39 | |
and we thought the way of doing it was to mess with reality. | 0:23:39 | 0:23:43 | |
Crank up the paranoia, take you out of your comfort zone | 0:23:43 | 0:23:46 | |
and make you think you were in real peril. | 0:23:46 | 0:23:48 | |
Then we set about dividing and conquering. | 0:23:48 | 0:23:51 | |
Your imaginations did the rest. | 0:23:51 | 0:23:53 | |
Very clever. So there is no Nigel? | 0:23:53 | 0:23:57 | |
Ah. | 0:23:57 | 0:23:59 | |
There's no Donald Rycart. | 0:23:59 | 0:24:01 | |
I knew all along. | 0:24:01 | 0:24:03 | |
Why were you acting so creepy? | 0:24:03 | 0:24:05 | |
I was being in character. I'd let a prisoner escape. | 0:24:05 | 0:24:09 | |
I was going for it, intense. | 0:24:09 | 0:24:12 | |
Yeah, we did warn you about that, Mr Method. | 0:24:12 | 0:24:14 | |
Well, if you'd provided me with a costume that fit, | 0:24:14 | 0:24:17 | |
then I wouldn't have been attacked by a crazy cook! | 0:24:17 | 0:24:19 | |
I cannot believe I did not see through this. | 0:24:19 | 0:24:23 | |
I am very good at reading people. | 0:24:23 | 0:24:26 | |
So you knew all along that there was no escaped psychopath? | 0:24:26 | 0:24:29 | |
You were playing along? | 0:24:29 | 0:24:31 | |
It was you who said, "Get involved, have some fun." | 0:24:31 | 0:24:34 | |
Not at my expense! Why didn't you let me in on it? | 0:24:34 | 0:24:37 | |
Very clever, but in my opinion, this could have gone very wrong. | 0:24:37 | 0:24:40 | |
That's true, you were lucky. | 0:24:40 | 0:24:41 | |
Your murder mystery could have been Mrs Tembe | 0:24:41 | 0:24:43 | |
in the great hall with the candlestick. | 0:24:43 | 0:24:45 | |
Well, they did promise an evening of thrills. | 0:24:45 | 0:24:48 | |
And we got it. | 0:24:48 | 0:24:50 | |
So, an informative evening. | 0:24:56 | 0:24:57 | |
What did we learn about team-building? | 0:24:57 | 0:25:00 | |
I think we saw that we can still work amicably together. | 0:25:00 | 0:25:02 | |
We already do that. | 0:25:02 | 0:25:04 | |
I see no reason to change the current arrangements. | 0:25:04 | 0:25:07 | |
You mean you still see me as nothing more than a hired help? | 0:25:07 | 0:25:11 | |
That's a little brutal, | 0:25:11 | 0:25:12 | |
but I'm still not convinced you're partnership material. | 0:25:12 | 0:25:15 | |
That's it, then. | 0:25:15 | 0:25:16 | |
You have two options - either admit I'm right, or prove I'm wrong. | 0:25:16 | 0:25:21 | |
Good night. | 0:25:21 | 0:25:22 | |
Good night. | 0:25:23 | 0:25:24 | |
Disappointed? | 0:25:26 | 0:25:28 | |
Earlier on, just for a moment, I thought... | 0:25:29 | 0:25:34 | |
Yep. | 0:25:34 | 0:25:35 | |
Chin up. | 0:25:35 | 0:25:37 | |
And if you think you're getting any nookie later... | 0:25:41 | 0:25:44 | |
You wanted me to get involved, so I did. | 0:25:44 | 0:25:47 | |
I'm damned if I do something and damned if I don't with you. | 0:25:47 | 0:25:50 | |
Why didn't you tell me what was going on? | 0:25:50 | 0:25:52 | |
Because they would have seen through you in a second. | 0:25:52 | 0:25:55 | |
-I can be discreet. -Oh, yeah. | 0:25:55 | 0:25:56 | |
Nobody knows about you and the cowboy outfit | 0:25:56 | 0:25:59 | |
and the gay bar, do they? | 0:25:59 | 0:26:00 | |
Yet! | 0:26:00 | 0:26:02 | |
As I said, Reverend, | 0:26:04 | 0:26:07 | |
I have had plenty of experience looking after myself. | 0:26:07 | 0:26:10 | |
Besides, Dr Carter will be here any moment. | 0:26:10 | 0:26:14 | |
You shouldn't deny someone the chance to do something for you | 0:26:14 | 0:26:17 | |
because they care. | 0:26:17 | 0:26:19 | |
I would have done whatever it took to protect you this evening. | 0:26:19 | 0:26:22 | |
You are a good man. | 0:26:22 | 0:26:24 | |
The way you tend to your flock is truly admirable. | 0:26:25 | 0:26:29 | |
Mrs Tembe, it's not pastoral duty | 0:26:29 | 0:26:32 | |
that makes me feel this way towards you. | 0:26:32 | 0:26:35 | |
I hope, one day, you'll see that. | 0:26:44 | 0:26:46 | |
Good night. It's been quite an evening, hasn't it? | 0:26:48 | 0:26:52 | |
It's quite swollen, there's a chance it might be fractured. | 0:27:05 | 0:27:08 | |
I'm sure it's just a sprain. | 0:27:08 | 0:27:10 | |
An x-ray will tell us for sure. | 0:27:10 | 0:27:12 | |
We were arguing all last night. I started throwing things, furniture. | 0:27:12 | 0:27:15 | |
I had to leave before I went too far. | 0:27:15 | 0:27:17 | |
I'm worried that next time, you know, I might hurt her. | 0:27:17 | 0:27:22 | |
Six o'clock, then? | 0:27:22 | 0:27:23 | |
1800 sharp. | 0:27:23 | 0:27:25 | |
Subtitles by Red Bee Media Ltd | 0:27:51 | 0:27:54 |